superheroes – Page 2 – Author Carlo Carrasco

A Look Back at Uncanny X-Men #282 (1991)

September 26, 2025September 27, 2025carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1991 to explore one of the many tales of the Marvel shared universe through the Uncanny X-Men series.

Uncanny X-Men #281 was a great read. For most of the early 1990s, I read more X-Men stories about the Blue Team than the Gold Team. In Uncanny X-Men #281 – which took place after X-Men #5 – the spotlight was on the Gold Team which showed the strategic leadership of Storm, the X-Men revisiting the headquarters of the Hellfire Club, Jean Grey’s own recollections of past events and the new threat of Trevor Fitzroy and the Sentinels.

With those details laid down, here is a look back at Uncanny X-Men #282, published in 1991 by Marvel Comics with a story co-written by Whilce Portacio and by John Byrne (script). The art was done by Portacio with ink work by Art Thibert.

Early story

The story begins inside the School For Gifted Youngsters when the Gold Team arrives (with Colossus carrying the inactive body of Jean Grey) and disrupts the chess game between Professor X and Forge. Charles Xavier mentally examines Jean and notices that her psyche survives and has been displaced. He realizes Jean is alive but not in her body.

In New York City, Trevor Fitzroy (who is carrying the body of an inactive Emma Frost) and his Sentinels surprise Shinobi Shaw showing what is left of the cyborg of Pierce. Trevor boasted to Shinobi that he won claiming that he has terminated one of the founders of the inner circle, captured a small band of Hellions and has Emma Frost as a trophy. Very slowly, Jean Grey – now occupying Frost’s body – wakes up…

Quality

*Trevor Fitzroy does not know who is inside Emma Frost’s body.*

I can say out loud that this is a great follow-up to the previous issue (which itself is a great read) as it has a lot of hefty payoffs to the build-up from before. With the story concept already established in issue #281, the progression continued strongly, the narrative is clearer and the stakes were raised even higher.

In this issue, Trevor Fitzroy still has extreme tendencies and he might look insane or unhinged to you. Still, Fitzroy really has diabolical plans to execute and those plans involves his ability to open portals to bring in his reinforcements from far away, including the “denizens of the future.” Adding to Fitzroy’s merciless and arrogant personality is his use of the captives’ life force to energize himself to open portals. Really, he does not care much about the lives of captives as he treats them as nothing more than bodies of energy for his use. Whilce Portacio really excels in not only bringing the script to life but also showcasing the personality and expressions of Fitzroy who at this point in comic book history was a brand new villain for the X-Men.

As for the X-Men’s Gold Team, not having Jean Grey was really disadvantageous to them which compels Professor X to actually join them on their mission. This is a notable development as Xavier is very close with Jean (his original student and fellow telepath) and he knows that great odds await their team. Xavier’s involvement added a lot to the plot itself and I love the way John Byrne and Portacio portrayed him here.

When it comes to the storytelling, the pace noticeably moved faster as a lot of payoffs to the build-up were executed here. The X-Men themselves each got their respective share of the spotlight and all of them were portrayed consistently in character. The stakes were raised here this time and the handling of all the details and developments was very solid.

Conclusion

*Knowing great odds await them, Charles Xavier joins the X-Men on their mission to save Jean Grey.*

Even with the stakes raised higher, the creative team delivered the great stuff Uncanny X-Men #282 (1991) is a very worthy follow-up to the previous issue. In fact, I find this comic book more entertaining and more intriguing to read from start to finish. Fitzroy is indeed a very worthy new enemy for the X-Men’s Gold Team, and there is much that long-time X-Men fans can enjoy here.

Overall, Uncanny X-Men #282 (1991) is highly recommended!

+++++

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A Look Back at Uncanny X-Men #281 (1991)

September 5, 2025September 27, 2025carlocarrasco

For the newcomers reading this, Marvel had a major reorganizing of their X-Men-related comic book series in the 2^nd half of 1991. After the events of the Muir Island Saga, the X-Men grew into such a large group they had to be divided into two teams – Blue and Yellow – under Charles Xavier who returned as their leader. When X-Men #1 (by Chris Claremont and Jim Lee) launched in 1991, it showed the Blue Team dealing with Magneto. Uncanny X-Men #281 was released the same month as that comic book and it shows the first mission of the Gold Team composed of Storm, Jean Grey, Colossus, Iceman and Archangel. Very notably, its story took place immediately after X-Men #5 was released in 1992.

With those details laid down, here is a look back at Uncanny X-Men #281, published in 1991 by Marvel Comics with a story co-written by Jim Lee and Whilce Portacio and script by John Byrne. The art was done by Portacio with ink work by Art Thibert.

Early story

The story begins in the Australian outback where the Reavers are relaxing while the sandstorm is happening and with them is Donald Pierce. Suddenly, a group of Sentinels attacked them resulting in deaths of some of their members.

Elsewhere in New York City, Storm, Jean Grey, Archangel, Colossus and Iceman – all in formal attire as civilians – attend a lavish party at the headquarters of the Hellfire Club. It turns out, they were invited by Emma Frost who leads the club. Even with several guests and a lot of enjoyable things around them, the X-Men remain prepared to react if something unfortunate happens.

After a brief moment of tension between the X-Men and the Hellions, someone in a powered suit of armor crashed through a door near Jean, Storm and Archangel. Emma Frost emerges, takes the helmet off the armored person (a young woman) and even welcomed the X-Men. Frost claims that the armored lady was another assassin who tried to take her life and it is the 2^nd assassination attempt she encountered over the past weeks….

Quality

*The Sentinels, Lady Deathstrike and Donald Pierce in an intense scene.*

As this comic book was part of the new era of the X-Men, the creative team came up with tale that is loaded with sub-plots that had a mix of old (the X-Men fought with the Hellfire Club during the Dark Phoenix Saga, and had encounters with the Sentinels a number of times) and new (Trevor Fitzroy – the illegitimate son of Sebastian Shaw – and the Upstarts are the new antagonists of the X-Men) creative elements for the X-Men’s Gold Team to encounter. The fact that the Hellfire Club is present in the story requires readers to have some knowledge about them from previous X-Men comic books as well as other characters and past tales that formed the background of the newer characters.

The story was made to modernize the X-Men and their struggle with people they encounter, while creatively reconnecting with the past. This should not be a surprise because writer John Byrne (yes, the same creator behind The Man of Steel mini-series) himself was involved in the Dark Phoenix Saga. The result is a tale of intrigue, twists, action and a lot of tension here.

When it comes to encounters, I enjoyed the discussion the X-Men had with Emma Frost (first appeared in Uncanny X-Men #129) who was their fierce enemy (Frost previously tried to manipulate Kitty Pryde) before having a change of heart and partnered with Professor X. Their exchange of words was civil, smart and there were some nice pay-offs in the form of intriguing revelations. The script by John Byrne was really solid here.

The artwork by Whilce Portacio here is still great to look at and his contribution on modernizing the X-Men’s look for the 1990s is a must-see. The same can be said with his take on Emma Frost, and the other established characters here. Portacio’s visualization of Trevor Fitzroy has that strong science fiction vibe combined with that fluffy early 1990s look.

Conclusion

*The X-Men witness an intense moment followed by the emergence of Emma Frost.*

Even though there were a few bumps on the flow of the narrative, I can say that Uncanny X-Men #281 (1991) is a very enjoyable read filled with intrigue, twists, reconnections to the past, notable character moments and sufficient spectacle. Its story has a lot of details and attachments to the past which will resonate with long-time X-Men fans. At the same time, Whilce Portacio’s art works made this one of the finest looking Uncanny X-Men issues of the 1990s and that is saying a lot. Considering the details and the richness of the writing, this Uncanny X-Men comic book should be read at a moderate pace as paying close attention to what was presented is essential.

That being said, this first tale of the Gold Team of the X-Men is a great read.

Overall, Uncanny X-Men #281 (1991) is highly recommended!

+++++

A Look Back at What If #33 (1982)

August 25, 2025August 19, 2025carlocarrasco

Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1982 to examine alternate stories of the Marvel Comics shared universe chronicled through the original What If monthly series.

Back in the early 1980s, Dazzler quickly became popular among comic book readers and a standalone monthly series was launched no so long after her debut in Uncanny X-Men #130. Earl on in her monthly series, Dazzler eventually encountered Galactus (the classic nemesis of the Fantastic Four) in a wild tale involving the galaxy. On the other hand, Marvel Comics published a wild tale of the conflict of Iron Man and Dr. Doom (also the nemesis of the Fantastic Four) involving time travel and the presence of King Arthur in Iron Man #150. Eventually, Marvel decided to make alternate tales of the mentioned stories of Dazzler and Iron Man and publish them through an issue of What If.

With those details laid down, here is a look back at What If #33, published in 1982 by Marvel Comics with a Dazzler story written by Dan Fingeroth and drawn by Mike Vosburg, and the Iron Man story written by Steven Grant and drawn by Don Perlin.

Early story

What if Dazzler had become the herald of Galactus? – The story begins with Dazzler standing in the presence of Galactus, Terrax and Drone R-II. After Galactus renders his judgment on Terrax by banishing him to the depths of a black hole, he tells Dazzler she has proven herself worthy to become his new herald. As Drone R-II reminded his superior of the fact that previous heralds were forced to leave service due to their own moral codes and added that Dazzler will do the same, she questions them and stated that she does not belong in deep space and wants to go home. Galactus tells her that Earth is a planet he has sworn to devour and by becoming his herald, he will perhaps spare her home world. Dazzler finds herself cornered and reluctantly joins Galactus as his new herald. Immediately, Galactus sends her out to deep space for her first task…

What if Iron Man had been trapped in King Arthur’s time? – The story begins in the past wherein Doctor Doom and Iron Man found themselves during the time of King Arthur. After separating themselves by taking different sides – Iron Man with King Arthur and Doom with Morgana LeFay – they decide to set their differences aside for the common goal of creating a crude time machine to return to the future. Instead, Doom takes advantage of the time machine by shocking Iron Man and leaving him behind in the past. With Doom back in the future, Iron Man struggles moving on the ground only to encounter Morgana LeFay. Believing that there is no pleasure in breaking a helpless man, Morgana spares Iron Man and tells him to return to King Arthur with her pledge…

Quality

*After doing advanced work, Dazzler can only watch and witness the loss of life as her master Galactus consumes the planet.*

I can start with the good news for you all…the two featured stories in this What If comic book are great to read from start to finish!

With the Dazzler tale, I enjoyed how Danny Fingeroth told the alternate reality story of the dazzling heroine becoming Galactus’ herald and working immediately to serve him. Not only does Dazzler carried tremendous powers she did not have before, she was able to quickly travel through deep space and visit planets that are suitable for her master’s consumption. Even as she wielded tremendous power, Dazzler still retains her conscience and does some analyzing of situations.

Of course, she still retained her human nature throughout and there are moments when she felt defeated or shocked which alone made her a questionable herald. Galactus himself is pretty much in character in this tale and it is very engaging to see how his actions impact not only the beings of the cosmic realm of the Marvel universe but also on Dazzler herself. Without spoiling the plot, I can say the ending is captivating and truly is worth the build-up.

*The stranded Iron Man makes an impact on a battle favoring King Arthur.*

Regarding the Iron Man tale, the creative team came up with the concept of having the armored superhero actually stranded in time (left behind by Doctor Doom) and getting burdened by many factors. With Doom gone early in the plot, this effectively made Iron Man the main focus and his involvement in the conflict between King Arthur and Morgana really raised the stakes.

Not only does Iron Man have to deal with conflicts, he also became vulnerable as the era of King Arthur had very low forms of technology which made the superhero’s desire to return to the future an effort against the impossible. As the story went on, Iron Man makes impact on the conflicts between the forces of King Arthur and Morgana and the good news here is that the creative duo of Steve Grant and Don Perlin made it all believable and serious to follow.

Conclusion

*Tony Stark struggles initially with being stranded in the past.*

I can say that What If #33 (1982) is a great read! The respective tales of Dazzler and Iron Man are captivating, intriguing and enjoyable to read. The creative teams of each story succeeded in building up their respective concepts, moved the established superhero to daring creative directions, and delivered powerful conclusions. This issue of the old What If series has to read as it is a true escape from reality!

Overall, What If #33 (1982) is highly recommended!

+++++

A Look Back at Independence Day #0 (1996)

August 22, 2025August 17, 2025carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book, watching the 1996 movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back science fiction enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1996 to take a close look at one of the licensed comic books Marvel Comics published which was part of the release of the movie Independence Day (also referred to as ID4).

Back in 1996, there was a considerable amount of hype and anticipation for Independence Day’s release in cinemas not just in America but also in other parts of the world. Following the success they achieved together in Stargate (1994), producer Dean Devlin and director Roland Emmerich teamed up again to make Independence Day which was back then the most modern cinematic portrayal of aliens invading Earth causing the people to fight back. The film creatively was also a disaster movie of its own backed with science fiction concepts and the latest special effects of the era. Independence Day went on to gross almost $820 million worldwide and I myself saw it in a fully packed cinema here in the Philippines.

As I saw the movie, I noticed details about events that took place sometime in the past and they were presented not as flashbacks but only as spoken words. There is that verbal reference about Jeff Goldblum’s character punching Bill Pullman’s character some time before the latter became US President. There are also spoken words about Randy Quaid’s character being previously abducted by aliens. As part of the marketing and publicity of the movie, Marvel Comics was licensed to publish not only a 2-part comic book adaptation but also a prequel comic book.

With those details laid down, here is a look back at Independence Day #0, published in 1996 by Marvel Comics with a story written by Phil Crain (based on ideas by Dean Devlin and Roland Emmerih) and drawn by Terry Pallot, Steve Erwin, Rod Whigham and Gabriel Gecko.

Early story

The story begins on July 4, 1947 in Roswell, New Mexico. A thunderstorm took place in the evening compelling residents to stay inside their respective homes. As the storm went on, an unidentified flying object (UFO) of alien origin got struck by thunder causing it to crash on the field of someone’s property with a huge impact that disturbed local residents. The alien ship opens and one of its passengers (alien) ventures out into the stormy night. Injured and still in shock, the passenger slowly moves away from the ship.

The next evening, the property owner arrives and finds several pieces of debris of the crashed ship scattered on the field. He notices the metal are lighter than anything he touched, and he could see the writings were not man-made. The property owner informed the local sheriff of what he found which led to the American army sending troops to the field. The American military plane flies over them and finds the crashed alien ship.

Quality

When Whitmore was still a US Senator and candidate for US President, he got punched by David Levinson who thought that he was having an affair with his wife Constance “Connie” Spano. This later led to the “You punched the President,” line in the movie.

As described above, this prequel comic book visually dramatizes the past events that were only mentioned in the movie particularly with regards to the Roswell UFO incident as well as Area 51 and how the government handled findings about aliens from outer space. In fact, the story here was scripted to move from one significant event to the next through the decades, and the good news here is that the exposition is not too heavy (when compared to Jurassic Park comic books of 1993) and the pacing moved at a medium pace. The result is a reading experience that is intriguing and entertaining.

The creators really went all in with their fictional portrayal of the movie’s aliens being involved in Roswell and Area 51, and the notable thing is that they really took the presentation seriously. It’s as if they were trying to tell a factual story which smoothly connects with the movie.

When it comes to the characters from the movie, you will find them in this comic book depending on the stage of the narrative and the time setting. While the characters of Pullman, Goldblum, Robert Loggia, Will Smith, Brent Spiner, James Rebhorn, Viveca A. Fox and Margaret Colin are dramatized in the 1990s scenes, you will see the younger versions of a few of them set in the 1960s scenes. The abduction scene of Randy Quaid’s character is set in the 1980s.

As for the script written by Phil Crain, the narrative of this comic book surprisingly has a more serious and dramatic tone when compared to what was expressed in the movie. There were even a few horror elements and no comedic stuff at all. Again, this should not be surprising because this comic book was meant to dramatize past events to not only connect with the movie’s core concept but also show why certain characters acted the way they did in the film.

As this comic book involved multiple artists, it should not be a surprise that the result is of varying quality from one scene to another. In fairness, the illustrator (or illustrators) who drew the Area 51 scenes and the crashed alien ship did a good job with the details. As for the characters, pilot Steven Hiller resembled Will Smith enough, and the same can be said about Thomas Whitmore somewhat looking like Bill Pullman, David Levinson looking somewhat like Jeff Goldblum, and General Grey slightly looking like Robert Loggia. Meanwhile, Constance Pano resembled Margaret Colin more while the 1990s Dr. Okun resembled Brent Spiner in a few shots.

Conclusion

*The creators went all-in to make the 1947 Roswell UFO incident a history of Independence Day.*

To get straight to the point, Independence Day #0 (1996) succeeded with its main objective of establishing visually the past and emphasizing developments connecting with the blockbuster movie of 1996. It was made with a strong appeal to fans of Independence Day as well as people who simply are fond of UFOs and conspiracy theories regarding Roswell and Area 51. People who are not too interested in the movie and UFOs might not be impressed with this comic book. In my view, this prequel comic book has good enough qualities that make it worth reading and its serious narrative is both surprising and enjoyable. Ultimately, it is a worthy companion piece to the movie.

Overall, Independence Day #0 (1996) is recommended.

+++++

A Look Back at What If #85 (1996)

August 18, 2025August 14, 2025carlocarrasco

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1996 and explore a part of Marvel Comics’ universe through the reimagined tales emphasized in the What If monthly series.

Back in 1993 – the year that Marvel Comics celebrated the 30^th anniversary of the X-Men – the definitive rival of the X-Men, Magneto, made a major comeback and he was so resourceful as a threat to everyone. With the massive space station Avalon as his lair, Magneto sent out Exodus to lure mutants to join him. As time passed, Magneto’s own force grew and arrogantly disrupted the funeral of Illyana Rasputin in the presence of the X-Men, X-Force, Excalibur and X-Factor (as told in Uncanny X-Men #304). As the conflict went on, Colossus betrayed the X-Men to join Magneto.

Can you just imagine what would it be like had Magneto became the ruler of mutants?

With those details laid down, here is a look back at What If #85, published in 1996 by Marvel Comics with a story written by David Michelinie and drawn by Arnie Jorgensen.

Early story

The story begins inside Avalon with Magneto and Colossus watching recorded footage of Charles Xavier announcing his decision to stop opposing the ascension of Avalon. It turns out, Xavier’s decision paved the way for mutants to relocate to Avalon (orbiting Earth) in return for assurance that those who remain in it will do so unmolested. With the intention to let Avalon’s residents achieve their full and glorious potential, Magneto allowed the mutants to rule themselves without any dictatorship by him.

Through the years, division between Avalon’s mutants – Acolytes who believe in isolation and the Acolytes who believe in annihilation – intensified and proved that the spirit of mutant unity has faded away. As violence between the mutants went on, the number of explosions inside Avalon kept increasing…

Quality

*A magnificent view for Magneto, Colossus and the readers.*

What I like most about this What If tale is its core concept exploring what would have happened had Magneto ruled the mutants specifically those living in his own realm (Avalon). Writer David Michelinie (best known for writing Amazing Spider-Man stories) wrote a really inspired script that emphasized Magneto’s vision of mutant utopia isolated from the twisted and complicated societies of Earth (which still has lots of people who are afraid of and hostile towards mutants) while leaving room for conflict in the form of ideological division between mutants on Avalon. As the growing division and violence are shattering Magneto’s vision of mutant utopia, the birth of an infant whose presence adds to the tension and fear of Avalon’s inhabitants.

The good news here is that Michelinie’s script is pretty solid and Arnie Jorgensen did a good enough job visualizing it all. The characters, mainly Magneto, Colossus and Beast, were portrayed clearly in character and to see the master of magnetism struggling with maintaining order on Avalon is a nice portrayal of his human side which makes him have a lot more in common with his opposite Professor X when it comes mutant matters. Considering Magneto’s long history of intense evil and obsession with leading humanity, his portrayal of insecurity, doubt and weakness is very believable to read.

Colossus, whose betrayal of the X-Men in Uncanny X-Men #304 remains unforgettable, is the loyal and sensible servant of Magneto. Beast, meanwhile, remains the very bright and insightful mutant scientist as he has always been which makes Michelinie’s writing really impressive.

Also at the heart of the story is mutant order. Apart from the division between Avalon mutants who want full separation from humanity and those who want to conquer Earth by eliminating all human beings, the very fabric of mutant society got shaken all because of an infant who was born there on Avalon (Avalon’s first natural birth ever). I like the way this sub-plot added tension to the mutant division because it is, in some ways, socially relevant to this day. It will remind you that certain groups of people out there who would go as far as committing murder only because they are so obsessed with their foolish, worldly beliefs. Look at the Palestinian terrorists, the Iranian terrorists and the woke mobs in many parts of the world.

Conclusion

*Remember Fabian Cortez and the Acolytes?*

With a very solid script filled with intrigue, social relevance and portrayals, What If #85 (1996) is a pretty engaging read. As it is strongly focused on Magneto and his mutants on Avalon, this comic book gives readers a fine dramatization of its core concept as well as developments on what would have happened had mutant utopia been realized far away from human society. I should state that for every build-up in the story, the payoff is fortunately solid. Consider this comic book a dramatic portrayal of mutants of Magneto without the involvement of the X-Men.

Overall, What If #85 (1996) is recommended.

+++++

A Look Back at What If #23 (1991)

August 13, 2025August 7, 2025carlocarrasco

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1991 and explore a part of Marvel Comics’ universe through the reimagined tales emphasized in the What If monthly series.

If you are not aware of the extensive literary history of the X-Men, the mutant franchise of Marvel Comics had its turning point in the mid-1970s with the release of the 68-page Giant-Size X-Men #1 which introduced a newer lineup of mutants (Wolverine, Cyclops, Nightcrawler, Thunderbird and Storm). It has been argued that Giant-Size X-Men #1 marked the starting point of the bronze age of comics in America and creatively it sparked a new chain of X-Men stories that captivated the fans and attracted new readers.

But what would have happened had the newer lineup of the X-Men did not even exist?

With those details laid down, here is a look back at What If #23, published in 1991 by Marvel Comics with a story written by Kurt Busiek and drawn by Rodney Ramos.

Early story

The story begins when the original X-Men (Cyclops, Jean Grey, Angel, Beast and Iceman) members, Havok and Polaris arrive on the island of Krakoa. A huge green monster suddenly appears and attacks them. Guided by Professor X’s mind, Marvel Girl/Jean Grey helps Polaris by overriding the mental blocks that prevented her from using her full magnetic might. With a lot more power in her, Polaris takes action and helps the X-Men not only overwhelm the monster but also hurled the entire island of Krakoa into space.

As the X-Men were never captured by Krakoa, there was no reason to recruit a new team. The X-Men returned home and proceeded with other matters. On the other hand, Charles Xavier experiences a series of intense nightmares of conflict in outer space. As the nightmares took its toll on him, Professor X decides to take a vacation. Before he could leave, the X-Men are suddenly attacked by Eric the Red, Proudstar and Nightcrawler…

Quality

*Without the existence of the 2nd X-Men team (from Giant-Size X-Men #1), the original X-Men’s first encounters with Dazzler, Kitty Pryde and the Hellfire Club turned out totally different.*

This What If tale exploring an alternate chain of events involving only the original X-Men is not only a daring piece of work by the creators but it is also highly ambitious as seen through the scope of the plot. I’m not just talking about the non-existence of the 2^nd X-Men lineup of Giant-Size X-Men #1 but also alternate realities of real X-Men developments such as the encounter with the Phoenix, Lilandra and Professor X’s first encounter, the X-Men’s encounter with the Hellfire Club, and more. Truly, the alterations were executed and the consequences were quite intense.

By focusing on the concept of the original X-Men proceeding as the 2^nd X-Men team did not materialize, the Busiek-Ramos team really went all-in exploring the different possibilities and most of them were intriguing and entertaining to follow. The reading experience can be jarring because of the sudden change of scope that happens when the narrative suddenly shifted from one plot development (of local conflict) to another (a conflict on a galactic scale). Indeed, the narrative can be challenging to follow and to really enjoy it, you should pay strong attention to the details as you read on.

When it comes to character development, there is very little to find here which is not surprising given the way the script was written and also because the spotlight had to be shared by so many characters. Still, I enjoyed the character moments between Cyclops and Jean Grey, particularly during important points in the 2^nd half of the story.

If there were any weak spots in the presentation, it is the fact that a lot of exposition had to be done and there were certain parts of the narrative that felt crammed with an excessive amount of details. Not only that, there is also an excessive amount of characters that go beyond the X-Men such as Lilandra of the Shi’ar Empire, the Starjammers, Alpha Flight, the Avengers and other beings of science fiction mixed in which make following the narrative challenging at certain points.

Conclusion

*The original X-Men team plus Polaris and Havok.*

What If #23 (1991) has more than enough advantages that outweigh the disadvantages. It’s story is very intriguing and enjoyable to read even though there were some bumpy parts on the narrative. Still, it is great to see what would have happened had the newer X-Men team never materialized and this comic book’s ending is very impactful to see.

Overall, What If #23 (1991) is recommended.

+++++

A Look Back at Action Comics #550 (1983)

August 8, 2025August 5, 2025carlocarrasco

Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, DC Comics fans and comic book collectors! Today we go back to the year 1983 to take a close look at a part of the DC Comics universe through a tale of the Action Comics monthly series.

If there is anything notable about the presentation of superhero elements in Superman stories, it is the occasional use of science fiction. From time to time, DC Comics published tales of Superman going deep into space, encounter alien species and visit far-away civilizations. Sometimes, sci-fi is used on major disasters that Superman has to solve.

With those details laid down, here is a look back at Action Comics #550, published in 1983 by DC Comics with a story written by E. Nelson Bridwell and Bob Rozakis, and drawn by George Tuska.

Early story

The story begins with Clark Kent and Lana Lang presenting television news at the WGBS station telling viewers about The Exploder who attacked a large jumbo jet full of people. As the program continues, breaking news about an enormous underwater eruption north of New Guinea came in.

Shortly after, Clark quickly and discreetly left the station to fly overseas as Superman. By visiting the site of the reported underwater eruption, he notices the entire New Guinea drifting southward. Superman is compelled to go deep underwater to prevent the nation from drifting further and he also realized there is no volcano that caused the blast.

Quality

*Superman goes to outer space to find answers behind the events that took place on Earth.*

This is a Superman tale that does not have the traditional good-versus-evil element of conflict. Instead, it is a sci-fi story that started with solid mystery causing the Man of Steel to do research and detective work to find answers.

The comic book writers behind this were really good in pushing Superman hard on his search for answers to solve mysteries that were really out of this world. Lana Lang’s father appears here as a long-time archaeologist who successfully discovered an ancient artifact described as a so-called disk. The plot turned intense when The Exploder suddenly emerged to take the disk away which unsurprisingly pushed Superman to not only react but also get answers.

I like the fact that as Superman does detective work, Lana Lang and Jimmy Olsen contributed nicely to the plot. At the same time, the mystery and tension really built up as the story went along and the payoff the comic book creators came up with is surprising and also worth it.

Without spoiling the plot, I can say that this Superman tale has its own twists on the concept of UFOs and alien that happen to have special interest on Earth. At the same time, you will realize how dedicated Superman is to protecting the people of Earth and why he would not tolerate aliens who actions would jeopardize billions of lives.

Conclusion

*I liked the interactions Clark had with Lana Lang as he tries to solve mysteries.*

While Action Comics #550 (1983) does not have a super villain for Superman to battle, you will still see him doing good, solving mysteries and prioritizing Earth’s people. The sci-fi concept the creators came up with looked outlandish on face value but when you read the story and pay close attention to all the details, you will realize that the story is actually believable. I also like the mystery aspect which gave the plot a good amount of depth.

Overall, Action Comics #550 (1983) is recommended.

+++++

A Look Back at Spectacular Spider-Man #88 (1984)

August 6, 2025August 4, 2025carlocarrasco

Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1984 to examine a small part of the Marvel Comics shared universe through a tale of the Spectacular Spider-Man monthly series.

In issue #87, Spider-Man revealed his secret identity to Black Cat. That was a turning point on not just the romance between the two but also on their combined efforts of stopping crime and helping others in the city. This opens up opportunities for creative teams of Marvel to explore where Spidey and Black Cat’s relationship will go to next.

With those details laid down, here is a look back at Spectacular Spider-Man #88, published in 1984 by Marvel Comics with a story written by Bill Mantlo and drawn by Al Milgrom.

Early story

The story begins inside a secret facility wherein several armed guards are preparing themselves for an unseen incoming force. They are guarding a convict known as The Cobra (Klaus Voorhees) who warns them that the one person after him will find some way of killing him.

Suddenly, Mister Hyde breaks through the metallic gate and demands that Cobra should be given to him. The guards used tranquilizer gas to take Hyde out but it turned out useless. Cobra and his handlers secretly moved to the rooftop of the facility to try to escape by helicopter. Suddenly, Hyde emerges, brings down a solid tower and crashes the helicopter with it. He then grabs Cobra who only slithered away.

Meanwhile in New York City, Spider-Man is inside the apartment of Felicia Hardy (Black Cat) and he feels that something dreadful is going to happen…

Quality

*There is a lot of action scenes to enjoy here. Spider-Man and Black Cat have their own moments taking on Hyde.*

I will go straight to the point here. This Spectacular Spider-Man tale sure is packed with a lot of action and intrigue balanced by the romance of Spider-Man and Black Cat (who is now living with the knowledge that Peter Parker is Spider-Man). The conflict between Mister Hyde and the Cobra here is preceded by their past collaboration of getting revenge upon Thor. In fact, Spider-Man had encountered both characters sometime prior and his personal knowledge of Thor’s encounter with them added some depth to the new conflict in this comic book. Spidey here became cautious as he knows the extent of the savagery of Hyde.

As this tale took place after Black Cat learned Spider-Man’s secret identity, the dynamics between the two during battle became intriguing when the former took the initiative to strike the dangerous Hyde even though she was told to protect Cobra. This forces the iconic webslinger to put himself at risk by aggressively hitting Hyde while keeping Black Cat out of the way.

The big battle involving the four notable characters is quite extensive and intense to follow. There are a few strong twists between the scenes and it is entertaining to read. When it comes to character development, I enjoyed how the creators portrayed Spidey being concerned about Black Cat’s wellbeing and her lack of super powers while simultaneously portraying her as being determined to so something significant on solving problems.

Conclusion

*The romance between the two is worth following.*

Spectacular Spider-Man #88 (1984) is not only a good follow-up to the previous issue, it is also a worthy showcase of Spidey and Black Cat’s relationship as Cobra and Hyde engage in a new conflict. As this is an action-packed story, it is not surprising that the character development scenes are fewer. This is a fun read.

Overall, Spectacular Spider-Man #88 (1984) is recommended.

+++++

A Look Back at Action Comics #497 (1979)

July 23, 2025July 18, 2025carlocarrasco

Welcome back superhero enthusiasts, 1970s arts and culture enthusiasts, DC Comics fans and comic book collectors! Today we go back to the year 1979 to take a close look at a part of the DC Comics universe through a tale of the Action Comics monthly series.

Do you enjoy following stories with the “make-a-wish” concept as a key element? Or do you prefer seeing major events happen because someone else has the power to alter reality? I for one don’t enjoy those concepts very much and the element of wish-making really ruined the story of the glossy cinematic failure Wonder Woman 1984 (written and co-directed by Patty Jenkins). When it comes to Superman, the wish-making or the ability to seriously alter reality could be effect in storytelling when the right creators are involved.

With those details laid down, here is a look back at Action Comics #497, published in 1979 by DC Comics with a story written by Cary Bates and drawn by Curt Swan.

Early story

The story begins inside a shed on a lot with three boys who have their own Superman club and support the Man of Steel’s never-ending battle for truth, justice and the American way. Arthur, who is up for drawing something for the next club newsletter, shared his idea (inspired by what he saw in a movie) about a gigantic meteor from outer space heading towards Metropolis which would compel Superman to save the city. Near the three boys is an empty chair reserved for a particular someone.

Many miles away deep within Metropolis, Clark Kent attends a conference in which Lana Lang delivers remarks to an audience of GBS affiliates. As Lana tells the audience that their news team is determined to maintain high standards of broadcasting, a uniformed door man causes a disturbance by telling everyone that a blackout has plunged the entire city into darkness.

Suddenly, the audience exited the venue and Lana notices that Clark is gone. Elsewhere, Superman quickly flies high and sees a giant meteor (the size of a stadium) on a collision course with Metropolis…

Quality

*Do you wish you have the power to make superheroes do something as you wish?*

Starting with the concept of reality getting seriously altered by someone with tremendous power, the said concept really brought the fantasy aspect of this Superman tale to a very high level. The Man of Steel ends up getting into unbelievable situations and do things that are amazing or shocking. In order words, the concept of altered reality (related to wishful thinking and intense imagination) actually works well in this tale thanks to the Bates-Swan duo.

Of course, this is not simply a Superman story about wild events that compelled him to react. There are character-driven scenes that emphasize how Superman analyzes what has been going on and why he seems to be controlled or guided to do things that he had no intent of doing. This particular element of the story raises questions about the ethics of having so much power at hand and being able to command a more powerful person to do something (as a wish is made by the one who wields a lot of power).

Considering the wild events that happened throughout the story, I can say that the Bates-Swan duo successfully pulled off a worthy pay-off at the conclusion.

Conclusion

*Superman saves Metropolis and many people once again. Lana Lang is among the people on the street.*

Action Comics #497 (1979) is an old Superman tale that is worth reading. While you won’t see Superman encountering any super villain, the fantasy elements and wild events more than made up for it. More importantly, the Bates-Swan duo was really careful with using the make-a-wish and reality altering concepts to make the plot believable while preventing it from becoming too outlandish. The result is a Superman tale that is entertaining to read.

Overall, Action Comics #497 (1979) is recommended.

+++++

A Look Back at Superman #412 (1985)

July 7, 2025July 1, 2025carlocarrasco

Welcome back superhero enthusiasts, 20^th century pop culture enthusiasts and comic book collectors! Today we go back to the mid-1980s to take a close look at one of the many tales published through the original Superman monthly series (first launched in 1939).

For the newcomers reading this, the original multiverse of DC Comics formally ended with Crisis on Infinite Earths (1985-1986). That being said, a lot of DC’s monthly comic book series had respective tales the reflect the closing period of the old multiverse (which lasted for decades) and the Superman monthly series of the era was part of the trend.

With those details laid down, here is a look back at Superman #412, published in 1985 by DC Comics with a story written by Cary Bates and drawn by Curt Swan.

Early story

The story begins at the unemployment bureau in Metropolis. Clark Kent, who recently lost his jobs with WGBS and the Daily Planet, stands in line and waits for his turn. Being unemployed, Clark feels troubled and other people nearby recognize him.

As his turn at the counter starts, Clark senses something and decides to get out quickly. He enters the emergency exit, changes into Superman and flies out of the building. It turns out a high-rise building accident has occurred and already several pieces of sharp glass have been falling down. To prevent further harm, Superman uses his heat vision to convert the falling glass and collectively turn them into a growing molten ball. He brings the giant molten ball to the top of the building (still in construction/expansion) and meets the hard-hat workers before flying away.

Elsewhere, Lana Lang announces news to TV viewers regarding the dismissal her of close friend Clark Kent which was the result of the fake headline news story about Superman and the NASA satellite. In another location, Lex Luthor is very pleased watching the same broadcast knowing his plan of ruining Superman succeeded and got Clark Kent as a fake news casualty. Luthor is not done with Superman yet…

Quality

*Lex Luthor here is ruthless, strategic and obsessed with defeating Superman.*

I really like this Superman tale. This is a story about Superman who is still dedicated to doing acts of good by helping people with problems even though he is socially in deep trouble being unemployed as Clark Kent. Not only is the unemployment aspect relevant, the consequences of fake news and their negative effect on people made this tale more socially relevant with today’s world of fake news and unethical journalism.

Going back to Superman, it is clear that the embarrassment and unemployment of his civilian identity impacted him as a superhero. This is evident when Lana Lang accused him of betraying Clark Kent resulting in a fake news story that led to the firing by WGBS and the Daily Planet. Lana, who does not realize Superman and Clark are the same person, blamed the Man of Steel that the firing of Clark is so devastating to her as she cares for him so much (note: Clark and Lana were romantically involved during their teenage years at Smallville).

The powerful writing by Cary Bates does not end there. In this comic book, you will see Lex Luthor execute his other plans to ruin Superman whom he personally accused over the loss of his family and his own world Lexor (click here and here for references). This is a Luthor who is not simply being evil but also someone who is well organized, strategic and even fearless. By this stage, the criminal mad scientist Luthor has accumulated a lot of resources to have his own headquarters, technologies and a dedicated staff. In some ways, Luthor in this comic book eerily resembled his financial tycoon version in the post-Crisis era (click here and here for relevance).

I should also state that the personal encounter between Superman and Luthor here is a great pay-off to the build-up that preceded it. You readers should see it for yourselves because to reveal more in this review will ruin it.

Conclusion

*As Lana Lang delivers the news to TV viewers regarding Clark Kent and Superman, tension is brewing over at the Daily Planet.*

Superman #412 (1985) is undeniably a great Superman story published during the very late stage of the original multiverse (note: Superman #423 was one of the final tales of Superman of this particular era. Superman #424 was part of the post-Crisis era). The portrayal of Superman being disturbed by the huge setback he suffered as a civilian is really compelling to see and his encounter with Lex Luthor really brought the tension and suspense to high levels. At the same time, the consequences of Superman’s actions (including those of his civilian form as Clark Kent) are very evident and nicely dramatized by the Bates-Swan team. You really feel that the creators were wrapping up their Superman stories and decided to move this series to a new direction knowing that the original multiverse will end. This is a must-read tale!

Overall, Superman #412 (1985) is highly recommended.

+++++

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