A Look Back at X-Men #5 (1992)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors, fans of 1990s culture and fans of Marvel Comics! Today we revisit the adjective-less X-Men monthly series (Volume 2) that started in 1991 with the combined talents of Chris Claremont and Jim Lee. For those who are unaware, Chris Claremont had his conflict behind the scenes with then X-Men comics editor Bob Harras which led to him departing the X-Men series with issue #3.

Previously I reviewed X-Men #4 which by today’s standards is highly significant and very expensive to acquire as it marked the literary debut of Omega Red who made quite an impact with X-Men fans. It should be noted that Wolverine and Omega Red had encountered each other far back in time and issue #4 marked the renewal of their rivalry.

With those details laid down, here is a look back at X-Men #5, published in 1992 by Marvel Comics with a story written by Jim Lee (plot) and John Byrne (script), The art was done by Lee with ink work done by Scott Williams, Art Thibert, Bob Wiacek and Joe Rubinstein.

The cover.

Early story

This for me is the money shot of the comic book. Although Wolverine is absent, you get to see the entire Blue and Gold teams with Charles Xavier as drawn by Jim Lee.

The story begins with Cerebro detecting an unidentified mutant signature in the presence of X-Men members who were out of the mansion. Forge tells Cyclops about the disturbance happening less than five miles away from their mansion. Colossus and Psylocke join in and quickly they leave the mansion with Cyclops using the Blackbird.

Not too far away, Gambit, Rogue, Jubilee and Beast are held captive inside a vehicle with an armed man in their presence. Gambit starts the effort to free his teammates using one of his charged cards.

Elsewhere in a snowy place, Wolverine is seen struggling thinking he defeated his old rival Omega Red. Suddenly the Russian mutant jumped at him and the two resumed fighting. Their fight is being monitored from a distance…

Quality

The Wolverine-Omega Red rivalry is a must-see.

When it comes to storytelling, it is obvious that the writing duo of Jim Lee and John Byrne did their best to push the envelope and break new ground as far as telling an X-Men story goes. For one thing, there is the presence of paramilitary elements which are common with Jim Lee’s creations. There are even flashbacks into the past in which Wolverine (then called Logan) actually took part in a special forces operation with a few notable others. These flashbacks expands further the personal history of Wolverine in a really intriguing way. With the way the story was presented, it is clear that the new creative team pulled off serious moves in modernizing the way X-Men stories were told in comparison to the way Chris Claremont told all those many such stories during his long run.

When it comes to the visuals, Jim Lee did another great job as each page looks great and he proved to be clever with the way he visualized the script. As this comic book was inked by more than one inker, there were subtle differences with regards to contrast as well as ink intensity.

Conclusion

Cyclops and his teammates move out.

X-Men #5 (1992) is another great comic book that involved Jim Lee’s art. Apart from the modernizing of the storytelling, this comic book further expanded the past of Wolverine while successfully giving readers more of Omega Red who is now a major supervillain of Marvel’s.

If you are seriously planning to buy an existing hard copy of X-Men #5 (1992), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $27 while the near-mint copy of the newsstand edition costs $79.

Overall, X-Men #5 (1992) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men: Days of Future Past (2014)

Disclaimer: This is my original work with details sourced from watching the movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

We all know that the 20th Century Fox franchise of X-Men movies has ended and everything cinematic about Marvel’s famous mutants are now in the hands of Marvel Studios. From the year 2000 to 2020, the original X-Men cinematic universe produced a whole bunch of movies (including spinoffs) which ultimately led to uneven results with regards to commercial success, critical feedback, artistry, production values and cultural impact. Even so, 20th Century Fox-produced X-Men movies generated more than $6 billion in ticket sales worldwide.

When it comes to the spinoff movies, I like Logan the best (sorry, Deadpool).

For the main X-Men movies, the one film that really delivered the great stuff and tons of fun for me was none other than X-Men: Days of Future Past (2014). For one thing, the movie had two generations of X-Men cinematic performers (the original team led by Patrick Stewart and the newer ones from X-Men: First Class led by James McAvoy) and its story literally had them linked together with Hugh Jackman’s Wolverine as the living bridge between them. To put it short, it was a cinematic crossover story made with X-Men fans in mind. That film scored highly with critics and most moviegoers, and it grossed almost $750 million worldwide which makes it the highest-grossing X-Men movie ever until now.

It has been years since X-Men: Days of Future Past made waves in the cinemas and through post-theater businesses like Blu-ray, cable TV, pay-per-view, streaming and the like. Along the way, movies like Wonder Woman, Aquaman, Avengers: Infinity War and Avengers: Endgame collectively raised the standards of Hollywood superhero movies in varied ways. I should state that X-Men (2000), X2: X-Men United and X-Men: The Last Stand did not age well.

To find out if the 2014 X-Men film aged well or not, here is my retro review of X-Men: Days of Future Past directed by Bryan Singer with a screenplay written by Simon Kinberg with a story done by Kinberg, Jane Goldman and Matthew Vaughn.

A great image of the cinematic X-Men, both the old and newer cast.

Early story

The story begins in the dark future. Countless mutants and human allies have been caught and imprisoned by very sophisticated Sentinels (operating for an unnamed authority that also has armed human personnel as watchers) which continue to hunt more of them down along with any humans caught aiding them. In Russia, a small X-Men team composed of Colossus, Kitty Pryde, Iceman, Sunspot, Bishop, Warpath and Blink take action when they realized that the Sentinels found their hideout. Kitty Pryde, who by this time gained the new ability to send a person’s consciousness back through time, runs along with Bishop to hide in a vault to send his consciousness into the past. Fortunately for them, their teammates delayed the unstoppable Sentinels enough to succeed.

Some time later at another location, an aging Charles Xavier, Magneto, Wolverine and Storm arrive to meet with Kitty Pryde and her teammates. Xavier gives the team an in-depth history lesson about the Sentinels which were created decades earlier by the late Bolivar Trask who was assassinated by Mystique (who believed she could make a difference for her fellow mutants). After the assassination, Mystique got caught by the authorities and became a live experiment for scientists working for the government. Her DNA helped accelerate the development of the Sentinel program which made them able to adapt to most mutant attacks and powers.

A plan gets formed for Kitty Pryde to send Xavier back through time to his younger self in 1973 to prevent the assassination from happening. Kitty states it’s too risky for the old Xavier to go through time as it may kill him. Wolverine volunteers to take Xavier’s place as his healing factor (regeneration) will ensure his survival with the process. Xavier presses Wolverine to convince the 1973 Charles Xavier to help prevent the assassination given the fact that he was a broken man at the time.

Wolverine arrives in his younger self’s body in New York of 1973. He makes his way to the mansion of Charles Xavier. As it turns out, Xavier’s school has been closed for some time and has been decaying…   

Quality

Nicholas Hoult, James McAvoy and Hugh Jackman as Beast, Charles Xavier and Wolverine respectively.

Considering what was made and what were presented through this movie, the creative team and the cast of X-Men: Days of Future Past literally scored a home run here resulting true greatness! Bryan Singer, whose previous X-Men directorial job was 2003’s X2, finally struck gold with regards to storytelling, directing and, finally, spectacle (previous his big weakness).  

In terms of storytelling, this movie, first and foremost, is not a faithful adaptation of the classic Days of Future Past storyline at all. In fact, there was no need for it to be faithful. What the screenwriters came up with was a loose adaptation which allowed them to craft a more original story that involved the established X-Men characters (from the early movies) and the other X-Men characters (who started in 2011’s X-Men: First Class) and have them set apart in terms of time periods (similar to what was done in 1994’s Star Trek: Generations, but much better and more compelling in writing). The result is a crossover tale with Wolverine being the traveler through time.

The Sentinels are clearly terrifying and unstoppable!

The great news here is that the script has very strong structuring done and even had enough space to briefly acknowledge events and characters from the first three X-Men films plus 2009’s X-Men Origins: Wolverine as canon. All of these add to the narrative very well and when the stakes were raised, the overall plot made sense. Let me add that it was a smart move for the writers to raise the stakes in the two time periods during the final act of the movie, which really made the story more engaging to viewers. I should state that having two conflicts happening simultaneously on screen in this X-Men movie was done efficiently and without ever becoming confusing nor messy.

Apart from the narrative, the portrayal of the X-Men was, indeed, spot-on. Noticeably, the major characters here were Charles Xavier (both old and young), Wolverine (both old and young), Mystique, Magneto (specifically the young version), Beast and Bolivar Trask. Strong writing was evident in the dialogue of the mentioned characters, as well as in those with minor roles. Through dialogue alone, I easily recognized these cinematic characters.

Michael Fassbender delivered his best performance as young Magneto.

Given his strength in telling stories, I should say that Bryan Singer succeeded in executing the script into cinematic narrative. Not only that, he succeeded in getting really good performances from the cast. James McAvoy (young Xavier), Jennifer Lawrence (Mystique), Michael Fassbender (young Magneto) and Nicholas Hoult (Beast) were evidently more confident and more comfortable in reprising their characters (note: they debuted together in X-Men: First Class).

The old cast composed of Patrick Stewart (old Xavier), Ian McKellen (old Magneto), Ellen Page (Kitty Pryde), Halle Berry (Storm), Shawn Ashmore (Iceman) and Daniel Cudmore (Colossus) all made a very welcome return. To be specific, it was only Patrick Stewart among them who had the most engaging dialogue with Ian McKellen being a distant second to him. As most of the film was set in the past, it was understandable that the old cast’s dialogue would not be that rich which translates to limited performance. The filmmakers tried bouncing back with mutant variety by having Bingbing Fan as Blink, Adan Canto as Sunspot and Booboo Stewart as Warpath, who all provided nicely in the action scenes and special effects use.

Bingbing Fan and Booboo Stewart as Blink and Warpath.

Hugh Jackman’s performance as Wolverine in this movie is the most unique of them all. Not only does he have to play TWO versions of his character, he as the only member of the old X-Men cast spent a great deal of time interacting with the newer X-Men players. The great news here is that Jackman has great chemistry with James McAvoy, Nicholas Hoult and Michael Fassbender, which ultimately justified the crossover! Speaking of McAvoy, his scene with the older version of his character is very memorable and a highlight! Peter Dinklage as Bolivar Trask is excellent but to my surprise, he is not exactly villainous nor did he express cruelty. He’s more of an obsessed scientist and as such, Michael Fassbender’s Magneto easily overshadows him when it comes to being the main antagonist. This is surprising but not exactly a problem.

More on the anti-hero factor of the movie, I should say that the Sentinels in this movie are the most dangerous and the most intimidating non-sentient, scientific antagonists since the Terminator. Being programmed to deal with mutants, the Sentinels are unrelenting and often used violence to complete their objectives. The futuristic Sentinels, which are evolved versions thanks to Mystique’s DNA, are so formidable the mutants cannot simply defeat them. Even the 1970s Sentinels are quite formidable.

As mentioned earlier, I do confirm that Bryan Singer really outdid himself on delivering the spectacle back with support from the special effects team, the stunt team and the like. The action scenes involving the X-Men are top-notch, in fact they make the action in Singer’s previous X-Men films look minor in terms of creativity, quality and fun! The computer-generated effects in this movie still look great by today’s standard, although some CGI used in the floating stadium sequence looked rushed. Also it was quite a marvel to see Wolverine and Beast face-off with a 1970s Sentinel in the final act. I should mention that the slow-motion sequence involving Quicksilver (played by Evan Peters) is one great and funny spectacle to watch, well worth replaying!

Conclusion

Jennifer Lawrence in her best-ever performance as Mystique.

I declare that X-Men: Days of Future Past (2014) is the best-ever X-Men movie I have seen and it has aged very well! Its overall quality is very great and the combined talents of director Singer, the cast, the writers and all the technical teams justified it all. By today’s standards, this X-Men movie still stands very high among all superhero movies of Hollywood ever released! As an X-Men film, this one is truly epic and the true highlight of all X-Men movies under 20th Century Fox. As a time-travel film, this one has a very unique approach and it should be noted that director Bryan Singer approached James Cameron to talk about time travel, parallel universes and the like.

More on personal viewing, I can say that this film greatly entertained me in the cinema back in 2014, and it still succeeds in doing so whenever I replayed it on Blu-ray in the comfort of home. If there is anything I regret, it’s the fact that I never saw this movie in the IMAX cinema.

If you are seriously planning to buy an existing hard copy of X-Men: Days of Future Past (2014), visit Amazon for the Blu-ray release as well as the 4K Blu-ray combo release. There is also the Rogue Cut of the movie also on Blu-ray.

Overall, X-Men: Days of Future Past (2014) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men Unlimited #1 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

As mentioned before (refer to my reviews of X-Men 2099 #1 and X-Men #25), 1993 was the year when the 30th anniversary of the X-Men was celebrated. Back then, Internet connection was not very accessible to the public, social media had not been invented and streaming movies and TV shows was not yet the norm. How did Marvel Comic organize the celebration for X-Men fans? By publishing a lot of comic books and selling merchandise.

In the first quarter of 1993, Marvel Comics went on to feed the perceived high demand of X-Men fans by launching X-Men Unlimited which was an all-new comic book series with a schedule of quarterly releases per new comic book (initially with 64 pages of content using glossy paper). They released X-Men Unlimited #1 in March 1993 and I bought a copy for a hefty $3.95.

So what exactly did the said comic book feature? Was it good? We can all find out in this look back at X-Men Unlimited #1 published by Marvel Comics with a story written by Scott Lobdell and drawn by Chris Bachalo.

The cover.

Early story

The story begins on the snowy surface of Antarctica where the Blackbird (the X-Men’s jet) has crashed. Cyclops is outside the crashed jet already suffering from internal bleeding and other injuries. As his ruby quartz visor has been lost, he desperately keeps his eyes shut to avoid firing any optic blast. Even with tremendous odds against him, Cyclops concentrates very hard to reach out to Charles Xavier and successfully makes contact. Xavier is surprised.

With telepathic assistance provided by Xavier, Cyclops successfully reaches him and carries him. After some searching, they spot Storm alone on the snow. Elsewhere, a lady gets up from the snow and walks towards a facility. Upon entering, there are scientists working with computers and they called her Ms. Blaze. She asked them if she succeeded in killing Cyclops, Storm and Xavier…

Quality

Artist Chris Bachalo failed to pace his art properly on this page.

To get to the point, I should state that the main lesson of this X-Men story written by Lobdell is about leadership mixed with responsibility and survival. Symbolically, the three leaders of the X-Men (Xavier the head with Blue Team leader Cyclops and Gold Team leader Storm) were placed in a situation of great odds and their respective powers cannot just help solve their problems nor help them get away easily. Here we get to see Cyclops, Storm and Xavier really struggling and having no choice but to use their wits as well as skills learned from the past in order to survive and progress. This is easily the comic book’s most unique feature and it is very rare to see Xavier and the two team leaders spend a lot of time together and work with each other. As far as emphasizing the leadership dynamics of the X-Men is concerned, Lobdell succeeded. I should also state that Lobdell really dramatized the respective personalities of the three.

Still there are some notable flaws. I should say the story had lots of dragging moments in between and the overall pace is between slow and medium. The dialogue is quite wordy and ultimately a lot of it felt like fillers than actual attempts to develop personalities and explain things. There were attempts to make the dialogue more philosophical but end up dragging the narrative. I should state that verbal descriptions or narrations in certain pages were quite excessive. If you are looking for superhero spectacle, there is actually little to enjoy here and by the time the final conflict is over, you will end up unsatisfied. Of course, there are also scenes of incidental moments (examples: explosions, the environment causing damage, etc.) that were emphasized as if to make up for the lack of superhero spectacle.  

The antagonist Sienna Blaze is not a compelling villainess. There is no justification as to why she tried to kill the X-Men. The way she is presented, Blaze is more like a reckless and impulsive teenager than a real opposing force against Xavier and his mutants.

Psylocke and Bishop were the other X-Men members who appeared.

Lastly, there is the art by Chris Bachalo which has always been sub-par and disappointing to look at. While Bachalo did a decent job drawing disaster-related moments, his art on drawing the X-Men really sucked. There were many times when Charles Xavier LOOKED LIKE A DUMMY (think mannequin) than a living person as drawn by Bachalo. The art of this comic book was disappointing in 1993, and it has aged badly by today’s standards.

Apart from the main story, this comic book has a gallery of artworks highlighting the X-Men (including members who did not appear in the said story) done by varied illustrators. The quality of the art, unsurprisingly, is a mixed bag. Ultimately the art gallery served as convenient filler made to satisfy the cravings of X-Men fans.

Conclusion

This is how Wolverine and Colossus look as drawn by Mark Bagley who was the Amazing Spider-Man artist of the time.

Apart from being made to sell a bunch of copies and take advantage of the comic book collector craze of the time, X-Men Unlimited #1 (1993) was an effort to keep defining the X-Men for fans and comic readers of the 1990s by adding depth to the bond between Xavier, Storm and Cyclops. The problem is with the execution as the story dragged a lot, and a whole lot of dialogue and text descriptions were made as if to ensure that enough content would fit the 64-pages of content of the comic book. As far as 1993 X-Men comic books go, this one has one of the worst looking artworks used in storytelling. When it comes to its connection with the 30th anniversary of the X-Men, what happened to Xavier in this comic book is connected to the events of Uncanny X-Men #304 and #310.

If you are seriously planning to buy an existing hard copy of X-Men Unlimited #1 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $10 while the near-mint copies of the signed edition (without certificate), the newsstand edition and the signed edition (with certificate of authenticity) cost $105, $32 and $105 respectively.

Overall, X-Men Unlimited #1 (1993) is unsatisfying. If I were you, I would avoid spending any money above its cover price. Considering its quality, the near-mint copy of this comic book is really worth only $1.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men #3 (1991)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, X-Men fans, superhero enthusiasts and comic book collectors! Today I’m about to review another Chris Claremont-Jim Lee comic book of the X-Men from 1991.

Before getting to the retro comic book review, let’s take a look back at history. Marvel Comics started publishing comic book of the X-Men in 1963 which involved the combined talents of Stan Lee and Jack Kirby. The original X-Men members were Cyclops, Beast, Marvel Girl, Angel and Iceman all under the mentorship of Charles Xavier (AKA Professor X). That monthly series was not a strong seller and was weak compared to the other monthly titles of Marvel. Although Roy Thomas and Neal Adams were brought in to reinvigorate the X-Men series with new characters, success in sales did not materialize and eventually the series was turned into a reprint series (from issues #67 to #93).

In 1975, Len Wein and Dave Cockrum made Giant-Size X-Men #1 which introduced a new team. Along the way, Wein (who was also the editor-in-chief of Marvel at the time) hired Chris Claremont to become the lead writer of the X-Men series starting issue #94 which was released that same year. Claremont redefined the X-Men by developing the characters deep inside and emphasized their respective personalities. As the years passed by, Claremont wrote notable X-Men storylines such as The Dark Phoenix Saga, Days of Future Past, Mutant Massacre, and Fall of the Mutants to name some. Not only did Claremont write The New Mutants, he also co-created many other characters that became part of the X-Men franchise.

Then came the year 1991. The launch of the new X-Men monthly series (focused on the Blue Team led by Cyclops) saw sales tremendous success with issue #1 and by that time Jim Lee was established as one hot new creators under Marvel. Behind the scenes, however, Claremont clashed with then X-Men books editor Bob Harras. Eventually, issue #3 of the 2nd X-Men monthly series marked the end of the X-Men era of 1975-1991.

I should say that I enjoyed reading issue #2 in which Claremont wrote a story that not only raised the stakes but also pushed the entire group of mutants to the edge. We will find out soon enough if Claremont’s X-Men era of 1975-1991 will end strongly in this retro review of X-Men #3, published in 1991 by Marvel Comics with a story by Claremont and Jim Lee (who also illustrated).

The cover.

Early story

The story begins in outer space. Members of X-Men’s Gold Team (composed of Archangel, Storm, Jean Grey, Forge, Iceman, Colossus and Banshee) fly stealthily towards Asteroid M where Magneto and his Acolytes are with Charles Xavier and Moira MacTaggert held captive. With the exception of a few, members of the X-Men Blue Team were brainwashed by MacTaggert to follow Magneto.

On Earth, the plasma cannon is being prepared to destroy Asteroid M. Nick Fury warns his colleagues about the possibility of tremendous damage if ever Asteroid M hits the surface of the planet. Valerie Cooper tells him that the firing trajectory has been calculated to blast the target away and into deep space. An exchange of words follows over diplomacy and following orders issued by the leaders.

Over at Asteroid M, Charles Xavier is alone in a room with a wide view of the Earth and space. Behind the scenes, Fabian Cortez points to Xavier as Magneto’s deadliest enemy. He asked his master why not use Moira MacTaggert’s procedure (to brainwash and turn) on Xavier. Magneto, already suffering physically, does not want Xavier turned but be broken…

Quality

X-Men Blue Team members relaxing at Asteroid M in the presence of the Acolytes.

Like in issue #2, the story here is very engaging and highly dramatic. While it paid close attention to Magneto’s ruthlessness as well as his rage towards Moira who committed something unethical to him in the past, the story managed to focus enough on the X-Men which involves both the Blue Team and Gold Team mixed up. While this comic book’s cover shows a battle royale between the Blue and Gold teams, there is a lot of substance beyond the action. I’m talking about moments spent on the mutants of Xavier which was done in a satisfying manner (never felt crammed nor forced) considering the page limits of this comic book. Not only were the X-Men moments executed smoothly, there were pulled off efficiently and orderly.

More on the story, what adds intrigue is the group of Acolytes whose field leader Fabian Cortez has not only gotten very close with Magneto but also does something significant to him along the way. By this issue, the Acolytes led by the master of magnetism have gotten more established as a worthy opposition against Xavier’s mutants. This story also showed that the Acolytes were here to stay, and Fabian Cortez himself is very led by wickedness and ambition. Cortez is also an example about the distortion of righteousness

When it comes to defining the characters, Xavier and Magneto clashing together about their respective dreams about mutants is unsurprisingly epic to read. In this particular conflict, both Marvel icons were portrayed very dramatically and their respective expressions were indeed intense. Adding further intrigue to their clash is Moira’s long-past act of manipulating the very genetics of Magneto which itself raises serious questions about her perception, decision-making and ethics. In some ways, Moira looked more villain-like.

As expected, the art of Jim Lee is great to look at. There were some signs, however, that the very wordy script resulted an increased numbers of panels per page. Fortunately, the art did not look rushed and maintained a clear narrative. Also the action scenes are great to look at which is not surprising.

Conclusion

The Gold Team of the X-Men travel towards Asteroid M in a cloaked vehicle.

To put it straight, X-Men #3 (1991) is an epic read highlighting the very conflict between Magneto and Xavier over the course of mutants and their place in the world of humans. This comic book, which has a very powerful ending, was indeed a very satisfying way to conclude the Xavier-Magneto conflict as well as Chris Claremont’s long-term stint with the X-Men comic book franchise. Back in 1991, this one really looked like the end of an era both in-story and in real life. Of course, what this comic book achieved ultimately became temporary because Magneto was revived for the Fatal Attractions storyline in 1993 (celebrating X-Men’s 30th anniversary) and Chris Claremont himself returned to Marvel Comics some years later. Still, on its own, this comic book is worth reading and adding to your collection, even if you are not an X-Men fan. It is significant enough as a piece of X-Men history from the time when Jim Lee was with Marvel.

If you are seriously planning to buy an existing hard copy of X-Men #3 (1991), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $9 while the near-mint copies of the Chris Claremont-signed edition, the signed newsstand edition, the newsstand edition and the Toy Biz edition cost $16, $26, $16 and $21 respectively.

Overall, X-Men #3 (1991) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men #2 (1991)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

There is so much said about X-Men #1 of 1991 which was launched to major success by Marvel Comics selling at least eight million copies worldwide. That launch issue, written by Chris Claremont and drawn by Jim Lee, had multiple covers and a version with gatefold covers and high-quality paper which made it an instant hit with collectors chasing profit. In 2011, Marvel even released the so-called 20th anniversary edition of X-Men #1 which was digitally recolored.

In terms of substance, X-Men #1 marked the new era of the X-Men. Charles Xavier returned to his mansion to lead the X-Men which was so large as a group, it had to be divided into two team with Cyclops leading the Blue Team and Storm heading the Gold Team. In terms of publishing, Marvel published tales of the Gold Team in the Uncanny X-Men monthly series while the Blue Team’s stories were published in the adjective-less X-Men monthly series.

With all the attention paid to X-Men #1, I noticed that not too many people cared to talk about what happened after the end of that comic book. Without spoiling plot details, the massive seller of 1991 had its story end in a cliffhanger. To find out what followed and determine the quality of the creative team’s work, here is a look back at X-Men #2 published in 1991 by Marvel Comics with a story co-written by Chris Claremont and Jim Lee (who illustrated).

The cover.

Early story

The story begins in the fictional island nation of Genosha which has a legacy of mutant slavery. Having fought with the Acolytes (led by Fabian Cortez), the X-Men now face Magneto who arrived and tells them that he will not abandon the Acolytes.

“They acted in an excess of zeal. If so…I..and I alone..shall determine their appropriate punishment,” Magneto tells the team of Cyclops, Gambit, Beast, Wolverine, Psylocke and Rogue. Near them are other Acolytes members down on the ground.

After words spoken by Gambit, Rogue and Cyclops, Magneto referred to the devastation of the city hospital as fitting for punishing a state (Genosha) whose prosperity was built on the backs of mutant slaves. Beast answered back saying that the Genoshans have accepted responsibility for what they have done and resolved to make amends.

While Magneto replies to Beast, a military Genoshan helicopter gunship fires missiles at them from above which the X-Men’s archvillain intercepts. Using his magnetic power, Magneto lifts steal beams and destroys the helicopter with them. He then turns against the X-Men restarting the chaos in the city…

Quality

Magneto, Psylocke and Rogue in the middle of the chaos.

Being the middle of a 3-part story, this comic book pushes the entire X-Men group to the edge thanks to strong writing by Chris Claremont. I’m not simply referring to the traditional good-versus-evil formula of superhero storytelling as the story here emphasized themes about sanity, loyalty, legacy, idolatry and even diplomacy. It just so happens that there is a lot of superhero spectacle to enjoy here and there.

The stakes have been raised significantly in this story as Magneto is shown leading the Acolytes who in turn went ahead with their first mission which explains the chaos in Genosha. Magneto’s condition also deteriorates and gets himself healed by Fabian Cortez who is more sinister than what he seems. For his part, Charles Xavier of the X-Men gets to interact with his long-time friend Dr. Moira MacTaggert who is struggling with guilt from something she committed in the past. Through Magneto, Xavier and MacTaggert, there is this solid build-up of tension that led to a very powerful revelation in the 2nd half of the story which, ironically, put the X-Men on the sideline temporarily. There is high drama, deep tension and high intensity involving Magneto and MacTaggert, and their scene together is the highlight of the story.  

Conclusion

The face-off!

To put it straight, as much as I loved X-Men #1 (1991), I find X-Men #2 (1991) more compelling to read. For one thing, it rewards X-Men fans who dedicatedly followed the events of not only the X-Men but also of that of the life of Magneto. It’s really great that Chris Claremont literally dug up the past for details that proved to be useful in this comic book. It also nicely sets up anticipation of the next issue by involving the X-Men’s Gold Team. Unsurprisingly, with the combined talents of Claremont and Jim Lee, this is an excellent read that really looks great.

If you are seriously planning to buy an existing hard copy of X-Men #2 (1991), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $4 while the near-mint copies of the Chris Claremont-signed regular edition, the Chris Claremont-signed newsstand edition and the newsstand edition cost $9, $19 and $13 respectively.

Overall, X-Men #2 (1991) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

6,609 individuals evacuated in Muntinlupa due to Typhoon Ulysses, CHO warns residents against leptospirosis

As Typhoon Ulysses barreled over Metro Manila and the rest of Luzon mainland, the City Government of Muntinlupa evacuated 6,609 individuals as of yesterday.

The Muntinlupa City Department of Disaster Resilience and Management reported that there were 1,607 families or 6,609 individuals in 20 evacuation centers across the city during the onslaught of the typhoon.

MCDDRM recorded 205 lactating and pregnant women, 258 senior citizens, 70 persons with disability, and 2,079 children among the evacuees from Brgy. Tunasan, Brgy. Poblacion, Brgy. Putatan, Brgy. Bayanan, Brgy. Alabang, Brgy. Cupang, Brgy. Buli, and Brgy. Sucat.

Muntinlupa City Health Officer Dra. Teresa Tuliao noted that medical personnel from barangay health centers were mobilized to provide vitamins, safe drinking water, disinfection, medical consultation, breastfeeding counseling, nutritional assessment, vaccination, COVID-19 screening, and psychological first aid and prophylaxis against leptospirosis to the evacuees.

Tuliao warned the public to take precautionary measures against the outbreak of leptospirosis considering that some areas in the city remains flooded. She advised city residents to wear protective gear such as rubber boots and gloves to avoid contact with floodwater which may be contaminated. MCDDRM has identified 28 floor-prone areas in the city’s eight barangays including those located along the Laguna Lake. 

This past Thursday, Muntinlupa Traffic Management Bureau reported that the Muntinlupa – San Pedro, Laguna River overflowed due to heavy rains. A portion of the national highway at the boundary was also flooded because of the overflow. Further, MCDDRM sent two Rescue Boats and a Water Search and Rescue Team in Marikina to augment their rescue operations. Typhoon Ulysses triggered severe flooding in Marikina leaving residents stranded on top of the roof of their homes and neck-deep flood waters.

On the afternoon of Thursday, members of Muntinlupa City Engineering Disaster Response Team have conducted clearing operations at Bruger, Brgy. Putatan, MCTI area and Bayanan Baywalk to clear toppled trees in major roads and residential areas.

Public Information Officer Tez Navarro said most of the evacuees started returning to their houses on Friday to face clean-up drives and restoration of their homes.

Several events hosted by the City Government were cancelled due to Typhoon Ulysses. Muntinlupa Scholarship Program has announced the postponement of scholarship allowance distribution last November 11-12 due to Typhoon Ulysses. MSP advised city scholars to monitor the department’s Facebook page for updates. Public Employment Service Office has also cancelled an Online Virtual Job Fair event on Friday due to the cancellation of government work brought about by the typhoon.

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Latest City Government of Muntinlupa details sourced from their official media release. Some parts were edited for this website.

For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to distorted views and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, engagements, commerce and updates, visit https://www.facebook.com/groups/342183059992673

A Look Back at X-Men #8 (1992)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Do you remember the X-Men animated TV series episode – an adaptation of Days of Future Past – wherein Bishop (who came from the dark future) claimed that Gambit would betray the X-Men and lead them all to darkness? You will see Bishop and Gambit in conflict in this retro review of a Jim Lee-drawn X-Men comic book from the 1990s.

To put things in perspective, back in 1991 Bishop was formally introduced in the Uncanny X-Men monthly series. By that time, Gambit was already wildly popular with X-Men fans. It made sense back then to have the two conflict each other in comic book format as it would add variety and some freshness with the X-Men franchise of the time.

With the short history lesson over, here is a look back at X-Men #8, published in 1992 by Marvel Comics with a story done by Jim Lee and Scott Lobdell. The art was handled by Lee and Art Thibert.

The cover.

Early story

The story begins at the X-Men’s headquarters with Wolverine using the computer to gain access into something until he got interrupted by Jubilee who is accompanied by Cyclops. She tells him that Charles Xavier is about to introduce Bishop to their teammates. Wolverine tells them to go away.

At the mansion, Storm welcomes Bishop in the presence of Xavier who explains to her that the newcomer is from the far future. Slowly Xavier and Storm guide Bishop around the mansion and introduce him to their members. Bishop, who still remembers the legends of the X-Men from his time in the far future, referred to Forge as Genesis. Moments later, Bishop meets Cyclops, Jean Grey, Beast, Rogue, Psylocke, Jubilee and Gambit.

After expressing that there was little know about Gambit, Bishop then claims that a certain someone was the last person to see the X-Men alive before they got betrayed by one of their own. Bishop then tells Xavier to scan Gambit’s thoughts…

Quality

The interaction between Storm and Bishop is great!

What really defines this comic book apart from having art by Jim Lee and the lack of villains are the storytelling and characterization. The good news is that the respective qualities of the plotting (by Lee) and scripting (by Lobdell) were very solid. While there is a lack of a good-versus-evil plot element, characterization alone made this an engaging comic book to read. Without spoiling the plot, the story has a lot more than the promised Bishop-Gambit conflict (I’ll describe it as a short yet sweet part of the story). I also love the big twist that happened in the 2nd half of the story.

More on characterization, I love the fact that Gambit got more developed here complete with a few threads from his past that got visualized efficiently. I also enjoyed the interactions between Gold Team leader Storm and Bishop. Bishop comes from a future filled with violence and desperation which explains why he is always on the edge often thinking of action whenever something happens. Storm meanwhile tried hard to explain to Bishop that their present day society is more peaceful and that he could take things a bit easier, be more reasonable and try to level with others as he became a new part of the X-Men.

As for Jim Lee’s art, his work here is really beautiful to look at which is not surprising at all. As expected, he made the action scenes look dynamic and managed to draw some emotions from certain characters in key scenes.

Conclusion

Bishop meeting the X-Men.

X-Men #8 (1992) is a pretty good comic book to read. At the time of its publication, the integration of Bishop into the X-Men was done months after Chris Claremont’s departure and was clearly an effort by the X-Men creators to modernize the superhero team and keep it fresh. This comic book is not exactly a landmark read but it is pretty entertaining and engaging.

If you are seriously planning to buy an existing hard copy of X-Men #8 (1992), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $50 while the near-mint copy of the newsstand edition costs $150.

Overall, X-Men #8 (1992) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Muntinlupa City prepares for Typhoon Rolly, public urged to reinforce houses due to anticipated strong winds

As Typhoon Rolly continues to intensify while moving westward towards Luzon, Muntinlupa City Mayor Jaime Fresnedi convened the Local Disaster Risk Response and Management (LDRRM) to discuss the City Government’s preparation and response efforts.

Today Mayor Fresnedi presided the LDRRM council and ordered barangay chairmen to prepare for preemptive evacuation and implement disaster risk response protocols. He also ordered the city and barangay risk reduction and management teams to be put on red-alert. The local exec also urged the public to inspect their houses and have necessary reinforcements especially in their roofs as Typhoon Rolly is expected to bring strong winds.

“Maging handa po tayo sa parating na bagyo dahil mas malakas po ito sa nauna. Dapat ay maging seryoso tayo sa paghahanda,” Fresnedi said.

According to the latest forecast track of DOST-PAGASA, the center of the eye of Typhoon Rolly is likely to make landfall over the Aurora-Quezon area on Sunday evening or Monday early morning.

The typhoon is forecasted to continuously intensify over the Philippine Sea and is likely to make landfall at peak intensity of 175-185 km/h. Tropical Cyclone Wind Signal 3-4 is expected to be raised in Metro Manila.

Already the City Government is preparing for the prepositioning of emergency response resources and equipment such as rescue boats, generators, emergency vehicles, search and rescue equipment, among others.

Pruning of trees at dangerous areas are also being prepared by the local environmental sanitation center. Construction sites are set to be inspected to ensure safety precautions on “cranes” and “construction booms” while billboards in the city will be rolled up this weekend.

As of October 30, the Muntinlupa City Department of Disaster Risk Resilience and Management Department (MCDRRM) recorded the water level in Laguna de Bay at 1.61 meters (normal). The warning level is from 4.5 to 6.75 meters and above. MCDRRM has coordinated with the Philippine Coast Guard for monitoring in Laguna de Bay.

MCDRRM advised the public to be vigilant and monitor advisories from PAG-ASA and the City Government.

Recently, the local disaster response department installed early warning system across the city to inform communities in a timely manner about typhoon signal warnings, severe flooding, and earthquakes, among others.

For emergency concerns, the public may reach the city’s hotline at 137-175.

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Latest City Government of Muntinlupa details sourced from their official media release. Some parts were edited for this website.

For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to distorted views and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, engagements, commerce and updates, visit https://www.facebook.com/groups/342183059992673

A Look Back At Uncanny X-Men #289

Released in 1992 by Marvel Comics, Uncanny X-Men #289 was written by Scott Lobdell and drawn by Whilce Portacio (with ink work by Scott Williams). Its concept focused on the Gold Team of the X-Men (composed of Jean Grey, Storm, Colossus, Ice Man and Archangel) dealing with Bishop who at the time was still a newcomer.

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Cover of the comic book.

It begins when Bishop looks at a framed picture of the original X-Men followed by Storm telling him every student who graduated to the role of an X-Man remains dedicated to the ideal of peaceful coexistence between mutants and humans.

As the Gold Team X-Men enjoy their peaceful time at the mansion of Xavier, elsewhere someone spies on William and Maddy Drake who talk about Bobby (Iceman). Back at the mansion, Archangel encounters a spitting image of his younger self (as Angel and with normal skin color) which raises tension attracting the attention of Storm, Bishop and Forge.

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A touching scene between Jean Grey and Charles Xavier.

To describe Uncanny X-Men #289 clearly, the comic book is more focused on character development as it lacks a strong conflict between good and evil. Anyone craving for superhero action will most likely feel unsatisfied here. However, if you want to know the X-Men more passionately and watch the romance between Storm and Forge develop, then this comic book will be engaging.

Scott Lobdell did a good job developing the characters through drama and Whilce Portacio’s art really brought the script to life. I enjoyed reading the interaction between Jean Grey and Charles Xavier who realizes that as he led the X-Men, he took a bit of something from their respective lives.

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Nice layout and style by Whilce Portacio on the team.

Take note of the following exchange of dialogue.

Charles Xavier: Jean, did you ever hate me for having taken away your childhood?

Jean Grey: Professor, please. What child is given the opportunity to fly to the stars? How many children battle alongside Asgardian thunder gods or super soldiers? You gave me…all of us…more than you took away.

That was really nice writing there by Lobdell. There was drama and harmony between the two characters.

Overall, Uncanny X-Men #289 is recommended. Think of it as a comic book that will help you – the reader – get to know the characters more closely.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back At X-Men: The Last Stand

X-Men: The Last Stand is better than X-Men: Dark Phoenix? What a joke driven by hatred and uncontrolled emotions of negativity towards the latter.

Screenshot_20190613-151706_YouTube.jpg
Ian McKellen as Magneto.

Released in 2006, X-Men: The Last Stand was the third movie of Marvel’s mutants which made $459,359,555 worldwide establishing new box office records at the time including the Memorial Day weekend opening and a single-day record for Friday openings. It was also the highest grossing X-Men movie until X-Men: Days of Future Past exceeded it in 2014.

While the first two flicks were directed by Bryan Singer (who literally abandoned this movie in favor of the big letdown Superman: Returns), this one was done by Brett Ratner who is best known for Rush Hour films. For the superhero concept of the film, Ratner clearly depended on the script by Simon Kinberg (who directed X-Men: Dark Phoenix) and Zak Pen (X2: X-Men United).

The story begins some time in the past with Charles Xavier and Magneto visiting the house of a little girl named Jean Grey whose power of telepathy and telekinesis make her dangerous. Her own father thinks she has an illness. In another scene, a young boy desperately tries shaving off something on his back which turned out to be a mutation. To put it short, the prologue establishes the two concepts this movie tried to emphasize – the Dark Phoenix (from the classic comic book storyline by Chris Claremont and John Byrne) and the Mutant Cure (in reference to one particular episode of the 1990s X-Men animated series).

The result? A rather unfocused narrative that bogged the movie throughout. In the present day, Charles Xavier and the X-Men are no longer hiding from the federal government (which in turn has Hank McCoy/Beast as part of the US President’s cabinet). A cure that can neutralize the mutant gene has been revealed and eventually Jean Grey suddenly returns back to life in front of Scott Summers/Cyclops. Then trouble in the story (and for this film in particular) sets in.

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Dark Phoenix and Professor X.

On storytelling, the lack of focus on a central concept really dragged this movie down even though the filmmakers made attempts to link them together. This is a very unfaithful adaptation of the Dark Phoenix Saga – instead of showing the Phoenix Force as a cosmic entity the filmmakers used the dual-personality concept in Jean Grey. There are no alien civilizations (read: no Lilandra) involved nor anything related to outer space (a key element in the comic book storyline). With regards to the cure concept, Rogue in this film makes a move to be cured loosely following what was shown in the animated series.

Having these two concepts connect to each other showed Magneto getting motivated to rally the mutants to oppose the humans. Jean Grey meanwhile gets controlled by the Phoenix personality and gets very destructive with power which makes her an asset to Magneto and his brotherhood of evil mutants.

As the filmmakers struggled to tell the story, the social relevance and symbolism emphasized in the first two films got weakened. The core concept of mutants getting isolated and discriminated by humanity simply because they are so different became much less relevant here.

As if that was not bad enough, the characterization also changed for the worse. Magneto here became one-dimensional as a villain and the way he reacted to Charles Xavier’s destruction in front of him and Jean Grey reflected bad screen writing. Any true X-Men fan would know that even though he and Xavier were adversaries with a past friendship, Magneto should have been outraged over his old rival’s destruction and strike at Jean Grey (even if it is suicidal for him to fight a more powerful entity, the Phoenix).

For his part, Charles Xavier turned out to be a manipulator of Jean Grey’s mind making him look as evil and manipulative as Magneto. Jean Grey, despite actress Famke Jansen getting more screen time than before, ended up as a visual tool and was clearly NOT the central figure of the story rather she ended up being a tool of power by Magneto. By today’s standards, Jansen’s portrayal of Jean Grey/Dark Phoenix pales in comparison with Sophie Turner’s performance in X-Men: Dark Phoenix.

More on characterization, the triangle between Iceman, Rogue and Kitty Pryde was executed with no real depth and only served to show Anna Paquin’s character search for the means to be normal (because Rogue absorbs the power and life of people she touches) which ended up being not so meaningful for viewing. Young adult Angel’s (one of the original X-Men in the comics) minutes-long presence in the movie only served to showcase special effects. Storm’s prospect of succeeding Xavier as leader of the X-Men and the school was sloppily done. Oh yes, the showing of multiple mutants (in supporting roles, non-speaking roles or as mere background characters) that weakened the narrative of the first two films was even worse here. As a result, there’s quite a lot of fan service in this movie.

Going back to storytelling, I should say that the early demise of Cyclops (played by James Marsden for too little screen time due to his work with Bryan Singer on Superman Returns) and Charles Xavier were attempts by the filmmakers to raise the stakes and even shock viewers. The problem is that the third act of the film became more of an action and CGI bonanza ultimately failing to justify the loss of Cyclops and Xavier. The story ended with not much impact on me as a viewer and the late scenes showing Magneto recovering a little of his power (plus the post-credit scene about Xavier’s survival) were unsatisfactory. By comparison, X-Men: Dark Phoenix concluded with satisfaction.

Performances? The actors did what they could with the weak screenplay. Patrick Stewart played Charles Xavier managing his school but gets burdened heavily as Jean Grey returns with the Phoenix in her (which makes Xavier feeling guilty over his past manipulation of Jean’s mind). Ian McKellen played a one-dimensional Magneto (forget about the reasonable fighter for mutants you saw in the first two films) and really had little room to flesh him out. Clearly this version of Magneto, even though he has a lot of screen time here, is rubbish when compared to the cinematic Magneto in X-Men: Dark Phoenix.

Hugh Jackman as Wolverine is clearly the hero of this movie and was given a lot to do showing a deeply concerned Wolverine as well as showing him with lots of action on-screen. His emotional reaction towards Jean Grey near the end of the movie was believable. Halle Berry meanwhile failed yet again to capture the leader in Storm from the comic books.

Another thing to mention regarding the weak script is the lame attempt at humor in the film. Just look at the exchanges of words between Wolverine and Beast which only made me frown instead of laughing.

Exchange 1

Dr. Hank McCoy: Wolverine. I hear you are quite an animal.

Logan: Look who’s talkin’.

Exchange 2

Logan: Well, for all we know, the government helped cook this up.

Dr. Hank McCoy: I can assure you, the government had nothing to do with this.

Logan: I’ve heard that before.

Dr. Hank McCoy: My boy, I have been fighting for mutant rights since before you had claws.

Logan: [to the Professor] Did he just call me boy?

If there is anything positive at all with this movie, it is the spectacle (action, stunts and special effects). If you want to watch an X-Men movie without thinking too much and just enjoy the spectacle, The Last Stand is heavily loaded! The scope of destruction (including the major showcase of Magneto’s power with the Golden Gate Bridge) is also great and helped this weak movie look epic (even more epic than the better film X-Men: Dark Phoenix). There is also a big battle of multiple members of Magneto’s brotherhood attacking the soldiers at the Alcatraz facility. Action is where director Brett Ratner is good at and it temporarily helped this film feel fun to watch. The visual design and special effects are of good quality as well.

 

One last positive thing to mention here is the casting of Kelsey Grammer as Hank McCoy/Beast and his performance was, indeed, superb. I really saw the scientist, the intellect and the fighter of Beast from the comics translated nicely in cinematic form.

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A striking shot as a result of Magneto’s power.

By today’s standards of superhero movies, X-Men: The Last Stand unsurprisingly went from big-budget disappointment to what is now an overall bad movie that just happens to have some fun action sequences. As far as adapting the Dark Phoenix Saga from the comics, this film is definitely inferior to X-Men: Dark Phoenix. X-Men: The Stand does look good when compared to the terrible X-Men Origins: Wolverine.

If you are a true fan of the X-Men or if you are moviegoer who wants the best superhero cinematic experience, I won’t recommend watching X-Men: The Last Stand.

But then if you are a moviegoer who cannot do anything except hate and uncontrollably bash the new movie X-Men: Dark Phoenix, then maybe The Last Stand will be your bout of fun.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com