Better than Streaming: The Beastmaster 4K Blu-ray standard edition to be released on July 27, 2021

Are you a dedicated fan of the early 1980s fantasy film The Beastmaster who missed out on the elaborate 4K Blu-ray disc release in late 2020 due to its limited supply?

The good news here is that the movie will have another 4K Blu-ray release in a standard edition form and it is set for a July 27, 2021 release! Advanced orders for it are being accepted now at Amazon. The release, along with the previous one, was made possible by Vinegar Syndrome.

The Beastmaster classic movie art.

So what exactly will you fans get in return for paying for the next 4K Blu-ray release of The Beastmaster? To put things in perspective, posted below is an excerpt from the Blu-ray.com article as well as its page for the movie. Some parts in boldface…

Special Features and Technical Specs:

  • 4K RESTORATION OF THE FILM FROM A 35MM INTERPOSITIVE
  • HDR PRESENTATION OF THE FILM (Blu-ray copy included)
  • Alternate updated visual effects version supervised by the director
  • Brand new commentary track with writer/director Don Coscarelli & writer/producer Paul Pepperman, moderated by filmmaker Joe Lynch
  • Archival commentary track with Don Coscarelli & Paul Pepperman
  • “The Beastmaster Chronicles” – a brand new feature length making-of documentary by Elijah Drenner
  • “The Saga of the Beastmaster” – an archival making-of documentary by Perry Martin
  • Super 8mm home movies shot by James Dodson with audio commentary by Don Coscarelli & Paul Pepperman
  • Outtakes
  • Stills, Promotional, and Archival Material Gallery
  • Original theatrical trailer
  • Reversible cover artwork
  • English SDH subtitle
  • REGION-FREE

Video

Codec: HEVC / H.265 (93.69 Mbps)

Resolution: Native 4K (2160p)

HDR: HDR10

Aspect ratio: 1.85:1

Original aspect ratio: 1.85:1

Audio

English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)

English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)

Subtitles

English SDH

Discs

4K Ultra HD

Blu-ray Disc

Three-disc set (1 BD-100, 2 BD-50)

Packaging

Reversible cover

Booklet

Playback

4K Blu-ray: Region free

2K Blu-ray: Region A

For those who want to get the most out of their 4K UHDTV sets at home, The Beastmaster 4K Blu-ray has native 4K visuals! In Blu-ray.com’s review of the elaborate edition, positive reaction was given to the visuals and it is more impressive once you learn the harsh truth that the original film negative of the movie got lost! In fact, The Beastmaster director Don Coscarelli launched an effort to recover the film negative. You can help in the effort to recover it by visiting https://www.whereisthebeastmaster.com/

For the newcomers reading this, The Beastmaster is a fantasy movie that was released way back in 1982 and it was actually not faithful adaptation of the 1959 novel The Beast Master authored by Andre Norton. The movie starred Marc Singer (read my review of V: The Original Miniseries), the late Tanya Roberts, the late Rip Torn and John Amos. The film remains very notable for its use of live, trained animals in many scenes. Having seen the movie myself decades ago, there is nothing like watching Marc Singer traveling with the panther (a tiger dyed black in reality) in the middle of nature.

It should be noted that Tanya Roberts, who died on January 4, 2021, was in the news recently due to her handwritten will. Roberts was the leading lady of the late Roger Moore in the 1985 James Bond movie A View to a Kill.

Marc Singer and the late Tanya Roberts. (source – IMDB.com)

If you are a fan of The Beastmaster or if you are a 4K Blu-ray collector looking for unique moves to add to your collection, watch out for The Beastmaster 4K Blu-ray standard edition on July 27, 2021.

For other Better than Streaming articles, read about V: The Original Miniseries on Blu-ray, Transformers: The Movie 4K Blu-ray, and Mortal Kombat (2021) 4K Blu-ray.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Better than Streaming: Mortal Kombat 4K Blu-ray combo coming out July 13, 2021

If you are a Mortal Kombat fan or if you are simply looking for something action-packed and fantastic to add to your growing 4K Blu-ray collection, then pay attention to this…Mortal Kombat (2021) is coming out on 4K Blu-ray on July 13, 2021 and you can order it ahead of time at Amazon (note: subject to supply). Check out the image below.

The front cover.

Mortal Kombat (2021) 4K Blu-ray is a combo package that comes with the 4K Blu-ray disc, the Blu-ray disc (for 1080p viewing) and in digital form (via a provided code). The good news for 4K Blu-ray collectors is that the movie’s visuals are rendered in native 4K! To put things in perspective, here are the technical specs and details from Blu-ray.com

Video
Codec: HEVC / H.265
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10+
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1


Audio

English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)


Subtitles

English SDH, French, Spanish


Discs
4K Ultra HD
Blu-ray Disc
Two-disc set (1 BD-66, 1 BD-50)

Digital
Digital 4K
Movies Anywhere

Based on the rear of the box, Mortal Kombat (2021) 4K Blu-ray will come with deleted scenes, a feature about how Mortal Kombat went from video games to movies, featurettes of eleven MK characters, the Fight Koreography feature and more. The feature film itself is 110 minutes long.

This is what the rear looks like.

For the newcomers reading this, this year’s Mortal Kombat movie is actually a reboot and the 3rd entry in the Mortal Kombat live-action movie franchise. To be clear, the first-ever Mortal Kombat movie came out in 1995 directed by Paul W.S. Anderson. A sequel came out in 1997 titled Mortal Kombat: Annihilation directed by John R. Leonetti. While I saw the two 1990s MK movies, I have not seen the 2021 Mortal Kombat movie yet.

Let me end this piece by asking you readers: Are you a 4K Blu-ray collector looking forward to Mortal Kombat (2021)? Are you a very avid Mortal Kombat fan? If you have seen Mortal Kombat in the cinema this year, did you find it enjoyable and engaging? Among all the characters of Mortal Kombat that appeared in the video games, which one character is your favorite and why?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

In ending this piece, here is a video of Mortal Kombat (2021).

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Better than Streaming: The Transformers: The Movie 4K Blu-ray coming out soon

If you love the Transformers in hand-drawn animation and if you have a 4K Blu-ray collection to build up, then you should be happy with the news that The Transformers: The Movie 4K Blu-ray will be available for purchase in a few months’ time.

The said 4K Blu-ray release (which also contains the Blu-ray for 1080p viewing) is from Shout Factory, a company that is well known for releasing Blu-ray and 4K Blu-ray discs of movies loaded with lots of extra stuff that make them very ideal for collecting.

The SteelBook edition.

So what exactly will you be getting with The 4K Blu-ray combo of The Transformers: The Movie? To put things in perspective, here first are the technical specs from the Blu-ray.com page

Video

Codec: HEVC / H.265

Resolution: Native 4K (2160p)

HDR: Dolby Vision, HDR10

Aspect ratio: 1.85:1

Original aspect ratio: 1.85:1

Audio

English: Dolby Atmos

English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)

English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)

Subtitles

English SDH, Spanish

Discs

4K Ultra HD

Blu-ray Disc

Two-disc set (1 BD-66, 1 BD-50)

Playback

4K Blu-ray: Region free

2K Blu-ray: Region A (B, C untested)

The Autobots and Dinobots in a scene in the movie.

Now here is an excerpt from another page at Blu-ray.com that shows what you can expect from the new release.

Shout Factory will also issue two additional 35th anniversary editions of THE TRANSFORMERS – THE MOVIE —a standard 4K Blu-ray + Blu-ray combo pack, and a Blu-ray + DVD combo pack. THE TRANSFORMERS – THE MOVIE 35th Anniversary Edition 4K Blu-ray + Blu-ray combo pack includes the all-new 4K transfer of the movie in widescreen alongside the HD full frame version and new bonus material. THE TRANSFORMERS – THE MOVIE 35th Anniversary Edition Blu-ray + DVD combo pack features the movie in HD full frame on Blu-ray as well as a widescreen edition on DVD, alongside new bonus material. These configurations will be available for pre-order later this summer from Shout! Factory. (The SteelBook can already be pre-ordered at Amazon).


Under license from Shout Factory, THE TRANSFORMERS – THE MOVIE SteelBook and standard 4K Blu-ray will also be released in the UK this September.


Description: In the year 2005, the Autobots and the Decepticons are still locked in battle, but a deadly new force enters the fray–a giant killer planet known as Unicron. The heroic Autobots must fight for their own survival and to save their home planet from destruction. A classic of 1980s animation, based on the popular TV series.


Special Features and Technical Specs:

  • NEW 4K TRANSFER FROM ORIGINAL FILM ELEMENTS
  • New Feature-Length Storyboards, including deleted, alternate and extended sequences
  • New Fathom Events 30th Anniversary Featurette, including Stan Bush’s acoustic performances of “The Touch” and “Dare”
  • ‘Til All Are One – A comprehensive documentary looking back at THE TRANSFORMERS: THE MOVIE with members of the cast and crew, including story consultant Flint Dille, cast members Gregg Berger, Neil Ross, Dan Gilvezan, singer/songwriter Stan Bush, composer Vince Dicola and others!
  • Audio Commentary with Director Nelson Shin, story consultant Flint Dille and star Susan Blu
  • Featurettes
  • Animated Storyboards
  • Trailers and TV Spots
  • Optional English and Spanish subtitles for the main feature

As of this writing, Amazon.com has a live page for those who want to order the SteelBook edition of The Transformers: The Movie 4K Blu-ray. You can also order it via Shout Factory.

Devastator and the Dinobots!

As a kid, I got to watch many episodes of The Transformers animated series on television. I eventually saw The Transformers: The Movie on home video and its presentation came with a lot of impact related to the deaths of several characters (including the most controversial death), the noticeable rise of on-screen violence and the more futuristic, sci-fi setting and environments.

Even if you are not a fan of The Transformers, this upcoming 4K Blu-ray release is a blessing. Even if you are not interested in the older, hand-drawn presentation of The Transformers, the animated movie itself should interest you as it has solid performances not only from long-time favorites Peter Cullen (Prime) and Frank Welker (Megatron) but also from Hollywood legends Orson Welles, Leonard Nimoy and Robert Stack. Think about that! Welles, Nimoy and Stack…Citizen Kane, Spock and the Unsolved Mysteries icons in this Transformers film!

For more on The Transformers: The Movie, watch this in-depth video retrospective by Oliver Harper. I highly recommend it and I also encourage you all to follow Oliver Harper via his social media channels.

Let me end this piece by asking you readers: Does the upcoming 4K Blu-ray release of The Transformers: The Movie excite you? If you saw the 1980s animated series of The Transformers, how many episodes were you able to watch? Were you able to watch The Transformers: The Movie in the cinemas back in 1986?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Better than Streaming: Godzilla vs. Kong and In the Line of Fire 4K Blu-ray releases coming out this June!

Welcome to this new series of articles titled Better than Streaming. As many of you, my readers, already know, I am not fan of streaming when it comes to watching movies and TV shows in the comfort of home. My current preference for such home entertainment is the Blu-ray disc format as well as its high-end format the 4K Blu-ray disc! I simply want the best for my personal viewing of movies and TV shows, and the advantages of disc media (specifically 4K Blu-ray) over streaming are clear and undeniable!

I personally own a lot of movies on Blu-ray and I own one Blu-ray disc of V: The Original Miniseries (which is so enjoyable and this time it was presented in high-definition). I recently started building up my personal collection of 4K Blu-ray releases with Total Recall and Wonder Woman 1984.

For this article, we can focus on two notable movies – one new and one old – that will be released on 4K Blu-ray in the middle of June 2021!

Let’s start with Godzilla vs. Kong, the 2021 pandemic-era blockbuster which will be released on 4K Blu-ray disc (plus Blu-ray for 1080p viewing) on June 15, 2021. Pre-orders for the 4K Blu-ray release can be done right here.

The Godzilla vs. Kong 4K Blu-ray combo preview.

As of this writing, Godzilla vs. Kong in optic media will come with the following technical specs and special features:

  • ENGLISH DOLBY ATMOS AUDIO TRACK
  • Audio Commentary by Director, Adam Wingard
  • Kong Discovers Hollow Earth
  • Kong Leaves Home
  • Behold Kong’s Temple
  • The Evolution of Kong, Eighth Wonder of the World
  • Godzilla Attacks
  • The Phenomenon of GŌJIRA, King of the Monsters
  • Round One: Battle at Sea
  • Round Two: One Will Fall
  • Titan Tag Team: The God and the King
  • The Rise of MechaGodzilla
  • Optional English SDH, Latin Spanish, French, Brazilian Portuguese, Italian-SDH, Cantonese, Complex Chinese, Korean, Danish, Finnish, Norwegian, and Swedish subtitles for the main feature

Video
Codec: HEVC / H.265
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10+
Original aspect ratio: 2.39:1

Because the movie theaters here in my place remain closed due to the COVID-19 (China Virus) pandemic, I was not able to watch Godzilla vs. Kong. Along the way, I stayed away from streaming it via HBO Go because I’d rather pay for the best home viewing option which is the 4K Blu-ray release of the movie that is coming. Oh yes, Godzilla vs. Kong’s visuals have been rendered in native 4K (2160p).

The next upcoming 4K Blu-ray release that is worth looking forward to is none other than In the Line of Fire which starred the legendary Clint Eastwood, John Malkovich (who was nominated for an Oscar for his performance in this very movie) and Rene Russo. It will be released also on June 15, 2021 and you can order it in advance right here.

The cover of the 4K Blu-ray release of In the Line of Fire.

For your reference, here are the available technical specs and features…

  • NEWLY REMASTERED IN 4K FROM THE ORIGINAL CAMERA NEGATIVE WITH HDR10
  • ALL-NEW DOLBY ATMOS TRACK + original theatrical 5.1 + original theatrical stereo
  • Audio Commentary with Wolfgang Petersen
  • 5 Deleted Scenes
  • “The Ultimate Sacrifice” Featurette
  • “Catching the Counterfeiters” Featurette
  • “How’d They Do That” Featurette
  • “Behind the Scenes with the Secret Service” Featurette
  • Theatrical Teaser

Video
Codec: HEVC / H.265
Resolution: Native 4K (2160p)
HDR: HDR10
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1

I saw In the Line of Fire on video tape in 1993 and on DVD in 2001. I would love to replay the movie with native 4K visuals and see how good the promised new remaster for the 4K Blu-ray will turn out. In pop culture, In the Line of Fire was kind of like a reintroduction of Clint Eastwood to the public and helped younger moviegoers in 1993 (especially those who missed out on his Dirty Harry and cowboy movies) get to know him and his cinematic art better. In the Line of Fire was directed by Wolfgang Petersen and apart from getting solid performances from the cast, he successfully told a compelling story and presented really good hard-action scenes.

So there you have it! June 15, 2021 will be an exciting day for 4K Blu-ray enthusiasts as well as those who love King Kong, Godzilla and Clint Eastwood! While there are indeed a lot of other movies coming out on 4K Blu-ray in the month of June, Kong vs. Godzilla and In the Line of Fire are the standouts for those who love spectacle.

Before I end this article, let me ask you readers – Do you have a large collection of 4K Blu-ray movies right now? What do you enjoy most about watching movies or TV shows in 4K resolution? What is the one movie or TV show you wish will be released soon on 4K Blu-ray format?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Star Wars: Shadows of the Empire #1 (1996)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Way back in the mid-1990s, something special happened for Star Wars fans. A brand-new story involving Star Wars icons Luke Skywalker, Darth Vader and others would be told set between The Empire Strikes Back and Return of the Jedi. That story was called Shadows of the Empire and it was released as a special event in the form of a novel (written by Steve Perry), a video game on Nintendo 64 and PC, comic books, a soundtrack, posters, model kits, toys and action figures. What was missing here was a live-action movie.   

To put things in perspective, the Shadows of the Empire multi-media event was done by Lucasfilm (note: when creator George Lucas was still in control) with its many business partners to reinvigorate the Star Wars franchise ahead of the planned special editions of the original Star Wars movie trilogy. From a business point-of-view, it made sense to release something new for fans to enjoy and more notably it was the chance for Lucasfilm and its creators to explore what happened between The Empire Strikes Back and Return of the Jedi.

A limited comic book series was released in 1996 and it involved the novel’s author as a story consultant. Back in those days, my comic book interest faded temporarily and even though I was still into Star Wars, I did not bother to buy and read the Shadows of the Empire comic books. The video game caught my attention a lot more back then. Fortunately, I found copies of the comic books and had the time to read them recently.

With those details laid down, here is a look back at Star Wars: Shadows of the Empire #1, published by Dark Horse Comics in 1996 with a story written by John Wagner and drawn by Kilian Plunkett.

The cover.

Early story

The story begins with a group of Rebel spaceships traveling together in the depth of space. Luke, who now has a mechanical hand and has been recovering from the terrible ordeal he went through at Cloud City, is with Princess Leia, C3PO and R2D2 in the medical frigate. The Rebels detect the presence of an approaching ship which they suspect to be hostile.

Luke suddenly decides to take action but is halted when he realizes that his X-wing fighter is still being refitted. In space, Wedge and the Rogue Squadron fly towards the Imperial Strike Cruiser which then releases some Tie Fighters. The personnel inside the Strike Cruiser tried to inform Darth Vader the location of the Rebel fleet…

Quality

Darth Vader!

The first thing I want to mention is that the writing done by John Wagner is solid. That being said, the story itself felt like a natural continuation of The Empire Strikes Back especially when the comic book’s narrative is focused on Luke and the Rebels. The way the recovering Luke, Leia and the two droids were presented following the end of the 1980 movie was believable, and there was that nice touch of characterization when Luke has not yet adjusted with his mechanical hand.

The story then moves into new territory when the narrative shifts on the Imperial side, especially when Emperor Palpatine gives Darth Vader a new order that has nothing to do with pursuing Luke and the weakened Rebels, but more to do with the construction of the Empire’s new weapon. This is also where the new character Xizor comes in and his presence alone confirms something that the movies did not…the Empire is in business with crime syndicates with regards to major projects.

Space ship battles look great in this comic book.

When it comes to characterization, I like the way Darth Vader handled himself when communicating with Emperor Palpatine who viewed Luke’s escape from Bespin a failure on his part. Compared with his private communication with the Emperor in the 1980 movie, Vader bravely questions him about doing business with Xizor backed with his knowledge of the prince and the ties with Black Sun. Vader, who has been part of the Empire for a long time, knew well how risky it is for them to get involved with criminals especially when military cargo is involved.

As for the visuals, Kilian Plunkett does a decent job drawing the characters. While his take makes Luke recognizable and faltered a bit on capturing Leia’s look, his illustrations on Darth Vader, the Emperor and Xizor were really good. Where Plunkett exceled visually are the locations and surroundings, the machines and the space battles (some pages were drawn really dynamically).

Conclusion

This shows how Luke has not fully adjusted with his mechanical hand.

To put it clearly, Star Wars: Shadows of the Empire #1 (1996) has three narratives (the other is about Boba Fett carrying the frozen Han Solo) to build-up on and for a debut issue of a limited series, this one has strength in its execution complete with a good amount of creative stuff that will resonate with long-time Star Wars fans (and also those who love the original Star Wars movie trilogy). It succeeds in telling what happened shortly after the end of The Empire Strikes Back as well as establishing a new sub-plot with Xizor involved. By the time I finished this comic book, I was convinced to look forward to the next issue.

If you are seriously planning to buy an existing hard copy of Star Wars: Shadows of the Empire #1 (1996), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $48 while the near-mint copy of the newsstand edition costs $144.

Overall, Star Wars: Shadows of the Empire #1 (1996) is recommended.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman #22 (1988)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of DC Comics! I wonder how many among you readers got to watch Zack Snyder’s Justice League? That was the so-called definitive version of the Justice League live-action movie that Zack Snyder originally envisioned and reportedly it was the big dream come true for fans of the director and his own vision of the current cinematic universe of DC Comics superheroes.

While the so-called Snyder Cut of Justice League has Gal Gadot as Wonder Woman, I personally am not too excited for it but I will watch it much later on Blu-ray or perhaps 4K Blu-ray someday. What I am anticipating right now is the 4K Blu-ray release of Wonder Woman 1984 scheduled for March 30, 2021.

With regards to the literary Wonder Woman (post-Crisis DC Comics universe) as I’ve been reviewing a lot for some time now, things went crazy with what happened in issue #21. I’m talking about something that involved Wonder Woman with the deities of Olympus.

With those details laid down, here is a look back at Wonder Woman #22, published by DC Comics in 1988 with a story written and drawn by George Perez with Bob McLeod credited with the finished art.

The cover.

Early story

The story begins in Themyscira. All the Amazons are called by Diana to a special audience in relation to an pending proclamation of a new decision that shall chart forevermore the path of the Amazon destiny.

In front of a large audience composed of her many Amazon sisters as well as her mother (Queen Hippolyte), the oracle Menalippe and headmistress Mnemosyne, Diana announces that a majority voted yes on the question of Themyscira opening her gates to the world outside and allowing man to set food on the shores of paradise island.

There was no fanfare, no cheers and no applause from the audience as the announcement marked the beginning of the new stage in the history of Amazons.

Meanwhile in outer space, a silvery orb flies around in very fast speed heading towards Earth…

Quality

Wonder Woman’s lifting of the car looked inspired by the famous cover of Action Comics #1 from 1938.

To make things clear, the story of this comic book is mainly a build-up for something significant that will happen later. There is no real battle of good-versus-evil here, nor would you see Wonder Woman encounter someone sinister.

In terms of build-up, the approval by the Amazons of cultural exchange and sharing of access with man’s world is itself a set-up for a significant event for Wonder Woman and her two closest friends on Earth. On other matters, the arrival of the space orb on Earth was presented very nicely and it surely is intriguing to see how it builds up for an upcoming new anti-hero element.

If you are a Wonder Woman fan expecting to see more of Diana getting dramatized and developed, you might be disappointed that this comic book has lesser content about her than usual. In fact, there is a good amount of pages here that pay close attention to Vanessa Kapatelis having a bad day in school, plus her mother Julia attracting the attention of a certain school teacher. This particular comic book really tried hard dramatizing the mother-and-daughter relationship of the two supporting characters but ultimately (and not surprising) it’s nowhere as engaging as that of Queen Hippolyte and Diana.

Conclusion

Diana doing her duty in front of a tremendous audience of her Amazon sisters plus her mother Queen Hippolyte.

Behind its beautiful cover, Wonder Woman #22 (1988) is not only an underwhelming follow-up to the epic development in issue #21, it is also the least engaging issue I’ve read about the post-Crisis version of Wonder Woman under the creative direction of George Perez. It’s really more about setting the stages for a future conflict and a special visit to Themyscira (you can guess who would visit to see Wonder Woman’s Amazon sisters). George Perez’s writing is still of pretty good quality and he really knows how to define each character’s personality but it’s the overall concept of the comic book that is underwhelming.

If you are seriously planning to buy an existing hard copy of Wonder Woman #22 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $35 while the near-mint copy of the 2nd printing costs $350.

Overall, Wonder Woman #22 (1988) is satisfactory.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

DTI issues new memorandum for the reopening of cinemas in GCQ areas starting March 5, 2021

Do you miss watching movies in the cinemas? The COVID-19 pandemic really brought the movie theater industries around the world to a screeching halt which negatively impacted the way movies were distributed and led to the laying off of many employees who worked in the cinemas.

Here in the Philippines, movie theaters are only operating in cities or provinces which are under the state of MGCQ (Modified General Community Quarantine) which has lesser restrictions compared to GCQ (General Community Quarantine). The thing here is that Metro Manila (which is composed of multiple cities that each has its own government) is still under the GCQ level of control and as of this writing, movie theaters still have not reopened.

Just weeks ago, the Inter-Agency Task Force for the Management of Emerging Infectious Diseases (IATF-EID) announced it will allow a variety of businesses to resume operations and among them are the cinemas. Unsurprisingly, the Metro Manila mayors reacted negatively.

That was back then. Even though President Rodrigo Duterte refused to shift the entire nation into MGCQ status, movie theater operators (and their employees) in Metro Manila and other areas still under GCQ status now have something to be happy with as the Department of Trade and Industry (DTI) issued a new memorandum circular allowing movie theaters in GCQ zones to reopen starting March 5, 2021.

Below is an excerpt from the news article published the other night at Philippine News Agency’s website…

The Department of Trade and Industry (DTI) has issued Memorandum Circular (MC) No. 21-08 allowing movie houses in areas under general community quarantine (GCQ) to reopen starting March 5.

The circular stipulates that cinemas in GCQ areas are only allowed to operate up to 25-percent capacity.

However, moviegoers are prohibited to eat and drink, while face masks shall be worn at all times inside the cinema.

A one-meter physical distance on all sides is also required.

“In the event of free seating, cinema staff shall usher customers to their seats to comply with the physical distancing and maximum operational capacity requirements,” the MC said.

On the other hand, cinemas in modified general community quarantine (MGCQ) areas are allowed to operate at 50-percent capacity.

As you can see in the details in the above excerpt, movie theaters in GCQ zones will be allowed to resume operations but with limitations such as 25% maximum capacity (with social distancing implemented) allowed and the prohibition on moviegoers from consuming food and beverages (this limitation will hurt the cinemas’ food and beverage business partners).

As for the requirement to wear face shields inside the cinema, it’s really a detriment because face shields obscure people’s visions and therefore moviegoers won’t be able to enjoy the visuals displayed on the big screen. 

Let’s be honest here…how many people would really want to watch films inside the movie theater without food and beverages, and having to view films with their vision negatively affected by face shields? I can only state that the DTI should reconsider these limitations soon.

It is understandable that safety measures and the health protection for the public are essential for the national authorities to do which explain the limitations for cinemas in GCQ areas. Take note from the excerpt below…

“Following the earlier agreement at the IATF (Inter Agency Task Force for the Management of Emerging Infectious Diseases), DTI issued the circular that will guide the implementation of a safe and gradual reopening of more businesses and economic activities. This is part of our mandate to ensure that as more businesses reopen to provide more jobs and sources of income for our countrymen, the strict health protocols are enforced,” DTI Secretary Ramon Lopez said.

Lopez said while the government continues to reopen more economic and business activities, minimum health measures should be strictly implemented.

The thing which we should observe here in the Philippines is how the local government leaders of GCQ areas will react to DTI’s memorandum circular. Be aware that Metro Manila alone is home to lots of movie theaters, including those with 4D and IMAX technologies. These cinemas, many of which are part of shopping malls, have not operated for almost a year now and they badly need to resume their business not just to serve paying customers but also to take care of their employees such as security guards, ushers, ticket booth operators, film projector operators, etc. Do not forget about the businesses that partnered with cinemas to sell popcorn, snacks and beverages. Right now, economic recovery and job creation are of the utmost importance during this time of pandemic.

Now that you have read this, let me ask you what do you think about this news? Is the DTI right to issue the new memorandum? If you are living in a Metro Manila city, how has your local government leaders reacted to the news? When was the last time you watched a movie inside the cinema? Have you contacted your local cinema operator?

Watch out for further updates right here.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman #18 (1988)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors, fellow geeks and fans of Wonder Woman! Last time, I found George Perez’s standalone writing of the story about Wonder Woman discovering Greece and its connections to her people’s heritage a really good story. For much of the post-crisis Wonder Woman monthly series’ early stage, the stories were done by Perez and the late Len Wein. In issue #17, Perez not only succeeded in developing Diana/Wonder Woman further, he also captured nicely the wonder of discovery of new places and astonishing aspects of life while traveling overseas.

Of course, issue #17 was not purely a tourism story through the eyes of the Queen of Superheroes. There was an obvious build-up of a new villain who is aware of Wonder Woman’s presence in Greece.

What will happen next? Who could the new force of evil be? We can find out in this look back at Wonder Woman #18, published by DC Comics in 1988 with a story written and drawn by George Perez with ink work done by Dick Giordano.

The cover.

Early story

The story begins deep in the darkness of limbo. Light sparks suddenly as Zeus, Hades and Poseidon arrive in the search of their father called Cronus. Zeus retrieves the Olympian pact. After further talking, they join forces in lighting a flame to burn the pact to make way for something new.

Meanwhile in a hospital in the Greek isle of Cephalonia, Diana wakes up surrounded by Julia Kapatelis, Vanessa, a doctor and other Greeks. Diana states that some kind of aura seemed to clutch her in a chilling grip which Julia dismisses and believes that her Amazon friend was simply tired from all the months-long pushing herself since returning from Themyscira.

Julia introduces Diana to Theophilus Ventouras and his nephew Demetrios. The older Ventouras is the owner of the wealthiest estate on the islands. He tells Diana that the governor asked him to meet her at the dock and reveals to her that a local boy was killed by a wolf which some car calling it as a “magia”.

As they continue talking, a nurse listens to them carefully just outside the door of the room they are in. She learns about Ventouras’ offer of assistance to Diana and quietly leaves. Some time later just outside the hospital, the nurse (named Angela) reveals to a man named Mikos that Diana and her group will be going to Ventourata the next day…

Quality

Without hesitation, Wonder Woman moves to save lives.

I can start by saying that this is another well-written tale by George Perez. Apart from the continuing focus on Wonder Woman’s discovery of Greece, the elements of fantasy, intrigue, suspense and even horror have been used more in this comic book compared to the previous issue.

When it comes to characterization, Diana’s close relationship with the Kapatelises is deepened further as the story explored the already established Greek background of Julia. I also found engaging Wonder Woman’s unflinching moves to search for Vanessa and get her out of trouble any way she could.

For those of you who are aware about the lack of superhero spectacle in issue #17, I can share to you that there definitely is more action in this comic book and it is all nicely presented by George Perez.

Continuing what began in the previous issue, Perez ramped up further the build-up of the new force evil awaiting Wonder Woman. I won’t reveal who it is but rest assured, this comic book’s ending is pretty strong and easily justifies the build-up.

Conclusion

Diana and Julia treat each other like family.

Wonder Woman #18 (1988) successfully continued the redefining of the Queen of Superheroes in the post-Crisis era and George Perez really delivered great stuff as well as a very solid story here. From start to finish, there is a lot to enjoy and examine in the story.

If you are seriously planning to buy an existing hard copy of Wonder Woman #18 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $41 while the near-mint copy of the newsstand edition costs $84.

Overall, Wonder Woman #18 (1988) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

For Wonder Woman fans, be aware that the movie Wonder Woman 1984 will be released in a 4K Blu-ray disc combo on March 30, 2021. Read my article for the details and, if you have decided to order, do it now at Amazon.

A Look Back at Wonder Woman #17 (1988)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

When was the last time you traveled overseas not to have fun the usual way (partying, spending time in bars, watching movies or stage plays, and the like) but rather to immerse yourself into history by visiting several historical sites? When you plan to travel overseas, have you thought about pursuing the wonder of discovery?

Welcome back, Wonder Woman fans and comic collectors! It has been almost a year since I started publishing retro reviews of Wonder Woman comic books from the post-Crisis age of DC Comics drawn by the famous George Perez. I can say that I really enjoyed the modernizing of the Queen of Superheroes done by Perez along with the late Len Wein. In fact, my enjoyment on the post-Crisis Wonder Woman is greater than what I had for the New 52 Wonder Woman. For those who love Wonder Woman movies, check out my retro review of the 2017 Wonder Woman movie and my feature about the No Man’s Land scene. If you are into the latest movie Wonder Woman 1984 starring Gal GadotChris Pine and Kristen Wiig, be aware that the 4K Blu-ray combo of it will be released on March 30, 2021. I already ordered a copy of it.

Going back to what I mentioned earlier, discovering new places can be tremendous experiences for those who travel abroad. With those details laid down, we can finally start this look back at Wonder Woman #17, published in 1988 by DC Comics with a story written and drawn by George Perez with ink work done by Dick Giordano.

The cover.

Early story

The story begins as a white bird flies high in the sky in the middle of dark clouds and bolts of lightning. The bird is carrying a message and as it continues to move forward, the darkness fades away as light and calm clouds set in.

In Wakefield, Massachusetts, Diana Prince/Wonder Woman receives her special United Nations (UN) passport from Etta Candy. It turns out that Julie Kapatelis is in Athens, Greece, making arrangements for Diana’s first overseas trip in man’s world. As they talk, Etta reveals that Steve Trevor is aware of the connection between Wonder Woman’s costume with his mother.

As Vanessa (Julie’s daughter) comes down from the second floor, Steve Trevor enters the house carrying a bird carrying a message. Even as she recognizes the bird, she is amazed to discover that it arrived there all the way from Themyscira. The message carried by the bird is from Diana’s mother, Queen Hippolyte. She begins to read the message in the car with Vanessa on the way to the airport…

Quality

Diana visits and discovers Greece.

I’ll start by pointing out that this is the first issue of this particular monthly series to be written entirely by George Perez (note: Len Wein was involved with the script for issue #16) and, as I read this comic book, he wrote well and succeeded in further developing Wonder Woman’s personality just as she discovers more of man’s world and its connections with her fellow Amazons.

In this comic book, Wonder Woman (with Vanessa) travels to Greece for an arranged visit with her mentor Julie anticipating her arrival. Upon arriving in Greece, a lot of people warmly welcomed Wonder Woman who in turn got reunited with Julie in the presence of her Greek friend Stavros. In relation to the opening paragraph of this review, this is the story of Diana’s discovery of Greece, its people, its culture and legacy. The way Perez wrote and visualized her discovering and learning of the Greek sites really emphasized her thoughts as her perception of man’s world and its connections to her people and her culture builds up.

Unlike the previous two issues, this story is much heavier with character development and Perez’s writing is indeed engaging. As you read Diana’s words and thoughts, you will experience intrigue and even relate to her experiencing a great wonder of discovery. Also worth reading are her thoughts about Superman.

Apart from the focus on Wonder Woman, this comic book also paid attention to the intrigue that happened among the deities of Olympus – including Heracles – who are still recovering from the great disturbance caused by Darkseid. Oh yes, the story also marked the start of the build-up of another supervillain for Diana to face.

Conclusion

In the airplane on the way to Greece.

While it clearly lacked a strong conflict between good and evil, the wonder of discovery as well as the in-depth characterization made Wonder Woman #17 (1988) a must-read. George Perez, who is best known for his artworks, proved to be a very solid writer and it should be noted that he went on to write a whole lot more stories about the Queen of Superheroes.

If you are seriously planning to buy an existing hard copy of Wonder Woman #17 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $42 while the near-mint copy of the newsstand edition costs $42.

Overall, Wonder Woman #17 (1988) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A chance for recovery for more Philippine cinemas (and their employees)

Wow. That was quite a ride of information updates that happened the last few days. Last Friday, the Inter-Agency Task Force for the Management of Emerging Infectious Diseases (IATF-EID) announced that it has allowed a variety of businesses around the Philippines to resume operations so that they can recover from this ongoing COVID-19 pandemic.

Such businesses specified were driving schools, video arcades, theme parks, natural sites, historical landmarks, parks and, most notably of all, cinemas (or movie theaters).

However, the Metro Manila mayors reacted and expressed their opposition against the national government’s decision on allowing cinemas to reopen. Through the media, Metropolitan Manila Development Authority (MMDA) chairman Benhur Abalos stated that a “majority of Metro Manila mayors agreed not to open as far as cinema is concerned.”

Below is an excerpt from the Manila Times article on Abalos…

He noted that movie theaters are enclosed and air-conditioned spaces where people stay for more than 30 minutes, conditions that increase the risk of coronavirus transmission.

To put things in perspective, Metro Manila is composed of many major Philippine cities such as Makati, Quezon City, Manila and Muntinlupa to name a few. Until now, Metro Manila remains under GCQ (General Community Quarantine) status while certain other cities or provinces have been enduring the MGCQ (Modified General Community Quarantine) status. As of this writing, the only cinemas operating here in the Philippines are those located in MGCQ areas.

Here in Metro Manila, movie theaters have been closed since March 2020. Take note of that.

As a result of the Metro Manila mayors’ opposition, it has been announced that the reopening of cinemas has been moved to March 1, 2021, but that is not guaranteed. According to the news release published yesterday at Philippine News Agency, the reopening of cinemas in GCQ areas has been moved to the first of March to allow consultations with local officials, and this is the result of talks with MMDA’s Abalos, MMDA General Manager Jojo Garcia and Trade Secretary Lopez.

Malacañang stated in the release: The IATF respects the position of mayors, especially those in Metro Manila. That’s why the resolution stated that the reopening of cinemas will be effective after drafting guidelines with local governments particularly when it comes to seating capacity in cinemas.

As you can see, there is still some work needed to be done before Metro Manila movie theaters (or any theaters in GCQ areas in general) can be allowed to reopen. This is why, in my view, the March 1 target for reopening could be missed.

More on the cinemas, I wonder if the Metro Manila mayors and their advisers did enough research about the economics. I understand they want to avoid the risk of people getting infected with COVID-19 within their respective cities, but there is still the need for economic recovery even if cinemas are to operate at less than 100% capacity and efficiency

From an economic point of view, thanks to information released by Trade Secretary Ramon Lopez, the so-called traditional cinema industry of the nation employed 300,000 workers and had generated revenues of P13 billion BEFORE the pandemic started last year. Because of the pandemic, 2020 theater revenues shrunk down to only P1.3 billion.

Whatever happened to them as a result of the pandemic, 300,000 cinema employees is a figure that should not be ignored nor dismissed so quickly by the mayors and their advisers. Economic recovery is a must.

In an ABS-CBN news report, the cinema operators and movie producers have decided to adopt a so-called wait-and-see approach on the reopening of cinemas in GCQ areas.

Here’s an excerpt from the report:

Although they welcome the easing of quarantine restrictions, local producers and theater operators believe that ultimately, the reopening of cinemas will still be dependent on the clearance of local government units.

Roselle Monteverde and Vincent del Rosario, who helm Regal and Viva Entertainment, respectively, told ABS-CBN News that they have the capability to provide cinemas with movie material, some of which have long been canned. Nonetheless, along with other members of the local producers association, the movie magnates are still awaiting the IATF guidelines and, more important, the guidance of mayors.

And here’s another excerpt, this time about two major cinema chain operators.

Megaworld Cinemas and SM Cinemas, which both control a vast chain of theater chains, told ABS-CBN News that they will wait for the final guidelines of the IATF and local government units.

Bomboy Lim of Robinson Cinemas also told ABS-CBN News that the bottomline is securing the approval of local government units. “Priority din namin ang ligtas na panonood ng tao. Kailangan nating sundin ang lahat ng guidelines including the IATF. Right now, they are still making it.”

Robinson Cinemas, which has an estimated 200 theaters nationwide in its malls nationwide, have not reopened since March 2020.

Over at the City of Manila, the local authorities there announced it will offer free swab tests to movie theater workers within their jurisdiction. Mayor Isko Moreno said that the swab tests are required before the city government allows malls to open their movie houses. Cinema workers specified are janitors, security guards, tellers, ushers, porters, ticket sellers and snack bar attendants to name some. Managers of malls in the city were asked by the mayor to present to the city government their respective preparations for the reopening of their cinemas with public safety in mind.

As I personally observed in shopping malls with cinemas here in South Metro Manila, each of them has established rules and set up special equipment to monitor the health statuses of people entering their respective places. I can imagine local cinemas inside these malls having similar equipment, disinfectant machines, and temperature scanners. It would be helpful if the malls or cinema operators can afford to set up sanitation tunnels (like those in Israel) for moviegoers to pass thru when entering and exiting the movie theater. Watch the video below…

Even though things look unclear, the fact remains is that operators of movie theaters and their employees now have a chance to resume their business and do their part in the recovery economically and socially. How the IATF and the Metro Manila mayors will decide the fate of the cinemas remains to be seen.

If there are any major updates, you will be notified right here at www.CarloCarrasco.com

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For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673