A Look Back at What If #47 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1993 and explore a part of Marvel Comics’ universe through the reimagined tales emphasized in the What If monthly series.

Back in 2021, I reviewed What If #46 (1993) which told a compelling story about division between the mutants, the clash of beliefs between Professor X and Cable, and how terrorism affects everyone. The comic book was also a mesmerizing portrayal of how the X-Men would have organized themselves without Charles Xavier, Jean Grey and Cyclops.

Considering all the chaos that happened in What If #46 (1993), the time was just right for Magneto – the X-Men’s most dangerous enemy of all time – to come in and make an impact not only on mutants but on the world.

With those details laid down, here is a look back at What If #47, published in 1993 by Marvel Comics with a story written by Kurt Busiek and drawn by Tod Smith.

The cover.

Early story

The story begins with Magneto leading a huge legion of mutants to take overwhelm the remaining resistance – including Spider-Man, the Fantastic Four, Captain America, the Avengers and the dedicated American soldiers – in Washington, D.C.

A fierce battle then took place with both sides hitting each other hard. After noticing Magneto’s lack of presence during the battle, Captain America then realizes that the long-time enemy of the X-Men took advantage of the fighting to penetrate the U.S. Capitol’s bomb shelters and got the nation’s leaders hostage. After easing some of his fellow heroes, Captain America decides not to escalate the fight against Magneto in consideration of the lives of America’s top officials…

Quality

A recap of the events in issue #46.

To begin with, I can say that this story is a well-planned follow-up to the events of issue #46. While Magneto’s presence has been magnified a lot here, there are still strong story connections to the previous issue.

With regards to what was emphasized on the front cover of the comic book, this story explores what would happen if Magneto took power to control the entire United States while leading a group of mutants with a platform focused on crushing anti-mutant racism even though it includes pushing the non-mutant people (which is the great majority of America’s people) as well as the dissenting mutants out of the way.

For one thing, this superhero fantasy concept is actually socially relevant with today’s geopolitics and the way America has turned out under the fake leadership of Joe Biden (who is NOT leading as US President but only following the modern-day American Communists and reckless SJWs dictating him to do their evil bidding. Biden also arrogantly denies reality when it goes against the desires of his administration and his Satanic Democrats) It should be noted that the US President visualized in this comic book eerily looks like Joe Biden complete with that absent-minded facial expression.

Next, a clear theme in this What If story is absolute power and why groups who crave for it would sacrifice so much and hurt others just to acquire it. Magneto, who carries deep hatred towards people he perceives to be obstacles or opposition for his quest of uplifting mutants, takes advantage of mutants who have lost hope and are depending on someone to lead them. Indeed, the long-time X-Men nemesis gains power to control America but finds himself facing a new force of opposition which leads the nation into a drastic series of change that clearly do not alight with his vision of a better future for mutants.

Still on the theme of absolute power, the US government in this story was portrayed to have developed technologies designed to overwhelm its citizens, as well as the means to establish infrastructure and protocols to transform America into an automated dictatorial state that enslaves its citizens and violate their rights without restraint. Once again, this aspect of the story makes it socially relevant.  

Considering the epic concept and the dark turn of events the creative team prepared, this comic book does not have a clear good-versus-evil approach but rather it emphasizes chaos that comes with the pursuit and abuse of absolute power over the nation. You will see key elements from the classic X-Men storyline Days of Future Past here in relation to America’s deformation.

Conclusion

Wow! The US President in this comic book eerily looks so much like Joe Biden whose leadership led America into a lot of problems and hardship. Sky high inflation is just one of the problems that happened under Biden.

What If #47 (1993) is truly a very captivating read mainly because of its core concept which goes way beyond the scenario of Magneto taking control of America. Considering its portrayal of America and the exploration of dark themes about people getting overwhelmed by power abusers, the story is a warning about the fall of America told in superhero fantasy form. Considering the intense social degradation that rocked America the past few years (note: riots by the Black Lives Matter terrorists, SJWs disturbing the peace, Democrats allowing more illegal immigrants into the country, socialists in colleges continuing to brainwash students and more), this story is very socially relevant. It will keep you thinking and reflecting deeply, even if you strongly desire whatever superhero entertainment you seek in this comic book.

Overall, What If #47 (1993) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

Better than Streaming: Red Dawn Collector’s Edition 4K Blu-ray coming out on August 16, 2022

Welcome back, fellow geeks, Blu-ray collectors and movie buffs! If you are sick and tired of the modern-day wokeness-filled garbage of Communist Hollywood (Commiewood) and if you are nostalgic about 1980s Hollywood cinema, then you should be interested to learn that the Red Dawn Collector’s Edition 4K Blu-ray will be released on August 16, 2022 and already pre-orders are being accepted online.

Red Dawn Collector’s Edition 4K Blu-ray is set for an August 16, 2022 release.

According to the Blu-ray.com page of the movie, Red Dawn 4K Blu-ray disc will have native 4K visuals and a brand new 4K restoration of the film from its original negative has been reported. These details are very much welcome because I have Red Dawn on Blu-ray disc (1080p) and its visuals were not very good. Moving forward, posted below are the specs for Red Dawn 4K Blu-ray

Video

Codec: HEVC / H.265

Resolution: Native 4K (2160p)

HDR: Dolby Vision, HDR10

Aspect ratio: 1.85:1

Original aspect ratio: 1.85:1

Audio

English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)

English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)

Subtitles – English SDH

Discs – 4K Ultra HD, Blu-ray Disc, Two-disc set (1 BD-100, 1 BD-50)

Packaging – Slipcover in original pressing, Inner print

Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A (B, C untested)

For the newcomers reading this, Red Dawn is a 1984 action movie directed by John Milius that explores what would happen in America – specifically at a Colorado town surrounded by wilderness – once World War III breaks out and the nation gets invaded by the Soviet Union (Russians) and their South American Commies. A small group of teenagers manage to escape the invasion of their town and moved into the wilderness with limited supplies to survive with. As the Leftists impose order in the town, the group slowly organizes itself into a force of opposition with one objective: freedom.

This movie starred the late Patrick Swayze, Charlie Sheen, C. Thomas Howell, Lea Thompson and Jennifer Grey when they were much younger. As the 1980s had lots of Hollywood movies about teenagers presented in comedies and drama films, Red Dawn easily stands out among them all as it deals a very serious concept related to the Cold War back then. Its story is a powerful reminder that Communists and the Satanic Left are essentially evil.

Given the fact that America today has several millions of young people brainwashed by socialists in schools, the fact that Leftist terrorists groups like Black Lives Matter (BLM) and Antifa are tearing down American society, the fact that Hollywood has lots of Commies and SJWs among its members, the fact that gun owners’ rights are being attacked a lot by the Left, the fact that Democrats prioritize illegal immigrants over American citizens, and the fact that lots of politicians abuse their governmental powers to emphasize socialism, Communism, Marxism and other wicked values on the people, Red Dawn of 1984 is still highly relevant. This is the movie that liberals and people poisoned with political correctness cannot tolerate. Watch out for Red Dawn Collector’s Edition 4K Blu-ray on August 16, 2022.

In closing this Better than Streaming piece, posted below are Red Dawn-related videos for your viewing pleasure.

If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/

North Carolina-based church pays for fuel benefiting more than 300 people

News published every day by the mainstream media outlets can be very depressing and stressful to absorb. Here in the Philippines, many millions of still unused COVID-19 vaccines are at risk of expiring. Overseas, America has its worst inflation in decades and the prices of fuel are very expensive nowadays.

If you are looking for good news and details that can help deepen your faith in the Lord, check out the recent CBN News story about a North Carolina-based church that paid to fill the fuel tanks of hundreds of customers who lined up at the gas stations. Considering how expensive gas is right now, the anointed move by Kingdom City Church is a blessing to those who badly need gas at a time when they are struggling financially. To be clear, Kingdom City Church has been doing this special thing for years.

To put things in perspective, posted below is the excerpt from the CBN News report. Some parts in boldface…

With painfully high gas prices still hurting American families nationwide, churches across the country have partnered with gas stations to help alleviate the burden with either discounted or free fuel.

Kingdom City Church in Charlotte, North Carolina recently took part in helping to fill the tanks of those in need.

“At the end of the day, it’s a blessing to be a blessing to God’s people,” Pastor Brian Carn told CBN News’ The PrayerLink.

He explained that his church has been doing a gas outreach for several years, but with the rising cost of goods, this year’s event was more significant.

I believe that the life of a Christian should be a life that is overflowing with compassion,” he shared. “We were just faithfully doing it over the last couple of years and it actually came in handy this year in a powerful way.”

More than 300 people received free gas, along with grocery vouchers and gift cards.

“People were actually running out of gas, coming to the gas station,” Carn said of the event that took place in late March. “We were having to push their cars to the gas station, but to be able to use that as a tool to get people saved, pray for people, get people healed and delivered.”

Members of Kingdom City Church pumped gas for drivers so they could sit in their cars and receive ministry and prayer.

“I drove about 25 minutes to get over here to get a tank of gas,” said one driver. “Everyone was pleasant and I really appreciate everything you guys have done for me and everyone out here today.”

“Once we got here you feel the Holy Spirit around us…you can feel His Spirit just move you,” another driver told the church. “Speaking to people prior to getting the gas, praying with people…it’s earth-shaking.”

Pastor Carn personally financed the entire event, giving away $10,000 worth of fuel. He said he wanted to pour back into the community and sow a seed.

“I wanted to make it my business to sow into those who come. You know a lot of times as the church we do a lot of receiving, but not much pouring back into the people,” he explained, “so I wanted to make it my business to sow a seed into the lives of people all over the city of Charlotte so that God could use me as a conduit to let them know that God cares about your tank as much as he cares about your pocket and your heart.”

The above article ended quoting Pastor Carn: “You know Jesus fed them first and then ministered to them. So that was our fish and the loaves.”

Now, check out the related CBN News video below. Watch how caring Kingdom City Church is to the people who need gas…

What this news story should remind you is that when you are blessed by the Lord, do not forget to be a blessing to others. Never forget that God blesses the faithful abundantly! Learn from the following holy scriptures below…

“Your lives light up the world. For how can you hide a city that stands on a hilltop?  And who would light a lamp and then hide it in an obscure place?  Instead, it’s placed where everyone in the house can benefit from its light. So don’t hide your light!  Let it shine brightly before others, so that your commendable works will shine as light upon them, and then they will give their praise to your Father in heaven.”

Matthew 5:14-16 (TPT)

For God is not unjust to forget your work and labor of love which you have shown toward His name, in that you have ministered to the saints, and do minister. And we desire that each one of you show the same diligence to the full assurance of hope until the end, that you do not become sluggish, but imitate those who through faith and patience inherit the promises.

Hebrews 6:10-12 (NKJV)

Yes, God is more than ready to overwhelm you with every form of grace, so that you will have more than enough of everything —every moment and in every way. He will make you overflow with abundance in every good thing you do. Just as the Scriptures say about the one who trusts in him: Because he has sown extravagantly and given to the poor, his kindness and generous deeds will never be forgotten. This generous God who supplies abundant seed for the farmer, which becomes bread for our meals, is even more extravagant toward you. First he supplies every need, plus more. Then he multiplies the seed as you sow it, so that the harvest of your generosity will grow. You will be abundantly enriched in every way as you give generously on every occasion, for when we take your gifts to those in need, it causes many to give thanks to God.

2 Corinthians 9:8-11 (TPT)

For we are His workmanship, created in Christ Jesus for good works, which God prepared beforehand that we should walk in them.

Ephesians 2:10 (NKJV)

For those who are wondering what Kingdom City Church is, check out the excerpt of their history from their website posted below…

Kingdom City Church (KCC) is a national ministry founded in September 2016 by Senior Pastor, Brian Carn, along with the ministry assistance of our former Associate Senior Pastors. KCC is currently located in Charlotte, North Carolina; Jacksonville, Florida; Houston, Texas; and soon to be all over the world! With only a word from the Lord, “Move to Charlotte!” Prophet Carn spoke to the people of God concerning this great assignment the Lord had given him. It was the beginning of a ministry who was hungry for a move of God like never before! As we launched our first service in Charlotte, NC on Sunday, September 4, 2016, we knew God was beginning something that would change the lives of many for years to come. With an extremely packed sanctuary every week, the power of God flowed through the place from beginning to end, compelling men and women to be saved and have a deeper encounter with God.

Praise and thank the Lord for Kingdom City Church blessing so many people with their latest gas outreach! Through them, God’s love, care and blessing were passed on to others!

To learn more about Kingdom City Church, visit their official website at https://www.kcccharlotte.org/wp/ and their official Facebook page at https://www.facebook.com/KCCculture/. On Twitter, follow them at  https://twitter.com/kcc_culture

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Note: The Kingdom City Church logo is a property of the church.

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram athttps://www.instagram.com/authorcarlocarrasco/

A Look Back at Spider-Man 2099 #6 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, and comic book collectors! Today we revisit the world of 2099 within the universe of Marvel Comics back in the 1990s, specifically through the Spider-Man 2099 monthly series.

Today we will look back at the sixth issue of Spider-Man 2099. Previously, Spider-Man struggled long and hard with the Japanese agent called the Specialist not knowing that they are being monitored by powerful forces behind the scenes. As Alchemax’s Tyler Stone wanted Spider-Man, something unexpected happened before issue #5 ended.

With those details laid down, here is a look back at Spider-Man 2099 #6, published in 1993 by Marvel Comics with a story written by Peter David and drawn by Ricky Leonardi.

The cover.

Early story

The story begins in downtown New York which is the historic and original section of the city located far below the modern-day society and its skyscrapers (referred to as Uptown). Lots of people are living in poverty in downtown New York and even so they are not spared by people who claim to have authority over them as public service personnel. A woman and her child got approached by two men who believe that the mother is two months behind her security payments.

As the physical struggle between them went on, they all found themselves close to a dead end with a pile of trash located on it. Suddenly, a human arm comes out pushing the trash out of the way which stuns them all. Spider-Man then emerges and asks for help…

Quality

Spider-Man of 2099 is so weak and vulnerable, he could not even swing his way around and has to take a ride in downtown New York City.

If there is anything clear about this comic book, it is the fact that Peter David portrayed the futuristic Spider-Man as not only struggling for survival but also as a fugitive complete with a brand-new physical environment which is a dark, far futuristic vision of 20th century New York City. The good news is that David succeeded with what he executed and to say the least, this story has a completely different feel compared to issues #2, #3, #4 and #5.

On Spider-Man, the protagonist was shown to be very vulnerable. His fall from uptown to downtown really wrecked his health and due to the genetic modifications that happened to Miguel O’Hara in issue #1, his above-normal (albeit slow) recovery and strength to even move out the medical facility while being injured are justified creatively. Spider-Man being hunted together by Private Eye and their downtown counterparts (note: there is a clash of cultures and attitudes between them which was nicely dramatized) adds a new layer of suspense mixed with tension which easily reminds me of the fact that the futuristic web-slinger is just a worm within the futuristic and oppressive society of New York in 2099 under Alchemax (note: clearly anti-corporatism is a key element of Marvel 2099 which can be deceiving and misleading to readers, especially those who are vulnerable to the lies and deception of socialists, Marxists, Communists, liberals and other elements of the Satanic Left).

As expected, Peter David further dramatized relationships or connections between the supporting characters. He further spiced up the script with the gradual first appearance of a key 2099 villain for Spider-Man to face off with. I won’t reveal which villain is that and I encourage you to find out by reading this comic book.

Conclusion

Early in the comic book.

Spider-Man 2099 #6 (1993) is fun and compelling to read. What makes it compelling is the creative way the author changed the mood of the story as it shifted into downtown New York of 2099 filled with poverty, darkness and hopeless living. Spider-Man as a fugitive here is similar yet different enough compared to how local authorities perceive the classic Spider-Man/Peter Parker. At this point of the monthly series, Spider-Man of 2099 is shown to be very vulnerable and Miguel O’Hara finally becomes desperate not just to survive but also get back home somehow.

If you are seriously planning to buy an existing hard copy of Spider-Man 2099 #6 (1993) be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $30 while the near-mint copy of the newsstand edition costs $90.

Overall, Spider-Man 2099 #6 (1993) is recommended.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/

A Look Back at V: The Final Battle (1984)

Disclaimer: This is my original work with details sourced from watching V: The Final Battle and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

With a very engaging story, memorable characters, intriguing concepts and innovative marketing, the $13 million production V: The Original Miniseries (simply called V back then) became a major TV hit in America over two nights in May, 1983. I personally loved watching the said mini-series back in the 1980s and I still love replaying it in this age of high-definition and Blu-ray discs. For me, at least, it is a timeless classic and it carries several lessons about the fragility of society, the rise of fascism, the spread of evil in many forms and the human desire for freedom from oppression.

Given its success and the way creator Kenneth Johnson ended the 1983 sci-fi mini-series, a sequel was inevitable. In fact, two sequels to V: The Original Miniseries were approved in the form of another mini-series (note: I acquired the Blu-ray release in 2021) and a regular TV series. Beyond the small screen, the V franchise entered literature as DC Comics published a V comic book series (read my retro review of V #1 by clicking here) related to the TV series.

With those details laid down, here is a look back at V: The Final Battle, starring Faye Grant, Marc Singer, Jane Badler and Michael Ironside under the direction of Richard T. Heffron. This 3-episode mini-series, which involved a lot of screenwriters, was broadcast on TV in America in May 1984.

The cover and the title that did not live up to its purpose.

Early story

The story begins with Mike Donovan (Marc Singer) having a nightmare of him and his son Sean (who was abducted during the events of V: The Original Miniseries) in a desperate escape attempt while inside one of the motherships of the Visitors. He wakes up in the presence of Julie Parrish (Faye Grant) and realizes they have a dangerous mission to execute at a local facility used by the red-uniformed Visitors. It turns out, the Resistance movement led by Julie has been losing ground to the alien humanoids and Mike has been helping them out while prioritizing the state of his son who has been in captivity in one of the mother ships.

During the night, a truck carrying many local civilians inside its trailer arrives at a local factory controlled by the Visitors with officer Steven (Andrew Pine) watching over. After the civilians got directed to enter the factory, it turns out they got processed and came out in the form of food cocoons. The sight shocks Julie watching from a distance with her armed teammates waiting on stand-by.

Easily the most engaging shot in this sequel. A clear reminder about the fascist takeover by the aliens from outer space.

After causing damage on the nearest fence, the Resistance begins their attempt to raid the facility and free their fellow cocooned people but the tide turned against them. It turns out, the Visitors’ troops are wearing stronger armor and bright lights were installed on the top of the facility to forcing Julie, Marc and the rest of their team to retreat. They lost some members along the way. During a closed-door meeting with the Resistance stakeholders, Mike Donovan says a key event is needed to make a significant gain against the Visitors.

Over at the mothership hovering over Los Angeles and in the presence of Diana (Jane Badler), the leader John (Richard Herd) tells Kristine Walsh (Jenny Sullivan) that a major medical announcement will be held in the form of an organized special event very soon and that she will be part of the presentation for the global TV audience…

Quality

Marc Singer as Mike Donovan with Michael Durrel and Michael Wright as Robert Maxwell and Elias Taylor near him.

I’ll star first with the presentation here. This sequel mini-series was composed of three episodes totaling over 270 minutes. In what looks like to be attempts to ensure more spectacles for the viewers’ enjoyment, each episode of V: The Final Battle has a battle near the end and the creative team succeeded in not only providing on-screen action but also scored well in making the spectacle more varied while still making sense within the main narrative. For the most part, this sequel is indeed a natural progression of what was established in V: The Original Miniseries and that is something to admire given the fact that V creator Kenneth Johnson left this production early.

On the storytelling, V: The Final Battle expands a bit on the Visitors’ dictatorship of Los Angeles and its surrounding areas while the Resistance led by Julie Parrish and supported by close companions Robert Maxwell (Michael Durrell), Elias Taylor (Michael Wright) and Caleb Taylor (Jason Bernard) are shown to be struggling on taking down the alien humanoids even though they secured noticeably more weapons and equipment. The storytelling and the dramatization about the Resistance changes dramatically with the addition of Ham Tyler (Michael Ironside) and partner Chris Farber (Mickey Jones) in the 2nd episode and from that point on, you get to see a human opposition that becomes more flexible with their operations.

Michael Ironside as Ham Tyler is the most significant new addition to the cast.

As mentioned earlier, Kenneth Johnson’s involvement in this sequel was minimal and it is seen on the presentation. The symbolism Johnson implemented in the original mini-series that established parallels between 1980s America to the Nazi occupation of Europe did not continue here which results a more straightforward presentation of details, character moments and story progression. There was also a noticeable lack of suspense when it comes to executing big scenes with big reveals. The pacing, like in the 1983 mini-series, moves smoothly at a moderate pace throughout and there were no boring moments at all.

The quality of script is still good. For the most part, the writers managed to capture the essence of the established characters from the original mini-series as they told the further developments of this sequel. For example, Caleb and Elias’ father-and-son moments quickly remind me of what I saw in V: The Original Miniseries. Robert Maxwell’s struggle to help his troubled daughter Robin (Blair Tefkin) while assisting Julie and the Resistance is a very natural progression of what was shown in 1983. The friendship between good natured alien Willie (Robert Englund) and Harmony (Diane Cary) got developed a lot more than expected eventually adding to one particular side of the conflict. The local collaborators Daniel Bernstein (David Packer) and Eleanor Dupres (Neva Patterson) developed further with their treason towards their fellow humans as they enjoyed further the power they gained from the Visitors. These two characters will surely get on the nerves of viewers rooting for the Resistance.

Denise Galik as Maggie is a fine new addition to the cast.
David Packer returns as Daniel Bernstein.
Sarah Douglas as Pamela, a superior of Diana’s.

When it comes to new additions to the cast, Ham Tyler and Chris Farber are not the only new players to add depth to this sequel. There is also Maggie (Denise Galik) who is an attractive, brave and strategic Resistance member whose contribution makes an impact. On the downside, there is also Andrew Doyle (Thomas Hill) who is bad choice the creative team came up with as the on-screen representative of faith when he in fact represents religion, idolatry, rituals and distortion. On the side of the Visitors is Pamela (Sarah Douglas) who is a higher-ranking officer than Diana and even John. Pamela is the more militaristic type of leader who is more focused on achieving goals while keeping things in order.

If there is anything flawed about the characterization, it is the romantic relationship of Julie Parrish and Mike Donovan which starts in the first episode. Considering how dramatic the performances of Faye Grant and Marc Singer were in this sequel, Julie and Mike still don’t make a believable pair of lovers in my view. While this romantic relationship opens up new dimensions within Julie and Mike and offer viewers something new to focus, it brings down the former’s value as Resistance leader somewhat while also setting aside the hinted personal connection between her and Elias in the 2nd episode of the 1983 mini-series.

Faye Grant as Julie Parrish in the conversion process scene watched closely by Jane Badler’s Diana.

More on Faye Grant, her performance here is more varied. Not only does she play the brave and struggling leader who is talented in fighting, science and medical practice, she also portrayed Julie as an even more vulnerable character this time around. Her act as the traumatized Julie during the conversion process (read: mental and psychological torture using a more detailed form of virtual reality or nightmare generation) scenes under the watch of Diana is very dramatic and compelling to watch. Just seeing Julie in the conversion process will make grip you with despair and you will eventually feel sorry for her. I should state that the nightmare scenes of Julie were presented with a clear touch of horror.

Marc Singer as Mike Donovan is no longer the reluctant action hero but rather a driven man with a mission to get his missing son back while maintaining a secret connection with Martin (Frank Ashmore) of the Fifth Column (secret dissenters among the Visitors) hoping to achieve breakthroughs for the Resistance and their friends among the dissenting aliens. Singer did the best he could with the script provided to him and he remain likable all throughout. Other than the unbelievable romance with Julie as well as his past encounters with Ham Tyler, there is not much new to expect from the way Mike Donovan was written here. What I should point out, however, is that Mike Donovan’s support for the unholy act of abortion (along with the so-called right to abort) is very wrongful, highly immoral and makes the hero having a sinister presence within him even though he is a father searching for his son.

Jane Badler’s performance as Diana deserves admiration here. Not only did she successfully recapture the charismatic and sinister nature of her character in the 1983 mini-series, Badler was very convincing in showing the more desperate side of Diana, especially when it comes to power struggle within the ranks of the Visitors. You can clearly see the desperation and struggle as soon as Pamela appeared. This sequel also showed a lot more of Diana when it comes to personally supervising her conversion process which is much more elaborate here (note: the conversion process in the 1983 mini-series was limited to the showing of a chair with torture devices). Being the very symbol of charisma and evil in the V franchise, Diana’s place in pop culture is solid and her real-world comparative counterparts would be none other than Hillary Clinton and Kamala Harris.

Jane Badler as the ever charismatic yet very wicked Diana.

As mentioned earlier, Michael Ironside’s Ham Tyler is the most significant addition to the cast and the script. Ironside had that excellent mix of toughness, cruelty and sarcasm portrayed in here and at the same time Ham Tyler brought out very interesting and intriguing interactions with the more established Julie and Mike. As seen in entertainment history, Ironside went on to climb up the ranks in Hollywood with Total Recall (1990), Starship Troopers (1997) and in the Splinter Cell video game franchise. Ironside’s Ham is easily the fourth major character of the V franchise of the 1980s.

Going into the spectacle part of this sequel, the action is more varied as mentioned earlier and the 3-episode structure was a factor. You will see lots of shooting with the use of guns and laser blasters here and there, and with the in-story locations and props as key factors, there are action sequences that are uniquely done. There is a lot to enjoy for any V fan and casual viewers watching this sequel.

As for the special effects part of the spectacle, this one is a mixed bag similar to what was presented in the 1983 mini-series. To put things in perspective, the use of in-camera effects, practical effects and optical effects for TV back in the 1980s was ambitious. That being said, certain effect shots here did not age well such as the miniature shots looking fake (because the camera used did not have a special lens to capture visuals that would have made the miniatures look believable). I should also state that there were certain effects shots that were recycled and reused in key sequences in this sequel which remains embarrassing to see. What is even more embarrassing to see here is the very poor-quality monster effects used during the nightmare scenes (conversion process) of Julie and, more notably, the presentation of Robin’s other child. The monster effects are so fake, they are laughable to watch.  

On the bright side of the special effects, the quality of the laser blasts remains good to watch right down to the precise timing with the explosions that were simulated on-set and in-camera.

Conclusion

The Visitors and Resistance key characters in the sequel.

While it has its strengths and weaknesses, V: The Final Battle is still engaging and enjoyable to watch, and at the same time it is a worthy addition for your Blu-ray collection when it comes to HD viewing (note: this is the sequel with the best visuals yet albeit with black borders on the sides). Even though creator Kenneth Johnson was not too involved on the production side, the creative team managed to deliver a long story that proved to be a natural progression of the original mini-series while providing more spectacle (especially action), developing the established characters and resolving key plot threads that started in 1983.

The lack of Kenneth Johnson’s personal touch on the presentation was noticeable and somewhat brought this sequel down a bit in terms of style. What brought V: The Final Battle’s quality down were the overall cheaper looking visual effects, the Julie-Mike love relationship and the climax of the final episode which seemed executed with desperation on the part of the creative team (note: giving a little new character instant purpose). In fairness, this sequel still succeeded in showing what fascism in America (or California specifically which is now dominated by Commies) would look like and it built up on its predecessor’s themes such as the deception of power and the collaboration with foreign enemies. This mini-series even added themes of teenage pregnancy and abortion (note: someone from the creative team wanted to promote the wrongful Roe v. Wade Supreme Court decision of 1973) to its narrative.

Does V: The Final Battle live up to its title? Absolutely not because a regular TV series that deteriorated in quality followed. In retrospect, it’s clear that this sequel marked the beginning of the decline of the V franchise in pop culture. What more, V: The Final Battle was never counted as canon in Kenneth Johnson’s 2008 novel (and sequel to the 1983 mini-series) V: The Second Generation. On its own, V: The Final Battle still has more positive stuff than negative ones and in my experience, it remains enjoyable and compelling to watch from start to finish. Compared to V: The Original Miniseries, I can say this sequel falls short. It is good, not great.

Overall, V: The Final Battle (1984) is recommended. That being said, let this 1984 mini-series remind you that there is so much evil in the real world in the forms of Iran, the terrorists of Palestine, the social justice warriors (SJWs), the Black Lives Matter (BLM) movement and liberal media to name some. Always keep in mind to avoid becoming evil no matter how tempting power in this divided world becomes to you. You also do not want to let the evil ones take over your government and have authority over you, your family members and your community. Push back against evil and stand up strong by faithfully taking sides with the one true Savior whose name is Jesus!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/

A Look Back at What If #51 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we revisit Marvel Comics’ What If monthly series through the 51st issue. Its subject matter was about the Punisher becoming Captain America.

For the newcomers reading this, the Punisher in comics started when Vietnam War veteran Frank Castle lost his family to a gang of criminals who attacked them. Being the only survivor, Castle became obsessed with punishing others by means of assassination and waging a personal war against criminals. Captain America, meanwhile, was serving his country along with his teammates in the Avengers. The story in this reviewed issue of What If diverges from the events told in Captain America #212.

With those details laid down, here is a look back at What If #51, published by Marvel Comics in 1993 with a story written by Simon Furman and drawn by Paris Cullins.

The cover.

Early story

The story begins inside a military hospital deep beneath the Pentagon. Steve Rogers/Captain America was still recovering from his previous mission (told in Captain America #212) when Nick Fury and Falcon arrive. Steve tells Fury that there must be a Captain America again with someone strong to wear the flag.

Shortly after, top secret discussions about replacing Steve Rogers commence with a select committee at work and some representatives present. Due to the lack of real access to the original super soldier serum that enhanced Steve Rogers into becoming Captain America, it was announced that decorated Vietnam War hero Frank Castle was their pick to replace Rogers. Nick Fury expresses his reservation.

At a military camp, Frank Castle refuses to become Captain America expressing that he has served his country already through military operations and he barely has any time left for his wife, son and daughter. As far as he is concerned, his war is over…

Quality

The Punisher as the new Captain America!

On face value, the concept about the Punisher becoming the new Captain America is intriguing and that alone could lead to different outcomes. The story written by Simon Furman clearly shows what kind of Captain America Frank Castle would be. While he does not have the super human abilities of Steve Rogers, Castle’s intense drive to punish others makes his Captain America an effective weapon against not only America’s enemies but also the opposition that the Avengers themselves face. Of course, Castle’s obsession on punishing the opposition is not limited to his role as America’s iconic instrument as he still has a personal desire on bringing down America’s criminals.

The story tackles some of the ethics behind the role and symbolism that comes with being Captain America, and it shows certain elements that Frank Castle lacks when it comes to living up to his higher role. This comic book also serves as a reminder about how valuable it is for Americans, whether fictional or factual, to serve their nation and love it. In today’s era of unrelenting socialism, Communism, Marxism, Critical Race Theory (CRT), unrestrained political correctness, widespread diversity delusions and Leftist activism damaging America which in turn has Joe Biden as a President prioritizing socialism and illegal immigrants over his fellow Americans, this comic book carries a lot of weight about what it means to be an American who is ready to serve and love America. Its meaning will easily offend the social justice warriors (SJWs) in America.

Without spoiling the plot, I can say that the final encounter and conclusion were powerful and sentimental in a good way.

Conclusion

Frank Castle the pick to replace Steve Rogers as Captain America.

What If #51 (1993) could have been another issue that ended disappointingly. It is actually an engaging read and provides readers deep insight about what a Frank Castle Captain America would be like within the Marvel Comics universe of the 1990s. It’s got a good amount of action, several moments of intrigue and it shows a different type of Punisher (note: check out my other retro reviews involving the Punisher by clicking here, here and here) while still retaining some of his classic character background elements. The visuals and art style in this comic book could have been better.

If you are seriously planning to buy an existing hard copy of What If #51 (1993) be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $60 while the near-mint copy of the newsstand edition costs $180.

Overall, What If #51 (1993) is recommended.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/

COVID-19 Crisis: Moderna vaccines now in the Philippines

Good news for the Philippines. COVID-19 vaccines of Moderna have arrived in the country at last with an initial supply of almost two hundred fifty thousand doses.

To put things in perspective, posted below is an excerpt from the article published by Philippine News Agency (PNA). Some parts in boldface…

A total of 249,600 doses of the American-made jabs arrived at the Ninoy Aquino International Airport (NAIA) Terminal 3 via Singapore Airlines Flight SQ918 on Sunday evening.

“This is very significant as we now have five brands of vaccines in the country. It can create a lot of confidence because globally, this is the 2nd (most used) vaccine by many countries. As what I have said earlier, the side effects of this vaccine are very rare, very negligible and most of the countries agreed that they are very comfortable with using Moderna vaccines,” National Task Force against Covid-19 chief implementer Secretary Carlito Galvez Jr. told reporters in an interview.

The vaccines currently being used by the Philippines in its fight against Covid-19 are Sinovac, AstraZeneca, Pfizer, and Sputnik V.

Of these initial doses, 150,000 doses were procured by the Philippine government, while 99,600 doses were purchased by the private sector, led by the International Container Terminal Services, Inc. (ICTSI), Galvez said.

“We will study the deployment of these vaccines because this is our first time handling Moderna. The majority of the vaccines will be deployed in the National Capital Region and later, we will give other urban centers and areas. The priority sectors for deployment are A2 (senior citizens) and A3 (persons with comorbidities but we have committed a bulk of these vaccines to OFWs (overseas Filipino workers) and the seafarers and government front-liners,” Galvez explained.

The Philippines has inked a supply agreement for 20 million doses of Moderna vaccines which will be delivered in staggered batches in the coming months.

Of this number, 13 million doses were procured by the government while the remaining 7 million doses were purchased by the private sector for their workers.

Here is a related news video by GMA Network…

Let me end this piece by asking you readers: Does the arrival of Moderna vaccines encourage you to get vaccinated? Did your local government announce that Moderna vaccines are available?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673

When Superheroes, Politicians and Corporate Media Conspire Together

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In this age of social media and smartphones, watching cable TV news feeds is quite toxic to the mind. It’s not about the ultra-heavy mix of information being dumped by corporate media giants that overwhelm the senses of millions of viewers worldwide. Rather it is about corporate media’s slant on political news and world events that add chaos to the already chaotic world we live in.

Look at MSNBC and Fox News on how they cater to the many millions of Americans divided in the political spectrum. For the most part, MSNBC favored the so-called liberals and the political left while Fox News consistently favored the so-called conservatives and political right. If there is such a thing as the military-industrial complex, then there is also the political parties-corporate media complex.

The funny thing about politically slanted corporate media is that they (the news makers) turn journalism into a commodity, select the facts to be presented to the viewers and eventually find ways to manipulate people’s perception. Meanwhile the viewers who have their respective political ideologies or interests tend to pick a favorite corporate media giant for their daily news. Also corporate media giants know fully well that there are many millions of political news junkies who cannot help but be obsessed and addicted to biased political coverage.

Also behind the scenes, it is very likely that top officials of the existing major political parties (Republicans and Democrats) have discreetly communicated with the top executives of the corporate media giants who in turn made deals with their clients (advertisers) to generate money together as they manipulate people into supporting corporate media’s business model.

I myself am a small press journalist who went around the many BF Homes communities and the cities of Muntinlupa, Las Pinas and Paranaque. I pay close attention to the behaviors of corporate media journalists. Learning from them, I certainly do not want to turn journalism into a commodity nor do I want to report news about useless causes like Catholic parish fiestas. I certainly don’t like ignorance to be the driving factor of news reporting. To be ignorant about what’s going on, who is who, where is where and how things happened is just wrong. Be warned that from the small press to the giant media, there are even news editors who are ignorant and work without really knowing what to do which makes published news reports less journalistic and even misleading for the public. Look at your local community newspaper, the regional paper, the national paper and tell me if you see any headline story that does not deserve the headline.

Don’t forget that there are still other publications other there that serve as propaganda machines whose organizers believe that people are too stupid or too ignorant to see through their manipulation and misinformation tactics.

Anyway since I already mentioned political news bias of corporate media giants, it’s time we take a close look at a particular scene in UltraForce #2 published in 1994 by Malibu Comics under the Ultraverse line.

UltraForce #2
The comic book opened with UltraForce (Hardcase, Prime, Prototype, Contrary, Pixx, Ghoul and Topaz) in the Oval Office meeting with fictional portrayals of United States President Bill Clinton, Senator Bob Dole, UN Secretary General Boutros Boutros-Ghali and the representative of the press.

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Hardcase negotiates with Clinton over a number of matters. UltraForce will help deal with the ongoing conflict overseas with the world “backing up” for them. Contrary says that their team wants to have access to the federal government’s gathered information on ultras (their term describing super humans in the Ultraverse) which irked Bob Dole to express his opposition and tells Clinton that he will “skin” him alive in the media if he agrees to UltraForce’s proposal.

As the difficult agreement came close to being finalized, Hardcase made clear that his team needs the media to reshape public perception of them (and ultras in general) from negative to positive. Unsurprisingly the media representative objected to Hardcase’s idea as it is tantamount to propaganda (or biased media coverage).

Hardcase answered back mentioning that he is an actor in Hollywood and he already knows what it takes to make people feel good or bad about something by means of being selective of the facts for public consumption. He insists that people should start feeling good about them.

The media representative stated that a bipartisan consensus was all it takes for journalists to accept it.

Then Bill Clinton and Bob Dole shake hands which is ironic because in real life history, both men were nominated by their respective political parties for the US Presidency in 1996. Clinton got re-elected then.

My analysis

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The scene, even though it is outlandish in concept, shows clearly that political forces and the giant media have what it takes to manipulate public perception by working together. Of course what reality shows us is that in America, Republicans have Fox News and Democrats have MSNBC to rely on to execute their information manipulation strategies to gain supporters for their own causes.

In the case of UltraForce, it’s about a team of superheroes who need a lot of support from governments and the media in order to be able to resolve the overseas conflict in the story. Their enemy was simply too powerful and too resourceful to defeat so UltraForce played hard-ball with the government and the media.

With regards to biased media coverage in support of UltraForce and ultras that exist in the world of the Ultraverse, it shows that superpowers alone cannot help those who wield it. Without the government and media support, UltraForce will only be perceived by the public as a group of troublemakers (or maybe even as terrorists) even though they fight an obviously evil force that’s been destabilizing the world.

As such, the biased media coverage for UltraForce is what I would call as a morally questionable form of support. On face value, it looks sensible because UltraForce is composed of supposed good guys while their enemies are so destructive and disruptive they are easily perceived as evil. But behind the scenes, supportive biased media coverage for UltraForce kills the spirit of balanced journalism and is pretty much a form of propaganda no matter how good the intentions are.

Could you imagine a special forces team fabricate a situation which would result a tragedy followed by intense coverage by the corporate media which in turn will outrage members of the public and give the administration of the national government the justification to launch a war with superheroes leading the way? Such a situation could lead to even more chaos in this world we live in.

Also Hardcase said it best: Look, I’m an actor in Hollywood. I know this game. I know how you can pick and choose facts to make people feel good or bad about something.

Author’s Note: This article was originally published at my old Geeks and Villagers blog. What you read on this website was an updated and expanded version. In other words, this newest version you just read is the most definitive version


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com