Xbox Games Showcase and Starfield Direct Double Feature all set this Sunday (Monday in Asia)

It is that time again for Xbox fans and gamers to get excited as the Xbox Games Showcase and Starfield Direct Double Feature will happen this Sunday June 11 (Monday June 12 in Asia) and viewers will get to watch it on multiple channels.

To begin with, Team Xbox announced that the two showcases will be streamed live via the online channels below…

Not only that, those who want to watch the streams in 4K resolution at 60FPS should head on to YouTube.com/Xbox and YouTube.com/Bethesda. There will also be multi-language support in the forms of subtitles.

What to expect? Based on the recent tweets by Xbox Games Marketing executive Aaron Greenberg, the Xbox Games Showcase and Starfield Direct will combine for roughly two hours non-stop games and it will all be about games. There won’t be any movie trailers to disrupt the double feature. Look at the tweets below…

Already, it has been confirmed that there will be no CGI-trailers about Team Xbox’s games at the two showcases. Personally, I prefer to see gameplay footage showing how the upcoming games function and how they could turn out fun. When it comes to showing story cutscenes, using gameplay graphics is more preferrable to me.

What video games to expect from Team Xbox? While it is inevitable to me that they will show the promised 2023 exclusives Forza Motorsport (2023) and Bethesda’s highly anticipated Starfield, I can only speculate that Phil Spencer and his team will give fans big updates (note: to be showcased visually, not just mere announcements) about other Xbox-exclusives such as Senua’s Saga: Hellblade II (read my article), the new Fable role-playing game (RPG), the fantasy RPG Avowed from Obsidian Entertainment (read my last article of Avowed), and possibly State of Decay 3 from Undead Labs. While it is possible that the troubled Xbox-exclusives Everwild and the Perfect Dark reboot could also be shown, I’m not confident about them. I also do not expect anything to be shown about Hideo Kojima’s Xbox project nor the other exclusive game Contraband.

I am anticipating that a final release date for Forza Motorsport (2023) will be announced, and the same should happen with Senua’s Saga: Hellblade II (possibly late-2023 or early 2024). Avowed, if its development has progressed a lot since the first announcement, could be announced for 2024 and it should help satiate gamers’ demand for the epic open-world fantasy RPG experience of the Elder Scrolls game franchise. In my view, the Elder Scrolls VI is still years away from getting released. As for Fable, it could be shown but without a release date.

Starfield will have its very own showcase immediately after that of Xbox. That being said, I am anticipating a very in-depth gameplay demonstration of the game, some more bits about its story and core concept, and hopefully there will be options for gamers to play the game in 30FPS and 60FPS with varying resolutions. I personally want to play Starfield on my Xbox Series X console in 60FPS. I hope they will show more space battles which I think will add more variety to the gameplay as a whole. We will find out soon from Bethesda and Todd Howard on Starfield Direct.

When it comes to the Gears of War franchise, I’m not really anticipating a new Gears sequel. What would be more doable, in my opinion, is Team Xbox revealing a Gears Tactics sequel which should delight fans of the 2020 game as well as gamers who love playing turn-based tactics games. For me, the time is right to announce a new Gears Tactics game!

In my view, the time is right for a Gears Tactics sequel to be unveiled while gamers worldwide endure the long wait for the next Gears of War game.

As for games from other companies that could be part of the Xbox Games Showcase, I am anticipating an appearance and updates about Eiyuden Chronicle: Hundred Heroes in terms of new gameplay and hopefully a final release date within 2023 (note: this Japanese RPG will also launch on Xbox Game Pass). Very recently, Japan-based developer Rabbit & Bear Studios posted updates about the game on social media which just might mean there will be a possible appearance on the showcase. Take note that Eiyuden Chronicle: Hundred Heroes’ inclusion on Xbox Game Pass is significant and this weekend’s online event is the best opportunity to promote it and make both XGP subscribers and JRPG fans excited.

There is the possibility that Konami could show Suikoden I&II HD Remaster Gate Rune and Dunan Unification Wars and announce a firm release date for 2023. The showcase is also a great opportunity for Konami to promote the classic games to a worldwide audience and finally start executing their marketing plans that should excite Suikoden fans as well as gamers who love JRPGs.

When it comes to dream scenarios (note: the unlikely) that could really make waves if they ever happen at the Xbox showcase, that would be Capcom showing a big-budget remake of Dino Crisis (comparable to what they did with Resident Evil 2, 3 and 4) as well as announcing remastered versions of Breath of Fire RPGs for release on modern consoles plus Xbox Game Pass. I understand Capcom has its very own games showcase scheduled for the next day but the Xbox showcase is still a great opportunity to make waves with gamers worldwide. More wild scenarios? That would SEGA announcing the next Virtua Fighter game or a fully remastered Shining Force III (with all three chapters together), 2K Games revealing XCOM 3 (note: it’s been seven years since XCOM 2) plus Square Enix actually announcing a remastered version of Xenogears (note: this year marks the 25th anniversary of the game).

At this stage, we can only wait and see what will happen next. Team Xbox should show more games related to the latest Xbox Game Studios Publishing developments and other deals they made with developers – both the big and the smaller independent ones – so far. Not only that, there has to be something new and ready to be revealed from Team Xbox’s game studios such as Compulsion Games, inXile Entertainment and others. The excitement and suspense are building up!

Watch out for the games, the exciting stuff and big announcements at the Xbox Games Showcase and Starfield Direct Double Feature this weekend!

In concluding this article, posted below for your enjoyment are Xbox-related videos.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram athttps://www.instagram.com/authorcarlocarrasco

A Look Back at Aliens vs. Predator #3 (1990)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1990 to take a close look at one of the more significant non-superhero crossover comic book events ever published – Aliens vs. Predator!

In my previous review, the humans of Prosperity Wells begin to get impacted by the presence of the Predators and the Aliens. A family got killed by Predator hunters at their home in the wilderness and only a young boy was able to get away and catch people’s attention in the outpost. Machiko Noguchi and her team initiate defensive measures in response to what has been happening. Two people even brought back a living Predator with them from the ruins of a Predator ship they inspected in the wilderness.

With those details laid down, here is a look back at Aliens vs. Predator #3, published in 1990 by Dark Horse Comics with a story written by Randy Stradley and drawn by Phill Norwood.  

The cover.

Early story

The story begins with Noguchi who finds herself in a dangerous position. In front of her is a horde of Xenomorphs and behind her is one Predator warrior who even assisted her a few moments prior. Armed with futuristic weapons, the armored warrior suddenly jumps above her and right into the Xenomorphs. The Predator efficiently slashed off the parts of a few Aliens using a bladed weapon and blew up one of them using another weapon.

The warrior eventually gets overwhelmed by more Aliens that came into the action. As the Xenomorphs focused strongly on the downed Predator, Noguchi takes advantage of the situation to run away and somehow get back to protecting the people as the outpost has been clearly invaded by two deadly non-human species.

Meanwhile inside the huge cargo ship that did not launch, two crew members freed themselves from the Xenomorphs’ restraints and try to sneak by the Alien Queen which they perceived to be sleeping…

Quality

This is a fine example by the creative team on telling a sequence of intense moments without a single word of dialogue.

From a storytelling point-of-view, this one is a huge pay-off to the build-up established in the first two issues and I can say I enjoyed this one. At this stage of the 4-issue mini-series, the human colony has turned into a battle zone between the Predators and the Xenomorphs and this obviously results in a lot of action scenes and other wild turns of events. It is also in this story where you will get to see Machiko Noguchi at her bravest yet, as well as her uncompromising way of protecting her people and solving the crisis at hand. As she and her fellow humans are in the middle of a crisis, nothing straightforward could happen nor could they make solid plans with any real chance of succeeding. The decisions Noguchi made here came with risks and through her struggles, you will be able to relate with her and you will also witness how the series of unfortunate events turn out with unpredictable ways which added some suspense and surprise to the narrative.

The spectacle here, unsurprisingly, are the battles between the Aliens and Predators. Such conflicts happened mostly in the background which is effective enough to establish the chaos that the humans have to endure. One of the Predators – which does not have a name – became a notable additional supporting player to the cast and his presence and actions added some intensity to storytelling even as the narrative consistently focused on Noguchi.   

The way the story is told, this one maintains the natural progression of details from issue #1 and even though the action has been ramped up, there were still plenty of opportunities for readers to understand the details and grasp the plot. There is also rising tension as the narrative moves forward.

Conclusion

There is nothing like trying to sneak past an Alien Queen in an area surrounded by multiple eggs laid by her.

Being a big pay-off to the huge build-up of issues #1 and #2, Aliens vs. Predator #3 (1990) is highly entertaining and compelling to read! The action scenes and chain of incidents were ramped up a lot and yet this comic book never turned into a brainless fest of violence. The creative team managed to add some breathing space to not only let readers absorb the story details but also to immerse themselves with the situations. By the time I reached the end, I experienced this great satisfaction as well as further motivation to discover how the story will conclude in the next issue.

Overall, Aliens vs. Predator #3 (1990) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

Front Mission 1st: Remake set for Xbox Series X|S and Xbox One release on June 30, 2023

If you love tactical role-playing games as well as robot action with some sci-fi and military concepts mixed in, then you should watch out for the release of Front Mission 1st: Remake on Xbox Series X, Xbox Series S and Xbox One on June 30, 2023. The game, which is actually a remake of Square Enix’s 1995 game Front Mission, was developed and published by Forever Entertainment.

For the newcomers reading this, Front Mission is an existing franchise of games under Square Enix which landed on multiple consoles, the PC and other platforms through the decades. The first-ever Front Mission released in 1995 only in Japan on the Super Famicom was a critical and commercial hit which paved the way not only for further games but also enabling the Front Mission franchise to branch out on other forms of media such as film, novels, comic books, radio dramas and more. Front Mission 1st: Remake is not just a remake of the 1995 original game but also features a modern mode with improved controls as well as a fully orchestrated soundtrack.

To begin with, watch the official trailer below…

To put things in perspective, posted below is an excerpt from the Xbox.com announcement issued by Forever Entertainment. Some parts in boldface…

On June 30th, Front Mission 1st: Remake will make its highly anticipated debut on Xbox One and Xbox Series S|X. Deploy on a mission and play through the intricately woven narrative of this iconic tactical RPG series.

You must analyze your situation carefully before making your next move. Pay close attention to the details.

Huffman Island is the only place where the Oceania Cooperative Union (O.C.U.) and the Unified Continental States (U.C.S.) share a land border, making this place the epicenter of the Second Huffman Conflict in the year 2090.

Leading a reconnaissance platoon, O.C.U. Captain Royd Clive is tasked with investigating a U.C.S. munitions plant. However, their mission takes an unexpected turn when they find themselves ambushed by U.C.S. wanzers – triggering a chain of events that thrusts the entire island into a full-fledged war. Amidst the chaos, Royd’s fiancée, Lieutenant Karen Meure, goes missing in action.

Mech action is fun to watch.

Discharged from military service, Royd embarks on a pursuit to uncover the truth. As his investigation progresses, he gradually unearths a conspiracy and the powers that orchestrated it.

Assemble your Team and Plunge into the Heart of the Action – Front Mission 1st: Remake is an immersive tactical turn-based RPG that puts you in the role of a valiant pilot navigating war machines called wanzers through hazardous battlefields. Experience the realities of war through strategic maneuvers, while enjoying upgraded graphics and a fully re-orchestrated soundtrack that elevate the classic Front Mission gameplay to modern-day standards.

Way back in 1995, I got to play the original Front Mission on a rented Super Famicom console and played it for an hour. As it was written in Japanese, I did not understand the text but that did not stop me from enjoying the gameplay which was turn-based, strategic and packed with action. I enjoyed the mech action (nicely animated 2D sprites) and the challenge to be strategic with my next moves. I also enjoyed how the game compelled me to pay close attention to details such as how the different parts of my mechs can be customized, the different values each component came with, and the added capabilities that proved to be crucial offensively and defensively.

Urban settings like this make the locations of battle more interesting.

In 1999, I played Front Mission 3 on the PlayStation One and it was the North American version (published by Square Electronics). As it was in English, I was able to understand the situation, the details and explanations. Like the first Front Mission game, I had fun playing it and I was also impressed with how the developers utilized 3D polygons to enhance the presentation. What I could not forget was the part when the narrative of the game focused on a secret base located inside Taal Volcano in the Philippines. As a Filipino, that part of the game was a big and really delightful surprise to me.

Looking at the Front Mission 1st: Remake trailer, which is very short, it seems to me that the game is looking good and promising enough. Right now, I am very interested in it.

Watch out for Front Mission 1: Remake on Xbox Series X, Xbox Series S and Xbox One on June 30, 2023.

In ending this piece, posted below are Xbox-related videos plus one Front Mission-related video for your enjoyment. Don’t forget to watch out for Team Xbox’s showcase events (including the Starfield Direct) on June 11, 2023.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram athttps://www.instagram.com/authorcarlocarrasco

A Look Back at Aliens vs. Predator #2 (1990)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1990 to take a close look at one of the more significant non-superhero crossover comic book events ever published – Aliens vs. Predator!

In my previous review, most of the humans living and working in Prosperity Wells are unaware about the creeping danger coming at them. Alien eggs were laid in the wilderness while a ship carrying multiple Predator hunters has landed. At the human outpost, the leader Machiko Noguchi remains disrespected as the staffers and ranchers still trust her predecessor Hiroki Shimura.

With those details laid down, here is a look back at Aliens vs. Predator #2, published in 1990 by Dark Horse Comics with a story written by Randy Stradley and drawn by Phill Norwood.  

The cover.

Early story

The story begins with the huge spaceship still at the launch platform of Prosperity Wells. The ship should have launched already with a huge cargo of indigenous animals – the Rynth – for export. It turns out that the two human pilots were captured by the Xenomorphs and in the presence of the Alien queen inside the ship, they witness one rynth (part of the herd from the ranching) die as a Chestburster alien comes out of its body.

Meanwhile, Machiko wakes up as her respected predecessor Shimura arrives and tells her that Dr. Revna still has not returned. During her talk with the wife (also a doctor), Machiko learns that the missing doctor was on his way to Iwa Gorge to find more aliens (note: the Facehugger alien) and that a lady worker (who made the first discovery of a Facehugger) informed him of the place.

As Machiko and Shimura analyze what they know, two outpost personnel discover the remains of a destroyed Predator space ship and, more notably, one unconscious Predator hunter…

Quality

The Predators looks really odd with the colors implemented on them by the creative team of this comic book.

If you were deeply engaged in issue #1, then you will have a lot to be engaged with in this issue. The script by Stradley is very solid and with a medium pace, details were consistently laid out for readers’ understanding while the build-up for the inevitable chaos – between Xenomorphs and Predators with humans in the middle literally – is strongly felt.

Machiko Noguchi’s management and ability to analyze situations really get tested in this story and along the way, you will see how much the outpost changes reflecting the moves made by her administration which is ultimately a response to a brewing crisis. At this stage of the comic book mini-series, the danger of the two galactic species begin to make impact on innocent humans in violent ways. The scene showing the home of people (located some distance away from the main complex of the outpost) getting invaded by the Predators has uncompromising violence which makes the incidental action look really disturbing.

More on the human characters, this comic book has very rich dialogue backed with special attention to details implemented by Stradley. This is very evident in the scene in which Machiko, Roth, Ackland and Shimura talk intensely about what happened and what factors caused those things to happen. Through the verbal exchange, you will witness Machiko’s bravery and leadership come to life as she confronts a rebellious rancher (who insulted her in a very personal way) over the truth about what happened. Not only that, you will also feel the stress she experiences as she manages the outpost at a time of crisis.

For the fans of Predators and Aliens reading this, you will see a lot more of them in this issue and I can assure you that Norwood is really great in visualizing them and showing them with violent action that will remind you of the movies. As with the previous issue, the colors implemented on the Predators remains very odd to look at.

Conclusion

Live humans helplessly watching an animal die as a Chestburster alien comes out of it in the presence of the Alien queen.

Aliens vs. Predator #2 (1990) is a great follow-up to issue #1. As expected, the stakes were raised higher and the tension really intensified as the narrative went on. The creative team really should be admired for not only crafting this high-quality chapter of the mini-series, but also for their believable and engaging build-up of the plot, the characters and conflict altogether. This comic book is a lively reminder of how great a non-superhero comic book crossover could be.

Overall, Aliens vs. Predator #2 (1990) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Amazing Spider-Man #382 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1993 and explore a part of the Marvel Comics universe through one of the many tales of the Amazing Spider-Man comic book series.

In my previous retro review, Spider-Man gets involved not only with the Incredible Hulk but also with Doc Samson who has a history of treating the green giant and carries a strong sense of responsibility towards him. Something, however, infected Samson and eventually the Hulk which leads to a new wave of destruction in New York City which itself is still recovering from the chaos of Maximum Carnage.

With those details laid down, here is a look back at Amazing Spider-Man #382, published in 1993 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.  

The cover.

Early story

The story begins with the Hulk (note: infected with the gamma virus which is driving him to violence) striking the pavement hard causing Spider-Man and Doc Samson to move away. After a quick exchange of words with Samson regarding the virus, Spider-Man jumps towards the Hulk and hits his face in an attempt to stop him before he causes any more damage to the city.

Doc Samson desperately tries to contain the Hulk by choking him only to be grabbed and get thrown to a solid structure nearby. Now down on the pavement, Samson notices the Hulk jumping in towards him…

Quality

Mary Jane Parker in trouble with her acting career.

This story is indeed a solid and satisfying conclusion to what was started in issue #381. Not only does this comic book showcase a battle between Spider-Man and the manipulated Hulk, it also highlights Doc Samson’s importance not only as a supporting player but also as a scientist struggling with his responsibility over helping the Hulk. There is a strong sense of burden you will sense in Samson who himself caused a lot of damage when he was infected with the virus before the Hulk got infected by it.

The presentation of the virus/bacterium as the factor behind the chaos is a believable concept that highlights what would happen if people carrying gamma radiation in their bodies get infected by it.

If you are looking for fun, there is a lot of action here with lots of dynamic looking images crafted by Mark Bagley. Yes, you will see action and incidental moments between Spider-Man and the Hulk here and there, with Samson also getting a notable share of the spotlight. How the conflict concluded was cleverly done and ultimately surprising. This is something you readers will have to discover for yourselves.

Conclusion

As Doc Samson goes away, Spider-Man takes on the Hulk.

Amazing Spider-Man #382 (1993) is a well-paced and satisfying conclusion to the events that started in the previous issue. At the time of its release, the comic book highlighted a modern crossover between the Hulk and Spider-Man with Doc Samson inserted as a functional third participant. The concept of the gamma virus/bacterium works well here and added a more science fictional layer to the plot. This comic book is pretty entertaining and the suspense really built-up nicely towards the climax.

Overall, Amazing Spider-Man #382 (1993) is recommended!

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Aliens vs. Predator #1 (1990)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1990 to take a close look at one of the more significant non-superhero crossover comic book events ever published – Aliens vs. Predator!

For the newcomers reading this, the respective movie franchises of Aliens and Predator started many years before the comic book crossover event happened. By the year 1990, moviegoers had enjoyed Alien (1979), Aliens (1986), Predator (1987) and Predator 2 (late 1990). Cinematic between Arnold Schwarzenegger and the Predator in the jungle and that of Sigourney Weaver and the Queen Alien became unforgettable sequences for many millions of people. It should be noted that an Alien head was shown near the end of Predator 2 emphasizing a crossover.

With those details laid down, here is a look back at Aliens vs. Predator #1, published in 1990 by Dark Horse Comics with a story written by Randy Stradley and drawn by Phill Norwood.  

The cover.

Early story

The story begins in space when a fast-moving ship enters the atmosphere of Ryushi, a planet at the edge of the Chigusa Corporation’s holdings in the Beta Cygni System. On the planet is Prosperity Wells, a human outpost with a population of one hundred fifteen composed of freelance ranchers, their families and a staff of corporate overseers.

The ship’s presence gets detected by operators at Prosperity Wells and one of them speculated it to be a meteor that shows no signs of breaking up. Seeking Hiroki Shimura (no longer the head of the outpost), the operator instead contacts his replacement Machiko Noguchi and informs her about the perceived meteor. After talking with the operator, Noguchi tells her predecessor near her that even though she has been leading the outpost for nearly six months, people are still reporting to him as they treat her like a stranger. Shimura tells her that she’s been trying to adapt the job to her rather than adapting herself to it, and that she cannot just run an operation while hiding from it.

Meanwhile in the wilderness, a machine starts to climb out of the pit and starts releasing Alien eggs… 

Quality

Whenever there are Alien eggs, trouble is inevitable.

I can say that this comic book is essentially one long build-up that intends to execute the conflict between the Aliens (also referred to as the Xenomorphs) and Predators later. While the two galactic species are indeed here, the narrative is told mainly through the humans whose operations – ranching, business administration, outpost activities – are emphasized with heavy and precise details. The result here is that by the end of the comic book, you will be fully immersed with the sci-fi concept, the characters and the related developments which ultimately will prepare you for the inevitable Aliens-Predator conflict. To put it clearly, Stradley crafted a script that efficiently introduces the characters (note: Noguchi is the clear protagonist), emphasize what has been going on while also moving the story forward in a well-paced manner without compromising the details.

That being said, don’t expect the Aliens and Predators to fight each other immediately here. This is one big build-up as a whole and very notably, there is nothing boring and there were no useless scenes portrayed. Everything told and shown in this comic book made sense, and if you are the kind of person who likes paying close attention to details of the story as well as the gradual development of the key characters, you will find this one an engaging read. The narrative moved at a medium pace and cleverly the suspense happens whenever the creative team gradually build-ups the tension for the inevitable Aliens-Predators fight.

As with many other entertainment tales across varied media forms, this story has a critical portrayal of the corporation slightly emphasizing greed while making the contractors (technically the laborers) look disadvantaged. It is not a one-sided portrayal against corporatism, however, as there were moments showing the contractors relying on deception (note: disregarding quality and the safety of consumers who will soon consume the products from the ranching operation) just to achieve their goals.

More on the protagonist Machiko Noguchi, she is not the typical corporate figure for readers to hate. In fact, she is somewhat sympathetic as she is has yet to earn the respect of others even though she had been working as the head of the outpost for months. The grudge against her is subtle yet clear. The comic book also made clear that she is destined for something significant in the upcoming fight between the two galactic species.

The art by Phill Norwood is very good. While the characters have that comic book aesthetic, the Aliens and Predators are easily recognizable and were drawn with sufficient visual details. What I find weird is the creative team’s approach on applying color on the Predators. Norwood also has a really nice approach on illustrating futuristic stuff (examples: the technologies, office equipment, clothes of the characters) while also emphasizing the wilderness of Ryuchi.

Conclusion

Machiko Noguchi takes charge even though she is despised by many.

Aliens vs. Predator #1 (1990) is one very detailed build-up type of comic book that happens to be pretty engaging to read and the set-up for the expected conflict between the two species worked nicely. By the time I reached the end of this tale, I got immersed into its concept, the situations and characters. The build-up also came out with really interesting parts here and there which made the reading experience a very good one. Right now, I am eager to read the next issue.

Overall, Aliens vs. Predator #1 (1990) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

Better than Streaming: Do you have Star Trek: First Contact 4K Blu-ray in your collection?

Welcome back, fellow geeks, Blu-ray collectors and movie buffs! If you are feeling nostalgic or if you are fond of the Star Trek: The Next Generation movies of the 1990s, then you might be interested to know that they were released on 4K Blu-ray format this past April.

For the newcomers reading this, the Star Trek: TNG films were Star Trek: Generations (1994), Star Trek: First Contact (1996), Star Trek: Insurrection (1998) and Star Trek: Nemesis (2002). I have seen all those movies and I can say that all of them had their respective flaws (creatively and technically). In fact, three of those movies were disappointing and are not worth revisiting. Definitely not worth spending money for their 4K Blu-ray and Blu-ray releases, and the same goes with the entire Star Trek: The Next Generation Motion Picture Collection 4K Blu-ray set.

Among those four movies, the only one I actually enjoyed was Star Trek: First Contact (directed by Jonathan Frakes). While that movie has flaws and some questionable creative moves, the 1996 movie was still entertaining and turned out to be a lot more engaging than its 1994 predecessor. First Contact was the highlight of the Star Trek: TNG movies before things really went downhill with the 1998 and 2002 films. For the movie collectors and Star Trek fans reading this, Star Trek: First Contact 4K Blu-ray has been available since April 4, 2023. Were you able to buy a copy for your movie collection? If you did, were the visuals on the 4K Blu-ray disc really great to watch?

The 4K Blu-ray front cover of Star Trek: First Contact carries the popular image from the 1996 movie poster.

To put things in perspective, posted below are the technical details of Star Trek: First Contact 4K Blu-ray as displayed on its Blu-ray.com page

Video

Codec: HEVC / H.265

Resolution: Native 4K (2160p)

HDR: Dolby Vision, HDR10

Aspect ratio: 2.35:1

Original aspect ratio: 2.39:1

Audio

English: Dolby TrueHD 7.1 (48kHz, 24-bit)

German: Dolby TrueHD 5.1

Spanish: Dolby Digital 5.1 (640 kbps)

French: Dolby Digital 5.1 (640 kbps)

Japanese: Dolby Digital 5.1

Subtitles – English, English SDH, French, German, Japanese, Spanish, Danish, Dutch, Finnish, Norwegian, Swedish.

Discs – 4K Ultra HD, Blu-ray Disc, Two-disc set (1 BD-66, 1 BD-50)

Digital – Digital 4K, iTunes, Vudu

Packaging – Slipcover in original pressing

Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A

To be clear, I have not purchased a copy of Star Trek: First Contact 4K Blu-ray as of this writing. I am interested in it but I could not make a decision to do so due to financial and practical reasons. I recently purchased Casablanca 4K Blu-ray, Top Gun: Maverick 4K Blu-ray and a Blu-ray of the James Bond movie Licence to Kill and I really enjoyed watching those three. I am also replaying the 4K Blu-ray and Blu-ray movies I already have (note: V: The Original Miniseries and V: The Final Battle have very high replay value respectively, read about their respective Blu-ray releases here and here). As such, there’s no reason for me to rush to acquire Star Trek: First Contact’s 4K Blu-ray release.

I should also state that I was never a fan of the entire Star Trek entertainment franchise even though I enjoyed certain movies of it. While Star Trek II: The Wrath of Khan is my favorite among the movies of the classic Star Trek cast (led by Captain Kirk), Star Trek: First Contact is the only Star Trek TNG movie I ever enjoyed.  

This is the rear of the Star Trek: First Contact 4K Blu-ray. Pay close attention to the technical details as well as the listed special features.

I first saw Star Trek: First Contact on a rented VHS tape in the summer of 1998 (note: I completely missed its 1996 theatrical release) and by the end of it, I felt this impact of fun, dramatics and visual effects. It was also in that movie where I saw Captain Picard really obsessed with saving his crew and saving the humanity’s future while struggling with his post-traumatic stress disorder (PTSD) with the Borg given his history being captured and assimilated by them. The Borg themselves were really terrifying although the inclusion of a queen brings down the concept of the unrelenting collective hive.

Just years ago, I bought a DVD copy of the 1996 movie. To be clear, I never bought the 2009 Blu-ray disc. At this stage, I have yet to replay Star Trek: First Contact in HD and Ultra HD. According to the Blu-ray.com review, Star Trek: First Contact 4K Blu-ray has a great 2160p/Dolby Vision UHD presentation and that the image is “nearly perfect”. For insight watch the comparison video below…

Perhaps someday, I could add the 4K Blu-ray release of Star Trek: First Contact into my collection. I am interested in it and the 4K visuals look attractive and they could look even better on our household’s 4K UHDTV. I should state that the Blu-ray disc of the 4K Blu-ray set contains a whole bunch of extras and special features. It’s a matter of timing, pricing (note: watch out for the occasional online sale) and entertainment-related priority on my part.

In case you are interested or if you have made up your mind, you can order a copy of Star Trek: First Contact 4K Blu-ray right now by clicking https://www.amazon.com/Star-Trek-VIII-First-Contact/dp/B0BSNX5ZW8/ref=sr_1_1?keywords=Star+Trek+First+Contact+4K&qid=1684818073&s=movies-tv&sr=1-1

If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at Amazing Spider-Man #384 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1993 and explore a part of the Marvel Comics universe through one of the many tales of the Amazing Spider-Man comic book series.

In my previous retro review, Spider-Man became the new target of The Jury, a team of armored mercenaries founded and led by the father (note: a prominent and powerful man) of one of Venom’s murder victims. Spider-Man was perceived to be responsible for bringing the living alien costume into the world which eventually resulted in the creation of Venom (note: Eddie Brock bonded with the same symbiote) who went on to cause havoc and killed a lot of people.

With those details laid down, here is a look back at Amazing Spider-Man #384, published in 1993 by Marvel Comics with a story by David Michelinie and drawn by Mark Bagley.  

The cover.

Early story

The story begins inside a certain government building in New York City scheduled for renovation. A heavily restrained and drugged Spider-Man was about to have mask taken off by one of The Jury members when their founder General Taylor intervened and insisted that they keep their honor. Spider-Man is up for questioning and scrutinization in a makeshift trial by The Jury. As the webslinger is not in the proper condition to stand trial, Taylor (in his capacity as the judge) declares a 30-minute recess.

Elsewhere, Peter Parker’s wife Mary Jane received bad news from her boss that her role in the TV show Secret Hospital will be reduced to a recurring role. This troubles her deeply as it means reduced income for her at a time when her marriage with Peter continues to go down. Spider-Man’s lack of quality time with her keeps taking its toll on her…

Quality

Spidey on trial!

Firstly, I should say that the Michelinie-Bagley team’s concept of having The Jury as the force of opposition against Spider-Man continues to do wonders creatively in this particular comic book series. In the previous issue, the webslinger was hunted and General Taylor really invested a lot of technologies to get to him in the middle of a very bustling city. In this particular issue, Spider-Man is completely vulnerable being weakened and disoriented as he is about to be tried in a makeshift court.

Along the way, Taylor and his team were portrayed to work within their own system of justice. As no court of law in New York would recognize Spider-Man’s trial, The Jury set up their own court in a very private and unusual manner.

While the planned trial is the major event of this comic book’s concept, Michelinie pulled off a rather unusual move with the narrative. Just as the first witness points to Spider-Man for being responsible for Venom, the iconic webslinger then starts to wonder what the trial is truly all about and then the creative team unleashed a slew of flashbacks that looked back a key events published in certain comic books of Secret Wars, The Amazing Spider-Man and Web of Spider-Man through the years. I’m talking about Spider-Man’s first-ever encounter with the symbiote, how he got rid of it, how the symbiote bonded with Eddie Brock to form Venom, how Venom’s costume left a living seed that Cletus Kassady touched and became Carnage, etc. These flashbacks, all nicely drawn by Mark Bagley, conveniently served as an instant reference for readers to catch up with the current events but this was done at the expense of this comic book’s narrative.

More on the trial, this comic book raises layered questions about the concept of responsibility on Spider-Man. Could the iconic webslinger really be held accountable for whatever murders Venom committed along with the trauma he caused on bystanders given the fact that he really brought the alien costume into their world? Should Spider-Man also be held responsible for any murders committed by Carnage? This is one really loaded script Michelinie came up with and he really had Spider-Man vulnerable not only to The Jury but also to the questions thrown at him during the makeshift trial. To put it short, this is one very unusual Spider-Man tale ever told that carries strong relevance from the past.

As with the previous issues, this comic book sheds a limited amount of the spotlight on Mary Jane and Spider-Man’s Aunt May who at this stage has gotten paranoid with her suspicions about Peter’s parents. The dramatization turned out pretty good.

Conclusion

Spider-Man in a vulnerable state with The Jury.

While the flashbacks were excessive and made the narrative feel bloated, Amazing Spider-Man #384 (1993) still has lots of good stuff fans can enjoy. It has a pretty bold concept of having Spider-Man really trapped and left vulnerable for the makeshift trial. More notably, the narrative pounded heavily on the concept of responsibility in relation to Spider-Man’s past actions that led to the creation of Venom and even Carnage.

Overall, Amazing Spider-Man #384 (1993) is recommended!

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

Planet of Lana now available on Xbox Series X/S, Xbox One, Windows PC and Xbox Game Pass (XGP) service

Planet of Lana, the newest game from Wishfully Studios and Thunderful Games, is now available for gamers to enjoy on Xbox Series X, Xbox Series S, Xbox One, Windows PC and on the Xbox Game Pass (XGP) service! As of this writing, the game has been praise from video game critics (click here, here, here, here and here) and I myself just started playing it on my Xbox Series X console and already I am having fun.

For the newcomers reading this, posted below is an excerpt from the official pre-release press release of the game from Thunderful Games. Some parts in boldface…

Appearing on over 40 “most anticipated” lists, including from the likes of IGN, Gamespot, Eurogamer, Polygon, Kotaku, Rock Paper Shotgun, Time and Game Informer, Planet of Lana is one of the most anticipated indie titles of recent years, drawing attention for its stunning art style, rousing soundtrack from D.I.C.E. and BAFTA-nominated composer Takeshi Furukawa, and unique companion-based mechanics.

Nothing like overcoming challenges and obstacles with a good sense of achievement proceeding to the next stage.

Set on an alien world, Planet of Lana tells the story of Lana and her loyal animal companion Mui as they embark on a rescue mission to save her sister. Blending an epic story that takes you on a spectacular journey across stunning natural landscapes with a touching personal relationship built between protagonists Lana and Mui, Planet of Lana is a game filled with wonder and adventure. Expect to encounter strange creatures and dangerous machines as you move through lush forests, mysterious caves and arid desert landscapes during your journey.

Lana swimming her way through the village.

Throughout daring platforming, engaging puzzles and tense stealth sequences, players will discover a game built around the unique companion mechanic that connects Lana and Mui. Only by working in tandem can you solve the puzzles and avoid the dangers that lay ahead of you, from stalking spindle-legged robot menaces that have mysteriously landed on Lana’s planet, to the not-always-friendly fauna that populates Planet of Lana’s breathtaking environments.

More on pre-release stuff, there is also a very detailed preview of Planet of Lana published through Xbox.com. The preview was written by Wishfully Studios creative director Adam Stjärnljus.

As I mentioned earlier, I just started playing Planet of Lana on my console. So far, I’m having a good time playing it, and in my decades-long experience of playing video games, I can say that Planet of Lana has vibes of Flashback in terms of 2D platform gameplay and environment interaction. Compared to the mentioned old game, this new game’s controls are very user friendly, easy to learn and also very responsive. The art direction looks really nice and the music is a must-listen! Oh yes, there were these suspenseful moments that I experienced as I had Lana and her companion avoid destructive enemies with timely and strategic moves.

I really like the artistic direction and style of this game!

When it comes to the adventure aspect, this game reminds me of what I saw in anime productions of Studio Ghibli, specifically Princess Mononoke and Nausicaä of the Valley of the Wind. The alien machines’ acts of abducting people even reminded me of the 21st century War of the Worlds movie.

As I’m writing this, there still more for me to discover playing Planet of Lana and I am eager to complete it, finish the tale and see what the game developers prepared. For those of you already subscribing to Xbox Game Pass, I encourage you to download the game and start playing it.

The scale is very immense in this part of the game!

Go for Planet of Lana on Xbox platforms, Windows PC and Xbox Game Pass now! Click https://www.xbox.com/en-us/games/store/planet-of-lana/9mxk2rsqjqnd

In concluding this article, posted below for your enjoyment are Xbox-related videos.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram athttps://www.instagram.com/authorcarlocarrasco

A Look Back at Superman #5 (1987)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today we go back to the year 1987 and explore a chapter of the post-Crisis DC Comics universe through a Superman tale.

To put things in perspective, John Byrne became in charge of redefining the iconic Superman during the post-Crisis age and he sure had a lot of creative freedom to not only modernize the character but also make him relevant to the public while also pleasing long-time fans. To say the least, the post-Crisis era was a time of daring concepts with the established superheroes of DC Comics. For more insight on Byrne’s handling of the Man of Steel, read my other retro comic book review by clicking here.

With those details laid down, here is a look back at Superman #5, published in 1987 by DC Comics with a story written and drawn by John Byrne.

The cover.

Early story

The story begins with Clark Kent having an outrageous dream in which he and Wonder Woman fight powerful enemies together. Shortly after arriving at the Daily Planet for duty, Clark learns from his boss Perry White that his office rival Lois Lane is already in South America literally digging on a significant discovery there. After being sent there by his boss, Clark flies to the south as Superman.

Upon arrival, Superman does a super speed reconnoiter at the dig site in the middle of a forest before changing back into Clark Kent. He eventually finds Lois Lane who is very surprised to see him. Even though he explained things to her, Lois remains doubtful of Clark as she still sees him as a journalistic rival who could potentially ruin her hot scoop…

Quality

In his civilian form as Clark Kent, Superman fights the huge mummy figure.

I can say that John Byrne’s brilliance is very evident in this comic book. Firstly, this is a story that sheds light on the journalistic rivalry between Lois and Clark that brings back memories about what happened with the Superman hot scoop in The Man of Steel limited series. Here, Lois remains doubtful about Clark and even shows some bitterness as she is on the verge of a major discovery in South America.

Secondly, this story is also an accidental adventure that creatively has a mix of Indiana Jones, UFOs and ancient horror all throughout. The build-up here is pretty strong as the tale focused strongly on the discovery aspect of the dig site which eventually led to a series of action-packed unfortunate events that really pushed Clark Kent both as civilian and as a superhero. Here, Clark has the tough task to fight an over-sized enemy (note: Byrne’s own take on the mummy) to keep Lois and the others safe while also making certain that he keeps his identity secret.

Along the way, Byrne inserted lots of in-depth details backed with observations (by the characters) which made this action-packed tale a cerebral read. This is a fine example of being creative with handling Superman while catering to readers who love spectacle as well as satisfying those who enjoy a smart presentation of the icon. In other words, there is nothing brainless or dumb to find here.

Conclusion

The journalistic rivalry between Clark and Lois Lane is really engaging to read.

Superman #5 (1987) is a very good read and this is fine showcase of the brilliant handling of the Man of Steel done by John Byrne. Aesthetics aside, this comic book is a relic that highlights the time when Lois and Clark were rival writers and the idea of them getting romantically involved seemed very unlikely at the time of its publishing during the early stage of the post-Crisis era. It was in many ways a defiance of the status quo of the original DC multiverse that had Lois and Superman as lovers. As an adventure, this comic book is very entertaining and engaging and the thing here is that it is only the first part of its arc.   

Overall, Superman #5 (1993) is highly recommended.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco