A Look Back At The Night Man #1

“I’m not who I was any more! I’m not who I’m going to be! I am the Night Man.”

The above words were from the vigilante called the Night Man, a character co-created by comic industry veteran Steve Englehart (Avengers) and Darick Robertson for Malibu Comics’ Ultraverse franchise. Those words formally opened The Night Man #1 which I’m reviewing here.

To put things in perspective, a vigilante is described as a member of a volunteer committee organized to suppress and punish crime summarily (as when the processes of law are viewed as inadequate) according to Merriam-Webster dictionary. To put it broadly, the vigilante is a self-appointed doer of justice.

 

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The Night Man #1 cover.

Published in 1993 by Malibu Comics, The Night Man #1 tells the story of Johnny Domingo, a jazz player whose life changed in the pages of The Strangers #1 (also written by Englehart) in which he (while driving a vehicle) got by a cable car (that was just hit by an energy burst from the sky) resulting a piece of shrapnel embedding into his head.

Perceived by others to be doomed, Domino strangely survived and was well enough to resume his normal life. The difference is that the incident made his eyes dilated permanently which forces him to shield them from bright light.

Just as Johnny walks down the street, he learned he gained an uncanny ability when he hears, for the first time, the evil thoughts of a man (wearing a coat and a hat) planning to kill a lady on Saturday night.

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The Night Man in action!

Knowing what heard, Johnny wondered if he was crazy and what if some woman would truly be in danger. He then decides to follow the man with evil thoughts and watch his moves. Eventually Johnny followed the man to a restaurant by the beach and saw him talk with a pretty waitress named Ginger who agreed to a Saturday night date.

Carelessly Johnny approached the man too closely and got noticed, forcing him to run away and got chased until he got into a taxi that drove him away.

A short time later, Johnny starts his new career as a vigilante as the Night Man.

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In terms of storytelling, The Night Man #1 was nicely paced and never felt dragging. Within its twenty-eight pages of story, the comic book took gradual steps on introducing Johnny, how the incident with the cable car impacted him, how he became a vigilante for the first time and what went on in his mind as he became the Night Man. Given his rich experience as a writer, it is no surprise that Steve Englehart delivered a solid script.

It was also engaging to see Night Man being a determined yet very vulnerable vigilante. During his first mission in costume, he managed to beat a few bad guys but ended up getting hurt. This kinda reminds me of the vulnerability seen in the cinematic icon John McClane in 1988’s Die Hard.

The art by Darick Robertson, with ink work done by Andrew Pepoy, was nicely crafted. The civilian and vigilante looks of Night Man were well defined. The visualization of action nice and when Night Man gets hurt, he really looks in pain.

Going beyond Night Man, this comic book has a short preview (five pages, including credits) of Rune, a character created by Barry Windsor-Smith. Rune is described to be a voracious killer whose prey is all humanity and he is an alien leech who despoils the flesh of victims, culling their lifeblood into the essence of power. Rune is also a dying creature fighting for survival against the malignant disease burning inside of him.

Overall, The Night Man #1 is a worthy addition to your comic collection if you are interested in the Ultraverse (which is still kept in limbo by Marvel which acquired Malibu Comics in the mid-1990s) or are interested in vigilante-type superheroes. If you are obsessed with whatever Barry Windsor-Smith created, then the Rune stuff is a must-get.

The Night Man #1 is recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

 

 

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A Look Back at Solitaire #1 of the Ultraverse

When you fight evil, you do it alone.

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Solitaire in action in Solitaire #1 published in 1993 by Malibu Comics under their Ultraverse line of comic books.

The concept of vigilante figures taking the fight against crime alone backed with resources (in the form of weapons) is a long running tradition in superhero comic books. DC Comics has its iconic Batman doing lots of detective work and fighting criminals many times on his own. Similar stories were seen with the Punisher and Daredevil over at Marvel.

When Malibu Comics launched the Ultraverse line of superhero comics in 1993, they added variety into the big mix. They had their own parallel to Marvel’s Punisher and DC’s Batman in the form of Solitaire and they boldly launched a comic book series of the character.

Released in late 1993 with story by Gerard Jones and art by Jeff Johnson and Barb Kaalberg, Solitaire #1 introduced readers to Nicholas Lone who wears a purple-and-blue costume with mask and fights criminals as Solitaire. He’s not just a brave, tough guy who daringly goes against thugs. He’s is very talented with martial arts, acrobatics and weapon use.

The comic book begins when thugs working for a crime lord called the King are about to catch a helpless lady who gets saved by Solitaire. The hero easily outmaneuvers the bad guys and he proved to them that he really is hard to hurt.

At his headquarters, the King made it clear to readers that Solitaire has been a problem to him for some time already and feels bad when the hero disrupts his operation. Solitaire meanwhile prepares himself for the next move against the King by returning to his hideout (an old theater), doing some research by computer and coordinating with his contacts on the streets.

Regarding the quality of the comic book, I say the script is nicely paced as it does a good job introducing Solitaire to readers while still having spare spotlight for the King. Within twenty-five pages, the hero got clearly defined as a man of action as well as a person with a purpose. His fight against crime is defined by key parts of his past especially with the fact that his own father – Antone Lone – is a crime lord.

When it comes to super powers, Solitaire has very quick reflexes which makes him a hard target for armed thugs. He also has healing factor which works rapidly and gives him a major advantage over the bad guys. In fact, the presence of the healing factor (which works like that of Wolverine) makes Solitaire more daring and more willing to take risks engaging the bad guys with violence. He can get stabbed and his body can be shot with several bullets and still he will recover quickly to get the job done.

Solitaire is indeed super and yet there is something intriguing with his personality. Apart from being the son of a crime lord, Nicholas Lone’s acquisition of his powers is a painful mark on him personally. This was because his father gave him those powers as a result of his attempt to commit suicide. The powers are the result of the installation of nano-machines into his body.

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Overall, Solitaire #1 is a good and intriguing read. It really comes with a flavor that makes it distinct from other superhero-versus-criminals stories and the introduction of Solitaire alone is worth the cover the price. If you can find copies of Solitaire #1 on the back issue shelves of the comic book stores, I recommend buying it as well as the other issues.

It’s too bad that the Ultraverse ended after Marvel Comics acquired Malibu Comics back in the 1990s because like Prime, Hardcase and Prototype, Solitaire is very unique and intriguing at the same time. In my opinion, Solitaire is the most defining crime fighter of the entire Ultraverse and it’s too bad stories featuring him are not too many.

Thank you for reading. If you enjoyed this article, please click the like button below and also please consider sharing this article to your fellow comic book geeks and Ultraverse fans. Also my fantasy book The World of Havenor is still available in paperback and e-book format for you to order.

Author’s Note: This article was originally published at my old Geeks and Villagers blog. What you read on this website was an updated and expanded version. In other words, this newest version you just read is the most definitive version