Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today we go back to the year 1987 and explore a chapter of the post-Crisis DC Comics universe through a Superman tale.
To put things in perspective, John Byrne became in charge of redefining the iconic Superman during the post-Crisis age and he sure had a lot of creative freedom to not only modernize the character but also make him relevant to the public while also pleasing long-time fans. To say the least, the post-Crisis era was a time of daring concepts with the established superheroes of DC Comics. For more insight on Byrne’s handling of the Man of Steel, read my other retro comic book review by clicking here.
With those details laid down, here is a look back at Superman #5, published in 1987 by DC Comics with a story written and drawn by John Byrne.
The cover.
Early story
The story begins with Clark Kent having an outrageous dream in which he and Wonder Woman fight powerful enemies together. Shortly after arriving at the Daily Planet for duty, Clark learns from his boss Perry White that his office rival Lois Lane is already in South America literally digging on a significant discovery there. After being sent there by his boss, Clark flies to the south as Superman.
Upon arrival, Superman does a super speed reconnoiter at the dig site in the middle of a forest before changing back into Clark Kent. He eventually finds Lois Lane who is very surprised to see him. Even though he explained things to her, Lois remains doubtful of Clark as she still sees him as a journalistic rival who could potentially ruin her hot scoop…
Quality
In his civilian form as Clark Kent, Superman fights the huge mummy figure.
I can say that John Byrne’s brilliance is very evident in this comic book. Firstly, this is a story that sheds light on the journalistic rivalry between Lois and Clark that brings back memories about what happened with the Superman hot scoop in The Man of Steel limited series. Here, Lois remains doubtful about Clark and even shows some bitterness as she is on the verge of a major discovery in South America.
Secondly, this story is also an accidental adventure that creatively has a mix of Indiana Jones, UFOs and ancient horror all throughout. The build-up here is pretty strong as the tale focused strongly on the discovery aspect of the dig site which eventually led to a series of action-packed unfortunate events that really pushed Clark Kent both as civilian and as a superhero. Here, Clark has the tough task to fight an over-sized enemy (note: Byrne’s own take on the mummy) to keep Lois and the others safe while also making certain that he keeps his identity secret.
Along the way, Byrne inserted lots of in-depth details backed with observations (by the characters) which made this action-packed tale a cerebral read. This is a fine example of being creative with handling Superman while catering to readers who love spectacle as well as satisfying those who enjoy a smart presentation of the icon. In other words, there is nothing brainless or dumb to find here.
Conclusion
The journalistic rivalry between Clark and Lois Lane is really engaging to read.
Superman #5 (1987) is a very good read and this is fine showcase of the brilliant handling of the Man of Steel done by John Byrne. Aesthetics aside, this comic book is a relic that highlights the time when Lois and Clark were rival writers and the idea of them getting romantically involved seemed very unlikely at the time of its publishing during the early stage of the post-Crisis era. It was in many ways a defiance of the status quo of the original DC multiverse that had Lois and Superman as lovers. As an adventure, this comic book is very entertaining and engaging and the thing here is that it is only the first part of its arc.
Overall, Superman #5 (1993) is highly recommended.
Welcome back my readers, fellow people of faith and those who love entertainment. Today, I want to emphasize something within the 1983 sci-fi epic TV miniseries V: The Original Miniseries.
Before I proceed, I want to address the newcomers reading this. V: The Original Miniseries was about alien humanoids from space who arrived on Earth “in peace” but gradually took control of the world and its people through varied means. Told through the viewpoints of affected Americans in California, V: The Original Miniseries was a cerebral and reflective form of science fiction entertainment that strongly parallels Nazi German’s occupation and takeover of countries in Europe in relation to World War II. As expected, a group of resisting people forms led by a reluctant young woman.
I personally love V: The Original Miniseries as well as its 1984 sequel V: The Final Battle. I own Blu-ray discs of the two mini-series (click here and here) and I encourage you to check out my retro reviews (click here and here). To this day, both mini-series remain solid to watch and are worth replaying all over again in my experience.
Going back to the subject matter of this post, the one significant scene of V: The Original Miniseries I want to emphasize is the prayer scene in the 2nd episode. The prayer scene took place just before the human resistance (led by Julie Parrish played by Faye Grant supported by Mike Donovan played by Marc Singer, Caleb Taylor played by Jason Bernard and others) execute their desperate moves to free their people from the Visitors (the aliens). Watch below the video clip I recorded off-screen while replaying V: The Original Miniseries on Blu-ray disc…
The prayer scene of V: The Original Miniseries.
As you can see in the above clip, the affected people were about to pull off a major push back against the Visitors from outer space. They no longer had the local police (who are already working with the aliens) nor the National Guard, nor the State Government of California nor any American authority to help them. Caleb, who lost a son, reminded Julie of having a prayer as he knew that without the Lord, everything they will do will fail. Caleb knew that as a rebelling force, they could not succeed against the Visitors by focusing on themselves, their resources and their abilities. Caleb knew they had to look up to God even though he does not know the state of each group member’s personal connection with Him. It was also symbolic to see Julie Parrish declare amen before finally giving the go-signal for their next operation which eventually served as the series of spectacle (action scenes) and suspense serving as the big pay-off for viewers.
Within the context of the what happened in the 2nd episode of the mini-series, Julie and her crew moved to secure essential equipment and military hardware at a local facility guarded by the Visitors which results in acts of violence as both sides fire at each other. These scenes happened after the prayer scene.
That being said, I want to make clear that I am not emphasizing the concept of praying to God to be able to win against the oppositionby means of violence. Violence and using the very methods of wicked people as a means of getting back at them are clearly not the ways under the watch of the Lord. God has a plan for each and every one of us and we have Lord Jesus to follow to save the lost and unsaved souls. The Lord has His ways of defeating Satan and his pawns, and we only need to follow the Lord instead of taking matters on our own hands.
If you are oppressed and you truly need the Lord’s help for favor and breakthroughs, let the Holy Spirit guide you instead of giving in to your fleshly desire of using force on those who attacked you. Do not even think about using the ways the evil ones used against you. Trust in Him, not the worldly and certainly not your flesh. Always remember that vengeance is the Lord’s. Read the bible verses below…
Beloved, do not avenge yourselves, but rather give place to wrath; for it is written, “Vengeance is Mine, I will repay,” says the Lord. Therefore
“If your enemy is hungry, feed him;
If he is thirsty, give him a drink;
For in so doing you will heap coals of fire on his head.”
Do not be overcome by evil, but overcome evil with good.
Romans 12:19-21 (NKJV)
Beloved, never avenge yourselves, but leave the way open for [God’s] wrath; for it is written, Vengeance is Mine, I will repay (requite), says the Lord.
But if your enemy is hungry, feed him; if he is thirsty, give him drink; for by so doing you will heap burning coals upon his head.
Do not let yourself be overcome by evil, but overcome (master) evil with good.
Romans 12:19-21 (AMPC)
Vengeance is Mine, and recompense, in the time when their foot shall slide; for the day of their disaster is at hand and their doom comes speedily.
Deuteronomy 32:35 (AMPC)
But God shows his anger from heaven against all sinful, wicked people who suppress the truth by their wickedness.
Romans 1:18 (NLT)
For I, the Lord your God, will hold your right hand, Saying to you, ‘Fear not, I will help you.’
Isaiah 41:13 (NKJV)
As seen among the bible scriptures above, Romans 12:19-21 should remind you all that vengeance is the Lord’s and we only need to follow Him because He knows best and has the means to help us overcome the forces of evil. In relation to that, this should remind you all that V: The Original Miniseries is not a faith-based story. Rather, it is a science fiction tale designed to entertain viewers while emphasizing the concept of what the world would be like if people welcomed foreign entities to come in peace pretentiously and take over societies by means of force, violence and fascism. Take note that the mini-series was released at a time when science fiction movies and TV shows were in high demand arguably due to George Lucas’ Star Wars.
The prayer sceneshould serve as a reminder that we the faithful in real life should keep trusting in the Lord and we need to support each other and strengthen our faith in Him no matter how twisted the world is around us. That is what makes it significant as part of the mini-series. Learn from the scriptures below…
For wherever two or three come together in honor of my name, I am right there with them!
Matthew 18:20 (TPT)
Now may the God of patience and comfort grant you to be like-minded toward one another, according to Christ Jesus, that you may with one mind and one mouth glorify the God and Father of our Lord Jesus Christ.
Romans 15:5-6 (NKJV)
In Whom, because of our faith in Him, we dare to have the boldness (courage and confidence) of free access (an unreserved approach to God with freedom and without fear).
Ephesians 3:12 (AMPC)
Then if my people who are called by my name will humble themselves and pray and seek my face and turn from their wicked ways, I will hear from heaven and will forgive their sins and restore their land.
2 Chronicles 7:14 (NKJV)
Rejoice always, pray without ceasing, in everything give thanks; for this is the will of God in Christ Jesus for you.
1 Thessalonians 5:16-18 (NKJV)
For God has not appointed us to [incur His] wrath [He did not select us to condemn us], but [that we might] obtain [His] salvation through our Lord Jesus Christ (the Messiah)
Who died for us so that whether we are still alive or are dead [at Christ’s appearing], we might live together with Him and share His life.
Therefore encourage (admonish, exhort) one another and edify (strengthen and build up) one another, just as you are doing.
1 Thessalonians 5:9-11 (AMPC)
Finally, while focusing on being with other people of faith and praying to the Lord together as a united body of His, learn from the scriptures below pertaining to Lord Jesus’ ascension to Heaven and His faithful followers (the early Christians) who stayed united together at the Upper Room in Jerusalem and prayed together knowing they are living on with His victory. May this encourage you to be with your fellow spiritual family (God’s family) members and pray to Him together.
Now when He had spoken these things, while they watched, He was taken up, and a cloud received Him out of their sight. And while they looked steadfastly toward heaven as He went up, behold, two men stood by them in white apparel, who also said, “Men of Galilee, why do you stand gazing up into heaven? This same Jesus, who was taken up from you into heaven, will so come in like manner as you saw Him go into heaven.”
Then they returned to Jerusalem from the mount called Olivet, which is near Jerusalem, a Sabbath day’s journey. And when they had entered, they went up into the upper room where they were staying: Peter, James, John, and Andrew; Philip and Thomas; Bartholomew and Matthew; James the son of Alphaeus and Simon the Zealot; and Judas the son of James. These all continued with one accord in prayer and supplication, with the women and Mary the mother of Jesus, and with His brothers.
Acts 1:9-14 (NKJV)
Now watch this video I recorded during my first-ever visit to the Upper Room in Jerusalem which was part of the pilgrimage tour I joined with my local church.
This was from my 2nd visit to the Upper Room in Jerusalem. I went to Israel on a pilgrimage tour with my local church because I desired to seek God’s kingdom there (read Matthew 6:33).
From this point on, I would like to reach out to all the lost and the unsaved people reading this. Did a religious and idolatrous extremist ruin your life? Have you been living in bondage for too long? Did the atheists, the humanists and the secularists fool you and abused you? Were you involved in the terrorist activities of Iran or the Palestinians? Have you been living as a homosexual or as a transgendered person? Are you still addicted to sex, drugs and other inappropriate elements? Did you spend an entire life worshiping statues, statuettes, images, people and relics? Are you a toxic person or one of those modern-day Leftist activists (Black Lives Matter, Democratic Socialists of America, Antifa, the abortionists and others) who got fed up fighting for worthless causes? Did you kill someone and have been living so long with the guilt?
All of the darkness related to what was mentioned above can finally end and you can decide to do it! How? You can save yourselves by submitting yourselves to the Lord Jesus willingly and realize He is the Light! There is no force and no coercion here. You have time and freedom to decide to receive Jesus as your Lord and Savior. For those who have decided to get born again now and gain salvation, please read the instructions and follow the prayer that I learned from a pastor.
Are you ready? Firstly, open your heart to the Lord and pray this simple prayer in sincerity from your heart:
Father God,
I thank You. I believe Jesus is Your Son. I believe that He died for me and redeemed me from all of my sins. He took my sins and, Father, thank You for loving me and You demonstrated Your love for me through Your Son Jesus Christ. Forgive me for all of my sins. Jesus, I open my heart to You. I welcome You to enter into my heart. I confess today that You are now my Lord and Savior. Thank You for forgiveness. I receive forgiveness. Thank You for Your blood that cleansed me from all of my sins. I will follow You, Jesus. Thank You for Your plan. I receive the Holy Spirit. And Holy Spirit, help me to follow the will of God in my life in Jesus’ name. Amen.
Congratulations! You are now a child of God! You have received Holy Spirit in your heart! This is easily your greatest decision ever made and also the greatest miracle of your life. Always praise, thank and honor the Lord. No more darkness in your life caused by politics, radicalism, toxicity, rebellion, religion, unbelief, evil, idolatry, traditions and rituals! Leave behind the darkness of your life and don’t look back to it. Remember that idolatry is evil, Purgatory is a lie, penance is a deception and Satan always used religion and unbelief to prevent people from being saved by the Lord. Also, do not ever hail Mary (the mother of Lord Jesus) because all the praise and honor belong to God, Lord Jesus and the Holy Spirit only.
With Lord Jesus, you are already moving forward and the best is yet to come! You also have a personal relationship with God, a relationship that is strictly off-limits to others (even to your household members or biological family members).
The Holy Bible is the ultimate authority and nothing else comes close to it for it is the Word of God. Remember always that Lord Jesus did not die on the cross to start religion. He died to redeem us all and showed that we must be led by faith in Him, faith in the Holy Spirit and faith in God the Heavenly Father. He rose from the dead and made His earthly presence felt once more to those who believed in Him. Lord Jesus ascended to Heaven and He promised to return in the future. His return is what we must always remember and keep living with holiness under the watch of God. We can do our part in building up God’s kingdom here on Earth by preaching His Word, blessing the Jewish people and saving the countless lost and unsaved souls around us by leading them to Lord Jesus. Living as a Christian is always about the personal relationship with the Lord, and it is certainly not about religion. Never let the idolaters, the idol makers, the ritual practitioners and other sinister forces fool you into becoming unholy.
Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. Sharing this Christian piece means spreading the good news of the Lord to others. It can help you save the unsaved and the lost souls out there.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the early 1980s and examine an alternate universe portrayal of the X-Men and the Dark Phoenix saga itself as told in one of the comic books of the first volume of the series What If.
So much has been discussed about the Dark Phoenix saga of the Uncanny X-Men series through the decades. A lot point to it as the greatest X-Men ever told while some called it the true X-Men epic story that Chris Claremont and John Byrne came up with. Considering its deep impact and significance on the Marvel Comics shared universe, it was only a matter of time before the publisher decided to revisit the said storyline but explore other outcomes through the What If series.
With those details laid down, here is a look back at What If #27 published in 1981 by Marvel Comics with a story written by Mary Jo Duffy and drawn by Jerry Bingham.
The cover.
Early story
The story begins with the Watcher looking back at the events that led to the Dark Phoenix saga, who got impacted and how Jean Grey used a weapon of alien origin to end her own life and prevent the Dark Phoenix from raging.
Suddenly, an alternate reality begins when Jean Grey survives and Cyclops reacts by using his optic blasts on incoming enemies until he got overwhelmed. The X-Men have been defeated and are brought to the imperial flagship of Lilandra’s grand fleet where the Shi’ar scientists prepare for the destruction of Phoenix.
Jeay Grey remains alive, floating above the X-Men and the others as Lilandra’s people prepare to start the process of the psychic lobotomizer on her. Their intention is to act upon Jean Grey’s brain and destroy certain parts of it in order to neutralize the Phoenix power within her. The operation turned out successful and Jean Grey survives once more. She and her fellow X-Men return to Earth…
Quality
This conflict between Phoenix-powered Jean Grey and Galactus is a must-see.
This early, I can say that this is a very great exploration and portrayal of the concept about Phoenix (within Jean Grey) not dying during the Dark Phoenix saga. The script of this comic book is so great (note: solid plot structure, consistent portrayals of the characters, strong build-up with solid pay-off and more), it’s almost as if Mary Jo Duffy and Chris Claremont worked together behind the scenes.
The protagonist in this story is Jean Grey and this comic book examines her struggle with adjusting her personal life and her effort to fit in once again within the X-Men while remembering fully that as Dark Phoenix, she still remains guilty of destroying an entire solar system and committing the mass murder of five billion people.
Unsurprisingly, due to the emergence of a tremendous crisis deep in space, Jean Grey gets involved with her team going to the site on a mission. This easily puts her into a situation that makes her revive the power of the Phoenix deep within herself. While the use of the tremendous power of the Phoenix to help the X-Men looked sensible at first glance, it only signified the beginning of a chain of destruction and unfortunate developments. As expected, Jean Grey can only go so far with her good nature and her free will while having the magnificent powers of the Phoenix.
While the conflicts were portrayed well, Mary Jo Duffy’s script raises key questions about the red-head X-Men member: How can Jean Grey ever achieve a normal life and level with her X-Men teammates knowing that she carries powers that make her god-like? How can she ever forget the tragic fact that as Dark Phoenix, she murdered billions in deep space? What can Charles Xavier do to lead and guide the X-Men knowing that Jean is way too powerful? Could the love of Cyclops be helpful for Jean Grey’s personal efforts to control the Phoenix power within?
Another highlight of this story is the final seven pages. The ending is very impactful and definitely something you must see.
Conclusion
This happened after Jean Grey’s survival.
What If #27 (1981) is a classic alternate reality portrayal of the Marvel Comics universe and it surely works as a companion piece to what was established in the Dark Phoenix saga. Mary Jo Duffy’s script really captured the spirit of Claremont’s X-Men and the dramatic stuff and all the build-up led to a very tremendous ending that can disturb you or even satisfy you in the most unusual way. Most notably, this comic book really answered the question about what would happen had Phoenix did not die. The 2nd tale of this comic book – the Kree Encounter – is an interesting additive.
Overall, What If #27 (1981) is highly recommended.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the early 1980s and examine an alternate universe portrayal of Wolverine and some other characters as told in one of the comic books of the first volume of the series What If.
Wolverine is one of the most iconic characters of Marvel Comics and he has been part of some of my retro reviews (click here, here, here, here, here, here and here). Wolverine made his first appearance in comics in Incredible Hulk #181 which was published way back in 1974 which marked the first conflict of the two Marvel icons. Years later, Marvel decided to revisit that event with a What If story.
With those details laid down, here is a look back at What If #31 published in 1982 by Marvel Comics with a story written by Rick Margopoulos and drawn by Bob Budiansky.
The cover.
Early story
The story begins with Wolverine and the Hulk in combat with each other in a forest within Canada. It turns out, Wolverine was sent by Canadian authorities to capture not just the Hulk but also the Wendigo.
With the Wendigo down on the ground, Wolverine and the Hulk struggle with each other. The Canadian’s speed helped him dodge the green giant’s powerful punches and as the fight goes on, so does the impulse and emotion from within. Suddenly, Wolverine decides to deliberately disobey his orders by deciding to kill the Hulk. In a few but strategic strikes with his Adamantium claws, Wolverine kills the Hulk. The Canadian authorities eventually got rid of the corpses of the Wendigo and the Hulk.
Soon enough, news about the Hulk’s death spread like wildfire all over America catching the attention of Spider-Man, the Avengers, the Fantastic Four and General Ross and his daughter Betty…
Quality
Wolverine gets abducted not by aliens from outer space but by Magneto and his Brotherhood of Evil Mutants.
To start with, I can say that I immensely enjoyed this alternate portrayal of the events that happened in relation to Wolverine’s first-ever appearance in comics. For one thing, the concept of Wolverine actually killing the Hulk is not only shocking on its own, it also set a chain reaction of events that involved or affect a whole lot of other characters within the Marvel Comics shared universe.
Let me start with Wolverine himself. As the story was set before he joined the X-Men, you will see Wolverine as a super-powered agent of Canada whose career really goes down as he failed to restrain his wild self from killing not once but twice. This results in a Wolverine who is deeply troubled with guilt and becomes desperate believing that running away and hiding will somehow solve his dilemma.
Wolverine’s entry into a gang of evil mutants led by Magneto (note: this comic book’s main villain) is itself worth getting this comic book. This shows Magneto – always obsessed with his belief that mutants are superior to humans – putting his diabolical plan into action with Wolverine as the key participant. This itself led to Wolverine’s encounter with the X-Men (the one team he was destined in reality to be with).
The creative team clearly exerted a lot of effort to not only ensure the plot made sense but also have a solid structure that can accommodate twists, intrigue and superhero spectacle altogether complete with enough room for character development. Lastly, I should say that this comic book’s climax is both compelling and shocking to read.
Conclusion
Wolverine’s 2nd kill in this comic book.
What If #31 (1982) is indeed a great Marvel comic book to read. It has a very engaging alternate universe portrayal of Wolverine and this paved the way for a new and fresh approach on showcasing how the X-Men and Magneto’s gang reacted with the clawed Canadian. While the scope of the consequence of Wolverine’s killing of the Hulk ultimately ending up narrowing on Marvel’s mutants could be disappointing for those who seek a bigger impact on other Marvel universe characters, what was shown here in this comic book still made sense and ultimately turned out believable. This comic book also has another tale exploring what if there was no Fantastic Four which ultimately ended up as a decent additive.
Overall, What If #31 (1982) is highly recommended.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the 1980s and examine a small part of the Marvel Comics universe through a tale of the Amazing Spider-Man monthly series.
Back in the year 1985, Marvel Comics published their big-time limited series Secret Wars II, which saw the arrival of the powerful yet ignorant deity Beyonder on Earth. As a major publishing event spearheaded by then editor-in-chief Jim Shooter, Secret Wars II had events that impacted a certain number of regular monthly comic book series whenever an issue was released. In one of the early issues of Secret Wars II, the Beyonder converted an entire tall building within New York City into pure solid gold. As the golden building could not support its own weight, it collapsed and the authorities scrambled to secure the perimeter. Spider-Man himself gets involved by rescuing the victims and he learned something along the way (as seen in Web of Spider-Man #6).
With those details laid down, here is a look back at Amazing Spider-Man #268, published in 1985 by Marvel Comics with a story written by Tom DeFalco and drawn by Ron Frenz.
The cover.
Early story
The story begins with Spider-Man swinging high and noticing that the perimeter of the collapsed building of pure gold has been covered (with a large tarpaulin) and secured by armed personnel. People were not allowed to pass which makes them speculate about what happened. Having witnessed government operative Anderson compensating the Kingpin with typewriters made of pure gold secretly, Spider-Man is deeply troubled and decides to go home to take a rest.
At the site of disaster, several personnel equipped with laser weapons worked hard to cut down every part of the collapsed building and transport as much gold as possible onto trucks which are tasked to deliver them to a huge cargo ship at the city’s port. The authorities are concerned that the excessive amount of gold from the collapsed golden building will cause tremendous shockwaves in the world’s markets and they strive hard to keep everything secret…
Quality
Spider-Man sneaking on to the ship as he pursues answers to hot questions about what has been going on.
Being a tie-in story to Secret Wars II, this is indeed a really unique Spider-Man story that does not put the iconic hero in direct conflict with a powered villain at all which can disappoint certain readers and fans who craved for action-packed conflicts. Instead, this story was designed to be a mystery which strongly reflects the consequences of the Beyonder’s action during his presence in New York. You will get to see Spider-Man work on finding out the answers to all the questions in his head and his knowledge about the involvement of the Kingpin and the United States government were more than enough to motivate him to figure things out even though it means putting himself at risk with powerful authorities.
In terms of story structuring and presentation, the tale moved at a moderate pace and the creators took their time with the revelation of key details (clearly designed to cause intrigue with the readers) as the narrative moved forward. This is indeed an engaging read and it has aged well.
Conclusion
Spider-Man returns home tired.
Amazing Spider-Man #268 (1985) is an intriguing and entertaining read even though it does not have Spider-Man in direct physical conflict with a bad guy. The Kingpin, an established supervillain, is present in the story mainly as a background character who still has strong influence with the sinister forces present. The biggest feature of the comic book is the situation itself (local efforts on dealing with the collapsed building of pure gold while preventing the public from knowing all about it) which got triggered by the Beyonder’s reckless act of trying to help humanity by turning a building into pure gold believing that it would help all people financially and socially. As for Spider-Man himself, it is refreshing to see him work his way through in a mystery tale and this comic book has a very solid approach on mystery.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, superheo enthusiasts, 1980s arts and culture enthusiasts, DC Comics fans and comic book collectors! Today we go back to the late 1980s to explore a part of the DC Comics shared universe through a tale of the Queen of Superheroes herself…Wonder Woman!
In my previous retro review, Wonder Woman’s spiritual superior Hermes makes his presence felt on Earth as she continues her interaction with members of the local society. Unsurprisingly, a great disturbance happens with the people as they let their guard down after witnessing something supernatural. This made things more complicated with Wonder Woman who has been trying her best doing her duty as Themyscira’s representative while maintain the personal relationships she established with certain mortals. And then something wrong happened with Hermes.
With those details laid down, here is a look back at Wonder Woman #24, published by DC Comics in 1989 with a story written and drawn by the late George Perez.
The cover.
Early story
The story begins Vanessa Kapatelis at home watching news on TV about the strange attack on Hermes. In the city of Boston, two police officers find a man sitting with junk at a wall who cannot help but be very scared of something. The man points to a certain building very nearby.
Beneath the foundation of the building, the earth rumbles with very eerie sounds. The gorgon Euryale and Ares’ son Phobos are on top of a pit and below them is Ixion, the first mass murderer to have ever walked the earth. It turns out, Ixion has long been chained to a large wheel that not only restrained him but also tortured him. The generations of torture disfigured Ixion as well. Hermes, who was defeated very recently, cannot help but be shocked at the sight of Ixion whom he left imprisoned in another place. Phobos tells Hermes he could thank his foolish Olympians as they were so busy with the cosmic migration, it paved the way for him (Phobos) to sneak into Hades and pull out Ixion.
It turns out, it was Hermes who forged the unbreakable chains holding Ixion and only he could break it. Euryale, who wears Hermes’ mystical hat, mocks Hermes. Phobos reveals that he has Hermes’ caduceus all to himself and then uses it to capture and harness energy which he uses to free Ixion.
Suddenly, the building crumbles and Ixion emerges with Hermes caught firmly by his oversized hand. The rise of Ixion terrifies the people of Boston…
Quality
Look at how intimidating Ixion is while Hermes is so helpless and pathetic.
Wow! This is one epic Wonder Woman tale that has a nice blend of fantasy, action and 1980s American culture. The stakes within this comic book are so high as a result of the disaster caused by Ixion who really put many people’s lives in danger. Ironically, the huge scale of disaster did not attract the assistance of other superheroes within the shared comic book universe of DC and this only made Wonder Woman’s involvement more significant. Not only would you see Wonder Woman really struggle with fighting Ixion, you will also see her struggle emotionally and logically when she deals with the helplessness of her superior Hermes (who is rather pathetic here and he really looks like a reject from Olympus) and facing the raging evil of Phobos while trying to prevent any further loss of life. By the way, Ixion here is more than just being one large monster for Wonder Woman to face off with.
While this is indeed a tale heavily loaded with action, the script by Perez sheds light on key themes that are indeed worth thinking over. For one thing, how should Wonder Woman handle herself upon realizing her lord Hermes becomes vulnerable and unworthy of godly authority? How should people deal with idolatry (which is foolish and unholy) when they realize a mythical figure like Hermes is so helpless not so long after he convinced them with his amazing display of the supernatural? More on relationships between mortals and powerful beings, how can an ordinary human like Julia Kapatelis really maintain a sisterly bond with Wonder Woman whose powers and responsibilities are so tremendous and are beyond the reach of humanity? There definitely is something engaging to reflect over in this comic book and the richness behind the writing (as opposed to the visual spectacle) is undeniable.
Themes aside, Perez also crafted very rich dialogue which is very evident near the end of the story. I won’t say which characters engaged in the rich conversation but I assure you it is worth getting this comic book for. The said conversation is not only philosophical but also marks another step in the development of the characters involved.
Conclusion
Wonder Woman unwinding.
Wonder Woman #24 (1989) is indeed a great Wonder Woman tale and it is a significant improvement over issues #22 and #23 with regards to storytelling, conflict and characterization. This comic book is a lively reminder about how great George Perez proved to be when it comes to writing. It has lots of superhero spectacle to keep readers entertained but ultimately it is Perez’s writing that made this one a great read. It certainly has aged well and by the time you read this particular comic book, you will really miss the late Perez. Lastly, this Wonder Woman tale should serve as a lively reminder to you all that Zeus, Hermes, Aphrodite and all those so-called gods are all false and you should never fall into worshiping them. You engage in idolatry, and you will go to hell. There is only one true God and He has a Son named Jesus who redeemed humanity, established a living covenant with the faithful, died on the cross, overcame death, met with the faithful again and ascended to Heaven with a promise to return.
Overall, Wonder Woman #24 (1989) is highly recommended!
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the 1980s and examine a small part of the Marvel Comics universe through a tale of the Amazing Spider-Man monthly series.
Back in the year 1988, Spider-Man fans enjoyed and got very intrigued with the first-ever Venom storyline which climaxed in Amazing Spider-Man #300. Some of you might be wondering what happened after the 300th issue of the series.
With those details laid down, here is a look back at Amazing Spider-Man #301, published in 1988 by Marvel Comics with a story written by David Michelinie and drawn by Todd McFarlane.
The cover.
Early story
The story begins with a group of armed personnel doing a mission inside a building. In the middle of the corridor, several over-head turrets pop out and fire paint balls at the team which used shields for protection. Moments after, they communicate with an executive called Mr. Cruz by means of live video feeds. Cruz tells them they failed the test.
Shortly after, Mr. Cruz and Silver Sable meet with Mr. Pruett and discuss key aspects about the Pruett building’s security. It turns out Pruett himself advertised his building as being the safest locale in New York. Cruz tells him that Silver Sable’s Wild Pack team was fine to a certain extent but he feels much more confident if Sable herself would test building security. After some thinking about her team – international bounty hunters –, their role with the economy of her home country of Symkaria and the less-than-impressive success her team achieved recently, she accepts the contract from Pruett worth $100,000.
Meanwhile at another location within the city, Mary Jane Parker carefully decides where should her husband Peter (carrying a sofa and a large seat with his own super strength) should put furniture in their home. MJ then has to rush to attend a magazine cover photo session while Peter has to go out and check on an advanced photography course at a university…
Quality
The new couple Peter and Mary Jane Parker together with domestic life.
This is one of the more unique Spider-Man tales of the 1980s I have read. Silver Sable herself is the big feature of this comic book, even overshadowing the famous web-slinger. As this was published years before the Silver Sable and the Wild Pack monthly series launched, David Michelinie portrayed the character as a professional business woman who also happens to be a very capable physical fighter and infiltrator while carrying with her the pride of her homeland Symkaria. Through Silver Sable, you can see the richness of Michelinie’s writing and feel the uniqueness of her personality which makes her stand out among the many other supporting characters or heroes Spider-Man ever interacted with.
As a story set shortly after the climax of the Venom storyline, Peter Parker is portrayed to be in the middle of a transition having gone through college and recently getting married with Mary Jane. Even with the challenges and complications of life, he still finds himself stuck with the perceived obligations of the superhero life. There is also a sub-plot here about a white-haired man searching for him.
Going into the plot itself, Peter Parker could not contain himself from going out again in full costume and web-swinging as Spider-Man as he finds Mr. Cruz a suspicious figure. While it looks like the right thing to do for any superhero, it shows weakness in Peter Parker’s struggle to balance his life. The use of irony is nicely portrayed here.
Conclusion
This is how Silver Sable looked like in the late 1980s.
While the good-versus-evil element of the story is very subtle, Amazing Spider-Man #301 (1988) still succeeded in engaging and entertaining me primarily due to David Michelinie’s very solid storytelling and characterization. Unsurprisingly, Michelinie’s script is brought to life with Todd McFarlane’s fine art from start to finish. Don’t expect Spider-Man nor Silver Sable get to fight some dangerous villain in personal combat as the plot is more about suspense and intrigue laced with some twists. Still, there is plenty of superhero action to enjoy here and McFarlane’s art remains impressive. Silver Sable is very well defined in this comic book and by the end, you will get a solid grasp of herself and her background. This comic book is a must-read before you jump into the Silver Sable and the Wild Pack comic book series.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero fans, 20th century arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1989 and explore a part of Marvel Comics’ universe through the reimagined tales emphasized in the What If monthly series (Volume 2).
For the newcomers reading this, I previously reviewed a variety What If comic books which you can find by clicking here, here, here, here, here, here, here and here. The joy of reading a What If comic book was the exploration of alternate outcomes in relation to the stories that have been counted by Marvel Comics as canon or official fictional history within their shared comic book universe. In this retro review, we will explore a key event from Spider-Man’s time with the alien costume (symbiote) which is related with the events of Secret Wars and the eventual establishment of his deadliest nemesis Venom.
With those details laid down, here is a look back What If #4, published in 1989 by Marvel Comics with a story written by Danny Fingeroth and drawn by Mark Bagley.
The cover.
Early story
The story begins with the Watcher examining Spider-Man’s involvement with the Secret Wars that took place on a faraway planet created by the Beyonder. There, his costume got damaged beyond repair and he acquired a new one made of what he perceived to be an advanced form of material. After successfully returning home, Spider-Man goes through some mysterious developments and he could not understand why he remains fatigued even as he spent more time sleeping.
With the help of Mr. Fantastic at the Fantastic Four headquarters, Spider-Man learns that his new costume is a living entity that has attached itself to him mentally and physically. As Mr. Fantastic uses a sonic blaster, Spider-Man and the alien costume got separated at last. Some time later, the alien costume re-attached itself to Spider-Man who eventually used church bells loud sounds to separate it. The alien costume would go on to the find Eddie Brock to form Venom.
The alternate reality begins with Spider-Man having a joyful reunion with Black Cat shortly after coming back from Secret Wars. Learning from her advise to have himself checked properly, he visits Dr. Connors (the Lizard) for examination and testing…
Quality
The possessed Spider-Man takes on Dr. Strange and the Hulk without hesitation.
To say that Danny Fingeroth’s script is very deep is an understatement. Specifically, this story is a great exploration of alternative events that not only affects the iconic Spider-Man/Peter Parker but also other elements of the Marvel Comics universe of the time. The concept of the alien costume fully bonding with Peter Parker with Mr. Fantastic and even Dr. Strange failing to help is indeed suspenseful and intriguing to read thanks to Fingeroth’s very solid writing. In fact, the story even shows Spider-Man as being possessed by the symbiote (complete with dialogue) and when you witness Peter Parker struggling to control himself consciously (while wrestling with the alien costume), you will really feel his pain. I should also state that there is a lot more about Spider-Man told here that goes beyond the possession which really turned out to be very compelling to read in my experience. This is easily the most engaging alternate portrayal of Spider-Man as we know him and it should be read by as many people as possible.
Along the way, this comic book portrays the alien costume as an insatiable being and the implementation of dialogue for it (structured in a way as using the vocal ability of the powered being it bonded with) gave it a very unique personality of its own. This is something that was not portrayed in the early appearances of Venom in which Eddie Brock does the talking and reacting to unseen messages from the symbiote. That being said, the alien costume here symbolizes possession within the Marvel Comics shared universe and its unknown state really challenges not only the intelligence of the superheroes but also their ability to decide on what final action to take with regards to sentient life.
As staged by the writer, the story’s narrative occasionally shifts away from Spider-Man to follow other characters such as Black Cat (Peter Parker’s love at the time), Mr. Fantastic (in a great portrayal of his proficiency in science and as a responsible superhero), Thor and others which made the reading experience really immersive in relation to emphasizing how this alternate reality affects others. You will get to see the Captain America, the Hulk, Iron Man, the Wasp, Captain Marvel, the Fantastic Four and the Avengers here.
Those who are fond of superhero spectacle will have a lot to enjoy here. Mark Bagley carefully paces the action scenes and he uses visual dynamism during the right moments.
Conclusion
Through dialogue, the alien costume is portrayed as a sinister force.
I can say it out loud…What If #4 (1989) is one of the best Marvel Comics alternate reality stories I have ever read and the creative team of Fingeroth-Bagley crafted an epic tale that goes beyond the featured question of “What if the alien costumer had possessed Spider-Man?”. The comic book works excellently as both a Spider-Man story as well as a Marvel superheroes struggle. The story touches on relevant topics such as possession, killing and scientific exploitation. This is a must-have comic book!
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts and comic book collectors! Today we explore a key chapter in the post-Crisis era of DC Comics through a Superman comic book. This time, however, we go back to the 1980s, specifically the time when the legendary John Byrne led the direction of developing and modernizing Superman.
After the critical and commercial success of the 1986 limited series The Man of Steel led by John Byrne, the stage was set on telling more stories of what was back then the modernized Superman. In 1987, the monthly series simply titled Superman launched and its first issue had the Man of Steel up against Metallo (also modernized by Byrne). Just before that particular story ended, Metallo was taken away.
With those details laid down, here is a look back at Superman #2, published in 1987 by DC Comics with a story written and illustrated by John Byrne.
The cover.
Early story
The story begins inside a high-tech facility of the powerful business tycoon Lex Luthor who has been obsessed with Superman since their first encounter. In the presence of many female employees (wearing suits, short skirts and high heels), he watches many huge monitors showing the image of a certain lady standing among bystanders.
His employee Amanda tells him that based on their computer-enhanced analysis of all available news footage of Superman in action, the lady in the monitor appeared in public and she first appeared with the crowds weeks after the Man of Steel prevented a space plane from crashing. Luthor begins to speculate the lady could be connected to Superman and tells two other employees to find her, and he would not tolerate any delays.
Luthor then faces Amanda, holds up her left hand with his two hands and tells her she may join him for dinner that evening. When Amanda expressed that she has a prior commitment (gently rejecting Luthor), Luthor discreetly hurts her hand forcing her to accept his invitation.
Luthor then enters a laboratory with his employees there wearing protective suits. Near them is the restrained body of Metallo whose metallic chest is open with a huge piece of Kryptonite (installed as his power source) fully exposed…
Quality
Superman and the tycoon Luthor.
Let me get straight to the point about this Superman story…this one has Lex Luthor as the main character with Superman having the supporting role. That is NOT a bad thing at all because John Byrne cleverly crafted the story showing how Luthor – who is no longer the criminal mad scientist of the previous multiverse of DC Comics – remains the most brilliant and powerful opposition that Superman cannot simply defeat. Being a billionaire, Luthor has vast financial, scientific and technological resources that enable him to overwhelm Superman and even get to the individual people that the Man of Steel cares the most. Luthor also is aware of how laws work and he knows that Superman’s dedication of following the rule of law is a weakness.
About Superman, this comic book shows the more human and more vulnerable side of him. You will the Man of Steel with a wide emotional range moving from caring to getting outraged within a few pages. Along the way, the hero’s secret begins to break down which alone would make you wish to help him. This is a clever portrayal of DC’s icon.
More on the plot itself, this comic book highlights Clark/Superman’s personal connection with small town sweetheart Lana Lang who ends up getting abducted and tortured by Luthor’s forces. Along the way, the breaking down of Superman’s secret identity was very well dramatized and the pacing was excellent. I should state that the ending is a must-see and surely it will make you realize the dynamics of absolute power.
Conclusion
The post-Crisis Lex Luthor is not only a brilliant super villain, he also has his own approach on socializing and getting results.
Superman #2 (1987) is undoubtedly very brilliant and great to read! From start to finish, John Byrne crafted a story that carefully balanced fantasy with realism while also emphasizing Luthor as the greatest enemy of Superman, as well as dramatizing the hero’s relationships with the Smallvile people of his past. Considering how powerful he really is, Superman here was portrayed to be at a major disadvantage against Lex Luthor in more ways than one. Luthor here is not just one very powerful tycoon, he is also one totally absolute danger towards others and he even has his own style of charisma. This is clearly a great way of modernizing the Superman-Luthor rivalry in the post-Crisis era and 1980s America in general. This is classic superhero literature that should be read!
Overall, Superman #2 (1987) is highly recommended!
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today we go back to the year 1983 which saw the theatrical release of Superman III that featured the late Christopher Reeve as the cinematic Man of Steel.
The 1980s was a very different time with regards to Hollywood’s handling of superhero movies. The concept of a shared cinematic universe was decades away from realization. Warner Bros. back then relied on the Salkind family to produce Superman movies and the first flick in 1978 proved to be a major hit for both viewers and critics while also establishing Christopher Reeve as the definitive live-action Superman for countless people. Unsurprisingly, a sequel was released in the early 1980s which continued box office success for the stakeholders and only led to the approval of another sequel.
Along the way, the late Richard Pryor (a major comedian already) appeared on TV and talked about Superman II which eventually led to him getting hired for Superman III. The movie was released in 1983 making a little over $80 million worldwide while also getting a noticeably weaker reception from critics. More notably, Richard Pryor had a huge chunk of the film’s spotlight as Gus Gorman while the overshadowed Christopher Reeve managed to stretch his cinematic art on playing Clark Kent and Superman (note: there is also the memorable Clark versus Superman battle). Superman III very clearly had a lot more comedy in its presentation. As part of the movie’s marketing, an official comic book adaptation by DC Comics was published.
With those details laid down, here is a look back at the Superman III comic book adaptation, published by DC Comics in 1983 with a story written by Cary Bates and art made by Curt Swan and Sal Amendola.
The cover.
Early story
The story begins inside the unemployment bureau of Metropolis. There, August “Gus” Gorman was told after 36 weeks of chronic unemployment, he is no longer eligible for financial assistance (read: welfare) from the city. As he was about to light his cigarette, he noticed computer job ad on the match. Gorman proceeds to the Archibald Data Processing School where he gets enrolled with several others. In front of others, Gorman does something on a computer which impressed the instructor a lot.
Over at the Daily Planet, Clark Kent/Superman, Lois Lane and Jimmy Olsen meet with Perry White at his office. Kent will be returning home to Smallville and make a news story out of it. White gives Kent his approval and then tells Lois she deserves a vacation.
Hours later, Kent and Jimmy Olsen ride the bus together going to Smallville but their ride stops as a result of a huge fire damaging a large chemical plant. A police officer reveals to Olsen that the scientists inside are worried about the plant and its stuff getting destroyed by the fire.
Kent carefully leaves the bus and discreetly changes into Superman to help solve the problem. Olsen, meanwhile, sneaks past the authorities to get to the burning chemical plant.
Over at Webcoe Industries, company head Ross Webster and his sister Vera learn that more than $85,000 worth of company funds was stolen by someone within. Just outside the office, Gus Gorman enters his fancy looking sports car which Webster, Vera and Lorelei notice. Webster asked how could one of their computer technicians afford such a vehicle worth $75,000…
Quality
This is a creative way the comic book team used to dramatize Gus Gorman scene revealing and acting the bad news to his boss Ross Webster whose plans were thwarted by Superman.
While it is understandable that not all scenes and not all character moments from the movie made it on print media, this comic book still managed to capture the film’s essence for the most part. The creative team pulled off their own interpretations of the events and made something entertaining and engaging even though they had to deal with the major challenge of summarizing the movie’s plot and establishing a workable comic book narrative.
I should state that the comic team creatively avoided making in-depth references about liquor and smoking which were obvious in the movie. You will not see Superman drinking liquor at a bar nor will you see Gus Gorman referring to tar listed on a cigarette pack. I suppose this was done to ensure the comic book would be released widely and be acceptable to very young readers and the parents watching them.
The battle between evil Superman and Clark Kent is best viewed in the movie. This one is a shorter and less detailed version of it.
When it comes to establishing the clear lead among all the characters featured, Superman fans should be delighted to know that the Man of Steel is indeed more prominent than Gus Gorman. Take note that in the movie, Richard Pryor’s Gus Gorman overshadowed Christopher Reeve’s Superman/Clark.
The art done by Curt Swan and Sal Amendola is decent and it seems to me that their time on visualizing Cary Bates’ script was indeed limited. That being said, it was not surprising to me that, with the exception of Ross Webster in one specific image, none of the characters resembled their cinematic counterparts. Clark Kent/Superman never resembled Christopher Reeve, and Gus Gorman looks nothing like Richard Pryor. Clearly, the artists’ focus was visualizing the narrative which they succeeded.
Conclusion
Clark Kent, Lois Lane, Jimmy Olsen and Perry White in the Daily Planet.
Having seen the Christopher Reeve/Richard Pryor movie in the cinema and on cable TV since 1983, I can say that Superman III (1983) is a decent adaptation. It’s not 100% faithful but it is still a worthy read as it will give you the movie’s concept and entertainment values in literary form. If you really want to full essence of film along with the cinematic moments (note: the Superman-Clark battle is the cinematic highlight) all intact, then your obvious choice is to watch the movie. If you are turned off by the movie’s wacky comedy, then the comic book adaptation will deliver to you the more serious approach on telling Superman III’s story. Let me repeat that Superman is more prominent than Gus Gorman in this comic book.
Author Carlo Carrasco 