Before discussing the main topic of this article, let me state that I am disappointed with the delay of Halo Infinite. I was looking forward to playing that game on my Xbox One and replay it as soon as I buy an Xbox Series X console (set for release this November). Now that Halo Infinite won’t get released until sometime in 2021, Microsoft will have to pull off the right moves to ensure that Xbox Series X will launch successfully. As per tradition in video gaming, exclusive games (whether it’s made by a 3rd-party developer or by the console maker’s own game studios) are attractive to consumers who intend to jump into the new console generation.
While Microsoft has Xbox Game Pass and a massively large library of games from the previous Xbox console generations that early adopters of Xbox Series X can enjoy, their potential lineup of launch games for the new console looks very uncertain (as of this writing) without Halo Infinite. Xbox division head Phil Spencer and the rest of Team Xbox still have yet to announce the price of Xbox Series X, confirm the existence of the rumored Xbox Series S, what games will be launching with the new console(s), what related devices will be released, emphasize how beneficial is game optimization for Xbox Series X truly is, etc.
And now for the topic at hand…
With so many games presented during the Xbox Games Showcase of July 23, it was rather easy to overlook certain games. After replaying the showcase, I came across The Gunk which is a sci-fi adventure game made by the same team behind the SteamWorld franchise of games. Watch this official video below.
Developed by Thunderful Development and published by Thunderful Publishing exclusively for Xbox One, Xbox Series X and Windows 10 PC with a September 2021 release (with inclusion in Xbox Game Pass plus support of Xbox Smart Delivery), The Gunk is a 3D sci-fi action adventure game that (based on the above video) will be played in third-person (note: you’ll see your character in the middle) with platforming, running, jumping, exploring and vacuuming a living substance called the gunk off plants in a very exotic planet that’s just waiting to be explored in the game.
Based on available information, The Gunk follows the exploits of a character who arrives on a planet with high-tech equipment as part of a salvaging operation to explore the natural environment and find something good or interesting. What lies ahead and how much gunk from the planet should be vacuumed remains to be seen.
As to why The Gunk is an Xbox-exclusive, Thunderful Group CEO Brjann Sigurgeirsson explained that his team needed more power to realize their concept in 3D which is something they have not done before. They wanted a game where more is more. Below is an excerpt from the Xbox.com article:
One of our early hurdles was the defensive urge to “hold the game back” to ensure that The Gunk would run comfortably on any platform. It took us a while to understand that we were tasking ourselves with something impossible – we wouldn’t be able to maximize the game while worrying about frame rates. We had to choose, and we decided to go for the grand vision. Mind you, we had pulled off tricky stuff in the past and squeezed outlandish frame rates out of limited hardware, but to realize the full potential of The Gunk we would need real power. And so, we decided to talk to Microsoft and ask about this new hardware they were tinkering with. And now, dear reader… here we are: The Gunk will come out exclusively on Xbox Series X and Xbox One. ~ Brjann Sigurgeirsson
It’s so nice learn from the Thunderful Group that they came up with their first 3D project at a time when Microsoft developed the very powerful Xbox Series X. The Gunk being exclusive for the current and next-generation Xbox consoles just might turn out to be fun-filled hit and it should be noted that the Thunderful Group SteamWorld games not only earned a positive reception from critics and gamers, but also picked up an array of awards.
Personally, I really like what I saw in the unveiling trailer of The Gunk. It has a cartoonish character design that surprisingly looks good in 3D polygons. I also liked the artistic style and the clever use of lighting effects with regards to defining the look of the planet. In short, it really looked not only exotic but also out of this world! Apart from the exploration, the platforming and potential fun action, I hope that the game will have a really engaging story to tell and that their characters (note: no telling how many we’ll see) will be relatable. Since the game involves space travel, I hope that the developers will implement some space ship battles which is something that the great sci-fi RPG (role-playing game) The Outer Worlds lacked.
Right now, I am very interested in The Gunk. It has a high-quality look to it and it could deliver a whole lot of fun to gamers on the Xbox ecosystem. It just might become a standout among whatever Xbox-exclusive games will come out in 2021. What is clear is that The Gunk is a 3rd-party exclusive being made by very talented game makers for Microsoft’s consoles and that means a lot.
For more on Xbox and video gaming, stay tuned!
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
First released in late 1999 on the PlayStation console in America, Resident Evil 3: Nemesis (Japan title: Biohazard: Last Escape) was a notable game of the Resident Evil franchise that not only proved to be a lot of fun but also a memorable experience for fans. To this day the game is fondly remembered.
In recent times, the Resident Evil franchise made waves with gamers worldwide with Resident Evil 7 (which came with a very daring change of style and gameplay) and the Resident Evil 2 remake demo (which I played the full 30 minutes of). The RE2 demo instantly brought back my own memories of enjoying the PlayStation version of early 1998. Granted, Resident Evil 2 in 1998 was truly a great sequel and its concept was epic compared to its predecessor’s. Because that game was a major blockbuster, Capcom had to come up with worthy follow-ups.
Then something happened over at Capcom in Japan. The initial concept for a sequel to RE2 was in the form of a story set on a luxury cruise liner but the company decided it lacked the time to produce a game out of it and this was related to Sony’s unveiling of the PlayStation 2 console.
After some shuffling of executives and creative people, a team composed of not-so-experienced talents led by game director Kazuhiro Aoyama was formed to produce a spin-off with a plot penned by company writer Yasuhisa Kawamura. The story was reviewed and approved by Flagship (an internal team that led the creative charge of Resident Evil projects) and RE creator Shinji Mikami worked as producer on the project.
Regarding its status, Resident Evil 3 was developed in tandem with the Sega Dreamcast-bound game that became Resident Evil: Code Veronica which was a bigger project and was the true sequel to RE2. The tricky part was that Capcom decided that its RE games released on PlayStation will carry a number on the title for “consistency” while RE games released on other platforms would carry subtitles.
RE3 followed the exploits of Jill Valentine, who was a protagonist in the 1996 original Resident Evil game. The story begins with her stuck in the middle of Raccoon City surrounded by flesh-eating zombies and she has no choice but to fight, run and escape to survive. Along the way, she discovers that what she learned from Umbrella in the first game was nothing compared to the more sinister intentions of the company she discovers in RE3. Making matters even harder for her was Nemesis, a large walking bio-weapon whose purpose is to destroy members of the city’s police unit S.T.A.R.S. (which Jill belongs to).
For what started as a spin-off, Resident Evil 3’s gameplay showed notable improvements over that of Resident Evil 2. As a survival horror game, it has the awkward tank-like controls, the static pre-rendered environments with fixed camera angles and challenges of moving from one place to another while dealing with zombies or monsters.
The most notable improvement made was the addition of the ability for players to do 180-degree quick turn-around movements when controlling the character. Not only does this make moving the character easier, it also adds more speed and strategy into the game itself especially when the protagonist is surrounded by many zombies or monsters. The pace of gameplay also quickened with the quick turn-around.
Another addition is the ammunition crafting system that allows you to make more ammo for your weapons by combining the raw material (example: gun powder) into the in-game ammo-making device. This results making different types of ammunition for different weapons. By the time you reached deeper into the game, more powerful ammunition for newer weapons can be made and used.
Meanwhile the game had key moments that compel players to make a decision as that the narrative and gameplay would move forward. The element of choice is a nice gameplay addition and each choice made showed different results as to what happened next. When Nemesis appears, the game’s movement slows down presenting choices for gamers to make. The good news here is the decision making affects the quality of the story’s ending.
The one addition I find questionable in the game is the dodge which works rather unpredictably in terms of response. There are times it worked and there are times it failed. No matter how you use the controls and time them with the action, the results are always inconsistent.
The biggest addition, not to mention the biggest impact, made in the game is Nemesis himself. Unlike Mr. X in Resident Evil 2, Nemesis is the unrelenting stalker whose presence and action deepened the gaming experience. Not only was Nemesis tough to fight with, he also appeared when gamers least expected and he runs a lot to get to Jill (or the mercenary Carlos who was also controlled temporarily by players). The music accompanying Nemesis’ presence also heightened the fear factor. It is argued that Nemesis himself is the most defining feature of Resident Evil 3 and deserved to have the game’s subtitle made after him.
In my honest opinion, Nemesis reminds me a lot of the horror icon Jason Voorhees from the Friday The 13th slasher horror movie franchise. Like Jason, Nemesis is heavily disfigured (horrific to look at), stalks his prey relentlessly and does a lot (and anything) to kill his prey. Nemesis’ killing of Brad only shows how deadly he is. Like Jason, Nemesis cannot be reasoned with nor does he feel any pity. He simply won’t stop until he kills you in the game.
In terms of technology, RE3 used the same game engine as RE and RE2. By this time, the technology experts at Capcom improved the visual quality and the 2D pre-rendered backgrounds always felt convincing to me each time I played. Rare are the times when I noticed the 3D polygonal characters or monsters stood out from the 2D environments. With regards to the anti-hero elements, the zombies are more varied and most of all the monsters are creepier to look at. The Hunters made a nice return as well.
In terms of exploration, Resident Evil 3 makes heavy use of the city environment complete with many varied interiors mixed with believable exteriors. There were these alleys, streets (with some stores to enter) and more. The many puzzles as well as machines that required key items to be retrieved provide a good challenge although some may find the backtracking a bit tedious.
The return of Jill
Jill Valentine made a nice return as the protagonist of the game. Right from the start, it was explained that she had resigned from the police force. Regarding her skimpy appearance (the blue tube top she wore with short skirt and boots), it turned out she was on her way out of town when the zombie infestation of Raccoon City begins in RE3.
More on Jill’s sexy default appearance in the game, I believe that Capcom’s creative team designed her like that in response to the sexy, armed woman charm popularized by Lara Croft of the best-selling Tomb Raider game franchise.
Take note of this. The first Resident Evil was released in 1996 many months before the first Tomb Raider came out. By the time Resident Evil 3 was released, the Tomb Raider franchise already had three games (note: there was a 12-month cycle for releasing sequels back then) that each sold in the millions and Lara Croft was quickly established as not only as a pop culture icon but also as a digital sex symbol idolized by millions of guys worldwide. I have this theory that some members of the Resident Evil 3 team subconsciously came up with the tube top look for Jill Valentine with Lara Croft as an influence. To say the least, both Jill and Lara are brave women capable of fighting with varied types of guns.
Sex appeal aside, Resident Evil 3’s story is truly a defining tale of Jill Valentine as a character. By connecting her RE3 tale with that of the events of the first game from 1996, I come to realize that her stories made sense. Her becoming disillusioned with the failure of the city police department to go against Umbrella and eventual quitting from the police force was believable. In addition, Nemesis proved to be the ultimate monster she ever faced and all the monsters she encountered in the first game paled in comparison to him.
Alone and without having access to police resources, Jill’s struggle in Resident Evil 3 is a story that won’t be forgotten and the game’s fun and engaging gameplay only made her story even more memorable.
The cinematic “adaptation”
In 2004, the second Resident Evil live-action movie Resident Evil: Apocalypse was released in cinemas starring Milla Jovovich. The concepts of Resident Evil 3: Nemesis were carelessly adapted by the movie showing a Raccoon City filled with zombies and a live-action Jill Valentine played by Sienna Guillory who appeared with the tube top, short skirt and boots. In a sequence in the movie, Guillory even tried moving like her character’s video game counterpart.
While attention was paid on Jill’s Resident Evil 3 look, Guillory’s portrayal of her was nothing special and this has a lot to do with the screenplay by Paul W.S. Anderson, the directing by Alexander Witt (not really a prolific director) and notably Milla Jovovich’s dominance of the spotlight.
Whenever I watch Guilloy’s Jill in the movie, I really never felt like watching RE3’s Jill at all. Also the film had Jill being inferior to Alice (Milla Jovovich) on screen. There are two scenes in the movie wherein Jill does something to solve the problem, Alice comes in to do it better than her.
Having seen all Resident Evil live-action movies, which I regret for the most part, it is no secret that the filmmakers treated the concepts, characters and other elements from the RE video games with no real respect and certainly with no care about the concerns of Resident Evil game fans.
If you have not seen Resident Evil: Apocalypse and have been interested to see it for the RE3 elements, better not waste your time. Better play the video game instead.
Ultimately Resident Evil 3: Nemesis is a classic even though it was never meant to be the big budget sequel to the classic Resident Evil 2. The game deservedly got released on the Sega Dreamcast, the Nintendo GameCube and Windows PC.
Now that Resident Evil mania is back in gamers’ minds right now, I should say that Capcom should consider re-releasing digitally RE3 for Xbox One, PlayStation 4, Nintendo Switch and Windows 10 if ever possible. Even though its tank-like controls are very outdated by today’s standards, Resident Evil 3: Nemesis is a classic that gamers of different ages must enjoy without having to go through the hassle of acquiring old existing copies of it (not to mention having an existing old console to play it). I myself am willing to pay for RE3 to be re-released and play it on my Xbox One. Very recently an enhanced re-release of Onimusha: Warlords was done by Capcom. Making the same treatment with RE3 only makes sense.
Who knows what impact a re-released RE3 would create? Such a re-release could lead to a popular demand for Capcom to make a big budget remake of Resident Evil 3 similar to what they have done with RE2. This will also give today’s gamers an opportunity to experience the one defining story of Jill Valentine.
In ending this article, I posted some YouTube videos of RE3 for your enjoyment.
Thank you for reading. If you find this article to be engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco.