Here’s a big update for people of South Metro Manila! The Alabang Hills Village Association, Inc. (AHVA) just started processing applications for the 1-year pass thru vehicular stickers for non-resident motorists and already they released the said stickers to the successful applicants.
The fee for the said AHVA stickers (marked with 2019-2020 as the period of validity) is at P1,200 each according to the association’s personnel I talked with over the counter at their office. Application forms (see the pictures below for reference) are available at the AHVA’s office.
Take note of the requirements listed on the form.
For those who are wondering, the 2-year AHVA pass thru vehicular stickers for non-residents are not yet available as of this writing and the association has yet to make a formal announcement as to when such stickers will be made available.
For the San Beda College Alabang (SBCA) students, faculty, campus workers, service providers and the like, the AHVA special pass thru stickers for them will be available on July 20, 2019.
The AHVA also announced that the pass thru stickers dated 2018 shall expire on July 31, 2019.
If you are based in BF Homes, securing Alabang Hills pass thru stickers for your vehicle can be beneficial as it will help you reach the Alabang Town Center, Ayala Alabang Village, Madrigal Business Park, Avida Towers Alabang, Commercenter, Filinvest City, Festival Mall and Molito through the village and Alabang Zapote Road in case Concha Cruz Drive gets too congested. Passing through Alabang Hills can also help you reach the West Service Road within Muntinlupa’s jurisdiction and along the way you can visit Madison Galeries and other villages.
For your inquiries regarding the vehicular stickers, the processes and requirements to acquire new ones and more, visit the Alabang Hills Village Association’s office along Don Jesus Boulevard inside the village.
You may also call the association at phone numbers 850-8254, 850-9631 and fax number 850-7685. They can be reached by email at firstname.lastname@example.org
Back in the mid-1980s, the Marvel Comics universe had revisions as a result of the best-selling series Secret Wars. As a result of that series, Spider-Man went home with the alien costume or symbiote (read: Venom), Colossus’ feelings for Kitty Pryde weakened and the Thing decided not to go home yet with the Fantastic Four.
This resulted a temporary change in the lineup of the Fantastic Four. To make up for the loss (and strength) of the Thing, She-Hulk came in as the replacement. Reflecting this particular change, here is my retro review of Fantastic Four #275.
Released in 1985 with a story written and drawn by the legendary John Byrne, Fantastic Four #275 begins when a sun-bathing She-Hulk got photographed by a man riding a helicopter flying at the top of the Baxter Building in New York. The sheer force of air from the helicopter’s blades temporarily causes She-Hulk’s cover to loosen which exposes her body to the photographer.
“Here I was all braced for a super-baddie, and I end up getting photographed deshabillee by an airborne peeping-tom,” She-Hulk said during the encounter.
The green-skinned lady then decides to take a huge risk by leaping off the building and grab on to the helicopter.
While this is indeed a Fantastic Four comic book, it is very focused on She-Hulk. There is a short scene about Johnny Storm as well as an epilogue at the end of the comic book showing Reed and Sue Richards however.
In terms of storytelling, John Byrne did not tell the usual good-versus-evil story rather he focused more on how being a superhero can be challenging when it comes to personal privacy. This was emphasized through She-Hulk who became the object of a magazine whose editor-in-chief views her as a public figure and that puts her in the public domain along with other famous public figures whose faces and even their private lives got exposed to the masses.
If you are looking for superhero action, you won’t find much. There are some incidental forms of action in the form of collateral damage as She-Hulk crashes through walls.
Overall, Fantastic Four #275 is a fun read and its focus on how the print media treats superheroes viewed as public figures is a nice break from the typical good-versus-evil type of story. No clear villain here. Just the She-Hulk dealing with a magazine that violated her privacy.
Green Guardians, Young Schoolchildren Saving Planet Earth
Since 2009, Mindbuilders Preschool has been engaging its graduating students, the Chopin Seniors, in a social responsibility project that would make a positive impact on the community. Through the project, the children make use of their multiple intelligence and learn to work together collaboratively to achieve a goal and make a difference. They function as a business unit would, mobilized into different departments such as sales, marketing, promotions, purchasing, and so on.
This school year, the Chopin Seniors’ project was entitled Green Guardians. Under the mentorship of their teachers and parents as resource persons, the Kindergarten students planned and organized a fun run to raise funds for their chosen beneficiary, the Las Piñas Parañaque Critical Habitat Ecotourism Area (LPPCHEA).
In October, the children went on an eco-tour of the nature reserve. There, they saw a contrast between the beauty brought about by the trees and birds, and the destruction made by the garbage that made its way to the coastal area. The Chopin Seniors also learned about waste/resource management, and how they can practice this to help the environment.
As all Chopin Projects go, the Kindergarten students were organized into a business unit, with the children assigned to groups where their strengths could be tapped. Teacher and parents were also involved to mentor the students in logo development, event preparation, purchasing of materials, packaging, distribution, advertising and promotions.
The Fun Run was held on November 25 at The Village Sports Club. The funds raised here were used to purchase photography equipment requested by LPPCHEA for documentation of their environmental cleanup activities. A formal turnover to the beneficiary by the Chopin Seniors was held at the reserve on January 21, 2019.
Another activity in school that was spearheaded by the Chopin Seniors was a plastic collection drive during the first quarter of 2019. This was done in partnership with Pure Oceans, an organization that brings residual plastics to an upcycling plant which converts these into 100% upcycled plastic products such as school chairs. Mindbuilders Preschool families were encouraged to send used PET bottles, clear microwavable containers, food/candy wrappers, etc. to school. These materials were turned over to Pure Oceans in March.
The school foresees Green Guardians to be a long-term project by keeping its partnership with Pure Oceans, and making the collection and turnover of plastic a regular practice to be done on a quarterly basis. It will continue to encourage families to adhere to lifestyle changes for the betterment of the environment, and for the future of mankind and Mother Earth.
“It is very reassuring to see our children, young as they are, making a proactive stand for the environment. They are not only calling out the concern but are also giving solutions to help address this pressing matter which is so relevant in our country and in the world today.” Teacher Marah Estuesta, Directress of Mindbuilders says.
Mindbuilders Preschool is a Multiple Intelligence school located at 168 Tropical Avenue BF International Las Piñas City. It was established in 2002 and is accredited by the Department of Education. The preschool is also an active member of the Las Pinas Private Schools Association. To date, Mindbuilders Preschool established itself with not only good quality education but also worked with its students on several social responsibility projects. The schools prides itself in having strong home and school collaboration. The bond built with families is even carried beyond the child’s preschool years – evidence that Mindbuilders Preschool is more than just a learning institution.
Today here in the Philippines, the organizers of the annual AsiaPOP Comicon Manila pop culture convention announced officially that this year’s edition of their event at the SMX Convention Center, SM Mall of Asia, Pasay City has been postponed! Everyone anticipating the next APCC event will have to wait for next year.
For transparency, I’m posting below the text of their entire announcement made through their Facebook page.
Dear APCC Partners and Fans,
It is with deep regret that we would like to inform you about the postponement of AsiaPOP Comicon Manila 2019 to next year.
APCC Manila has always prided itself in bringing exclusive international content to the region that no other convention brings, but, unfortunately, our various content and strategic partners have not been able to commit completely due to their organizational restructuring and multiple conflicting events happening during the couple weeks before and at the same time as the original APCC Manila 2019 dates. The delay in this communication was purely in our intent to try our best to be able to secure the best of content for this year’s event, but the schedules of various partners did not match our dates.
We did not want to organize the event by diluting the quality of the show, as we are aware the benchmark has been set and APCC fans expect the best from us that we promise to deliver in our next year’s event.
We regret any inconvenience this has caused you and all exhibitors, including creative circle artists. All booth payments received will be refunded as a separate communication will be sent across to them.
We hope to continue to get the support from APCC fans for our future events, while we ensure to bring the best of pop-culture activations to Philippines.
Thank you for your kind understanding and unwavering support!
The APCC revealed that the postponement was not an easy decision to make. Firstly, their partners did not fully commit to their planned convention. Secondly, there are multiple events to be held before and on the same weekend as the APCC. Clearly each event’s organizers reached out to varied business and content/service providers to be part of their respective events. That trend complicated matters for the APCC organizers.
So instead of compromising on quality, they decided to postpone their 2019 event. That, incidentally, makes the 2019 Toycon the must-attend pop culture convention here in the Philippines and, like the APCC, the venue is at the SMX Convention Center at the SM Mall of Asia zone in Pasay City.
I am long-time geek and I love comic books, movies, video games, superhero and photographing cosplayers. I attended the San Diego Comic-Con (SDCC) in California, the United States in 2011 and it was a tremendously wonderful event for geeks like me. Fortunately for geeks here in the Philippines, the Toycon and the AsiaPOP Comicon Manila were held annually and just a few months apart from each other. For the past few years, both conventions heavily used the main exhibition hall of the SMX Convention Center. I proudly say that I attended both conventions since 2016.
Toycon and AsiaPOP Comicon Manila have their own styles of being fun to attendees but they share lots of similarities: cosplay contests, boxes of old comic books for sale, cosplayers expressing themselves and letting people photograph them, musical or dance performances by varied artists, local and international celebrities meeting the fans, gadgets being displayed, souvenirs displayed for sale, action figures and expensive models on display, comic book illustrators signing comic books or drawing art on the spot for the fans, etc.
I also had my memorable moments with the AsiaPOP Comicon Manila. I am a long-time Macross fan and I can proudly say that because of the APCC in 2017, I got to meet with the anime legend Shoji Kawamori in person and had him sign the Macross Plus print-outs I brought to him. I managed to tell him personally I admired his work in the 1982 anime TV series of Macross.
From this point on, we can’t do anything but wait for the 2020 edition of the AsiaPOP Comicon Manila to happen. I am confident that the organizers will strive hard to do better in getting their partners to commit to their event.
Along the way, there is the 2019 Toycon set to begin on June 28 until June 30 and I already have a ticket! See you fans and geeks there. 🙂
Hi readers! If you love technology, you live here in South Metro Manila and you are looking for a special event to attend, then you should attend the Cyberzone Mobile Fest 2019 at SM City BF Parañaque along Dr. A. Santos Avenue, Parañaque City this weekend (June 21 to 23).
Prepare yourselves for the much-awaited annual showcase of the country’s latest and most affordable smartphones at the Cyberzone Mobile Fest 2019 in partnership with Huawei and Smart at the Atrium of the mall.
There is a lot learning you can gain from the top influencers on the latest in technology and you can get a chance to win exciting giveaways from event partners Vivo, Samsung, Xiaomi, Realme, Power Mac Center, Huawei and Smart. Here’s a quick rundown of what to expect at the event which has the following activities.
Digital Quiz. Test your tech knowledge and take a digital tech quiz for a chance to win a brand new smartphone! Promo will run every weekend per event leg so keep visiting Cyberzone Mobile Fest 2019 for more chances of winning!
Fun Tech Talks.Enrich your knowledge about mobile trends through exclusive brand talks and workshops from top influencers.
Mobile Legends Tournament.What better way to spend time than with tech-minded friends? Gather your squad to compete in the mobile legends tournament for a chance to win more prizes!
Special Deals.Enjoy awesome finds and eye-popping discounts — from phone accessories to mobile devices — from leading mobile brands.
The Cyberzone Mobile Fest 2019 will continue in the following SM malls: Cebu (June 28-30), Sucat (July 5-7), Davao (July 12-14), Legazpi (July 19-21), and North EDSA (July 26-28).
No matter what your tech interest is, whether it is gaming, virtual reality, cosplay, or photography, there is something to discover and enjoy at the Cyberzone! For more information, visit http://www.smsupermalls.com.
Released in late 1994 by Marvel Comics, Spider-Man 2099 #25 had a double-sized issue with an embossed cover that shined as it was laced with foil. The number 25 on the edge of the cover was stylized to capture people’s attention on the shelves of comic book specialty stores.
Back in the 1990s, Marvel had a “tradition” of releasing comic books with gimmick covers with anniversaries in mind. Notably the 25th, the 50th, the 75th and 100th issue and more got released with covers that came with foil or chromium or hologram or simply a hard embossed material. In other times, the anniversaries of the featured superhero/superheroes were celebrated with gimmick covers on comic books marking the celebration.
With regards to Spider-Man 2099 #25, the 2099 universe of Marvel had reached its 2nd year. By that point of time, the Marvel’s 2099 line of comics was already at full publishing blast with several monthly series (Spider-Man 2099, Ravage 2099, Punisher 2099, Doom 2099, X-Men 2099 and Ghost Rider 2099) plus a quarterly comic book (Marvel 2099).
Written by Peter David and drawn by Rick Leonardi (with ink work by Al Williamson), the comic book begins with a short scene about Miguel O’Hara’s (Spider-Man 2099) mother moving on her way to meet someone. The spotlight then shifts into the heat of the rematch between Spider-Man and the cyborg Venture.
Later Miguel’s mother meets a certain tycoon at his mansion…
When it comes to quantity, this comic book has a Spider-Man story of 22 pages, a Hulk 2099 story with 8 pages (a prequel to Hulk 2099 #1 specifically) and a story called Net Loss with 10 pages. The first time I read this comic book back in 1994, I anticipated more Spider-Man 2099 content but got surprised with the other two being part of it. Marvel decided back then to use Spider-Man #25’s content to expand and emphasize the 2099 universe.
When it comes to quality, I find the Spider-Man 2099 story here a worthy read not simply because Peter David wrote it but because he crafted a story that connects and relates well with what happened in Spider-Man 2099 #1. When I reached the end of the story, I really felt compelled to go back to the very first issue to re-examine what happened.
As this was the 25th issue of the series, Peter David and Rick Leonardi were more proficient as a creative team. The aesthetics of Leonardi’s art (inked by Williamson) is pretty much the same but I noticed that the illustrator added more power on key moments of the action. Ultimately this story is worthy of the 25th issue anniversary treatment.
The Hulk 2099 short story by Gerard Jones and Malcolm Davis meanwhile serves only to build up the mean green monster for its monthly series. Hulk 2099 was never an interesting character to me and this one did not change my view of him.
The final short story Net Loss was rather weird. Even though I read a lot of 2099 comic books, the story by Peter David and Tom Grindberg just did not captivate me.
Overall, I find Spider-Man 2099 #25 a worthy comic book to add to your collection and Spidey’s story alone is worth it.