A Look Back at X-Men 2099 #2 (1993)

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe to examine one of the many tales of the X-Men 2099 monthly series.  

Way back in 1993, I had a fun reading X-Men 2099 #1 as soon as it was released in the local comic book specialty store here in the Philippines. Back then, I was already into the 30th anniversary celebration of the X-Men while also reading more comic books about Marvel’s science fiction 2099 franchise of comic books. I love the way X-Men 2099 #1 ended as it was a powerful way of building up the tension and excitement that comes with waiting another 30 days for issue #2 to come out.

With those details laid down, here is a look back at X-Men 2099 #2, published by Marvel Comics in 1993 with a story written by John Francis Moore and drawn by Ron Lim.

The cover.

Early story

The story begins with the X-Men desperately trying to escape as the arcology has been invaded by enforcers (also referred to as the Greater Nevada Syndicate) of the Synge casino. Their leader Xi’an is in critical condition after getting shot during an assassination attempt that happened moments earlier. The X-Men are inside their van speeding away and Meanstreak (Henri Huang) uses his super speed to run ahead of them to quickly check what awaits them all. During the ride, Krystalin learned of the news that Noah Synge has died and Xi’an has been blamed for murder. Cerebra confirmed that Xi’an expressed hatred towards Synge.

When the van finally reaches the outdoor area, the X-Men find themselves facing a large tank and a helicopter of the syndicate which anticipated their arrival. The syndicate tells them to surrender Xi’an…

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Cerebra shows their leader Xi’an with a biological cocoon forming over his body. Pay attention to the details.

As a follow-up to the impressive first issue, this one remains a very good read after all these decades. It is clear to me that John Francis Moore had carefully planned an engaging tale of the futuristic X-Men with Tim Fitzgerald (who will later be called Skullfire) as the symbolic reflection of the readers who get to discover more about the team, the situation they are in and why they exist in the first place.

As expected, the creative stuff that started in issue #1 progressed naturally as the story went on in this comic book. The X-Men of 2099 got away to find safety and get themselves organized as their leader remains in critical condition. Along the way, the syndicate itself gets adjusted as it has the son and daughter of Noah Synge taking over their evil empire suddenly. The syndicate is responsible for seven deaths, the wounding of nineteen people and the capture of over forty people as a result of their sudden invasion of the arcology and their attempt to assassinate Xi’an in retaliation of the death of Noah Synge. This was the creative duo’s way of telling readers who the bad guys are and why the X-Men are at a great disadvantage.

What I find engaging here is how the Moore-Lim duo emphasized Xi’an’s significance through flashbacks and background details (which further revealed more of the founding of the futuristic X-Men). This creative gamble worked wonders and clearly more than made up for the lack of dialogue and interactions from the X-Men’s leader. At the same time, the narrative has this flavor of conspiracy when the Synge empire was emphasized.

Conclusion

The futuristic X-Men encounter strong opposition from the syndicate.

X-Men 2099 #2 (1993) is clearly a very good read. As a follow-up to the very solid issue #1, it added to the build-up emphasizing the futuristic X-Men a lot more while still having enough room to develop the Synge empire and its syndicate. Along the way there were some nice pay-offs to certain build-ups in issue #1 and there was a fine balance between action scenes and the plot/character development scenes. That said, this comic book is a solid bridge between issue #1 and the conclusion in issue #3.

Overall, X-Men 2099 #2 (1993) is highly recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at Robin #1 (1991)

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1991 to explore a part of the DC Comics shared universe through one very notable comic book featuring Batman’s sidekick Robin.

For decades, the Caped Crusader Batman (who is business tycoon Bruce Wayne during the day) had Robin as his skilled teenage partner fighting countless waves of criminals in many comic books published through the decades. The most notable fact about Robin is that there are three different characters who took the role as Batman’s sidekick…Dick Grayson (who later joined the Teen Titans and became Nightwing), Jason Todd (who died as a result of a warehouse explosion set up by the Joker who beat him mercilessly) and Tim Drake. Behind the scenes at DC Comics, a decision was made to publish a comic book mini-series featuring Tim Drake Robin.

With those details laid down, here is a look back at Robin #1, published in 1991 by DC Comics with a story written by Chuck Dixon and drawn by the late Tom Lyle.

Early story

The story begins inside the Batcave. Tim Drake is still adjusting in his new role as Robin and right in front of Bruce Wayne (wearing his Batman costume), he feels uneasy deep inside even though he got the role after wanting it so badly. He just could not tell him how much it scares him.

Even though Tim admits he feels unsure and needs more time, Bruce tells him he is ready to be his partner. Still the new Boy Wonder says he is not sure if he has what it takes. Bruce reminds Tim that he has proven to be smart after figuring out correctly his secret identity as Batman. He tells him that he needs to develop himself more to gain his edge.

Meanwhile in Japan, the deadly assassin Lady Shiva meets the martial artist Koroshi and discovers he has been paralyzed and limited on a wheelchair…

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Tim Drake undergoes training in Paris. Bruce Wayne sent him there to improve himself by learning from a master.

As a tale strongly focused on Robin, this comic book has a fine blend of action, discovery, intrigue and even elements of culture clash. It gradually dramatizes Tim Drake’s development into Robin showing moments of trial-and-error, getting himself educated far away from home, experiencing humiliation and overcoming the odds while having limitations.

The script written by Chuck Dixon is not limited to presenting how the newest Robin came to be. I enjoyed how Dixon crafted Tim Drake’s private talks with Batman and the butler Alfred Pennyworth. Each interaction with the established characters were rich in details and there is that sense of the new Robin looking up to Batman as his mentor and to Alfred as a guidance councilor.

The new Robin learns valuable lessons from Alfred at Wayne’s residence.

By going all the way to France to learn from an Asian master, Tim Drake’s journey has some similarities with how Bruce Wayne developed himself into becoming Batman. It should be noted that this tale took place sometime after the death of his predecessor Jason Todd (beaten by the Joker who eventually became the Islamic terrorist regime of Iran’s ambassador to the United Nations) and it is indeed a part of Batman becoming more stable after overcoming the trauma of Todd’s demise.

For those who still find Robin as an unbelievable teenage crime fighter simply because of his youth, there are young gangsters in this tale that symbolically are the opposites of Batman’s sidekick. This was Chuck Dixon’s way of reminding people that there are indeed teenage criminals or youth gangs that exist around the world. Such young criminals or abusers still exist to this day and Robin’s status as a teenage crime fighter is clearly justified.

As a standalone tale, this comic book is pretty good and there is clear coordination between Chuck Dixon and Tom Lyle who did a fine job visualizing the script. Lyle’s art has this fine balance visualizing character development scenes, transition scenes and dynamic action. Historically, Lyle went on to draw the Robin II and Robin III mini-series for DC Comics before moving to Marvel Comics to work on Spider-Man comic books. In this very comic book, you can see how talented Lyle really was on illustrations.

Conclusion

Batman and Robin in an early scene in this comic book. Pay attention to the details.

Even though I am not a fan of Robin, I can say that the Dixon-Lyle duo succeeded in making Robin #1 (1991) a really entertaining and engaging read. It definitely is a strong start to a Robin mini-series and also serves as a defining moment for Batman’s sidekick who also got modernized at the time.

Overall, Robin #1 (1991) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram athttps://www.instagram.com/authorcarlocarrasco

A Look Back at Peter Parker, The Spectacular Spider-Man #109 (1985)

Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the year 1985 to examine a small part of the Marvel Comics shared universe through a tale of the Peter Parker, The Spectacular Spider-Man monthly series.

The first two chapters of the murder of Jean DeWolff really impacted not only Spider-Man but also Daredevil and the city of New York. Issue #107 was the start and the search for answers started with a good amount of mystery and suspense. In issue #108, the plot thickened somewhat and Spider-Man encountered the Sin-Eater with lots of bystanders nearby. Since the start, the creators crafted a compelling tale with a heavy touch of detective storytelling.

With those details laid down, here is a look back at Peter Parker, The Spectacular Spider-Man #109, published in 1985 by Marvel Comics with a story written by the late Peter David and the late Rich Buckler.

The cover.

Early story

The story begins with the news of the violent death of a reverend being reported on television. The local authorities believe that the victim’s concern for criminals – a concern shared by the late judge Horace Rosenthal – marked him as a target of the Sin-Eater. While the news broadcast goes on, Peter Parker talks to Stan Carter as Spider-Man on the phone (with a cloth on the mouthpiece to distort the sound of his natural voice). Other people who saw the news broadcast are affected in different ways and there is the feeling of dread clouding the city.

In the evening, Wilson Grant Fisk (the Kingpin) dictates into his small recorder. While dictating and recording, the Kingpin knows Spider-Man is hiding in the dark very close to him. He fires a shot at Spider-Man who easily evades it. As the webslinger starts talking to him, the Kingpin reminds him that he is trespassing…

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Danger inside the Daily Bugle!

Right from the start, this tale not only maintained the gritty detective story tone since issue #107, it continued to build-up the tension and intrigue smoothly as the story went on. At this stage of the storyline, Spider-Man and Daredevil are both doing detective work to find out who the Sin-Eater really is and why precisely has he been killing people and causing chaos in the first place.

Both superheroes encountered different people in their respective searches for answers. Because he was not successful finding details as Daredevil, he decides to do it in his civilian form as Matt Murdock. Spider-Man, who is not a professional detective at all, continues his search with his limitations and with the only ways he knows how (including the use of violence, humiliation and threats).

Without spoiling the plot, I can say that there two notable plot turning points that are really fine payoffs to the build-up that started since issue #107. What happened here was finely dramatized by the David-Buckler duo and easily justified the cover price.

Conclusion

Spider-Man doing detective work the way he knows how.

Considering the very strong qualities of the writing and visuals combined with the two major plot developments, Peter Parker, The Spectacular Spider-Man #109 (1985) is easily the most compelling part of the death of Jean DeWolff storyline. I should also state that Spider-Man and Daredevil are the key detectives of the tale and the creative team succeeded again in shaping this detective story to be very grounded with reality. The superhero elements are still present but noticeably contained with the brooding detective story. As to the two plot turning points I mentioned earlier, I encourage you all to grab a copy of this comic book and find out for yourselves. I promise you, they are worth your time and attention

Overall, Peter Parker, The Spectacular Spider-Man #109 (1985) is highly recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Web of Spider-Man #112 (1994)

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1994 to explore a part of the Marvel Comics shared universe through the Web of Spider-Man monthly series.

In this review, we will be looking at the 3rd chapter of the Pursuit storyline. Spider-Man #45 showed a broken-hearted Spider-Man who starts his quest for vengeance against the Chameleon whom he holds responsible for the deception that happened in Amazing Spider-Man #388. As the webslinger continued his search for answers while hurting a lot of thugs, the Chameleon deceptively hires the service of a contractor to kill Spider-Man. That said, the tension really built-up a lot and we will find out what will happen next.

With those details laid down, here is a look back at Web of Spider-Man #112, published in 1994 by Marvel Comics with a story by Terry Kavanaugh and drawn by Alex Saviuk. This is the 3rd chapter of the Pursuit storyline.

The cover.

Early story

The story begins deep within New York City. A bus full of prisoners and armed guards makes its way through the rough streets of the city. The guard notices that they are taking a long route and approached the bus driver – the Chameleon in disguise.

The Chameleon is aware that Spider-Man has been tracing him and he puts his sinister plan into action by suddenly hitting the brakes, helping the prisoners overcome the guards, and letting them loose in the city to spark chaos.

Spider-Man swings into action as prisoners get off the bus. Already stressed and obsessed with his search for the Chameleon, he lands on top of the bus and gains access through one of the windows. As the Chameleon fails to maintain his disguise, the webslinger notices him…

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As if he does not have enough stress and tension, Spider-Man also has to deal with the Chameleon’s plan of terrorism.

Following the events of the first two chapters, the storytelling in this comic book really turned intense as the stakes were raised. As expected, Spider-Man is doing things the hard way as his obsession for revenge against the Chameleon continues to burn strongly, and his wife Mary Jane is suffering from the loneliness connected with it.

On the raising of stakes in the plot, there is a theme about terrorism here which is dramatized through the Chameleon’s elaborate plan of setting off bombs in several parts of New York. As such, the story has this emphasis on chaos which works well with the webslinger’s state of madness and desperation. Along the way, Spider-Man’s humanity remains as dramatized in key points of the comic book.

In connection with the chaos and terrorism elements, the action here looked grounded with reality and Alex Saviuk’s style made the tale look gritty.

One notable part of this comic book shows the development of a separate sub-plot in Washington, D.C., which reflects developments that took place in Web of Spider-Man #109 to #111. It has a touch of politics and was effectively a distraction from the main story.  

Conclusion

Spider-Man dealing with freed prisoners in the middle of New York City.

Web of Spider-Man #112 (1994) is easily the most intense and most action-packed chapter of the Pursuit storyline. The themes of chaos and terrorism here easily overshadowed Spider-Man’s obsessive state and yet the creative team succeeded in moving the plot forward. That said, the stage is all set for the conclusion of the Pursuit storyline and I am looking forward to it.

Overall, Web of Spider-Man #112 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/and on Instagram athttps://www.instagram.com/authorcarlocarrasco

A Look Back at Spectacular Spider-Man #211 (1994)

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the year 1994 to examine a small part of the Marvel Comics shared universe through a tale of the Spectacular Spider-Man monthly series.

Following the tragedy told in Amazing Spider-Man #388, Spider-Man got broken emotionally and he started lusting for revenge against the Chameleon in Spider-Man #45 which marked the beginning of the Pursuit storyline. Along the way, the webslinger became more intense, more violent and his marriage with Mary Jane got strained even more.

With those details laid down, here is a look back at Spectacular Spider-Man #211, published in 1994 by Marvel Comics with a story written by Mike Lackey and drawn by Sal Buscema. This is the 2nd chapter of the Pursuit storyline.

The cover.

Early story

The story begins with Spider-Man overwhelming an entire gang of dangerous men on the rooftop of a building. Even though they were armed dangerous, the obsessed webslinger successfully hurt each of them until they fell down on the floor. He beat them all as he obsessively searched for answers about the Chameleon. One of them told Spider-Man they don’t know where the Chameleon is but they heard that he offered a million Dollars to hit him (Spidey). Realizing that he just had another dead end for his search, the webslinger traps them all with his web and then swings away to another destination.

Meanwhile at one of the units of a residential tower in New York, the Chameleon cannot help but smash a lot of things as he struggles with his anger and hatred with Spider-Man. He knows that it is a matter of time before the webslinger finds him…

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Spider-Man gets attacked by Tracer.

In this 2nd chapter of the Pursuit storyline, things really intensified as the plot unraveled. As Spider-Man does his search for the Chameleon and answers, the said super villain executed his strategies that involve deception and deep resources that go beyond money. As such, the webslinger became the target of Tracer who has a powered suit of armor and high-tech weaponry.

As anticipated, Spider-Man remains driven by revenge in his quest for the Chameleon and because of his broken emotional state, he has gotten more violent with his physical action. He also turned sarcastic in key moments which is a lively reminder that this Spider-Man is no longer the friendly neighborhood hero he used to be. The famous webslinger is not completely unhinged here as his concern for bystanders showed he still has some humanity left within him.

When it comes to the Chameleon, this comic book portrays him to be very cunning and resourceful. His deception towards others might draw emotions from you and might make you wish he will suffer a lot once Spider-Man finds him.

Conclusion

A sad look at the poor emotional state of Peter Parker and the sadness over his marriage with Mary Jane.

As the 2nd part of the Pursuit storyline, Spectacular Spider-Man #211 (1994) delivers a portrayal of a deeply hurt Spider-Man whose lust for revenge keeps him going no matter what obstacles he faces. As readers, we witness his intense search for the dreaded villain Chameleon as well as his emotional deterioration. That said, this comic book has a somewhat depressing tone as Spider-Man’s life gets worse and his wife Mary Jane is suffering too. Ultimately, this comic book convinced me to continue with the storyline.

Overall, Spectacular Spider-Man #211 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Peter Parker, The Spectacular Spider-Man #108 (1985)

Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the year 1985 to examine a small part of the Marvel Comics shared universe through a tale of the Peter Parker, The Spectacular Spider-Man monthly series.

I found issue #107 – the first issue of the Sin-Eater storyline – a pretty engaging tale focused on the murder of Jean DeWolff. The sudden demise of DeWolff really impacted the city of New York and its tale involved not only Spider-Man but also Daredevil. The tale is really a murder mystery that is very grounded with reality.

With those details laid down, here is a look back at Peter Parker, The Spectacular Spider-Man #108, published in 1985 by Marvel Comics with a story written by the late Peter David and the late Rich Buckler.

The cover.

Early story

The story begins with Judge Rosenthal lying dead on the floor in his office. Moments earlier, the judge was killed by the Sin-Eater who used a shotgun and in the same room was Matt Murdock (Daredevil). Some people entered the office and the local authorities were called. Murdock slowly makes his way out to discreetly go after the Sin-Eater.

In another part of the city, Peter Parker, Aunt May and the elderly friend named Ernie walk together coming from the courthouse. Ernie could not believe that Judge Rosenthal let go of the punks who mugged him.

As they walked further, people around them begin to panic and move around fast. Peter gets separated from his aunt and Ernie, and eventually he realizes that the Sin-Eater is several feet away armed with a shotgun. The Sin-Eater is speaking to the people even though he is causing a huge disturbance.

Moments later, Peter changed into Spider-Man and proceeds to confront the Sin-Eater in front of many witnesses…

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Spider-Man investigating the apartment of Jean DeWolff.

Following the events of issue #107, this comic book shows more of the Sin-Eater and the story emphasizes why he is very dangerous to everyone. The Sin-Eater is not a superbeing himself, and yet he is capable of killing people and causing chaos in public without the need of having multiple weapons and ammunition. That said, he is tremendous villain that Spider-Man has difficulty handling.

The physical encounter between Spider-Man and the Sin-Eater here is unsurprisingly ground in reality. The comic book action visualized by Rich Buckler has this raw action aesthetic and each time a physical blow was executed, impact is really felt. Don’t expect dynamic action here but a more realism and believability.

What makes the fight between the two unique is that it happened in front of a lot of people on New York City’s street. As the fight went on, Spider-Man struggles not only with fighting the Sin-Eater (a truly violent opponent) but also dealing with the risk of bystanders getting hurt and realizing what happened to his beloved Aunt May.

As expected, the detective story elements in this tale are very strong. Spider-Man, who is not a professional detective at all, gets to do detective work with a sheer determination to solve the mystery behind the death of Jean DeWolff. Along the way, I love how the David-Buckler duo invested a lot of details about the crime which are really worth paying attention to as you read.

Conclusion

The Sin-Eater and Spider-Man in a violent fight!

Peter Parker, The Spectacular Spider-Man #108 (1985) is a powerful follow-up in the Sin-Eater storyline. As it contains all the key elements that made issue #107 a very unique and engaging read, this comic book executed good pay-off to the build-up in the previous issue while consistently building-up the plot simultaneously which is typical of Peter David (read the Spider-Man 2099 comic books back-to-back). As of now, this Sin-Eater storyline is compelling and I am looking forward to what comes next.

Overall, Peter Parker, The Spectacular Spider-Man #108 (1985) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Peter Parker, The Spectacular Spider-Man #107 (1985)

Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the year 1985 to examine a small part of the Marvel Comics shared universe through a tale of the Peter Parker, The Spectacular Spider-Man monthly series.

As I was not a regular reader of Spectacular Spider-Man comics, I missed out on the Sin-Eater storyline. I first learned about the Sin-Eater while reading a key flashback in Amazing Spider-Man #300. That particular detail boggled me for some time, and it was only recently I decided to start reading the comic books about the Sin-Eater.

With those details laid down, here is a look back at Peter Parker, The Spectacular Spider-Man #107, published in 1985 by Marvel Comics with a story written by the late Peter David (Spider-Man 2099) and by the late Rich Buckler.

The cover.

Early story

The story begins with Jean DeWolff recalling several important details from her past as well as her family background. Her father was a police inspector who never forgave her mother for giving birth to her. She was only six months old when her parents split up. Sometime later, her mother married a patrolman named Carl Weatherby and Jean herself admired her stepfather.

As she grew into adulthood, Jean was very influenced by her patrolman stepfather and she went on to go into police academy and graduated. Jean went on to become a fast-rising policewoman.

In the present day, New York police officers barged into a private residence searching for captain DeWolff and the place had bad odor. A dead woman was found inside a bedroom….

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Spider-Man meets with Stan Carter on the road in the middle of New York City.

The first thing I will say about this comic book is that the writing done by Peter David is very grounded with reality and this resulted in a dark and gritty approach to storytelling. The heart of the story is the sudden murder of policewoman Jean DeWolff and its impact on the city of New York is strong and evident.

The story here is ultimately a detective story with a good amount of mystery, suspense and intrigue laced all over it. Along the way, Spider-Man here is barely the protagonist as the impact of Jean DeWolff’s murder has been dramatized through multiple characters in the city from J. Jonah Jameson to Matt Murdock (Daredevil).

This comic book also examines how the justice system in Marvel’s fictional portrayal of New York City works and it actually showed Peter Parker attending witnessing a court room arraignment to see how the bad guys he dealt with (as Spider-Man) were handled by the system. Again, this shows how grounded in reality the story is and the details should be seen. There is also a strong sense of local community dramatized.

The art by Rich Buckler is excellent and he really brought to life Peter David’s script with a heavy emphasis on realism. It seems to me that the illustrator took inspiration from TV shows and movies to achieve a unique visual style fitting for this particular tale.

Conclusion

This is a shocking and powerful way to start the story.

Peter Parker, The Spectacular Spider-Man #107 (1985) is indeed a very powerful tale that has to be seen if you want a gritty 1980s Spider-Man story. The David-Buckler creative duo delivered a very grounded story about murder in New York City that impacted its people which serves as a reminder that violent crime can cause waves of disturbance and disruption. That said, this first chapter of Sin-Eater storyline is pretty believable. As the creative team emphasized the murder’s impact on a wide scale, it is not surprising that Spider-Man’s share of the spotlight was sacrificed somewhat to achieve it. As of now, I am looking forward to the next chapter of the Sin-Eater storyline.

Overall, Peter Parker, The Spectacular Spider-Man #107 (1985) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Team 7 #3 (1994)

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Image Comics fans and comic book collectors! Today we go back to the year 1995 to take a close look at one of the many tales of the original WildStorm universe through one of the comic books of the first mini-series of Team 7.

For the newcomers reading this, Team 7 is set in the past within the original WildStorm universe. This is the special forces team that had major WildStorm heroes – Grifter (WildCATS: Covert Action Teams), Backlash, Jackson Dane (Wetworks), John Lynch (Gen13) and Michael Cray (Deathblow) – who were younger, were proficient with combat and gained special abilities as a result of a sinister move by their superiors. Issue #2 took place after the team got exposed to something they never anticipated and their superiors knew it.

With those details laid down, here is a look back at Team 7 #3, published in 1994 by Image Comics with a story written by Chuck Dixon and drawn by Aron Wiesenfeld. This is the 3rd chapter of a 4-issue mini-series.

The cover.

Early story

Set in the 1970s, the surviving Team 7 members (already exposed to the chemical agent) are in the middle of a new mission somewhere in East Africa. Because their teammate Johnson abused his new power to manipulate a black general to kill himself against his own will, Cole Cash eliminates Johnson causing John Lynch to be outraged. Cash tells Lynch that Johnson lost himself completely. He also tells him to list Johnson as MIA (missing-in-action) and turn a blind eye as before.

Lynch points his gun at Cash’s head believing he is standing for the mission and rules. After Cash tells him that they are monsters and that the world is better off without them, Lynch relents and shoots the wall instead. The mission concludes and Team 7 goes home by helicopter.

As the ride goes on, John Lynch thinks very deeply about everything that happened since they got exposed to the chemical agent. He realizes that they were exposed to genetic altering elements and wonders if he and his teammates were nothing more than lab rats for International Operations (IO)…

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John Lynch in the presence of his traitorous superiors following the East African operation.

If there is anything notable here apart from the continued dark and gritty tone, the plot really thickened clearly. At this stage, it is more obvious that the superiors have indeed something more sinister planned for Team 7 to endure. They know that the infected team members are closing ranks to protect itself which means they are ready for the so-called final test.

Along the way, John Lynch gradually realizes the evil of his superiors and being the field leader, he begins to analyze what is best for him and his teammates and which options to take knowing the betrayal from above. Quitting is simply not an option for Lynch and the pressure builds up as the story went on. Cole Cash here sees things very clearly and he easily became the pathfinder among Team 7 members. When he scolds his teammate Fairchild (father of Gen13’s Caitlin Fairchild) for abusing his power in a public place while off-duty, it is clear that Cash wants to keep the team together by means of keeping together while maintaining sanity.

As for Team 7 itself, there is something intriguing that awaits readers once they start their new mission here. I won’t spoil it and it has to be seen. Simply grab a copy of this comic book, read it and pay attention to the details. It’s strong stuff from the creative team.

Conclusion

Cole Cash (Grifter) talks sense into John Lynch about what has really been going on and why they have become monsters.

Team 7 #3 (1994) has a lot of intrigue as the plot thickened. At this stage, it is clear that IO is really up to no good and Team 7 is symbolically their scientific and military experiment. Fortunately for the team, they have John Lynch and Cole Cash as the reasonable members who are able to cut through the noise and became aware of what IO has been executing. The stage is set for the concluding issue and this comic book is indeed a solid build-up and also an engaging WildStorm read.

Overall, Team 7 #3 (1994) is recommended.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

What To Watch On YouTube Right Now – Part 137

Welcome back my readers, YouTube viewers and all others who followed this series of articles focused on YouTube videos worth watching.

Have you been searching for something fun or interesting to watch on YouTube? Do you feel bored right now and you crave for something to see on the world’s most popular online video destination?

I recommend you check out the following videos I found.

#1 You, Me and The Movies React To Lone Wolf McQuade – It has been a few months since the movie legend Chuck Norris passed away at age 86. He left behind a legacy of action movies and even played Bruce Lee’s tough opponent in The Way of the Dragon. Norris also had action movies filmed on location here in my native Philippines. In the 1980s, Norris appeared in a lot movies that involved guns and hard action, and one of his more notable films of the time was 1983’s Lone Wolf McQuade in which he faced off with fellow action star David Carradine. Recently, You, Me and the Movies posted their reaction video of Lone Wolf McQuade and it is entertaining to watch. I urge you to watch it now.

#2 Minty Comedic Arts’ Invasion U.S.A. Video – Still focused on the late Chuck Norris, his 1985 action movie Invasion U.S.A. was not merely made to entertain moviegoers with lots of explosions, dangerous stunts and hard action. Norris read an article in Reader’s Digest about the presence of hundreds of terrorists running loose in the United States which impacted him as he care about his country and his fellow Americans. This eventually led to the making of Invasion U.S.A. which succeeded commercially as it spread awareness to the American people as to how they can defend themselves in the event foreign terrorists invade their country. Today, Islamic terrorism as well as the entrance of Islamo-Leftist foreigners into America made this 1985 more socially relevant. The story behind the production of Invasion U.S.A. is pretty fascinating, and you can learn more about by watch Minty Comedic Arts’ video below.

#3 Signature Bowls of Happiness in Japan – Do you eat meals served in bowls often? Meals in bowls are common in Japan where rice and noodles are eaten by people daily. Among the many food joints in Japan that offer meals in bowls to customers are a few standouts visited by Nippon TV. What they discovered are very enticing, attractive and delicious to look at. Watch and learn from their video below.

#4 Ranting For Vengeance Slams CBR And Others Who Hate 1980s Anime – I grew up watching lots of anime shows and feature films early in life and the 1980s is a memorable decade. It was during the 1980s when I saw anime productions from the 1970s and the newest ones of the decade. To name some, I saw the 1980s Astro Boy series, Galaxy Express 999, Captain Future, Super Dimension Fortress Macross, Voltes V, Daimos, Mazinger Z and others. While such old anime productions proved to be entertaining, there are still some people out there who bashed them because those productions (and their stories) did not align with their modern day woke agenda. The popular geek entertainment portal CBR published lots of articles saying that the old anime productions did not age well and a lot of readers and netizens followed suit. As such, Ranting for Vengeance slammed them and stood up for 1980s anime backed with detailed explanations. If you are a true fan of anime, watch the video below.

#5 Western Women Who Embraced Islam End Up Wrong – Did you notice that there is a growing number of women in the West who embraced Islam believing the fantasies that it is a religion of peace and is feminist? Indeed, there are these modern-day feminists who considered themselves Islamic without even fully knowing what Islam truly is, why Sharia Law is wicked and what was recorded in the Quran. SaharTV posted several videos about these newcomers to Islam (including one new Muslim woman who was Catholic) who ended up being very wrong and embarrassed. Watch the SaharTV videos below.

#6 The Significance Of Spider-Man 2099 Explained – In late 1992, Marvel Comics launched Spider-Man 2099 #1 which also marked the start of their 2099 franchise of comic books. Under the direction of writer Peter David with artworks done mainly by Rick Leonardi, the futuristic Spider-Man really stood out differently from the classic Spider-Man (Peter Parker) and his own place under Marvel Comics’ banner was established well. Spider-Man 2099 is clearly the most popular of all the Marvel 2099 titles. That said, I found this YouTube video that examines the significance of Spider-Man of 2099. I encourage you to watch it.

#7 Ashleigh Burton’s Reaction To Witness – The 1980s will always be a memorable decade of Harrison Ford’s cinematic performances. During that decade, he appeared in two Star Wars movies and he was the center of attraction in the original Indiana Jones trilogy. Along the way, he appeared in the 1985 crime thriller film Witness in which he played a police detective protecting an Amish woman and her son. The movie earned several Academy Award nominations including Best Picture and even Best Actor for Harrison Ford. Lately, Ashleigh Burton posted her reaction video of Witness and I encourage you to watch it.  

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram athttps://www.instagram.com/authorcarlocarrasco

National Bilibid Prison Development Plan Tackled By Muntinlupa City Councilors

Recently in the progressive city of Muntinlupa, the development plan of the National Bilibid Prison was tackled by the City Council in the form of a public hearing with several stakeholders present, according to a Manila Bulletin news report.

To put things in perspective, posted below is an excerpt from Manila Bulletin report. Some parts in boldface…

Let me end this post by asking you readers: What is your reaction to this recent development? If you are a resident of Muntinlupa City, what is your opinion about the planned development of the New Bilibid Prison which has a vast land that includes residences, communities, schools and churches already? What is the best place the City Government can find as the target destination of relocation the informal settlers?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagement, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673