My Observations: Watching Wonder Woman 1984 on VOD streaming will NEVER match the theatrical experience

By now you should be aware that Warner Bros. postponed yet again the release of the much-awaited Wonder Woman 1984 and selected December 25, 2020 (Christmas Day) as the new opening day. This is because of the ongoing pandemic which depressed economies around the world and dragged down the movie theaters. Of course, as I personally observed on social networks, a lot of fans are upset with the daily and there are some of them who expressed that a theatrical release of Wonder Woman 1984 is no longer needed and it should instead be released via video-on-demand streaming services. And then there were a few who did not hide their Leftist, socialist beliefs and even condemned Warner Bros. for corporate greed only because it still insists on showing Wonder Woman 1984 in the cinemas first.

Wow! It’s as if doing business is an evil thing and being a socialist and a hater of business are good things. Talk about being delusional and impulsive as a result of being brainwashed with socialism and anti-capitalism views. The truth of the matter is that socialism sucks and will continue to suck. To understand the business side of things before talking more about Wonder Woman 1984, let’s examine the state of movie theaters.

As of this writing, the movie theater operators are slowly reopening their locations and already they have spent time and money on implementing a variety of measures such as sanitation, constant cleaning, practicing social distancing, requiring moviegoers to wear facemasks and the like. At the same time, seating capacity per screen has been reduced to minimize the risk of viral infection. The reopening of cinemas not only means the resumption of their business but also the retention of the employees they still have.

Even with less than 100% of movie theaters in operation, Warner Bros. took the big risk of releasing their $200 million production Tenet which went on to gross more than $20 million in its first four days in the United States and Canada. Elsewhere, the movie raked in more than $100,000,000 in ticket sales and it has surpassed the $150,000,000 mark globally. The more movie theaters open – including the drive-in locations –  the better it will be for Wonder Woman 1984 and this obviously requires time.

To have the theatrical opening of Wonder Woman 1984 moved all the way to Christmas Day is, in my honest opinion, a sensible move. Like other forms of businesses negatively affected by the pandemic, movie theaters are struggling to reshape themselves (and retain their employees somehow in order to avoid adding them to the unemployed) and get back to business. Movie studios on the other hand are struggling with what to do with their finished productions, especially the ones that cost $200,000,000+ to make (complete with the hard work of the technical crew, the creative team and the talents who worked).

Like anyone else, I love Wonder Woman (she is my favorite of all superheroes) and I also love 2017 Wonder Woman movie which I still replay on Blu-ray. Unlike other fans who lost patience, I myself am willing to wait for the new Wonder Woman movie to open in the local cinemas, especially in the IMAX cinema. I certainly do not agree with the idea that Warner Bros. should just skip all the movie theaters in favor of releasing Wonder Woman 1984 on VOD streaming services, and I have reasons.

Warner Bros. is right to delay Wonder Woman 1984 and keep it scheduled to open in movie theaters first!

Firstly, Wonder Woman 1984 was made with the movie theater viewing experience first and foremost. The creative team led by director Patty Jenkins even used IMAX cameras for some scenes. While the filming of scenes for IMAX is limited in total, it is clear that Wonder Woman 1984 will look and play its very best on the gigantic screen in the IMAX theater! It is also likely that the most spectacular (or the most important) scenes filmed with IMAX captured Gal Gadot as the cinematic Wonder Woman. That being said, the visual splendor and the magnificence of big screen viewing will NEVER be matched on VOD streaming nor on the HDTV at home. I should add that the enhanced visuals that come with scenes being filmed with IMAX cameras can only be seen on the large IMAX screen, and this cannot be achieved on HDTV or on the best smartphones via streaming.

Secondly, releasing Wonder Woman 1984 directly to VOD streaming services is harmful not just to the struggling theater operators and their employees but also the economy itself. I do understand that going outside the home during the pandemic has its risks but the fact remains is that businesses around you have suffered a lot and there is a need for commerce and industry to be revived, and you can help the local and the national economy move forward again. Be mindful that many people who lost their jobs and their income are also suffering, and there is a need for businesses to be supported so that new job opportunities can be made…jobs that the unemployed badly need! Let’s face it, you can enjoy watching movies on the VOD streaming service you subscribed to and binge watch at the comfort of your home all you want but still the best place to watch is in the cinema. I can never forget the very day in 2017 I went to the local IMAX cinema to watch Wonder Woman by buying a premium movie ticket, buying popcorn and a drink, sat comfortably and watched the movie in its full greatness. I paid a lot and got tremendous value in return for the premium cinematic experience with Wonder Woman. Right now, movie theaters are struggling to recover and they badly need you to buy their tickets, snacks and drinks and enjoy the movie. It is also clear that both Warner Bros. and the movie theaters need each other, and Wonder Woman 1984 is too expensive a production to be released only on VOD streaming services.

Thirdly, still on the business side, video-on-demand streaming services are not exactly effective in helping movie producers recover the massive amounts of money spent on producing and marketing their major projects. Wonder Woman 1984 is a more expensive production than its predecessor and it is still the movie theater business model that will help it recover all the negative cost and break even (if not profit). The following are my questions to the loudmouths who ranted that Wonder Woman 1984 should be released directly to VOD streaming services only because of their impatience and other reasons: Do you seriously believe that video-on-demand will help Wonder Woman 1984’s producers and investors recover their money? If you are willing to pay a premium rate for digitally availaing Wonder Woman 1984 at all, how much are you really willing to pay? Do you seriously believe that movie theater operators and their employees should suffer only because you are so self-centered with wanting the new Wonder Woman film only on video-on-demand streaming?

Finally, this one is aimed at those who got indoctrinated with socialism and Leftist beliefs …who do you think you are to condemn Warner Bros. for corporate greed only because the studio is focused on releasing Wonder Woman 1984 first in cinemas? We are Wonder Woman fans here, right? It is the movie studio, its investors and other capitalists who pooled the financial resources together to hire Patty Jenkins, Gal Gadot, Chris Pine, Kristen Wiig, Hans Zimmer and a whole lot of other people to make Wonder Woman 1984! They did that, not your socialist partners nor your socialist idols! The least we fans can do is be thankful to the filmmakers and their capitalism partners for making the movie. As for Warner Bros., we should keep in mind that the pandemic has made it very hard for them to decide when to release the movie we have been waiting for, and for sure their top executives and strategists have struggled in ways that you cannot imagine. You seriously believe that Warner Bros. and the other movie studios did not lose any money from the months-long shutdown of the cinemas during the pandemic? What is your basis for condemning Warner Bros. for corporate greed over Wonder Woman 1984?

Oh, one more thing, do you still go to a coffee shop, availed of their coffee and WiFi and used your branded smartphone to condemn capitalism and promote socialism? Capitalists made the things that you socialists enjoyed, not to mention all the other Wonder Woman-related products like comic books, toys, action figures, clothes, souvenirs, accessories and much more!

That being said, what we Wonder Woman fans can all do right now is wait for Wonder Woman 1984 to open in cinemas this Christmas Day. I believe that the delayed movie itself will turn out great and prove to be worth the long wait…and then prove that the movie theater is still the best place to watch it.

Who knows? Wonder Woman 1984 could spark a strong revival of the movie theater business around the world and we fans can be part of that!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Wonder Woman 1984-themed Xbox One X game consoles announced and a movie-related comic book is coming!

With DC FanDome now past us, it’s time for Wonder Woman fans as well as any fun-loving moviegoer to look forward to the release of the much-awaited Wonder Woman 1984 which Warner Bros. confirmed will come out only on cinemas. As of this writing, the movie directed by Patty Jenkins and starring Gal Gadot, Chris Pine and Kristen Wiig is slated for an October 2, 2020 release in America even though there are concerns that movie theaters and cinema chains are far from operating normally (note: to allow moviegoers to fill each seat side by side) due to the current pandemic. I personally would not be surprised if the movie studio decides to delay Wonder Woman 1984 into 2021.

Before the anticipated theatrical opening of the movie, Microsoft made an announcement that pleasantly surprised me – they will give away not one but three models of Wonder Woman 1984-inspired Xbox One X consoles which is done in part of the anticipation of the movie.

Three Wonder Woman 1984-inspired Xbox One X consoles.

In an Xbox.com article written by Microsoft’s general manager of games marketing Aaron Greenberg, collectors can expect the Wonder Woman golden armor Xbox One X console (reflecting the gold eagle armor of the Queen of Superheroes), the Wonder Woman lasso of truth Xbox One X console (inspired by Wonder Woman and her famous lasso) and the Barbara Minerva (Cheetah) Xbox One X console (reflecting the antagonist played by Kristen Wiig).

According to Greenberg, fans will have the chance to win the Wonder Woman lasso of truth Xbox One X console by simply liking or retweeting the Xbox sweepstakes tweet on Twitter. This has to be done within the period of August 25 until September 17. There are rule to follow, take note.

Greenberg further wrote: We can’t wait for “Wonder Woman 1984”, Warner Bros. Pictures’ follow up to the DC Super Hero’s first outing, 2017’s record-breaking “Wonder Woman”.  Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing two all-new foes: Max Lord and The Cheetah. Set to open in theaters in 2D and 3D in select theaters and IMAX, it will be distributed worldwide by Warner Bros. Pictures and is rated PG-13.  To learn more about the upcoming film, visit wonderwomanfilm.com.

The article ends with the following note: Please note, that all the Xbox is for display ONLY, not gameplay. Prize and the successful bidder will also get a standard Xbox One X.

For the newcomers reading this, Xbox One X is the high-end version of the Xbox One console. Released in late 2017, the Xbox One X is currently the most powerful video game console in the market although finding one is challenging as manufacturing has ended clearly to make way for the next-generation Xbox Series X console (and avoid causing confusion among consumers).

It sure is nice that Microsoft and Warner Bros. agreed to do a cross-promotion of their respective properties. There are a lot of Xbox fans among superhero enthusiasts and there are some comic book readers who play video games. Personally, I’d like to see Microsoft and WB someday come up with a limited edition Wonder Woman-themed Xbox Series X console if possible. Also when it comes to superheroes, I prefer Wonder Woman over Spider-Man anytime!

More on exciting stuff for Wonder Woman fans, there will be a comic book that will tie-in with the movie titled Wonder Woman 1984 #1 and it will be released on September 29, 2020. It’s cover was drawn by Nicola Scott.

Cover art for Wonder Woman 1984 #1 done by Nicola Scott. She did a good job capturing the likeness of actress Gal Gadot.

According to the official press release, Wonder Woman 1984 #1 is a 32-page one-shot comic book that will link with the upcoming movie which involves Wonder Woman 1984 associate producer Anna Obropta and comic book veteran Louise Simonson involved in the writing with illustration done by Bret Blevins.

The first story follows a failed burglary attempt that causes a hostage situation at the Smithsonian Museum of Natural History. As such, Diana Prince/Wonder Woman leaves the teenage tour group so that she can save the day. The odds are against her as there are ten gunmen involved and not much time to spare.

The second story written by Steve Pugh and drawn by Marguerite Sauvage, is a 1980s flashback. There is a reckless mastermind who made the ultimate power move by stealing the Lasso of Truth from Wonder Woman. As such, Diana and Steve Trevor have to get the lasso back before it’s too late.

Since the pandemic and community lockdown took place months ago, I have not bought any comic book – old or brand new – ever since. I’m not certain if copies of Wonder Woman 1984 #1 will make it in my place as the nearest comic book specialty store remains closed. Still, I’m interested in the comic book and here is hoping it will turn out good.

In ending this, posted below is the latest movie trailer of Wonder Woman 1984. Also if you are interested about the literary history of Barbara Minerva/Cheetah and her rivalry with Wonder Woman, read my retro review of Wonder Woman #9 (1987).

For more Wonder Woman-related articles and features, visit www.CarloCarrasco.com and search Wonder Woman.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

My Observations: Movies and video games at DC FanDome

Today, DC Comics fans had a day-long blast of excitement as a result of the DC FanDome event that was global in scope. To be clear, DC FanDome is multi-media in terms of the presentations of DC Comics franchises, projects and talents. As such, comic book publishing giants like Jim Lee plus Hollywood talents like Gal Gadot, Patty Jenkins and Zack Snyder were present online to showcase DC’s projects (ranging from comic books to animation, video games and motion pictures).

For this article, I have decided to narrow the scope down to movies and video games. The following movies and video games caught my attention and for each, I’ll share my honest opinion. Let’s start with the movies…

The movies

Wonder Woman 1984

Wonder Woman 1984, as I made clear before, is my most wanted superhero movie as I loved the 2017 movie (and has the iconic scene that will be remembered for a long time) and I deeply enjoyed Gal Gadot’s portrayal of the Queen of all Superheroes. While it is disappointing that the current pandemic delayed the Wonder Woman 1984 and made its future theatrical release uncertain, the newest trailer eased the pain of waiting for me and I should say that I love what was shown. The great stuff shown seem to reflect the deepening creative synergy between star Gal Gadot and director Patty Jenkins. What surprised me the most was that Warner Bros.’ marketing team went on to show Dr. Minerva in her anticipated physical form as Cheetah in battle with Wonder Woman. I was hoping that the filmmakers and the marketing team would keep the Cheetah appearance secret until the film’s opening. Regardless, I am very excited for Wonder Woman 1984 and if you want to prepare yourselves for it, I highly recommend reading Wonder Woman #9 (1987) which was George Perez’s modernizing of Cheetah.

The Batman

The DC FanDome trailer showed that this newest cinematic Batman directed by Matt Reeves starring Robert Pattinson looks really impressive. In terms of aesthetics, The Batman appears to share the visual style and gritty touch of Batman Begins. Robert Pattinson’s Bruce Wayne/Batman has a very rough look, so much so he made me forget that he played a vampire before. When it comes to presenting the characters, Reeve’s Batman (along with his equipment) looks radically different from Zack Snyder’s Batman, and Catwoman in this new movie has a more grounded-in-reality look. In what appears to be a sign of rough action coming, the short clip showing Pattinson’s Batman quickly and painfully beating a thug in front of others looks very Intriguing. With regards to the setting, director Reeves stated before that the film’s story is set within the DC Universe but it will be done without cameo appearances and without fan service elements that would suggest a shared universe. It will be its own story and, more importantly, it will redefine Batman once again. This movie is currently scheduled for a 2021 release.

The Suicide Squad

After a long wait for concrete details, the official unveiling of The Suicide Squad under the direction of James Gunn (Guardians of the Galaxy films) is well worth it and even though there are no plot details, the new movie looks pretty promising to be fun (at least in terms of spectacle). How James Gunn will be able to make an enjoyable movie, I can only imagine him mixing up the characters, have their personalities clash or slide well with each other, and deliver the action. Again, there are no details about what the story is but safe to say this one is no cheap movie and chances are good it will make moviegoers forget about the cynical presentation of the 2016 Suicide Squad movie (which I admit I enjoyed to a certain extent). Apart from the return of Margot Robbie as Harley Quinn, Joel Kinnaman as Rick Flag, Viola Davis as Amanda Waller, and Jai Courtney as Captain Boomerang, the cast has notable additions like martial artist/fitness model Mayling Ng as Mongal, Michael Rooker sa Savant, and Idres Elba as Bloodsport!

Zack Snyder’s Justice League (AKA The Snyder Cut)

Believe it or not, I personally am not too excited for this so-called more definitive version of the 2017 Justice League movie under Zack Snyder. To a certain extent, I had my enjoyment of the 2017 Justice League but ended up disappointed it never had an epic presentation to match its epic concept. As much as I love seeing DC Comics’ premier superheroes get together to save the world from tremendous danger, I am not convinced to avail of HBO Max (note: this director’s cut is not going to cinemas) streaming to watch the anticipated Snyder cut. In my honest view, Justice League of 2017 has been done and it seems like a backward move to revisit the film even in the form of a more specific vision of Zack Snyder. Regardless, Snyder’s vision of the JL will be realized in 2021. How it will impact the status of the current DC Comics cinematic universe remains to be seen.

The video games

Gotham Knights

Gotham Knights, developed by WB Games Montréal and published by Warner Bros. Interactive Entertainment, is an action-adventure game set in the city of Gotham which, once again, has been struck by criminals. As seen in the above gameplay showcase, Mr. Freeze struck Gotham and Batgirl and Robin join forces to take him on. In terms of game design, Gotham City is an open-world environment and players will be able to select and play as Nightwing or Red Hood or Robin or Batgirl. Batman is out of the spotlight this time which explains why the other four characters are needed. How this new video game will perform critically and commercially remains to be seen. Can it sell without letting players play as the iconic Batman? Gotham Knights is being made for Windows 10 PC, PS4, PS5, Xbox One and Xbox Series X.  

Suicide Squad: Kill the Justice League

This other game from Warner Bros. Interactive Entertainment is very notable not because of its concept of the Suicide Squad going against the Justice League, but simply because it is the first new game in many years made by the acclaimed Rocksteady Studios which is best known for the main Batman Arkham video games. As of now, we only have a cinematic (non-gameplay) trailer emphasizing its concept. While details about the gameplay are unavailable, the city environment in the trailer suggests the game may come with an open-world design similar to what Rockstead did in Batman Arkham City and Batman Arkham Knight. Whatever Rocksteady is doing, they should be able to deliver the fun stuff. Suicide Squad: Kill the Justice League is being made for Windows 10 PC, PS5 and Xbox Series X.

In closing this, I recommend you watch the latest video of YouTuber Dealer Gaming which has insights about Suicide Squad: Kill The Justice League and Gotham Knights. You’ll also learn the latest regarding Xbox Series X.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Total Recall Movie Special #1

Disclaimer: This is my original work with details sourced from reading the comic book, watching the movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

I already published that I really love the 1990 sci-fi action movie Total Recall which starred Arnold Schwarzenegger, Sharon Stone, Michael Ironside and Rachel Ticotin under the direction of the highly talented Paul Verhoeven. The movie is one of my all-time favorites and most notably it has aesthetics that are totally unique mainly due to the combined expressions and artistry of Schwarzenegger and Verhoeven. Behind it all, Total Recall would not have been realized without the short story We Can Remember It For You Wholesale written by the late sci-fi author Philip K. Dick whose published works led to other movies from Hollywood.

As part of a business strategy, Total Recall also had multi-media releases in the form of a novel (by Piers Anthony), video games and a comic book published by DC Comics. Very recently I was able to finally read the comic book adaptation of the film titled Total Recall Movie Special #1. It had a cover that was technically a copy of the American movie poster with Arnold Schwarzenegger’s face dominating it and it came with a cover price of $2.95 which was pretty high for 1990.

Is the comic book adaptation any good? Does it capture the essence of the blockbuster film? We can find out by finally starting this look back at Total Recall Movie Special #1, published in 1990 by DC Comics with a story written by Elliot S. Maggin and drawn by the late Tom Lyle (read my first article of Lyle’s work).

Cover
The cover of the comic book.

Early story

The story begins on the surface of planet Mars where a man and a woman (both wearing space suits) walk together heading towards an unknown destination. Suddenly a small stone cracks the glass face shield of the man’s helmet exposing him to the deadly atmosphere of Mars.

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Like in the movie, Douglas Quaid and Lori wake up.

It turns out it was just a dream for Douglas Quaid who was in bed with his wife Lori. The dream turned out to be a recurring one as Lori asked him if the dream lady was in there again. Lori then asked Doug who the dream lady was. A short time later, Doug reports to work and while doing construction work on the field, he asked a colleague about Rekall (note: he saw a video ad of it on his way to work). The guy told Doug about someone getting lobotomized at Rekall and discouraged him from availing of their service.

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Douglas Quaid at Rekall for his virtual holiday.

Doug eventually visits Rekall after work and availed of their virtual holiday as a secret agent. Something goes wrong as Doug goes berserk while strapped on one of Rekall’s seats. Dr. Lull (in-charge of the operation) explains to her boss that Doug was not acting out his virtual holiday as her team has not even implanted it yet on him…

Quality

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The bad guys on the hunt for Douglas Quaid.

When it comes to presenting the story, Elliot S. Maggin clearly paid close attention to the details, the plot and dialogue of the movie while implementing adjustments along with artist Tom Lyle to make the story work in comic book format. Clearly, this is not a word-for-word, scene-for-scene adaptation but it comes close to capturing the essence of the film. Unsurprisingly, the comic book adaptation never captured the unique Schwarzenegger-Verhoeven aesthetics of the movie but it still performed well on replicating the sci-fi, hard action moments. I find it surprising that Total Recall Movie Special #1 carried the seal of approval of the Comics Code Authority (CCA) as there were some bloody shots and several moments of strong violence inspired by the R-rated film.

When it comes to the visuals, Tom Lyle succeeded in capturing the sci-fi look of the movie and even had the literary Douglas Quaid occasionally resemble Arnold Schwarzenegger. Lyle’s drawings on other characters like Lori, Melina, Coohagen and Richter looked NOTHING like the actors who played them but that’s not a problem at all as this gives this comic book its own unique touch. In fact, there were some drawings of people that sometimes reminded me of what I saw in EC Comics’ Weird Science comic books.

While Lyle scored nicely with the action scenes, his own drawings of planet Mars and the human colony are quite nice to look at. With regards to the urban environment, Lyle drew a nice mix of 20th century inspired urban areas laced with futurism. Unsurprisingly, the futurism got stronger when the story was set in Mars.

If there is anything lacking with the art, it would be visual dynamism. This can be forgiven however given the high amount of dialogue and story details that had to be presented with each page carrying a lot of panels.

Conclusion

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The human colony in planet Mars.

I can say it out loud that Total Recall Movie Special #1 is a fun read and serves nicely as a literary companion to the cinematic masterpiece Total Recall. As a comic book adaptation of a blockbuster movie, this one is pretty good and in some ways captured some of the flair of the film even as it never successfully replicated the Verhoeven-Schwarzenegger aesthetic in the film. Really, if you want the best of Total Recall you really should watch the movie. This comic book on its own is entertaining and should encourage you to watch the film.

If you are seriously planning to buy an existing hard copy of Total Recall Movie Special #1 (1990), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $11 while the near-mint copy of the newsstand edition costs $31. If you are looking for something more valuable, the near-mint copy of the numbered-and-signed edition of the comic book costs $51.

Overall, Total Recall Movie Special #1 (1990) is highly recommended!


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Night of the Creeps

Disclaimer: This is my original work with details sourced from watching the movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

When you craft a story meant to entertain people, it is already tough to mix genre elements and make them work together while still telling a cohesive story. Imagine how hard that could be when making a movie with the mentioned creative mix?

Back in the mid-1980s, a young film enthusiast named Fred Dekker not only pulled it off but actually made a feature-length film titled Night of the Creeps which was his cinematic directorial debut. Before making that science fiction/horror/comedy movie, Dekker grew up watching movies of horror, science fiction and fantasy and developed a passion for movies (and movie production eventually).

After much learning through UCLA, Dekker broke into Hollywood and started a professional career in film and eventually got his dream project in the form of Night of the Creeps.

“Night of the Creeps is very much a first feature with the attitude of many first features. The I-may-not-get-to-do-another-movie-so-I’m-going-to-do-everything-I-want-to-do-in-this-movie attitude. It’s an attitude that often backfires, but in this case, it’s exactly what makes Night of the Creeps so much fun,” Dekker stated.

With the short film history lesson done, it’s now time to take a look back at Night of the Creeps written and directed by Fred Dekker, and released in 1986 by TriStar Pictures.

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If you were the police chief, how many police officers would send to corner one zombie?

Early story

The story begins inside a space ship where one alien creature (carrying a canister) is running away from two armed personnel. With the two chasers delayed, the creature manages to shoot the canister into the realm of space.

On Earth, the year is 1959. In a typical American suburb, a college student visits a sorority house to pick up his date. Together, along with a few other pairs in cars, they spend time at a parking spot with a nice night view. A young police officer, who is aware of the news about a potential killer on the loose, approaches the pair and recognizes the lady from the sorority house. He tells them to go home for their safety, and then leaves them.

Shortly after, the canister from space arrives and crashes nearby causing the college student to drive the car (with his date with him) and find the spot of the crash. He parks the car by the woods and moves into woods leaving the sorority girl alone, sitting and waiting. He finds the canister and decides to look at it closely. Through an opening, an alien slug suddenly jumps from the canister and into his mouth. Meanwhile, the lone lady in the car hears the news about the loose killer and realizes the details about their location (being the destination of the killer). Slowly creeping up on her is a man with an axe.

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What teenagers in America used to do in the 1950s.

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Someone closing in…

In 1986, at the same locality, college students party around and engage in lots of activities in relation to pledge week being organized at a local university. Among the students walking down the sidewalk are Chris Romero and his handicapped friend J.C. Chris spots a pretty girl from a distance and instantly falls for her at first sight. With the help of J.C., he decides to pursue her…

Quality

Even with a low budget, Night of the Creeps is very creatively done and comes with a good amount of fun for viewers who enjoy elements of horror or sci-fi, 1950s romance, 1980s teen comedy and even detective story. What made this movie a cinematic gem is that Fred Dekker and his creative team combined their strengths with the talents of their cast members specifically Jason Lively, James Marshall, Jill Whitlow and Tom Atkins.

At its core, Night of the Creeps is a zombie horror flick that had sci-fi elements of UFOs and the 1950s as a strong foundation (in addition to serving in the background of the plot). Those combined genre elements alone (backed with a plot that is cohesive enough thanks to Dekker) made this movie solid and yet, the implementation of detective/crime storytelling and 1980s teen comedy (specifically college culture) further added more punch and variety in making the film really engaging and fun.

That being said, the actors delivered the goods with their respective performances. Jason Lively and Steve Marshall have excellent chemistry together as the 1980s college boys Chris Romero and J.C. They started their acts as typical college guys trying to achieve something when it comes to campus achievements and winning the girl’s heart. They also delivered strong performances on the comedy and they pushed their dramatic limits further when the film’s tone shifted to horror. Jill Whitlow is interesting as sorority girl Cynthia who has that girl-next-door charm. She proved to be talented with acting as she had convincing romantic chemistry with a certain jerk and Chris.

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Steve Marshal, Jason Lively and Jill Whitlow as J.C., Chris Romero and Cynthia.

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The horror film genre legend himself, Tom Atkins!

The standout performer among them all, unsurprisingly, is Tom Atkins as detective Ray Cameron. Before making this movie, Atkins worked in horror movies and a few cult movies, and got involved with the legendary John Carpenter. As such, playing the veteran detective Cameron here was a natural fit for the actor. As the aging and troubled detective, Atkins portrayed him dramatically and because of his very rugged touch, the actor really looked like he actually lived through decades of police work in the fictional town. Atkins also proved to be very good with quotes, specifically with “Thrill me!” It should be noted that this is Atkins’ personal favorite role in the horror genre.

When it comes to telling a cohesive story to emphasize the mixed genre elements, I should say Fred Dekker and his team succeeded. The pacing ran at a medium pace for the most part and even during the slower scenes, there was never a boring moment. More on storytelling, Night of the Creeps’ concept made sense for the most part (about how a slug from outer space would gradually cause zombification on people and even animals, in the midst of college-related events happening) and still had room for suspense, spectacle (note: Jason Lively and Jill Whitlow themselves used dangerous weapons near the end of the film) and, yes, character development! All of that pulled of nicely in roughly ninety minutes and the viewing experience was ultimately fun and engaging.

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I wonder if this image would be considered offensive by the SJWs…

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Perhaps this will inspire you to research what American life was like back in the 1950s.

It should be noted that, in terms of presentation, key scenes were very well directed and strong performances from the actors were realized. The scene where detective Cameron and Chris had a private talk was intriguing to watch, and that one had the strongest act Tom Atkins made in the film. I should also mention that, apart from the dramatics and performances, I enjoyed the cinematography done by Robert C. New especially with the way the camera moved as the actors delivered their lines in key sequences. There were closeups that perfectly captured the moments when the actors delivered their strongest acts. Last but not least, the music by Barry De Vorzon fit the film’s tone and concept smoothly.

Conclusion

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Here they come…

I really love Night of the Creeps and I want you – my readers and fellow film buffs and pop culture geeks – to watch it from start to finish. I never saw this movie in the cinemas in the 1980s but was fortunate enough to watch it on cable TV on a late night in 1998 (twelve years after its cinematic release). That was a night I’ll never forget because Night of the Creeps delivered the fun and exceeded my expectations. Then years ago, I finally acquired the Sony Pictures Blu-ray disc release which I replayed from time to time at the comfort of home with my Xbox One console as the disc player. The film looks even better in high-definition!

The best thing I love about Night of the Creeps is its big mix of genre elements which was supported by solid storytelling and performances. When it comes to spectacle or shock moments, it should be stated that the practical effects used (note: no CGI or computer-generated images here) in the movie still stand up strongly until now although I must say that the aliens creatures in the early part of the story were just not convincing enough.

Even by today’s standards, Night of the Creeps is enjoyable and gripping to watch, and the fact is nobody in Hollywood is making anything like it, nor are there any filmmakers willing to do a big mix of genre elements and tell a cohesive story with good performance from hired talents. This alone makes Fred Dekker’s directorial debut a cinematic gem that has been overlooked by too many people

In light of modern society and its norms, I declare that Night of the Creeps will give you a good dose of escapism not only from real life but also from the corrupted and highly politicized culture of Hollywood which points to the Political Left (whose central figure Barack Obama supports Iran, the terrorists and illegal immigrants) and its trouble makers (examples: social justice warriors or SJWS, the socialists, the radical feminists, the LGBTQ) who managed to infiltrate the American film industry and even the American media (note: you can tell if a movie review was written by an SJW who only writes something to fit his/her social justice agenda). This old movie was made to deliver fun without any political garbage whatsoever. That being said, it will make you wish that Hollywood would just focus on making their movies truly entertaining and be free from political poison at the same time. Movies that carry political overtones or emphasize identity politics are major turn-offs.

Overall, Night of the Creeps is highly recommended! That being said, I urge you to order a Blu-ray copy of Night of the Creeps now at Shout Factory and Amazon. Whichever Blu-ray version you acquire (note: the Shout Factory version has newer and more extra stuff), you can’t go wrong with Night of the Creeps in high-definition.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Henry Cavill in talks to return as the cinematic Superman!

Shortly after the launch of this website, I published an article expressing what I’d like to see in a Man of Steel sequel. Among the key things I mentioned was that I wanted to see Henry Cavill play Superman as a more inspiring and optimistic superhero. That was back in January 2019.

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Henry Cavill in 2013’s Man of Steel.

Today there is a lot of buzz online about the return of Cavill as Superman (note: he last played him in the Justice League movie which in turn will be presented in Zack Snyder’s own vision next year on HBO Max) got reported by Deadline.com and Variety.com

Both hot reports shared similar key details but I found Deadline’s content more helpful. Here’s an excerpt from Deadline.com in italicized blue text.

While there is not a Man of Steel sequel in the works, we’re hearing that Henry Cavill is in talks to reprise his role as Superman in the Warner Bros. DC Universe.

We hear Cavill could come back in a couple of different ways, not a standalone film, but there are plans to put him back in the big red cape again sources with knowledge tell us.

Warner Bros. is not developing a Man of Steel sequel, and Wonder Woman 1984, Suicide Squad are in the can, and Superman isn’t expected to make a cameo in Matt Reeves’ The Batman. Other projects where Cavill could make a cameo are Shazam 2, Dwayne Johnson’s Black Adam or Aquaman 2, which are the next productions to be prepped once COVID-19 safety restrictions lift.

Previously in a Men’s Health interview, the British actor stated he had not given up on the role even though the last time he played the DC Comics icon was in late-2017 in the Justice League movie. The Superman who appeared in the Shazam movie of 2019 was NOT played by Cavill.

In relation to the Warner Bros. superhero movies mentioned in the excerpt above, it seems that integrating Cavill’s Superman in the ongoing DC Comics cinematic universe will take a while and it is understandable that a standalone movie featuring Superman still has not been planned. It will take a few more years for a Superman movie project to be made to say the least and that includes financing, writing the best screenplay possible, hiring/rehiring actors and finding the right director (I hope they hire James Wan) who could get the most out of Cavill.

As such, the best that Warner Bros. could do with the cinematic Superman is have him in short appearances or cameos in future DC Comics movies about Shazam (the sequel), Black Adam (Dwayne Johnson’s vehicle) and Aquaman (the sequel).

Speaking of Shazam and Black Adam, it would be nice to see Cavill’s Superman in those characters’ respective films. I don’t mean Cavill sharing the spotlight with Zachary Levi and Dwayne Johnson, but having his cinematic Superman appear with Shazam and Black Adam with sufficient screen time to satisfy the fans. Considering the literary history Superman has with Shazam and Black Adam, cinematic cameo appearances would be insufficient in my view. Of course, the Shazam sequel and the Black Adam movie have their respective concepts by now and accommodating Superman will be limited at best.

As such, when it comes to making a true standalone Superman movie in the years to come, I would love to see Henry Cavill and Dwayne Johnson clash as Superman and Black Adam! That concept would be great for the much-delayed Man of Steel sequel! For such a project, I would insist that Warner Bros. hire James Wan to direct.

As for the cinematic Superman possibly appearing in the Aquaman sequel, that would be nice even if it will end up as a short appearance. I honestly believe that Cavill and Jason Momoa can work well together on the big screen with a more focused screenplay.

If there is a breakthrough regarding the talks between Henry Cavill and Warner Bros., I’ll update you readers. Right now, even though the world has been set back by the COVID-19 crisis, Warner Bros. is in a better position to be more competitive when it comes to superhero movies. Cavill’s return as Superman will add more punch once it has been finalized.

In ending this, here are a few Cavill Superman videos for your enjoyment.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Total Recall (1990)

Disclaimer: This is my original work with details sourced from watching the movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

I miss the old days when an R-rated action-packed science fiction movie can be passionately made with exceptional directing, clever writing, great camera work that’s consistently steady, solid performances from the actors, action that was not too choreographed, and visuals that heavily utilized practical effects and optical effects.

I’m talking about Total Recall, the 1990 sci-fi action movie that starred a much younger Arnold Schwarzenegger supported by Sharon Stone, Michael Ironside, Rachel Ticotin and Ronny Cox. Directed by Paul Verhoeven (who directed the 1987 classic RoboCop) with a screenplay (based on the Philip K. Dick short story We Can Remember It For You Wholesale) by Ronald Shusett, Dan O’Bannon and Gary Goldman, Total Recall was a tremendous hit in the cinemas grossing more than $261 million worldwide with a production budget of over $60 million. To date, the film remains a favorite not only with fans of Schwarzenegger but also with people who love action movies, sci-fi movies, movies of the 1990s and geeks.

But before looking back at this movie, it is important to take note that Total Recall took several years of development before it finally got produced. The very first screenplay was written by O’Bannon and Shusett in the 1970s (after securing the film rights to Philip K. Dick’s short story when the author was still alive). Eventually prolific movie producer Dino De Laurentiis took the project for development. Years later, De Laurentiis’ company collapsed (due to failed projects) which provided Schwarzenegger the golden opportunity to get Total Recall by persuading Carolco to secure the rights for a few million dollars. After many screenplay drafts written and the hiring of Verhoeven as director (note: Schwarzenegger approached him personally) plus Gary Goldman, the rest became history.

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Arnold Schwarzenegger, Rachel Ticotin, Michael Ironside and Ronny Cox in a memorable scene.

Now, here is a look back at Total Recall.

Early Story

The story begins at the surface of planet Mars where a man and a lady (both wearing space suits) travel on foot. Suddenly, the man slips down and breaks the frontal shield of his helmet exposing himself to Mars’ air. It turned out to be an intense nightmare for Douglas Quaid who was in bed with his beautiful wife Lori. Lori asked him about the unidentified woman who appeared in his dreams, but Quaid expresses his love for her. On his way to work, Quaid saw a TV ad inside the train about Rekall, a company that sells holidays and adventures in the form of memories. At work, his fellow construction worker discouraged him from availing of any services from Rekall. After work, Quaid visits Rekall and decides to avail of an ego trip as a secret agent. Just as the memory trip was about to start, Quaid wakes up violently…

Quality

This movie is still great to watch. Let me start first with the creative team of Paul Verhoeven and Arnold Schwarzenegger.

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A great action scene about to start…

When it comes to the synergy between the director and the lead player, Verhoeven and Schwarzenegger make a great creative team that made this movie very special! When asked during an interview what it was like for him to work with Schwarzenegger, Verhoeven said:  Arnold is great. Switching from Rutger Hauer to Arnold is not that big a step. It’s strange to say that, because he’s this crazy Austrian, with an accent—but, for me, Arnold is the American Rutger. I think if I did a few movies with Arnold, I could do as much with him as I did with Rutger. Now, this movie was the wrong thing . . . But I think you can do much more with Arnold, explore more possibilities, than was necessary for this movie.

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Sharon Stone as Lori.

Now, it is a fact that Schwarzenegger lacks versatility when it comes to acting. Even so, Verhoeven succeeded in getting a deeper-than-expected performance from the star in this movie. Sure, we get to see Schwarzenegger fight bad guys with really rough action, fire guns, run and jump around here but what really stood out here was his portrayal of a man who discovers that the life he knew was all a lie and goes on to find the truth about himself. This role remains a standout role of Schwarzenegger’s among all the characters he played in his many other action films. What is also notable with Douglas Quaid is that the protagonist is always in danger and never invincible, very similar to how Bruce Willis played John McClane in Die Hard. If you watch this film after seeing Schwarzenegger play his invincible icon in the Terminator movies, you will feel his pain, tension and curiosity here! As if that was not enough, there is also the other role Schwarzenegger played in this movie that you should see.

Of course, Total Recall also drew greatness and depth from Verhoeven who also got strong performances from Sharon Stone, Michael Ironside, Rachel Ticotin and Ronny Cox. Sharon Stone is the beautiful wife who will shock you. Michael Ironside is the henchman who will make you root for Schwarzenegger even more. Rachel Ticotin is the brave woman who is believable with the cause she is involved with.

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Rachel Ticotin as Melina.

More notably, Ronny Cox is the all-powerful and ruthless executive who will get on your nerves and make you root for Schwarzenegger a lot, very similar to how his villainous role in RoboCop made moviegoers root for the cyborg policeman. It should be noted that the evil executive-henchman duo of Cohaagen (Cox) and Richter (Ironside) here is a directorial trademark of Verhoeven’s and it should bring back memories of the other evil duo in RoboCop. More than that, Ronny Cox succeeded in selling the concept that Cohaagen really had been the administrator of the colony in Mars exploiting the resources and the people for a long time.

More on getting the most out of the actors, Verhoeven and his team crafted a memorable hand-to-hand fight scene between Lori (Stone) and Melina (Ticotin) actually taking part in the action and stunts. Sharon Stone clearly got athletic in this movie and her efforts paid-off nicely, complete with another fight scene with Arnold Schwarzenegger (she actually even threw two high kicks at Schwarzenegger’s head) early in the film. Beyond the hard battle with Stone, Ticotin went on to take part in further action scenes in the film and she sure is believable as an action performer. To put things in perspective, Stone and Ticotin are not action stars but they excelled nicely in their work here and this also made Total Recall special.

When it comes to storytelling under the direction of Verhoeven, Total Recall moved at a medium-to-fast pace and there was never a single moment of rushing, nor a single boring moment at all. The film just kept going smoothly complete with true unpredictability which results lots of twists and surprises. I should also state that the dialogue from the finalized screenplay is still excellent, and they were nicely delivered by the actors. Verhoeven also added depth to the film by using mystery while also getting good performance from Schwarzenegger as Doug Quaid finds out that life is not what it seems. I should state that the sci-fi elements of altering (and adding) human memories with the use of computers and the business of selling virtual holidays and ego trips were strongly emphasized. These also add to the film’s mystery which should engage you to wonder and analyze as the story moves on.

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The best view from an office on planet Mars.

On the spectacle, Total Recall is heavily loaded! The action is violent, plentiful and carries that particular aesthetic that only director Verhoeven has. It’s hard to explain in words but once you watch the action in this movie (plus comparing it to RoboCop and Starship Troopers), you will realize it. Even so, the action never turned this movie into a brainless affair. The action worked nicely to balance the mystery and suspense.

The visual effects here were mostly done by practical and optical ways. Special effects specialist Rob Bottin, who famously worked in John Carpenter’s The Thing and worked also with Verhoeven in RoboCop, came up with very memorable animatronics to simulate facial and physical changes on characters on key sequences involving sci-fi elements. The team also crafted really freaky looking makeup works on the Mars mutants, which really gave this film a strong sci-fi look. I also like the use of miniatures and physical sets that visualized the colony in Mars. By today’s standards, this movie’s visual effects still look great and I can only wish that filmmakers today would rely less on computers and go back to using practical effects (note: physical stuff) and, on certain occasions, optical effects.

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Really great movie makeup work by Rob Bottin.

When it comes to the physical environments, this movie was filmed a lot in Mexico, specifically on key locations and on the sound stages in an established movie production studio there. Years ago, when I first learned for the first time that the trains used in the film were real-life trains that actually operated in one of Mexico’s real-life transportation systems, I was astounded! Paul Verhoeven himself confirmed that the train sequences were not only shot on location with real trains (note: monitors were added by the filmmakers to achieve a futuristic look) but the place’s architectural design were very unique and fitted nicely with the sci-fi concept of the movie.

The Mars colony set does not look fake to me. In fact, it really looks like it has long been lived in by people and the filmmakers nicely designed it. The Venusville set looks very convincing and, within the story, it got decayed due to long-term businesses, constant vehicular traffic and people who always flocked the place. The Mars hotel meanwhile has that cleaner, nicer look with tourists who paid good money for pleasure and discovery.

I should mention that the cinematography here done by Jost Vacano is excellent. The set-ups of the camera to get great angles of the actors is special, and the same can be said about the capturing of the spectacle that happened on-screen. The flashback of Mars inside Quaid’s mind had great, floating views of the location complete with perfectly smooth movement! Vacano also worked with Verhoeven in RoboCop.

Finally, the musical score by the late Jerry Goldsmith is very memorable and this is my favorite among all his works. The music provided gave this movie a strong sci-fi feel and when suspense plays, the tunes added nicely to it. The most memorable music tracks here are the opening credits music (which is immersive) and the foot chase between Quaid and Richter on Earth (the music really keeps the pace high).

Conclusion

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Arnold Schwarzenegger as Douglas Quaid in a key scene.

Total Recall is a true, adulterated sci-fi action classic and easily it is still is one of the best ever movies I’ve seen from Schwarzenegger, Verhoeven and Stone. A few visual elements did not age well but its highly engaging story (combined with the strong performances and spectacle) remains its key selling point. There is a lot of ambiguity throughout the film and it will keep you wondering if the story (or at least portions of it) was reality or all a dream in Quaid’s mind. The way the story is structured combined with the excellent spectacle, this is a movie that is worth watching again and again! It remains an effective viewing experience for me until now.

As it contains the directorial trademarks of Verhoeven mixed with Schwarzenegger’s own style of expression and hard action, Total Recall is a very unique move of its own and it’s impossible to replicate nor match. Keep in mind that the 2012 remake of this movie was badly made (even though it had a big budget and highly advanced visual effects involving the use of computers) and ended up being a complete failure.

To put it short, Total Recall is more than just an action-packed thrill ride. It is also a mystery film that will keep viewers on the edge as the search for answers continues. Total Recall also explores the theme of what would you do when you realize that the life you remember turned to be an exceptional lie, and that you are literally caught in the middle of a web surrounded by dangerous, powerful people. I could never forget how my mind got motivated as I focused on the narrative the first time I ever saw this great movie decades ago. Total Recall was a sci-fi viewing experience like no other.

Overall, Total Recall (1990) is highly recommended! I urge you, my readers, to buy the movie on Blu-ray disc or watch it via streaming.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Idolatry is Unholy

We all live in a screwed-up world. To say the least, our world is chaotic filled with fake news, war, crime, dysfunctional governments, fascism, dictatorship, abortion, Communism, corruption, socialism, homosexuality, SJWs (social justice warriors) terrorism, atheism, religion, idolatry, secularism and the list goes on.

This is because Satan is the god of the world we live in and there are billions of unsaved and lost souls who do not realize the truth of the Word of God (the Holy Bible). They also don’t realize that they need to be saved (get born again), ask God for forgiveness, submit to Him and then accept Jesus as Lord and Savior so that they can be saved and live on as true Christians driven by faith (not religion).

As I mentioned before, being religious is NOT the same as being faithful. In fact, religion is one of the more effective tools (in tandem with atheism) used by Satan to prevent people from becoming children of God. Religion itself is a hindrance to truly becoming Christian. Religion also has a bunch of man-made unholy rules like so-called blessed sacraments which prevent people from realizing the truth in the Holy Bible. Religion also comes with traditions and rituals, which are not even holy.

Another notable thing of religion is idol worship – idolatry – which continues to mislead people and prevent them from worshipping God directly. Idolatry comes with worshipping man-made objects (statues, statuettes, carved objects), images and people. Idolatry also includes allowing ourselves to be dominated by elements that prevent us from being dedicated to the Lord such as items we are too involved with (example: the smartphone), obsessing with people, being addicted to sex, being addicted to illegal substances, being addicted to liquor and even our local culture. Instead of trusting the Lord and being dedicated to Him, idolaters are trapped and actually separated from Him. Even the most prayerful, idol-worshiping, religion-oriented person is fooled into believing he is Christian when, in fact, he is not.

Having previously lived a life of following religion, its traditions, its rituals and wrongful teachings before getting saved (I got born again in 2018), I can clearly say that idolatry is unholy and is also more evil than it appears. I fully reject idolatry and I will never let it influence me now that I’m a child of God.

To put things in perspective, let’s take a look at key holy scripture in the New King James Version (NKJV) and The Passion Translation (TPT) of the Holy Bible.

Do you not know that the unrighteous will not inherit the kingdom of God? Do not be deceived. Neither fornicators, nor idolaters, nor adulterers, nor homosexuals, nor sodomites, nor thieves, not covetous, nor drunkards, nor revilers, nor extortioners will inherit the kingdom of God.

1 Corinthians 6: 9-10 (NKJV)

Surely you must know that people who practice evil cannot possess God’s kingdom realm. Stop being deceived! People who continue to engage in sexual immorality, idolatry, adultery, sexual perversion, homosexuality, fraud, greed, drunkenness, verbal abuse, or extortion—these will not inherit God’s kingdom realm.

1 Corinthians 6: 9-10 (TPT)

As seen above, idolatry makes one not only an idolater but also a practitioner and follower of evil which Satan loves. Idolatry involved with religion deceives idolaters into believing they are Christian when in fact they are unknowingly serving Satan. It does not matter that an idolater prays to a statue of Jesus because that is still unholy. Worship of Lord Jesus should be done to Him directly. Praying to a painting of Jesus (or any religion icon) or to an item deemed holy by a religion-driven church or hierarchy is also unholy. Take note of the following holy scripture below as well as the words bolded for clarity.

You shall not make for yourself a carved image—any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth; you shall not bow down to them nor serve them. For I, the Lord your God, am a jealous God, visiting the iniquity of the fathers upon the children to the third and fourth generations of those who hate Me, but showing mercy to thousands, to those who love Me and keep My commandments.

Exodus 20: 4-6 (NKJV)

As seen above, verse 4 of Exodus chapter 20 makes it clear that objects (which obviously include images or painting) are not to be made at all and, at the same time, our worship must always be directed to God Himself without any hindrance. God is jealous and that alone is reason for us to reject idolatry and be respectful and obedient to Him eternally. We worship the Lord directly and definitely no object, no image and no person in between! We Christians have worship leaders and pastors to guide us to worship the Lord directly, while always remembering we each have a personal relationship with God. A church that claims to be Christian but practices idolatry and has its members worship objects and the church leader is not truly Christian.

Exodus 20: 4 also looks back to the time when Israel was surrounded by people who worshiped images that were also referred to as gods. As it is true that no human effort could represent God, God Himself forbade the making of images or objects about Him. This same truth is also applied to Lord Jesus.

Meanwhile, idolatry that does not involve religion but other things like entertainment (examples: movie stars, celebrities, superheroes, video gaming), government figures (example: politicians), sports (example: basketball superstars), culture and the like is also an abomination to the Lord.

Superhero movies have been wildly popular worldwide for the past twenty years, and those films used comic books as basis for storytelling and visual concepts. How many times have people seen Spider-Man swing above people, Superman fly high, Batman fighting criminals and Wonder Woman saving people? While I enjoy superheroes in varied forms of entertainment media, I know fully well that they are all just pieces of fiction and I NEVER worshiped any of them. I will never worship them, ever. I am a geek but I prioritized my faith in the Lord and I always will maintain my personal relationship with Him. Definitely I reject idols and idolatry.

To my fellow geeks reading this, I urge you to never engage in idolatry no matter how passionate you are with your geek interest. Don’t worship movie stars, superheroes, images and don’t let highly interactive, deeply engaging video games from enslaving you. Always look up to Lord Jesus and follow God’s Word.

Idols are truly distracting and have been used by Satan to keep the unsaved and lost souls away from God, Lord Jesus and the Holy Spirit. It’s bad enough that our world is dominated by powerful, sinister forces whose acts are further magnified by the news networks that reached billions of viewers (notably news junkies) every day.

When it comes to true Christianity, we the Christians who got born again are the Church and our true leader is Lord Jesus who has been in Heaven so long ago, and He promised to return to us here on Earth. We Christians living in the flesh here on Earth are to reject idolatry (plus religion, traditions and rituals) and focus on engaging in the enduring race of faith remaining faithful to the Lord, praying in tongues, studying the Holy Bible and applying its lessons into our lives.

Idolatry really has no place in Christianity and we Christians must never let it dominate us.

Remember God is always good, always faithful, always loving and caring, always our protector and always our source. All those idols around us are NOTHING like Him. This brings me to my next point – being an idolater means getting involved with demons and paganism. Take a close look at the holy scriptures below.

They provoked Him to jealousy with foreign gods; With abominations they provoked Him to anger. They sacrificed to demons, not to God, To gods they did not know, To new gods, new arrivals That your fathers did not fear.

Deuteronomy 32: 16-17 (NKJV)  

“They shall no more offer their sacrifices to demons, after whom they have played the harlot. This shall be a statute forever for them throughout their generations.”

Leviticus 17: 7 (NKJV)

To put things in perspective, idolatry is the gravest sin in ancient Israel (refer to verse 17 of Deuteronomy chapter 32). The laws pertaining to the sanctity of blood prohibit involvement in the pagan practices of foreign worship. This is connected to verse 4 of Deuteronomy chapter 6 which states: “Hear O, Israel: The LORD our God, the LORD is one!

For its part, the early church encountered similar concerns when they tackled the question of Gentiles who came from pagan backgrounds coming to faith in Jesus as the Lord and Savior. Refer to verses 20 and 29 of Acts chapter 15, as well as verse 25 of Acts chapter 21.

More on idolatry making idolaters involved with demons, pay very close attention to the holy scripture below in the New King James Version and the Passion translation. Key parts bolded for you.

Rather, that the things which the Gentiles sacrifice they sacrifice to demons and not to God, and I do not want you to have fellowship with demons.

1 Corinthians 10: 20 (NKJV)

Absolutely not! However, I am implying that when an unbeliever offers a sacrifice to an idol, it is not offered to the true God but to a demon. I don’t want you to be participants with demons!

1 Corinthians 10: 20 (TPT)

Very clearly in the two translations of 1 Corinthians 10: 20, idolatry is absolutely wrong and it is NEVER EVER a proper form of worship to the Lord. Quite simply, you make an offer or a sacrifice to an idol, it is not for the Lord. You pray to an idol, you are not connected with the Lord. Instead, involving yourself with an idol means involving yourself with false gods or demons.

As for having statues, statuettes and images of the Lord (or those so-called icons – both the dead and the living persons – of people trapped by religion), those things are never necessary for Christians. We the faithful Children of God should always reject idols, focus on the Lord and live by His Word. Get rid of those carved idols there in your household! Get rid of those paintings or other forms of images there in your household! Stay away from those unholy parades/processions that highlight statues for worship! Avoid worshiping people no matter how charismatic they look! Reject Satan, the demons and other forms of evil! Simply worship the Lord directly and always remember Jesus is always alive and is watching us from Heaven!

Going back to 1 Corinthians 6: 9-10, read it once more and you will realize that being an idolater will make you spiritually unholy and unworthy of God’s kingdom. It is undeniably true! 1 Corinthians 6: 9-10 clearly shows that idolaters belong with other unholy and unrighteous elements such as sexual immorality, adultery, sexual perversion, homosexuality, fraud, greed, drunkenness, verbal abuse and extortion. Really, no faith-driven Christian would want to be deemed unworthy by God by embracing idolatry and all those unrighteous elements. The people trapped by the darkness of religion or unbelief, however, are among the idolaters, the adulterers, the covetous, the extortionists and the like. As such, those unsaved and lost souls need to be prayed over so that they will realize the Truth of God’s Word and someday make the decision to get born again and become a child of God.

As Christians driven by faith and living by God’s Word, we certainly do not want to fail in our pursuit and in our personal relationship with Him. Idolatry is a sin and this leads to the final holy scripture for this piece.

We know that we are God’s children and that the whole world lies under the misery and influence of the Evil One. And we know that the Son of God has made our understanding come alive so that we can know by experience the One who is true. And we are in him who is true, God’s Son, Jesus Christ—the true God and eternal life! So, little children, guard yourselves from worshiping anything but him.

1 John 5: 19-21 (TPT)

Now that my newest teaching about idolatry is done, I would like to reach out to all and any unsaved or lost souls among you readers. This is your opportunity to get born again and become Christian. The decision is yours, not mine.

If you seek salvation and are ready to submit yourselves to the Lord, and accept Jesus as your Lord and Savior, then pray this simple prayer in sincerity from your heart:

Dear God,

I believe that Jesus is Your Son, and that He died on the cross to pay the penalty of my sins. I believe that Jesus has been raised from the dead and that He is alive! Right now, I call on the name of Jesus. Jesus, come into my heart. I receive You as my personal Lord and Savior. Forgive me of my sins and cleanse me by the power of Your blood. Thank You for saving me and giving me eternal life! Help me now to follow Your plan for my life. Amen.

Congratulations! You are now a child of God! Praise the Lord and always be faithful to Him! No more darkness in your life caused by unbelief or religion. Your new life under Christ has truly begun!

From this point on, acquire for yourself a copy of the Holy Bible (New King James Version is recommended), study it and apply its many lessons in your life no matter what situation you are in right now. I also recommend you to join a church of born-again Christians near you and find your place in the spiritual family. Worship the Lord together with them and remember that each of you has a personal relationship with Him. Get used to Christian rock music. Your personal relationship with God is strictly off-limits to everyone, even to your family.

The Holy Spirit is in you and you are now a new creation! Remember that God loves you and He is definitely happy over your conversion.

In ending this article, I embedded these Christian worship music videos for your enjoyment and the strengthening of your faith in the Lord. No more idols and other forms of sin in your life. Move forward with Lord Jesus eternally!

Now is the time for you and your spiritual family to keep on being the fearless and aggressive Church of Lord Jesus! Now is the time for you to realize that God made a plan for each and everyone of us before we were even created (refer to Jeremiah 29: 11)! Now is the time to realize that God created us and rewards the faithful abundantly (refer to John 10: 10).

Now is the time for harvest under Lord Jesus! Spread the Word of God, help save the unsaved and lost souls worldwide.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Sharing this Christian piece means spreading the good news of the Lord to others. It can help you save the unsaved souls out there.

If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Friday The 13th: The Final Chapter

Disclaimer: This is my original work with details sourced from watching the movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Considering how long the Friday The 13th franchise of horror movies lasted throughout entertainment history, there were indeed chapters that proved to be good, bad or simply satisfactory towards its fans and other moviegoers.

Having seen ALL the Friday The 13th movies myself, I can say without hesitation that the most defining films of the franchise were the first four films (released 1980 to 1984) which eerily reminds me of the early stage of James Bonds movies released in the 1960s (read: Sean Connery and Albert Broccoli struck cinematic gold with 1964’s Goldfinger).

As I mentioned before, Friday The 13th Part 3 was indeed a fun horror movie and marked the time when the film franchise and its featured villain Jason Voorhees really started to take shape. It was the film that saw Jason wearing his now iconic hockey mask, and improved the creative formula (examples: Jason’s stalking and eliminating people, his encounter with the surviving protagonist or the final girl). In other words, Part 3 ended on a very strong note and high fun factor, setting the stage for the inevitable sequel Friday The 13th: The Final Chapter (AKA Part 4).

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This dangerous stunt will always remain memorable.

Before starting this retro movie review, it’s important to take note of what happened in Hollywood that led to the creation of the 1984 movie.

Background

After Friday The 13th Part 3 rode the 3D movie trend and made a lot of money on ticket sales alone, Paramount Pictures perceived that the slasher horror genre was waning with moviegoers and decided that the Friday The 13th franchise should end. Eventually Joseph Zito was hired to write and direct The Final Chapter. The funny thing was that Zito secretly hired Barney Cohen to write the screenplay, going as far to take phone conferences with one of the producers, share details with Cohen to produce the pages (Zito and Cohen collaborated on the script in a New York apartment) which were sent to the producer (who would go back to the director).

Because it was clear that the film was supposed to end the franchise, Zita wanted the film the be about the death of the newly masked Jason and this explains why The Final Chapter opened where Part 3 ended…at the Higgins property which Jason’s body in the barn. The director told Cohen to focus on developing the characters (as opposed to emphasizing kills). Of course, this did not stop Zito from ramping up the kill count, the gore and nudity. With the cast hired, veteran stunt performer Ted White hired as Jason and movie makeup specialist Tom Savini rehired (note: he worked on the 1980 Friday movie and created Jason’s look as a youth), Zito really wanted to end the franchise with a bang!

With those details already recorded in history, here now is my retro movie review of Friday The 13th: The Final Chapter.

Early story

Friday The 13th: The Final Chapter opened with a recap of Jason, the killings and how things turned out in the first three movies, cleverly using Part 2’s camp fire scene in which Paul told the camp trainees the legend of Jason.

The story begins on the evening of Monday the 16th. For some weird reason, the local police and other emergency personnel arrived at the Higgins property (note: this was the very same California location where Part 3 was filmed at) at least twelve hours after Part 3’s lone survivor Chris Higgins was picked up by the police during the morning.

After picking up the dead bodies and examining the venue for evidence, the medical personnel brought Jason’s unmoving body to the local medical center with his mask and clothes still intact. Some time into the night, Jason (Ted White) discreetly gets up and kills two medical personnel before leaving for the great area of Crystal Lake.

The next morning, Tuesday the 17th, Mrs. Jarvis (Joan Freeman) and her daughter Trish (Kimberly Beck) jog together in the woods heading towards their country home which is located some distance away from Crystal Lake. Inside the house is the young son Tommy Jarvis (Corey Feldman) who is a geek and collector of special stuff. The family is already aware of the killings Jason caused over the past few days (refer to Part 2 and Part 3) and Mrs. Jarvis referred to him as the psycho.

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Remember the good old days when print media journalism was much more credible and not too politicized?

Meanwhile, a new group of teenagers riding a car are on their way to the Crystal Lake area for a group vacation completely unaware that Jason is on the loose. Their destination is a vacation house located very near the Jarvis home…

Quality

Even though the production team had a low budget, this film had improved production values which is literally only the tip of the iceberg. The real indicator of this movie’s quality is with the overall execution in terms of directing, storytelling, characterization (yes, there is character development here) and horror spectacle. The good news is that Friday The 13th: The Final Chapter’s overall quality is pretty good.

For starters, the creative team took the bold approach of having a family and a group of teenagers as targets for Jason’s killing spree. The presence of a likable family like the Jarvises made the Friday The 13th formula feel fresh since the old approach of having teenagers (and a few adults) getting killed off has gotten repetitive. Having good natured characters like Mrs. Jarvis, Trish and Tommy should remind you of the likable families living in your neighborhood. As such, the Jarvis family in the story will make you get concerned for them and despise Jason for the evil icon he truly is.

The new batch of teenagers in this film is an improvement over Part 3’s teenagers (which by the way are more likable than those in Part 2). Among them is Jimmy (Crispin Glover), a troubled young guy trying to achieve something important in his life. There is also Sara (Barbara Howard) who is sweet and appears reserved for Doug (Peter Barton). The pretty twins (Camilla More and Carey More), who just appeared into the film encountering the rest of the youth, added nice variety to the romance potential among them. On the other hand, Ted (Lawrence Monoson), is the stereotypical unlikable and pathetic guy meant for viewers to despise. Samantha (Judie Aronson) is the lady craving for sensual love with Paul (Clyde Hayes).

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Ted: Hey, could you please pass to me a copy of that fake news-oriented local community print media publication? The tabloid, not the broadsheet.

What this movie clearly had in bringing some of the above-mentioned characters to life is character development. Director Zito and team succeeded in making the Jarvis family worth caring for. Jimmy is the teenager that moviegoers would relate with and also root for him to succeed. The other cast members, notably the teenagers wanting fun and satisfaction (skinny dipping and partying, anyone?), were made to be interesting and were clearly not merely disposable. Sara is likable and she looks like she could rival Trish in terms of who would be worthy to be the film’s final girl, not to mention who would be more worthy of the care from the viewers.

In terms of presentation, this film has a more serious tone. Other than Jimmy’s ever memorable dance, the approach to humor is noticeably weaker when compared to Part 3. At the same time, the killings of Jason are executed and made to really look visceral. When Jason kills a character who is likable or at least interesting, you will really feel bad or sorry, and then despise Jason. Speaking of Jason, the filmmakers made him look scarier with the visceral approach to killing on-screen and the fact that Ted White avoided speaking to the other cast members in between takes.

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The memorable Crispin Glover dance!

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One of many hard-hitting stunts in the movie.

When it comes to the stunts, the film crew really went all-out and it involved a lot of pain on the part of the actors because of the lack of safety and stunt performers as a result of the low budget. The stunts in this movie were executed with a lot of intensity and when each stunt ends, you will feel something. Take note that Ted White is a veteran of stunt performing and even doubled for Clark Gable long ago.

Remember the traditional stunts of having a human body thrown into the house through the ground-floor window? Such a stunt in this movie had a lot more impact than what was shown in the first three films. As for the stunt involving the very young Corey Feldman, that one was real and there was a huge risk of injury due to the lack of safety measures. Regardless, the stunt was performed and Feldman’s surprise and shouting were genuine. Here’s a video clip for you to enjoy.

The presentation of the on-screen kills and stunts here are the absolute best of the Friday The 13th franchise. The scare factor is also much stronger.

As for the music, Harry Manfredini returned. His musical score proved to be excellent in terms of bringing life into the scenes complete with precise timing.

Conclusion

I declare that Friday The 13th: The Final Chapter is the best and the most definitive movie of its franchise. It’s also one of the best and most defining horror movies ever released in the 1980s. It’s not worthy of awards for film excellence but it still is a major standout among all horror movies of the 1980s. It should be noted that this movie implemented a twist to the final-girl-versus-Jason formula of the first three movies by having a key character involved during the climax.

Believe it or not, Friday The 13th: The Final Chapter actually had a lot of tension between the director and actors during production (Note: Ted White stood up for the younger actors who had to endure physical pain due to lack of safety, and this put him into direct conflict with the director. And then White was very annoyed with Corey Feldman who in turn was allegedly badly treated on location by Zito).

Even so, the movie turned out to be its franchise’s biggest highlight, the best of it all! Apart from the final results made by director Zito and his crew, Friday The 13th: The Final Chapter owes part of its success to Friday The 13th Part 3 since that movie (a clear improvement over Part 2) helped set the stage for the fourth movie on a creative manner.

At the same time, it was in this fourth Friday The 13th movie where Jason truly became a horror icon as well as one of America’s pop culture icons. Director Zito, Tom Savini and Ted White combined their efforts on making this the most definitive story of Jason Voorhees who was not a zombie but a living human killer who simply won’t stop due to the evil in him. This movie’s Jason is clearly a dramatic improvement over Part 3’s Jason (which in turn was a dramatic improvement over Part 2’s Jason-with-a-potato-sack-for-a-mask) and each time the villain was on screen, you can sense his evil force. The mere fact that Trish got frightened by Jason at different stages of the chase between them proves how intimidating and scary the masked killer really is.

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This is the best Friday The 13th movie ever!

Overall, Friday The 13th: The Final Chapter is highly recommended. For the best viewing experience and story immersion into Friday The 13th, I recommend watching Part 3 and this movie back-to-back.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back At Wonder Woman #9 (1987)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Very recently, Warner Bros. announced that due to the ongoing coronavirus disease COVID-19 pandemic, it has decided to reschedule the release of Wonder Woman 1984 to August 2020.

While fans, geeks and moviegoers have to wait a bit longer for the much-awaited movie, we can take time out to look back to the year 1987 when DC Comics published the comic book Wonder Woman #9 written (plot) and illustrated by the legendary George Perez with scripting done by the late Len Wein.

Remember seeing Dr. Barbara Minerva (Cheetah) played by Kristen Wiig in Wonder Woman 1984? This comic book marked the debut of the post-Crisis Cheetah whose civilian personality is Dr. Barbara Minerva (her literary debut was in Wonder Woman #7). To make history short, the original Cheetah that appeared in 1943’s Wonder Woman #6 was Priscilla Rich while the second Cheetah was Deborah Domaine (Priscilla Rich’s niece). Dr. Minerva is the third and arguably the most modernized and most popular Cheetah.

With the history talk over, here we go with Wonder Woman #9!

WW9a
The cover drawn by George Perez.

Early Story

The story begins with a ritual performed by a short, old man with a knife. He cuts the skin of a naked woman and collects some of her blood. He uses the blood to feed a plant he believes to be a god (the plant-god). Afterwards he returns to the naked woman and covers her with the cloth.

The next morning, at another location, Wonder Woman flies happily in the air. Below her were publicist Myndi Mayer, Julia (Diana’s host and personal educator) and teenager Vanessa.

It turns out, Wonder Woman, who strongly values honor, was happy to have received a letter from Dr. Barbara Minerva. Julia however is not confident and based on her research, she described Minerva as “shady as your average weeping willow.”

Myndi, who is looking for the next great scoop, dismisses Julia’s concern and remains focused on accompanying Wonder Woman to meeting Minerva.

Quality

Apart from marking the first appearance of Cheetah (no longer a lady wearing a silly costume) in the post-Crisis era of DC Comics, Wonder Woman #9 is still a very compelling and fun comic book to read. Its great quality combined with a solid concept can be attributed to George Perez.

On storytelling, Perez and Wein delivered a solid balance between spectacle, characterization, plotting and mystery. The presentation of Dr. Minerva as an accomplished yet arrogant archaeologist is a clever concept of having her involved with Wonder Woman who in turn also has a personal interest in relics and evidences of established cultures and societies (given the Amazonian society Diana came from). Minerva’s transformation and first action as Cheetah is indeed excellent to read.

WW9b
Diana/Wonder Woman and Dr. Minerva/Cheetah meet for the first time ever.

Being one of the greatest comic book illustrators ever, it is no surprise that this comic book still looks great! Even though Perez used a lot of panels per page, the amount of visual details as well as the maintenance of his art style remain high.

When it comes to the first-ever battle between Cheetah and Wonder Woman, Perez pulled no punches back with the spectacle. There is a good amount of brutal action which so enjoyable to see and I can only hope that director Patty Jenkins took inspiration from the comic’s action scenes for Wonder Woman 1984 (a conflict between the Queen of Superheroes and the animalistic villainess on the big screen is inevitable).

WW9c
Brutal action between Cheetah and Wonder Woman!

On characterization, this comic book continued to deliver the good and believable development of Wonder Woman who is still adjusting to Man’s World. To put it short, it is not exclusively focused on Cheetah and Wonder Woman (whose encounters were the highlights). You will get to see how much Diana adjusted with modern society, what she thought about how modern society’s members perceived her and how close she got with Julia and Vanessa while still keeping strong with her Amazonian values.

Going back to Cheetah, the development of Dr. Minerva changing into her animalistic form is very well handled by the creators. There are enough details that explained her physical transformation and her uncanny abilities, not to mention showing her being able to give Wonder Woman a good amount of trouble. This way of modernizing the literary Cheetah is, indeed, very compelling and definitive. By reading this comic book, you will realize why this particular version of Cheetah was chosen to be part of Wonder Woman 1984.

For the collectors reading this, if you are serious on getting an existing copy of Wonder Woman #9, be aware that, as of this writing, a near-mint copy costs $77 according to MileHighComics.com

Overall, Wonder Woman #9 (1987) is highly recommended! It’s a great collector’s item too!

In ending this, watch this first official movie trailer of Wonder Woman 1984.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com