DC Comics – Author Carlo Carrasco

A Look Back at Superman #5 (1987)

May 24, 2023May 20, 2023carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today we go back to the year 1987 and explore a chapter of the post-Crisis DC Comics universe through a Superman tale.

To put things in perspective, John Byrne became in charge of redefining the iconic Superman during the post-Crisis age and he sure had a lot of creative freedom to not only modernize the character but also make him relevant to the public while also pleasing long-time fans. To say the least, the post-Crisis era was a time of daring concepts with the established superheroes of DC Comics. For more insight on Byrne’s handling of the Man of Steel, read my other retro comic book review by clicking here.

With those details laid down, here is a look back at Superman #5, published in 1987 by DC Comics with a story written and drawn by John Byrne.

Early story

The story begins with Clark Kent having an outrageous dream in which he and Wonder Woman fight powerful enemies together. Shortly after arriving at the Daily Planet for duty, Clark learns from his boss Perry White that his office rival Lois Lane is already in South America literally digging on a significant discovery there. After being sent there by his boss, Clark flies to the south as Superman.

Upon arrival, Superman does a super speed reconnoiter at the dig site in the middle of a forest before changing back into Clark Kent. He eventually finds Lois Lane who is very surprised to see him. Even though he explained things to her, Lois remains doubtful of Clark as she still sees him as a journalistic rival who could potentially ruin her hot scoop…

Quality

*In his civilian form as Clark Kent, Superman fights the huge mummy figure.*

I can say that John Byrne’s brilliance is very evident in this comic book. Firstly, this is a story that sheds light on the journalistic rivalry between Lois and Clark that brings back memories about what happened with the Superman hot scoop in The Man of Steel limited series. Here, Lois remains doubtful about Clark and even shows some bitterness as she is on the verge of a major discovery in South America.

Secondly, this story is also an accidental adventure that creatively has a mix of Indiana Jones, UFOs and ancient horror all throughout. The build-up here is pretty strong as the tale focused strongly on the discovery aspect of the dig site which eventually led to a series of action-packed unfortunate events that really pushed Clark Kent both as civilian and as a superhero. Here, Clark has the tough task to fight an over-sized enemy (note: Byrne’s own take on the mummy) to keep Lois and the others safe while also making certain that he keeps his identity secret.

Along the way, Byrne inserted lots of in-depth details backed with observations (by the characters) which made this action-packed tale a cerebral read. This is a fine example of being creative with handling Superman while catering to readers who love spectacle as well as satisfying those who enjoy a smart presentation of the icon. In other words, there is nothing brainless or dumb to find here.

Conclusion

*The journalistic rivalry between Clark and Lois Lane is really engaging to read.*

Superman #5 (1987) is a very good read and this is fine showcase of the brilliant handling of the Man of Steel done by John Byrne. Aesthetics aside, this comic book is a relic that highlights the time when Lois and Clark were rival writers and the idea of them getting romantically involved seemed very unlikely at the time of its publishing during the early stage of the post-Crisis era. It was in many ways a defiance of the status quo of the original DC multiverse that had Lois and Superman as lovers. As an adventure, this comic book is very entertaining and engaging and the thing here is that it is only the first part of its arc.

Overall, Superman #5 (1993) is highly recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Superman #78 (1993)

May 17, 2023May 14, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1993 and explore a chapter of the Reign of the Supermen storyline through one of the issues of the Superman monthly series.

To put things in perspective, DC Comics fulfilled its promise to kill the iconic Man of Steel in Superman #75 (1993) which sold a whole lot of copies and the daring death concept made Superman a hot news item. After a brief period showing what the world is like without Superman, DC resurrected him in Adventures of Superman #500 which spawned the different Supermen and a new storyline (the Reign of the Supermen) which took effect on the four Superman monthly series of the time.

With those details laid down, here is a look back at Superman #78, published in 1993 by DC Comics with a story written and drawn by Dan Jurgens.

Early story

The story begins with Lois Lane still thinking about Superman as she drives her car on a rainy night. At the moment, she still has not learned to live without him. As she is granted access into a facility of Lexcorp, she carefully thinks about the sudden number of many people around the country who claimed to have seen Superman.

Inside the facility, Dr. Meyer meets her and tells her that had met the Man of Steel sometime prior and he believes that the certain person who saved him and others was definitely the same person. Being skeptical, Lois Lane asked him if some other superhero saved them from certain death. In response, he shows to her an image of the heroic figure captured by security cameras. Lois recognizes the face and head even though some parts were shadowed…

Quality

Starting with the storytelling, I can say that this is one solid tale that really pokes the curiosity regarding Cyborg Superman…is he the real Superman or some very clever and capable impostor? Dan Jurgens really knows his Superman stuff and he used a clever approach on arousing the readers’ curiosity while still managing to move the story forward. As one of the early chapters of the Reign of the Supermen storyline, it was very obvious that things were set in motion to set up future post-death Superman stories.

The most engaging parts of this tale were the scenes between Lois Lane and Cyborg Superman (note: he sure looks like a Terminator-inspired take on the Man of Steel which itself was a daring concept back in 1993). Lois Lane here is clearly intelligent and for personal and professional reasons, she would not settle for words as definitive answers but have evidence scientifically analyzed right in front of her. Once again, this is a lively reminder that in the post-Crisis universe of DC Comics, Lois Lane is persistent on verifying facts to realize the truth (which is something clearly missing in today’s world of social media and news media outlets serving as loudspeakers for political forces).

While the storytelling remains good all these decades, what really aged badly in this comic book was the bastardization of Superman’s iconic imagery with some robotic influences of the Terminator mixed in that made him look science fictional in appearance. Of course, Cyborg Superman was just one of the Supermen in this storyline and the Reign of the Supermen concept was clearly an extension of DC Comics’ dishonesty behind the death and return of the Man of Steel. This also shows DC’s irresponsible handling of one of America’s icons. Let’s be honest with ourselves here…how many of you really want to see Cyborg Superman in live-action form in a future DC superhero movie from Warner Bros. and James Gunn?

Conclusion

*How many of you have this poster of a very bastardized image of Superman in your homes right now?*

While Superman #78 (1993) has a good story told and added to the mystery about the resurrection of Superman, it ultimately served as a build-up platform to set up further stories not only about the Man of Steel but also that of Doomsday (note: a big rematch happened a few years later). The image of Cyborg Superman is clearly a defamation of the iconic look of the Man of Steel and that alone really brought the overall entertainment value of this comic book way down in my view. I find it baffling that there was no major backlash nor an outrage from Superman fans back in 1993 over this.

Overall, Superman #78 (1993) is serviceable.

+++++

A Look Back at Wonder Woman #24 (1989)

February 16, 2023February 3, 2023carlocarrasco

Welcome back, superheo enthusiasts, 1980s arts and culture enthusiasts, DC Comics fans and comic book collectors! Today we go back to the late 1980s to explore a part of the DC Comics shared universe through a tale of the Queen of Superheroes herself…Wonder Woman!

In my previous retro review, Wonder Woman’s spiritual superior Hermes makes his presence felt on Earth as she continues her interaction with members of the local society. Unsurprisingly, a great disturbance happens with the people as they let their guard down after witnessing something supernatural. This made things more complicated with Wonder Woman who has been trying her best doing her duty as Themyscira’s representative while maintain the personal relationships she established with certain mortals. And then something wrong happened with Hermes.

With those details laid down, here is a look back at Wonder Woman #24, published by DC Comics in 1989 with a story written and drawn by the late George Perez.

Early story

The story begins Vanessa Kapatelis at home watching news on TV about the strange attack on Hermes. In the city of Boston, two police officers find a man sitting with junk at a wall who cannot help but be very scared of something. The man points to a certain building very nearby.

Beneath the foundation of the building, the earth rumbles with very eerie sounds. The gorgon Euryale and Ares’ son Phobos are on top of a pit and below them is Ixion, the first mass murderer to have ever walked the earth. It turns out, Ixion has long been chained to a large wheel that not only restrained him but also tortured him. The generations of torture disfigured Ixion as well. Hermes, who was defeated very recently, cannot help but be shocked at the sight of Ixion whom he left imprisoned in another place. Phobos tells Hermes he could thank his foolish Olympians as they were so busy with the cosmic migration, it paved the way for him (Phobos) to sneak into Hades and pull out Ixion.

It turns out, it was Hermes who forged the unbreakable chains holding Ixion and only he could break it. Euryale, who wears Hermes’ mystical hat, mocks Hermes. Phobos reveals that he has Hermes’ caduceus all to himself and then uses it to capture and harness energy which he uses to free Ixion.

Suddenly, the building crumbles and Ixion emerges with Hermes caught firmly by his oversized hand. The rise of Ixion terrifies the people of Boston…

Quality

*Look at how intimidating Ixion is while Hermes is so helpless and pathetic.*

Wow! This is one epic Wonder Woman tale that has a nice blend of fantasy, action and 1980s American culture. The stakes within this comic book are so high as a result of the disaster caused by Ixion who really put many people’s lives in danger. Ironically, the huge scale of disaster did not attract the assistance of other superheroes within the shared comic book universe of DC and this only made Wonder Woman’s involvement more significant. Not only would you see Wonder Woman really struggle with fighting Ixion, you will also see her struggle emotionally and logically when she deals with the helplessness of her superior Hermes (who is rather pathetic here and he really looks like a reject from Olympus) and facing the raging evil of Phobos while trying to prevent any further loss of life. By the way, Ixion here is more than just being one large monster for Wonder Woman to face off with.

While this is indeed a tale heavily loaded with action, the script by Perez sheds light on key themes that are indeed worth thinking over. For one thing, how should Wonder Woman handle herself upon realizing her lord Hermes becomes vulnerable and unworthy of godly authority? How should people deal with idolatry (which is foolish and unholy) when they realize a mythical figure like Hermes is so helpless not so long after he convinced them with his amazing display of the supernatural? More on relationships between mortals and powerful beings, how can an ordinary human like Julia Kapatelis really maintain a sisterly bond with Wonder Woman whose powers and responsibilities are so tremendous and are beyond the reach of humanity? There definitely is something engaging to reflect over in this comic book and the richness behind the writing (as opposed to the visual spectacle) is undeniable.

Themes aside, Perez also crafted very rich dialogue which is very evident near the end of the story. I won’t say which characters engaged in the rich conversation but I assure you it is worth getting this comic book for. The said conversation is not only philosophical but also marks another step in the development of the characters involved.

Conclusion

Wonder Woman #24 (1989) is indeed a great Wonder Woman tale and it is a significant improvement over issues #22 and #23 with regards to storytelling, conflict and characterization. This comic book is a lively reminder about how great George Perez proved to be when it comes to writing. It has lots of superhero spectacle to keep readers entertained but ultimately it is Perez’s writing that made this one a great read. It certainly has aged well and by the time you read this particular comic book, you will really miss the late Perez. Lastly, this Wonder Woman tale should serve as a lively reminder to you all that Zeus, Hermes, Aphrodite and all those so-called gods are all false and you should never fall into worshiping them. You engage in idolatry, and you will go to hell. There is only one true God and He has a Son named Jesus who redeemed humanity, established a living covenant with the faithful, died on the cross, overcame death, met with the faithful again and ascended to Heaven with a promise to return.

Overall, Wonder Woman #24 (1989) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at Superman vs. The Amazing Spider-Man (1976)

February 14, 2023January 10, 2023carlocarrasco

Welcome back superhero enthusiasts, 20^th century arts and culture enthusiasts, fans of Marvel and DC Comics, and comic book collectors! Today we go back to the year 1976 to examine what is truly a landmark event in the history of superhero comic book publishing – the first-ever superhero crossover event of Marvel Comics and DC Comics with Superman vs. The Amazing Spider-Man (also referred to as Superman vs. Spider-Man for short).

For the newcomers reading this, I previously reviewed the 2^nd Superman-Spider-Man crossover comic book titled Superman and Spider-Man. That was released in 1981 and was handled by a different creative team (led by Jim Shooter as writer) compared to the 1976 crossover of the two icons of Marvel and DC. Going back to the 1970s, a crossover between Marvel and DC looked like an impossible dream as the idea of the two companies coming into agreements over the legal, creative and financial aspects was perceived to be unachievable. Indeed there were headaches and challenges during the negotiations but ultimately Marvel and DC came into an agreement to publish a special comic book featuring Superman, Spider-Man and the related supervillains and supporting characters from both sides. Take note that the two publishing giants worked together previously with publishing an official comic book adaptation of the movie The Wizard of Oz (1939).

With those details laid down, here is a look back at Superman vs. The Amazing Spider-Man, published in 1976 by Marvel Comics and DC Comics with a story written by Gerry Conway and Ross Andru. This crossover event was described as the battle of the century.

Early story

The story begins at the World News Conference in New York City. Separated by several feet apart, Clark Kent (Superman) and Peter Parker (Spider-Man) arrive with their respective companions and associates. What the two heroes do not know is that Lex Luthor and Doctor Octopus recently escaped from prison.

Peter Parker gets berated by his boss J. Jonah Jameson for not being good enough as a photographer while Clark Kent learns the bad news from Edge Morgan that he is not wanted for the coverage of a national convention.

Shortly after, Lois Lane climbs up a scaffold to get a good view for some photography. Just as she is about to fall down, Peter Parker suddenly grabs her and pulls her to safety. After an exchange of pleasantries, Peter introduces Lois to Mary Jane Watson. Just as MJ and Lois start conversing, Superman suddenly arrives. The Superman figure then fires beams of light from eyes to Lois and MJ, causing them to vanish into thin air. It turns out, the caped figure is an impostor as Peter Parker and Clark Kent react in shock.

Peter quickly runs to the roof of the building and changes into Spider-Man. As soon as he leaps into action, he comes face to face with Superman himself…

Quality

*Superman, Spider-Man, Luthor, Dr. Octopus, Lois Lane and Mary Jane Watson shown in this scene.*

I can loudly say that this is one pretty enjoyable crossover tale that not only featured Superman and Spider-Man, but also gave their respective mortal enemies Luthor and Dr. Octopus a good share of the spotlight. To be very clear, the story and set-up of scenes do have a somewhat restrictive structure as the creators clearly did their best to make the spotlight on the characters more or less equal in terms of imagery, dialogue amount and the sharing of dynamic shots. While some may easily complain about the so-called old and tired formula of the major characters getting into fighting each other due to a misunderstanding followed by setting aside their differences to work together, take note that the said formula worked really well in this story written by Gerry Conway.

The story concept Conway came up was clearly made to justify Superman and Spider-Man encountering each other (note: the same goes with the super villains and supporting characters) and the way he wrote the two interacting with each other worked seamlessly and convincingly. There are lots of nice exchanges of dialogue between the Man of Steel and the webslinger.

*Even the superiors of Clark Kent and Peter Parker had their own crossover.*

*Don’t let the woke and socialists fool you. There is nothing racist in this comic book. Wokeness is foolishness. Political correctness distorts perception of reality.*

Even though the script has this set of creative restrictions to ensure fairness on both Marvel and DC’s sides, the synergy of friendship and cooperation between Superman and Spider-Man is fantastic to read. Similar qualities are also evident with the scenes of Luthor and Dr. Octopus. Very clearly, the creative team did intense research on the Marvel and DC characters and found ways to create a unique mix that resonates with the fans of Superman and Spider-Man.

As expected, this comic book has lots of superhero spectacle for readers to enjoy. The superhero violence is not intense but the action scenes were entertaining to look at. In my opinion, the highlights of the spectacle here is when Superman and Spider-Man literally exchanged mortal enemies to fight with. As for the fight between the two icons as emphasized in the title, it definitely is a special event that really kicked the story into high gear.

While this is indeed a fun superhero crossover to read, there are some notable weak points here. For one thing, the plot itself lacks a strong concept and Luthor’s evil plan is very flawed and unconvincing. That being said, as I read and re-read this comic book, there never was a sense of danger building up nor was the Luthor-Dr. Octopus team ever a grave threat.

Conclusion

*This is only a small sample of the fun in the battle between Superman and Spider-Man.*

By today’s standards, Superman vs. The Amazing Spider-Man (1976) is still a fun superhero crossover comic book to read and it remains as a significant part of not just Marvel and DC’s history of collaboration but also that of inter-company superhero crossover comic book publishing in general. While it is better than many other inter-company superhero crossover comic books I have read through the decades, this one is certainly not the best one from Marvel and DC. For me, Superman and Spider-Man (1981) has a more elaborate plot, higher fun factor and deeper impact than this comic book. Meanwhile, Batman vs. The Incredible Hulk (1981) exceeded this comic book in terms of plotting, character interactions, super villain portrayals and establishing a real sense of danger that requires the super heroes to solve. Still, Superman vs. The Amazing Spider-Man (1976) remains an enjoyable read and it definitely is worthy as the strong beginning of Marvel-DC superhero crossover projects of the 1970s and 1980s. It also has more dynamic visuals than its 1981 sequel. This one is also part of the Crossover Classics: The Marvel-DC Collection paperback.

Overall, Superman vs. The Amazing Spider-Man (1976) is recommended!

+++++

A Look Back at Spider-Man 2099 #9 (1993)

January 9, 2023January 3, 2023carlocarrasco

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, Marvel 2099 fans and comic book collectors! Today we revisit the Marvel 2099 franchise within Marvel Comics’ shared universe during the 1990s. Specifically speaking, we take a look back at one of the early tales of Spider-Man 2099.

In this retro comic book review, the futuristic Spider-Man finally made his way back uptown after spending time in the old city of New York down below where he saw people living in poverty, violent gangs and Vulture 2099.

With those details laid down, here is a look back at Spider-Man 2099 #9, published by Marvel Comics in 1993 with a story written by Peter David and drawn by Kelley Jones.

Early story

The story begins at the Wellvale where Conchata O’Hara (mother of Miguel and Gabriel) suddenly suffers an attack from inside her body. The medics were called for emergency.

Elsewhere, Spider-Man jumps with excitement and relief after finally making it back from deep down the modern city. He almost gets hit by a hover car and decides to stop for a while at an isolated spot to calm down and reflect about what happened recently. He just defeated Vulture in battle below prior to climbing back up.

Suddenly, an armed Public Eye flyboy tries to apprehend him. After making getting near the flyboy and making himself look like he was about to submit himself, the flyboy communicates with his team. During that short moment, Spider-Man fires his organic web at the flyboy’s mouth which causes him to fire his weapon and miss. Spider-Man then knocks the flyboy out cold, leaving the communication line hanging…

Quality

*The idolaters of Spider-Man 2099 spotted.*

Considering everything that happened to Spider-Man in the previous few issues set deep underneath the modern city, this tale was crafted to develop the webslinger’s personality some more while showing for the first time ever the group of Spider-Man 2099 idolaters who are so obsessed, they go around wearing their idol’s costume and even take risks imitating his physical abilities (example: crawling on the wall). There is no good-versus-evil conflict here but more exploration of the modern society Miguel O’Hara has long been part of.

For one thing, at this point of the monthly series, Spider-Man 2099’s misadventures and acts in uptown New York not only caused disturbance with the modern society watched over by Alchemax, he also sparked a new group of people who perceive him to be their holy savior. This kinda reminds me of DC Comics’ very own Sons of Batman which is a youth group inspired by Batman, and to see the Marvel 2099 have its own version of the concept is a pretty neat move by the creators.

Speaking of characterization, the complexities of the relationships between Miguel O’Hara with his brother Gabriel, his mother Conchata, his romantic interest Dana and the relationships the others have with each other begin to really grow in this issue. The good news is that Peter David not only provided solid dialogue for each character but also clearly defined their respective personality traits and thoughts about others. To see Gabriel personally reacting to Kasey’s reaction towards Spider-Man’s body was amusing and even a bit hilarious.

On the artistic side, Kelley Jones work here as guest illustrator was nice to see and certain visual elements of his work on Batman comic books also made it here. The result is a nice change of style and a new approach of showing visual details. I should state that even though his art style is radically different from that of Rick Leonardi, Jones managed to make the established characters look recognizable to me.

Conclusion

*Kelley Jones’ visuals on Spider-Man 2099 is nice to see.*

Spider-Man 2099 #9 (1993) is clearly a more characterization-oriented story which is a nice change of pace and approach considering the chaotic story developments of the previous few issues. This comic book also shows that Spider-Man 2099 continues to encounter challenges in both local society and personally. The revelation of idolatry and idolaters connected to Spider-Man added a new layer of foolishness and evil to the local society (for insight, click here and here). At this stage of the monthly series, something new was clearly brewing for the futuristic webslinger and this showed that Peter David laid out his plans for the direction of the series’ narrative. Lastly, Kelley Jones’ work here really stands out.

Overall, Spider-Man 2099 #9 (1993) is recommended!

+++++

A Look Back at Superman #77 (1993)

December 30, 2022December 28, 2022carlocarrasco

Welcome back, superheo enthusiasts, 1990s culture enthusiasts, DC Comics fans and comic book collectors! Today we revisit the post-death period of post-Crisis era Superman comic books as published in the early 1990s by DC Comics. Specifically, this is about a tale that took placed between Superman #75 (1993) and the hyped return of the American icon in Adventures of Superman #500 (1993).

What you are about to see is a mix of drama and intrigue that took place sometime after Superman’s death as envisioned by Dan Jurgens. As with other post-death comics of the time, the supporting characters connected to Superman as well as his arch enemy Lex Luthor got their fair share of the spotlight.

With those details laid down, here is a look back at Superman #77, published by DC Comics in 1993 with a story written and drawn by Dan Jurgens. This is part 8 of the Funeral for a Friend storyline.

Early story

The story begins with the red-headed Lex Luthor (note: in a new physical body totally different from his previous one) in the middle of a combat session. Even though his hatred towards Superman drives him, he could not help but allow his recall of the past to distract him enough to allow one of combatants to strike him down. As Luthor recovers, the session gets interrupted when Supergirl (a clone) appears with Lois Lane beside her.

Lane shares to him a hard copy of a column that she made before it got trimmed down by the editorial team of the Daily Planet. With so much hate in him, Luthor reacts madly to the article which reveals that Superman’s dead body has been taken away by Project Cadmus. Lois tells him that they intend to cut the Man of Steel’s body for cloning.

Luthor then says he will work to get Superman back where he belongs and put Cadmus in its place for good. Moments after, as she walks away from Luthor’s building, Lois Lane expresses concern about how Martha and Jonathan Kent would react had they learned that their adopted son’s body was taken away…

Quality

*Several photographs of Superman taken by Jimmy Olsen.*

I am happy to say that Dan Jurgens crafted a really solid story in this comic book. Character development is easily the biggest feature here which is very notable on how Jurgens highlighted Lois Lane, Lex Luthor and Jimmy Olsen. Each of them had their own moments – Luthor’s obsession and hatred of Superman here will encourage you to revisit the early post-Crisis encounters between them; Lois Lane meanwhile struggles to move on as she misses Clark a lot (note: they were engaged to get married) while also trying to hard to find his missing body; Jimmy Olsen gets the big opportunity to play a major role on deciding the cover image for a printed media tribute of Superman while feeling really down as a result of the sudden death. Jurgens not only crafted the plot structure carefully, he also wrote down very rich dialogue all throughout and he cleverly used dreams and day dream sequences as exposition to give readers notable visions of the past. This is a very compelling read.

Conclusion

*Visions of Lex Luthor’s past accompanying his modern day self shows cleverness and efficiency on the part of Dan Jurgens.*

Superman #77 (1993) really is a great read thanks to Dan Jurgens delivering high-quality work. At this particular stage of DC Comics’ publishing history, Jurgens not only really knew Superman but he knew how to emphasize the supporting characters (all of which were impacted by the death in Superman #75) and what direction to take the Funeral for a Friend storyline to. If there is anything that negatively affects the impact of this comic book, it is the dishonesty and betrayal (towards the fans) that came within Adventures of Superman #500 (1993).

Overall, Superman #77 (1993) is recommended.

+++++

A Look Back at Venom: Lethal Protector #1 (1993)

December 7, 2022December 19, 2022carlocarrasco

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1993 and explore a part of Marvel Comics’ universe through the first-ever limited comic book series featuring one of Marvel’s most iconic villains – Venom.

To put things in perspective, the origin of Venom started within the events of the 1980s series Secret Wars which took place in a far-away planet. As a result of that series, Spider-Man returned home wearing the alien symbiote as a costume which turns out to have a mind of its own. After Spider-Man successful separate himself from the symbiote (again) using the loud bells of a church, the living costume eventually found a desperate Eddie Brock and bonded with him to form Venom. In the late 1980s comics of Amazing Spider-Man, Venom became the deadliest enemy Spider-Man ever faced.

Going into the early 1990s, Venom’s popularity continued to grow tremendously. He became one of Marvel’s most popular non-hero type of characters and helped sell a lot of comics for the publisher. Knowing they had something to sell, Marvel approved a 6-issue limited series showcasing Venom. It was also the most anticipated comic book among collectors right after DC Comics killed Superman with Superman #75 (1993).

With those details laid down, here is a look back at Venom: Lethal Protector #1, published in 1993 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.

Early story

The story begins in San Francisco, California. Deep within the city, a man cornered a lady at the dead end of an alley. Just as he was about do something bad to her, Venom leaps in at them. Totally surprised, the man was easily grabbed by Venom who lifted him and hit the wall bodily. Using his costume, Venom then chokes the man to death through the mouth and nose. Venom then picks up the lady’s purse and gives it to her. As soon as Venom leaves, the shocked lady runs away screaming.

Venom swings and leaps as he travels through the city. While traveling, Eddie Brock tells his living costume that while their hatred towards Spider-Man got reconciled a bit, the said superhero also helps the innocent. Eddie then reveals that he was born in San Francisco and they can start a new life together in it. Secretly, Venom turns into Eddie Brock in his civilian form. As Brock walks down the sidewalk, police officers nearby recognize him. It turns out. Eddie Brock was listed by police as a wanted person…

Quality

*Spider-Man and Venom face each other unexpectedly.*

Focusing on the plot, this story took place after the events in Amazing Spider-Man #375 (1993) which was released AFTER this particular comic book. As a standalone Venom story, this one clearly portrays him more of a vigilante in the sense that he goes up against a new force of evil that happens to be pouncing on people that Venom believes to be innocent and powerless. Unsurprisingly, Venom does not seek the help of law enforcers to help the innocent but rather he takes violent action to help the victims, going as far as to kill the so-called bad guys. The bad guys in this story work under a powerful man whose son was killed by Venom a few years prior. Within the context of this comic book, the new force of evil was introduced in subtle ways.

With extensive experience writing tales about Spider-Man and Venom, David Michelinie clearly redefined Venom’s beliefs here. Venom believes in protecting the innocent but he is much more violent and is relentless with cruelty which makes him a clear opposite of Spider-Man. Yet in a way, Venom sure talks and acts in a rather psychotic way and this alone makes him a very unlikable comic book protagonist.

Along the way, the iconic Spider-Man got a rather huge chunk of the spotlight in this comic book making him the 2^nd lead next to Venom. I remember back in 1993 when there were Venom fans who complained about Spider-Man literally stealing the thunder away from his greatest enemy while there were a few Spider-Man fans who defended the icon’s guest participation in the story as he has always been linked with Venom’s origin. Considering the lack of depth in the plot, I can say Spider-Man appearance her served as a somewhat helpful filler.

Conclusion

*Helping victims does NOT justify killing. This makes Venom a major turn-off as a comic book protagonist.*

Venom: Lethal Protector #1 (1993) is a comic book that can be alienating, especially when you are not a Venom fan. I find Venom too evil and too unbelievable to be a heroic figure even though he strong believes in protecting and helping the innocent. In my view, he is more of vigilante living with the delusion of achieving something worthwhile as he interacts with people who happen to be not assisted by the many, many Marvel Comics superheroes. It is not surprising that Venom definitely will never be a good role model. He is a murderer and the act of helping victims never justifies murder. The comic book’s plot lacks weight and Mark Bagley’s art looked a little rushed. What made this comic book interesting are Venom and Spider-Man themselves. Yes, there is a lot of superhero spectacle here but don’t expect anything new when you see Spider-Man and Venom resume their violent rivalry. This comic book is unsurprisingly a warm-up of things to come within its series. It is not a terrible literary work. It’s just not really good and it did not deserve the hype and sales of its time.

Overall, Venom: Lethal Protector #1 (1993) is serviceable.

+++++

Better than Streaming: Black Adam 4K Blu-ray set for January 3, 2023 release

November 23, 2022November 22, 2022carlocarrasco

Welcome back, fellow geeks, Blu-ray collectors and movie buffs! Those of you who are die-hard fans of Dwayne Johnson or his recent superhero movie Black Adam should be excited as Warner Bros. officially announced that Black Adam 4K Blu-ray will be released on January 3, 2023. Already orders are being accepted online.

For the newcomers reading this, Black Adam is the newest DC Comics superhero movie which has grossed over $360 million worldwide in the cinemas. In superhero comics, the feature character is known as a formidable adversary against Superman and Shazam (Captain Marvel). The movie notably has former James Bond star Pierce Brosnan as Dr. Fate. It also has the Justice Society in cinematic form.

To put things in perspective, posted below is the excerpt and key details from the 4K Blu-ray announcement at Blu-ray.com. Some parts in boldface…

Nearly 5,000 years after he was bestowed with the almighty powers of the ancient gods—and imprisoned just as quickly—Black Adam (Johnson) is freed from his earthly tomb, ready to unleash his unique form of justice on the modern world.

Johnson stars alongside Aldis Hodge (“City on a Hill,” “One Night in Miami”) as Hawkman, Noah Centineo (“To All the Boys I’ve Loved Before”) as Atom Smasher, Sarah Shahi (“Sex/Life,” “Rush Hour 3”) as Adrianna, Marwan Kenzari (“Murder on the Orient Express,” “The Mummy”) as Ishmael, Quintessa Swindell (“Voyagers,” “Trinkets”) as Cyclone, Bodhi Sabongui (“A Million Little Things”) as Amon, and Pierce Brosnan (the “Mamma Mia!” and James Bond franchises) as Dr. Fate.

Collet-Serra directed from a screenplay by Adam Sztykiel and Rory Haines & Sohrab Noshirvani, screen story by Adam Sztykiel and Rory Haines & Sohrab Noshirvani, based on characters from DC. Black Adam was created by Bill Parker and C.C. Beck.

The film’s producers were Beau Flynn, Dwayne Johnson, Hiram Garcia and Dany Garcia, with Richard Brener, Walter Hamada, Dave Neustadter, Chris Pan, Eric McLeod, Geoff Johns and Scott Sheldon.

Special Features and Technical Specs:

DOLBY VISION/HDR PRESENTATION OF THE FILM

DOLBY ATMOS AUDIO TRACK

The History of Black Adam

Who is The Justice Society?

From Soul to Screen

Black Adam: A Flawed Hero

Black Adam: New Tech in an Old World

Black Adam: Taking Flight

Kahndaq: Designing a Nation

The Rock of Eternity

Costumes make the hero

Black Adam: A new type of action

4K Blu-ray subtitles: English SDH, Spanish, French, Italian, Danish, Norwegian, Finnish, Canadian French, German SDH, Italian SDH

Blu-ray subtitles: English SDH, Spanish, French, Canadian French

For additional insight, posted below are the details from the Blu-ray.com page of Black Adam 4K Blu-ray. Yes, the visuals will be in native 4K.

Video

Codec: HEVC / H.265

Resolution: Native 4K (2160p)

HDR: Dolby Vision, HDR10

Aspect ratio: 2.39:1

Original aspect ratio: 2.39:1

Audio

English: Dolby Atmos

English: Dolby TrueHD 7.1 (48kHz, 24-bit)

German: Dolby Atmos

German: Dolby TrueHD 7.1

Italian: Dolby Atmos

Subtitles – English SDH, French, German SDH, Italian SDH, Portuguese, Spanish, Danish, Finnish (more)

Discs – 4K Ultra HD, Blu-ray Disc, Two-disc set (1 BD-66, 1 BD-50)

Digital – Digital 4K, Movies Anywhere

Packaging – Slipcover in original pressing

Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A

I personally have not seen Black Adam in the local cinema. The published movie reviews of the mainstream and entertainment media had nothing to do with it. I just did not read enough comic books of the feature character and the Justice Society. As such, the promotions and release of Black Adam did not motivate me to watch. Still, I heard from some people that the movie was great to look at inside IMAX cinemas even though it was not filmed with IMAX cameras. I noticed that the reception from moviegoers is stronger than the critical reception.

Regardless of reception, Black Adam is significant as it somewhat reflects that DC superhero movies are changing under the leadership of Warner Bros. Discovery CEO and President David Zaslav. For those who missed out on the news, the old regime of AT&T is gone along with Ann Sarnoff, Walter Hamada and Toby Emmerich. Here is hoping that the wokeness (which is purely foolishness) will fade away more as Warner Bros. focuses on making enjoyable DC superhero movies.

Watch out for Black Adam 4K Blu-ray on January 3, 2023.

In ending this, posted below are YouTube videos related to Black Adam.

If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

+++++

Better than Streaming: The Adventures of Batman: The Complete Collection Blu-ray scheduled for February 28, 2023 release

November 17, 2022November 16, 2022carlocarrasco

Welcome back, fellow geeks, Blu-ray collectors and movie buffs! Some of you might have gotten tired about the so-called modern take of DC Comics’ iconic crime fighter Batman in varied forms of media. I know a few people who expressed disappointment with the way Batman was presented in The Batman, and I noticed geeks who remain divided over Zack Snyder’s vision of Batman.

If you want a simpler, classic and more straightforward Batman and join his fights against the super villains, then you might be interested to know that The Adventures of Batman: The Complete Collection Blu-ray will be released on February 28, 2023, according to the announcement published by Blu-ray.com.

*The Adventures of Batman: The Complete Collection Blu-ray cover.*

To put things in perspective, posted below is the excerpt and key details from the 4K Blu-ray announcement at Blu-ray.com. Some parts in boldface…

The Adventures of Batman was one of the spotlight animated television series to be produced by Filmation, who generated more than 50 animated series, over a dozen television shorts, specials and movies, and eight feature films. The Adventures of Batman was also paired with another famous DC Super Hero to become The Batman/Superman Hour.

Filmation veteran Olan Soule (Super Friends, The Towering Inferno) provided the voice of Batman, while American Top 40 co-founder & host Casey Kasem (Scooby-Doo franchise) played Robin. The supporting cast featured two-time Emmy Award winner Ted Knight (The Mary Tyler Moore Show, Caddyshack) as Commissioner Gordon, Larry Storch (F Troop) as Joker, and Jane Webb (Sabrina the Teenage Witch, The Archie Show) as Barbara Gordon/Batgirl.

Soule and Kasem became the reigning voices of Batman and Robin, respectively, for several years as the Dynamic Duo would appear in two The New Scooby-Doo Movies crossovers, various versions of Super Friends, and The New Adventures of Batman.

Premiering on September 14, 1968, The Adventures of Batman also featured Batman’s primary rogues’ gallery at the time – Penguin, Mr. Freeze, Catwoman, Riddler, Scarecrow, Dollman, Mad Hatter and Simon the Pieman – as well as some notable team-ups of those villains.

The 34 episodes in The Adventures of Batman: The Complete Collection are:

My Crime Is Your Crime / A Bird Out of Hand

The Cool, Cruel Mr. Freeze / The Joke’s on Robin

How Many Herring in a Wheelbarrow? / In Again, Out Again Penguin

The Nine Lives of Batman / Long John Joker

Bubi, Bubi, Who’s Got the Ruby? / 1001 Faces of the Riddler

The Big Birthday Caper / Two Penguins Too Many

Partners in Peril / The Underworld Underground Caper

Hizzoner the Joker / Freeze’s Frozen Vikings

The Crime Computer / The Great Scarecrow Scare

A Game of Cat and Mouse / Beware of Living Dolls

Will the Real Robin Please Stand Up? / He Who Swipes the Ice, Goes to the Cooler

Simon the Pieman / A Mad, Mad Tea Party

From Catwoman with Love / Perilous Playthings

A Perfidious Pieman Is Simon / Cool, Cruel Christmas Caper

The Fiendishly Frigid Fraud / Enter the Judge

The Jigsaw Jeopardy / Wrath of the Riddler

It Takes Two to Make a Team / Opera Buffa

To see the technical details of The Adventures of Batman: The Complete Collection Blu-ray, click https://www.blu-ray.com/movies/The-Adventures-of-Batman-The-Complete-Collection-Blu-ray/327428/

In my experience, I first saw re-runs of The Adventures of Batman on local television as a kid and I often had a lot of fun watching the Caped Crusader fight the bad guys. Along the way, I got oriented with the TV series’ presentations of classic Batman villains and the supporting characters. Reflecting its era, the series was clearly wholesome and for the little ones who have yet to read Batman comic books, the series was effective as a warm-up.

Watch out for The Adventures of Batman: The Complete Collection Blu-ray on February 28, 2023.

In closing this Better than Streaming piece, posted below is a related video.

If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

+++++

A Look Back at Adventures of Superman #500 (1993)

November 11, 2022November 10, 2022carlocarrasco

Welcome back superhero enthusiasts and comic book collectors! Today we explore a key chapter in the post-Crisis era of DC Comics through a Superman comic book. This time, however, we go revisit a comic book that literally served as a bridge between the Funeral for a Friend storyline and the eventual Reign of the Superman storyline. I am talking about the 500^th issue of the Adventures of Superman monthly series.

To put things in perspective, the Funeral for a Friend storyline dramatized the immediate aftermath of Superman’s sudden death which paved the way for comic book creators to develop not only DC superheroes (affiliated with Superman specifically) but also the supporting characters linked with the Man of Steel in new and creative ways. Not only that, there was even a months-long hiatus on all Superman-related comics before Adventures of Superman #500 was released. Back in the old days when Internet connection and online news were not yet common, I heard lots of buzz about DC resurrecting Superman from the dead which added to the anticipation of the 500^th issue of Adventures of Superman.

With those details laid down, here is a look back at Adventures of Superman #500, published in 1993 by DC Comics with a story written by Jerry Ordway and drawn by Tom Grummett.

*The cover of the premium version of this comic book.*

Early story

The story begins inside a Kansas hospital where medical professionals are trying to revive Jonathan Kent who lost consciousness. Martha Kent is present witnessing the efforts happen. As his physical body is being worked on, Jonathan Kent finds himself in a dream-like realm and to his shock, he meets his dead son Clark who finds himself being pulled into the bright light in the distance. Refusing to let go, Jonathan Kent accidentally tears off Clark’s clothes which reveal him as Superman in his iconic outfit. Superman tells his adoptive father to rejoin the living.

Suddenly two wraiths appeared and escorted Superman into the light. Still defiant, Jonathan then flies himself into the light to follow his son.

Back in the real world, Martha carefully monitors her husband’s health reading. After being assured by the medical staff that they won’t give up on her husband, Martha is surprised to see Lois Lane who arrived all the way from Metropolis…

Quality

*Lois Lane with Martha Kent and the recovering Jonathan Kent.*

Let me get straight to the point about this Superman story…this is a very dramatized approach on bringing back Superman from the dead without necessarily going all-out. As we comic book geeks know by now, the Reign of the Superman events launched with this comic book serving as a launch pad and that meant that people had to go through many comic books before finally getting to see Superman himself in resurrected form.

More on the story itself, the main feature here is Jonathan Kent’s struggle to follow Superman in the dream-like realm (note: DC’s version of the afterlife which is clearly not spiritual) as he was motivated by his love for him as well as his belief that the world still needs the Man of Steel as their beacon of hope. To be very clear, Jerry Ordway and Tom Grummet nicely executed their presentation of Jonathan Kent and his uncompromising effort to get his son back. The creative team’s imagination really was set into high gear which resulted in Jonathan revisiting a familiar place from his old days as a soldier, getting himself into a lair of demons, flying deep into space and visiting the realm’s own version of Krypton. Very truly, this comic book’s protagonist is Jonathan Kent and the iconic Superman was more of a supporting figure.

While the Jonathan Kent tale is good to read, Superman’s return from the dead here ended up more as a teaser of things to come (note: the Reign of the Supermen). Considering the big promise that came with this comic book, it is indeed a disappointing pay-off towards all the build-up. Not only that, the side stories are a mixed back. The respective scenes of Lois Lane and Jimmy Olsen added weight to the narrative while the scenes of Gangbuster were pointless and looked more like hollow script filler. As for Cat Grant’s scene, it was designed to make readers feel sorry for her.

As for the scenes – each done by different creative teams – showing the new Superboy, the Eradicator, the black Man of Steel and the Cyborg Superman, these revelations really did not work to recover from the disappointing conclusion of the main story. They were more like creative distractions designed to promote what was coming in the other Superman monthly series of the time.

Conclusion

*In the dreamy realm, Jonathan Kent pursues his adopted son Superman who gets treated like a living idol. The father-and-son dynamic is the most entertaining part of this tale.*

Even back in the old days, Adventures of Superman #500 (1993) was a disappointing read and it was a highly dramatized effort by DC Comics cautiously expressing that Superman’s death was nothing more than a highly deceptive publicity stunt with Dollar signs in mind.

Within the context of this comic book, the resurrection of Superman was essentially a half-step and his eventual full return in comics did not happen until months later (note: after many Reign of the Supermen stories were published). More on the resurrection aspect of this comic book, I can clearly say that Superman – no matter how iconic he is and no matter what comic book creators tried – will never ever become a beacon of hope nor a true savior for people in real life. It really does not matter that many people bought copies of Superman #75 (the death) believing truly that they would witness the end of the American icon and witness a Superman-less future. What mattered here were the deception and the irresponsible use of a pop culture icon committed by DC Comics. Superman #75 (1993) was the gigantic deception that sold millions while Adventures of Superman #500 (1993) was the big follow-up deception.

The resurrection of Superman in this story does NOT make him a more significant DC Comics icon at all. I know that there are die-hard fans out there who love to compare the Man of Steel with Jesus Christ but such comparisons and forced attempts to link them together are pathetic and worthless. Superman is not real and even if he was, he could never overcome death nor could he save people. The resurrection of Lord Jesus can never be matched and only He saved people and led them to salvation in the presence of His Father, the Lord God.

By today’s standard, this comic book is much more disappointing and even worth less as a piece of American comic book history. While the work done by the Ordway-Grummett team here was not really terrible, it was the dishonesty and deception of DC Comics that led to this. In fairness to the creators, bringing back Superman after all the hype and belief invested related to his death was indeed a major obstacle for them. You could feel sorry for Ordway-Grummett.

Overall, Adventures of Superman #500 (1993) should be avoided. If you really want to read it, try borrowing a copy. Just don’t spend anything on it.

+++++

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