A Look Back at Night of the Creeps

Disclaimer: This is my original work with details sourced from watching the movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

When you craft a story meant to entertain people, it is already tough to mix genre elements and make them work together while still telling a cohesive story. Imagine how hard that could be when making a movie with the mentioned creative mix?

Back in the mid-1980s, a young film enthusiast named Fred Dekker not only pulled it off but actually made a feature-length film titled Night of the Creeps which was his cinematic directorial debut. Before making that science fiction/horror/comedy movie, Dekker grew up watching movies of horror, science fiction and fantasy and developed a passion for movies (and movie production eventually).

After much learning through UCLA, Dekker broke into Hollywood and started a professional career in film and eventually got his dream project in the form of Night of the Creeps.

“Night of the Creeps is very much a first feature with the attitude of many first features. The I-may-not-get-to-do-another-movie-so-I’m-going-to-do-everything-I-want-to-do-in-this-movie attitude. It’s an attitude that often backfires, but in this case, it’s exactly what makes Night of the Creeps so much fun,” Dekker stated.

With the short film history lesson done, it’s now time to take a look back at Night of the Creeps written and directed by Fred Dekker, and released in 1986 by TriStar Pictures.

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If you were the police chief, how many police officers would send to corner one zombie?

Early story

The story begins inside a space ship where one alien creature (carrying a canister) is running away from two armed personnel. With the two chasers delayed, the creature manages to shoot the canister into the realm of space.

On Earth, the year is 1959. In a typical American suburb, a college student visits a sorority house to pick up his date. Together, along with a few other pairs in cars, they spend time at a parking spot with a nice night view. A young police officer, who is aware of the news about a potential killer on the loose, approaches the pair and recognizes the lady from the sorority house. He tells them to go home for their safety, and then leaves them.

Shortly after, the canister from space arrives and crashes nearby causing the college student to drive the car (with his date with him) and find the spot of the crash. He parks the car by the woods and moves into woods leaving the sorority girl alone, sitting and waiting. He finds the canister and decides to look at it closely. Through an opening, an alien slug suddenly jumps from the canister and into his mouth. Meanwhile, the lone lady in the car hears the news about the loose killer and realizes the details about their location (being the destination of the killer). Slowly creeping up on her is a man with an axe.

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What teenagers in America used to do in the 1950s.
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Someone closing in…

In 1986, at the same locality, college students party around and engage in lots of activities in relation to pledge week being organized at a local university. Among the students walking down the sidewalk are Chris Romero and his handicapped friend J.C. Chris spots a pretty girl from a distance and instantly falls for her at first sight. With the help of J.C., he decides to pursue her…

Quality

Even with a low budget, Night of the Creeps is very creatively done and comes with a good amount of fun for viewers who enjoy elements of horror or sci-fi, 1950s romance, 1980s teen comedy and even detective story. What made this movie a cinematic gem is that Fred Dekker and his creative team combined their strengths with the talents of their cast members specifically Jason Lively, James Marshall, Jill Whitlow and Tom Atkins.

At its core, Night of the Creeps is a zombie horror flick that had sci-fi elements of UFOs and the 1950s as a strong foundation (in addition to serving in the background of the plot). Those combined genre elements alone (backed with a plot that is cohesive enough thanks to Dekker) made this movie solid and yet, the implementation of detective/crime storytelling and 1980s teen comedy (specifically college culture) further added more punch and variety in making the film really engaging and fun.

That being said, the actors delivered the goods with their respective performances. Jason Lively and Steve Marshall have excellent chemistry together as the 1980s college boys Chris Romero and J.C. They started their acts as typical college guys trying to achieve something when it comes to campus achievements and winning the girl’s heart. They also delivered strong performances on the comedy and they pushed their dramatic limits further when the film’s tone shifted to horror. Jill Whitlow is interesting as sorority girl Cynthia who has that girl-next-door charm. She proved to be talented with acting as she had convincing romantic chemistry with a certain jerk and Chris.

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Steve Marshal, Jason Lively and Jill Whitlow as J.C., Chris Romero and Cynthia.
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The horror film genre legend himself, Tom Atkins!

The standout performer among them all, unsurprisingly, is Tom Atkins as detective Ray Cameron. Before making this movie, Atkins worked in horror movies and a few cult movies, and got involved with the legendary John Carpenter. As such, playing the veteran detective Cameron here was a natural fit for the actor. As the aging and troubled detective, Atkins portrayed him dramatically and because of his very rugged touch, the actor really looked like he actually lived through decades of police work in the fictional town. Atkins also proved to be very good with quotes, specifically with “Thrill me!” It should be noted that this is Atkins’ personal favorite role in the horror genre.

When it comes to telling a cohesive story to emphasize the mixed genre elements, I should say Fred Dekker and his team succeeded. The pacing ran at a medium pace for the most part and even during the slower scenes, there was never a boring moment. More on storytelling, Night of the Creeps’ concept made sense for the most part (about how a slug from outer space would gradually cause zombification on people and even animals, in the midst of college-related events happening) and still had room for suspense, spectacle (note: Jason Lively and Jill Whitlow themselves used dangerous weapons near the end of the film) and, yes, character development! All of that pulled of nicely in roughly ninety minutes and the viewing experience was ultimately fun and engaging.

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I wonder if this image would be considered offensive by the SJWs…
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Perhaps this will inspire you to research what American life was like back in the 1950s.

It should be noted that, in terms of presentation, key scenes were very well directed and strong performances from the actors were realized. The scene where detective Cameron and Chris had a private talk was intriguing to watch, and that one had the strongest act Tom Atkins made in the film. I should also mention that, apart from the dramatics and performances, I enjoyed the cinematography done by Robert C. New especially with the way the camera moved as the actors delivered their lines in key sequences. There were closeups that perfectly captured the moments when the actors delivered their strongest acts. Last but not least, the music by Barry De Vorzon fit the film’s tone and concept smoothly.

Conclusion

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Here they come…

I really love Night of the Creeps and I want you – my readers and fellow film buffs and pop culture geeks – to watch it from start to finish. I never saw this movie in the cinemas in the 1980s but was fortunate enough to watch it on cable TV on a late night in 1998 (twelve years after its cinematic release). That was a night I’ll never forget because Night of the Creeps delivered the fun and exceeded my expectations. Then years ago, I finally acquired the Sony Pictures Blu-ray disc release which I replayed from time to time at the comfort of home with my Xbox One console as the disc player. The film looks even better in high-definition!

The best thing I love about Night of the Creeps is its big mix of genre elements which was supported by solid storytelling and performances. When it comes to spectacle or shock moments, it should be stated that the practical effects used (note: no CGI or computer-generated images here) in the movie still stand up strongly until now although I must say that the aliens creatures in the early part of the story were just not convincing enough.

Even by today’s standards, Night of the Creeps is enjoyable and gripping to watch, and the fact is nobody in Hollywood is making anything like it, nor are there any filmmakers willing to do a big mix of genre elements and tell a cohesive story with good performance from hired talents. This alone makes Fred Dekker’s directorial debut a cinematic gem that has been overlooked by too many people

In light of modern society and its norms, I declare that Night of the Creeps will give you a good dose of escapism not only from real life but also from the corrupted and highly politicized culture of Hollywood which points to the Political Left (whose central figure Barack Obama supports Iran, the terrorists and illegal immigrants) and its trouble makers (examples: social justice warriors or SJWS, the socialists, the radical feminists, the LGBTQ) who managed to infiltrate the American film industry and even the American media (note: you can tell if a movie review was written by an SJW who only writes something to fit his/her social justice agenda). This old movie was made to deliver fun without any political garbage whatsoever. That being said, it will make you wish that Hollywood would just focus on making their movies truly entertaining and be free from political poison at the same time. Movies that carry political overtones or emphasize identity politics are major turn-offs.

Overall, Night of the Creeps is highly recommended! That being said, I urge you to order a Blu-ray copy of Night of the Creeps now at Shout Factory and Amazon. Whichever Blu-ray version you acquire (note: the Shout Factory version has newer and more extra stuff), you can’t go wrong with Night of the Creeps in high-definition.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman (2017)

Disclaimer: This is my original work with details sourced by means of watching the movie and doing research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

I just love watching superhero movies, especially the ones that were well crafted by the filmmakers complete with solid storytelling, sufficient spectacle as well as memorable performances by the hired talents (both behind and in front of the camera).

Of all the superhero movies made by the forces of Hollywood starting with 1978’s Superman, I can clearly say that 2017’s Wonder Woman is my favorite. Don’t get me wrong. I did not limit myself to just DC Comics superhero movies. I saw all the X-Men movies and their spinoffs, almost all the Spider-Man flicks, almost all of the Marvel Cinematic Universe movies and even the obscure ones. Along the way, there were some great superhero flicks that became modern-day classics like Logan and Avengers: Infinity War.

Still it is the Gal Gadot-led, Patty Jenkins-directed Wonder Woman that I loved watching the most.

Let’s start with my retro review of Wonder Woman, the one film that arguably saved the DC Comics Cinematic Universe for Warner Bros.

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The Wonder Woman movie poster from 2017.

Early Story

The story begins sometime after the end of Batman v. Superman: Dawn of Justice during which Diana finds a long lost photograph recovered by Bruce Wayne. Then she remembers her past in Themyscira where she grew up as the only little girl among the women called the Amazons and her mother is none other than Queen Hippolyta. Concerned that the wicked Aries is still alive, Hippolyta’s sister Antiope trains Diana (initially in secret until they were discovered) to be strong, brave and more capable than their fellow Amazon warriors.

One day, Steve Trevor arrives in Themyscira becoming the first-ever man Diana ever met. Tension rises when the Germans (from World War I Earth) arrive on their island causing the Amazons to fight in defense. A lot of people lost their lives, including someone very close to Diana.

While interrogated with the Lasso of Truth, Steve reveals who he is and what he has been doing. He states that back in his world, World War I is ravaging the world costing many people their lives. This causes Diana to stand up and stop the war somehow (she believes Aries is responsible). Queen Hippolyta disapproves of Diana’s analysis. After privately meeting with Steve, Diana then starts her move for a mission to stop the war in Man’s World.

Quality

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Gal Gadot as Wonder Woman in the middle of German soldiers.

Let me start with the performances. Gal Gadot definitely IS Wonder Woman in this movie. Regardless of how many versions of Wonder Woman there are in comics, the Israeli actress truly captured the essence of Diana’s early development which includes her special place among the Amazons (note: she is the only Amazon who was born in Themyscira and grew up from infant into a mature woman), her fateful meeting with Steve Trevor, her entry into Man’s World and how she adapts with the events and people outside of Themyscira. Wonder Woman’s purity on saving the world, doing what is right and emphasizing love and compassion were all nicely translated into cinematic art by Gal Gadot. From doing the action scenes to saving people, speaking her mind among her fellow Amazons and interacting with others as she adapts with Man’s World, I really love Gadot’s work on bringing Wonder Woman to life. As her cinematic work is great, there is no doubt that Gadot will always be iconic to fans of the Queen of Superheroes and superhero enthusiasts in general in the decades to come right beside Lynda Carter (who played the icon on TV), Christopher Reeve (Superman), Robert Downey, Jr. (Iron Man) and Chris Evans (Captain America). Meanwhile, the portrayals of Diana as an 8-year-old girl as well as a 12-year-old were perfectly done by Lilly Aspell (who is truly skilled with horse riding) and Emily Carey.

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Lilly Aspell as young Diana with Connie Nielsen as Queen Hippolyta.

Chris Pine is excellent as Steve Trevor who is portrayed to be very dedicated to his work, brave in what he does and still shows compassion instead of arrogance towards others. He also has great chemistry with Gal Gadot and, like in the comic books, their relationship is nicely translated on the big screen. Pine’s performance here is, in my view, the best superhero movie supporting role to date.

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Chris Pine as Steve Trevor with Gal Gadot as Diana in disguise.

Connie Nielsen meanwhile is great in playing Queen Hippolyta and all throughout, there is always a sense of leadership complete with a touch of motherly love just like in the comic books. Her sister Antiope was nicely portrayed by Robin Wright as the one Amazon who taught Diana to be brave, strong and highly capable as an Amazon warrior.

Danny Huston, who played the lead villain in the 2009 movie X-Men Origins: Wolverine, played yet another military bad guy here but this time he’s a World War I German officer. He’s a villain with a purpose who not only fights for the glory of Germany but also strongly believes that war is natural and inevitable for humanity. In some ways, Huston’s Ludendorff reminds me Michael Shannon’s General Zod in Man of Steel.

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Robin Wright is excellent as Antiope.

When it comes to presentation, this film is Patty Jenkins’ 2nd movie as director (her debut was way back in 2003) and the great turnout of Wonder Woman as a high quality movie (as opposed to being a critical and commercial success) only proved yet again that the old saying in Hollywood – The director’s second movie is his/her best movie – is true. Jenkins, who also worked on television, not only prepared a lot to make this movie but also researched Wonder Woman, developed ways to get the most out of the cast members, tweak the written story of the film (by Allan Heinberg, Zach Snyder and Jason Fuchs) and, most notably, she led the production with a lot of passion. To put it short, Wonder Woman is a labor of love (and the No Man’s Land scene is iconic) that not only resonated with fans of the Queen of Superheroes but also with the film critics and moviegoers.

Regarding storytelling, I noticed that a key story from Wonder Woman’s origin in the comics (the contest of the Amazons) did not happen at all in the film. While there were die-hard fans of the icon who complained about it, I felt that the contest of the Amazons would have made this movie more complicated and surely would have lessened the impact of World War I as a key story element. Since the purpose of this movie was to emphasize Diana’s origin and her entry into Man’s World with a major mission, I believe that the contest of the Amazons can be made cinematically later in a future movie.

The way the story was told cinematically, it also captured Diana’s reactions to the events that happened around her. The scene in which she saw the village destroyed showed how death and destruction compelled Wonder Woman to accomplish her mission even though others find ending the war impossible. Along the way, the actors – specifically Gal Gadot – really added life into the narrative with their strong performances.

When it comes to on-screen humor, which is popular among moviegoers and is almost a requirement for most new superhero movies that come out, having it done by supporting players Lucy Davis and Saïd Taghmaoui was a clever move since it allows Gal Gadot to portray Wonder Woman without any performance disruption. Considering her short screen time, Davis as Etta Candy is really funny. The amount of humor in this film, in my view, was just right and never annoying.

Spectacle? Wonder Woman is loaded with action, stunts and exciting stuff! The action involving Wonder Woman was brutal and satisfying to watch, and Patty Jenkins’ use of slow motion on key moments was great (even comparable to John Woo’s past work) and at the same time not too excessive. The Themyscira battle between the Germans and the Amazons at the beach was engaging and strategically filmed. Also, it was fitting that the action ramped up nicely starting with the iconic No Man’s Land sequence. The final battle in the film, unsurprisingly, had lots of computer-generated images (CGI) which is understandable considering the fantasy element of Wonder Woman.

More on the action, I love the way Patty Jenkins had Gal Gadot, Robin Wright, Connie Nielsen and Chris Pine perform the action themselves which all made their characters even more believable. Of course, there were certain moments in which stunt doubles were used to do the more dangerous moments on behalf of the actors.

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This happened just before the iconic No Man’s Land scene.

Apart from the core cast, a lot of the actresses playing the Amazons trained for several months not just to look the part but also to perform action sequences using weapons with actual skill. The stunt coordinators and specialists hired by the filmmakers deserve praise for contributing nicely on making the cinematic Amazons highly believable. This alone not only makes Wonder Woman stand out nicely among all Hollywood superhero movies but also reflects nicely what was portrayed in the comic books.

The production design is also top-notch. I love the scenic locations of Italy used for scenes set in Themyscira. The filmmakers also did a great job recapturing the look of World War I Europe from the historical pictures to the big screen. The costume designs were fantastic, and the standout designs were, unsurprisingly, the costumes of the Amazons which really made their fantasy culture look believable. The filmmakers decided to have much more colorful visuals instead of following the look of Man of Steel, Batman v. Superman: Dawn of Justice and Suicide Squad.

On the music, the work by Rupert Gregson-Williams was great. His rendition of the Wonder Woman theme was very lively to listen to. The same can be said about the music he provided in the memorable No Man’s Land scene which had a nice build-up as Wonder Woman made her first full appearance in costume on the field. Other tunes played in the film suited the scenes well.

If there were any weak spots in this movie, it would be certain shots of action that were not filmed with precision. I’m talking about filming action scenes way too close to the camera combined with music video-style editing that’s supposed to make film look flashy. It’s not only disorienting, it also took me out of the movie.

Conclusion

Overall, Wonder Woman is one of the best-ever superhero movies ever made and easily my favorite of them all. It has an excellent balance between storytelling, character development and spectacle, and Gal Gadot gave the performance of a lifetime not only by bringing Wonder Woman into life in cinematic form but also emphasizing what the Queen of Superheroes stood for. As part of the current DC Comics Cinematic Universe, this movie stood out by having optimism and heroism as core themes (as opposed to the dark, gritty and even cynical approach of Man of Steel, Batman v. Superman: Dawn of Justice and Suicide Squad) and, more importantly, by focusing strongly on Wonder Woman instead of building up for the Justice League movie (which was released months after this one).

Apart from high-quality production values and a strong creative approach, the cast and cinematic performances are easily among the best in the superhero movie genre. Chris Pine’s Steve Trevor is an excellent example of a supporting role that is engaging without ever overshadowing the lead role. By the end of the film, you will realize the impact that Queen Hippolyta and Antiope had on Diana’s personal development.

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Connie Nielsen made a great queen and mother in this movie.

Being strongly focused on heroism with optimism, director Patty Jenkins and her crew succeeded in making this film without ever succumbing to the extreme views of the Political Left in Hollywood and the loudmouth social feminists. When I see the battle between the Amazons and the German soldiers on the beach of Themyscira happen, I simply saw armed women defending their homeland not from men who intend to rape them but rather men who had no right to intrude in the first place. Even as there were scenes showing men in power in World War I Europe (putting Diana in a powerless position), there still was no feminist-inspired hatred towards men. Also the bond between Steve and Diana developing from friendship into a romantic relationship literally shut the door on extreme feminism.

As a Wonder Woman-focused story, this film succeeded on emphasizing the Queen of Superheroes to both long-time fans and mainstream moviegoers. This movie also had a nice mix of having a fantasy setting with Themyscira moving on to a historic setting with World War I Europe. On the origins of Wonder Woman herself, I don’t mind at all that the contest of Amazons was not told because this movie’s concept is already great to begin with and its running time of 141 minutes was just right.

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Gal Gadot will be remembered for a very long time for her excellent portray of Wonder Woman in cinema.

With all the greatness it was made with, I kept coming back to Wonder Woman when replaying superhero movies here at the comfort of home. In the cinemas back in 2017, I saw the film three times. Ultimately, I can say out loud that Wonder Woman is highly recommended and it is truly essential!


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

If you are looking forward to Wonder Woman 1984, check out my preview and opinion about the first movie trailer.

Carlo Carrasco’s Movie Review: Star Wars Episode IX: The Rise of Skywalker

After enduring two whole years being depressed and uncertain about Star Wars movies due to Rian Johnson’s arrogant deformation of the franchise with his abomination The Last Jedi, I am happy to say that I’m happy again after watching Star Wars Episode IX: The Rise of Skywalker.

This is my review of The Rise of Skywalker directed by J.J. Abrams and co-written by Abrams, Chris Terrio, Colin Trevorrow and Derek Connolly.

Early story

The movie begins with the First Order’s supreme leader Kylo Ren on an unrelenting quest that leads him deep into the galaxy where he finds the uncharted destination of Exegol. There he meets a living Palpatine who turns out to be the creator of the late Snoke, the previous supreme leader of the First Order.

Palpatine knows that Rey is still training as a Jedi and he tells Kylo to eliminate her. Palpatine also has a brand new fleet composed of advanced star destroyers armed with powerful weapons capable of destroying planets.

Meanwhile, Finn, Poe and Chewbacca travel in the Millennium Falcon to obtain crucial information from a spy about the location of Palpatine.

Quality

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Chewbacca, Poe, C3PO (hidden), Rey and Finn.

Let me start with the fact that The Rise of Skywalker is, unsurprisingly, a flawed movie that happens to have more good stuff than bad ones. To put things into perspective, J.J. Abrams and their creative team had to make a new movie following the abomination The Last Jedi which, literally, dug a large hole and let the Star Wars film franchise fall deep into it. Not only did Abrams and team work to lift the franchise up and move it forward by having a story that not only made sense but resonated with Star Wars fans while delivering long bouts of cinematic fun. If you want to focus on the fun factor, The Rise of Skywalker is a joy ride while Rian John’s The Last Jedi was sluggish and frustrating to watch.

Storytelling? This movie has been bashed for having a video game-inspired approach of narrative: the band of protagonists go to a new location where they meet people as they move to fulfill a goal only to be hounded by opposition from the antagonists, then they go to a new location where they meet people and similar events repeat.

In some ways, The Rise of Skywalker reminded me about the video game Grandia, Final Fantasy IX and other role-playing games (RPGs) I personally played. While the use of video game-inspired narrative is not the perfect tool to use for a movie, this approach actually works in The Rise of Skywalker! For one thing, the sense of excitement and adventuring I enjoyed from the original Star Wars trilogy returned and I enjoyed every moment of it. This translates into fun while remaining focus on the story objectives and characters. I do confirm that there were lots of spectacles (lots of lightsaber action, shooting, running and spaceship battles) throughout the movie that kept me entertained most of the time. There was no boring moment, not even in the slowest scenes.

The use of video game-inspired narrative also worked in building up the tension leading into the series of events that lead into the final conflict. The result? It paid off nicely! The final conflict and the way the story ended were all worth the wait and build-up! Considering how terrible events happened and ended in The Last Jedi, what was achieved in The Rise of Skywalker was a tremendous achievement!

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Spaceship battles in this movie were plenty and fun to watch!

On the aspect of emphasizing the Force and the Jedi themselves, this movie, in my honest opinion, took inspiration from the non-canon Star Wars Legends (previously referred to as Star Wars Expanded Universe), specifically with elements from the Dark Empire comic book mini-series of 1991-1992. When a key visual in the film was shown to explain Palpatine’s survival, I was not surprised at all.

When it comes to performances, Daisy Ridley really defined herself as an actor and she really defined Rey as a Jedi (with assistance from Abrams and the screenwriters) who carries a huge burden related to her heritage (you’ll find out in the film). After watching Rey in the first two films struggling to learn and move on, she is a more developed character in this movie. That’s not all. Poe and Finn have been more refined and it is through adventuring that they really became lively and believable characters. Adam Driver’s take on Kylo Ren consistently delivered the symbolism of the dark side of the Force (specifically consuming the younger generation) with the exception of a key twist that took place much later (you just have to watch the movie). Ian McDiarmind’s return as Palpatine is undeniably great and a welcome return to form. The actor really showed he is great in portraying cinematic evil.

When it comes to classic Star Wars characters, the filmmakers cleverly used existing footage of the late Carrie Fisher as General Leia and by means of editing and scene set-ups, they succeeded in inserting the character into the narrative complete with recorded dialogue that relate to the events that happened. Billy Dee Williams, meanwhile, made a great return as Lando Calrissian. While I wish his screen time was longer and his character was more involved with the remaining Resistance, it was still nice to see Williams literally disappear letting Lando come to life on-screen once again.

Conclusion

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The Millennium Falcon is better used in this movie than in The Last Jedi.

As mentioned earlier, The Rise of Skywalker is a flawed film. For one thing, there are several plot holes here and there (responded to via visual dictionary). There were also new Force powers that were not fully explained in detail. Those weaknesses, however, did not really drag the film that much. The bad stuff here is NOTHING compared to all the creative garbage Rian Johnson (plus the trash from the Political Left in Hollywood) filled in The Last Jedi since that director was too obsessed with subverting people’s expectations all throughout.

What I admire in it is the effort done by Abrams to connect it with 1983’s Return of the Jedi. The shots of the remains of the 2nd Death Star in the previews only literally show the tip of the iceberg.

As a follow-up to The Last Jedi, this movie moved in two ways: correcting what was set in Rian Johnson’s abomination while also somewhat building up on what was also established in that same abomination. Ultimately, the course-correction done by Abrams and team made The Rise of Skywalker not only fun and engaging, but also recaptured the elements that defined Star Wars as a cinematic experience. There were also key scenes that, in my view, allowed this movie to punch back at the deformation done in The Last Jedi. I smiled a lot when those creative moments took place.

When compared to The Force Awakens, this movie is actually more fun and more engaging. In fact, it is indeed the best of the current Star Wars trilogy (2015-2019).

With this current Star Wars trilogy concluded, I do regret that the classic characters of Han, Luke and Leia ended up as supporting players and the trio of Rey-Finn-Poe (who are welcome additions to the Star Wars family of characters) as protagonists still pale in comparison to them. To simplify things, Luke-Han-Leia are iconic while Rey-Finn-Poe are serviceable protagonists at best.

Ultimately, The Rise of Skywalker is a solidly good Star Wars film and is itself a major recovery from the debacle of The Last Jedi. As the ninth chapter of the entire Star Wars main movies franchise (which first started in 1977), it is a flawed yet worthy addition (and also worthy as the new conclusion) into the saga that involved the Force and the Skywalkers. It is nowhere as great as The Empire Strikes Back (the best Star Wars movie ever) but it is, in my opinion, better and more engaging than The Phantom Menace, Attack of the Clones and Revenge of the Sith respectively.

Star Wars Episode IX: The Rise of Skywalker is recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at On Deadly Ground

Way back in 1994, Warner Bros. released the action movie On Deadly Ground which marked the directorial debut of its star Steven Seagal. The movie had a poster that easily attracted the attention of avid Steven Seagal fans and eventually the film lured quite a lot of moviegoers to the cinemas.

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Even though it had a boring design, this image at cinemas excited Steven Seagal fans and moviegoers craving for action.

I never saw it in the cinemas due to a lack of time and money. Instead I saw On Deadly Ground on VHS format (and later on cable TV) in the comfort of home. That comfort however turned into disappointment after watching it.

For starters it’s a Steven Seagal movie which guarantees lots of hard-hitting action with lots of swearing. What makes it feel unique was its focus of the environment and its very forced concept about a very greedy top executive of an oil company is creating danger towards the environment as his team rushes to complete an oil rig called Aegis One in Alaska.

The execution of the movie, to say the least, is rather poor. Just about every character in the movie is one-dimensional. When it comes to action, it is typical (and very predictable) Seagal as the star gets to fight lots of bad guys without ever being hurt by them! Ironically Seagal in the film expresses pain over the treatment of his wounds.

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Star-director Steven Seagal and the film crew working on an action sequence.

And then there is the emphasis on the environment. The movie narrowly portrays the fictional oil company as the force of danger to nature and threat to indigenous people of Alaska because it is led by Michael Jennings (played by Michael Caine) who is too greedy and desperate to beat a deadline  and prevent the oil rights from reverting back to native Alaskans.

That’s right! Jenning’s Aegis had the oil rights for twenty years and all they could do is try to launch an oil refinery so near the end of the time period. Does it really take that long to construct an oil rig? What exactly did Jennings do during those twenty years? I mean, he acquired the oil rights from the natives and I could speculate he did not prioritize the construction of any oil-related business project using those same rights. Perhaps Jennings spent years touring the world, suddenly was advised that his corporation has financial trouble and only then did he go to work to make oil rig.

More on the environment, Steven Seagal plays Forrest Taft who initially serves Jennings. He eventually checks the computers of the company to find out that faulty equipment has been used and the delivery of better and more reliable equipment is coming in way too late. Taft even asked Jennings (who eventually learned about Taft’s unauthorized computer access) how much money is enough and this predictably leads to a scene in which Taft gets set up to die in an explosion.

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Michael Caine and Steven Seagal.

Unfortunately for Jennings and the other bad guys, Taft survived and got assistance from native Alaskans. Very predictably, he makes a comeback, collects weapons, performed a few destructive operations before proceeding to Aegis Oil’s rig to cause further destruction and kill bad guys!

Then the film ends with Taft giving a speech at the Alaska State Capitol focused on uncontrolled pollution, environmental destruction and big businesses’ contribution to environmental decline.

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Chinese actress Joan Chen pretending to be a native American tribe member.

It’s funny how Taft got to deliver his speech. He was not arrested for causing the oil rig’s devastation nor was held accountable for killing other people. Where are the local authorities who could have initiated an investigation? Even without Michael Jennings, the oil company could have gone to the local authorities or the federal government to accuse Forrest Taft for murder and even acts of terrorism! Also where in the world are those staunch, loudmouth environmental activists and climate change activists? The damage caused by Taft on the oil rig clearly caused damage to the natural environment with those toxic fumes from the explosions! Logic was clearly thrown out for the sake of senseless violence.

When it comes to performances, this movie is a showcase of shallow acting and cinematic expressions. Not only are the characters one-dimensional and the script really had no character development, the actors really had no where to go as far as acting is concerned. Chinese actress Joan Chen plays Masu who only serves as the English-speaking expository dialogue delivery person to help the audience understand the norms and concerns of a Native American tribe. Shari Shattuck  (who is an author and has her own Facebook page) played the pretty, bland and straight-forward special assistant to Michael Jennings. R. Lee Ermey, who is best known for playing military officers, plays the leader of a group of mercenaries who got defeated too easily by Seagal.

In terms of directing and overall presentation, this movie is clearly nothing more than a vanity project of Steven Seagal. There were many moments in the film that looked like it suggested viewers to worship and idolize Seagal. The pacing of the film is very lackluster overall.

Poorly directed scenes? One of them is the excessively violent torture scene of Hugh Palmer (played by a then 73-year-old Richard Hamilton) which showed no restraint on the part of filmmakers. The scene, which was clearly designed to make moviegoers see the evil of Michael Jennings through his henchmen’s act, would have worked better had the on-screen torture been reduced and shortened.

More on the movie’s violence, the scene showing Forrest Taft easily beating up multiple oil workers in response to the mistreatment towards a Native American man was unnecessary and overly long. Taft looked more like a senseless superhero who does not care about humanity and laws. And then there was that hand-slap game between him and “the man’s man” Big Mike (Mike Starr). The presentation of violence and bloodily injuring a man as means of enlightenment is senseless.

Ultimately On Deadly Ground is a worthless action to film to watch and I believe only die-hard Steven Seagal fans will love it. It was a very bad movie back in 1994, it’s even worse by today’s standards. On Deadly Ground is filled with bad ideas turned into film. A pro-environment concept presented as a senseless action film is a big waste. And then there is the old stereotype that a giant corporation’s head is unabashedly evil, inhuman and greedy (note: not all corporate heads of billion-dollar corporations are like that).

As such, I should say that you should never waste your time nor your money on this piece of crap.

+++

Note: This retro movie review was originally published at my old blog Geeks and Villagers. What you just read was the updated and expanded version. As such, this retro movie review is the most definitive version.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

Reject Halloween, Stand With God

In my old life, I used to be fond of celebrating Halloween. Having been Born Again, I realized my true purpose in life under God the Father and His Son Jesus. That being said, I realized how wrong it is to celebrate which is essentially evil and unholy for any Christian (including those who practice idolatry which itself is sinful). Halloween will take Christians away from the Lord and that alone is reason enough to reject it.

Halloween’s origin is Celtic by nature and it is connected with observing the sacrifices to gods under the Druidic culture. There is also Samhain, a dark lord who sends out evil souls to attack humans can only save themselves by disguising themselves with the images of those very evil souls.

Sounds familiar? It is because there are these modern day Halloween practices that are linked to the evil rites and superstitions of Halloween. In the modern world where Halloween gets celebrated, people (including many children) go out and around their local communities wearing costumes of horror figures like zombies, demons, monsters and pop culture-related villains (examples: Jason Voorhees, Freddy Krueger, Michael Myers). These costumed Halloween participants, looking horrific, would visit any household that offers candy for trick-or-treat. Wearing “non-horror” costumes like superhero attire or fantasy attire (example: dressed like a princess) does NOT reduce the evil that comes with Halloween. There is no such thing as an innocent way of celebrating Halloween.

And then there are those multimedia-related ways of celebrating Halloween like watching horror movies back to back or playing video games that carry strong horror themes. There is also the business aspect of Halloween as food retailers promote the season by linking it with selling candy and chocolate (clearly to take advantage of families or groups that intend to give away the sweets during trick-or-treat Halloween celebrations in the local communities).

Halloween trick-or-treat here in the Philippines even made its way to local government units. In October of 2016 and 2017, the City Government of Parañaque organized trick-or-treat at City Hall which attracted kids wearing costumes (including horror and superhero attire) who visited varied offices that give away candy. During those times, the City Government even organized special events at the nearby city sports complex celebrating Halloween which I find rather disturbing.

In my old life, I enjoyed celebrating Halloween and I used to ignore the claims that it was unholy and evil. While I never went out for trick-or-treat as a kid, I helped out in giving candy to costumed visitors. I also hiked around the local area photographing the Halloween activities flocked by participants, and then uploading those pics online for social media users to view. I also took time celebrating Halloween by watching horror movies.

Looking back, I honestly admit that celebrating Halloween was indeed wrong. Now that I’m a saved soul and a dedicated Christian with a living relationship with the Lord, I declare that Halloween is wrong, unholy and evil. Halloween is a popular tool used by Satan to take people away from God and Jesus. Halloween definitely should be rejected always and we Christians must always be with God. Let me discuss the following points.

“Is it okay for a Christian to celebrate Halloween?”

The answer is a definite NO. Let’s take a look at the Holy Scripture below.

You cannot drink the cup of the Lord and the cup of demons; you cannot partake of the Lord’s table and of the table of demons

1 Corinthians 10: 21 (NKJV)

And now the Amplified version.

You cannot drink [both] the Lord’s cup and the cup of demons. You cannot share in both the Lord’s table and the table of demons [thereby becoming partners with them].

1 Corinthians 10: 21 (AMP)

Very clearly, there is no room to worship both the Lord and evil. If you want to be with the side of God and Jesus, you really need to purify yourself and free yourself from whatever form of evil thrown at you by Satan. Satan is a loser indeed, however he still exists because Adam gave him dominion (read about Adam’s Rebellion) and as long as he exists, he will do anything to take you away from God, to prevent you from worshiping the Lord and will use anything (including religion and idolatry) to prevent you from making progress with the Lord. Halloween is one of Satan’s weapons against Christianity. Halloween is also a long-time tool of the enemy to embrace evil.

If you sinned by celebrating Halloween and committing other sinful acts in your past, you can still be saved (note: you need to be born again to be saved. Heed the words of Jesus in John 3: 3) because God is merciful and you need to be willing to repent, submit to Him and dedicate yourself to Him with an established personal relationship with Him.

Be aware that goodness comes from God and evil comes from Satan. It’s as clear as night and day. If you are a saved soul, then it is clear you should stand with God and His Son Jesus. Being dedicated to the Lord will spare you from evil, and that takes willingness and decisiveness from your end.

Learn from this Holy Scripture.

And you He made alive, who were dead in trespasses and sins, in which you once walked according to the course of this world, according to the prince of the power of the air, the spirit who now works in the sons of disobedience, among whom also we all once conducted ourselves in the lusts of our flesh, fulfilling the desires of the flesh and of the mind, and were by nature children of wrath, just as the others.

But God, who is rich in mercy, because of His great love with which He loved us, even when we were dead in trespasses, made us alive together with Christ (by grace you have been saved), and raised us up together, and made us sit together in the heavenly places in Christ Jesus, that in the ages to come He might show the exceeding riches of His grace in His kindness toward us in Christ Jesus. For by grace you have been saved through faith, and that not of yourselves; it is the gift of God, not of works, lest anyone should boast. For we are His workmanship, created in Christ Jesus for good works, which God prepared beforehand that we should walk in them.

Ephesians 2: 1-10 (NKJV)

Each and every one of us was created to be loyal, faithful, loving and dedicated towards our Heavenly Father God and His Son Lord Jesus even as we were granted the freedom to think, act and decide. Even before we were even made, God established a plan for each and every one of us. Worshiping Satan, embracing evil, celebrating Halloween and living a life full sin and wickedness are obviously NOT part of God’s plan for us all.

By realizing the true purpose of your existence under God, you will realize that it is your destiny to be saved and to be faithful (not religious) to the Lord. Satan used a whole lot of tools to prevent God’s creations from being with Him. Satan used not only Halloween but also religion, idolatry, money, power, destruction, secularism, atheism, agnosticism, entertainment and a whole batch of other tools to bring Christians down and make evil stronger.

Going back to Halloween, that celebration of evil includes witchcraft which is an abomination! In our world, it is too easy for people to go out wearing costumes to look like witches and this alone spreads the influence of evil around. There are also filmmakers and other creative people out there who made witchcraft look cool or even a good custom to practice. The 1996 Hollywood movie The Craft is one such example of spreading Satan’s influence to the public and I personally recommend to you readers to avoid watching that movie (note: destroy whatever physical or digital copies you have of it) at all. Witchcraft and related stuff like sorcery, necromancy and magic are abominations as written in the Holy Bible. Read the Holy Scripture below.

“When you come into the land which the LORD your God is giving you, you shall not learn to follow the abominations of those nations. There shall not be found among you anyone who makes his son or his daughter pass through the fire, or one who practices witchcraft, or a soothsayer, or one who interprets omens, or a sorcerer, or one who conjures spells, or a medium, or a spiritist, or one who calls up the dead. For all who do these things are an abomination to the LORD, and because of these abominations the LORD your God drives them out from before you.”

Deuteronomy 18: 9-12

Those abominations that look good in entertainment media are all made to deceive you and prevent you from achieving progress and purity with the Lord. From time to time, there are media reports about real life people who practice witchcraft, sorcery and other unholy customs that make this world a terrible place under the eyes of God. That is, obviously, very unfortunate because it proves how screwed up our physical world really is.

Even appearances can add to the influence of evil. You think going out in local community Halloween celebrations dressed as a witch, or as a magician or as a sorcerer (or even cosplaying as Marvel’s Doctor Strange) is okay with the Lord for as long as you don’t practice witchcraft and the like? Wrong! Imagery or appearances of evil spread evil and deceives others. Such imagery also will influence people to embrace idolatry which itself is a sin. Idolaters will not inherit the kingdom of God!

Rejecting Halloween Effectively

You might be wondering: how are we Christians supposed to reject Halloween and its evil effectively?

First, we must realize our purpose as Christians from the following Holy Scripture.

You are of God, little children, and have overcome them, because He who is in you is greater than he who is in this world.

1 John 4: 4 (NKJV)

And the Amplified version…

Little children (believers, dear ones), you are of God and you belong to Him and have [already] overcome them [the agents of the antichrist]; because He who is in you is greater than he (Satan) who is in the world [of sinful mankind].

1 John 4: 4 (AMP)

With that Holy Scripture in two versions, it is clear that as children of God, we are victorious for we believe in the victory of Jesus over Satan. With God on our side, nothing is impossible and we have the power to reject fear, reject evil and reject Satan ultimately. It is by faith in the Lord, not religion and not idolatry, that Christians are special and holy. Stronger than Satan too.

With God on our side, Halloween’s global popularity can be wiped away and its influence of evil on others can be removed and be replaced with the goodness and the biblical truth emphasizing the holiness and victory of Jesus.

If you are looking for practical ways to reject Halloween (and Satan), I would suggest the following:

Instead of watching horror movies or anything that carries the influence of evil, go watch YouTube videos of Christian praise-and-worship songs like the following below.

Instead of going out on Halloween trick-or-treat, pray to the Lord in your room with the door shut (refer to Matthew 6: 6 in the Holy Bible) and be aware that in this way, the Lord is in a secret place and when He sees in secret, you will be rewarded openly. If your church is open or has a holy activity at the same time as Halloween is being held on October 31, make an effort to go to church with the Lord in mind.

Instead of looking at evil images or reading materials that are related to Halloween, better read the Holy Bible or a Christian book.

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Christian books that you must read.

By now, it is clear that as Christians we must always maintain strong faith, trust and dedication to God and His Son Jesus. It also means we must be pure in holiness and there definitely is no room for us to accommodate evil in all its forms. As such, Halloween must be rejected always and its evil presence only means we must persevere more to meet God’s high call. We are all God’s creations and He made plans for each and every one of us even before we were even created. Obviously we were NOT created to worship nor magnify evil at all! We are destined to be saved (be born again) and live in holiness following Jesus. We pray to Him, serve Him, thank Him and dedicate ourselves to Him for the rest of our time.

Let me end this with one more Holy Scripture.

He has delivered us from the power of darkness and conveyed us into the kingdom of the Son of His love.

Colossians 1: 13 (NKJV)


Thank you for reading. If you find this Christianity article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back At Friday The 13th Part VIII: Jason Takes Manhattan

When a filmmaker has high concepts but ends up receiving insufficient resources to realize them, disaster normally strikes not only the film crew but also the fans.

This was precisely what happened in the horror movie Friday The 13th Part VIII: Jason Takes Manhattan, written and directed by Rob Hedden. Released on July 28, 1989 in the United States, the movie was the result of Paramount Pictures’ rejection of proposals on making a direct sequel to Friday The 13th Part VII: The New Blood involving that film’s lead character Tina Shepard (played by Lar Park Lincoln).

Hedden, who previously worked for another movie studio and participated in the unrelated Friday The 13th TV series, was hired to make the sequel and he had the idea of bringing the horror icon Jason Voorhees out of Camp Crystal Lake (and its related locations) and came up with concepts of having one story set on a cruise ship (for a claustrophobic horror experience) and another story set in New York City (which includes ideas of having notable locations there as key places for misadventures and action).

“Everything about New York was going to be completely exploited and milked,” Hedden said in an interview. “There was going to be a tremendous scene on the Brooklyn Bridge. A boxing match in Madison Square Garden. Jason would go through department stores. He’d go through Times Square. He’d go into a Broadway play. He’d even crawl onto the top of the Statue of Liberty and dive off.”

The movie studio liked Hedden’s concepts and gave him a budget. The big problem was that there simply was not enough money granted (a little over $5 million) and it was too expensive to film on location in New York (I wonder if Hedden actually made some research about the city as he came up with his New York ideas). Although the given budget was the BIGGEST for a Friday The 13th film at the time, Hedden had no choice but to combine the two concepts into one single narrative. As if insufficient funds were not bad enough, Hedden implemented another concept to look at Jason as a child through the hallucinations of the film’s lead – Rennie Wickham (played by Jensen Daggett). Of course, the hallucinations led to spending some money on “special” effects, make-up, and set-up.

Now, we can start taking a close look at Friday The 13th Part VIII: Jason Takes Manhattan.

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Kane Hodder as Jason on location at Times Square in New York.

The movie begins with shots of New York City (with several spots of Vancouver, Canada pretentiously presented as spots of the more famous city). Over at Camp Crystal Lake far away, a guy and his girl prepare to make love riding a boat floating on the lake unaware that Jason is deep underwater (following the events of Part VII). Through expository dialogue, the guy tells his girl about the legend of Jason who had murdered several people who came near the camp.

Due to an anchor cutting an underwater power cable, loose electricity reanimates Jason (played by Kane Hodder) who went up to the boat to kill the guy and the lady, one by one.

Very soon, a group of graduates from Lakeview High School prepares to embark on a cruise ship for their much-awaited visit to New York. Beyond logic, the scene shows that Crystal Lake is magically connected to the Atlantic Ocean and the background scenery shows that they are in Canada (note: back then it was more affordable to shoot scenes in Canada and pretend to be in the US).

At this point, the film introduces the final girl Rennie who is a gifted student but remains terrified about water since childhood. The leading man meanwhile is Sean (played by Scott Reeves) who is handsome but lacks the heart to follow the footsteps of his successful father who is the captain of the ship. Rennie and Sean both show signs of pain and lack from their respective past and these elements, predictably, make them a matching pair for moviegoers to follow.

Aside from the two, the film introduces mostly disposable characters like Rennie’s overbearing uncle (who happens to be a teacher in the same high school she attends and was clearly written to be the one character to irritate moviegoers into being sympathetic with Rennie and others), the good-natured lady teacher, the hard rock musician, the aspiring filmmaker, the jock, the pretty bad girl, the dude who talks without taking a look, the doomsayer, etc.

Just before the ship leaves, Jason climbs his way up to join the trip. Then he’s stalking starts.

Quality

Friday The 13th Part VIII: Jason Takes Manhattan was very bad when it was first released more than thirty years ago. By today’s standards, this film has aged terribly. Its quality is even worse now.

Let’s start with the most obvious flaw – the movie failed to live up to its promise of Jason’s taking Manhattan. The film’s subtitle is a big lie as much of the movie is set in the ship and New York (including the fake NYC spots that were filmed in Vancouver) does not appear as the definitive location until late in the story!

While the story was set on the ship, the film crew seem to focus on producing on-screen fillers creatively. Sure we get to see Jason stalk and kill characters (with some off-screen death blows) but the dialogue scenes, the transition scenes and character “development” stuff in between were very cheaply and poorly handled.

With Rennie, however, the team managed to make her somewhat engaging as the lead of the film by slowly defining her personality (nicely done by Daggett) and creating on-screen hallucination sequences emphasizing the emotional and psychological damage she suffered from encountering Jason when she was a young girl. The flashback of little Rennie encountering little Jason (which does not make sense at all as far as in-story history is concerned) under Crystal Lake was not only badly done but done without any sense of logic. One can argue that little Rennie only hallucinated of seeing kid Jason (supposedly out of fear and paranoia) but that sequence was just a waste of time even though the filmmakers tried to make moviegoers connect and feel with her. Sean, the other lead, was literally protected by plot armor (note: he was not one of the disposable characters) but his character was not written to do much except serving as a supporter for Rennie.

Lousy stuff? Lots of them here and there! Even though he saw his captain father dead, Sean does not show very much emotion and even worse, he easily forgets about him even as he sees Jason quite a number of times later. He should at least show some deep anger (if not lust for revenge) against Jason. Even though he did not witness Jason killing his father, it was made clear to him and the rest that Jason (and not the doomsayer) was responsible.

How about Wayne, the film-obsessed guy? Even though he and his pals took weapons to go around and hunt Jason, he still bothered to use his camera (while clumsily holding the gun) and film his way around! That is so stupid and it was no surprise that he ends up getting disposed of! Being obsessed with filming, Wayne could have decided to accompany one of his armed pals and used his camera for both video documenting and even help an armed guy see something (example: zooming at a spot or object far away).

As for lousy stuff reflecting the very low budget of the movie, I can point out that the scene in which Sean, Rennie, the uncle and lady school teacher board a lifeboat clearly looked fake and was shot on a studio set. The same thing can also be said about Rennie’s fall into the water (pushed over the deck by Tamara) and she was NOT left behind by the ship that was supposedly moving. The location where JJ played rock music before getting killed looked cheap.

More on production cheapness, either the filmmakers ran out of money or they became too lazy with the wardrobe and hoped moviegoers would be too stupid to notice anything. Look back at the scene when Rennie got pushed off by Tamara into the water and was saved by Sean (who jumped to do his heroic act). Even though they got wet, both Rennie and Sean STILL WORE THE EXACT SAME CLOTHES until the end of the film! Those characters did not change clothes even though Rennie returned to her room!

Speaking of which, the filmmakers disregarded the fact that, in the story, the ship was filled with a lot of students going to New York. There were guys and gals partying, playing games, enjoying the scenery (of Canada!), etc. And yet as the film played on, the filmmakers literally abandoned those many other students. The only exception here was the short scene in which the good-natured lady teacher brought some students with her and told them to stay and wait in the restaurant. A short time later, as she mentioned to her companions that there were students left in the restaurant, Sean replied to her depressingly, “There is no more restaurant.” Without showing any scenes, the filmmakers creatively and nonsensically got rid of the others. I suppose Hedden and team had no more time and money left to show what happened to them all.

The cheapness also affected the look of Jason. Adult Jason in Friday The 13th Part VII had a very menacing, gritty and rotten face design. In this movie, adult Jason’s face looks melted and cartoony! And then there was the inaccuracy with regards to how the film presented little Jason. In the early flashback scene, a kid Jason with a normal looking face was shown drowning (which contradicts the fact that Jason always had a deformed face). There was a ladies’ rest room scene wherein kid Jason (with a slightly deformed face this time) appeared to Rennie via a hallucination. Then there was another kid Jason, more deformed, during the flashback of little Rennie. Whatever the filmmakers did, none of those physical presentations of Jason proved to be scary. Clearly whatever little amount of money they spent here ended up wasted.

On the presentation, the film’s pacing was inconsistent and it sure had several dragging moments. Granted, this was Rob Hedden’s debut as a movie director but I’ve seen other slasher horror films that were paced better and had kills that were executed satisfactorily. The fear factor of this movie was weak overall. Meanwhile, Jason illogically has the ability to teleport in this film which is complete nonsense. I believe that the teleportation was implemented as a convenient way of cutting down on time and expense to complete the production. I suppose showing Jason physically moving from one place to the next to get to his running victim was too expensive and too inconvenient for Hedden’s team.

If there are any good points in this film, I should say that Rob Hedden and his team at least tried to be creative with Jason’s kills (but the teleporting still makes no sense). Tamara (whose mirror got dropped and broke into pieces) got stabbed with a sharp mirror piece. A guy in the sauna gets killed with a hot rock forced into his body. And then there was the city thug who got killed with a syringe piercing through his body (which is impossible and cartoony to look at).

The most memorable kill sequence by Jason was the “boxing fight” with Julius. In that sequence, Hedden told the actor to punch Jason many, many times with real physical contact. That sequence lasted rather long but Jason’s kill of Julius was undeniably good and with impact. Too bad that kill sequence could not carry this movie up.

Another good point to take note is Kane Hodder’s improved take on Jason in terms of action and looking threatening. This was his 2nd time to play Jason and he showed more confidence playing him.

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Kelly Hu was only 20-years-old at the time of production. Jason Voorhees, not Wolverine, was the first pop culture icon she encountered on the big screen.

The stunt done inside a diner (with a particular stuntman who would later have his moment playing Jason in a certain 2003 movie) was at least satisfying to see. Last but not least, this movie featured a very young Kelly Hu who is now a successful and popular Hollywood actress. Fourteen years before she got to fight superhero icon Wolverine on the big screen, she encountered the horror icon Jason right here. What happened to Hu’s character and Jason? You should take time out to watch her scene here.

Conclusion

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Symbolically speaking, Jensen Daggett realized that the film was doomed and it took Jason to catch her attention from behind!

Overall this movie is very, very bad. I can only recommend this to die-hard Friday The 13th fans who are more than willing to set aside logic all for the sake of seeing Jason stalk and kill people. There is little entertainment value here and drastic cheapness will disturb viewers along the way. Not even the short Time Square on-location sequence could save the film. The kills of Jason are a mixed-bag at best and clearly this movie is not even scary to watch. I remember the very first time I saw this way back in the summer of 1990 on laser disc format and there was not even a single moment I got scared. I got to replay this movie on DVD to take a closer look and still I did not get much entertainment value in return.

Friday The 13th Part VIII: Jason Takes Manhattan should be skipped as it is a clear waste of time. If you plan to watch it at all, play the movie only when you want to bore yourself to sleep.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Why I’m Looking Forward To Shazam In Cinemas Even Though I’m No Fan Of The Superhero

Let me start by confirming that although I am a geek and I read lots of comic books – especially superhero stories of Marvel Comics, DC Comics and other publishers – I never was a fan of Shazam (formerly called Captain Marvel before Marvel Comics took the trademark legally) nor was I fond of the Marvel Family (Captain Marvel, Jr., Mary Marvel and others) he was identified with.

But even so, I still will watch in the cinemas Shazam!, the next DC Comics Cinematic Universe movie from Warner Bros. starring Zachary Levi, Asher Angel and Jack Dylan Grazer. It is directed by David F. Sandberg and it will be released worldwide on the first week of April.

For your reference, watch the latest trailer below.

 

Shazam/Captain Marvel has a very long history in superhero comics. While the superhero belongs to DC Comics, he (and the related characters) started in comics published by Fawcett Publications in the early 1940s. He debuted in Whiz Comics #2. Believe it or not, in terms of comic book sales Shazam/Captain Marvel was the most popular superhero of the 1940s and not even Superman could match him. DC Comics sued Fawcett on the grounds of copyright infringement and in part this contributed to the publisher’s decision to cease publishing any comics of Shazam/Captain Marvel by the year 1953. This was only the start of the long road before Shazam and the related characters became part of DC Comics.

When it comes to the DC Cinematic Universe, movie productions are now being done under the careful watch of Walter Hamada and already major improvements have happened such as Aquaman making over $1 billion in ticket sales globally. Shazam! is a film clearly made under Hamada’s leadership and based on the previews, it seems like director David F. Sandberg and his creative team have done a good job and somehow they managed to get good performances from their actors.

As to why I look forward to watching the movie even though I’m no fan of the character, here are my reasons:

1. Seeing Shazam’s literary concept translated into cinematic form – For those who are not familiar with Shazam/Captain Marvel, the superhero’s concept goes like this. There’s a homeless teenager named Billy Batson who was chosen by a very old wizard to continue a fight against evil. Being the chosen one, Billy Batson becomes the muscular, caped superhero Shazam/Captain Marvel by simply saying “Shazam” (which attracts a quick bolt of lightning to him enabling the transformation). In my view, this classic concept deserves a cinematic adaptation. Although the movie trailers showed bits of it, I feel there is more than meets the eye. The transformation from teenager to caped superhero is one thing, his character development is another. This brings me to my next point.

2. Watching the actors bring the characters to life – It seems that the right actors were hired to bring the characters – notably Shazam, Billy Batson and Freddy Freeman – to life. Having read comic books of Shazam/Captain Marvel and watched several episodes of the Shazam cartoon series on TV decades, I still remember how the traits of the characters and from what I’ve seen in the trailers and previews, things are looking good. Based on available information, Zachary Levi reminds me a lot about the caped superhero walking with a human adult body but is living with uncertainty for he really is a teenager (Billy Batson) behind it all. Levi looks good too with humor. Jack Dylan Grazer’s Freddy is a very avid geek which I can related with. Asher Angel as Billy Batson so far looks good in handling the character. Definitely I want to see more of their performances.

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Freddy Freeman and Shazam/Captain Marvel. 

3. I’m interested in superhero comedy from Warner Bros –  Since the release of 2017’s Wonder Woman, the DC Cinematic Universe turned a corner and gradually moved away from the cloud of darkness, grit and cynicism that started with Zack Snyder’s Man of Steel. Wonder Woman was not only a more optimistic superhero movie, it also had a good amount of humor successfully pulled off by the supporting cast. Shazam! meanwhile is clearly a superhero comedy and it could become the most cheerful (if not the most humorous) DC Comics movie yet without being too cheesy or too childish. Director Sandberg and the actors seem to have established a lot of synergy to carefully mix action, fun and humor. I’m hoping that what was shown in the previews is just a taste of more good and fun stuff to come. While I rarely watch comedies, I’m interested in more humor in DC Comics movies. Besides, the adulterated and exagerrated humor I saw in the Deadpool movies is just not entertaining.

4. The state of the DC Cinematic Universe under Hamada’s watch – As it is already confirmed by Warner Bros. that standalone DC Comics superhero movies will be the norm for now, Shazam! is an opportunity to show where the current cinematic universe is right now with regards to connections with other DC superheroes. Already there were references to Batman, Superman and even the Justice League (as seen in the merchandise shot in the latest trailer). I’m not expecting to see much connectivity with the other DC superheroes at all but some signs as to where the cinematic universe is going would be good enough for me. Aquaman had a small reference to the events of the Justice League movie. This is, after all, the cinematic story of Shazam/Captain Marvel. The forcing and rushing of a shared cinematic universe previously done by Zack Snyder is in the past. We must remember that we are now watching the DC Cinematic Universe under the leadership of Walter Hamada.

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Justice League references.

Those are my reasons as to why I will watch Shazam! in cinemas once it opens. I’m no fan of Shazam/Captain Marvel but the superhero deserves his cinematic adaptation and so far the movie looks very promising. I feel it also has the potential to attract lots of fans as well as moviegoers who are not even familiar with the character. We will find out soon enough if Shazam! will be a hit or not.


Thank you for reading. If you find this article to be engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco.

You Want The Truth About The Ten Commandments? Pay Attention To The Holy Bible, Not The 1956 “Classic” Movie.

I am a geek and I love watching movies, playing video games, reading comic books, attending pop culture conventions and the like. But more importantly I am believer in Lord Jesus Christ and God The Father.

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As a person of faith, I don’t hold this classic movie with high regard anymore. We are better off reading the Holy Bible if you really want to follow the story of Moses and the Ten Commandments from God.

Very clearly the Holy Bible contains the Word of God and it truly is the definitive source of holiness and the Truth.

Already there have been many movies around the world that adapted stories from the Holy Bible which created mixed results with regards to accuracy and portrayals.

One notable movie to tackle here is Cecile B. Demille’s 1956 Hollywood “classic” film The Ten Commandments which starred Charlton Heston (who played Moses), Yul Brynner and many others.

I first saw the movie on television as a young boy and found it to be engaging. Of course, that was my old life and I was not yet dedicated on reading the Holy Bible. In fact, I was rather lazy to read the Bible back then.

While The Ten Commandments is an epic film of the 1950s with acting that feels rather unnatural by today’s standards (note: stage-style acting and speaking was the norm in the 1950s), it certainly is NOT the proper way to realize the Truth and the Word which can only found in the Holy Bible.

For one thing, the script of the movie adapted content from non-biblical sources like the Sepher-ha-Yashar, Josephus and the Chronicle of Moses (this only provides a mere hint of verses from the Bible). Next is about the the rulers of Egypt who were named in the movie and yet in the Holy Bible they each were referred to only as “Pharaoh.” Oh, are you aware that the mother of Moses in the Holy Bible (New King James Version) goes by the name of Jochebed (Exodus 6: 20) but in the movie she is referred to as Yoshebel?

Also there is no reference in the Holy Bible about Moses having any early relationship with any of the Pharaoh’s sons.

Truly The Ten Commandments had lots of inaccuracies (and missing details) here and there and this alone should compel each of us believers in Christ to focus mainly on the Holy Bible. Personally, I don’t hold the 1956 movie with high regard anymore.

It may have been a major cinematic epic of the 1950s that also won lots of acclaim and sold a lot of movie tickets. It sure was included in the National Film Registry of the Library of Congress in America for being “culturally, historically, or aesthetically significant” but the thing remains that Cecile B. Demille’s The Ten Commandments still does NOT come close to the Holy Bible for truth and accuracy when it comes to following the story of Moses, the Hebrews and God’s Ten Commandments.

If ever you watch the movie, do not take it seriously as the definitive reference about Moses. The definitive reference of Moses, the Hebrews and God’s Ten Commandments is still the Holy Bible!


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

 

 

 

A Look Back at Hardcase #1

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Hardcase #1’s cover has always been very captivating to look at.

Released in mid-1993 from Malibu Comics under its Ultraverse line of superhero comic books, Hardcase #1 introduced readers to Tom Hawke who is an actor who went from a wanna-be to a celebrity. The story – written by James Hudnall and drawn by Jim Callahan – is not that simple and took a layered approach to presenting the protagonist’s exploits.

The comic book starts with a deeply hurt Tom Hawke (who was not yet Hardcase) whose three teammates D.J. Blast, Forsa and Starburst (his love interest) were being killed by a large robotic enemy whose head, jaw and color eerily resembled that of Xenomorphs in the Alien movies popularized by directors Ridley Scott and James Cameron.

In a desperate effort, D.J. Blast charged himself up to cause a desperate powerful explosion to destroy the enemy but not before Hawke took Starburst with him and jumped far away to escape the blast.

Unsurprisingly survival became hollow for Hawke as he struggled not only to recover from his injury but also deal with the critical condition of Starburst whose doctor confirmed that she sustained serious brain damage and that she was unlikely to recover.

Filled with grief and even guilt, Hawke struggled to change for the better and by utilizing his superhuman talent he eventually went into showbiz as an actor. In the present he got into making movies (during which he wore the costume that defined him in the comics), earning lots of money and talking with varied showbiz professionals on projects.

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Hardcase doing movie production work.

While life became more progressive, Hawke still was not at peace with himself deep inside. As he signed an autograph for a policeman’s son, he revealed that he was just lucky being the only survivor when his team – The Squad – met its tragic end and that even as an ultra himself, he felt that he was not any good in a serious crisis. Feeling guilty, he admitted he let his friends down.

Analytically, the creative team did nice a job fleshing out Hardcase from his days with The Squad to the present as an actor in good demand. The approach of showing him struggle with guilt over the tragedy that claimed two friends’ lives and disabling his love interest is pretty unique and at the same time engaging to read. In this way, Hardcase is a superhero who is not exactly the happy and stable figure to the public but one whose life is imperfect and having no choice but to pay the price of life through a major disaster that hurt him physically and on the heart. Not even the success and promising opportunities of showbiz could lift his spirit. Truly this guy really lived up to his name – Hardcase!

Even with his special powers, Hardcase still doubts himself in relation to dealing with big matters.

He said it best on page 11 – “Even if I am an Ultra, that doesn’t mean I’m any good in a serious crisis. I let my friends down…let them down in a big way.”

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On other matters, the comic book had plenty of action and that includes some gruesome and bloody scenes. Not only that the transition from one scene to another was smooth and well paced.

Safe to say Hardcase is the flawed and struggling hero that people of different walks of life can relate with. For this concept alone brilliantly done by Hudnall and Callahan, Hardcase #1 is highly recommended for all comic collectors. It is a superhero comic book that succeeds in engaging me each time I read it.

Thank you for reading. If you enjoyed this article, please click the like button below and also please consider sharing this article to your fellow comic book geeks and Ultraverse fans. Also my fantasy book The World of Havenor is still available in paperback and e-book format for you to order.

Author’s Note: This article was originally published at my old Geeks and Villagers blog. What you read on this website was an updated and expanded version. In other words, this newest version you just read is the most definitive version. 

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When Superheroes, Politicians and Corporate Media Conspire Together

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In this age of social media and smartphones, watching cable TV news feeds is quite toxic to the mind. It’s not about the ultra-heavy mix of information being dumped by corporate media giants that overwhelm the senses of millions of viewers worldwide. Rather it is about corporate media’s slant on political news and world events that add chaos to the already chaotic world we live in.

Look at MSNBC and Fox News on how they cater to the many millions of Americans divided in the political spectrum. For the most part, MSNBC favored the so-called liberals and the political left while Fox News consistently favored the so-called conservatives and political right. If there is such a thing as the military-industrial complex, then there is also the political parties-corporate media complex.

The funny thing about politically slanted corporate media is that they (the news makers) turn journalism into a commodity, select the facts to be presented to the viewers and eventually find ways to manipulate people’s perception. Meanwhile the viewers who have their respective political ideologies or interests tend to pick a favorite corporate media giant for their daily news. Also corporate media giants know fully well that there are many millions of political news junkies who cannot help but be obsessed and addicted to biased political coverage.

Also behind the scenes, it is very likely that top officials of the existing major political parties (Republicans and Democrats) have discreetly communicated with the top executives of the corporate media giants who in turn made deals with their clients (advertisers) to generate money together as they manipulate people into supporting corporate media’s business model.

I myself am a small press journalist who went around the many BF Homes communities and the cities of Muntinlupa, Las Pinas and Paranaque. I pay close attention to the behaviors of corporate media journalists. Learning from them, I certainly do not want to turn journalism into a commodity nor do I want to report news about useless causes like Catholic parish fiestas. I certainly don’t like ignorance to be the driving factor of news reporting. To be ignorant about what’s going on, who is who, where is where and how things happened is just wrong. Be warned that from the small press to the giant media, there are even news editors who are ignorant and work without really knowing what to do which makes published news reports less journalistic and even misleading for the public. Look at your local community newspaper, the regional paper, the national paper and tell me if you see any headline story that does not deserve the headline.

Don’t forget that there are still other publications other there that serve as propaganda machines whose organizers believe that people are too stupid or too ignorant to see through their manipulation and misinformation tactics.

Anyway since I already mentioned political news bias of corporate media giants, it’s time we take a close look at a particular scene in UltraForce #2 published in 1994 by Malibu Comics under the Ultraverse line.

UltraForce #2
The comic book opened with UltraForce (Hardcase, Prime, Prototype, Contrary, Pixx, Ghoul and Topaz) in the Oval Office meeting with fictional portrayals of United States President Bill Clinton, Senator Bob Dole, UN Secretary General Boutros Boutros-Ghali and the representative of the press.

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Hardcase negotiates with Clinton over a number of matters. UltraForce will help deal with the ongoing conflict overseas with the world “backing up” for them. Contrary says that their team wants to have access to the federal government’s gathered information on ultras (their term describing super humans in the Ultraverse) which irked Bob Dole to express his opposition and tells Clinton that he will “skin” him alive in the media if he agrees to UltraForce’s proposal.

As the difficult agreement came close to being finalized, Hardcase made clear that his team needs the media to reshape public perception of them (and ultras in general) from negative to positive. Unsurprisingly the media representative objected to Hardcase’s idea as it is tantamount to propaganda (or biased media coverage).

Hardcase answered back mentioning that he is an actor in Hollywood and he already knows what it takes to make people feel good or bad about something by means of being selective of the facts for public consumption. He insists that people should start feeling good about them.

The media representative stated that a bipartisan consensus was all it takes for journalists to accept it.

Then Bill Clinton and Bob Dole shake hands which is ironic because in real life history, both men were nominated by their respective political parties for the US Presidency in 1996. Clinton got re-elected then.

My analysis

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The scene, even though it is outlandish in concept, shows clearly that political forces and the giant media have what it takes to manipulate public perception by working together. Of course what reality shows us is that in America, Republicans have Fox News and Democrats have MSNBC to rely on to execute their information manipulation strategies to gain supporters for their own causes.

In the case of UltraForce, it’s about a team of superheroes who need a lot of support from governments and the media in order to be able to resolve the overseas conflict in the story. Their enemy was simply too powerful and too resourceful to defeat so UltraForce played hard-ball with the government and the media.

With regards to biased media coverage in support of UltraForce and ultras that exist in the world of the Ultraverse, it shows that superpowers alone cannot help those who wield it. Without the government and media support, UltraForce will only be perceived by the public as a group of troublemakers (or maybe even as terrorists) even though they fight an obviously evil force that’s been destabilizing the world.

As such, the biased media coverage for UltraForce is what I would call as a morally questionable form of support. On face value, it looks sensible because UltraForce is composed of supposed good guys while their enemies are so destructive and disruptive they are easily perceived as evil. But behind the scenes, supportive biased media coverage for UltraForce kills the spirit of balanced journalism and is pretty much a form of propaganda no matter how good the intentions are.

Could you imagine a special forces team fabricate a situation which would result a tragedy followed by intense coverage by the corporate media which in turn will outrage members of the public and give the administration of the national government the justification to launch a war with superheroes leading the way? Such a situation could lead to even more chaos in this world we live in.

Also Hardcase said it best: Look, I’m an actor in Hollywood. I know this game. I know how you can pick and choose facts to make people feel good or bad about something.

Author’s Note: This article was originally published at my old Geeks and Villagers blog. What you read on this website was an updated and expanded version. In other words, this newest version you just read is the most definitive version


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com