A Look Back at Robin III #3

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Before I start this retro comic book review of Robin III #3, let me explain that the illustrator of the comic book, Tom Lyle, passed away last November over health-related reasons. Before dying, he had a surgery in October 2019 to remove a blood clot in his brain and subsequently fell into a coma. Apart from drawing comics, Tom Lyle was a professor of art at Georgia’s Savannah College of Art and Design (SCAD). For a look at Lyle’s expertise, watch the video from 2017 below.

When it comes to the comic book industry, Lyle started his career with AC Comics and Eclipse Comics back in the 1980s. In 1988, he worked on the art of Starman for DC Comics and went on to work on the company’s other properties and played a major role with the publishing of the three mini-series featuring Batman’s sidekick Robin (Tim Drake specifically).

After leaving DC Comics, he joined Marvel Comics as one of their illustrators on the Spider-Man monthly series. He quickly got involved in the Maximum Carnage crossover and made bigger waves with Spider-Man readers with the Clone Saga. Lyle is widely credited for designing the Scarlet Spider. With regards to his death, Marvel Comics published online a tribute for him.

Now that the short history lesson is over, let’s take a look back at Robin III #3 published by DC Comics in 1993 with a story by Chuck Dixon and art by Tom Lyle.

Cover
The cover.

Early story

The story begins in school where Tim Drake/Robin gets confronted by his superior who noticed the bruises he got. As Tim tries to keep his secrets, the superior Ms. Hollingsworth knows that he was cared for by Bruce Wayne (Batman) while his father was in a coma. She also knows that he lives on a property bordering the estate of Wayne. She makes clear that he can speak openly to her and Tim simply denies that Bruce would never hit him. He states: “An upperclassman…a senior…I think…big kid.”

Eventually the meeting ended and Tim leaves struggling over thinking about the complications he is experiencing with his double life as a student and as a crime fighter. Since he cannot get involved with Batman and Alfred, he spends some time with Harold (who was so busy working on a machine) and eventually goes home. His father notices Tim’s bruises and states that he spends too much time at Wayne’s. This leaves Tim more conflicted within.

Elsewhere, a muscular man called Sir Edmund easily beats up his loyal followers in a bout of combat. His assistant Lynx arrives and informs him that their turf is in danger with the arrival of Russians with KGBeast involved.

In the evening, Robin meets the Huntress and start their next mission…

Quality

13
Hard action with a smooth flow of sequence by Tom Lyle.

For a story set within the realm of Batman and, at the same time, does not have Batman at all, this Robin-centered comic book is well written and engaging. To say the least, showing Tim Drake struggling with his civilian life and crime-fighting life made Robin a literary symbol about the false maturity that youth in real life often experience. That false maturity is nicely portrayed with the superhero aesthetics and fantasy elements.

Quite predictably, Robin performs detective work and analyzes crime situations like Batman only this time, he gets involved with the Huntress (note: this mini-series carries the storyline title of “Cry of the Huntress”) to find out more answers and solve the crime problem. Being a product of the early 1990s, it is no surprise that the story has fictional portrayals about the Russians (with KGBeast leading the so-called invasion of the city) and even mentioning Afghans.

14
Hurting Robin on the head led to hard reactions.

Apart from the storytelling, the art by Tom Lyle here remains good to look at. Each scene, whether is it a talking scene or an action scene, looks good and Lyle has a nice touch on drawing facial expressions. When it comes to the spectacle, Lyle really shows how good he is with drawing hard-hitting physical action. I should also state how smooth the sequencing of action is drawn by him.

Conclusion

16
Robin and the Huntress make an odd crime-fighting duo.

To make things clear, Robin III #3 is the first-ever Tom Lyle-drawn comic book I ever bought and read. By today’s standards, the comic book is still fun to read and it is compelling enough to make readers interested to read more of the mini-series. However, if seeing more of Robin fighting crime by himself is your type of Robin story, then this may not be compelling for you.

If you are seriously planning to buy an existing hard copy of Robin III #3, be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition and the newsstand edition of the direct version costs $4 and $6 respectively. Meanwhile, the near-mint copy of the bagged edition and the unbagged edition of the deluxe version costs $4. To be clear, the deluxe version of Robin III #3 in bagged form comes with a moving cover, a second reversible cover and additional artwork.

Overall, Robin III #3 is recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Starman

When it comes to science fiction movies of Hollywood, the 1980s was quite an interesting decade. Released during the decade were these epic sci-fi flicks like The Empire Strikes Back, Return of the Jedi and Dune. Not to be outdone were the low-budget sci-fi movies that made an impact on pop culture like The Terminator and E.T.: The Extra-Terrestrial.

Screenshot_20190202-185015~2.png

Within the big mix of these kinds of films during the 1980s was Starman which was overlooked.

Released in 1984 to positive reviews (and later an Academy Award nomination for Best Actor for Jeff Bridges), Starman was directed by John Carpenter who established himself nicely in Hollywood with 1978’s Halloween. Between Halloween and Starman, Carpenter also directed genre classics Escape from New York and The Thing.

Starman follows an alien creature whose ship (a UFO) was shot down by fighter jets that acted in defense. The alien finds its way into the house of Jenny Hayden (Karen Allen) who is grieving over the sudden death of her husband Scott (Jeff Bridges) watching a personal video of their past and drinking lots of liquor. Inside the house was an album which contained a lock of hair which the alien used to create a clone of Scott instantly from infant to full adult which is the titular Starman (also played by Bridges).

This of course shocks Jenny. She sees her husband return yet it’s not really him. Starman – the alien – clearly is not used to occupying a human body but does his best to communicate with her in English. He also carries with him seven silver spheres that allow him to do special things (specifically manipulating matter) that would appear as miracles to others. Starman wants Jenny to bring him to the Barringer Crater in Arizona within three days in order to be picked up by his fellow aliens. Otherwise he would die.

Screenshot_20190202-185904~2.png

Although frightened and hostile towards him, Jenny still was considerate enough to drive him far away.

If there is anything significant about this movie, it is the sheer depth of character development of both Jenny and Starman. Equally significant is the chemistry between Karen Allen and Jeff Bridges who made their characters believable.

Jeff Bridges is excellent in his portrayal of Starman. He’s clearly an alien who is not only struggling on being in a human body but also struggles to learn about the many ways of life and expression around him on his time on Earth. This includes learning gestures, saying words and doing things that people already find normal to do.

Karen Allen delivered a fine performance as Jenny Hayden. In fact when it comes to character development, I see Jenny a more significant character than her counterpart from outer space. While Starman adapts to life on Earth, Jenny’s character is gradually and convincingly transformed from one who is stuck with the past and being bitter into a person who gets renewed by understanding that life does have more to offer, that hope exists, that miracles do happen and finding new love and inspiration to live on.

As a Born Again Christian who went through personal transformation, who gained renewed faith in the Lord, and who left the old life behind to live on with a new purpose in life, I strongly relate with Jenny’s character development a lot. The concept of renewal and personal transformation portrayed by Karen Allen is much clearer to me than ever. Not to be outdone is the element of the healing of the soul of Jenny as a result of learning and understanding Starman.

The movie also has a solid supporting character in scientist Mark Shermin nicely played by Charles Martin Smith. Shermin is the typical sympathetic and willing-to-understand scientist who strives to discover first-hand an actual living alien which puts him into conflict the National Security Agency’s plan to capture Starman dead or alive. His talk with Starman reminds us viewers that humanity is always flawed and has many times resorted to violence as a means of accomplishment whenever a challenging situation (read: the visit of Starman to Earth by space ship only to be shot down due to fear of being invaded) happens.

With regards to storytelling, Starman is a nice mix of genre elements that goes beyond science fiction. It is also a road movie and a romance. At the same time director John Carpenter told the story with a controlled pace that gives viewers ample time to understand what’s been going on and a decent amount of spectacles that highlight Starman’s miracles.

Speaking of which, the film has elements of Christianity and the miracles of Starman are just the start of it. I could emphasize further here what the other elements are but that would mean spoiling the story and that is something I won’t do. You just will have to watch the movie to realize it.

Is Starman a wonderful movie? Absolutely! Is it one of the best works of John Carpenter? Truly it is and it deserves any moviegoer’s attention. How does it compare with other friendly alien movies like E.T.: The Extra-Terrestrial and Close Encounters of the Third Kind? Compared to those two flicks, Starman has the best and most mature character development of its protagonists. Its dramatic performances are also better.

Starman is a true sci-fi classic that deserves your attention even if you are not fond of sci-fi or UFO movies. I highly recommend buying this movie on Blu-ray disc or by streaming it.

Starmanpost

Thank you for reading. If you enjoyed this article, please click the like button below and also please consider sharing this article to your fellow John Carpenter fans and sci-fi movie fans. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your project or business, check out my services.

Author’s Note: This article was originally published at my old Geeks and Villagers blog. What you read on this website was an updated and expanded version. In other words, this newest version you just read is the most definitive version.