Tag: comics

A Look Back at Spider-Man 2099 #27 (1995)

A Look Back at Spider-Man 2099 #27 (1995)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 to explore a part of the Marvel Comics shared universe through a tale of the Spider-Man 2099 monthly series.

Following the events of the dramatic Spider-Man 2099 #25, Miguel O’Hara knows that his father is none other than Tyler Stone (his superior at Alchemax) and this only adds more tension to his already troubled life and also to his fragile family. In issue #26, as Miguel struggles to live with the shocking truth about his heritage, Tyler frees Kasey Nash fulfilling Conchata O’Hara’s request.

With those details laid down, here is a look back at Spider-Man 2099 #27, published in 1995 by Marvel Comics with a story written by the late Peter David and drawn by Joe St. Pierre. 

Comic book cover featuring Spider-Man swinging upside down above the bold title "When the Night Falls," with a cityscape and crashing debris below.
The cover.

Early story

The story begins with Miguel O’Hara and his ex-girlfriend Xina Kwan traveling far away from New York to have a vacation together. Their destination is Nightshade, an independent research community that is free from corporate influence. Miguel feels uneasy as Xina drives the car very fast. Suddenly, a hologram of Lyla (Miguel’s AI assistant) appears in front of them as the car moves on, surprising Miguel. Lyla informs him that he has received a message from his brother Gabriel. Being uninterested, Miguel tells Lyle to erase it.

Meanwhile at a talent search facility of Alchemax, an internal meeting of Tyler Stone’s “big guns” starts, and their agenda is about Nightshade…

Quality

Comic book page showing cars crashing through a building, falling debris, a distressed character, and a silhouetted figure climbing beside Spider-Man and a long-haired companion.
As trouble strikes Nightshade, Miguel O’Hara discreetly changes into Spider-Man 2099.

If there is anything I could describe about this particular tale of the futuristic Spider-Man, it is a blend of a road trip with corporate intrigue. Considering how short the main story is as this comic book contains a short story, this tale is clearly a build-up for something big set to happen that will eventually test Spider-Man soon.

This story has Miguel O’Hara spending quality time with an old flame on an out-of-town trip and together, they have a nice reunion with Angela Daskalakis who was their headmaster when they were very young. Given his status as an employee of Alchemax, Miguel is unsurprisingly restricted from entering Nightshade’s research and development facilities. The new setting and reunion allow the creative team to develop Spider-Man in unique ways which is welcome move.

The conflict really begins when the Corporate Raiders (a strike team deployed by Alchemax) organizes a corporate warfare strike at Nightshade triggering the independent place’s defenses. That said, Miguel is in a tough situation as he has to take on the armed raiders as Spider-Man while somehow ensuring that his ex-GF and their former headmaster are safe.

With regards to the shortness of the main story, the short story here took place several years in the past showing Miguel and Xina during their childhood. Kron Stone, the one who would later kill Punisher 2099’s family members and become Venom 2099 (click here, here and here), is also present as a youngling who got into conflict with Miguel. This short story also shows Miguel getting humiliated at an early age and has to decide between standing up for himself or allowing himself to be a victim for the rest of his life. This one is an OK read.

Conclusion

Comic book panel showing a group of suited men gathered around a model city, with speech bubbles outlining an agenda and identifying them as aggressive and powerful targets.
Alchemax’s enforcers.

Considering the shortness of the main story, Spider-Man 2099 #27 (1995) lacks substance and engagement but that does not mean the creative team did not give their best. The concept of Miguel O’Hara going all the way to a new destination which itself became the target of his company’s enforcers is itself fresh and intriguing. I just wish it had more content and the short story felt more like filler with some foreshadowing.

Overall, Spider-Man 2099 #27 (1995) is satisfactory.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Spider-Man 2099 #12 (1993)

A Look Back at Spider-Man 2099 #12 (1993)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1993 to explore a part of the Marvel Comics shared universe through a tale of the Spider-Man 2099 monthly series.

By 1993, the 2099 lineup of comic books became popular with Marvel Comics readers and it was the series of the futuristic Spider-Man that engaged readers a lot thanks to the in-depth writing of the late Peter David. It should be stated that David also wrote a lot of stories of the classic Spider-Man (Peter Parker) years before Marvel even launched the 2099 franchise of comic books.

With those details laid down, here is a look back at Spider-Man 2099 #12, published in 1993 by Marvel Comics with a story written by Peter David and drawn by Rick Leonardi.

Comic book cover featuring Spider-Man and a character named Thanatos. Spider-Man is seen in a dynamic pose, while Thanatos, wearing a gold and red costume with a helmet, is prominently displayed. The background is orange with comic-style text.
The cover.

Early story

The story begins in an Alchemax facility with Tyler Stone talking with Dana at work. As Miguel O’Hara walks by the virtuality unreality office, a huge explosion sudden hits them. It turns out there was an experiment by Jordan Boone that went wrong and Miguel finds him. As the two talked, Jordan remains arrogant and sarcastic towards O’Hara.

Elsewhere, the mysterious man wearing armor and a helmet uses his device to scan the Alchemax facility and he spots Tyler Stone and Dana talking with each other. He listens to their conversation closely…

Quality

A comic strip featuring a distressed woman with long blonde hair expressing emotional turmoil amidst a backdrop of technological failure. The panels depict her hesitation, thoughts on running, and a call to someone named Miguel. The scene is vibrant with bright colors, emphasizing her emotional state.
Not even Miguel O’Hara’s AI assistant could handle the news.

This is a tale that has a careful mix of complexity and twists within. It technically is about the business of Alchemax getting disrupted from within and from the outside with the mysterious Thanatos pursuing something deep within the secrets of the company.

Miguel O’Hara is in a bind here as Dana (who is his fiancée) gets involved in a dangerous situation because of Thanatos’ sudden forced entry into Alchemax targeting Tyler Stone. At the same time, O’Hara values the company and prefers it does not collapse because of Thanatos. As expected, Miguel changes into the futuristic Spider-Man and carefully deals with Thanatos not by force but with strategic negotiation and discussion. Since he does not know what Thanatos is truly after, he has to play along while ensuring nobody from the company suffers (even though Alchemax itself has some very undesirable personalities within).

All throughout, this tale is heavy on the dialogue and there are a lot of details that you will need to absorb in order to understand the story and what Thanatos is pursuing. Along the way, this story reveals Alchemax has something valuable that has nothing to do with wealth. This is where the virtual unreality division of the company comes into place and Jordan Boone (who later becomes the fake Loki in the Fall of the Hammer storyline and also Halloween Jack in later X-Men 2099 tales) has a very notable role here. The story moves mostly in a medium pace and the build-up of the plot happens gradually. As such, there is some suspense and intrigue here.

Thanatos here is a pretty calculating antagonist. He is capable of killing others to get what he wants, but he prefers to do things patiently and strives get what he wants without using force as the primary option. There is richness in the dialogue here and his interactions with Spider-Man and Tyler have a cerebral touch throughout.

Conclusion

A comic book panel featuring characters in superhero costumes interacting, with one character in a red and black suit resembling Spider-Man, and another in a yellow and blue suit. Dialogue bubbles reveal a tense negotiation. The scene includes two other characters standing nearby, with a futuristic background.
Spider-Man carefully talks with Thanatos to let Dana go free. Dana does not know Miguel O’Hara and Spidey are one and the same person.

Spider-Man 2099 #12 (1993) is a really intriguing read filled with suspense and twists. This is not your typical superhero story about the hero fighting hard with the villain, and Thanatos is a pretty unique antagonist who puts Alchemax and others on the edge of danger. That said, this tale is the start of a new storyline and there is more that have yet to be revealed. 

Overall, Spider-Man 2099 #12 (1993) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Peter Parker, The Spectacular Spider-Man #116 (1986)

A Look Back at Peter Parker, The Spectacular Spider-Man #116 (1986)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the year 1986 to examine a small part of the Marvel Comics shared universe through a tale of the Peter Parker, The Spectacular Spider-Man monthly series.

Within the shared universe of Marvel Comics, Sabretooth is a very notable super villain often associated with the X-Men, and has been portrayed as Wolverine’s rival. Sabretooth by nature is sadistic, savage and is violent driven by his beastly instincts. Like Venom, Sabretooth is also a murderer. Considering how popular the Wolverine-Sabretooth rivalry has been from comics to the movies, would you believe that the ferocious mutant actually encountered Spider-Man in comics long ago? Yes, they met and fought each other!

With those details laid down, here is a look back at Peter Parker, The Spectacular Spider-Man #116, published in 1986 by Marvel Comics with a story written by the late Peter David and the late Rich Buckler.

The cover.

Early story

The story begins with a gang of thugs who have cornered Black Cat who is suffering with a broken nose. It turns out, she broke into the office of their boss called the Foreigner. With her broken nose, Black Cat feels disoriented and helpless. She starts to hallucinate an image of Spider-Man replacing the thug who has her.

In another part of New York City, Spider-Man swings around wondering what Black Cat has been doing. He finds an empty alley and secretly changes into civilian clothes as Peter Parker and decides to visit his friend Mary Jane. As he approaches the building where MJ lives in, he spots Roderick Kingsley coming out of the place. He feels troubled and remembers Roderick for causing him aggravation.

Once he meets Mary Jane, he confronts her about Roderick…

Quality

This page shows the very moment Spider-Man and Sabretooth met.

This is a story with a lot of details spread throughout. While the cover of this comic book prominently shows Spider-Man and Sabretooth together, the plot is divided into a few threads. That said, the Black Cat herself has a great share of the spotlight as this tale happened after Doctor Strange removed the remains of her hex. At this point of the monthly series, Peter Parker and Black Cat no longer have a love relationship as they broke up already. As such, Peter David loaded a lot of emotional stuff into the intense talks between the webslinger and Felicia Hardy. All of that is justified with the very rich dialogue David composed and the tension between the two is realistic and believable.

Spider-Man here is dealing with a lot of emotional baggage even as he keeps on persevering to get rid of the bad guys in New York. He is seriously having a troubled personal life and lacks a clear direction.

Sabretooth, on the other hand, has things in his own life going wrong since he broke prison. This led him to the Foreigner for potential opportunities to find work (read: violent tasks) and already he is itching to kill someone as he failed to achieve any over the previous two days.

That said, Spider-Man and Sabretooth encountered each other by circumstance and Black Cat is technically the bridge. Better temper your expectations because what the cover art does not tell you is that the first-ever encounter between the webslinger and the beastly murderer is not extensive. Still, I can say their battle is surprisingly satisfying and how it ended is very intriguing to see. As such, I am satisfied with their first encounter here.

Conclusion

With so much in his mind, Peter Parker walked on the different surfaces of the place.

Peter Parker, The Spectacular Spider-Man #116 (1986) is loaded with a lot of drama, intrigue and gritty stuff that preceded the Spider-Man/Sabretooth encounter. I should state that the art of the late Rich Buckler here is very impressive to look at and there is a good level of grittiness mixed with realism throughout. Buckler’s take on Sabretooth is menacing to see. This comic book is entertaining and intriguing to read, and I am interest now to search for other comic book encounters between Spider-Man and Sabretooth.

Overall, Peter Parker, The Spectacular Spider-Man #116 (1986) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Amazing Spider-Man #365 (1992)

A Look Back at Amazing Spider-Man #365 (1992)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the early 1990s to examine a small part of the Marvel Comics shared universe through a tale of the Amazing Spider-Man monthly series.

Back in 1992, Marvel Comics organized the celebration of what was back then the 30th anniversary of their most famous icon Spider-Man. Each Spider-Man monthly series that year had an anniversary celebration issue that had hologram covers and page content that was higher than usual. I previously reviewed Web of Spider-Man #90 and Spider-Man #26. The purest Spider-Man monthly series – Amazing Spider-Man – also had the anniversary treatment.

With those details laid down, here is a look back at Amazing Spider-Man #365, published in 1994 by Marvel Comics with the main story “Fathers and Sins” written by David Michelinie and drawn by Mark Bagley. Other stories here include “How I Created Spider-Man” by Michelinie and Aaron Lopresti; “I Remember Gwen” by Stan Lee, Tom DeFalco and John Romita; and “A Friend in Need” by DeFalco.

Cover of The Amazing Spider-Man comic book, issue 365, featuring a ghostly image and spider web design, celebrating the 30th anniversary of the series.
The cover.

Early story (main story)

The story begins with the Lizard (Dr. Connors) prowling from one building to another during the night in New York City. He secretly stays outside the windows of the apartment of his wife Martha and their son. A birthday celebration is happening inside the apartment and among the guests are Peter Parker and his wife Mary Jane. Peter knows that growing up without a father is rough and he remembers that no one has seen Curt Connors since he last turned into the Lizard (refer to the Spider-Man: Torment storyline written and drawn by Todd McFarlane).

As the celebration goes on, the Lizard silently sneaks into the apartment through an open window. This alarms Peter through his spider sense which compels him to decide to secretly change into Spider-Man.

As Martha Connors enters a dark room to get a prepared gift for her son Billy, the Lizard shuts the door and confronts her. In his reptilian form, the Lizard communicates to his wife in English and assures her that he (Dr. Connors) is in control. He tells her that the evil sorceress Calypso sent her into a berserker rage to kill Spider-Man but his human consciousness was aware all the time. He tells her to bring to him their son. Martha is frightened and she knows that there is too much risk to grant her husband’s command…

Quality

A comic book panel featuring Spider-Man fighting a green-skinned villain, with action words like 'SPUSH' and 'THROK' illustrated around them. Spider-Man is depicted in a dynamic pose as he attacks the villain, who is wearing a white coat and green pants, surrounded by debris.
The main story has a rematch between Spidey and the Lizard. Unlike Todd McFarlane’s Torment, the story and visuals here have more subtlety, suspense and balance.

The main story “Fathers and Sins” is the anticipated rematch between Spider-Man and the Lizard following the very violent events that happened in the Torment storyline. Unlike that tale authored by McFarlane, this one has more depth and subtlety balanced with superhero spectacle.

David Michelinie carefully crafted the tale with clear progression in mind for the enduring rivalry between Spider-Man and the Lizard. He also took the opportunities to develop the characters whenever possible, and he did so with Dr. Connor’s wife and son. In fact, there are family dynamics within this story and the Lizard – portrayed here with multiple personality disorder (MPD) switching from Dr. Connor and the wild animal itself – is simply not the murderous entity seen in Torment. That said, this tale opens up questions such as how Dr. Connors will live on knowing the murders he committed as the Lizard, does he have any chance of keeping his family intact, and more.

More on Spider-Man himself, he was portrayed as a sensible and caring superhero. Even though he had traumatic encounters with the Lizard in Torment, he engaged his rival with reason instead of head-on violent action. He consistently believes that he could overcome the Lizard and somehow get Dr. Connors back intact knowing that the family needs him. When it comes to problems related with science and technology, Spider-Man here makes efforts to solve them using the knowledge he gained in university. The iconic webslinger here is pretty versatile, strategic and calculating. I should state that Mark Bagley has really fine artworks here and it is clear he truly captured the essence of Michelinie’s script.

The short story “How I Created Spider-Man” follows J. Jonah Jameson’s recollection of Spider-Man. This was cleverly written by Michelinie to revisit key moments from the origin and early superhero days of Spider-Man through Jameson’s memories, his own perception of the hero and his history of abusing his publishing power to make him look like a menace to society. The nostalgia and related details are easily the main attractions of this short story. This is something that fans of Spidey will enjoy.

A comic book page depicting a tense scene with a humanoid creature with green scales and claws confronting two women. One woman appears frightened while the other is trying to remain calm. Dialogue bubbles convey urgency and fear as the creature discusses control and a boy named Billy.
There is absolutely nothing like encountering a family member who has turned into a large, dangerous reptilian!
A comic book page showcasing several characters engaging in conversation at a party. The scene includes characters with distinct hairstyles and outfits, expressing emotions and interactions amidst a festive backdrop.
The short story “I Remember Gwen” is a great way of revisiting the past of Spider-Man, Mary Jane and Gwen Stacy. The art by the late John Romita is great to see!

The Spider-Man nostalgia intensified in the 2nd short story “I Remember Gwen” which features artwork by the late John Romita. This one is about Mary Jane Parker recalling her friendship with the late Gwen Stacy (who back then was romantically linked with Peter Parker) and key moments she remembered from Spider-Man. This short story has fine art by Romita and this resulted in a retro visual ride that captured the 1970s aesthetics. As this tale revisited Spider-Man’s past relationship with Gwen, it also offered readers a close look at the MJ-Gwen friendship. That said, long-time fans of Spidey will enjoy this.

The final short story “A Friend in Need” is easily the weakest part of this anniversary celebration comic book. It features the Prowler and does not have much to do with Spider-Man. This one is a shallow filler-type of story.

Conclusion

Comic book panel featuring Spider-Man carrying two women, one with blonde hair and the other with red hair, while a giant Green Goblin head looms in the background. The scene captures a moment of tension and emotion with speech bubbles conveying inner thoughts.
This page drawn by John Romita should compel you to read Amazing Spider-Man #121.

As of now, I can say that Amazing Spider-Man #365 (1992) is easily the best of the 30th anniversary celebration comic books I have read so far. It has a very solid main story that moved the Spider-Man-Lizard rivalry forward (and also has a conclusion that tapped directly into the icon’s origin with a good element of surprise) and two of the three short stories are great offerings for the very dedicated Spider-Man fans. It also has short articles/special messages that highlight the importance of Spidey’s 30th anniversary, and a Spider-Man 2099 preview! In short, this anniversary celebration comic book is the complete package for the fans and is also one of the most defining Amazing Spider-Man comic books of the 1990s. It truly is worth having in your collection!

Overall, Amazing Spider-Man #365 (1992) is highly recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

What To Watch On YouTube Right Now – Part 160

What To Watch On YouTube Right Now – Part 160

carlocarrasco

Welcome back my readers, YouTube viewers and all others who followed this series of articles focused on YouTube videos worth watching.

Have you been searching for something fun or interesting to watch on YouTube? Do you feel bored right now and you crave for something to see on the world’s most popular online video destination?

I recommend you check out the following videos I found.

#1 Gone Girl reaction videos – When Gone Girl was released in local cinemas back in 2014, I never bothered to see it. Along the way, buzz about the movie spread like wildfire through North American entertainment websites and social media with assorted topics like toxic marriage, manipulation, dishonesty, defamation and betrayal discussed. I eventually saw Gone Girl via streaming just a few years ago and I can say it was a very intriguing movie to watch. That said, it is not surprising that a lot of movie reaction videos featuring it were posted on YouTube. Posted below are the more engaging reaction videos selected for you all.

#2 Why Manga Keeps on Triggering the Internet – It is a very sad fact that there are a lot of fake fans and phony intellectuals out there who seriously believe they are experts on entertainment. This explains why there are so many video essays or so-called analysis focused on established entertainment franchises and entertainment media. That said, there are a lot of fake fans, pretenders, larpers and online tourists who posted their distorted views about manga (Japanese comics) and misinterpret what the original creators did. To learn exactly why, go watch Ranting for Vengeance’s video below. Pay attention to the details.

#3 Maximum Carnage video game remembered – Back in the 1990s, I read the comic books of the Maximum Carnage crossover storyline but I never played the video game adaptation. Spider-Man and Venom: Maximum Carnage had a very ambitious marketing campaign that captivated many gamers, Spider-Man fans and comic book readers. There was this movie-like build-up that easily kept people thinking about the video game. When it was officially released, there were gamers who expressed disappointment after playing it. To examine what the video game’s quality and impact, go watch the video below.

#4 The Pizzerias in the Mountains of Japan – There is absolutely nothing like exploring the countryside and other nature spots of Japan. Deep in the mountains of Tokyo and Saitama are pizzerias that offer visitors food with unique flavors, homemade ingredients and the immersive closeness to the natural environment. I personally want to visit these food joints the next time I visit Japan. Watch and learn from the Nippon TV video below.

#5 Totally Whatever reacts to Fast Times at Ridgemont High – It has been over forty years since Fast Times at Ridgemont High was first released in cinemas. To this day, a lot of film buffs considered it as one of the most defining movies Hollywood released in the 1980s, and also one of the most memorable American teen movies ever. Not only that, Fast Times at Ridgemont High was selected for preservation in the United States National Film Registry for being “culturally, historically, or aesthetically significant.” The old movie continues to impress first-time viewers and you should see how it impacts Totally Whatever in their reaction video below.

#6 Castlevania games revisited – This year marks the 40th anniversary of the original Castlevania video game released on the Famicom Disk System in Japan. The classic horror-themed, 2D side-scrolling adventure game produced by Konami made a huge impact on gamers who enjoyed 2D adventure games and the success it achieved led to the release of many sequels and spin-offs across different platforms. There is a lot of creativity and inspiration behind the production of the original game. To learn more about the original Castlevania and how it grew into an enduring game franchise, watch the video below.

#7 Ashleigh Burton reacts to Teen Wolf – When it comes to the 1980s, Michael J. Fox is often remembered for playing the teenager Marty McFly in Back to the Future and Back to the Future Part II. Speaking of teenagers, Fox was the star in the 1985 coming-of-age fantasy comedy movie Teen Wolf where he played a high school student who could turn into a werewolf. As it was released after Back to the Future, Teen Wolf emerged as a surprise commercial success grossing more than $80 million worldwide. This old movie was featured in several reaction videos on YouTube and Ashleigh Burton’s reaction is fun to watch. Watch the video below.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at X-Men 2099 #24 (1995)

A Look Back at X-Men 2099 #24 (1995)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.

One of the things I enjoyed the most about the X-Men 2099 series was its expansion of the 2099 universe lore as well as the portrayal of uncertainty that mutants deal with in the more desolate parts of America (far away from Spider-Man 2099 and Punisher 2099). Along the way, the futuristic X-Men themselves were really torn down by a series of unfortunate events that includes the departure of their founder and leader Xi’an (eventually Controller X of the Theater of Pain). With the team members separated by circumstances, they were given their own tales and character development periods.

With those details laid down, here is a look back at X-Men 2099 #24, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

X-Men 2099 comic book cover featuring characters Skullfire and Luna facing the Norns, with action-oriented poses and vibrant colors.
The cover.

Early story

The story begins in southern California where the Slaughterhouse gets shaken by the force of a gamma bomb that detonated far away. Inside the facility, Quiver and Sham struggle as they sneak carefully. They intend to escape even though the odds are against them.

Nearby, the demonic Theater of Pain leader Brimstone Love strikes Junkpile (now with SHIELD serving the new President Doom 2099) hard and seriously damages him. With Junkpile down, the evil leader believes that Doom’s best is a failure and the Theater of Pain has nothing to fear from him. Brimstone Love issues an order to have Junkpile disposed.

Several feet below the ground, Skullfire and Luna find themselves contained after getting captured. For Luna, Xi’an is a lost cause and she prefers to find Shakti and escape. Skullfire, however, insists on pursuing Xi’an even though their situation looks very hopeless. As the two try to escape, they end up facing the muses of the Theater of Pain’s bloodsport arenas…Euphoria, Felicity and Bliss. Luna was previously one of them…

Quality

A dramatic comic book scene depicting a confrontation between two characters. One character, wearing a green outfit, appears distressed and is gripping her arms while shouting. The other character, in a golden outfit with a menacing expression, is explaining the concept of pain in a theatrical context. Their surroundings include futuristic elements and machinery.
Shakti represents the remaining X-Men while her former superior Xi’an has fully sided with the evil Theater of Pain as Controller X.

Being the comic book that immediately precedes issue #25, there is a lot of creative stuff here that X-Men 2099 fans will enjoy. The Moore-Lim duo took their time in setting up the eventual restoration of the futuristic X-Men as a team while carefully telling the dangerous events they will face with the Theater of Pain standing in their way.

Fans can find small moments that can be enjoyable or even intriguing to discover such as Luna facing off with her Theater of Pain “sisters” of long ago, the reuniting of Bloodhawk with Meanstreak and Krystalin followed by the justification behind their decision to get involved, and more. What I find very compelling to read is Shakti’s interaction with Controller X (Xi’an behind the mask obsessively serving the Theater of Pain) and the rising danger the Theater’s operation is brewing. There is richness in the dialogue between Shakti and Xi’an, and the symbolic division between them – Shakti representing the X-Men and their former leader Xi’an now serving the evil ones – is really powerful to see.

The storytelling as a whole has a lot of depth behind it, and the build-up of the events is undeniably powerful. As the story progressed, the tension also grew stronger and you can feel the danger that awaits the futuristic X-Men.

Conclusion

A comic book scene featuring two characters discussing their feelings and a recent earthquake, standing near a cliff with a dragon-like creature in the background.
Bloodhawk is back with Meanstreak and Krystalin.

X-Men 2099 #24 (1995) succeeds a lot on setting-up the big conflict of issue #25 and it also sets in motion the eventual reuniting of the X-Men. Along the way, there are small details here and there that will compel you to revisit previous X-Men 2099 issues. Brimstone Love’s evil was emphasized more here and Controller X/Xi’an’s determination to serve him and make a lot of people suffer under the Theater’s operation added a lot of tension to the plot. Consider this a very important read before reading X-Men 2099 #25.

Overall, X-Men 2099 #24 (1995) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at X-Men 2099 #23 (1995)

A Look Back at X-Men 2099 #23 (1995)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.  

Having taken over the United States as its President, Doom 2099’s impact was undeniably felt even though his appearances in X-Men 2099 issues #21 and #22 were pretty short. Along the way, members of the futuristic X-Men are gradually making their way back together. While Meanstreak and Krystalin have reunited and left Las Vegas, the trio of Skullfire, Shakti and Luna pursue a dangerous mission to get back Xi’an who has officially joined the Theater of Pain led by the demonic Brimstone Love.

With those details laid down, here is a look back at X-Men 2099 #23, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

Cover of 'X-Men 2099' comic issue featuring a character named Junk Pile, wearing a military-style helmet and armor, with a prominent shield design in the background, displaying the text 'MUTANTS MAKE THE LAWS NOW' and 'AGENT OF SHIELD.'
The cover.

Early story

The story begins with Junkpile who was recently rescued by Doom’s team and restored to functioning status. Doom’s minister of humanity Morphine Somers informs him that he has the chance to join SHIELD (the elite security force of the nation) and operate autonomously and with full administrative sanction. Suddenly, Doom himself appears and convinces Junkpile to calm down and formally join SHIELD.

Over at Death Valley, Skullfire, Shakti and Luna are disguised and traveling with the many disenfranchised people (the ones discarded and unwanted by society) heading to the floodgate bio-resource processing center. Even though the odds are tremendous, the three of them are determined to find their former leader Xi’an and save him from the Theater of Pain.

Upon arriving at the floodgate facility filled with armed guards and handlers, Skullfire, Shakti and Luna join the line for processing. Watching from a distance is Xi’an who is now operating as Controller X…

Quality

A panel from a comic book featuring two characters discussing the use of bodies for various purposes, including medical experimentation and entertainment, with a futuristic backdrop of machinery and monitors.
Pay attention to the details closely. In 2099, human lives can be disregarded or turned into something else.

Apart from the obvious fact that this particular story is part of the build-up towards the events of issue #25, this comic book carries a fundamental expansion of the lore of America of 2099. As the theme of mega corporations taking over America has been a core element of Marvel 2099, this X-Men 2099 tale further explores what happens to the social outcasts and unwanted people, and why the self-declared authorities have such power to have each of them processed under heavy surveillance.  

A scene from a graphic novel featuring a group of characters in hooded cloaks discussing a dangerous situation. They express concern about their security and the fate of a character named Xian.
Even without resources, Skullfire, Shakti and Luna push through with their very dangerous mission.

Through words and images, the Moore-Lim duo gave readers a really dark look at how human lives got turned into commodities by those who wield a lot of power in 2099 America. Some people who got processed end up being subjects for medical experimentation, others are groomed for private pleasure dens while the best ones are prepared for the use of the Theater of Pain. That said, Xi’an being part of the Theater of Pain as Controller X really strikes hard at the foundation of the futuristic X-Men who have been struggling a lot since he left them.

More on the plot itself, the X-Men are the underdogs and they really don’t have much resources nor a solid strategy to get to Xi’an while dealing with the dangerous forces of Brimstone Love and the Theater of Pain. Fortunately for them, there are a few others who have the means to take on the Theater of Pain directly.

Conclusion

A comic book scene featuring two armored characters engaged in conversation. One character, wearing a hooded red cloak and a metallic suit adorned with stars, stands confidently while the other character, a large robotic figure, looms over him. The background depicts a high-tech environment, with panels and machinery visible.
Junkpile joins SHIELD in the presence of Doom 2099.

X-Men 2099 #23 (1995) is another engaging read and it nicely sets the stage for the inevitable big story in issue #25. The odds are really up against the X-Men whose three members are truly determined to get Xi’an back believing there is hope for him to turn away from the Theater of Pain. Bigger than the story itself is the presentation about the immense power others have over the people and why being a social outcast can be very dangerous. That said, I am looking forward to the next issue and see how it connects with issue #25.

Overall, X-Men 2099 #23 (1995) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at X-Men 2099 #22 (1995)

A Look Back at X-Men 2099 #22 (1995)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.  

Issue #21 had a wild story as it reflected the impact of Doom 2099 who took over as President of the United States. Not only did Doom appear (which easily reminded readers about the Fall of the Hammer storyline and the few X-Men members who got involved) in Las Vegas, Halloween Jack was on the verge of causing tremendous chaos on the city and many innocent people within. Quite notably, the series started its movement of gradually getting the futuristic X-Men together again.

With those details laid down, here is a look back at X-Men 2099 #22, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

Comic book cover featuring the title 'X-Men 2099' with the subtitle 'Xi'an Joins the Theatre of Pain'. The central character holds a skull-like object, surrounded by fiery background and several other characters engaged in action.
The cover.

Early story

The story begins at the Sangre de Cristo mountains in New Mexico where a government helicopter arrives. Morphine Somers and an armored member of S.H.IE.L.D. appear to inspect the ruins. No lifeforms dead or alive were detected.

Meanwhile at a very dark location lighted by flames, former X-Men leader Xi’an meets with Brimstone Love and his trusted companions Charon and Felicity. The demonic leader of the Theater of Pain tells Xi’an that once he is initiated into the exquisite mysteries and dark truths of their group, he will emerge transformed. The Theater of Pain operates by providing twisted entertainment for an audience of the world’s rich and jaded, and by manipulating their deepest, most decadent fantasies which puts them under control.

Xi’an, who reverted back to his sinister self and abandoned the principles he held as leader of the X-Men, arrogantly tells Brimstone Love that he brought the Chosen and Master Zhao to him without being told what would happen to them. After being told that he must surrender his pride to become part of the Theater of Pain, Xi’an turns his back on the leader and begins to walk away expressing rejection. Brimstone Love suddenly tells him no one leaves the theater and teleports him…

Quality

A comic book panel featuring four characters engaged in conversation, with a focus on a muscular man speaking and a woman with cybernetic features listening intently. The background includes a futuristic environment with technology and containers.
An important meeting between Shakti and Haiku is about to start.

If you have been craving for a powerful tale about Xi’an in the X-Men 2099 monthly series, this is the one to read. This comic book mostly follows Xi’an who at this stage had left the X-Men behind and started his participation with the Theater of Pain. As it turns out, his actual initiation to become a true member of the Theater of Pain really started in this tale and his new superior Brimstone Love is absolutely evil, exploitative and manipulative. Without spoiling the plot, I can say that Xi’an here was portrayed to be very vulnerable and truly disadvantaged as the initiation happens in three different scenarios which instantly reconnects with the painful stages of his past. That said, Xi’an perception of what had happened and how he related with personalities he encountered before truly gets tested. The same goes with his endurance as well as his handling of emotions and trauma. I can also say that the conclusion of Xi’an tale here is absolutely powerful and meaningful to see.

A scene set in a post-apocalyptic environment, showcasing a group of anxious individuals waiting in line at a facility called Floodgate Bio Resource Processing Center, surrounded by ominous flames and armed figures.
Imagine this as the future of woke California.

While Krystalin and Meanstreak are completely absent in this comic book, you will see Shakti, Skullfire and Luna who are still exerting efforts to figure out how to track down the Theater of Pain and save their former leader. Having served as the second-in-command to their leader when the X-Men was still intact, Shakti seeks a meeting with someone who was personally involved with Xi’an. At this stage in the series, Shakti and Skullfire are both focused on finding Xi’an believing that he can be recovered. This adds more to the tension leading towards the events of issue #25.

Conclusion

A comic book page featuring characters in a dramatic conversation about control, manipulation, and ambition, with fiery elements and colorful illustrations.
Symbolically, Xi’an looks like he is already in Hell in the presence of the demonic Brimstone Love of the Theater of Pain.

I really like X-Men 2099 #22 (1995). The struggle of Xi’an is the very meat of the comic book as the Moore-Lim duo set the stage for the reuniting of the X-Men and the major conflict that awaits them all in the 25th issue. Xi’an’s tale here is absolutely compelling to read and there will be moments when you will feel sympathy or confusion as his struggle with the initiation goes on. Symbolically, the mental and personality torture on the former X-Men leader strikes hard on the essence of the futuristic X-Men itself. You might end up speculating Xi’an might have been delusional on following the steps of Charles Xavier and Magneto to lead mutants in 2099’s America. This comic book could make you think deeply how far the futuristic X-Men could exist without their former leader. As such, this issue should inspire you to revisit the first three issues of the series.

Overall, X-Men 2099 #22 (1995) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at X-Men 2099 #21 (1995)

A Look Back at X-Men 2099 #21 (1995)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.  

If you have been reading a great majority of the Marvel 2099 comic book series of the 1990s, then you should be aware about a notable turning point that saw Doom 2099 taking over as the President of the United States. The comic book Spider-Man 2099 #34 reflected the impact of that turning point and it had this pretty clever way of having Doom 2099 and Spider-Man 2099 (but in civilian form as Miguel O’Hara) getting reunited for the first time since the Fall of the Hammer crossover storyline. The same thing also happened in the X-Men 2099 series and the encounter between Doom 2099 and a few X-Men members was remembered.

With those details laid down, here is a look back at X-Men 2099 #21, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

Cover of X-Men 2099 AD comic book featuring the character Halloween Jack, depicted with green skin, long white hair, and wearing a skull necklace.
The cover.

Early story

The story begins with government propaganda released to the public. It announces the direction that America will go to under the rule of Doom 2099 as US President. It turns out, Doom has been President for days and already a series of changes is happening nationwide. Halloween Jack (who was a fake Loki during the events of the Fall of the Hammer) asks a rhetorical question about Doom. Halloween Jack and Meanstreak meet with Celestia Amberlyn who is the biggest star of the Synge casino and also a close personal friend of Indigo Eshun, the minister of Signal.

Their meeting intensified quickly due to their conflicting agendas. Amberlyn is with the Doom administration while Halloween Jack is defiant towards the new US President. He shows her his new technology called the virtual unreality projector. He tells her that he will overturn the natural laws of physics throughout Las Vegas and replace them with the wildly unpredictable reality of another dimension…  

Quality

A comic book scene featuring a character named Doom, wearing an armored suit and a dramatic cape, standing confidently with arms crossed. The background shows a futuristic setting with a hovering spacecraft and two startled characters observing. Dialogue bubbles express surprise and commentary on Doom's demeanor and armor.
Meanstreak, Krystalin and Halloween Jack witness the arrival of Doom 2099 in Las Vegas.

With Doom’s influence as US President felt a lot in this comic book, I can say that the storytelling and events here really got wild. Halloween Jack’s machine really caused a very unique kind of chaos on Las Vegas and his insanity here reminds me a lot about the Joker of DC Comics. After working a lot on making Halloween Jack’s insane agenda happen, Meanstreak finally realizes his errors and decides to take action before total disaster happens. That said, Meanstreak’s old self is back complete with recalling his rightful place with the X-Men.

As stated earlier, Doom has impact on the story and it is truly an expressive portrayal of what he could achieve with the power of the US Presidency. Doom clearly has plans for America and he has his own vision about establishing order and this comic book clearly dramatizes it. On face value, it looks like Doom’s short appearance in this comic book is just for show but I can assure you that he has an action-packed response to Halloween Jack’s insane operation on Las Vegas.  

Conclusion

A comic book panel featuring a character with brown hair and a blue costume discussing the consequences of altering reality, surrounded by other characters who appear concerned. The scene includes dynamic action effects and colorful visual elements like coins and light bursts.
Finally, Meanstreak realizes the wrong things he committed and has decided to take action before total disaster happens.

X-Men 2099 #21 (1995) is indeed a wild tale that concluded with purpose. Not only does it reunite Meanstreak with a teammate, it also sets that direction towards the inevitable reuniting of the futuristic X-Men. The wild turn of events here is balanced with the good amount of details and character development implemented by the Moore-Lim duo. Doom’s presence here really shook things up and the impact on the city of Las Vegas has to be seen.

Overall, X-Men 2099 #21 (1995) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at X-Men 2099 #20 (1995)

A Look Back at X-Men 2099 #20 (1995)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.  

The past few issues followed the developments seen through the eyes of separated X-Men members – Meanstreak who assisted Halloween Jack’s move to take Las Vegas away from the Synge family, Krystalin who has been in California to help her brother, and Shakti who recently uncovered something about the legacy of mutants. That said, Bloodhawk’s absence was really noticeable and this was because Marvel Comics had him appear in a few Doom 2099 comic books set in the Savage Land.

With those details laid down, here is a look back at X-Men 2099 #20, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

Cover of X-Men 2099 comic book featuring Bloodhawk battling a robotic character, with bold, colorful title text.
The cover.

Early story

The story begins in the Arizona desert where Bloodhawk flies over the wasteland. He just returned from the Savage Land and he immediately notices huge tracks left behind by some kind of large machine and they are radiated. He notices a sick and radiated coyote approach. Bloodhawk grabs the coyote, says some words to it and kills it to end its suffering.

Meanwhile at the ACME Pit Stop (a roadside tradition of fuel and food since the year 2047), a conflict between business owner Cyrus and Lou Ann is taking place with lots of bystanders watching. Their conflict gets disrupted as a massive, large robot suddenly arrived causing everyone to panic. The robot grabs a long rig and threw it at the ground causing a huge explosion.

Bloodhawk, who raided one of his weapons cashes to arm himself with grenades, quickly flies in to attack the giant robot…

Quality

A comic book page featuring colorful illustrations of characters engaged in dialogue. One character is working with futuristic technology while two others listen. The setting appears to be a high-tech environment. The conversation includes themes of hardware and technology, with emphasis on weapons and satellite systems.
If you read the details closely, you will realize the extremism of the Free Radicals and why they have so much in common with real-life anarchists and zealots.

To point out the obvious, the main feature here is the focus on Bloodhawk’s return to the American wasteland coming from the Savage Land (chronicled in Doom 2099). By having him encounter a massive robot, it is clear that John Francis Moore and Ron Lim planned this to have a huge storytelling weight and give the X-Men 2099 fans – especially the ones who love Bloodhawk – something to enjoy. Along the way, this comic book has Bloodhawk gaining an unexpected ally which allowed the creators to show some character development on him. As many fans already know, Bloodhawk values nature and despises both technology and modern society as he saw them as devourers of the natural environment. In this comic book, he has a gigantic mechanical problem to deal with and the odds are absolutely against him. That said, Bloodhawk’s tale here is pretty much a big comeback from being absent in the past issues.

Meanwhile, Krystalin finds herself in deeper trouble. After helping the Free Radicals regain their very young but tech-oriented teammate, she finds herself and her brother still trapped by the gang. Continuing from what was symbolized in the previous issues, this comic book sheds light on political symbolism and the radicalized people’s obsession with drastic change in world they believe is controlled by institutions they perceive as oppressive. The Free Radicals have sinister values that make them comparable with real-life evil forces like Black Lives Matter (BLM), Palestinian terrorist group Hamas, Antifa, LGBTQ mobs, Islamists and others. The Free Radical’s youngest member clearly believes that anarchy means freedom.

Conclusion

A giant red robot stands menacingly on a rocky landscape, with two frightened humans in the foreground reacting in panic. The robot's systems are malfunctioning, indicated by a message about damage and a return directive. The scene is drawn in a comic book style with bold colors and dynamic expression.
The design of this giant robot is corny to look at.

Crafted with care and symbolism, X-Men 2099 #20 (1995) has two tales that are gripping to follow. The tales of Bloodhawk and Krystalin succeeded with ensuring a gripping read and moving events forward. That said, the stakes of Krystalin’s conflict with the Free Radicals have been raised even more. Those who are very fond of Bloodhawk will have good stuff to enjoy here. This comic book’s only weakness is the rather corny design of the giant robot, and it felt distracting from time to time.

Overall, X-Men 2099 #20 (1995) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.