Secret Wars – Author Carlo Carrasco

A Look Back at Amazing Spider-Man #384 (1993)

May 26, 2023May 26, 2023carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1993 and explore a part of the Marvel Comics universe through one of the many tales of the Amazing Spider-Man comic book series.

In my previous retro review, Spider-Man became the new target of The Jury, a team of armored mercenaries founded and led by the father (note: a prominent and powerful man) of one of Venom’s murder victims. Spider-Man was perceived to be responsible for bringing the living alien costume into the world which eventually resulted in the creation of Venom (note: Eddie Brock bonded with the same symbiote) who went on to cause havoc and killed a lot of people.

With those details laid down, here is a look back at Amazing Spider-Man #384, published in 1993 by Marvel Comics with a story by David Michelinie and drawn by Mark Bagley.

Early story

The story begins inside a certain government building in New York City scheduled for renovation. A heavily restrained and drugged Spider-Man was about to have mask taken off by one of The Jury members when their founder General Taylor intervened and insisted that they keep their honor. Spider-Man is up for questioning and scrutinization in a makeshift trial by The Jury. As the webslinger is not in the proper condition to stand trial, Taylor (in his capacity as the judge) declares a 30-minute recess.

Elsewhere, Peter Parker’s wife Mary Jane received bad news from her boss that her role in the TV show Secret Hospital will be reduced to a recurring role. This troubles her deeply as it means reduced income for her at a time when her marriage with Peter continues to go down. Spider-Man’s lack of quality time with her keeps taking its toll on her…

Quality

Firstly, I should say that the Michelinie-Bagley team’s concept of having The Jury as the force of opposition against Spider-Man continues to do wonders creatively in this particular comic book series. In the previous issue, the webslinger was hunted and General Taylor really invested a lot of technologies to get to him in the middle of a very bustling city. In this particular issue, Spider-Man is completely vulnerable being weakened and disoriented as he is about to be tried in a makeshift court.

Along the way, Taylor and his team were portrayed to work within their own system of justice. As no court of law in New York would recognize Spider-Man’s trial, The Jury set up their own court in a very private and unusual manner.

While the planned trial is the major event of this comic book’s concept, Michelinie pulled off a rather unusual move with the narrative. Just as the first witness points to Spider-Man for being responsible for Venom, the iconic webslinger then starts to wonder what the trial is truly all about and then the creative team unleashed a slew of flashbacks that looked back a key events published in certain comic books of Secret Wars, The Amazing Spider-Man and Web of Spider-Man through the years. I’m talking about Spider-Man’s first-ever encounter with the symbiote, how he got rid of it, how the symbiote bonded with Eddie Brock to form Venom, how Venom’s costume left a living seed that Cletus Kassady touched and became Carnage, etc. These flashbacks, all nicely drawn by Mark Bagley, conveniently served as an instant reference for readers to catch up with the current events but this was done at the expense of this comic book’s narrative.

More on the trial, this comic book raises layered questions about the concept of responsibility on Spider-Man. Could the iconic webslinger really be held accountable for whatever murders Venom committed along with the trauma he caused on bystanders given the fact that he really brought the alien costume into their world? Should Spider-Man also be held responsible for any murders committed by Carnage? This is one really loaded script Michelinie came up with and he really had Spider-Man vulnerable not only to The Jury but also to the questions thrown at him during the makeshift trial. To put it short, this is one very unusual Spider-Man tale ever told that carries strong relevance from the past.

As with the previous issues, this comic book sheds a limited amount of the spotlight on Mary Jane and Spider-Man’s Aunt May who at this stage has gotten paranoid with her suspicions about Peter’s parents. The dramatization turned out pretty good.

Conclusion

*Spider-Man in a vulnerable state with The Jury.*

While the flashbacks were excessive and made the narrative feel bloated, Amazing Spider-Man #384 (1993) still has lots of good stuff fans can enjoy. It has a pretty bold concept of having Spider-Man really trapped and left vulnerable for the makeshift trial. More notably, the narrative pounded heavily on the concept of responsibility in relation to Spider-Man’s past actions that led to the creation of Venom and even Carnage.

Overall, Amazing Spider-Man #384 (1993) is recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Amazing Spider-Man #383 (1993)

May 23, 2023May 18, 2023carlocarrasco

To put things in perspective, the creative team behind the Amazing Spider-Man title decided to shake things up a bit by having the high-tech team called The Jury (the same team that went against Venom led by a powerful man whose son was murdered by Eddie Brock in Amazing Spider-Man #315) as the force of opposition for the webslinger.

With those details laid down, here is a look back at Amazing Spider-Man #383, published in 1993 by Marvel Comics with a story by David Michelinie and drawn by Mark Bagley.

Early story

The story begins in New York with the super-powered being Nova flying around which triggers an alert. It turns out, members of The Jury and their leader General Orwell Taylor have been monitoring and scanning areas of the city with several motion detectors to find Spider-Man. As far as Taylor is concerned, Spider-Man is highly responsible for the existence of Venom in their world and is therefore connected to the murder of his son (committed by Venom while escaping from prison in Amazing Spider-Man #315). Taylor is convinced that the if Spider-Man’s freedom is the price for stopping a monster like Venom, then that would be good.

Suddenly, the team notices that one of their motion detectors went offline. Moments later, a technician reaches the rooftop of the building and finds a motion detector severely damaged. Out of nowhere, Spider-Man grabs the technician and puts his life in danger by moving him off the edge using his fist and strength to carry him. Spider-Man pressures him for details…

Quality

*The Jury’s hunt for Spider-Man is really entertaining to read!*

This is definitely one of the more engaging Amazing Spider-Man stories I read not only from 1993 but from the 1990s in general. In my view, putting Spider-Man up against The Jury is a stroke of genius on the part of the Michelinie-Bagley team and at the same time it was a sound relief after reading so much about the presence of Carnage and Venom on this particular monthly series (note: the Maximum Carnage crossover chapters and Amazing Spider-Man #375 being linked with the Venom: Lethal Protector limited series).

When it comes to The Jury, Michelinie crafted a script that justifies Taylor’s team to pursue Spider-Man after they failure on getting Venom. This shows that Taylor has acquired information about Venom’s origin being the result of Spider-Man bringing home with him the symbiote (alien costume) from his time on a far-away planet (as seen in the Secret Wars series). Creatively, this results in a very convincing portrayal of Taylor not only as a grieving father but also as a very tactical leader who uses vast intelligence and resources to achieve what he believes is justice and the means for achieving the greater good. As for The Jury’s armored members – Sentry, Ramshot, Screech, Firearm and Bomblast – Michelinie did not simply portray them as straight-forward, mission-focused people here. One of them shows hesitancy which added a nice layer of division and human weakness within the team which is felt in action-packed encounter with Spider-Man.

Being the target of The Jury, Spider-Man at this stage is deeply troubled even though the Maximum Carnage disasters are over. He is portrayed to be very disturbed by the alarm signals of his Spider Sense whenever he gets near one of the sensors of The Jury which is a unique display of his special ability.

Those of you who love superhero spectacle will find a lot to enjoy here! Mark Bagley’s art on emphasizing action and stunts is fantastic to look at as The Jury pursues Spider-Man within New York. There are lots of dynamic shots, flashy high-tech images and really intense superhero action complete with collateral damage!

To be clear, this comic book is not simply all about the webslinger and Taylor’s team. There are some scenes here building up on Aunt May’s suspicion about Peter Parker’s parents which added suspense to the narrative.

Conclusion

*As usual, Peter Parker does not have enough quality time for his wife.*

Amazing Spider-Man #383 (1993) remains a very solid and highly entertaining comic book to read from start to finish. The Michelinie-Bagley team really delivered the great stuff as they launched a new concept having The Jury hunting Spider-Man in successful fashion. The Jury is clearly a very formidable team that gave Venom and Spider-Man a lot of trouble. The notable thing here is that this is only the first chapter of a new storyline with focus on Spider-Man’s responsibility with the murderous Venom (and all the victims he made).

Overall, Amazing Spider-Man #383 (1993) is highly recommended!

+++++

A Look Back at Amazing Spider-Man #268 (1985)

February 17, 2023January 21, 2023carlocarrasco

Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the 1980s and examine a small part of the Marvel Comics universe through a tale of the Amazing Spider-Man monthly series.

Back in the year 1985, Marvel Comics published their big-time limited series Secret Wars II, which saw the arrival of the powerful yet ignorant deity Beyonder on Earth. As a major publishing event spearheaded by then editor-in-chief Jim Shooter, Secret Wars II had events that impacted a certain number of regular monthly comic book series whenever an issue was released. In one of the early issues of Secret Wars II, the Beyonder converted an entire tall building within New York City into pure solid gold. As the golden building could not support its own weight, it collapsed and the authorities scrambled to secure the perimeter. Spider-Man himself gets involved by rescuing the victims and he learned something along the way (as seen in Web of Spider-Man #6).

With those details laid down, here is a look back at Amazing Spider-Man #268, published in 1985 by Marvel Comics with a story written by Tom DeFalco and drawn by Ron Frenz.

Early story

The story begins with Spider-Man swinging high and noticing that the perimeter of the collapsed building of pure gold has been covered (with a large tarpaulin) and secured by armed personnel. People were not allowed to pass which makes them speculate about what happened. Having witnessed government operative Anderson compensating the Kingpin with typewriters made of pure gold secretly, Spider-Man is deeply troubled and decides to go home to take a rest.

At the site of disaster, several personnel equipped with laser weapons worked hard to cut down every part of the collapsed building and transport as much gold as possible onto trucks which are tasked to deliver them to a huge cargo ship at the city’s port. The authorities are concerned that the excessive amount of gold from the collapsed golden building will cause tremendous shockwaves in the world’s markets and they strive hard to keep everything secret…

Quality

*Spider-Man sneaking on to the ship as he pursues answers to hot questions about what has been going on.*

Being a tie-in story to Secret Wars II, this is indeed a really unique Spider-Man story that does not put the iconic hero in direct conflict with a powered villain at all which can disappoint certain readers and fans who craved for action-packed conflicts. Instead, this story was designed to be a mystery which strongly reflects the consequences of the Beyonder’s action during his presence in New York. You will get to see Spider-Man work on finding out the answers to all the questions in his head and his knowledge about the involvement of the Kingpin and the United States government were more than enough to motivate him to figure things out even though it means putting himself at risk with powerful authorities.

In terms of story structuring and presentation, the tale moved at a moderate pace and the creators took their time with the revelation of key details (clearly designed to cause intrigue with the readers) as the narrative moved forward. This is indeed an engaging read and it has aged well.

Conclusion

Amazing Spider-Man #268 (1985) is an intriguing and entertaining read even though it does not have Spider-Man in direct physical conflict with a bad guy. The Kingpin, an established supervillain, is present in the story mainly as a background character who still has strong influence with the sinister forces present. The biggest feature of the comic book is the situation itself (local efforts on dealing with the collapsed building of pure gold while preventing the public from knowing all about it) which got triggered by the Beyonder’s reckless act of trying to help humanity by turning a building into pure gold believing that it would help all people financially and socially. As for Spider-Man himself, it is refreshing to see him work his way through in a mystery tale and this comic book has a very solid approach on mystery.

Overall, Amazing Spider-Man #268 (1985) is recommended.

+++++

A Look Back at What If #4 (1989)

December 9, 2022December 9, 2022carlocarrasco

Welcome back superhero fans, 20^th century arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1989 and explore a part of Marvel Comics’ universe through the reimagined tales emphasized in the What If monthly series (Volume 2).

For the newcomers reading this, I previously reviewed a variety What If comic books which you can find by clicking here, here, here, here, here, here, here and here. The joy of reading a What If comic book was the exploration of alternate outcomes in relation to the stories that have been counted by Marvel Comics as canon or official fictional history within their shared comic book universe. In this retro review, we will explore a key event from Spider-Man’s time with the alien costume (symbiote) which is related with the events of Secret Wars and the eventual establishment of his deadliest nemesis Venom.

With those details laid down, here is a look back What If #4, published in 1989 by Marvel Comics with a story written by Danny Fingeroth and drawn by Mark Bagley.

Early story

The story begins with the Watcher examining Spider-Man’s involvement with the Secret Wars that took place on a faraway planet created by the Beyonder. There, his costume got damaged beyond repair and he acquired a new one made of what he perceived to be an advanced form of material. After successfully returning home, Spider-Man goes through some mysterious developments and he could not understand why he remains fatigued even as he spent more time sleeping.

With the help of Mr. Fantastic at the Fantastic Four headquarters, Spider-Man learns that his new costume is a living entity that has attached itself to him mentally and physically. As Mr. Fantastic uses a sonic blaster, Spider-Man and the alien costume got separated at last. Some time later, the alien costume re-attached itself to Spider-Man who eventually used church bells loud sounds to separate it. The alien costume would go on to the find Eddie Brock to form Venom.

The alternate reality begins with Spider-Man having a joyful reunion with Black Cat shortly after coming back from Secret Wars. Learning from her advise to have himself checked properly, he visits Dr. Connors (the Lizard) for examination and testing…

Quality

*The possessed Spider-Man takes on Dr. Strange and the Hulk without hesitation.*

To say that Danny Fingeroth’s script is very deep is an understatement. Specifically, this story is a great exploration of alternative events that not only affects the iconic Spider-Man/Peter Parker but also other elements of the Marvel Comics universe of the time. The concept of the alien costume fully bonding with Peter Parker with Mr. Fantastic and even Dr. Strange failing to help is indeed suspenseful and intriguing to read thanks to Fingeroth’s very solid writing. In fact, the story even shows Spider-Man as being possessed by the symbiote (complete with dialogue) and when you witness Peter Parker struggling to control himself consciously (while wrestling with the alien costume), you will really feel his pain. I should also state that there is a lot more about Spider-Man told here that goes beyond the possession which really turned out to be very compelling to read in my experience. This is easily the most engaging alternate portrayal of Spider-Man as we know him and it should be read by as many people as possible.

Along the way, this comic book portrays the alien costume as an insatiable being and the implementation of dialogue for it (structured in a way as using the vocal ability of the powered being it bonded with) gave it a very unique personality of its own. This is something that was not portrayed in the early appearances of Venom in which Eddie Brock does the talking and reacting to unseen messages from the symbiote. That being said, the alien costume here symbolizes possession within the Marvel Comics shared universe and its unknown state really challenges not only the intelligence of the superheroes but also their ability to decide on what final action to take with regards to sentient life.

As staged by the writer, the story’s narrative occasionally shifts away from Spider-Man to follow other characters such as Black Cat (Peter Parker’s love at the time), Mr. Fantastic (in a great portrayal of his proficiency in science and as a responsible superhero), Thor and others which made the reading experience really immersive in relation to emphasizing how this alternate reality affects others. You will get to see the Captain America, the Hulk, Iron Man, the Wasp, Captain Marvel, the Fantastic Four and the Avengers here.

Those who are fond of superhero spectacle will have a lot to enjoy here. Mark Bagley carefully paces the action scenes and he uses visual dynamism during the right moments.

Conclusion

*Through dialogue, the alien costume is portrayed as a sinister force.*

I can say it out loud…What If #4 (1989) is one of the best Marvel Comics alternate reality stories I have ever read and the creative team of Fingeroth-Bagley crafted an epic tale that goes beyond the featured question of “What if the alien costumer had possessed Spider-Man?”. The comic book works excellently as both a Spider-Man story as well as a Marvel superheroes struggle. The story touches on relevant topics such as possession, killing and scientific exploitation. This is a must-have comic book!

Overall, What If #4 (1989) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/

A Look Back at Venom: Lethal Protector #1 (1993)

December 7, 2022December 19, 2022carlocarrasco

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1993 and explore a part of Marvel Comics’ universe through the first-ever limited comic book series featuring one of Marvel’s most iconic villains – Venom.

To put things in perspective, the origin of Venom started within the events of the 1980s series Secret Wars which took place in a far-away planet. As a result of that series, Spider-Man returned home wearing the alien symbiote as a costume which turns out to have a mind of its own. After Spider-Man successful separate himself from the symbiote (again) using the loud bells of a church, the living costume eventually found a desperate Eddie Brock and bonded with him to form Venom. In the late 1980s comics of Amazing Spider-Man, Venom became the deadliest enemy Spider-Man ever faced.

Going into the early 1990s, Venom’s popularity continued to grow tremendously. He became one of Marvel’s most popular non-hero type of characters and helped sell a lot of comics for the publisher. Knowing they had something to sell, Marvel approved a 6-issue limited series showcasing Venom. It was also the most anticipated comic book among collectors right after DC Comics killed Superman with Superman #75 (1993).

With those details laid down, here is a look back at Venom: Lethal Protector #1, published in 1993 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.

Early story

The story begins in San Francisco, California. Deep within the city, a man cornered a lady at the dead end of an alley. Just as he was about do something bad to her, Venom leaps in at them. Totally surprised, the man was easily grabbed by Venom who lifted him and hit the wall bodily. Using his costume, Venom then chokes the man to death through the mouth and nose. Venom then picks up the lady’s purse and gives it to her. As soon as Venom leaves, the shocked lady runs away screaming.

Venom swings and leaps as he travels through the city. While traveling, Eddie Brock tells his living costume that while their hatred towards Spider-Man got reconciled a bit, the said superhero also helps the innocent. Eddie then reveals that he was born in San Francisco and they can start a new life together in it. Secretly, Venom turns into Eddie Brock in his civilian form. As Brock walks down the sidewalk, police officers nearby recognize him. It turns out. Eddie Brock was listed by police as a wanted person…

Quality

*Spider-Man and Venom face each other unexpectedly.*

Focusing on the plot, this story took place after the events in Amazing Spider-Man #375 (1993) which was released AFTER this particular comic book. As a standalone Venom story, this one clearly portrays him more of a vigilante in the sense that he goes up against a new force of evil that happens to be pouncing on people that Venom believes to be innocent and powerless. Unsurprisingly, Venom does not seek the help of law enforcers to help the innocent but rather he takes violent action to help the victims, going as far as to kill the so-called bad guys. The bad guys in this story work under a powerful man whose son was killed by Venom a few years prior. Within the context of this comic book, the new force of evil was introduced in subtle ways.

With extensive experience writing tales about Spider-Man and Venom, David Michelinie clearly redefined Venom’s beliefs here. Venom believes in protecting the innocent but he is much more violent and is relentless with cruelty which makes him a clear opposite of Spider-Man. Yet in a way, Venom sure talks and acts in a rather psychotic way and this alone makes him a very unlikable comic book protagonist.

Along the way, the iconic Spider-Man got a rather huge chunk of the spotlight in this comic book making him the 2^nd lead next to Venom. I remember back in 1993 when there were Venom fans who complained about Spider-Man literally stealing the thunder away from his greatest enemy while there were a few Spider-Man fans who defended the icon’s guest participation in the story as he has always been linked with Venom’s origin. Considering the lack of depth in the plot, I can say Spider-Man appearance her served as a somewhat helpful filler.

Conclusion

*Helping victims does NOT justify killing. This makes Venom a major turn-off as a comic book protagonist.*

Venom: Lethal Protector #1 (1993) is a comic book that can be alienating, especially when you are not a Venom fan. I find Venom too evil and too unbelievable to be a heroic figure even though he strong believes in protecting and helping the innocent. In my view, he is more of vigilante living with the delusion of achieving something worthwhile as he interacts with people who happen to be not assisted by the many, many Marvel Comics superheroes. It is not surprising that Venom definitely will never be a good role model. He is a murderer and the act of helping victims never justifies murder. The comic book’s plot lacks weight and Mark Bagley’s art looked a little rushed. What made this comic book interesting are Venom and Spider-Man themselves. Yes, there is a lot of superhero spectacle here but don’t expect anything new when you see Spider-Man and Venom resume their violent rivalry. This comic book is unsurprisingly a warm-up of things to come within its series. It is not a terrible literary work. It’s just not really good and it did not deserve the hype and sales of its time.

Overall, Venom: Lethal Protector #1 (1993) is serviceable.

+++++

What to watch on YouTube right now – Part 3

November 22, 2022November 24, 2022carlocarrasco

Have you been searching for something fun, enlightening or interesting to watch on YouTube? Do you feel bored right now and you crave for something to see on the world’s most popular online video destination?

I recommend you watch the following videos below…

#1 Worship videos of “O Praise The Name (Anástasis)” – I love the worship song O Praise The Name (Anástasis) written by Marty Sampson, Benjamin Hastings and Dean Ussher, and published by Hillsong Music. Its lyrics were clearly written to lead people to the Lord and to encourage them to worship Him. One of these days, I will do a Christian Music Appreciation (CMA) piece of the worship song. For those who are reading this, watch the worship videos below from Hillsong Worship, Hillsong United and Bethel Music. This could also be the worship song your local church could play on Sunday worship services.

#2 The history of Secret Wars – In the history of American superhero comics, the Secret Wars (full title: Marvel Super Heroes Secret Wars) series of 1984-1985 remains highly significant not just because it featured a unique gathering of selected superheroes and super villains of Marvel (then led by Jim Shooter as editor-in-chief) but also because of the creative impact it left behind especially with regards to Spider-Man stories and the eventual debut of his deadliest villain – Venom. Secret Wars also marked the debut of the Beyonder, a god-like entity who would impact the Marvel Comics universe later. Apart from its enduring legacy, there were also some notable things that happened behind the scenes leading to the publishing. Watch and learn from the video below.

#3 Ashleigh Burton’s reaction videos of Schwarzenegger movies – For this segment, we take a look at how Ashleigh Burton reacts to movies of the famous Arnold Schwarzenegger. She reacted to two Terminator flicks and Predator which are Schwarzenegger classic but she still has yet to do a Total Recall (1990) video. I urge you to visit her YouTube channel.

#4 Fashion versus videos – If you have not been following the videos published by SHIFT online, there are these versus-type of videos they released on their YouTube channel. Months ago, they published videos pitting popular models in key match-ups and they are posted below for your viewing pleasure.

#5 Looking back at Steven Spielberg’s Jurassic Park – Are you one of the many moviegoers out there who have gotten upset or tired with the way that Jurassic Park movies turned out, especially with the Jurassic World movies released since 2015? I noticed a lot of movie fans pointed to Jurassic World movies as dumb and bloated even as the filmmakers did what they could to sell dinosaurs and action sequences to entertain people. In times like these, it is refreshing to return to the original Jurassic Park movie of 1993 directed by Steven Spielberg. Watch the following movie reaction/review videos below plus a trivia video and an in-depth retrospective video.

#6 The FTX financial disaster – You heard the recent news about the major disaster of FTX that rocked the financial systems? Are you one of the many people who idolized Sam Bankman-Fried (SBF)? Did you pour your hard-earned money into the FTX cryptocurrency exchange and lost it all? Watch this video by Coldfusion to understand the details.

#7 The struggle of Starbucks Coffee in Vietnam and South Africa – Previously I posted a video about Starbucks’ own struggle in Australia whose coffee market has been highly developed long before the American coffee giant entered. There are also two notable markets where Starbucks also struggled in – Vietnam and South Africa. Watch the videos below to find out why. This is not only interesting but also educational.

+++++

A Look Back at Dazzler #1 (1981)

September 7, 2021September 6, 2021carlocarrasco

Welcome back, superhero enthusiasts, comic collectors, 1990s culture enthusiasts and fans of Marvel Comics! Previously, I reviewed Uncanny X-Men #130 which was the first appearance of Dazzler who went on to become one of the most notable new characters of Marvel Comics in the 1980s. After appearing in Uncanny X-Men #131 and Amazing Spider-Man #203, Dazzler became more prominent among all of Marvel’s superheroes as the publisher launched an all-new monthly series featuring her. There is more to that than meets the eye, however.

In his article titled “Dazzler and Me”, Danny Fingeroth wrote: Marvel decided to tray an experiment with the relatively new “direct market” – comic book shops. It was decided that Dazzler #1 would only be available in comic book shops, not at traditional newsstands.

Dazzler #1 sold over 400,000 copies.

Even the top-selling comics of the era sold perhaps 250,000 copies. So, the first issue, anyway, was a major hit.

Apart from the confirmed commercial success of the comic book, it is a wonder if it is still good to read by today’s standards. To find out, here is a look back at Dazzler #1, published in 1981 by Marvel Comics with a story written by Tom DeFalco and drawn by John Romita, Jr.

Early story

The story begins with Dazzler running away from four armed men who had been following her since she left the disco. She finds herself corned at the dead end of an alley as the men approach her. While pretending to be reaching for her make-up in the bag, Dazzler grabs and activates her portable radio which plays music. With the music turned on, she uses her power to convert it all into a dazzling display of light and color which makes the men disoriented.

While swinging nearby, Spider-Man notices the display of light but before he begins his approach, Dazzler makes her move to knock two men out. Another man fires his gun and his bullet ricochets until it hits the portable radio stops the music and Dazzler’s lights altogether leaving her vulnerable once again…

Quality

*This page alone establishes Dazzler as a person struggling to make ends meet.*

As far as telling a Dazzler story goes, this comic book is the complete package and it’s got very solid writing! Apart from showing what happened to her after her appearances in the Uncanny X-Men and Amazing Spider-Man series, this comic book formally introduces Dazzler in her civilian identity as Alison Blaire and thanks to efficient writing, it also reveals threads of her past and how her mutant powers manifested. Not only that, readers will get to see the title character as a typical person who is struggling to make ends meet even though she does her best with entertainment as a career.

Strangely, the focus on Dazzler is relatively light in content and the result is several pages of Marvel universe-related filler which shows several other characters like Captain America, Iron Man, Storm, Wolverine and others present with little to no connection with the title character. The X-Men scene is a nice touch as it will remind readers about Dazzler’s first interaction with them.

*As a teenager, Alison Blaire’s power begins to manifest during this particular event in her life.*

To build-up the first challenge for Dazzler, this comic book has the Enchantress as the villainess and ironically it also had some room of character development for her. Clearly this was done not only to build up anticipation for the next issue but to make readers root for Dazzler some more. In retrospect, the Enchantress would later emerge as an important figure in 1984’s crossover storyline Secret Wars.

Conclusion

*The scene involving the X-Men is a nice touch as it connects with Dazzler’s previous interaction with them.*

While it is indeed a product of the early 1980s carrying influences from the 1970s New York club scene, Dazzler #1 (1981) is still fun and engaging to read. Clearly this comic book is a must-have for anyone who loves Dazzler and it should be entertaining enough for geeks who love the 1980s and the Marvel-related crossovers of the time. Very clearly, this comic book succeeded in introducing and developing Dazzler as a person (as opposed to being a super hero) and the background story established fits in nicely with the character’s first appearance in Uncanny X-Men #130. Very clearly, there is a lot more to Dazzler than her unique super power and her disco look.

If you are seriously planning to buy an existing hard copy of Dazzler #1 (1981), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $70.

Overall, Dazzler #1 (1981) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Warriors of Plasm #1

April 25, 2020April 24, 2020carlocarrasco

It’s truly amazing to see how a grand vision imagined by a veteran comic book creator gets realized into published form with the help of a creative team whose members listened very closely to him. Such a thing happened with Warriors of Plasm #1, published in 1993 by Defiant Comics with a story written by former Marvel Comics editor-in-chief Jim Shooter and drawn by David Lapham (with ink work by Michael Witherby).

Before starting this retro comic book review, let’s take a short look back at the history of Jim Shooter whose tenure as Marvel’s editor-in-chief include such epics like Secret Wars and Secret Wars II. After getting fired by Marvel in 1987, Shooter and his team of business associates tried and failed to acquire Marvel. Not settling for failure, they went on to establish Valiant Comics which made its presence felt in the superhero comic book market. After being ousted by Valiant, Shooter and some others established Defiant Comics.

That being said, here is my review of Warriors of Plasm #1.

Early story

The story begins in the middle of a huge battle. Inside a living, organic ship (a flying creature precisely), acquisitor Lorca leads his force of invaders gradually defeating a resistance force. On the ground, a huge portion of the home city of the resistance has crumbled and Lorca’s fellow soldiers there have gained control of the war zone.

Lorca’s ship moves close to the ground to pick up high gore lord Sueraceen. As it turns out, Lorca and Sueraceen are lovers (the lady referred to him as her lust-mate) and their reunion is nothing less than sensual and expressive. As they talked, the biomass (referring to the inhabitants of the defeated city) will be incorporated genetically and organically into their world, and live again as part of their ecosystem.

After sending Sueraceen back on the ground to resume her duty of leading the troops, Lorca and his crew flew back to space to enter the Org of Plasm, an organic, fleshy space station complete with resources, inhabitants and an actual city inside.

*Admirers, followers and idolaters tried so hard to get Lorca’s attention.*

Given his prominence, Lorca is highly respected, even idolized, by his fellow people. One particular idolater even genetically reshaped his face to look like Lorca. Alone in a private chamber, Lorca is capable of cloning which is illegal. More intriguing, however, is that he has been developing a top-secret project with an intention to overwhelm the rulers of the org.

He begins his project with the holo-orb which is focused on planet Earth. As it turns out, organic beings from Lorca’s world are already present on Earth, spying on ten thousand people. Suddenly, the ten thousand got touched by the organic beings which instantly sent them back to the Org of Plasm.

Quality

Warriors of Plasm #1 is not just a high-quality comic book. It is also a great showcase of the talents of Jim Shooter, David Lapham and others molded together to form a true, sci-fi epic that remains very unique to read to this day.

*Very intriguing art and visual designs by Lapham.*

When it comes to storytelling, structuring and character development, the former Marvel Comics editor-in-chief scored great points which is not surprising given his tremendous experience in comic books. With great art by Lapham, this comic book opened with literally strong arms that pulled me into an all-new, sci-fi universe that is like no other. Within the first few pages, I felt deeply immersed into discovering the universe and quickly realized Lorca’s role, what his side was doing and more. The script and arrangement of panels for the art were executed with high efficiency. Really, I never felt lost reading this comic book.

As I kept reading further, I discovered more about the culture of Lorca’s people, how they operate and traveled efficiently with organic materials and living beings that served their needs without the use of technology (no metals, no computers, no fossil fuel and no digital stuff). This comic book shows how deep and engaging Jim Shooter’s imagination really is and illustrator David Lapham lived up to the difficult task of realizing the visual concepts.

And then there is the dialogue which is really deep and engaging to read. Lorca, Sueraceen and the many other supporting characters involving the org and the surviving few from planet Earth each have unique personalities. Clearly Shooter planned each character with a purpose. What is even more intriguing in this comic book is that the line between good and evil was cleverly blurred.

The art by David Lapham, whose past credits include Magnus Robot Fighter, Harbinger and Shadowman for Valiant Comics, really outdid himself. The characters are really well defined visually but what really stood out was his work on the Plasm world and the functioning organic environment. Of the many works of the illustrator, Warriors of Plasm is his most memorable work.

Conclusion

While it is true that Defiant Comics no longer exists and Warriors of Plasm’s full potential as an entertainment franchise was never realized, this particular comic book is, in my honest opinion, still one of the best new comic books ever launched in 1993. Its epic science fiction concept opened very strongly and remained very engaging right until the very last page. I can assure you that by the time you reach the end of Warriors of Plasm #1, you will want to go out and search for the next issue.

*On the battle zone is gore lord Sueraceen leading the troops.*

If you are thinking about acquiring an existing copy of Warriors of Plasm #1, please take note that as of this writing and based on the latest rates at MileHighComics.com, a near-mint copy of the regular edition costs $4, $26 for the near-mint copy of the edition with five signatures, $7 for the Jim Shooter-signed edition, and $30 for the signed-and-numbered edition.

This comic book is a 1990s classic. As such, Warriors of Plasm #1 is highly recommended!

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Fantastic Four #275

June 25, 2019carlocarrasco

Back in the mid-1980s, the Marvel Comics universe had revisions as a result of the best-selling series Secret Wars. As a result of that series, Spider-Man went home with the alien costume or symbiote (read: Venom), Colossus’ feelings for Kitty Pryde weakened and the Thing decided not to go home yet with the Fantastic Four.

This resulted a temporary change in the lineup of the Fantastic Four. To make up for the loss (and strength) of the Thing, She-Hulk came in as the replacement. Reflecting this particular change, here is my retro review of Fantastic Four #275.

Released in 1985 with a story written and drawn by the legendary John Byrne, Fantastic Four #275 begins when a sun-bathing She-Hulk got photographed by a man riding a helicopter flying at the top of the Baxter Building in New York. The sheer force of air from the helicopter’s blades temporarily causes She-Hulk’s cover to loosen which exposes her body to the photographer.

“Here I was all braced for a super-baddie, and I end up getting photographed deshabillee by an airborne peeping-tom,” She-Hulk said during the encounter.

The green-skinned lady then decides to take a huge risk by leaping off the building and grab on to the helicopter.

While this is indeed a Fantastic Four comic book, it is very focused on She-Hulk. There is a short scene about Johnny Storm as well as an epilogue at the end of the comic book showing Reed and Sue Richards however.

In terms of storytelling, John Byrne did not tell the usual good-versus-evil story rather he focused more on how being a superhero can be challenging when it comes to personal privacy. This was emphasized through She-Hulk who became the object of a magazine whose editor-in-chief views her as a public figure and that puts her in the public domain along with other famous public figures whose faces and even their private lives got exposed to the masses.

If you are looking for superhero action, you won’t find much. There are some incidental forms of action in the form of collateral damage as She-Hulk crashes through walls.

Overall, Fantastic Four #275 is a fun read and its focus on how the print media treats superheroes viewed as public figures is a nice break from the typical good-versus-evil type of story. No clear villain here. Just the She-Hulk dealing with a magazine that violated her privacy.

Fantastic Four #275 is recommended.

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