Is a Darna movie still needed?

This past summer, the production of the pending Darna movie project suffered a major setback when Liza Soberano dropped out due to a serious injury of her finger. I wrote about that months ago and the fact that Soberano cried during the ABS-CBN interview (she admitted she let the fans down) only showed how heavy and painful the loss of the Philippine pop culture icon was to her deep inside. Not only that, the original director Erik Matti is no longer involved and has since been replaced by Jerrold Tarog.

As of this writing, the filmmakers are still quietly searching for a suitable replacement for Soberano.

As the search goes on in this age of social media and Hollywood-produced superhero movies that dominated the Philippine box office, the hot question remains – is a Darna movie still needed?

To understand things better, let’s go back to the beginning.

The past

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Darna with the Philippine flag on display at the Ravelo Komiks Universe booth during the recent Toycon.

Created by the late Mars Ravelo, Darna debuted in 1950 in illustrated print media and went on to appear in comic books, comic strips, magazine special features, television and movies to name some. Through the decades, Darna went on to become a Philippine pop culture icon and there were those who even compared her with Wonder Woman.

In Philippine cinema, Vilma Santos (who is now a public servant) made her mark with the public when she played Darna more than once. Other actresses who played the superhero in other movies were Sharon Cuneta, Anjanette Abayari and Regine Velasquez to name a few.

The 21st century

In the 21st century, Darna was unsurprisingly modernized in a TV series starring Angel Locsin and produced by GMA Network. The series became a hit nationwide and helped keep Ravelo’s icon relevant to Filipinos while also boosting Locsin’s popularity. A few years later, GMA lost Locsin to its rival network ABS-CBN and “replaced” her with then newcomer Marian Rivera who went on to become a star. While still holding the rights to Darna, GMA launched in 2009 a new series with Rivera as the superhero. Like the 2005 series before it, it became a hit as well.

While it was a success, the deal between GMA and the surviving members of Mars Ravelo came to an end. Unsurprisingly, in 2015, the Ravelos signed up with rival network ABS-CBN with upcoming Darna projects in mind. What made this new deal different was that it was in the form of a motion picture project through its movie-making arm Star Cinema.

Making a live-action Darna movie turned out to be tricky and time-consuming. In 2017, the project generated a lot of buzz and excitement when the young and pretty Liza Soberano was hired to play Ravelo’s creation. She was easily referred to as the “Millennial Darna”.

Of course, in this age of social media and smartphones, Filipinos expressed their reactions online. While there were those who welcomed Soberano as Darna, there were some who had problems with the actress’ American accent and heritage (note: Soberano was born in the United States) and some even claimed that she was “not Filipina enough” to play Darna who in the realm of fantasy is Narda, who is often portrayed as a simple Filipina.

And then there were some people who preferred Angel Locsin over Soberano. Take note that almost a decade before Soberano signed up to play Darna, Locsin was hired by ABS-CBN and starred in many big projects with the network achieving lots of success in both television and movies. As such, it was no surprise that there were still many craving for Locsin to play Darna under the banner of ABS-CBN.

Before losing the role, Liza Soberano worked really hard to play Darna. Videos and images of her physically training for the role were released online and it has been reported that she researched the icon behind the scenes. Soberano, by the way, studied at SISFU (Southville International School Affiliated with Foreign Universities) in BF International, Las Pinas City.

Do people really want to see a Darna movie at all?

While Star Cinema is slowly making the Darna movie, it is only fair to ask if people really want to see the movie at all. Do Filipinos, who collectively paid a good amount of money to enjoy Hollywood-made superhero movies in local cinemas since the year 2000, really need to watch Darna on the big screen?

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Pick a Darna.

Now I am not a filmmaker nor have I gotten involved in the nation’s film industry but as a long-time geek, observer and former journalist, I should say that the odds are against Star Cinema.

Traditionally here in the Philippines, local film productions that became hits were the romantic comedy and horror types of movies. There were a few historical epic films that became hits along the way. A few fantasy movies were released and made some good money. Given the fact that these kinds of films became hits with Filipino moviegoers and given the fact that the Filipino action film genre has faded away since the early 2000s (note: Filipino action movies have been rarely produced since then), it comes to show that Filipino moviegoers are not that interested in locally made action scenes.

Action scenes combined with computer-generated images (CGI) are among the most attractive features of Hollywood superhero movies to Filipinos. There is nothing like watching Spider-Man’s classic fights with Doctor Octopus in Spider-Man 2 (2004), Wonder Woman leading the fight against the Germans in the No Man’s Land scene in Wonder Woman (2017), Batman fighting a gang of thugs in the warehouse in Batman v. Superman: Dawn of Justice (2016), and the massive battle between the superheroes and the evil ones in plains of Wakanda in Avengers: Infinity War (2018) all happen on the big screen!

Definitely those forms of spectacle look great, feel intense and were enjoyable to watch again and again. Moviegoers here in the Philippines paid good money to experience those sequences. For sure, all those on-screen action sequences were carefully crafted, choreographed and painstakingly laced with CGI at a high cost.

That being said, what can the Darna movie offer local moviegoers in terms of spectacle? Can the filmmakers come up with something stylish (if not original) with the action with Darna that can convince moviegoers to come back for more? How much money can the filmmakers afford to invest in such spectacle? For sure, there will be moviegoers who can’t help but make comparisons with Darna’s on-screen spectacle with those of movies from Marvel and DC.

There is also the challenge for the Darna filmmakers to tell a compelling story and have the moviegoers connect with the characters. Sure there is Darna (Narda is her civilian identity) but who else could they add as key cast members? The least the filmmakers could do is involve supporting characters who would end up annoying moviegoers. If the Darna movie would have humor, the producers should make sure that the comedy players should avoid annoying the viewers as they try to make comic relief.

Challenging also is the implementation of the villain to give Darna problems and compel her to act heroically. There is the long-time enemy Valentina but how can the filmmakers make her relevant and not look corny to the locally viewers who have gotten so used to villains in Hollywood superhero movies. Creating a brand new, all-original villain for Darna on the big screen could be a last resort if ever none of the Mars Ravelo-created villains would fit in. A weak cinematic villain is a big no-no.

And then there is the challenge of dramatizing and modernizing the origin of Darna on the big screen. This can make or break the movie because emphasizing the origin requires a good amount of build-up and however the story is written (with the expected big battle near the end) the movie should have balance. It is key to entertain the viewers, to connect them with the characters and make the plot relevant to them. If there is way too much build-up (read: Batman v. Superman: Dawn of Justice), moviegoers will end up getting burned out and the spectacle won’t save the movie. If the film has too much social commentary, it could turn off moviegoers.

Another issue is maintaining the relevance of Darna with the Filipinos as time passes. Each year that passes, a superhero movie of Marvel or DC Comics gets released in cinemas nationwide and adding more to the relevance of the superheroes in those movies is the presence of comic books and trade paperbacks of superheroes in retailers. I’m a comic reader and no matter how hard I try, I could not even find a Darna comic book at the retailers (including the comic book specialty stores) and not even reprints of old comics are available. As for the past TV series and movies of Darna, they can be viewed on YouTube but those productions are not too appealing to me.

Merchandise of Darna and the other Mars Ravelo heroes Lastikman and Captain Barbell are not that common commercially. The Ravelos however, in partnership with ABS-CBN, sell such merchandise (under the title Ravelo Komiks Universe) online.

During my time at the recent Toycon, there was a Ravelo Komiks Universe at the main exhibition floor which showcased statues and some merchandise of Darna, Captain Barbel and Lastikman. There were even hired models portraying the Ravelo superheroes in full costume.

One last issue to discuss here is movie competition. Hollywood superhero movies pretty much made tremendous commercial, and even social, impact here in the Philippines since the year 2000 when X-Men proved that superhero films can be taken seriously and be enjoyed for what they are. There is no denying that Marvel and DC Comics movies are major moneymakers among Filipinos. Wonder Woman grossed over P520 million nationwide in 2017. The disappointing X-Men: Apocalypse made over P400 million in 2016. Iron Man 3’s gross in 2013 was over P625 million. Lastly, Avengers: Endgame made over P1.6 billion this year!

Superhero movie competition is already tough and for sure moviegoers will compare Darna to those foreign superhero flicks on every detail. As if that was not hard enough, there is also movie competition with non-superhero flicks like Jurassic World (over P500 million) and the Star Wars movies to name a few. Some comedies and romantic comedies occasionally sell a lot. There are also those computer-generated animation films as well not to mention some Filipino movies that sometimes turn into major blockbusters.

Conclusion

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I wonder if this classic Darna design will actually be used in the delayed movie. Whoever gets hired as the star should be ready to wear this swimsuit-type costume.

With these issues discussed, making a Darna movie is hard to do and selling it, if ever it gets made at all, is an even bigger challenge for Star Cinema. As a movie market, the Philippines and its moviegoers have an undeniable appetite for foreign movies and if it is spectacle they crave for, they search for it from Hollywood from the superhero movies, the sci-fi movies, the hard action films, fantasy movies, etc. Adding further to the challenge of making the Darna movie succeed is the advanced publishing of schedules of releases of future movies like Wonder Woman 1984 which will be released worldwide on the first week of June 2020.

If ever the film will be made, could Star Cinema’s Darna turn out as the complete package of really special superhero fun, engaging storytelling, memorable characters and great spectacle in the near future? Will it be released during the Metro Manila Film Festival or during the January-November period? How can Star Cinema make Darna relevant to young moviegoers, geeks and the many Filipinos who love watching Hollywood superhero movies?

The answers should unravel in the near future. There is, however, the possibility that the Darna movie would end up getting cancelled. Personally, I would not be surprised if that happens.

Don’t get me wrong. While I am not a fan of Darna, I still am interested to see a modern day film adaptation of Mars Ravelo’s superhero and hope it will happen with an engaging story, characters worth connecting with and carry lots of entertainment value. While I enjoy watching Hollywood superhero movies, I still will give the Darna movie a chance if it ever gets made as a solid film.

How about you, readers? Do you want to see a Darna film on the big screen?


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

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Carlo Carrasco’s Movie Review: X-Men: Dark Phoenix

I’ll get straight to the point here. X-Men: Dark Phoenix (or Dark Phoenix in North America) is a better superhero film than I expected (and at the same time I never expected a faithful adaptation of the classic comic book storyline the Dark Phoenix Saga by Chris Claremont and John Byrne) and Simon Kinberg‘s feature film directorial debut turned out to be a surprisingly solid effort. I really enjoyed this.

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X-Men: Dark Phoenix is the 2nd attempt by 20th Century Fox to adapt the Dark Phoenix saga for the big screen and I can say it is a brave effort. While it never attempted to fully and faithfully adapt all the elements of the classic storyline (note: that would require hundreds of millions of dollars more budget, more production time and at least two whole films to produce), the new movie is absolutely a better adaptation than X-Men: The Last Stand (which is an even worse movie by today’s standards).

As far as the current X-Men Cinematic Universe (starting with 2011’s X-Men: First Class), Dark Phoenix is very character-driven even though it has a huge cast. There was tremendous pressure behind the scenes on the part of Sophie Turner to portray Jean Grey struggling with her added powers and the good news is that she delivered very nicely! This new movie is clearly focused on Jean Grey whose emotions, struggles and acts of power are magnificently pulled off by Turner each time the screenplay requires her to act.

Turner is clearly more comfortable with playing as Jean Grey and it seems she paid close attention to the Dark Phoenix comics. Unlike Famke Jansen’s Jean Grey/Dark Phoenix in X-Men: The Last Stand, Turner cinematic act is more believable, more emotional and even more terrifying. There were moments to feel sorry for Jean Grey as her life turns upside-down plus there were times that she would be better off going far away into the deep void of the galaxy so that nobody else would get harmed by her. If you pay very close attention to Turner’s act, you will feel varied emotions along the way.

Turner is not the only standout. Nicholas Hoult, James McAvoy and Tye Sheridan each played their respective roles (Beast, Charles Xavier and Cyclops) with more heart, more drama and more intensity. Through Hoult and McAvoy, you will relate more with them as the film makes gentle connections back to X-Men: First Class (why the time was formed, who was supposed to remain or go away, etc.). The conflict between Beast and Xavier that happened later (combined with the revelations from the past) dramatically blurs away the boundary that separates good and evil. As for Tye Sheridan, I see a lot more of the literary Cyclops in him this time and thanks to the script, he exceeds James Marsden’s Cyclops by a hundred a miles. Sheridan and Turner also have better on-screen chemistry as Cyclops and Jean Grey.

James McAvoy’s Xavier deserves everyone’s attention. He not only looks and feels like his comic book counterpart, he also clearly displayed how much the character has matured. McAvoy also successfully captured the on-screen aura of authority Patrick Stewart had in the first X-Men movies.

Michael Fassbender’s Magneto appears rather late into the film but that does not make him any less significant. As before, Fassbender is intense with playing his character and, more importantly, he contributed nicely into the story. Jennifer Lawrence portrayal of Mystique is the shortest one yet but before leaving the film, she delivered some nice lines (with some reconnecting to X-Men: First Class) and acted nicely. Fans of Nightcrawler and Storm will be happy to know that their roles become more significant in the late stage of the film. Lastly, Jessica Chastain‘s addition as Vuk was a nice addition. While others put her down as one-dimensional, which is true, it does not detract from the film at all. Even with lacking variety of character, Vuk still makes a strong villainess and she really acts alien. Vuk would stop at nothing to achieve her goals.

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This is one of many great looking visual effects of the Cerebro scenes.

When it comes to storytelling, this movie did not try to make an in-depth adaptation of all the elements of the Dark Phoenix Saga of comics. Instead, the filmmakers adapted a few elements of the literary classic (and even a few selected elements from X-Men: The Last Stand), focused on the present day X-Men (story is set in 1992), looked back occasionally at X-Men: First Class and made the most with what they have.

The result is a cinematic story about the X-Men now publicly recognized as legitimate mutants (and youths) with Charles Xavier having fully established a direct link with the President of the United States. After the rescue mission in space involving the solar flare, a race of shape-shifting aliens arrive on Earth with a secret agenda of their own. As mentioned earlier, Simon Kinberg surprised me with his directing. The storytelling, even with the slowest moments played, never felt dragging to me at all. The pace, in my experience, was between medium to fast. As this movie was written by Kinberg, Dark Phoenix is clearly his vision for the X-Men Cinematic Universe and he stamped his mark on it despite the fact that reshoots and story revising had to be done. If you are looking for humor, you really won’t find much as the story’s tone is intensely dramatic.

You want fun? X-Men: Dark Phoenix delivered solidly! This movie has more than enough spectacular content (action scenes, stunts, visual effects, etc.) that any moviegoer can enjoy! Very clearly the filmmakers consciously worked hard to deliver entertaining stuff to bounce back from the heavy drama. There was a lot of physical damage caused by Phoenix in her conflict with her teammates which is a solid start of her causing trouble to others. Cyclops, Storm, Nightcrawler, Xavier, Beast and Magneto used their respective abilities VERY EXTENSIVELY combined with high-octane stunt coordination which results several minutes of on-screen fun leading into the finale! The spectacle of X-Men: Dark Phoenix, which was extensively done with a blistering pace, easily exceeds what was showcased in First Class, Apocalypse and even that of Days of Future Past!

As for those blink-and-you-will-miss-it visual moments, there were times that images shown on the big screen reminded me of Jim Lee’s X-Men. I won’t point out where they are or when they will come out but anyone who extensively read the X-Men comic books drawn by Jim Lee (who co-founded Image Comics and now works as DC Comics’ co-Publisher) will spot the technical fan service.

Last but not least is the music provided by the great Hans Zimmer and this film marks his return to the superhero movie genre. While the music he and his team provided here is nowhere as energetic nor as intense as that of Batman v. Superman: Dawn of Justice, the music is still steps above that of X-Men: Apocalypse, X-Men: The Last Stand and even the popular X2: X-Men United. The highlight of Zimmer’s music is the tune played during the moments when Jean Grey’s tremendous power as Dark Phoenix was realized in that day-time encounter with the X-Men. That particular music really emphasized the danger she poses to others.

There were some issues about the movie that might be problematic or annoying to moviegoers, particularly superhero movie fans. For one thing, Simon Kinberg re-used certain elements from X-Men: The Last Stand for this new movie and that includes Jean Grey having a childhood problem and Charles Xavier getting involved to solve it only to be blamed for it many years later. There were even a few lines from the 2006 movie repeated.

Also questionable was the lack of an explanation regarding Jean Grey’s Phoenix Power in this film and the one we saw in X-Men: Apocalypse. If what she unleashed in the final battle with Apocalypse was not the Phoenix force, then that’s a major blunder by the creators in relation to this movie. Perhaps an extended cut of X-Men: Dark Phoenix will solve that.

Lastly there was the use of shaky camera photography during some moments with the action sequences. While they were temporary, they prevented the film’s strong spectacle from achieving perfection.

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Overall, X-Men: Dark Phoenix is a thrilling, heavily dramatic and very solid superhero movie worthy of being the conclusion of the X-Men Cinematic Universe that 20th Century Fox first launched in 2000. From this point on, there is no guarantee we will see McAvoy and the gang return as the cinematic X-Men now that 20th Century Fox is fully controlled by the Walt Disney Company through Marvel Studios. X-Men: Dark Phoenix is not perfect but it strongly resonates with me as I am a long-time X-Men comic book reader. While others out there would bash this movie for not having the common elements of Marvel Cinematic Universe films, X-Men: DP has its own flavor and the filmmakers utilized what they had established in the X-Men Cinematic Universe since 2011. The reported reshoots may have prevented Kinberg and team from fully realizing their original vision of the Dark Phoenix story but still they succeeded in making a better Dark Phoenix adaptation captured on film.

If Marvel Studios would launch the X-Men through the Marvel Cinematic Universe and attempt a new and more ambitious Dark Phoenix adaptation of their own, it will take much longer and will cost them more time and money to do so. That’s something we may not see in the next decade. All the more reason to enjoy X-Men: Dark Phoenix now.

X-Men: Dark Phoenix is highly recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

For more X-Men insight, check out my retro comic book review of X-Men #1 of 1991, my retro movie review of 2000’s X-Men, my retro review of X2: X-Men United and my review of Logan.

 

 

A Look Back At Prime #1

As a comic book collector, 1993 was a notable year. That year Marvel organized the 30th anniversary celebration of the Avengers and the X-Men (which I’m a fan of). Image Comics meanwhile released a lot more comics showcasing the works of many creators apart from the publisher’s Seven Founding Fathers. Over at DC Comics, Superman was brought back to life but after they started the Reign of the Superman storyline. Oh yes, there was Valiant which scored hits with Turok #1 and even partnered with some Image Comics creators to produce the Deathmate crossover comic books.

At one corner was Malibu Comics which made a brave entry into the highly competitive superhero genre of comic book publishing in America by launching the Ultraverse, a line of superhero comic books which was the result of brainstorming by several comic book creators (many who previously worked with Marvel and DC Comics).

They launched a lot of comics (all those with #1 on their covers) which made it on the walls and shelves of local comic book stores I visited. Among the many Ultraverse launch comic books displayed was Prime #1 which had a great cover drawn by the late Norm Breyfogle.

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The cover with nice art.

Co-written by Len Strazewski and Gerard Jones with art by Breyfogle, the comic book introduces readers to Prime, an overly muscular, caped man who tries to do something good but is quite flawed with his approach.

The story begins when Prime confronts a junior high school coach named Meyer accusing him of being a pervert. Meyer reacts surprised since he personally does not know Prime (“Who are you? What are you?”). He claims that he does not know what exactly the big guy knows. At the side were two high school girls witnessing the encounter.

And then Prime said his words, “I saw you, coach Meyer! I saw you on the basketball court in fifth period..touching those girls!”

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The coach fought back causing Prime to react. Because the hero was not aware of his strength, he miscalculated with his grip on Meyer breaking his arm unintentionally. Prime’s reaction clearly showed his realizing his mistake.

The incident scared the one of the girls away and carelessly Prime tries to explain himself to the other girl standing by. He even called himself as the girl’s “protector and avenger”, telling her not to be afraid of him.

As it turned out, the incident was a recently past event within the narrative of the comic book which is a nice touch. The coach, already injured, gave his testimony expecting cash from a shadowy organization collecting information not only about Prime but the Ultras (the in-universe term referring to beings with super powers).

That’s as far as I will go with telling the plot details. Prime #1 should be read from start to finish and the good news is that old copies of it can be found online at affordable rates and there are lots of copies in overall good condition.

Other notable elements of Prime #1 worth discussing, without spoiling the plot, is the way the story was structured by Strazewski and Jones. At least for 1993, it somewhat defies the tradition of following the views of the protagonist. Instead, Prime is emphasized through the views of others from the injured coach to the soldiers and the media. This approach does not necessarily make Prime a supporting player in his own comic book but rather it was an efficient way of showing how he thinks and acts, what he is capable of doing and how he reacts to others. By the time the comic book ends (with a very intriguing ending no less), you will get to know Prime a lot.

I also liked the way the writers used corporate media as a key element on exploring the connecting elements of the Ultraverse. Hardcase is shown briefly while a reference was made on Prototype. Check out the page posted below on how corporate media looks at Prime.

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Corporate media exposure and conspiracy efficiently told in one page.

When it comes to the art, the late Norm Breyfogle (1960-2018) delivered visuals that had that cartoony look and yet the visual expressions are quite mature, even dark and gritty. It is a very nice approach and it is no surprise, looking back, that Breyfogle went on to draw a lot more issues of Prime for Malibu Comics. Breyfogle died on September 24, 2018 due to heart failure in Michigan. Before making his mark on the Ultraverse, the late artist drew a lot of comic books for DC Comics and is known for his contributions on Batman.

More on hero himself, Prime is a flagship character of the Ultraverse and the combined talents of the writers and artist were major factors behind it. On face value, Prime looks like the Ultraverse answer to DC Comics Superman but in reality he has a lot more common with Shazam/Captain Marvel. I can explain why but that means spoiling the plot more here.

Overall, Prime #1 is still a very good old superhero comic book to read. It is fun and intriguing from start to finish. Considering its very good quality and being a nice showcase of the talents of the creators, Prime #1 is one of the best Ultraverse launch comic books. It is too bad, however, that there are no signs from Marvel Entertainment (note: Marvel Comics acquired Malibu Comics in the mid-1990s) whatsoever on the possible revival of the Ultraverse which remains in limbo under them.

Even so, I still say that Prime #1 is highly recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Also if you are interested to join an Ultraverse-related community online, I recommend the Facebook group here.

3 Reasons To Anticipate X-Men: Dark Phoenix In Cinemas

Previously I expressed concern as to why X-Men: Dark Phoenix (opening in the Philippines on June 5 and in the United States on June 7) could end up as a disappointment just as the Walt Disney Company finally took over 20th Century Fox (which led people into believing that integration of the X-Men Cinematic Universe into the Marvel Cinematic Universe could be done instantly).

For one thing, the new movie is the first film of Simon Kinberg as director and to date his credentials include screenwriting, producing and working as a 2nd unit director in the very poor 2015 Fantastic Four movie. Also this movie is the 2nd cinematic adaptation of the classic comic book storyline and the first one from 2006 was bad and there were a few visual elements that the two films shared.

Still there are good reasons to watch this movie whether you are an X-Men fan or not. By now, Avengers: Endgame has satisfied moviegoers which easily makes X-Men: Dark Phoenix the superhero film to anticipate.

Why should you care about this? Here are my reasons (and, yes, I will watch it).

1). This new adaptation is looking more faithful to the Dark Phoenix Saga storyline than how X-Men: The Last Stand ever did – While it is unwise to expect a 100% faithful adaptation of the literary classic, X-Men: Dark Phoenix’s trailer showed the mutants fly into space for a mission, Jean Grey did something desperate and then something happened that changes her. This scene is very similar to what was shown in the comic books decades ago and considering the fact that the cinematic Jean Grey (played by Sophie Turner) unleashed her phoenix power in 2016’s X-Men: Apocalypse, things are making sense. I also liked the shots in the trailers showing Cyclops getting very concerned with Jean Grey which parallels the comic book story.

If there are enough storytelling elements that link this new movie with the literary classic and they get executed nicely, it could make a satisfying experience to moviegoers who are familiar with the classic storyline as well as those who are unfamiliar.

2) Simon Kinberg just might have pulled-off a Dances With Wolves. What do I mean? I mean to say that Kinberg may have prepared himself a lot and somehow managed to not just direct the film efficiently (reminder: this is his directorial debut) but probably outdid himself on executing the scenes strongly, getting strong performances from his actors, carefully crafting the spectacle while maintaining focus on storytelling. As seen in Hollywood history, directorial debuts are often weak efforts of career movie directors so naturally the odds are against Kinberg. Still, Kinberg may have made a very solid directorial debut in comparison to Kevin Costner’s own first directorial effort with Dances With Wolves which grossed over $400 million worldwide and won several Academy Awards including Best Picture and, yes, Best Director! Of course, I’m not a filmmaker myself nor do I have access in Hollywood productions but I did my film research a lot and my Hollywood mentor Rusty Lemorande enlightened me on the history of directorial debuts. Very soon we will find out the true results of Kinberg’s directorial debut.

Surely enough, the executives of 20th Century Fox had their own reasons to hire Kinberg as director despite his lack of movie directing experience.

3) This could be the end of the X-Men Cinematic Universe as we know it. Believe it or not, this film franchise that 20th Century Fox launched is almost twenty years old! Never mind the fact that 20th Century Fox was acquired at last by the Walt Disney Company. I have this strong feeling that the filmmakers did their best to make X-Men: Dark Phoenix a solid film on its own and, possibly, worthy of being the final film of the current cinematic universe. If you love the X-Men cast of Sophie Turner, Jennifer Lawrence, Nicholas Hoult, Michael Fassbender and James McAvoy, then you should watch them perform in this new movie because there is no guarantee that you will see them reprise their roles in future movies under the umbrella of the Walt Disney Company through Marvel Studios.

X-Men: Dark Phoenix is a few weeks away from opening in cinemas worldwide. Watch out for it as well as my review.

For your viewing enjoyment, here’s the movie poster.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

 

 

 

 

 

A Look Back At Logan

What a journey it has been! When I first saw then newcomer Hugh Jackman play Wolverine in the first X-Men movie back in 2000, I was not that impressed. In X2: X-Men United, Jackman outdid himself and established Wolverine as a very defining action hero for 21st century Hollywood cinema that moviegoers can keep coming back for more.

Then Jackman played Wolverine (referred to as Logan) several more times in the X-Men movies plus the standalone Wolverine movies. His most defining performance as the cinematic icon happened in 2017 with the release of Logan directed by James Mangold.

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Hugh Jackman delivered his best superhero movie performance in Logan.

Set in what is the near future, Logan takes place in a time (note: the X-Men cinematic universe timeline was revised as a result of X-Men: Days of Future Past) when mutants are dying off as a human species. Wolverine/Logan works as a limousine driver and lives at a smelting plant in Mexico with Cabal and a very old Charles Xavier (Patrick Stewart) who has dementia and has been unstable with his telepathic powers which make him a danger.

The future is bleak for them. Logan is very old and his healing factor has weakened a whole lot and the adamantium coating of his skeleton has poisoned him. Xavier meanwhile needs be provided with medication to prevent him from having a seizure which, combined with his telepathic powers, affects all others around them negatively. It has also been confirmed that an incident was caused by Xavier’s seizure which killed off several X-Men members leaving them three. Logan has to work and earn as much money as he could to keep providing the medication.

One day, a lady approaches Logan to try to hire him to drive her and a young girl named Laura (X-23 in the comics, played by Dafne Keene) to a refuge in North Dakota to escape from danger. Logan accepts reluctantly but discovers that the lady got killed. He returned to the smelting plant and learned that Laura stowed away by discreetly riding his limo. Eventually mercenaries led by Donald Pierce (who met Logan early in the film) arrive at the smelting plant. From this point, Logan realizes why the lady and Laura are targets and then mayhem begins when the little girl fights the mercenaries.

When it comes to storytelling, Logan emphasizes the violent and bitter journey of Wolverine who, at a very late stage in his life, has to accept the reality that he has to make another hard adjustment as a key element from his past comes into his life which is Laura who is actually a clone of him produced from an extracted sample of his DNA. The movie has some parallels with the 1950s cowboy movie Shane (which has some scenes in the film) which added depth to the story.

Logan also emphasizes the element of aging which has not been fully explored in the superhero movie genre until now. Wolverine lived lonely, had no people to love and his personal journey has been marked with violence and death. He could only move forward with whatever opportunities he could find but no matter what he does, happiness will always be unreachable to him. For Charles Xavier, age really tore him down and being almost 100-years-old in the story, he really has nowhere else to go to but death. Not even his legacy of brilliance and teaching mutants to use their powers for good could make any profound changes.

The long journey of Logan, Xavier and Laura in the film is where the character developments really set in. Along the way, there is a scene in which Logan, holding X-Men comic books (made specifically for the story), expressed his displeasure about how people perceive the X-Men and that the pharmaceutical company fed their young cloned mutants with fantasy and lies. Also striking to me as a viewer and a geek were the scenes showing how unethical the company has been with developing the young mutants (X-23’s pals) who decide to fight to escape.

In terms of presentation, Logan was rated R and for good reasons. It was rated R not simply because of very brutal violence and swearing but because its concepts are clearly meant for adults to see. If you combine the concepts of unethical science experiments, mercenary brutality, human rights violations and unchecked destruction, clearly Logan is NOT the superhero movie made for parents and their little kids to watch together. When it comes to action and spectacle, this movie has more than enough stuff to keep viewers entertaining while at the same time it has this particular 1980s R-rated Hollywood action film feel to it.

Screenshot_20190511-162143_YouTube.jpg
Dafne Keene as X-23/Laura. Her great act will be remembered for a very long time.

Performances of the actors were top-notch, specifically Jackman, Stewart and Dafne Keene. Hugh Jackman as a superhero cinematic artist truly evolved! If you disregard the timeline alteration of the X-Men films, you will realize how Jackman’s Wolverine gradually changed in terms of style and expression. In 2000’s X-Men, Wolverine was trying to figure out his place among the mutants as Charles Xavier helped him. In X2, he decided to be with the X-Men and help them out in their situation. In X-Men: The Last Stand, he has to deal with helping the X-Men tackle Magneto who has Dark Phoenix/Jean Grey (the lady Logan has feelings for). In X-Men Origins: Wolverine, he struggles morally and dealt with his relationship with his “brother” Sabretooth. In The Wolverine, he moves away from the X-Men and got himself involved with a conflict (plus an old friend) in Japan. In X-Men: Days of Future Past, Wolverine of the dark future goes back through time to his younger self with the pressure to alter history.

Patrick Stewart’s dying Xavier in Logan shows a new dimension to the cinematic art of the actor. He really makes Xavier look hopeless and yet he successfully made viewers more sympathetic to his character than ever before. Last but not least, Dafne Keene as Laura/X-23 proved how talented she really is when it comes to dramatic scenes. Even though she got yelled at by Hugh Jackman, Keene still moved on with her strong performance. Definitely her performance is something to be remembered for a very long time in cinema.

Conclusion

I have seen a whole lot of superhero movies in my life. Just over a week ago I managed to watch Avengers: Endgame and it was a true epic like Infinity War. Even by today’s standards, Logan is a standout superhero movie that delivers spectacle, action, solid performances, some humor and the distinct vibe of 1980s R-rated Hollywood action cinema combined. In fact, I should say that Logan is a modern day classic among all superhero movies.

As such, Logan is highly recommended and I urge you readers to watch it on Blu-ray disc format to get the best visual and R-rated viewing experience.


Thank you for reading. If you find this game review engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

 

My Observations: Orient Cable told by Optic Media Board to Explain Piracy of Avengers: Endgame

Orient Cable has been ordered by the Optic Media Board or OMB (the national government’s arm on regulating the production, use and distribution of recording media) to explain to them why they should not be charged over the piracy of the mega blockbuster film Avengers: Endgame.

According to a report by Philippines News Agency (PNA), a “show-cause order” was served by the regulator to the Dipolog City-based company on May 6. The action was the result of a formal complaint issued by Teatro de Dapitan, a movie house that was authorized to show Avengers: Endgame to paying customers.

Atty. Hywel Vergara of the OMB’s legal division was assisted by police officers when the order was served to Orient Cable. It was reported that the company’s officials were reluctant to receive the order.

“With it is an order for the owners (of Orient Cable) to attend hearings at OMB in Manila on May 7 and 14,” said Vergara, referring to the show-cause directive.

For his part, OMB Chairman Ansel Adriano warned establishments and individuals to respect the intellectual rights of the film industry, especially local productions.

The movie opened around the Philippines on April 24 along with many other countries that same day. There were people who claimed to have seen the illegal airing of Avengers: Endgame on April 25 through Orient Cable. Subsequently Teatro de Dapitan complained to the local police the same day the airing happened.

As of this writing, the management of the cable firm is still silent over the issue.

Whatever questions the OMB has for them, it would be nice for the cable TV operator to answer the following questions:

  1. Who within Orient Cable had the capability (or connections) of getting a pirated copy of the movie and make adjustments to show it publicly?
  2. Where did the pirated copy come from?
  3. What could the company gain from showing Avengers: Endgame in pirated form?
  4. How is the financial health of Orient Cable and just how many paid subscribers do they have now?

Check out my review of Avengers: Endgame here.

 

Carlo Carrasco’s Movie Review: Avengers: Endgame

I’ll just say it straight and clear – Avengers: Endgame is an epic superhero movie that, like its predecessor, is great to watch again and again although there are some noticeable differences.

For starters, the creative led by the Russo Brothers came up with a story that somewhat defied most people’s expectations in relation to the ending of Avengers: Infinity War. Considering what happened in the previous film, it’s too easy for moviegoers to anticipate another uniting of remaining superheroes to defeat the omnipotent Thanos who wields the Infinity Gauntlet.

Quite daringly, the filmmakers came up with a story that focused more on time travel and time paradox. Since Endgame is still a new film, I won’t spoil the plot details and will focus on the technical aspects as to why the film is great.

On time travel and time paradox, Endgame felt somewhat self-aware by referencing other popular movies that had time travel concepts. The inevitable time machine gets set up obviously and when the superheroes went their own ways through time, Endgame suddenly felt like The Empire Strikes Back mixed with elements of Back to the Future. What do I mean? What I’m saying is that character development ramps up when the superheroes go their separate ways (not individually but by pairs or small teams) and their time travel exploits brought moviegoers back to the past, especially the unexplored segments of what we saw in previous movies of the Marvel Cinematic Universe.

The good news here is that the Russo Brothers did a great job telling the story even though the concepts of time travel and time paradox were so challenging to execute on-screen. Clearly the co-directors did their research to ensure that the story still made sense. Of course, there is the expository dialogue designed to explain to readers the film’s time travel concept.

When it comes to performances, just about each member of the cast performed nicely on bringing to life their respective characters. I felt Robert Downey, Jr.’s performance as Tony Stark/Iron Man is his best since Iron Man 3. Still, I think the standout performer of them all was Mark Ruffalo who proved to be creative not only with his smart Hulk but also managed to deliver the solid performance the movie script required from him. Personally, this cinematic Hulk is the best one yet and we can forget about the mindless, rampaging Hulk of years ago.

Josh Brolin returned as Thanos and his performance was great (as expected) but in order to understand this film’s version of his character, you need to watch the previous appearances of Thanos from the past years especially with 2014’s Guardians of the Galaxy.

When it comes to superhero spectacle, Endgame delivered the fun stuff – the flying, the energy blasts, powerful strikes, collateral damage, cosmic powers, futuristic sci-fi technology and the like. However, I felt that Infinity War was much more loaded with action, stunts, special effects and superhero spectacle. This is understandable because the first 30-45 minutes of Endgame was more about story build-up, heavy dialogue and character development delivered with little action. The good news is that the pace of the film ran faster when the time travel sequences started. Of course, there is also the anticipated giant battle near the end of the film. A very action-packed final battle indeed although I felt the darkness (lack of light on the setting) somewhat lessened the impact.

Overall, Avengers: Endgame is an epic superhero movie that must be seen and it also justifies replaying Infinity War. While both Endgame and its predecessor are epic movies heavily loaded with spectacle as well as a lot of heart in the story and character development, the major differences go like this – Infinity War carried more shock value while this new movie was more about the pleasant surprises related to time travel.

Does Endgame deserve its massive commercial success? Absolutely! More than that, this film is also the undeniable climax of the 11-year buildup of the Marvel Cinematic Universe that started with Iron Man.

Where the Marvel Cinematic Universe will go next after Endgame will most likely be another uncharted territory of superhero cinema.

Note: When watching Endgame, I highly recommend viewing it on an IMAX screen as it was filmed entirely with IMAX cameras. Go for it if you can afford it!


Thank you for reading. If you find this movie review engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com