A Look Back at X-Men #2 (1991)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

There is so much said about X-Men #1 of 1991 which was launched to major success by Marvel Comics selling at least eight million copies worldwide. That launch issue, written by Chris Claremont and drawn by Jim Lee, had multiple covers and a version with gatefold covers and high-quality paper which made it an instant hit with collectors chasing profit. In 2011, Marvel even released the so-called 20th anniversary edition of X-Men #1 which was digitally recolored.

In terms of substance, X-Men #1 marked the new era of the X-Men. Charles Xavier returned to his mansion to lead the X-Men which was so large as a group, it had to be divided into two team with Cyclops leading the Blue Team and Storm heading the Gold Team. In terms of publishing, Marvel published tales of the Gold Team in the Uncanny X-Men monthly series while the Blue Team’s stories were published in the adjective-less X-Men monthly series.

With all the attention paid to X-Men #1, I noticed that not too many people cared to talk about what happened after the end of that comic book. Without spoiling plot details, the massive seller of 1991 had its story end in a cliffhanger. To find out what followed and determine the quality of the creative team’s work, here is a look back at X-Men #2 published in 1991 by Marvel Comics with a story written by Chris Claremont and drawn by Jim Lee.

The cover.

Early story

The story begins in the fictional island nation of Genosha which has a legacy of mutant slavery. Having fought with the Acolytes (led by Fabian Cortez), the X-Men now face Magneto who arrived and tells them that he will not abandon the Acolytes.

“They acted in an excess of zeal. If so…I..and I alone..shall determine their appropriate punishment,” Magneto tells the team of Cyclops, Gambit, Beast, Wolverine, Psylocke and Rogue. Near them are other Acolytes members down on the ground.

After words spoken by Gambit, Rogue and Cyclops, Magneto referred to the devastation of the city hospital as fitting for punishing a state (Genosha) whose prosperity was built on the backs of mutant slaves. Beast answered back saying that the Genoshans have accepted responsibility for what they have done and resolved to make amends.

While Magneto replies to Beast, a military Genoshan helicopter gunship fires missiles at them from above which the X-Men’s archvillain intercepts. Using his magnetic power, Magneto lifts steal beams and destroys the helicopter with them. He then turns against the X-Men restarting the chaos in the city…

Quality

Magneto, Psylocke and Rogue in the middle of the chaos.

Being the middle of a 3-part story, this comic book pushes the entire X-Men group to the edge thanks to strong writing by Chris Claremont. I’m not simply referring to the traditional good-versus-evil formula of superhero storytelling as the story here emphasized themes about sanity, loyalty, legacy, idolatry and even diplomacy. It just so happens that there is a lot of superhero spectacle to enjoy here and there.

The stakes have been raised significantly in this story as Magneto is shown leading the Acolytes who in turn went ahead with their first mission which explains the chaos in Genosha. Magneto’s condition also deteriorates and gets himself healed by Fabian Cortez who is more sinister than what he seems. For his part, Charles Xavier of the X-Men gets to interact with his long-time friend Dr. Moira MacTaggert who is struggling with guilt from something she committed in the past. Through Magneto, Xavier and MacTaggert, there is this solid build-up of tension that led to a very powerful revelation in the 2nd half of the story which, ironically, put the X-Men on the sideline temporarily. There is high drama, deep tension and high intensity involving Magneto and MacTaggert, and their scene together is the highlight of the story.  

Conclusion

The face-off!

To put it straight, as much as I loved X-Men #1 (1991), I find X-Men #2 (1991) more compelling to read. For one thing, it rewards X-Men fans who dedicatedly followed the events of not only the X-Men but also of that of the life of Magneto. It’s really great that Chris Claremont literally dug up the past for details that proved to be useful in this comic book. It also nicely sets up anticipation of the next issue by involving the X-Men’s Gold Team. Unsurprisingly, with the combined talents of Claremont and Jim Lee, this is an excellent read that really looks great.

If you are seriously planning to buy an existing hard copy of X-Men #2 (1991), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $4 while the near-mint copies of the Chris Claremont-signed regular edition, the Chris Claremont-signed newsstand edition and the newsstand edition cost $9, $19 and $13 respectively.

Overall, X-Men #2 (1991) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men #25 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

As an X-Men fan, 1993 was a memorable year for me during my time of collecting comic books and enjoying what was believed to be the modernization of superhero comics in America. Gimmick covers of comic books, the post-event effects of the Death of Superman, the launch of the Ultraverse and then there was the 30th anniversary celebration of the X-Men which was wild.

To put things in perspective, Marvel Comics organized the celebration of the 30th anniversary of Spider-Man releasing lots of merchandise and, most notably, special issues of comic books that came with covers with holograms, more pages for content and a cover price that was more than double than what was normal (note: read my review of one of them). Such comic books were hot stuff for not only Spider-Man fans but also comic collectors who were often hunting for the next great collector’s item that would ensure them great wealth.

Marvel had the same business approach with the 30th anniversary of the X-Men, and there were multiple X-Men-related monthly series of comic book back then. X-Factor #92, X-Force #25, Uncanny X-Men #304, Wolverine #75 and Excalibur #71 all were released with covers with hologram cards on the front, more pages of content and inflated cover prices.

The one 30th anniversary celebration comic book of the X-Men that was most memorable to me was X-Men #25 (Volume 2) and to this day, its plot remains very memorable for its shock value. I bought my copy of this comic book at a store in BF Homes. With the history lesson over, he is my retro review of X-Men #25, published in 1993 by Marvel Comics with a story written by Fabian Nicieza and drawn by Andy Kubert.

The cover.

Early story

The story begins with the United Nations Security Council’s approval to initiate the alpha and beta parameters of the Magneto Protocols which literally sent waves from the White House to the Kremlin. A short time later, several satellites orbiting the Earth activate and linked with each other to form a protective mesh of electro-magnetic fire. This provokes Magneto (accompanied by Acolytes and Exodus at Avalon) to react by generating a massive pulse wave that affects the entire world. Even the Fantastic Four and Excalibur were not spared.

At the School of Gifted Children, Charles Xavier organizes an urgent meeting with the X-Men. Together they discussed the impact of Magneto’s pulse wave which not only rendered world’s mechanical and technological resources useless but also caused trouble (plane crashes, medical equipment failure, etc.) and deaths. For Xavier, the mere fact their team survived (aided by Shi’ar technology) is a mistake on the part of Magneto considering his capability to wipe out life around the world.

In response to Wolverine’s question, Xavier stated, “We do not have the luxury of time, nor the occasion for nobility…at this point, we are not fighting for the philosophy of a cause, a hope, or a dream, we are fighting for our very survival and if we do not win this fight, this planet will be irrevocably lost to us!”

Quality

The X-Men during their daring mission.

I can clearly declare that when it comes to the combined works done by Fabian Nicieza and Andy Kubert with the X-Men, this particularly story was not only the most ambitious collaboration of theirs but also their most compelling and finest work at the time of publishing. Very strong writing (top-notch characterization, plotting and pacing) and great art really defined this comic book!

Characterization is spot-on! Wolverine is arrogant and gritty as usual, Gambit is still the smooth-talker, Cyclops is the focused leader serving under Xavier, etc.

Without spoiling the major details, I can say that the shocking moments executed were greatly done not for the mere intention of shocking but to break new ground with regards to the characters of Wolverine and Charles Xavier. The first time I read this comic book back in 1993, I was really stunned with those particular scenes and I started to question Wolverine’s durability as well as Xavier’s sanity. And then there was the state of Magneto at the end of the story. The thing about the shocking moments was that there was an adequate amount of build-up leading to them and the pay-off was excellently done.

Conclusion

The immense power of Magneto.

There is no doubt in my mind that X-Men #25 (1993) is the true gem of the entire X-Men 30th anniversary celebration. The creative team led by Nicieza and Kubert really outdid themselves and what happened in this comic book had consequences that lasted for a good number of years. The creative team took big risks and pulled them off nicely as the impact of the story was eventually felt in the years that followed. Lastly, unlike Uncanny X-Men #304 (supposed to be the highlight of X-Men’s 30th anniversary celebration), this comic book is more focused and really had no creative baggage nor filler that got in the way of the storytelling.

If you are seriously planning to buy an existing hard copy of X-Men #25 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $50 while the near-mint copy of the newsstand edition is priced at $150. The near-mint copies of the signed-and-numbered edition and the gold edition cost $210 and $368 respectively.

Overall, X-Men #25 (1993) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men #8 (1992)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Do you remember the X-Men animated TV series episode – an adaptation of Days of Future Past – wherein Bishop (who came from the dark future) claimed that Gambit would betray the X-Men and lead them all to darkness? You will see Bishop and Gambit in conflict in this retro review of a Jim Lee-drawn X-Men comic book from the 1990s.

To put things in perspective, back in 1991 Bishop was formally introduced in the Uncanny X-Men monthly series. By that time, Gambit was already wildly popular with X-Men fans. It made sense back then to have the two conflict each other in comic book format as it would add variety and some freshness with the X-Men franchise of the time.

With the short history lesson over, here is a look back at X-Men #8, published in 1992 by Marvel Comics with a story done by Jim Lee and Scott Lobdell. The art was handled by Lee and Art Thibert.

The cover.

Early story

The story begins at the X-Men’s headquarters with Wolverine using the computer to gain access into something until he got interrupted by Jubilee who is accompanied by Cyclops. She tells him that Charles Xavier is about to introduce Bishop to their teammates. Wolverine tells them to go away.

At the mansion, Storm welcomes Bishop in the presence of Xavier who explains to her that the newcomer is from the far future. Slowly Xavier and Storm guide Bishop around the mansion and introduce him to their members. Bishop, who still remembers the legends of the X-Men from his time in the far future, referred to Forge as Genesis. Moments later, Bishop meets Cyclops, Jean Grey, Beast, Rogue, Psylocke, Jubilee and Gambit.

After expressing that there was little know about Gambit, Bishop then claims that a certain someone was the last person to see the X-Men alive before they got betrayed by one of their own. Bishop then tells Xavier to scan Gambit’s thoughts…

Quality

The interaction between Storm and Bishop is great!

What really defines this comic book apart from having art by Jim Lee and the lack of villains are the storytelling and characterization. The good news is that the respective qualities of the plotting (by Lee) and scripting (by Lobdell) were very solid. While there is a lack of a good-versus-evil plot element, characterization alone made this an engaging comic book to read. Without spoiling the plot, the story has a lot more than the promised Bishop-Gambit conflict (I’ll describe it as a short yet sweet part of the story). I also love the big twist that happened in the 2nd half of the story.

More on characterization, I love the fact that Gambit got more developed here complete with a few threads from his past that got visualized efficiently. I also enjoyed the interactions between Gold Team leader Storm and Bishop. Bishop comes from a future filled with violence and desperation which explains why he is always on the edge often thinking of action whenever something happens. Storm meanwhile tried hard to explain to Bishop that their present day society is more peaceful and that he could take things a bit easier, be more reasonable and try to level with others as he became a new part of the X-Men.

As for Jim Lee’s art, his work here is really beautiful to look at which is not surprising at all. As expected, he made the action scenes look dynamic and managed to draw some emotions from certain characters in key scenes.

Conclusion

Bishop meeting the X-Men.

X-Men #8 (1992) is a pretty good comic book to read. At the time of its publication, the integration of Bishop into the X-Men was done months after Chris Claremont’s departure and was clearly an effort by the X-Men creators to modernize the superhero team and keep it fresh. This comic book is not exactly a landmark read but it is pretty entertaining and engaging.

If you are seriously planning to buy an existing hard copy of X-Men #8 (1992), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $50 while the near-mint copy of the newsstand edition costs $150.

Overall, X-Men #8 (1992) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Uncanny X-Men #303

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

I remember back in 1993 how excited I was with Marvel Comics’ celebration of the 30th anniversary of the X-Men. Back then the X-Men line of comic books had the Fatal Attractions storyline which was not a crossover but a story arc that connects with the X-Men, Uncanny X-Men, X-Force, X-Factor, Excalibur and Wolverine monthly series highlighted by specific comic books that had hologram cards on the cover.

It was an exciting time. Of course, many geeks who followed the X-Men closely knew that the very comic book that would mark the 30th anniversary was Uncanny X-Men #304 (dated September 1993) which was previewed with a Magneto hologram card on the cover.

Of course, before getting to that comic book, it’s nice to take a look back at one of the comic books that was released before it. I’m talking about Uncanny X-Men #303 which had a dramatic and even somber looking cover with the words: “If you read only one X-title this month—this issue must be it!”

Cover
The eye-catching cover.

Are you curious now? Let’s take a look back at Uncanny X-Men #303 published in 1993 by Marvel Comics with a story by Scott Lobdell and artwork by Richard Bennett.

Early story

The story begins with Jean Grey finding Jubilee sitting on the chair (read: Cerebro) doing some makeshift fireworks with her power. She noticed that the youth is troubled. Jubilee expressed her thoughts and mentioned that life stinks. Jean asked her if she wants to talk about it but Jubilee asked if talking would change anything. As the two talk on, it turns out that Xavier’s mansion is nearly deserted.

The story then shifts to what happened just several hours back. Jubilee was spending quality time with Colossus’ sister Illyana who is lying on a bed in the med-lab. Illyana was sick and nearby was Charles Xavier and Moira McTaggert struggling to figure out what to do for the blonde girl.

Moira tells Professor X that they need a fresh perspective on the information they have about the genetic deterioration within Illyana, and they need a miracle. Xavier replies that once the gold team of the X-Men returns, he is certain that they can find some treatment to arrest the disorder’s progress.

Suddenly, Illyana recognizes someone special from her past…

Quality

By today’s standards, Uncanny X-Men #303 is a good comic book to read and it is an effective way of setting up events leading into the 30th anniversary story of the next issue. On its own, the comic book is clearly very dramatic and cleverly uses nostalgia that is meant to resonate with readers who were fortunate enough to read issues of Uncanny X-Men which had Kitty Pryde/Shadowcat as a newcomer (around the time of the classic Dark Phoenix Saga).

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Kitty Pryde and Illyana symbolize the X-Men youth of the 1980s while Jubilee symbolizes the 1990s.

As X-Men comic book history showed, Kitty Pryde was the resident teenage girl of her time and eventually she bonded by Colossus and got close with his sister Illyana whose own exploits involved a lot of twists and turns (she was even a young adult for a time) and made her own mark with The New Mutants.

Nostalgia aside, the writing done by Scott Lobdell is pretty good. The wordy approach to presentation kind reminds me of the descriptive writing and character expression styles of Chris Claremont (who left the X-Men franchise in 1991). More importantly, Lobdell’s writing shows he researched the characters Illyana and Kitty Pryde. After seeing those two reunited in this 1993 comic book, I recognized them not just visually but rather in terms of personality. In addition to characterization, the dialogue is richly layered and the script’s pacing was good (I was never bored even though this comic book clearly lacked action scenes). On Jubilee, this comic book is very notable for showing her NOT being annoying.

The art by Richard Bennett, in my view, is satisfactory at best. He’s not a bad artist but his style gives this comic book and the characters a rather imbalanced visual presentation. In fairness, Bennett did his own research on the history of the X-Men and his drawings about key moments from the past (example: The New Mutants) added to the nostalgia. Bennett’s best showing in this comic book happened during the most dramatic moments, especially in the 2nd half.

Conclusion

2
Jean Grey and Jubilee.

I really like this comic book. Even though it lacked action scenes, Uncanny X-Men #303 remains engaging by means of emphasizing the characters while touching into past of the X-Men. It is through dramatizing and defining the characters that made this comic book worth reading until now. Even if the nostalgia does not resonate with you, you will still feel for the characters.

By the time you finish reading this comic book, you will feel prepared for the big 30th anniversary story of Uncanny X-Men #304. In fact, this is an essential read in order to truly enjoy and understand Uncanny X-Men #304.The art could have been better, though.

In case you are interested to acquire an existing copy of Uncanny X-Men #303, take note of the rates from MileHighComics.com. As of this writing, a near-mint copy of the regular edition is priced at $5. The near-mint copy of the 2nd printing (gold cover) costs $128 while the near-mint copy of the newsstand costs $15.

Overall, Uncanny X-Men #303 is recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back At Uncanny X-Men #289

Released in 1992 by Marvel Comics, Uncanny X-Men #289 was written by Scott Lobdell and drawn by Whilce Portacio (with ink work by Scott Williams). Its concept focused on the Gold Team of the X-Men (composed of Jean Grey, Storm, Colossus, Ice Man and Archangel) dealing with Bishop who at the time was still a newcomer.

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Cover of the comic book.

It begins when Bishop looks at a framed picture of the original X-Men followed by Storm telling him every student who graduated to the role of an X-Man remains dedicated to the ideal of peaceful coexistence between mutants and humans.

As the Gold Team X-Men enjoy their peaceful time at the mansion of Xavier, elsewhere someone spies on William and Maddy Drake who talk about Bobby (Iceman). Back at the mansion, Archangel encounters a spitting image of his younger self (as Angel and with normal skin color) which raises tension attracting the attention of Storm, Bishop and Forge.

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A touching scene between Jean Grey and Charles Xavier.

To describe Uncanny X-Men #289 clearly, the comic book is more focused on character development as it lacks a strong conflict between good and evil. Anyone craving for superhero action will most likely feel unsatisfied here. However, if you want to know the X-Men more passionately and watch the romance between Storm and Forge develop, then this comic book will be engaging.

Scott Lobdell did a good job developing the characters through drama and Whilce Portacio’s art really brought the script to life. I enjoyed reading the interaction between Jean Grey and Charles Xavier who realizes that as he led the X-Men, he took a bit of something from their respective lives.

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Nice layout and style by Whilce Portacio on the team.

Take note of the following exchange of dialogue.

Charles Xavier: Jean, did you ever hate me for having taken away your childhood?

Jean Grey: Professor, please. What child is given the opportunity to fly to the stars? How many children battle alongside Asgardian thunder gods or super soldiers? You gave me…all of us…more than you took away.

That was really nice writing there by Lobdell. There was drama and harmony between the two characters.

Overall, Uncanny X-Men #289 is recommended. Think of it as a comic book that will help you – the reader – get to know the characters more closely.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

X-Men at Toycon 2019

During my time at the Toycon 2019 at SMX Convention Center in Pasay City this past Saturday, I checked out the X-Men stuff. I am a long-time X-Men fan and that particular franchise is my favorite among all of Marvel’s superheroes.

As before, I looked for some back issues of X-Men at one of the few comic book sellers at the convention.

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Lots of old X-Men comic books displayed for sale.

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A copy of X-Men #1 (1991) drawn by Jim Lee featuring Magneto. I did not bother to buy this one.

After carefully searching what was available and calculating with my limited budget, I bought a few copies of Uncanny X-Men drawn in the early 1990s by Whilce Portacio. I intend to have these comic books signed by him in the near future.

As I went around the floor of the main exhibition hall of the convention center, I saw several X-Men statues and action figures. The one that caught my attention was the Dark Phoenix figure.

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Too bad the filmmakers could not find a way to replicate this classic Dark Phoenix form for the big screen. 

And then I went up to the 2nd level of the convention where there was one function hall that had several displays of toys and action figures for people to look at. Of course, the X-Men were there and here are some pictures I took for your viewing pleasure.

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I like this set up showing two opposing sides. I just wished Magneto had been placed closer fronting Charles Xavier.

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The 1990s X-Men look.

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Dazzler, X-Factor, Cable and some X-Men.

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Another 1990s X-Men set.

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I like the set up here with the X-Men and a fallen Sentinel.

For more X-Men insight, check out my Logan retro movie review, my X-Men #1 (1991) retro comic book review, my X-Men: Dark Phoenix movie review, my retro movie reviews of X-Men (2000), X2: X-Men United and X-Men: The Last Stand.

Check out my first Toycon 2019 article here.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back At X-Men: The Last Stand

X-Men: The Last Stand is better than X-Men: Dark Phoenix? What a joke driven by hatred and uncontrolled emotions of negativity towards the latter.

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Ian McKellen as Magneto.

Released in 2006, X-Men: The Last Stand was the third movie of Marvel’s mutants which made $459,359,555 worldwide establishing new box office records at the time including the Memorial Day weekend opening and a single-day record for Friday openings. It was also the highest grossing X-Men movie until X-Men: Days of Future Past exceeded it in 2014.

While the first two flicks were directed by Bryan Singer (who literally abandoned this movie in favor of the big letdown Superman: Returns), this one was done by Brett Ratner who is best known for Rush Hour films. For the superhero concept of the film, Ratner clearly depended on the script by Simon Kinberg (who directed X-Men: Dark Phoenix) and Zak Pen (X2: X-Men United).

The story begins some time in the past with Charles Xavier and Magneto visiting the house of a little girl named Jean Grey whose power of telepathy and telekinesis make her dangerous. Her own father thinks she has an illness. In another scene, a young boy desperately tries shaving off something on his back which turned out to be a mutation. To put it short, the prologue establishes the two concepts this movie tried to emphasize – the Dark Phoenix (from the classic comic book storyline by Chris Claremont and John Byrne) and the Mutant Cure (in reference to one particular episode of the 1990s X-Men animated series).

The result? A rather unfocused narrative that bogged the movie throughout. In the present day, Charles Xavier and the X-Men are no longer hiding from the federal government (which in turn has Hank McCoy/Beast as part of the US President’s cabinet). A cure that can neutralize the mutant gene has been revealed and eventually Jean Grey suddenly returns back to life in front of Scott Summers/Cyclops. Then trouble in the story (and for this film in particular) sets in.

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Dark Phoenix and Professor X.

On storytelling, the lack of focus on a central concept really dragged this movie down even though the filmmakers made attempts to link them together. This is a very unfaithful adaptation of the Dark Phoenix Saga – instead of showing the Phoenix Force as a cosmic entity the filmmakers used the dual-personality concept in Jean Grey. There are no alien civilizations (read: no Lilandra) involved nor anything related to outer space (a key element in the comic book storyline). With regards to the cure concept, Rogue in this film makes a move to be cured loosely following what was shown in the animated series.

Having these two concepts connect to each other showed Magneto getting motivated to rally the mutants to oppose the humans. Jean Grey meanwhile gets controlled by the Phoenix personality and gets very destructive with power which makes her an asset to Magneto and his brotherhood of evil mutants.

As the filmmakers struggled to tell the story, the social relevance and symbolism emphasized in the first two films got weakened. The core concept of mutants getting isolated and discriminated by humanity simply because they are so different became much less relevant here.

As if that was not bad enough, the characterization also changed for the worse. Magneto here became one-dimensional as a villain and the way he reacted to Charles Xavier’s destruction in front of him and Jean Grey reflected bad screen writing. Any true X-Men fan would know that even though he and Xavier were adversaries with a past friendship, Magneto should have been outraged over his old rival’s destruction and strike at Jean Grey (even if it is suicidal for him to fight a more powerful entity, the Phoenix).

For his part, Charles Xavier turned out to be a manipulator of Jean Grey’s mind making him look as evil and manipulative as Magneto. Jean Grey, despite actress Famke Jansen getting more screen time than before, ended up as a visual tool and was clearly NOT the central figure of the story rather she ended up being a tool of power by Magneto. By today’s standards, Jansen’s portrayal of Jean Grey/Dark Phoenix pales in comparison with Sophie Turner’s performance in X-Men: Dark Phoenix.

More on characterization, the triangle between Iceman, Rogue and Kitty Pryde was executed with no real depth and only served to show Anna Paquin’s character search for the means to be normal (because Rogue absorbs the power and life of people she touches) which ended up being not so meaningful for viewing. Young adult Angel’s (one of the original X-Men in the comics) minutes-long presence in the movie only served to showcase special effects. Storm’s prospect of succeeding Xavier as leader of the X-Men and the school was sloppily done. Oh yes, the showing of multiple mutants (in supporting roles, non-speaking roles or as mere background characters) that weakened the narrative of the first two films was even worse here. As a result, there’s quite a lot of fan service in this movie.

Going back to storytelling, I should say that the early demise of Cyclops (played by James Marsden for too little screen time due to his work with Bryan Singer on Superman Returns) and Charles Xavier were attempts by the filmmakers to raise the stakes and even shock viewers. The problem is that the third act of the film became more of an action and CGI bonanza ultimately failing to justify the loss of Cyclops and Xavier. The story ended with not much impact on me as a viewer and the late scenes showing Magneto recovering a little of his power (plus the post-credit scene about Xavier’s survival) were unsatisfactory. By comparison, X-Men: Dark Phoenix concluded with satisfaction.

Performances? The actors did what they could with the weak screenplay. Patrick Stewart played Charles Xavier managing his school but gets burdened heavily as Jean Grey returns with the Phoenix in her (which makes Xavier feeling guilty over his past manipulation of Jean’s mind). Ian McKellen played a one-dimensional Magneto (forget about the reasonable fighter for mutants you saw in the first two films) and really had little room to flesh him out. Clearly this version of Magneto, even though he has a lot of screen time here, is rubbish when compared to the cinematic Magneto in X-Men: Dark Phoenix.

Hugh Jackman as Wolverine is clearly the hero of this movie and was given a lot to do showing a deeply concerned Wolverine as well as showing him with lots of action on-screen. His emotional reaction towards Jean Grey near the end of the movie was believable. Halle Berry meanwhile failed yet again to capture the leader in Storm from the comic books.

Another thing to mention regarding the weak script is the lame attempt at humor in the film. Just look at the exchanges of words between Wolverine and Beast which only made me frown instead of laughing.

Exchange 1

Dr. Hank McCoy: Wolverine. I hear you are quite an animal.

Logan: Look who’s talkin’.

Exchange 2

Logan: Well, for all we know, the government helped cook this up.

Dr. Hank McCoy: I can assure you, the government had nothing to do with this.

Logan: I’ve heard that before.

Dr. Hank McCoy: My boy, I have been fighting for mutant rights since before you had claws.

Logan: [to the Professor] Did he just call me boy?

If there is anything positive at all with this movie, it is the spectacle (action, stunts and special effects). If you want to watch an X-Men movie without thinking too much and just enjoy the spectacle, The Last Stand is heavily loaded! The scope of destruction (including the major showcase of Magneto’s power with the Golden Gate Bridge) is also great and helped this weak movie look epic (even more epic than the better film X-Men: Dark Phoenix). There is also a big battle of multiple members of Magneto’s brotherhood attacking the soldiers at the Alcatraz facility. Action is where director Brett Ratner is good at and it temporarily helped this film feel fun to watch. The visual design and special effects are of good quality as well.

 

One last positive thing to mention here is the casting of Kelsey Grammer as Hank McCoy/Beast and his performance was, indeed, superb. I really saw the scientist, the intellect and the fighter of Beast from the comics translated nicely in cinematic form.

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A striking shot as a result of Magneto’s power.

By today’s standards of superhero movies, X-Men: The Last Stand unsurprisingly went from big-budget disappointment to what is now an overall bad movie that just happens to have some fun action sequences. As far as adapting the Dark Phoenix Saga from the comics, this film is definitely inferior to X-Men: Dark Phoenix. X-Men: The Stand does look good when compared to the terrible X-Men Origins: Wolverine.

If you are a true fan of the X-Men or if you are moviegoer who wants the best superhero cinematic experience, I won’t recommend watching X-Men: The Last Stand.

But then if you are a moviegoer who cannot do anything except hate and uncontrollably bash the new movie X-Men: Dark Phoenix, then maybe The Last Stand will be your bout of fun.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

 

 

 

 

 

 

 

Carlo Carrasco’s Movie Review: X-Men: Dark Phoenix

I’ll get straight to the point here. X-Men: Dark Phoenix (or Dark Phoenix in North America) is a better superhero film than I expected (and at the same time I never expected a faithful adaptation of the classic comic book storyline the Dark Phoenix Saga by Chris Claremont and John Byrne) and Simon Kinberg‘s feature film directorial debut turned out to be a surprisingly solid effort. I really enjoyed this.

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X-Men: Dark Phoenix is the 2nd attempt by 20th Century Fox to adapt the Dark Phoenix saga for the big screen and I can say it is a brave effort. While it never attempted to fully and faithfully adapt all the elements of the classic storyline (note: that would require hundreds of millions of dollars more budget, more production time and at least two whole films to produce), the new movie is absolutely a better adaptation than X-Men: The Last Stand (which is an even worse movie by today’s standards).

As far as the current X-Men Cinematic Universe (starting with 2011’s X-Men: First Class), Dark Phoenix is very character-driven even though it has a huge cast. There was tremendous pressure behind the scenes on the part of Sophie Turner to portray Jean Grey struggling with her added powers and the good news is that she delivered very nicely! This new movie is clearly focused on Jean Grey whose emotions, struggles and acts of power are magnificently pulled off by Turner each time the screenplay requires her to act.

Turner is clearly more comfortable with playing as Jean Grey and it seems she paid close attention to the Dark Phoenix comics. Unlike Famke Jansen’s Jean Grey/Dark Phoenix in X-Men: The Last Stand, Turner cinematic act is more believable, more emotional and even more terrifying. There were moments to feel sorry for Jean Grey as her life turns upside-down plus there were times that she would be better off going far away into the deep void of the galaxy so that nobody else would get harmed by her. If you pay very close attention to Turner’s act, you will feel varied emotions along the way.

Turner is not the only standout. Nicholas Hoult, James McAvoy and Tye Sheridan each played their respective roles (Beast, Charles Xavier and Cyclops) with more heart, more drama and more intensity. Through Hoult and McAvoy, you will relate more with them as the film makes gentle connections back to X-Men: First Class (why the time was formed, who was supposed to remain or go away, etc.). The conflict between Beast and Xavier that happened later (combined with the revelations from the past) dramatically blurs away the boundary that separates good and evil. As for Tye Sheridan, I see a lot more of the literary Cyclops in him this time and thanks to the script, he exceeds James Marsden’s Cyclops by a hundred a miles. Sheridan and Turner also have better on-screen chemistry as Cyclops and Jean Grey.

James McAvoy’s Xavier deserves everyone’s attention. He not only looks and feels like his comic book counterpart, he also clearly displayed how much the character has matured. McAvoy also successfully captured the on-screen aura of authority Patrick Stewart had in the first X-Men movies.

Michael Fassbender’s Magneto appears rather late into the film but that does not make him any less significant. As before, Fassbender is intense with playing his character and, more importantly, he contributed nicely into the story. Jennifer Lawrence portrayal of Mystique is the shortest one yet but before leaving the film, she delivered some nice lines (with some reconnecting to X-Men: First Class) and acted nicely. Fans of Nightcrawler and Storm will be happy to know that their roles become more significant in the late stage of the film. Lastly, Jessica Chastain‘s addition as Vuk was a nice addition. While others put her down as one-dimensional, which is true, it does not detract from the film at all. Even with lacking variety of character, Vuk still makes a strong villainess and she really acts alien. Vuk would stop at nothing to achieve her goals.

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This is one of many great looking visual effects of the Cerebro scenes.

When it comes to storytelling, this movie did not try to make an in-depth adaptation of all the elements of the Dark Phoenix Saga of comics. Instead, the filmmakers adapted a few elements of the literary classic (and even a few selected elements from X-Men: The Last Stand), focused on the present day X-Men (story is set in 1992), looked back occasionally at X-Men: First Class and made the most with what they have.

The result is a cinematic story about the X-Men now publicly recognized as legitimate mutants (and youths) with Charles Xavier having fully established a direct link with the President of the United States. After the rescue mission in space involving the solar flare, a race of shape-shifting aliens arrive on Earth with a secret agenda of their own. As mentioned earlier, Simon Kinberg surprised me with his directing. The storytelling, even with the slowest moments played, never felt dragging to me at all. The pace, in my experience, was between medium to fast. As this movie was written by Kinberg, Dark Phoenix is clearly his vision for the X-Men Cinematic Universe and he stamped his mark on it despite the fact that reshoots and story revising had to be done. If you are looking for humor, you really won’t find much as the story’s tone is intensely dramatic.

You want fun? X-Men: Dark Phoenix delivered solidly! This movie has more than enough spectacular content (action scenes, stunts, visual effects, etc.) that any moviegoer can enjoy! Very clearly the filmmakers consciously worked hard to deliver entertaining stuff to bounce back from the heavy drama. There was a lot of physical damage caused by Phoenix in her conflict with her teammates which is a solid start of her causing trouble to others. Cyclops, Storm, Nightcrawler, Xavier, Beast and Magneto used their respective abilities VERY EXTENSIVELY combined with high-octane stunt coordination which results several minutes of on-screen fun leading into the finale! The spectacle of X-Men: Dark Phoenix, which was extensively done with a blistering pace, easily exceeds what was showcased in First Class, Apocalypse and even that of Days of Future Past!

As for those blink-and-you-will-miss-it visual moments, there were times that images shown on the big screen reminded me of Jim Lee’s X-Men. I won’t point out where they are or when they will come out but anyone who extensively read the X-Men comic books drawn by Jim Lee (who co-founded Image Comics and now works as DC Comics’ co-Publisher) will spot the technical fan service.

Last but not least is the music provided by the great Hans Zimmer and this film marks his return to the superhero movie genre. While the music he and his team provided here is nowhere as energetic nor as intense as that of Batman v. Superman: Dawn of Justice, the music is still steps above that of X-Men: Apocalypse, X-Men: The Last Stand and even the popular X2: X-Men United. The highlight of Zimmer’s music is the tune played during the moments when Jean Grey’s tremendous power as Dark Phoenix was realized in that day-time encounter with the X-Men. That particular music really emphasized the danger she poses to others.

There were some issues about the movie that might be problematic or annoying to moviegoers, particularly superhero movie fans. For one thing, Simon Kinberg re-used certain elements from X-Men: The Last Stand for this new movie and that includes Jean Grey having a childhood problem and Charles Xavier getting involved to solve it only to be blamed for it many years later. There were even a few lines from the 2006 movie repeated.

Also questionable was the lack of an explanation regarding Jean Grey’s Phoenix Power in this film and the one we saw in X-Men: Apocalypse. If what she unleashed in the final battle with Apocalypse was not the Phoenix force, then that’s a major blunder by the creators in relation to this movie. Perhaps an extended cut of X-Men: Dark Phoenix will solve that.

Lastly there was the use of shaky camera photography during some moments with the action sequences. While they were temporary, they prevented the film’s strong spectacle from achieving perfection.

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Overall, X-Men: Dark Phoenix is a thrilling, heavily dramatic and very solid superhero movie worthy of being the conclusion of the X-Men Cinematic Universe that 20th Century Fox first launched in 2000. From this point on, there is no guarantee we will see McAvoy and the gang return as the cinematic X-Men now that 20th Century Fox is fully controlled by the Walt Disney Company through Marvel Studios. X-Men: Dark Phoenix is not perfect but it strongly resonates with me as I am a long-time X-Men comic book reader. While others out there would bash this movie for not having the common elements of Marvel Cinematic Universe films, X-Men: DP has its own flavor and the filmmakers utilized what they had established in the X-Men Cinematic Universe since 2011. The reported reshoots may have prevented Kinberg and team from fully realizing their original vision of the Dark Phoenix story but still they succeeded in making a better Dark Phoenix adaptation captured on film.

If Marvel Studios would launch the X-Men through the Marvel Cinematic Universe and attempt a new and more ambitious Dark Phoenix adaptation of their own, it will take much longer and will cost them more time and money to do so. That’s something we may not see in the next decade. All the more reason to enjoy X-Men: Dark Phoenix now.

X-Men: Dark Phoenix is highly recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

For more X-Men insight, check out my retro comic book review of X-Men #1 of 1991, my retro movie review of 2000’s X-Men, my retro review of X2: X-Men United and my review of Logan.

 

 

A Look Back At X2: X-Men United

While I barely enjoyed the original X-Men movie back in 2000, I still had hope that its sequel would be better, more engaging and more entertaining. That hope of mine was realized on April 30, 2003 when I saw X2: X-Men United (or X-Men 2 in some countries around the world) in a cinema here in the Philippines.

Commercially X2 grossed $407,711,549 worldwide and that is 37.58% more than what its predecessor made. It also gathered several positive reviews from movie critics back then and its overall success proved that there was indeed more room for artistic and commercial growth for further superhero movies. I remember leaving the cinema happy and satisfied, looking forward to more X-Men films.

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Kelly Hu’s screen time as Lady Deathstrike was short but she really stood out in her fight with Hugh Jackman’s Wolverine.

 So how did it all come to such an outcome in 2003? In my honest opinion, director Bryan Singer and his creative team learned from their shortcomings in the previous movie, create an engaging story without necessarily faithfully adapting elements of the graphic novel X-Men: God Loves, Man Kills (a rather unholy story) and ramp up the enjoyment factor.

The story opens with Nightcrawler cleverly breaking through the security in the White House in an attempt to attack the President of the United States. That opening clearly showed how clever and creative the filmmakers got to not only deliver the thrills but also emphasize visually the gap between humans and mutants. To put it short, that opening sequence is still awesome to watch.

Wolverine (Hugh Jackman) returns to the mansion and tells Charles Xavier (Patrick Stewart) he found nothing in Canada. Wolverine wanted to know more about his unknown past but Xavier refuses to help him even though he set the deadly loner on a path.

In Washington D.C., military scientist William Stryker meets with the President (along with a fake Senator Robert Kelly who is actually Mystique in disguise) and gets authority to launch a secret operation on the mutants. Along the way, Mystique learns about the location of not only the plastic prison containing Magneto but also that of a secret base. The secret attack on Xavier’s mansion and the escape of Magneto then sets of the crucial events for the rest of the movie.

X2 can be described as a film laced with lots of improvements over its predecessor technically and creatively. I see more of the literary Wolverine in Hugh Jackman this time around while Patrick Stewart and Ian McKellen showed even more traits of the literary versions of Charles Xavier and Magneto respectively. Anna Paquin showed more confidence in playing Rogue while Halle Berry and Famke Jansen showed similar results with their characters. Allan Cumming and Brian Cox are solid additions as Nightcrawler and Stryker (who is not a military scientist in the present day of the graphic novel) and they mixed well with the returning cast members.

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Mystique and the soldiers.

Like its predecessor, symbolism was used to emphasize the gap between humans and mutants on the big screen. The scene wherein Bobby Drake/Iceman showed to his parents his uncanny ability to freeze emphasizes his reluctance to show the truth about himself…something that could potentially break the family. William Stryker, meanwhile, keeps mutants company for as long as he has control over them and combined with the fact that he bore a hatred for mutants (note: something unfortunate happened to his family), he can be compared to a slave owner from centuries ago.

When it comes to spectacle, X2 is definitely more thrilling and more action-packed. The filmmakers knew how to balance the screenplay’s exposition and dramatization with action when it is needed on the right time. The standout action sequence is undoubtedly the fight between Wolverine and Lady Deathstrike (played by Kelly Hu).

The script is stronger this time. With key members of the X-Men separated during the first half of the film, character development sets in nicely. The link between Wolverine and Jean Grey got emphasized somewhat while Cyclops is away. Also Magneto delivered the film’s most memorable line: You should have killed me when you had the chance!!! That line is a nice throwback to the past friendship between Xavier and Magneto.

Like the 2000 movie, liberties from comics were implemented for “cinematic presentation.” Anyone who read Wolverine’s origin with Weapon X can tell that William Stryker was never part of it. As for adapting the 1982 graphic novel, this film is clearly unfaithful and the filmmakers decided to take the easy route on selecting certain elements to make a screenplay that can be deemed bankable by the movie studio.

Unsurprisingly there are flaws here and there. Freezing people’s movements done by Xavier is unbelievable. As a telepath he can read people’s minds, manipulate their perception, make himself invisible to others by warping their perception and even reprogram minds but freezing people is not one of those abilities. Also considering Xavier’s persistent use of his telepathy, he failed to detect before entering the plastic prison (to meet Magneto) that a trap was set up for them.

As for Jean Grey’s heroic sacrifice near the end of the film, that one took me out of the movie. She left the jet without anyone noticing, stands in front then uses her power to prevent the rushing water from touching them while slowly lifting the jet (which for some reason could not operate properly) to let X-Men survive. It sure is dramatic and it is one of Famke Jansen’s most notable moments in cinema (apart from her erotic acts in GoldenEye) but it goes against what X-Men fans know. Any X-Men fan can tell that Iceman could have used his power to freeze the water and Storm could have manipulated the weather to help out. Heck, Cyclops could have gone out and launch a massive optic blast at the water.

Another obvious flaw is the large cast of characters which prevented the film from further implementing anymore character development. The love triangle aspect continued from the previous movie barely moved forward as James Marsden’s Cyclops (a leader in the comics) was literally set aside. Kitty Pryde/Shadowcat in this movie was only used to emphasize a seconds-long chase and show off the filmmakers’ visual effects.

By today’s standards, X2: X-Men United is no longer the great superhero film it was in twenty-o-three. It is, overall, a good movie and clearly it is a major improvement over its predecessor. The many improvements on the overall quality, engagement and fun factor of X2 made 2000’s X-Men look more like a dress rehearsal.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

For more X-Men insight, check out my latest article about X-Men: Dark Phoenix and my review of Logan.

A Look Back At X-Men #1 (1991)

When I was in high school, Marvel Comics launched the comic book X-Men #1 (Volume 2, 1991) which sold an estimated eight million copies worldwide. The times back then were very exciting as the comic book had great art by Jim Lee (inked by Scott Williams and colored by Joe Rosas) combined with the writing of Chris Claremont.

For this retro review, I have the gatefold cover edition of X-Men #1 which has the complete set of covers and a cover price of $3.95. The comic book used high-quality paper (or glossy paper) for its content. To put things in perspective, X-Men #1 was released with multiple editions. The comic books carrying cover prices of $1.50 had individual covers and lower quality paper.

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The front cover.

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The back cover.

So what was X-Men #1 all about? Was it deserving of the tremendous sales success it achieved for Marvel? Did the combined talents of Claremont and Lee create something super special?

To begin with, X-Men #1 marked the beginning of a new chapter of the X-Men. In the events that happened prior to this comic book, the X-Men founder Charles Xavier had been away for many years and along the way the team went through several changes with its members. At one point, the classic villain Magneto even became the head of the X-Men. The pioneering X-Men members of Jean Grey, Cyclops, Iceman and Beast meanwhile found their temporary place outside by forming X-Factor. Eventually the Muir Island saga which incidentally reunited Xavier with his mutants.

So in this comic book, the X-Men got reformed and Xavier returned to his mansion for the first time in many years. The stakes are much higher this time because Xavier needs to adjust to the dynamics of the X-Men whose membership has grown so much two teams (Gold and Blue) had to be used. As if that was not challenging enough, the world, as Xavier noticed, is more hostile towards mutants than ever before.

In out space, two groups of people engaged in a spaceships chase which triggered Magneto (now living in a new headquarters orbiting Earth) to take action. He tells them he is no longer interested in their cause and simply wanted to be left alone.

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Magneto’s presence and energy signature alerts authorities on Earth.

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Charles Xavier shares to Jean Grey his observations as he tries to adjust with his return to his mansion. He was away for so many years and so was Jean Grey and her pioneering teammates.

Because he made his presence felt (his energy signature was detected and so was his floating headquarters), authorities on Earth had no choice but to launch the first stage of the Magneto Protocols.

In Washington DC, Col. Nick Fury meets with the President of the United States who expressed his concern about the incident in outer space which involved American shuttles that got destroyed.

US President: It’s my understanding, in fact, that the terrorists who hijacked our vehicle look to him (Magneto) as their inspiration. Suppose he makes their cause his own?

Nick Fury: If the Soviets act like hotheads, Mister President, they could make things worse.

US President: You have an alternative?

Meanwhile at the Xavier mansion, the X-Men participate in an training session with Cyclops (blue team leader) and Storm (gold team leader) watching and coordinating from the control room. Charles Xavier, who is still adjusting upon returning, closely watches the large team.

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Sarcasm by Cyclops annoyed Xavier who preferred him to keep focus on the exercise.

Of course, with the team so large, conflicting personalities and problems with bonding with each other was inevitable. Clearly the newly revamped X-Men had a long way to go before achieving true solidarity.

And then Nick Fury contacted the X-Men with the Magneto situation…

For a comic book released in 1991, this one was quite a grand product. Sure it did not have a gimmick cover of foil nor hologram nor chromium but having a gatefold cover with art of the X-Men and Magneto drawn by the great Jim Lee was itself a big luxury at the time.

Very clearly, Jim Lee and Scott Williams did their best ensuring great art for the comic book. The X-Men all look very fit (as if they all regularly spent time in the gym), their redesigned costumes were meant to look cool (although the many pouches and “suspender” of Cyclops’ costume look really silly), Magneto looks ageless and the Acolytes were designed to be the new nemesis of the X-Men.

And then there was the action…..

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Action between the X-Men and Magneto.

Jim Lee has a great vision for high-octane action designed to show impact while at the same time give readers something great to look at. In my view, Lee was influenced by action movies and he developed ways to not only make comic book action flow nicely but also deliver impact.

This comic book has a lot of action and Jim Lee cleverly visualized the capabilities of the X-Men with striking visuals. The way Wolverine looked striking at an enemy was pretty intense. Cyclops’ use of his Optic Blast to separate Magneto from Wolverine showed a lot of power. Psylocke’s physical strike against Magneto reminds me hard action scenes from Hollywood flicks.

With regards to the writing, Chris Claremont managed to redefine the X-Men for the new age while at the same time did his best to balance the story, establish the threat and build up the tension for the inevitable conflict with Magneto. In this particular comic book, it is the blue team taking on the classic villain.

Apart from the main story, X-Men #1 also came with extra stuff like behind-the-scenes sketches by Jim Lee, a preview of things to come (notably the post-Claremont concepts), a 2-page image of the X-Men enjoying the pool side of the mansion, and a villains gallery! All these extras were drawn by Jim Lee!

Overall, X-Men #1 is still a compelling comic book to read even by today’s standards. The comic book speculator boom has long been over but if you are looking for the modernizing of the X-Men for the 1990s, this one really is a milestone. Clearly, X-Men #1 was made to start the new age of the mutants with the 1990s in mind while at the same time it took the bold move of gathering Xavier and the pioneering X-Men members and putting them back into Xavier’s mansion forming a much larger team than ever. This move of mixing classic X-Men members with newer ones resulted a nice variety of personalities.

When it comes to getting this for your collection focused on Marvel’s mutants, X-Men #1 is highly recommended. Remember, you should look at this comic book as a piece of X-Men history and don’t focus on making a profit with it. Just enjoy it for what it is.

By the way, X-Men: Dark Phoenix is opening very soon in cinemas. You bought a ticket already?


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com