A Look Back at Wolverine #75 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic collectors, 1990s culture enthusiasts and fans of the X-Men! We go back to the year 1993 when the 30th anniversary of the X-Men was celebrated with the 6-part Fatal Attractions storyline. Already I reviewed Uncanny X-Men #304 (Part 3) which was not worthy of the X-Men’s 30th anniversary celebration. X-Men #25 (Part 4) meanwhile was not only great but also shocking and had a years-long impact on X-Men comics.

So now the focus is on the 5th chapter of the Fatal Attractions storyline handled by the Larry Hama-Adam Kubert team on the Wolverine monthly series of the time. With those details laid down, here is a look back at Wolverine #75, published by Marvel Comics in 1993 with a story written by Larry Hama and drawn by Adam Kubert.

The cover.

Early story

The story begins in outer space. Carrying Charles Xavier, Wolverine, Gambit, Jean Grey, Rogue and Quicksilver (who participated in the dangerous mission in X-Men #25), the X-Men’s jet (piloted by Bishop) struggles mechanically as it was not designed for space travel. Worse, Wolverine is under very serious condition and the medical unit has been operating in full capacity dealing with his intense trauma.

In an attempt to alleviate Wolverine’s psychic trauma, Charles Xavier and Jean Grey enter his mind and discover that there is a world full of pain and horror. They see visions of a restrained Wolverine (from his Weapon X days) being attacked by Sabretooth and Lady Deathstrike. Xavier explains that they are at the epicenter of Logan’s most suppressed cataclysmic memories which were clearly triggered by the physical damage Magneto inflicted on him (see X-Men #25).

As the X-Men’s jet attempts to enter Earth’s atmosphere, its exteriors heat up dramatically shaking everyone inside. This complicates the situation on stabilizing Wolverine…

Quality

The other X-Men team members at their headquarters expressing worry and concern about the situation of their teammates struggling to come back home from space.

To be clear, this story continues the events of Fatal Attractions but with a bit more focus on Wolverine (compared to the earlier chapters of the storyline that is). There is no real battle between good and evil at all. It’s really all about Wolverine struggling to survive just as his teammates struggle to arrive home.

Before the stories of this comic book and X-Men #25 happened, Wolverine has often been portrayed to be very tough, brave and a walking machine of violence which has been reflected in other X-Men stories told in video games and movies. In this very comic book, Wolverine has been presented to coming close to death. This means Logan, at this particular stage of the history of the literary X-Men, was at his most vulnerable state. In my experience, this was both alienating and shocking to see.

With regards to the writing, Larry Hama did an excellent job with pacing the story from start to finish. Right from the beginning, the story pulls you into the X-Men’s tough situation and as each page gets turned, the tension as well as the suspense builds up until the execution the climax. Along the way, the comic book not only portrays Wolverine struggling on the edge, it also works to make you care more or be more concerned of him. Oh yes, the shocking moment near the end of this comic book remains very shocking and you who read this should read and see it for yourselves.

Conclusion

Wolverine at his most vulnerable state.

By today’s standards, Wolverine #75 (1993) is still a very great comic book to read. In fact, I can say it is not only one of most defining chapters of the Fatal Attractions storyline as well as one of the most significant X-Men comic books of the 1990s, it is indeed a true illustrated literature classic ever published by Marvel Comics. In retrospect, this comic book marks a major turning point in the life of Wolverine who is still one of the most iconic characters in all of superhero literature. All of these were achieved thanks to the creative team of Larry Hama and Adam Kubert (whose are here was great and stylized at the same time). Hama succeeded in writing the continuation of the Fatal Attractions storyline while balancing all of the exposition and still putting Wolverine in the center. That itself is a very great work of writing.

If you are seriously planning to buy an existing hard copy of Wolverine #75 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $60 while the near-mint copies of the signed-and-numbered edition and the newsstand edition cost $300 and $180 respectively.

Overall, Wolverine #75 (1993) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Uncanny X-Men #130 (1980)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, X-Men fans, superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today, we look back at the year 1980 specifically the time when the Uncanny X-Men monthly series was spearheaded by legendary creators Chris Claremont and John Byrne. In fact, we will examine here the comic book debut of Dazzler, a mutant with the ability to convert the vibrations of sound into light and energy beams. Dazzler is quite unique among all superheroes as she has been portrayed as a singer, an actress, a model and got associated with other Marvel superheroes. Marvel Comics went on to actually publish a regular comic book series about Dazzler which lasted over forty issues.

To say the least, the creation of Dazzler is quite intriguing as it involved a commission by an American record label for a special project with a disco queen character as the core concept and that Marvel Comics itself would develop the superhero (in the form of a singer) and that an actual singer will be produced by the said record label. Then Marvel editor-in-chief Jim Shooter wrote a treatment for the project which turned from an animated special into a live-action film. As creative process for Dazzler went on at Marvel, Tom DeFalco (who later succeeded Shooter as editor-in-chief) wrote her creation while John Romita, Jr. did the character design. The name Dazzler was the result of a suggestion by Roger Stern. There also was some Bo Derek influence on the creation of Dazzler.

While the special project did not happen due to the financial problems of the record label, Marvel went on to formally introduce Dazzler in the pages of an Uncanny X-Men comic book handled by Claremont-Byrne team.

With those details laid down, here is a look back at Uncanny X-Men #130, published by Marvel Comics in 1980 with a story co-written by Chris Claremont and John Byrne. Byrne drew the art.

The cover.

Early story

The story begins on Delano Street in Lower Manhattan. Scott Summers/Cyclops, Jean Grey and Nightcrawler had just arrived on a mission to locate a mutant (detected by Cerebro) not knowing that they themselves are bring monitored by a hidden sinister force. With Nightcrawler left in-charge of guarding their Rolls Royce, Scott and Jean enter a deteriorating building only to find a club on an upper level full of lights, loud music, dancing and a lot of people. They begin to start searching for the detected mutant.

Outside, a truck parks on the other side of the same street where the X-Men’s Rolls Royce was parked at. Inside the truck one of the operators communicates to a certain Mr. Shaw who states that the Hellfire Club is proud. Over at the Hellfire Club’s headquarters, Sebastian Shaw and Jason Wyngarde talk about the X-Men members searching the disco. Wyngarde moves on with his plan to subvert Jean Grey and gather her into their fold…

Quality

Dazzler’s very debut on this page.

The storytelling is great which is not surprising as this was done by Claremont and Byrne. It is clear that there was a good amount of preparation done which explains this comic book’s excellent ways on emphasizing the following story points: the build-up of the Hellfire Club as a potent force of evil that await the X-Men, Kitty Pryde/Shadowcat’s growing involvement, the vulnerability of Jean Grey, the build-up of the Phoenix, and the debut of Dazzler. Along the way, the creative team also ensure that the dialogue was rich (the same thing also with the thought balloons Claremont came up with), the emphasis of super powers made sense, the action scenes were satisfying and there was a good amount of suspense here.

I love the way Dazzler’s first-ever appearance was handled as it happened just after an intriguing scene about Jean Grey’s vulnerability took place. Her debut also occurred at a point when Jean and Scott seemed to be failing to find her. Of course, the 1970s disco vibe was very strong with Dazzler.

Conclusion

The plot thickens…

Without a doubt, Uncanny X-Men #130 (1980) is a classic X-Men tale by the Claremont-Byrne team who succeeded in not only introducing Dazzler into Marvel’s comic book universe but also with strongly emphasizing the Hellfire Club as a powerful opposition which went on to have a key part in the legendary Dark Phoenix storyline that followed. Dazzler meanwhile became a very popular superhero of Marvel’s going into the 1980s. For the modern-day comic book reader, this comic book can be quite challenging to read as it is very wordy (typical of Claremont).

If you are seriously planning to buy an existing hard copy of Uncanny X-Men #130 (1980), be aware that as of this writing, MileHighComics.com shows that the very fine copy of the regular edition costs $1,407 while the fine copy of the newsstand edition costs $1,013.

Overall, Uncanny X-Men #130 (1980) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Uncanny X-Men #303

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

I remember back in 1993 how excited I was with Marvel Comics’ celebration of the 30th anniversary of the X-Men. Back then the X-Men line of comic books had the Fatal Attractions storyline which was not a crossover but a story arc that connects with the X-Men, Uncanny X-Men, X-Force, X-Factor, Excalibur and Wolverine monthly series highlighted by specific comic books that had hologram cards on the cover.

It was an exciting time. Of course, many geeks who followed the X-Men closely knew that the very comic book that would mark the 30th anniversary was Uncanny X-Men #304 (dated September 1993) which was previewed with a Magneto hologram card on the cover.

Of course, before getting to that comic book, it’s nice to take a look back at one of the comic books that was released before it. I’m talking about Uncanny X-Men #303 which had a dramatic and even somber looking cover with the words: “If you read only one X-title this month—this issue must be it!”

Cover
The eye-catching cover.

Are you curious now? Let’s take a look back at Uncanny X-Men #303 published in 1993 by Marvel Comics with a story by Scott Lobdell and artwork by Richard Bennett.

Early story

The story begins with Jean Grey finding Jubilee sitting on the chair (read: Cerebro) doing some makeshift fireworks with her power. She noticed that the youth is troubled. Jubilee expressed her thoughts and mentioned that life stinks. Jean asked her if she wants to talk about it but Jubilee asked if talking would change anything. As the two talk on, it turns out that Xavier’s mansion is nearly deserted.

The story then shifts to what happened just several hours back. Jubilee was spending quality time with Colossus’ sister Illyana who is lying on a bed in the med-lab. Illyana was sick and nearby was Charles Xavier and Moira McTaggert struggling to figure out what to do for the blonde girl.

Moira tells Professor X that they need a fresh perspective on the information they have about the genetic deterioration within Illyana, and they need a miracle. Xavier replies that once the gold team of the X-Men returns, he is certain that they can find some treatment to arrest the disorder’s progress.

Suddenly, Illyana recognizes someone special from her past…

Quality

By today’s standards, Uncanny X-Men #303 is a good comic book to read and it is an effective way of setting up events leading into the 30th anniversary story of the next issue. On its own, the comic book is clearly very dramatic and cleverly uses nostalgia that is meant to resonate with readers who were fortunate enough to read issues of Uncanny X-Men which had Kitty Pryde/Shadowcat as a newcomer (around the time of the classic Dark Phoenix Saga).

10
Kitty Pryde and Illyana symbolize the X-Men youth of the 1980s while Jubilee symbolizes the 1990s.

As X-Men comic book history showed, Kitty Pryde was the resident teenage girl of her time and eventually she bonded by Colossus and got close with his sister Illyana whose own exploits involved a lot of twists and turns (she was even a young adult for a time) and made her own mark with The New Mutants.

Nostalgia aside, the writing done by Scott Lobdell is pretty good. The wordy approach to presentation kind reminds me of the descriptive writing and character expression styles of Chris Claremont (who left the X-Men franchise in 1991). More importantly, Lobdell’s writing shows he researched the characters Illyana and Kitty Pryde. After seeing those two reunited in this 1993 comic book, I recognized them not just visually but rather in terms of personality. In addition to characterization, the dialogue is richly layered and the script’s pacing was good (I was never bored even though this comic book clearly lacked action scenes). On Jubilee, this comic book is very notable for showing her NOT being annoying.

The art by Richard Bennett, in my view, is satisfactory at best. He’s not a bad artist but his style gives this comic book and the characters a rather imbalanced visual presentation. In fairness, Bennett did his own research on the history of the X-Men and his drawings about key moments from the past (example: The New Mutants) added to the nostalgia. Bennett’s best showing in this comic book happened during the most dramatic moments, especially in the 2nd half.

Conclusion

2
Jean Grey and Jubilee.

I really like this comic book. Even though it lacked action scenes, Uncanny X-Men #303 remains engaging by means of emphasizing the characters while touching into past of the X-Men. It is through dramatizing and defining the characters that made this comic book worth reading until now. Even if the nostalgia does not resonate with you, you will still feel for the characters.

By the time you finish reading this comic book, you will feel prepared for the big 30th anniversary story of Uncanny X-Men #304. In fact, this is an essential read in order to truly enjoy and understand Uncanny X-Men #304.The art could have been better, though.

In case you are interested to acquire an existing copy of Uncanny X-Men #303, take note of the rates from MileHighComics.com. As of this writing, a near-mint copy of the regular edition is priced at $5. The near-mint copy of the 2nd printing (gold cover) costs $128 while the near-mint copy of the newsstand costs $15.

Overall, Uncanny X-Men #303 is recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com