A Look Back at X-Men #4 (1992)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and X-Men fans! Previously, I reviewed X-Men #3 (1991) which, at the time of its release, marked the end of the era of Chris Claremont who spearheaded the development and storytelling of the X-Men since the mid-1970s. Along the way, he clashed with X-Men books editor Bob Harras behind the scenes at the headquarters of Marvel Comics which was a factor to his departure. It is notable that Claremont returned to Marvel in 1997 as editorial director.

Going back to 1991, Marvel had Jim Lee as their top-notch talent to sell loads of X-Men comic books to buyers. Inevitably as Claremont departed, Marvel bet big on Lee and supported his move to set a new creative direction for the X-Men.

With those details laid down, here is a look back at X-Men #4, published in 1992 by Marvel Comics with a story by Jim Lee and John Byrne. Lee drew the comic book with Scott Williams as the inker.

The cover.

Early story

The story begins in a secret facility in the South Pacific. A sleeping figure wakes up and the men wearing protective suits near him carefully observe his moves. Suddenly, the men died horribly. The figure, with white-colored skin and long blond hair, says, “Who has brought me back from the dark domain of death? Who has summoned Omega Red?”

Behind a protective window, a man starts talking to Omega Red and he shows him a picture of Wolverine (in his civilian identity). Omega Red recognizes Logan…

Quality

Gambit and Rogue in the heat of action.

Being one of the first X-Men comic books published in the so-called post-Claremont era, this comic book has a solid story and a lively presentation of the X-Men’s Blue Team members. I figured that John Byrne delivered the solid dialogue given his previous experience of working on X-Men comics (as an illustrator) as well as being the writer and artist of the memorable The Man of Steel mini-series (with DC Comics, rebooting Superman in the post-Crisis era).

While the basketball scene had true-to-character portrayals of Wolverine, Gambit, Psylocke and Jubilee complete with stylish dialogue per character, there is consistency on the portrayal of Moira MacTaggert who is understandably struggling to recover given the events of X-Men #1 to #3. The same goes with Charles Xavier. The way the script was written with strong focus on the established characters, it’s almost as if Chris Claremont never left.

The biggest feature of this comic book is the debut of the deadly mutant Omega Red who is of Russian heritage and Russia’s own parallel to the United States’ own super soldier Captain America. In pop culture, Omega Red is one of the top villains in comic books ever and this comic book sets up his sudden rise to prominence. Symbolically, Omega Red is a co-creation of Jim Lee and John Byrne and it is pretty fitting for this comic book of the post-Claremont era to feature him.

Conclusion

You love basketball?

There is no doubt that even by today’s standards, X-Men #4 (1992) is a great read and a landmark issue in X-Men comic book history. Given its content, this one will always be remembered as the start of Omega Red who later on proved to be one of the deadliest villains Marvel’s mutants ever encountered. The villain went on to appear in the video games X-Men: Children of the Atom, Marvel Super Heroes vs. Street Fighter and Marvel vs. Capcom 2.

If you are seriously planning to buy an existing hard copy of X-Men #4 (1992), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $125 while the near-mint copy of the newsstand edition costs $375.

Overall, X-Men #4 (1992) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men #3 (1991)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, X-Men fans, superhero enthusiasts and comic book collectors! Today I’m about to review another Chris Claremont-Jim Lee comic book of the X-Men from 1991.

Before getting to the retro comic book review, let’s take a look back at history. Marvel Comics started publishing comic book of the X-Men in 1963 which involved the combined talents of Stan Lee and Jack Kirby. The original X-Men members were Cyclops, Beast, Marvel Girl, Angel and Iceman all under the mentorship of Charles Xavier (AKA Professor X). That monthly series was not a strong seller and was weak compared to the other monthly titles of Marvel. Although Roy Thomas and Neal Adams were brought in to reinvigorate the X-Men series with new characters, success in sales did not materialize and eventually the series was turned into a reprint series (from issues #67 to #93).

In 1975, Len Wein and Dave Cockrum made Giant-Size X-Men #1 which introduced a new team. Along the way, Wein (who was also the editor-in-chief of Marvel at the time) hired Chris Claremont to become the lead writer of the X-Men series starting issue #94 which was released that same year. Claremont redefined the X-Men by developing the characters deep inside and emphasized their respective personalities. As the years passed by, Claremont wrote notable X-Men storylines such as The Dark Phoenix Saga, Days of Future Past, Mutant Massacre, and Fall of the Mutants to name some. Not only did Claremont write The New Mutants, he also co-created many other characters that became part of the X-Men franchise.

Then came the year 1991. The launch of the new X-Men monthly series (focused on the Blue Team led by Cyclops) saw sales tremendous success with issue #1 and by that time Jim Lee was established as one hot new creators under Marvel. Behind the scenes, however, Claremont clashed with then X-Men books editor Bob Harras. Eventually, issue #3 of the 2nd X-Men monthly series marked the end of the X-Men era of 1975-1991.

I should say that I enjoyed reading issue #2 in which Claremont wrote a story that not only raised the stakes but also pushed the entire group of mutants to the edge. We will find out soon enough if Claremont’s X-Men era of 1975-1991 will end strongly in this retro review of X-Men #3, published in 1991 by Marvel Comics with a story by Claremont and Jim Lee (who also illustrated).

The cover.

Early story

The story begins in outer space. Members of X-Men’s Gold Team (composed of Archangel, Storm, Jean Grey, Forge, Iceman, Colossus and Banshee) fly stealthily towards Asteroid M where Magneto and his Acolytes are with Charles Xavier and Moira MacTaggert held captive. With the exception of a few, members of the X-Men Blue Team were brainwashed by MacTaggert to follow Magneto.

On Earth, the plasma cannon is being prepared to destroy Asteroid M. Nick Fury warns his colleagues about the possibility of tremendous damage if ever Asteroid M hits the surface of the planet. Valerie Cooper tells him that the firing trajectory has been calculated to blast the target away and into deep space. An exchange of words follows over diplomacy and following orders issued by the leaders.

Over at Asteroid M, Charles Xavier is alone in a room with a wide view of the Earth and space. Behind the scenes, Fabian Cortez points to Xavier as Magneto’s deadliest enemy. He asked his master why not use Moira MacTaggert’s procedure (to brainwash and turn) on Xavier. Magneto, already suffering physically, does not want Xavier turned but be broken…

Quality

X-Men Blue Team members relaxing at Asteroid M in the presence of the Acolytes.

Like in issue #2, the story here is very engaging and highly dramatic. While it paid close attention to Magneto’s ruthlessness as well as his rage towards Moira who committed something unethical to him in the past, the story managed to focus enough on the X-Men which involves both the Blue Team and Gold Team mixed up. While this comic book’s cover shows a battle royale between the Blue and Gold teams, there is a lot of substance beyond the action. I’m talking about moments spent on the mutants of Xavier which was done in a satisfying manner (never felt crammed nor forced) considering the page limits of this comic book. Not only were the X-Men moments executed smoothly, there were pulled off efficiently and orderly.

More on the story, what adds intrigue is the group of Acolytes whose field leader Fabian Cortez has not only gotten very close with Magneto but also does something significant to him along the way. By this issue, the Acolytes led by the master of magnetism have gotten more established as a worthy opposition against Xavier’s mutants. This story also showed that the Acolytes were here to stay, and Fabian Cortez himself is very led by wickedness and ambition. Cortez is also an example about the distortion of righteousness

When it comes to defining the characters, Xavier and Magneto clashing together about their respective dreams about mutants is unsurprisingly epic to read. In this particular conflict, both Marvel icons were portrayed very dramatically and their respective expressions were indeed intense. Adding further intrigue to their clash is Moira’s long-past act of manipulating the very genetics of Magneto which itself raises serious questions about her perception, decision-making and ethics. In some ways, Moira looked more villain-like.

As expected, the art of Jim Lee is great to look at. There were some signs, however, that the very wordy script resulted an increased numbers of panels per page. Fortunately, the art did not look rushed and maintained a clear narrative. Also the action scenes are great to look at which is not surprising.

Conclusion

The Gold Team of the X-Men travel towards Asteroid M in a cloaked vehicle.

To put it straight, X-Men #3 (1991) is an epic read highlighting the very conflict between Magneto and Xavier over the course of mutants and their place in the world of humans. This comic book, which has a very powerful ending, was indeed a very satisfying way to conclude the Xavier-Magneto conflict as well as Chris Claremont’s long-term stint with the X-Men comic book franchise. Back in 1991, this one really looked like the end of an era both in-story and in real life. Of course, what this comic book achieved ultimately became temporary because Magneto was revived for the Fatal Attractions storyline in 1993 (celebrating X-Men’s 30th anniversary) and Chris Claremont himself returned to Marvel Comics some years later. Still, on its own, this comic book is worth reading and adding to your collection, even if you are not an X-Men fan. It is significant enough as a piece of X-Men history from the time when Jim Lee was with Marvel.

If you are seriously planning to buy an existing hard copy of X-Men #3 (1991), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $9 while the near-mint copies of the Chris Claremont-signed edition, the signed newsstand edition, the newsstand edition and the Toy Biz edition cost $16, $26, $16 and $21 respectively.

Overall, X-Men #3 (1991) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men #2 (1991)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

There is so much said about X-Men #1 of 1991 which was launched to major success by Marvel Comics selling at least eight million copies worldwide. That launch issue, written by Chris Claremont and drawn by Jim Lee, had multiple covers and a version with gatefold covers and high-quality paper which made it an instant hit with collectors chasing profit. In 2011, Marvel even released the so-called 20th anniversary edition of X-Men #1 which was digitally recolored.

In terms of substance, X-Men #1 marked the new era of the X-Men. Charles Xavier returned to his mansion to lead the X-Men which was so large as a group, it had to be divided into two team with Cyclops leading the Blue Team and Storm heading the Gold Team. In terms of publishing, Marvel published tales of the Gold Team in the Uncanny X-Men monthly series while the Blue Team’s stories were published in the adjective-less X-Men monthly series.

With all the attention paid to X-Men #1, I noticed that not too many people cared to talk about what happened after the end of that comic book. Without spoiling plot details, the massive seller of 1991 had its story end in a cliffhanger. To find out what followed and determine the quality of the creative team’s work, here is a look back at X-Men #2 published in 1991 by Marvel Comics with a story co-written by Chris Claremont and Jim Lee (who illustrated).

The cover.

Early story

The story begins in the fictional island nation of Genosha which has a legacy of mutant slavery. Having fought with the Acolytes (led by Fabian Cortez), the X-Men now face Magneto who arrived and tells them that he will not abandon the Acolytes.

“They acted in an excess of zeal. If so…I..and I alone..shall determine their appropriate punishment,” Magneto tells the team of Cyclops, Gambit, Beast, Wolverine, Psylocke and Rogue. Near them are other Acolytes members down on the ground.

After words spoken by Gambit, Rogue and Cyclops, Magneto referred to the devastation of the city hospital as fitting for punishing a state (Genosha) whose prosperity was built on the backs of mutant slaves. Beast answered back saying that the Genoshans have accepted responsibility for what they have done and resolved to make amends.

While Magneto replies to Beast, a military Genoshan helicopter gunship fires missiles at them from above which the X-Men’s archvillain intercepts. Using his magnetic power, Magneto lifts steal beams and destroys the helicopter with them. He then turns against the X-Men restarting the chaos in the city…

Quality

Magneto, Psylocke and Rogue in the middle of the chaos.

Being the middle of a 3-part story, this comic book pushes the entire X-Men group to the edge thanks to strong writing by Chris Claremont. I’m not simply referring to the traditional good-versus-evil formula of superhero storytelling as the story here emphasized themes about sanity, loyalty, legacy, idolatry and even diplomacy. It just so happens that there is a lot of superhero spectacle to enjoy here and there.

The stakes have been raised significantly in this story as Magneto is shown leading the Acolytes who in turn went ahead with their first mission which explains the chaos in Genosha. Magneto’s condition also deteriorates and gets himself healed by Fabian Cortez who is more sinister than what he seems. For his part, Charles Xavier of the X-Men gets to interact with his long-time friend Dr. Moira MacTaggert who is struggling with guilt from something she committed in the past. Through Magneto, Xavier and MacTaggert, there is this solid build-up of tension that led to a very powerful revelation in the 2nd half of the story which, ironically, put the X-Men on the sideline temporarily. There is high drama, deep tension and high intensity involving Magneto and MacTaggert, and their scene together is the highlight of the story.  

Conclusion

The face-off!

To put it straight, as much as I loved X-Men #1 (1991), I find X-Men #2 (1991) more compelling to read. For one thing, it rewards X-Men fans who dedicatedly followed the events of not only the X-Men but also of that of the life of Magneto. It’s really great that Chris Claremont literally dug up the past for details that proved to be useful in this comic book. It also nicely sets up anticipation of the next issue by involving the X-Men’s Gold Team. Unsurprisingly, with the combined talents of Claremont and Jim Lee, this is an excellent read that really looks great.

If you are seriously planning to buy an existing hard copy of X-Men #2 (1991), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $4 while the near-mint copies of the Chris Claremont-signed regular edition, the Chris Claremont-signed newsstand edition and the newsstand edition cost $9, $19 and $13 respectively.

Overall, X-Men #2 (1991) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Uncanny X-Men #303

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

I remember back in 1993 how excited I was with Marvel Comics’ celebration of the 30th anniversary of the X-Men. Back then the X-Men line of comic books had the Fatal Attractions storyline which was not a crossover but a story arc that connects with the X-Men, Uncanny X-Men, X-Force, X-Factor, Excalibur and Wolverine monthly series highlighted by specific comic books that had hologram cards on the cover.

It was an exciting time. Of course, many geeks who followed the X-Men closely knew that the very comic book that would mark the 30th anniversary was Uncanny X-Men #304 (dated September 1993) which was previewed with a Magneto hologram card on the cover.

Of course, before getting to that comic book, it’s nice to take a look back at one of the comic books that was released before it. I’m talking about Uncanny X-Men #303 which had a dramatic and even somber looking cover with the words: “If you read only one X-title this month—this issue must be it!”

Cover
The eye-catching cover.

Are you curious now? Let’s take a look back at Uncanny X-Men #303 published in 1993 by Marvel Comics with a story by Scott Lobdell and artwork by Richard Bennett.

Early story

The story begins with Jean Grey finding Jubilee sitting on the chair (read: Cerebro) doing some makeshift fireworks with her power. She noticed that the youth is troubled. Jubilee expressed her thoughts and mentioned that life stinks. Jean asked her if she wants to talk about it but Jubilee asked if talking would change anything. As the two talk on, it turns out that Xavier’s mansion is nearly deserted.

The story then shifts to what happened just several hours back. Jubilee was spending quality time with Colossus’ sister Illyana who is lying on a bed in the med-lab. Illyana was sick and nearby was Charles Xavier and Moira McTaggert struggling to figure out what to do for the blonde girl.

Moira tells Professor X that they need a fresh perspective on the information they have about the genetic deterioration within Illyana, and they need a miracle. Xavier replies that once the gold team of the X-Men returns, he is certain that they can find some treatment to arrest the disorder’s progress.

Suddenly, Illyana recognizes someone special from her past…

Quality

By today’s standards, Uncanny X-Men #303 is a good comic book to read and it is an effective way of setting up events leading into the 30th anniversary story of the next issue. On its own, the comic book is clearly very dramatic and cleverly uses nostalgia that is meant to resonate with readers who were fortunate enough to read issues of Uncanny X-Men which had Kitty Pryde/Shadowcat as a newcomer (around the time of the classic Dark Phoenix Saga).

10
Kitty Pryde and Illyana symbolize the X-Men youth of the 1980s while Jubilee symbolizes the 1990s.

As X-Men comic book history showed, Kitty Pryde was the resident teenage girl of her time and eventually she bonded by Colossus and got close with his sister Illyana whose own exploits involved a lot of twists and turns (she was even a young adult for a time) and made her own mark with The New Mutants.

Nostalgia aside, the writing done by Scott Lobdell is pretty good. The wordy approach to presentation kind reminds me of the descriptive writing and character expression styles of Chris Claremont (who left the X-Men franchise in 1991). More importantly, Lobdell’s writing shows he researched the characters Illyana and Kitty Pryde. After seeing those two reunited in this 1993 comic book, I recognized them not just visually but rather in terms of personality. In addition to characterization, the dialogue is richly layered and the script’s pacing was good (I was never bored even though this comic book clearly lacked action scenes). On Jubilee, this comic book is very notable for showing her NOT being annoying.

The art by Richard Bennett, in my view, is satisfactory at best. He’s not a bad artist but his style gives this comic book and the characters a rather imbalanced visual presentation. In fairness, Bennett did his own research on the history of the X-Men and his drawings about key moments from the past (example: The New Mutants) added to the nostalgia. Bennett’s best showing in this comic book happened during the most dramatic moments, especially in the 2nd half.

Conclusion

2
Jean Grey and Jubilee.

I really like this comic book. Even though it lacked action scenes, Uncanny X-Men #303 remains engaging by means of emphasizing the characters while touching into past of the X-Men. It is through dramatizing and defining the characters that made this comic book worth reading until now. Even if the nostalgia does not resonate with you, you will still feel for the characters.

By the time you finish reading this comic book, you will feel prepared for the big 30th anniversary story of Uncanny X-Men #304. In fact, this is an essential read in order to truly enjoy and understand Uncanny X-Men #304.The art could have been better, though.

In case you are interested to acquire an existing copy of Uncanny X-Men #303, take note of the rates from MileHighComics.com. As of this writing, a near-mint copy of the regular edition is priced at $5. The near-mint copy of the 2nd printing (gold cover) costs $128 while the near-mint copy of the newsstand costs $15.

Overall, Uncanny X-Men #303 is recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at What If #9 (1990)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Long before the renaissance of Hollywood-produced superhero movies even started, the X-Men established itself as one of the most popular franchises of Marvel Comics. What some readers do not know was that while the X-Men indeed started in 1963 under Stan Lee and Jack Kirby, Marvel’s mutants actually started getting successful in the mid-1970s with the 2nd X-Men team (Cyclops, Wolverine, Storm, Sunfire, Nightcrawler, Colossus, Banshee and Thunderbird) handled by Len Wein and Dave Cockrum.

That new team literally made a splash with readers with the release of Giant-size X-Men #1 in 1975. That comic book, which is very valuable now, saw Charles Xavier recruiting new mutants to form a new team with Cyclops being the only pioneer remaining. Subsequently the X-Men monthly series of that era saw lots of stories of this particular team solving problems and fighting evil. Along the way, Chris Claremont got hired as the new writer and then the rest was history.

In this retro comic book review, we will take an interesting look at what would have happened had the 2nd team of the X-Men died on their first mission.

This is What If #9 written by Roy Thomas, drawn by Rich Buckler and published by Marvel Comics in 1990.

Cover
The cover.

Early story

The comic book begins with the Watcher of Marvel’s universe explaining what actually happened during the X-Men’s mission in Giant-size X-Men #1. Then he offers an alternate version of the events asking “What if…the new X-Men had died on their very first mission?”

The new reality begins in Scotland where Moira McTaggert receives a telegram from the United States. The message read that her friend Charles Xavier is ill which compels her to leave immediately. Before leaving, a little girl named Rahne comes to Moira followed by Craig who asserts his authority on her. Subsequently Moira and Rahne arrive at Salem Center, New York, greeted by Hank McCoy/Beast who confirmed that he was the one who sent the telegram to her.

Moira finally meets Xavier who expressed surprise to see her. As it turned out, Xavier had isolated himself in a room using Cerebro. After separating from Xavier, Beast explains to Moira what happened previously to Cyclops, Jean Grey, Havoc, Polaris and Ice Man on a far away island (read Giant-size X-Men #1). Cyclops was fortunate enough to survive and return to Xavier who was compelled to use Cerebro to trace mutants around the world (note: the 2nd X-Men team).

2
When trouble hits the world…

This leads to events told in Giant-size X-Men #1 but something drastic happened…

Quality

Storytelling is easily the strongest and most defining element of this comic book, especially if you are fortunate enough to read what happened in Giant-size X-Men #1 from 1975. The alternate plot by Roy Thomas is pretty intriguing and highly dramatic, and yet it still manages to add some spectacle to maintain balance.

What If #9 strongly delivered on what it promised what would have happened had the 2nd X-Men team died on their first mission complete with the narrative shifting dramatically through the eyes of Moira McTaggert, Xavier and Beast.

In terms of characterization, I really enjoyed the dramatization of the close friendship between Xavier and McTaggert. Having read lots of X-Men comic books through the decades, I should say that McTaggert was often limited to supporting roles or guest appearances. As seen in this comic book, she and Xavier made a solid pair of mentors. Lastly, the portrayal of Xavier being somewhat broken and regretful is wonderfully executed. Adding to that, the portrayal of McTaggert as a strong provider of direction and support for a fragile Xavier is memorable.

When it comes to the visuals, Rich Buckler scored nicely. The characters are all recognizable (with Beast looking a bit more visceral than how he actually appeared in the 1970s to 1980s) and their facial expressions were nice to see. Buckler also proved to be good with visualizing the action and the suspenseful parts.

Conclusion

1
Very nice artistic presentation by Rich Buckler. Readers of 1975’s Giant-size X-Men #1 will be able to relate with this.

Overall, What If #9 is a great comic book to read. It is the closest thing you can get when it comes to seeing Marvel’s mutants led by Xavier with McTaggert working behind the scenes together. Roy Thomas and Rich Buckler really scored a homerun with this non-canon X-Men story!

For the comic collectors reading this, based on the rates at MileHighComics.com as of this writing, a near-mint copy of this comic book’s regular version is $24 while the near-mint copy of the newsstand edition is priced at $51.

What If #9 (1990) is highly recommended!


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men Adventures #13

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

It’s funny how adaptations of adaptations turn out in real life. Long before the first live-action X-Men movie was released, an animated TV series (popularly referred to as X-Men: The Animated Series or X-Men TAS) was produced and arguably brought together the fans of both the X-Men comic books along with the animated X-Men followers.

Along the way, Marvel Comics went on to publish a monthly comic book series called X-Men Adventures which themselves were adaptations of the animated series (which itself adapted stories and concepts from the comic books).

The adaptation-of-an-adaptation approach went deep further when the animated series adapted loosely the story of the classic X-Men comic book storyline Days of Future Past (by legends Chris Claremont and John Byrne) which resulted a story told in two episodes on TV. And then there was also a comic book adaptation that followed starting with X-Men Adventures #13 which is the subject of this retro comic book review.

1
The cover.

Early story

Written by Ralph Macchio and drawn by Andrew Wildman, the comic book begins in the dark future of 2055 in New York. The city is in ruins and mutants on the loose are being hunted by Sentinels. A very old Wolverine appears to help two loose mutants but ends up getting stunned with them by Bishop who turns out to be helping the automated authority of the Sentinels.

As he turns over the captured mutants, the Sentinels betray Bishop telling him that they no longer required him. Afterwards, Bishop and Wolverine (who woke up) each carry a person under the watch of a Sentinel. Suddenly, the two other mutants use their powers to attack the Sentinel and Wolverine followed to back up their efforts. The Sentinel however grabbed Wolverine.

Quality

3
A very old Wolverine in the dark future of 2055.

With the exception of some liberties, this comic book closely followed what was told in the first of the 2-episode Days of Future past animated adaptation. As a comic book story, the story was heavily loaded with details and exposition designed to orient readers about the setting and why the future became a time of darkness in relation to the rise of machines having ultimate power over people.

While the time travel concept of the literary classic involved the mind of Kitty Pryde going into the past, this comic book used the more common concept of having Bishop travel back through time physically which easily reminds me of Kyle Reese arriving from the future in 1984’s The Terminator.

The build-up leading to Bishop’s move to travel back through time was nicely done by the creative team. There was a lot of exposition followed by an incoming attack complete with explosions happening just as Bishop is about to leave. In short, the pay-off was worth it.

The engagement did not end there. In fact, it continued nicely as Bishop meets the X-Men in 1993 with the details of his mission carefully unveiled. Professor Charles Xavier’s reaction to future history (Sentinels taking control of the world) was dramatic and worth re-reading.

As with his other works in the X-Men Adventures comic book series, Andrew Wildman’s art is very good to look at and he knows how to make each scene look engaging whether it’s just an exchange of dialogue between characters or an action scene loaded with a lot of impact.

Conclusion

While it is only half of a 2-issue adaptation of a 2-episode animated adaptation of the Days of Future Past literary classic, X-Men Adventures #13 is still a fun-filled reading experience complete with a lot of engaging moments.

19
The money shot by Andrew Wildman!

If you are a serious collector of comic books, be aware that, as of this writing, a near-mint copy of X-Men Adventures #13 costs $6 while its newsstand edition copy is worth $21 in near-mint condition according to Mile High Comics.

Overall, X-Men Adventures #13 is highly recommended. Both dedicated X-Men fans as well as newcomers will have something a lot to enjoy with it.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men Adventures #1

Back in 1991, Marvel Comics successfully launched X-Men #1 (Volume 2) which arguably marked what was back then a new era of the X-Men. That comic book was written by Chris Claremont and the art was done by Jim Lee with ink work by Scott Williams.

Lee was granted a lot of creative freedom and that could be seen in the way he redesigned and modernized the looks of the X-Men, especially with Cyclops (with that suspender), Rogue (that yellow-green tight suit plus brown jacket), Jean Grey (technically a swimsuit with those padding on the legs), etc.

Those re-designs were eventually adapted by the producers behind the memorable X-Men animated series of the decade which lasted five seasons.

Of course, Marvel Comics itself wanted to make more money as the said animated series launched. Alongside it, they launched a new comic book series that adapted stories from the animated series (which itself were adaptated stories from the past comic books, mainly Uncanny X-Men). This resulted the X-Men Adventures comic book series and here, I review the launch issue.

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X-Men Adventures #1’s cover.

Released in 1992, X-Men Adventures #1 adapted the memorable launch episode of the animated series. The story begins with the Watcher doing some expository dialogue as Sabretooth causes some destruction in a city. As it turned out, it was a TV news feed of him as the narrative shifts into a home in suburbs wherein a married couple talk about Jubilee. The husband Martin thought about registering Jubilee with the government which turns off wife Martha. Jubilee overheard them and predictably agonizes over her situation (note: she melted the VCR and mutants like her have been viewed negatively).

Then a Sentinel arrives in the neighborhood searching for her. Strangely enough, the Sentinel simply crushes the bedroom of Jubilee only to find out she was not there and registered an “identification error.”

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Jubilee in trouble at the mall.

Jubilee then spends time in the shopping mall only to discover the Sentinel crashing in to find her. Within that place, X-Men members Storm, Gambit and Rogue decide to take action against the Sentinel. This is where the story really takes off.

Creatively, this comic book retells the events of the launch episode of the animated series. Writer Ralph Macchio did a serviceable job translating the episode into a decent flowing comic book.  Like the animated episode, the aspect of mutants living in fear (expressed through Jubilee) was nicely captured.

What really stands out here is the artwork by Andrew Wildman. Not only did he do a good job drawing so many characters and giving them nice facial expressions, he pulled off a good effort to insert spectacle into the comic book. The Sentinel’s crashing into the shopping mall, Rogue’s punch on the Sentinel’s head, and Wolverine’s strike against a wall using his claws all have that strong impact.

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Andrew Wildman’s approach to action had a lot of impact.

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Team interaction of the X-Men.

I also like Wildman’s way of capturing the spirit and look of the X-Men, especially during the Danger Room sequence showing Beast, Morph and Gambit doing exercises. Even the scenes that feature no action but lots of talk had an interesting look and Wildman did not even rely on the method of making the characters beautiful.  No single boring moment with the art here.

Overall, X-Men Adventures #1 is a fun read. As of now, this old comic book from 1992 is not really valuable but that just might change if ever the Walt Disney Company (which now has the other media rights to X-Men due to their acquisition of 20th Century Fox) decides to have Marvel Entertainment revive or even continue the X-Men animated series.

Whether there will be a significant development or not, X-Men Adventures #1 is recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

 

Carlo Carrasco’s Movie Review: X-Men: Dark Phoenix

I’ll get straight to the point here. X-Men: Dark Phoenix (or Dark Phoenix in North America) is a better superhero film than I expected (and at the same time I never expected a faithful adaptation of the classic comic book storyline the Dark Phoenix Saga by Chris Claremont and John Byrne) and Simon Kinberg‘s feature film directorial debut turned out to be a surprisingly solid effort. I really enjoyed this.

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X-Men: Dark Phoenix is the 2nd attempt by 20th Century Fox to adapt the Dark Phoenix saga for the big screen and I can say it is a brave effort. While it never attempted to fully and faithfully adapt all the elements of the classic storyline (note: that would require hundreds of millions of dollars more budget, more production time and at least two whole films to produce), the new movie is absolutely a better adaptation than X-Men: The Last Stand (which is an even worse movie by today’s standards).

As far as the current X-Men Cinematic Universe (starting with 2011’s X-Men: First Class), Dark Phoenix is very character-driven even though it has a huge cast. There was tremendous pressure behind the scenes on the part of Sophie Turner to portray Jean Grey struggling with her added powers and the good news is that she delivered very nicely! This new movie is clearly focused on Jean Grey whose emotions, struggles and acts of power are magnificently pulled off by Turner each time the screenplay requires her to act.

Turner is clearly more comfortable with playing as Jean Grey and it seems she paid close attention to the Dark Phoenix comics. Unlike Famke Jansen’s Jean Grey/Dark Phoenix in X-Men: The Last Stand, Turner cinematic act is more believable, more emotional and even more terrifying. There were moments to feel sorry for Jean Grey as her life turns upside-down plus there were times that she would be better off going far away into the deep void of the galaxy so that nobody else would get harmed by her. If you pay very close attention to Turner’s act, you will feel varied emotions along the way.

Turner is not the only standout. Nicholas Hoult, James McAvoy and Tye Sheridan each played their respective roles (Beast, Charles Xavier and Cyclops) with more heart, more drama and more intensity. Through Hoult and McAvoy, you will relate more with them as the film makes gentle connections back to X-Men: First Class (why the time was formed, who was supposed to remain or go away, etc.). The conflict between Beast and Xavier that happened later (combined with the revelations from the past) dramatically blurs away the boundary that separates good and evil. As for Tye Sheridan, I see a lot more of the literary Cyclops in him this time and thanks to the script, he exceeds James Marsden’s Cyclops by a hundred a miles. Sheridan and Turner also have better on-screen chemistry as Cyclops and Jean Grey.

James McAvoy’s Xavier deserves everyone’s attention. He not only looks and feels like his comic book counterpart, he also clearly displayed how much the character has matured. McAvoy also successfully captured the on-screen aura of authority Patrick Stewart had in the first X-Men movies.

Michael Fassbender’s Magneto appears rather late into the film but that does not make him any less significant. As before, Fassbender is intense with playing his character and, more importantly, he contributed nicely into the story. Jennifer Lawrence portrayal of Mystique is the shortest one yet but before leaving the film, she delivered some nice lines (with some reconnecting to X-Men: First Class) and acted nicely. Fans of Nightcrawler and Storm will be happy to know that their roles become more significant in the late stage of the film. Lastly, Jessica Chastain‘s addition as Vuk was a nice addition. While others put her down as one-dimensional, which is true, it does not detract from the film at all. Even with lacking variety of character, Vuk still makes a strong villainess and she really acts alien. Vuk would stop at nothing to achieve her goals.

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This is one of many great looking visual effects of the Cerebro scenes.

When it comes to storytelling, this movie did not try to make an in-depth adaptation of all the elements of the Dark Phoenix Saga of comics. Instead, the filmmakers adapted a few elements of the literary classic (and even a few selected elements from X-Men: The Last Stand), focused on the present day X-Men (story is set in 1992), looked back occasionally at X-Men: First Class and made the most with what they have.

The result is a cinematic story about the X-Men now publicly recognized as legitimate mutants (and youths) with Charles Xavier having fully established a direct link with the President of the United States. After the rescue mission in space involving the solar flare, a race of shape-shifting aliens arrive on Earth with a secret agenda of their own. As mentioned earlier, Simon Kinberg surprised me with his directing. The storytelling, even with the slowest moments played, never felt dragging to me at all. The pace, in my experience, was between medium to fast. As this movie was written by Kinberg, Dark Phoenix is clearly his vision for the X-Men Cinematic Universe and he stamped his mark on it despite the fact that reshoots and story revising had to be done. If you are looking for humor, you really won’t find much as the story’s tone is intensely dramatic.

You want fun? X-Men: Dark Phoenix delivered solidly! This movie has more than enough spectacular content (action scenes, stunts, visual effects, etc.) that any moviegoer can enjoy! Very clearly the filmmakers consciously worked hard to deliver entertaining stuff to bounce back from the heavy drama. There was a lot of physical damage caused by Phoenix in her conflict with her teammates which is a solid start of her causing trouble to others. Cyclops, Storm, Nightcrawler, Xavier, Beast and Magneto used their respective abilities VERY EXTENSIVELY combined with high-octane stunt coordination which results several minutes of on-screen fun leading into the finale! The spectacle of X-Men: Dark Phoenix, which was extensively done with a blistering pace, easily exceeds what was showcased in First Class, Apocalypse and even that of Days of Future Past!

As for those blink-and-you-will-miss-it visual moments, there were times that images shown on the big screen reminded me of Jim Lee’s X-Men. I won’t point out where they are or when they will come out but anyone who extensively read the X-Men comic books drawn by Jim Lee (who co-founded Image Comics and now works as DC Comics’ co-Publisher) will spot the technical fan service.

Last but not least is the music provided by the great Hans Zimmer and this film marks his return to the superhero movie genre. While the music he and his team provided here is nowhere as energetic nor as intense as that of Batman v. Superman: Dawn of Justice, the music is still steps above that of X-Men: Apocalypse, X-Men: The Last Stand and even the popular X2: X-Men United. The highlight of Zimmer’s music is the tune played during the moments when Jean Grey’s tremendous power as Dark Phoenix was realized in that day-time encounter with the X-Men. That particular music really emphasized the danger she poses to others.

There were some issues about the movie that might be problematic or annoying to moviegoers, particularly superhero movie fans. For one thing, Simon Kinberg re-used certain elements from X-Men: The Last Stand for this new movie and that includes Jean Grey having a childhood problem and Charles Xavier getting involved to solve it only to be blamed for it many years later. There were even a few lines from the 2006 movie repeated.

Also questionable was the lack of an explanation regarding Jean Grey’s Phoenix Power in this film and the one we saw in X-Men: Apocalypse. If what she unleashed in the final battle with Apocalypse was not the Phoenix force, then that’s a major blunder by the creators in relation to this movie. Perhaps an extended cut of X-Men: Dark Phoenix will solve that.

Lastly there was the use of shaky camera photography during some moments with the action sequences. While they were temporary, they prevented the film’s strong spectacle from achieving perfection.

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Overall, X-Men: Dark Phoenix is a thrilling, heavily dramatic and very solid superhero movie worthy of being the conclusion of the X-Men Cinematic Universe that 20th Century Fox first launched in 2000. From this point on, there is no guarantee we will see McAvoy and the gang return as the cinematic X-Men now that 20th Century Fox is fully controlled by the Walt Disney Company through Marvel Studios. X-Men: Dark Phoenix is not perfect but it strongly resonates with me as I am a long-time X-Men comic book reader. While others out there would bash this movie for not having the common elements of Marvel Cinematic Universe films, X-Men: DP has its own flavor and the filmmakers utilized what they had established in the X-Men Cinematic Universe since 2011. The reported reshoots may have prevented Kinberg and team from fully realizing their original vision of the Dark Phoenix story but still they succeeded in making a better Dark Phoenix adaptation captured on film.

If Marvel Studios would launch the X-Men through the Marvel Cinematic Universe and attempt a new and more ambitious Dark Phoenix adaptation of their own, it will take much longer and will cost them more time and money to do so. That’s something we may not see in the next decade. All the more reason to enjoy X-Men: Dark Phoenix now.

X-Men: Dark Phoenix is highly recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

For more X-Men insight, check out my retro comic book review of X-Men #1 of 1991, my retro movie review of 2000’s X-Men, my retro review of X2: X-Men United and my review of Logan.

 

 

A Look Back At X-Men #1 (1991)

When I was in high school, Marvel Comics launched the comic book X-Men #1 (Volume 2, 1991) which sold an estimated eight million copies worldwide. The times back then were very exciting as the comic book had great art by Jim Lee (inked by Scott Williams and colored by Joe Rosas) combined with the writing of Chris Claremont.

For this retro review, I have the gatefold cover edition of X-Men #1 which has the complete set of covers and a cover price of $3.95. The comic book used high-quality paper (or glossy paper) for its content. To put things in perspective, X-Men #1 was released with multiple editions. The comic books carrying cover prices of $1.50 had individual covers and lower quality paper.

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The front cover.

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The back cover.

So what was X-Men #1 all about? Was it deserving of the tremendous sales success it achieved for Marvel? Did the combined talents of Claremont and Lee create something super special?

To begin with, X-Men #1 marked the beginning of a new chapter of the X-Men. In the events that happened prior to this comic book, the X-Men founder Charles Xavier had been away for many years and along the way the team went through several changes with its members. At one point, the classic villain Magneto even became the head of the X-Men. The pioneering X-Men members of Jean Grey, Cyclops, Iceman and Beast meanwhile found their temporary place outside by forming X-Factor. Eventually the Muir Island saga which incidentally reunited Xavier with his mutants.

So in this comic book, the X-Men got reformed and Xavier returned to his mansion for the first time in many years. The stakes are much higher this time because Xavier needs to adjust to the dynamics of the X-Men whose membership has grown so much two teams (Gold and Blue) had to be used. As if that was not challenging enough, the world, as Xavier noticed, is more hostile towards mutants than ever before.

In out space, two groups of people engaged in a spaceships chase which triggered Magneto (now living in a new headquarters orbiting Earth) to take action. He tells them he is no longer interested in their cause and simply wanted to be left alone.

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Magneto’s presence and energy signature alerts authorities on Earth.

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Charles Xavier shares to Jean Grey his observations as he tries to adjust with his return to his mansion. He was away for so many years and so was Jean Grey and her pioneering teammates.

Because he made his presence felt (his energy signature was detected and so was his floating headquarters), authorities on Earth had no choice but to launch the first stage of the Magneto Protocols.

In Washington DC, Col. Nick Fury meets with the President of the United States who expressed his concern about the incident in outer space which involved American shuttles that got destroyed.

US President: It’s my understanding, in fact, that the terrorists who hijacked our vehicle look to him (Magneto) as their inspiration. Suppose he makes their cause his own?

Nick Fury: If the Soviets act like hotheads, Mister President, they could make things worse.

US President: You have an alternative?

Meanwhile at the Xavier mansion, the X-Men participate in an training session with Cyclops (blue team leader) and Storm (gold team leader) watching and coordinating from the control room. Charles Xavier, who is still adjusting upon returning, closely watches the large team.

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Sarcasm by Cyclops annoyed Xavier who preferred him to keep focus on the exercise.

Of course, with the team so large, conflicting personalities and problems with bonding with each other was inevitable. Clearly the newly revamped X-Men had a long way to go before achieving true solidarity.

And then Nick Fury contacted the X-Men with the Magneto situation…

For a comic book released in 1991, this one was quite a grand product. Sure it did not have a gimmick cover of foil nor hologram nor chromium but having a gatefold cover with art of the X-Men and Magneto drawn by the great Jim Lee was itself a big luxury at the time.

Very clearly, Jim Lee and Scott Williams did their best ensuring great art for the comic book. The X-Men all look very fit (as if they all regularly spent time in the gym), their redesigned costumes were meant to look cool (although the many pouches and “suspender” of Cyclops’ costume look really silly), Magneto looks ageless and the Acolytes were designed to be the new nemesis of the X-Men.

And then there was the action…..

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Action between the X-Men and Magneto.

Jim Lee has a great vision for high-octane action designed to show impact while at the same time give readers something great to look at. In my view, Lee was influenced by action movies and he developed ways to not only make comic book action flow nicely but also deliver impact.

This comic book has a lot of action and Jim Lee cleverly visualized the capabilities of the X-Men with striking visuals. The way Wolverine looked striking at an enemy was pretty intense. Cyclops’ use of his Optic Blast to separate Magneto from Wolverine showed a lot of power. Psylocke’s physical strike against Magneto reminds me hard action scenes from Hollywood flicks.

With regards to the writing, Chris Claremont managed to redefine the X-Men for the new age while at the same time did his best to balance the story, establish the threat and build up the tension for the inevitable conflict with Magneto. In this particular comic book, it is the blue team taking on the classic villain.

Apart from the main story, X-Men #1 also came with extra stuff like behind-the-scenes sketches by Jim Lee, a preview of things to come (notably the post-Claremont concepts), a 2-page image of the X-Men enjoying the pool side of the mansion, and a villains gallery! All these extras were drawn by Jim Lee!

Overall, X-Men #1 is still a compelling comic book to read even by today’s standards. The comic book speculator boom has long been over but if you are looking for the modernizing of the X-Men for the 1990s, this one really is a milestone. Clearly, X-Men #1 was made to start the new age of the mutants with the 1990s in mind while at the same time it took the bold move of gathering Xavier and the pioneering X-Men members and putting them back into Xavier’s mansion forming a much larger team than ever. This move of mixing classic X-Men members with newer ones resulted a nice variety of personalities.

When it comes to getting this for your collection focused on Marvel’s mutants, X-Men #1 is highly recommended. Remember, you should look at this comic book as a piece of X-Men history and don’t focus on making a profit with it. Just enjoy it for what it is.

By the way, X-Men: Dark Phoenix is opening very soon in cinemas. You bought a ticket already?


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

3 Reasons To Anticipate X-Men: Dark Phoenix In Cinemas

Previously I expressed concern as to why X-Men: Dark Phoenix (opening in the Philippines on June 5 and in the United States on June 7) could end up as a disappointment just as the Walt Disney Company finally took over 20th Century Fox (which led people into believing that integration of the X-Men Cinematic Universe into the Marvel Cinematic Universe could be done instantly).

For one thing, the new movie is the first film of Simon Kinberg as director and to date his credentials include screenwriting, producing and working as a 2nd unit director in the very poor 2015 Fantastic Four movie. Also this movie is the 2nd cinematic adaptation of the classic comic book storyline and the first one from 2006 was bad and there were a few visual elements that the two films shared.

Still there are good reasons to watch this movie whether you are an X-Men fan or not. By now, Avengers: Endgame has satisfied moviegoers which easily makes X-Men: Dark Phoenix the superhero film to anticipate.

Why should you care about this? Here are my reasons (and, yes, I will watch it).

1). This new adaptation is looking more faithful to the Dark Phoenix Saga storyline than how X-Men: The Last Stand ever did – While it is unwise to expect a 100% faithful adaptation of the literary classic, X-Men: Dark Phoenix’s trailer showed the mutants fly into space for a mission, Jean Grey did something desperate and then something happened that changes her. This scene is very similar to what was shown in the comic books decades ago and considering the fact that the cinematic Jean Grey (played by Sophie Turner) unleashed her phoenix power in 2016’s X-Men: Apocalypse, things are making sense. I also liked the shots in the trailers showing Cyclops getting very concerned with Jean Grey which parallels the comic book story.

If there are enough storytelling elements that link this new movie with the literary classic and they get executed nicely, it could make a satisfying experience to moviegoers who are familiar with the classic storyline as well as those who are unfamiliar.

2) Simon Kinberg just might have pulled-off a Dances With Wolves. What do I mean? I mean to say that Kinberg may have prepared himself a lot and somehow managed to not just direct the film efficiently (reminder: this is his directorial debut) but probably outdid himself on executing the scenes strongly, getting strong performances from his actors, carefully crafting the spectacle while maintaining focus on storytelling. As seen in Hollywood history, directorial debuts are often weak efforts of career movie directors so naturally the odds are against Kinberg. Still, Kinberg may have made a very solid directorial debut in comparison to Kevin Costner’s own first directorial effort with Dances With Wolves which grossed over $400 million worldwide and won several Academy Awards including Best Picture and, yes, Best Director! Of course, I’m not a filmmaker myself nor do I have access in Hollywood productions but I did my film research a lot and my Hollywood mentor Rusty Lemorande enlightened me on the history of directorial debuts. Very soon we will find out the true results of Kinberg’s directorial debut.

Surely enough, the executives of 20th Century Fox had their own reasons to hire Kinberg as director despite his lack of movie directing experience.

3) This could be the end of the X-Men Cinematic Universe as we know it. Believe it or not, this film franchise that 20th Century Fox launched is almost twenty years old! Never mind the fact that 20th Century Fox was acquired at last by the Walt Disney Company. I have this strong feeling that the filmmakers did their best to make X-Men: Dark Phoenix a solid film on its own and, possibly, worthy of being the final film of the current cinematic universe. If you love the X-Men cast of Sophie Turner, Jennifer Lawrence, Nicholas Hoult, Michael Fassbender and James McAvoy, then you should watch them perform in this new movie because there is no guarantee that you will see them reprise their roles in future movies under the umbrella of the Walt Disney Company through Marvel Studios.

X-Men: Dark Phoenix is a few weeks away from opening in cinemas worldwide. Watch out for it as well as my review.

For your viewing enjoyment, here’s the movie poster.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com