A Look Back at X-Men 2099 #29

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

The X-Men of 2099 are struggling with their duty as a security force of Halo City while the Undead causes trouble nearby. Then Shakti’s father is wanted.

Here’s my retro comic book review of X-Men 2099 #29, published by Marvel Comics in 1996 with a story written by John Francis Moore and art by Ron Lim.

Cover
The cover.

Early story

The story begins with the resurrected-but-turned-evil Skullfire doing the Graverobber’s bidding by tampering with Halo City’s power supply. The Graverobber is confident he will gain control of the city. Their gang, the Undead, has Luna (a close friend of Skullfire’s with the X-Men) captured.

Suddenly, Meanstreak rescues Luna and brings her back to the X-Men who just arrived to face off with the Undead. Team leader Shakti tells the Graverobber that he has only one chance to relinquish his hold on Skullfire and leave the city. Meanstreak whispers to Krys his observation of Serpentina whom they witnessed died some time ago.

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The face-off between the X-Men and the Undead.

The Graverobber answers back to Shakti reminding her she renounced her father’s legacy and she should not protect him out of misguided family loyalty. Suddenly Meanstreak run towards the Graverobber offensively…

Quality

Another fun and engaging X-Men 2099 story made and also a worthy conclusion to the 4-part City of the Dead storyline (started with X-Men 2099 #26). No surprise that John Francis Moore and Ron Lim delivered the goods, complete with worthy payoffs to the build-up made not only with the storyline but also on the characters themselves. This issue connected nicely with what happened in X-Men 2099 #3 relating to Serpentina being with the Undead. Remember Tim/Skullfire’s past with his departed sweetheart Reiko? This comic book also touched into his inner self and it sure made me rethink if Skullfire really loves Luna even though there was no rivalry between her and Reiko.

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Shakti in action.

By the end of this comic book, I really felt how much the X-Men of the far future have changed not simply because of their new roles as the security force of Halo City, but also with how their members – Skullfire and Shakti specifically – dealt with their respective connections to the past.

Conclusion

This 29th issue of the X-Men 2099 series of the 1990s is worth reading for as long as you knew the characters well enough, even before the 26th issue. It’s nice that John Francis Moore decided to creatively connect with dots from the past just as he crafted a story showing the X-Men struggling with being authorities themselves. The addition of Morphine as a superior of their added a lot of tension and it sure made up for the absence of Xi’an.

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The battle between the mutants and the undead.

If you are seriously planning to buy an existing hard copy of X-Men 2099 #29, be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $4. The newsstand edition’s near-mint copy costs $8.

Overall, X-Men 2099 #29 is recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

 

A Look Back at X-Men 2099 #28

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

The more I read about the development of the X-Men of the far future that took place after X-Men 2099 #25, the more I found myself getting more intrigued and surprised with the stories penned by John Francis Moore.

Any way, let’s take a look back at X-Men 2099 #28, published in 1995 by Marvel Comics with a story written by John Francis Moore and drawn by Ron Lim.

Cover
Definitely not drawn by Ron Lim.

Early story

The story begins in Halo City where people flock to a club that is oddly operating considering the fact that the city was just attacked. A band called The Disinterred begins performing to the delight of the crowd. As it turned out, the band was actually the members of The Undead under disguise and suddenly Tim Fitzgerald/Skullfire (one of the key members of the X-Men) appeared with them and starts causing chaos. The Graverobber appears and tells all the people that no matter their wealth or position or power, they will all die. He tells them to follow him and join The Undead.

“Soon this city will be purged with blood. Those loyal to me need not fear. I offer them life beyond death. Those who will oppose me shall rot forever, food for maggots,” said the Graverobber. “The first test of your loyalty is simple. The butcher Zail Haddad hides within the city, thinking himself safer from my wrath. Bring him to me within twenty-four hours.”

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The X-Men with Morphine, their boss.

Meanwhile over the Tower, the X-Men meet with Morphine and discuss their new problem at hand. Even though the members are aware of Tim being allied with their enemies, Morphine expressed that the Graverobber will not turn Halo City into a city of undead or Necropolis. The team is aware that Shakti’s father Zail Haddad is in the city and has been targeted by the Graverobber.

Subsequently they meet with Zail Haddad who shares the details of his involvement with the Undead…

Quality

I really enjoyed the depth this comic book has. Its plot and its script both have a good level of intrigue plus additional details about the history of events that led to the current situation of not only the X-Men but also that of Zail Haddad (which in turn shows some new character development on the part of his brave daughter Shakti/Cerebra) as well as that Morphine (whose secret connections are revealed in this comic book). As the story went on, the plot got deeper which I really liked.

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The power of Skullfire!

Not to be outdone is the story of Skullfire who finds himself on the wicked side of the spectrum being undead and working with the Undead. Anyone who followed Skullfire’s entry into the X-Men and his development with them should see how the character turned out in this comic book.

If you are looking for spectacle and superhero action, there is less of them here. Even so, Ron Lim still managed to make John Francis Moore’s script look interesting and exciting.

Conclusion

X-Men 2099 #28 is a good superhero comic book to read. It continues to show the redevelopment of the X-Men following the events in the 25th issue. By this time, I’ve gotten used to seeing the futuristic mutants working as authority personnel complete with having meetings and brainstorming on how to deal with the problems of Halo City.

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The future of music?

If you are seriously planning to buy an existing hard copy of X-Men 2099 #28, be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $4 while the near-mint copy of the newsstand edition costs $8.

Overall, X-Men 2099 #28 is recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

A Look Back at X-Men 2099 #3

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

When X-Men 2099 #1 was released in 1993, it was an instant hit with comic book collectors and became one of the top-selling comic books in America during its month of release. That was no surprise not simply because the comic book speculator boom was still in effect back then, but also because the X-Men 2099 monthly series was launched at a time when Marvel Comics spent a lot of money promoting the 30th anniversary celebration of the X-Men franchise and, on the other hand, agreed to expand the Marvel 2099 universe apart from Spider-Man 2099, Ravage 2099, Doom 2099 and Punisher 2099.

And there I was eager to witness how the 2099 universe got expanded through the futuristic X-Men whose adventures took place far away from New York. After reading the first two issues, I was hooked already on X-Men 2099. And then X-Men 2099 #3 appeared at the shelves of the local comic book store with a rather intriguing cover.

Cover
The intriguing cover complete with a coloring error (Tim’s red hair ended up black). 

I admit that after seeing that cover, I became more eager to find out if anyone from the futuristic mutants would actually die. By that time, the story that started with issue #1 turned out to be a 3-part story with the objective of establishing X-Men 2099 to readers.

Anyway, let’s start with the retro comic book review of X-Men 2099 #3 published in 1993 by Marvel Comics with a story by John Francis Moore and illustrations by Ron Lim.

Early story

Picking up shortly after the events of issue #2, the comic book begins with Xi’an’s cocooned body being transported back to headquarters by Junkpile (who turned traitor on the X-Men) while captured X-Men team members Meanstreak and Metalhead were placed into liquid-filled chambers. Team member Krystalin managed to elude capture while her teammates Serpentina, Cerebra, Skullfire and Bloodhawk are temporarily free.

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The free X-Men members try to infiltrate the place to rescue their teammates.

Lytton, who took over the family corporation since the death of his father Noah Synge, is running a brutal operation. His sister Desdemona does not fully trust him. Bloodhawk flies and breaks into a building in Las Vegas causing trouble for the Synge security personnel.

On the side of the chaos, Shakti/Cerebra, Tim/Skullfire and Tina/Serpentina quiet grab uniforms of Synge security personnel to infiltrate the place to rescue Meanstreak, Metalhead and their cocooned leader Xi’an…..

Quality

When it comes to storytelling, the creators delivered a satisfying ending to the 3-story arc complete with actually killing one of the X-Men 2099 members. John Francis Moore was successful in creating a 3-part story that ultimately gave me clear views of the respective personalities of each X-Men member (examples: Tim is the newcomer who is slowly finding his purpose, Shakti is the strong lady with leadership values who supports the leadership of the reformed Xi’an, Bloodhawk is a hard-headed rebel, etc.) while also succeeded in telling a cohesive story that placed the mutants in conflict with the Synge corporate family.

The twist regarding the murder of Noah Synge (the patriarch) was decently pulled off and the executed death of an X-Men 2099 member actually raised the stakes for the team. By the end of issue #3, the purpose of the futuristic X-Men became clear and was different enough from the mainstream X-Men. Unlike Charles Xavier’s mutants, Xi’an’s X-Men have to reclaim their heritage in a totally different America where corporations ruled the cities and outlaws ruled the wasteland and wilderness of the American southwest region. The X-Men of 2099 are nomadic and they don’t have the facilities nor a safe place to live in which Charles Xavier’s X-Men had.

5
Desdemona, Junkpile and the cocooned Xi’an.

When it comes to art, I noticed that Ron Lim exerted more effort not only with visualizing John Francis Moore’s script but added noticeable visual details on key moments in the comic book. Seeing Tim/Skullfire so enraged followed by a violent impact of action was unforgettable when compared to other highly charged, emotional scenes Lim drew in his other works. Lim also delivered good stuff with the action scenes and further visualized the look of Las Vegas of 2099. His design of Desdemona, however, really looks uninspired and generic.

Conclusion

On its own, X-Men 2099 #3 is a good and fun comic book to read complete with a good amount of characterization. To really know the X-Men on a personal level, you really have to buy issues #1 and #2. On the creative side of things, I like the fact that John Francis Moore kept references to Charles Xavier’s X-Men to a bare minimum which nicely kept a strong focus on the X-Men of 2099 and the world they live in.

For the comic collectors reading this, if you are seriously considering acquiring a hard copy of X-Men 2099 #3, be aware that according to Mile High Comics, a near-mint copy of the regular edition costs $4 while the near-mint copy of the newsstand edition is priced at $8.

Overall, X-Men 2099 #3 is recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

A Look Back at X-Men 2099 #26

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

As already mentioned in my retro review of X-Men 2099 #25, a new creative direction was taken for the futuristic mutants of Marvel (who got back together after being apart for long) and the monthly series itself while still maintaining connection with the rule of Doom 2099 (already driven by Warren Ellis as the writer) as the US President. That story ended with noticeable changes on the characters, especially on Xi’an who ended up nothing like the strong and driven X-Men leader he was in X-Men 2099 #1. As such Tim Fitzgerald/Skullfire, who went through a lot of emotional struggles and confusion, finally learned to be strong to become the mutants’ new leader.

In this review, we will take a look at the aftermath of the events that happened in the above-mentioned anniversary celebration issue. Series lead creators John Francis Moore and Ron Lim took another shot heading towards the new direction in X-Men 2099 #26 published by Marvel Comics in 1995.

Cover
The cover by Ron Lim.

Early story

The comic book opens with Doom 2099’s Minister for Humanity Morphine Somers waking up and learns from his digital assistant that disaster happened in the White House (refer to Doom 2099 #33).

The story then shifts to Halo City which is the walled mecca which continues to attract some hundreds of thousands of misfits, mutants and refugees who seek sanctuary from the mega corporations which have dominated societies in most cities around the United States. In the middle of the traffic jam going into the city, a man decides to get out of the taxi and head on by foot.

The man is identified as Gunnar Tristan, an entertainment journalist. As the city authorities examines Gunnar, a man wearing a shirt looking like the American flag fires a shot at one of the security personnel.

“Down on your knees and pledge allegiance! The time’s come to sweep out all the genetic trash that’s polluting this great country. I got a thermonuclear bomb that’s gonna wash this mongrel city of the taint of foreigners and freaks,” said the armed man.

Just as Gunnar is about to fire, Henri Huang/Meanstreak of X-Men 2099 intervenes to prevent anymore danger from happening. Meanstreak is with teammate Krystalin and seen on their clothes are V-like symbols. They are now officially working for the city authorities as the mutant protectorate….

Quality

Clearly following up on the ending of X-Men 2099 #25, this story delivered strongly on showing the futuristic X-Men as Halo City authority members which is a drastic change from their past as outlaws and misadventure participants.

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The X-Men as members working for the authorities.

A strong element in this comic book is character development and it shows the former X-Men leader Xi’ian feeling guilty and has gotten obsessed with healing sick people as a way to atone for his sins. At this point of time, Xi’an went from a bag guy into a reformed man (X-Men leader) into a bad guy again before ending up weak and confused. This puts him yet again into conflict with his long-time trustee Shakti/Cerebra (who by this time can be seen as a suitable team leader with a very strong moral direction). Skullfire meanwhile is feeling uneasy with his team working for an administration and it can be seen that the time he spent in the wilderness took its toll on him.

When it comes to art, Ron Lim pushed his creativity hard this time by establishing the overall look of Halo City and how it is transforming into a hot bed for people who don’t want to live in a place monitored always by mega corporations. On characters, I should say that Lim’s designs for the new villain group The Undead is not very captivating although one of them really looked horrifying. On action scenes, Lim continued to deliver the goods.

Conclusion

I should say that I like this comic book a lot. It’s got more character development scenes and story build-up with noticeably lesser spectacle (which is not a problem at all). Being the 26th issue of the X-Men 2099 monthly series, characterization really had to be prioritized by the creative team to emphasize the bold, new direction taken. Just to see the X-Men become authority members even though they are not really qualified is just intriguing!

What makes this particular old comic book special in a rather bizarre and accidental manner is the raging debate about how America of today should handle its immigration problems especially with hot topics like securing the borders, building the wall along the south border with Mexico, and deporting as many illegal immigrants (even those who have families in America, established business and paid taxes) as possible. Back in the year this old comic book was published, immigration was not such a hot topic and there were even more Democrats (including then US President Bill Clinton) who favored stricter moves to curb illegal immigration.

The presence of the armed man who despises foreigners and mutants is now more socially relevant to see. It’s so symbolic, you should look at the page below.

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I wonder if anyone from the Democratic Party or the Political Left in America who support open borders had seen this page.

If you are seriously collecting comic books, be aware that as of this writing, MileHighComics.com shows that a near-mint copy of X-Men 2099 #26 regular edition is worth $4 while the near-mint copy of the newsstand edition is worth $8.

Overall, X-Men 2099 #26 is highly recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men 2099 #25

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Back in the 1990s, comic books with gimmick covers and higher cover prices were abundant and also were easy targets for collectors. In the case of Marvel Comics, the concept of the “anniversary issue” was important because it gave them a chance to sell comics at a higher price.

To put things in perspective, many times back then Marvel would produce comic books with slightly more pages and a gimmick cover in celebration of a so-called anniversary such as the comic book series reaching its 25th or 50th or 75th or 100th issue and so on. Other anniversary celebrations include a character specific anniversary such as Spider-Man’s 30th anniversary celebrated with the comic book Amazing Spider-Man #365 which had a lot of pages and a hologram cover.

Of course, such anniversary celebrations were implemented on the Marvel 2099 line of comic books. Check out my review of Spider-Man 2099 #25.

Right here we will take a look at the first-ever anniversary celebration issue of the X-Men of the far future with X-Men 2099 #25 written by John Francis Moore and drawn by Ron Lim. This comic book was released in 1995 and Marvel already published multiple series of other franchises of their 2099 line. Prior to X-Men 2099 #25, the team saw its members separated from each other and went through lots of misadventures and unfortunate events before finally getting back together.

Cover
The full cover drawn by Ron Lim.

Early story

X-Men 2099 #25 begins with a research of Xi’an and his band of mutants being presented by the Minister of Humanity (Morphine Somers) to the President in their airship flying above California.

“I see in this current generation of X-Men an untapped potential,” said the President. “Now, tell me you have finally relocated them.”

The story then shifts to the slaughterhouse of the Theater of Pain wherein a restrained Shakti/Cerebra is standing helpless next to Brimstone Love and a masked Xi’an who are about to execute a sinister plan. Shakti speaks out against them and tells Brimstone that they are parasites preying on the pain and vulnerability of innocent people. Brimstone insists that the weak and helpless provide sport for the rich and powerful, and that his group was founded for the select powerful few who crave for and pay a lot for performances. Xi’an, who had a sinister past before getting reformed to revive the X-Men (before reverting back to evil due to Zhao’s invasion of his mind), only emphasized the theater’s importance.

Defiant, Shakti tries to reach deep into Xi’an and turn him around.

Elsewhere, the former Theater of Pain member Luna (who by this time got close with Tim/Skullfire) is chained and is confronted by her sisters in the theater. Skullfire meanwhile is in the waste disposal center where he meets someone who betrayed their team. They both thought about setting aside their differences to do something before time runs out…

Quality

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X-Men 2099’s Krystalin, Meanstreak and Bloodhawk get into the action.

In terms of visuals, I can say that Ron Lim’s art is pretty good and, most likely in tandem with the writer, took careful steps to control the pace enough to keep readers entertained without ever making things look disorienting. When there is action, the pace moves fast and the impact of the action done is always visible. As seen throughout the X-Men 2099 series, the look of the southwestern region of America is always striking and I like the fact that the wilderness setting comes with lesser presence of futuristic technology (compare this to what was seen in 2099’s New York) which gives this comic book a more laid-back concept.

When it comes to the storytelling, character development is nicely emphasized in this comic book. If you read enough of the early comic books (let’s say the first ten issues) and paid close attention to the futuristic X-Men, you will be able to relate with their struggles which add a lot of depth to the usual good-versus-evil storytelling here. Without spoiling the story, I should say that this comic book concluded with a believable new direction emphasized which in turn made me want to look to the next issue. It’s that strong of an ending!

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It sure is intriguing to see Shakti, one of the most prominent X-Men 2099 members, really suffer along with others.

I also liked the way this comic book emphasized the connections between the Theater of Pain with the Chosen (another group of villains) and most notably with Zhao (a previous leader of the X-Men before Xi’an’s time).

As for in-universe crossing-over, this comic book nicely ties up with Doom 2099 which, at the time of publishing, was under the creative direction of Warren Ellis who is now one of the best comic book writers.

If there is anything I have an issue with, it’s the cover art. It has a few characters who appeared on the cover, most notably Desdemona, and yet were absent in this comic book’s story. They ended up looking like cover art filler. Not a problem but distracting and meaningless.

Conclusion

Let me make it clear here…I really like this comic book. It definitely has the best and most engaging story of the X-Men of 2099 ever and that’s because this particular monthly series had an extensive build-up on all the characters since issue #1 and issue #25 executed a great payoff.

In retrospect, the X-Men drastically changed since the start of issue #4 and this includes members who went far away or decided to exclude themselves. X-Men 2099 #25 tied up most the loose threads not only by having the team members back together but also emphasized how much they developed over the past few years (in real life, that is). This is also the kind of comic book that will make you want to revisit the very start of its series and rediscover the characters.

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Luna in chains.

If you are seriously collecting comic books, be aware that based on the listings of MileHighComics.com as of this writing, as a near-mint copy of the comic book’s regular edition is $4 while a near-mint-copy of the deluxe edition (with gimmick cover) is at $6. X-Men 2099 #25’s newsstand edition is worth $8 for a near-mint copy.

Overall, X-Men 2099 #25 is highly recommended. The creators outdid themselves and made the best story of titled characters. Truly, this comic book is where the mutants of 2099 really got defined in their respectful place within the Marvel Comics universe of the 1990s.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

 

 

 

 

A Look Back at X-Men Adventures #13

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

It’s funny how adaptations of adaptations turn out in real life. Long before the first live-action X-Men movie was released, an animated TV series (popularly referred to as X-Men: The Animated Series or X-Men TAS) was produced and arguably brought together the fans of both the X-Men comic books along with the animated X-Men followers.

Along the way, Marvel Comics went on to publish a monthly comic book series called X-Men Adventures which themselves were adaptations of the animated series (which itself adapted stories and concepts from the comic books).

The adaptation-of-an-adaptation approach went deep further when the animated series adapted loosely the story of the classic X-Men comic book storyline Days of Future Past (by legends Chris Claremont and John Byrne) which resulted a story told in two episodes on TV. And then there was also a comic book adaptation that followed starting with X-Men Adventures #13 which is the subject of this retro comic book review.

1
The cover.

Early story

Written by Ralph Macchio and drawn by Larry Wildman, the comic book begins in the dark future of 2055 in New York. The city is in ruins and mutants on the loose are being hunted by Sentinels. A very old Wolverine appears to help two loose mutants but ends up getting stunned with them by Bishop who turns out to be helping the automated authority of the Sentinels.

As he turns over the captured mutants, the Sentinels betray Bishop telling him that they no longer required him. Afterwards, Bishop and Wolverine (who woke up) each carry a person under the watch of a Sentinel. Suddenly, the two other mutants use their powers to attack the Sentinel and Wolverine followed to back up their efforts. The Sentinel however grabbed Wolverine.

Quality

3
A very old Wolverine in the dark future of 2055.

With the exception of some liberties, this comic book closely followed what was told in the first of the 2-episode Days of Future past animated adaptation. As a comic book story, the story was heavily loaded with details and exposition designed to orient readers about the setting and why the future became a time of darkness in relation to the rise of machines having ultimate power over people.

While the time travel concept of the literary classic involved the mind of Kitty Pryde going into the past, this comic book used the more common concept of having Bishop travel back through time physically which easily reminds me of Kyle Reese arriving from the future in 1984’s The Terminator.

The build-up leading to Bishop’s move to travel back through time was nicely done by the creative team. There was a lot of exposition followed by an incoming attack complete with explosions happening just as Bishop is about to leave. In short, the pay-off was worth it.

The engagement did not end there. In fact, it continued nicely as Bishop meets the X-Men in 1993 with the details of his mission carefully unveiled. Professor Charles Xavier’s reaction to future history (Sentinels taking control of the world) was dramatic and worth re-reading.

As with his other works in the X-Men Adventures comic book series, Larry Wildman’s art is very good to look at and he knows how to make each scene look engaging whether it’s just an exchange of dialogue between characters or an action scene loaded with a lot of impact.

Conclusion

While it is only half of a 2-issue adaptation of a 2-episode animated adaptation of the Days of Future Past literary classic, X-Men Adventures #13 is still a fun-filled reading experience complete with a lot of engaging moments.

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The money shot by Larry Wildman!

If you are a serious collector of comic books, be aware that, as of this writing, a near-mint copy of X-Men Adventures #13 costs $6 while its newsstand edition copy is worth $21 in near-mint condition according to Mile High Comics.

Overall, X-Men Adventures #13 is highly recommended. Both dedicated X-Men fans as well as newcomers will have something a lot to enjoy with it.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Carlo Carrasco’s Movie Review: X-Men: Dark Phoenix

I’ll get straight to the point here. X-Men: Dark Phoenix (or Dark Phoenix in North America) is a better superhero film than I expected (and at the same time I never expected a faithful adaptation of the classic comic book storyline the Dark Phoenix Saga by Chris Claremont and John Byrne) and Simon Kinberg‘s feature film directorial debut turned out to be a surprisingly solid effort. I really enjoyed this.

FB_IMG_1557407601427.jpg

X-Men: Dark Phoenix is the 2nd attempt by 20th Century Fox to adapt the Dark Phoenix saga for the big screen and I can say it is a brave effort. While it never attempted to fully and faithfully adapt all the elements of the classic storyline (note: that would require hundreds of millions of dollars more budget, more production time and at least two whole films to produce), the new movie is absolutely a better adaptation than X-Men: The Last Stand (which is an even worse movie by today’s standards).

As far as the current X-Men Cinematic Universe (starting with 2011’s X-Men: First Class), Dark Phoenix is very character-driven even though it has a huge cast. There was tremendous pressure behind the scenes on the part of Sophie Turner to portray Jean Grey struggling with her added powers and the good news is that she delivered very nicely! This new movie is clearly focused on Jean Grey whose emotions, struggles and acts of power are magnificently pulled off by Turner each time the screenplay requires her to act.

Turner is clearly more comfortable with playing as Jean Grey and it seems she paid close attention to the Dark Phoenix comics. Unlike Famke Jansen’s Jean Grey/Dark Phoenix in X-Men: The Last Stand, Turner cinematic act is more believable, more emotional and even more terrifying. There were moments to feel sorry for Jean Grey as her life turns upside-down plus there were times that she would be better off going far away into the deep void of the galaxy so that nobody else would get harmed by her. If you pay very close attention to Turner’s act, you will feel varied emotions along the way.

Turner is not the only standout. Nicholas Hoult, James McAvoy and Tye Sheridan each played their respective roles (Beast, Charles Xavier and Cyclops) with more heart, more drama and more intensity. Through Hoult and McAvoy, you will relate more with them as the film makes gentle connections back to X-Men: First Class (why the time was formed, who was supposed to remain or go away, etc.). The conflict between Beast and Xavier that happened later (combined with the revelations from the past) dramatically blurs away the boundary that separates good and evil. As for Tye Sheridan, I see a lot more of the literary Cyclops in him this time and thanks to the script, he exceeds James Marsden’s Cyclops by a hundred a miles. Sheridan and Turner also have better on-screen chemistry as Cyclops and Jean Grey.

James McAvoy’s Xavier deserves everyone’s attention. He not only looks and feels like his comic book counterpart, he also clearly displayed how much the character has matured. McAvoy also successfully captured the on-screen aura of authority Patrick Stewart had in the first X-Men movies.

Michael Fassbender’s Magneto appears rather late into the film but that does not make him any less significant. As before, Fassbender is intense with playing his character and, more importantly, he contributed nicely into the story. Jennifer Lawrence portrayal of Mystique is the shortest one yet but before leaving the film, she delivered some nice lines (with some reconnecting to X-Men: First Class) and acted nicely. Fans of Nightcrawler and Storm will be happy to know that their roles become more significant in the late stage of the film. Lastly, Jessica Chastain‘s addition as Vuk was a nice addition. While others put her down as one-dimensional, which is true, it does not detract from the film at all. Even with lacking variety of character, Vuk still makes a strong villainess and she really acts alien. Vuk would stop at nothing to achieve her goals.

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This is one of many great looking visual effects of the Cerebro scenes.

When it comes to storytelling, this movie did not try to make an in-depth adaptation of all the elements of the Dark Phoenix Saga of comics. Instead, the filmmakers adapted a few elements of the literary classic (and even a few selected elements from X-Men: The Last Stand), focused on the present day X-Men (story is set in 1992), looked back occasionally at X-Men: First Class and made the most with what they have.

The result is a cinematic story about the X-Men now publicly recognized as legitimate mutants (and youths) with Charles Xavier having fully established a direct link with the President of the United States. After the rescue mission in space involving the solar flare, a race of shape-shifting aliens arrive on Earth with a secret agenda of their own. As mentioned earlier, Simon Kinberg surprised me with his directing. The storytelling, even with the slowest moments played, never felt dragging to me at all. The pace, in my experience, was between medium to fast. As this movie was written by Kinberg, Dark Phoenix is clearly his vision for the X-Men Cinematic Universe and he stamped his mark on it despite the fact that reshoots and story revising had to be done. If you are looking for humor, you really won’t find much as the story’s tone is intensely dramatic.

You want fun? X-Men: Dark Phoenix delivered solidly! This movie has more than enough spectacular content (action scenes, stunts, visual effects, etc.) that any moviegoer can enjoy! Very clearly the filmmakers consciously worked hard to deliver entertaining stuff to bounce back from the heavy drama. There was a lot of physical damage caused by Phoenix in her conflict with her teammates which is a solid start of her causing trouble to others. Cyclops, Storm, Nightcrawler, Xavier, Beast and Magneto used their respective abilities VERY EXTENSIVELY combined with high-octane stunt coordination which results several minutes of on-screen fun leading into the finale! The spectacle of X-Men: Dark Phoenix, which was extensively done with a blistering pace, easily exceeds what was showcased in First Class, Apocalypse and even that of Days of Future Past!

As for those blink-and-you-will-miss-it visual moments, there were times that images shown on the big screen reminded me of Jim Lee’s X-Men. I won’t point out where they are or when they will come out but anyone who extensively read the X-Men comic books drawn by Jim Lee (who co-founded Image Comics and now works as DC Comics’ co-Publisher) will spot the technical fan service.

Last but not least is the music provided by the great Hans Zimmer and this film marks his return to the superhero movie genre. While the music he and his team provided here is nowhere as energetic nor as intense as that of Batman v. Superman: Dawn of Justice, the music is still steps above that of X-Men: Apocalypse, X-Men: The Last Stand and even the popular X2: X-Men United. The highlight of Zimmer’s music is the tune played during the moments when Jean Grey’s tremendous power as Dark Phoenix was realized in that day-time encounter with the X-Men. That particular music really emphasized the danger she poses to others.

There were some issues about the movie that might be problematic or annoying to moviegoers, particularly superhero movie fans. For one thing, Simon Kinberg re-used certain elements from X-Men: The Last Stand for this new movie and that includes Jean Grey having a childhood problem and Charles Xavier getting involved to solve it only to be blamed for it many years later. There were even a few lines from the 2006 movie repeated.

Also questionable was the lack of an explanation regarding Jean Grey’s Phoenix Power in this film and the one we saw in X-Men: Apocalypse. If what she unleashed in the final battle with Apocalypse was not the Phoenix force, then that’s a major blunder by the creators in relation to this movie. Perhaps an extended cut of X-Men: Dark Phoenix will solve that.

Lastly there was the use of shaky camera photography during some moments with the action sequences. While they were temporary, they prevented the film’s strong spectacle from achieving perfection.

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Overall, X-Men: Dark Phoenix is a thrilling, heavily dramatic and very solid superhero movie worthy of being the conclusion of the X-Men Cinematic Universe that 20th Century Fox first launched in 2000. From this point on, there is no guarantee we will see McAvoy and the gang return as the cinematic X-Men now that 20th Century Fox is fully controlled by the Walt Disney Company through Marvel Studios. X-Men: Dark Phoenix is not perfect but it strongly resonates with me as I am a long-time X-Men comic book reader. While others out there would bash this movie for not having the common elements of Marvel Cinematic Universe films, X-Men: DP has its own flavor and the filmmakers utilized what they had established in the X-Men Cinematic Universe since 2011. The reported reshoots may have prevented Kinberg and team from fully realizing their original vision of the Dark Phoenix story but still they succeeded in making a better Dark Phoenix adaptation captured on film.

If Marvel Studios would launch the X-Men through the Marvel Cinematic Universe and attempt a new and more ambitious Dark Phoenix adaptation of their own, it will take much longer and will cost them more time and money to do so. That’s something we may not see in the next decade. All the more reason to enjoy X-Men: Dark Phoenix now.

X-Men: Dark Phoenix is highly recommended.


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For more X-Men insight, check out my retro comic book review of X-Men #1 of 1991, my retro movie review of 2000’s X-Men, my retro review of X2: X-Men United and my review of Logan.