A Look Back at Freex #12 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, Ultraverse fans, superhero enthusiasts, comic book collectors, enthusiasts of 1990s pop culture and all other geeks! Today, we revisit the Ultraverse for more 1990s comic book nostalgia through another tale of Freex, the team of super-powered social outcasts!

Last time around, Plug’s origin story was told just as Freex had a very notable encounter with Contrary and her super-powered students (with ex-teammate Ray on their side) at the headquarters of the Academy for The New Elite. After going through some hard struggles, Freex left losing Ray but gained a scaley new member who left Contrary’s school.

To find out what happens next, here is a look back at Freex #12, published in 1994 by Malibu Comics with a story written by Gerard Jones and drawn by Scott Kolins.

The cover.

Early story

The story begins in the middle of an ongoing misadventure (note: started with Giant Size Freex #1) with the Freex, Prime, and Old Man together beneath the Earth. To the shock of Freex, there are statues of them. The Old Man claims that more than a thousand years prior, he saw people with powers very much like those of Freex. Legend has it that they came from underground and got chased back by some scared fools. What Valerie and her teammates realize is that the cavern they are in is a place of retreat for super-powered freaks that existed before them.

Suddenly, an oversized deformed creature walks through them and grabs Valerie. Prime tries to help by punching the creature but this only made his body deteriorate into green liquid matter. Freex’s newest teammate jumps to strike the creature’s head which helps Valerie get free.

After noticing a hole on the ground, Lewis calls his teammates to escape. He forms his body into a makeshift slide to pave the way for escaping…

Quality

Angela takes action!

To begin with, I should state that this comic book really had a very wild and ambitious concept for its plot. Something really big with adventuring in mind which, in my opinion, was meant to be made to make the 12th issue anniversary of the Freex series stand out. The good news here is that the script if well-written and continues to deliver the good stuff that dedicated Freex readers and superhero enthusiasts will enjoy.

As this is the continuation of the story that started in Giant Size Freex #1, the team of misfits went on to travel and work together with Old Man and Prime (whose spotlight is lessened in this comic book) in a wild misadventure that brought them deep underground which reveals the existence of creatures and remnants of creation that the whole world has not seen. What was conceptualized here significantly expanded Earth’s realm within the Ultraverse and quite intriguingly, there are connections between the new places and Wetware.

When it comes to character development, new team member Cayman’s fitting in was portrayed nicely and his interactions with the other members were pretty interesting. What stood out most, however, are the interactions between Kevin Green (Prime) and Angela (Sweet-face) which I encourage you to read as it will open up a new dimension within his personality (and his being a teenager).

Conclusion

How would you react if you discovered all of that deep underground?

Freex #12 (1994) has a fine mix of grand misadventure, discovery, as well as memorable interactions between Freex and Prime. This is definitely not a throw-away story of Freex, nor is it generic when compared to other superhero comic book tales. This comic book also expands the Ultraverse in a really solid way just as it also moved smoothly on redefining the Freex themselves.

If you are seriously planning to buy an existing hard copy of Freex #12 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $16.

Overall, Freex #12 (1994) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Prototype #18 (1995)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero fans, comic book collectors, fans of 1990s culture and fans of Malibu Comics! After going through reviewing seventeen issues of the Prototype monthly series that started with the 1993 launch of the Ultraverse, the end of the said series is here.

Before doing the retro review of the 18th and final issue of Prototype, I should state that the armored hero is indeed one of the most significant Ultraverse heroes of them all. Other than having a standalone monthly series (which includes issue #0) plus a giant size one-shot comic book, Prototype also was part of UltraForce and his presence and overall contribution in that short-lived series were undeniably good. Prototype is also memorable for his conflicts with Prime (read my review of Prime #4). As a series, Prototype also sheds light on the concept about how society would react to an actual functioning, flying armored hero who was also marketed for commercial purposes.

You must be wondering…is the 18th issue a conclusive story of the monthly series? What were the effects of Marvel’s acquisition of Malibu Comics on the creative team? We can all find out in this look back at Prototype #18, published in 1995 by Malibu Comics with a story written by R.A. Jones and drawn by Paul Abrams.

The cover.

Early story

The story begins in a certain department store in Manhattan where a special anniversary celebration is being held and Prototype (piloted by Jimmy Ruiz) is the special guest. The affair turns out to be an assignment for him from his employer. Suddenly an armored figure (human-like above the belt, mechanical below the belt) breaks into the store causing a major disturbance. He calls himself Battlewagon.

Battlewagon suddenly opens fire and hits many items around, causing people to panic. Prototype decides to take action and their conflict causes even more damage.

As Battlewagon speaks out against him, Prototype notices the use of a word which was a reference to the gang that he (Jimmy Ruiz) used to hang out with. Prototype also realizes that his new foe is after him in a rather personal way…

Quality

Does this scene remind you of today’s manipulative and irresponsible news media coverage?

To put it straight to the point, this comic book is not as conclusive as what Prototype fans would hope for. Sure the words “The end.” were written on the last page but, without fully spoiling the story of the comic book, sub-plots that started building up in the few previous issues were left unresolved. You hoped to see Jimmy reunited with Angella in this issue? You hoped to what happened to the deformed Stanley Leland? You will be disappointed.

More on the comic book itself, the conflict between Prototype and Battlewagon is actually written to be intense in terms of dialogue and interaction between the two. While that is a good thing, it does not hide the fact that Battlewagon, as a villain, felt more like an afterthought in terms of character introduction and the flashback relating to collateral damage in Prototype #7 does not really add much to the him. What I liked most in the script written by R.A. Jones was the look back at the past of Jimmy Ruiz when he was younger and was a thug on the streets.

Conclusion

Chaos inside the department store.

While it is not strong enough to be a worthy conclusion to its series, Prototype #18 (1995) managed to tell its own tale in a satisfying manner by adding another villain for the hero to fight with, and also expanding Jimmy Ruiz’s past as a gang member. Of course, I don’t have the details about what happened behind the scenes at Malibu Comics as a result of getting acquired by Marvel Comics, and how all that impacted the creators working on Prototype. I can only speculate that there were planned stories of Prototype that did not get published. In fact, there was a short announcement of Prototype: Turf War #1 shown.

If this comic book is any indication, its story really felt more like a substitution as it had no references to the plot elements of the immediate few issues before it. Considering what happened at the end of issue #17, Jimmy Ruiz really acted out of character in this story.   

If you are seriously planning to buy an existing hard copy of Prototype #18 (1995), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $35.

Overall, Prototype #18 (1995) is satisfactory. As a series’ final issue, however, it is a disappointment.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Freex #11 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, Ultraverse fans, superhero enthusiasts, comic book collectors and all other geeks! Today, we revisit the Ultraverse for more 1990s comic book fun through another tale of Freex, the team of misfits who have no place to stay.

Last time around, the narrative of Freex suddenly got much stronger X-Men vibes as it was revealed that Freex member Ray/Boom Boy was brought in by Contrary (best known in UltraForce comics) to her team of students (each with different powers and abilities) called the Academy for the New Elite. The rest of the Freex eventually found their way to the secret base of Contrary’s academy.

With those details laid down, we can continue with this look back at Freex #11, published in 1994 by Malibu Comics with a story by Gerard Jones and drawn by Ben Herrera.

The cover.

Early story

The story begins inside the secret facility of the Academy for New Elite. There the surviving members of Freex (Valerie/Pressure, Lewis/Anything, Angela/Sweetface and Michael/Plug) are restrained. Plug can’t do anything except speak gibberish physically as his mind is still connected with the Internet.

Contrary arrives with her students and she tells Freex that she herself works miracles in the minds of troubled young people with powers. She welcomes them to her academy. Valerie, who has often been a rebel, reacts by telling Contrary that she won’t brainwash her like her little “puppets”. In response, Contrary emphasized that her students joined her voluntarily.

Just moments after Lewis made an issue about their teammate Boom Boy getting abducted and asking what Contrary did to turn him against them, Boom Boy suddenly appears and rebukes him.

“She didn’t do nothing…except promise to teach me. Teach me everything my parents took away from me,” Boom Boy said. “I don’t want to be dumb anymore, Lewis.”

The Freex members are stunned…

Quality

Plug’s origin story is interesting but not engaging enough when compared with the main plot.

While the storytelling in the previous issue was a nice mix of surprise and intrigue, this comic book has an even more intriguing tale which really tested the bond that held Freex members together. A notable theme in the story is loyalty which was emphasized in the form of interactions between characters, as well as the student-mentor bond between the Academy’s students and their leader Contrary. It should also be stated that perceptions about becoming loyal to the leader and the struggle to win trust are nicely dramatized in this comic book.

More on the plot, I really enjoyed the confrontation between Contrary’s team and Freex as they symbolize the conflict between being nurtured (educated as students) and being free (freedom that comes with being social outcasts). There are some really nice twists that you should discover for yourselves. Oh yes, the superhero spectacle here are fun to read.

Conclusion

Freex are the youth who are free as social outcasts while Contrary leads a team of youth who are trained and nurtured.

Freex #11 (1994) is another solid entry in the monthly series. It has a more symbolic story and the dramatics have been ramped up. The story itself is pretty cohesive and combined with all the emotions and twists, it all makes sense. It even has key elements that will remind you about today’s developments and movements like the dreaded Cancel Culture, the sinister Democratic Socialists and the wicked Black Lives Matter movement. That being said, the side story emphasizing the origin of Plug just could not match the engagement of the main plot. Regardless, this comic book marks a notable turning point for the Freex as a whole.

If you are seriously planning to buy an existing hard copy of Freex #11 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $14.

Overall, Freex #11 (1994) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Freex #10 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of the Ultraverse! Today we will revisit the Ultraverse following the team of misfits called Freex. In my past Freex review, we saw the first appearance of Contrary who went on to become one of the more intriguing members of the superhero team UltraForce. As seen in the UltraForce monthly series, Contrary proved to be very intelligent, very resourceful and has what it takes to manipulate the behaviors and direction of even the likes of Hardcase (the team leader), Prototype and Prime.  

Of course, before the events of UltraForce happened, many of Contrary’s traits and operations were first explored in the Freex monthly series. To learn more about her, here is a look back at Freex #10, published in 1994 by Malibu Comics with a story written by Gerard Jones and drawn by Ben Herrera.

The cover.

Early story

The story begins inside a secret facility. Ray/Boom Boy of Freex has just been abducted and is restrained in the presence of Contrary who is just seating near him looking sexy and comfortable. Knowing that Boom Boy has no chance to escape and fight back, she releases him and mentions that she has other students who will fight for her.

Slowly, Contrary leads him into another place of the facility telling him that he’s not locked up (like a prisoner) but rather he is home (implying there is a place for him at the facility). She introduces him to her Academy for the New Elite with her students engaging in a training session against drones and obstacles. Her students are Feline, Waver, Flygirl and Cayman.

Meanwhile, members of the Freex are still homeless and are trying to figure out how to find Boom Boy… 

Quality

The Freex, without Boom Boy, struggling.

I want to start with the writing. This issue was clearly less about Freex and more of Boom Boy (note: his personal origin emphasized) and Contrary and her academy of people with powers and special abilities. Creatively, this story has strong X-Men vibes in it which I personally enjoyed. I do confirm that the writing is strong on storytelling, characterization and dialogue.

While the previous issue introduced her briefly, Contrary is heavily emphasized in this issue. Apart from being resourceful and highly intelligent, she is also erotic with her appearance (so much of her skin exposed always) and at the same time she is well portrayed as a mentor to her students complete with traits of motherly care to them. In comparison with what I’ve seen in X-Men comic books, Contrary is like a combination of Charles Xavier and Emma Frost with some traces of Moira MacTaggert. I should also state that Contrary has a keen perception on finding outstanding or special individuals that she can help develop in more ways than one.

Going back to Boom Boy, this comic book really redefined him not only as a questionable member of Freex but also as an Ultraverse character in general. By reading this story, you will not only relate with Boom Boy but also experience the challenge he is having on whether to decide to be with his old pals or join Contrary’s academy (which itself is inspired by Xavier’s School of Gifted Children in X-Men comics) to really leave his past behind and move forward personally.

While this comic book is heavy with characterization and exposition, there is still a good amount of superhero to enjoy here. The good news is that artist Ben Herrera showed a lot of creative stuff with the spectacle.   

Conclusion

This scene has very strong X-Men vibes.

Freex #10 (1994) is a great Ultraverse comic book! I really found this particular issue to be very engaging from start to finish. As a story about the Freex themselves, this one saw their story as desperate nomads move forward a lot. Still the standouts of the story are Boom Boy and Contrary. If you have not read any issues of UltraForce yet, I highly recommend reading this so you can get to know Contrary better as she is one of the core UF members.

If you are seriously planning to buy an existing hard copy of Freex #10 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $11.

Overall, Freex #10 (1994) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Prime #17 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of the Ultraverse! By now, many of you should be familiar with Prime who was one of the main heroes of the Ultraverse as published in the 1990s by Malibu Comics. Many times in comics, Prime fought with lots of thugs, some very notable enemies (check out Prime #5), got involved with other notable ultras as part of a team (check out UltraForce #0 and #1), got involved awkwardly with ladies like Mantra and the mother of Kelly, and more.

Surely, Prime (who is a teenage boy named Kevin under all the muscle) went through a lot. Now how about seeing the overly muscular ultra hero take on a monster about as large as Godzilla? We can all find out in this look back at Prime #17, published by Malibu Comics in 1994 with a story written by Len Strazewski and Gerard Jones, and drawn by John Statema.

The cover.

Early story

The story begins somewhere on the bottom of the ocean. King Atalon raises an entire island to the surface of the sea claiming it will be new court of his and his people. Doing so, he releases a gigantic monster to the surface and immediately it encounters a ship. The monster grabs two men from the ship and eats them.

In the city of New York, Kevin Green and his mother have a meal together in a first-rate deli. His mother expresses her thoughts about how hard it was for him to move away from California at a short notice, leaving behind his school and his friends. She stressed that something had to be done in response to what happened to their family.

She recalled that Kevin’s father acted so strangely and left them. That being said, she did not want to make the situation worse by smothering him. Kevin thought to himself how could he tell her mother the truth that he and Prime are one and the same, and he went through different versions of his alter-ego each with a different attitude.

As Kevin and his mother traveled via the subway of the city, the giant monster in the Atlantic Ocean continues to create havoc moving towards New York…

Quality

A possible Godzilla reference spotted.

From a storytelling point of view, this comic book felt like the start of a new chapter in the life of Kevin/Prime. The sudden relocation to New York sparked Kevin to look back at the events he went through in the past year which, in my opinion, helped serve as an exposition dump to help readers – especially new ones – catch up with all the details on Prime. It was also interested to learn that Kevin’s mother is from New York and her action on having themselves relocate all the way from the West Coast was convincingly done. I also like the drama that unfolded when the mother brought Kevin to a spot to view the Statue of Liberty from a distance only to be shocked and hurt over the fact that the statue’s head is missing. Through really nice dialogue, you can feel the mother’s pain.

The highlight of this comic book is the uncanny match-up between Prime and the Godzilla-sized monster. While the battle between them was not too long, showing Prime struggle with fighting the monster while thinking a lot about strategizing, searching for weaknesses and even expressing concern for his mother all added a good layer of depth to bother the hero and the encounter.

Visually, I like the work done here by John Statema. His art on the monster was clearly Godzilla-inspired but he gave it a unique look of its own, especially with the way he drew its scaled which Prime found to be very tough. I also enjoyed Statema’s take on the events that happened in Prime’s life as seen in the exposition dump early in the comic book.

Conclusion

The big exposition dump.

Prime #17 (1994) is a fun read and definitely has the look and feel of a new turning point in the life of a superhero. It has excellent dialogue, a pretty nice build-up leading to the big battle between Prime and the monster, and most notably there is a good amount of dramatizing through Kevin’s mother.

If you are seriously planning to buy an existing hard copy of Prime #17 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $8.

Overall, Prime #17 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Prime #16 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of the Ultraverse! We revisit the Ultraverse yet again, only this time it will be through another issue from the Prime monthly series.

In Prime #15, an issue illustrated by the great George Perez, the overly muscular hero entered a certain Hollywood house which was believed to be the headquarters of a drug trafficking operation. What Prime found inside were not only junkies but also zombies and terrifying illusions that tested him mentally and emotionally.

So what happened next? We can find out in this look back at Prime #16, published in 1994 by Malibu Comics with a story written by Len Strazewski and Gerard Jones, and illustrated by Joel Thomas.

The cover.

Early story

The story begins with Prime struggling with questions from the media. Journalists ask him about his involvement with teenage boys, the truth about his youth crusade, and if he was recruiting boys for gangs. Prime, who is really teenager Kevin Greene inside, bluntly states he cares about teenagers and will do justice for them.

Questions about a certain backpack he (as Kevin) dropped and the young boy’s clothing that he carried bothered him deeply, making him remember he dropped a backpack filled with clothes at the office of Baker. Realizing he screwed up, he gets violent with the reporters who ask him hard questions.

Suddenly police helicopters arrive telling Prime he is under arrest….

Quality

The debut of Turbo Charge.

Set shortly after the events of UltraForce #2, the story here is pretty powerful on its own as the stakes were raised by Strazewski and Jones to develop Prime even further than before. Many times, we have seen how being Prime made life more complicated and harder for Kevin Green. In this comic book, the complications have gotten even bigger and deeper as the media has turned hostile towards Prime affecting not only Kevin but also his romantic interest Kelly and her mother. As if that was not enough, there are many fanatics of Prime called “Prime Gangs” who are so obsessed with their muscular idol, they serious believe they can do anything to honor him…even though it means harassing other people. Also notable here was the way Kevin (as Prime) tries to save his fragile friendship with Kelly. There is also the appearance of Turbo Charge here. Clearly, the writing here is really great.

I cannot say the same for the art done by Joel Thomas. His art style is too cartoony and he drew people’s bodies and faces lacking precision. Many times I had trouble recognizing Kevin, Kelly, her mother and other supporting characters. Visually, this is a letdown.

Conclusion

Powerful talk between Prime and Kelly ruined somewhat by the weak art.

Back by very strong writing, Prime #16 (1994) is absolutely engaging to read and it truly served as a crucial turning point in telling the continuing story of Prime. In many ways, the dramatic events here serve as the climax of all the dramatic build-up seen in the previous Prime issues. This comic book’s portrayal of the overly hostile and unrelenting media will easily remind any reader about today’s news media in which unprofessional journalism, secret agendas, political bias, conspiracy between media and political groups, malice and political activism among so-called journalists are now the norm.  

The dramatic turn of events here are so powerful, Turbo Charge’s presence really got overshadowed a lot. Visually, this comic book has some of the weakest looking Prime art I’ve seen.

If you are seriously planning to buy an existing hard copy of Prime #16 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $8.

Overall, Prime #16 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Mantra #15 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of the Ultraverse! As you might have seen in my most recent retro reviews of Mantra comic books, I’ve been following the Archimage Quest which really brought the title character (Lukasz occupying the body of Eden Blake whose soul he displaced) to a several places and situations. She got to be with The Strangers temporarily (The Strangers #13 and Mantra #12) in pursuing the wicked Boneyard, went into the fantasy realm where men and women are divided, and more.

While issue #14 marked the end of the said quest, there is still more to come in the next Mantra issue I recently reviewed. In fact it is the aftermath of the Archimage Quest and we can all find out more in Mantra #15, published in 1994 by Malibu Comics with a story written by Mike W. Barr and drawn by Mark Heike.

The cover.

Early story

The story begins with Mantra surprised by Boneyard while being bothered mentally by Eden who warns that they may end up both getting killed. Appearing in a misty form, Boneyard enjoys the fact that Mantra killed her superior Archimage (whom she thought was Boneyard). As the wicked man fades away, he tells her, “I shall return to take my revenge on our wedding night…”

Right then, Boneyard’s troops arrive led by Notch who at this point of time is very determined to defeat Mantra. Mantra makes short work of the troops until Notch is the one left standing. In response to Notch’s arrogance that he will be brought back to life by Boneyard as before, Mantra tells him that his leader abandoned him and notices him getting fearful suddenly. Mantra kills him successfully.

Mantra and Eden communicate with each other. The armed sorceress tells her that the war will never end until Boneyard is killed and she becomes a man again. As far as Eden is concerned the war is pointless…

Quality

Mantra (Lukasz inside) interacts with Eden Blake.

As before, Mike W. Barr continues to deliver very solid writing. To break it down, the aftermath of the Archimage Quest was done with nice care filled with lots of relevant details to read not to mention the lively portrayal of Mantra making an impact on the people in the fantasy realm especially in the absence of Topaz who, at this point in the story, was on her way to the contemporary world where she was destined to join UltraForce.

The 2nd half of the story is set in the contemporary world. While Mantra spent days in the fantasy realm, a certain Eden Blake returned to the lives of Evie, Gus, Jr. and former husband Gus. The Blake family, combined with Prime getting involved with Mantra in the contemporary world, were also nicely dramatized.

For the most part, Mark Heike’s art is good although his take on Prime looks awkward.

Conclusion

Mantra takes on Notch and other troops of Boneyard.

Mantra #15 (1994) is a fun comic book to read and it is more layered this time mainly due to the settings and the character developments that happened in between. The Archimage Quest, in my opinion, ended satisfactorily and this aftermath added more punch to it.

If you are seriously planning to buy an existing hard copy of Mantra #15 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $8.

Mantra #15 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Mantra #14 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Hey comic book fans. Are you looking for more science fantasy stories and concepts within the Ultraverse? There is more in the Archimage Quest storyline told within the Mantra monthly series spearheaded by Mike W. Barr.

To put things in perspective, as recalled in issue #1, Lukasz got killed the last time he was in a male body shortly after the evil Boneyard defeated Archimage (Lukasz’s superior) which led to him getting reincarnated into the body of Eden Blake (displacing her soul). Lukasz-occupied Eden later acquired from Katinya a relic which helped her gain a mystical armor. Before dying, Katinya revealed that it was Archimage’s plan all along to have Lukasz placed in a woman’s body because his long-term use of weapons in fighting Boneyard did not work.

Since then, Lukasz has been struggling not only to stay alive, to keep on beating Boneyard’s forces and other forms of opposition, but also to live life as a woman with the family of Eden. After some time, Mantra temporarily joins The Strangers in confronting Boneyard (told in The Strangers #13 and Mantra #12). Afterwards, Mantra entered into a new dimension where two societies of separated men and women exist. The women are led by their queen Topaz. Together Topaz and Mantra led a group on a mission concerning Boneyard and Archimage.

With those details laid down, here is a look back at Mantra #14, published in 1994 by Malibu Comics with a story by Mike W. Barr and drawn by Mark Heike.

The cover.

Early story

The story begin with Mantra and Eden Blake together. Suddenly Mantra’s appearance changes into a man.

In the present, Mantra is leading the group of men and woman in the absence of Topaz. As they try to take Boneyard by surprise, they encounter a caravan of people called the Tradesmen. One of them recognizes her as Lukasz and they met in another place some time ago. Being trade-oriented and very focused on honor, they make a deal which provides Mantra’s group some much-needed assistance in their mission…

Quality

Mantra versus one of Boneyard’s wives.

At this stage of the Archimage Quest, Mike W. Barr really raised the stakes by adding more twists, more intrigue and more references to the past. All of that were achieved backed with very strong writing, resulting a story that was more engaging than the previous issue. Not to be outdone is the spotlight given on the family of Eden Blake on Earth during the absence of Lukasz/Mantra. When it comes to the art, Mark Heike did a good job drawing Mantra and other related characters all of which are recognizable.

Conclusion

A deal made with one of the Tradesmen.

Mantra #14 (1994) is a fun read. At this stage in the life of the protagonist, the stakes were not only raised higher but things also got more complex particularly with Mantra’s interactions with certain enemies she encountered as well as certain characters who support opposition against Boneyard. It should be noted that there are still some fresh new details about Archimage’s organized strategy about having Lukasz contained in the body of Eden Blake. There was a solid build-up for the tension and intrigue, and there was nice pay-off in the end.

If you are seriously planning to buy an existing hard copy of Mantra #14 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $8.

Overall, Mantra #14 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Prime #3 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of the Ultraverse! Join me on my journey to one of the early issues of the Prime monthly series. For the newcomers reading this, Prime is one of the major superheroes of the entire Ultraverse and went on to have an active part in the UV team called UltraForce.

Here we go with this look back at Prime #3, published in 1993 by Malibu Comics with a story written by Len Strazewski and Gerard Jones, and illustrated by the late Norm Breyfogle.

The cover.

Early story

The story begins with Prime struggling as he could not breathe. He remembered the first time, as Kevin, when he woke up inside his own dead body. Back then, Kevin was in his bedroom suffering as he changed into his overly muscular body as Prime while his parents were just outside of his bedroom trying to figure out how to help him. Kevin remembered that the Prime body did not last too long and he broke out of it. The first time he saw the fake flesh of Prime, he got scared. Since that time, Kevin kept everything a secret and has been struggling personally.

In the present, Prime finds himself strapped on a chair surrounded by scientists. He was just captured by them and their monster. One of the scientists asked Kevin how long does his ultra bodies last. The scientist is determined to find out more from Prime and educate him, teach him his nature, his destiny and function…

Quality

Prime restrained.

As expected, the story told by Strazewski and Jones is of very high quality and the engagement is very strong. What makes this one stand out over issues #1 and #2 is its element of powerful revelations (which establish not only Prime’s heritage but also the Ultraverse’s concept of military and scientific personnel tampering with nature). Reading through the well-explained in-universe history of mad science related to Prime’s origin was very gripping and thought-provoking. This also raises a question about Prime…is he a superhero or a monster?

As the tension and pressure rise, Prime is shown to act impulsively which itself is a convincing reflection of the teenager inside him. This is something that Strazewski and Jones captured perfectly!

As expected, Norm Breyfogle really brought the script to life with his compelling artwork.

Conclusion

The first time Kevin turned into Prime.

Prime #3 (1993) is a great comic book to read and a worthy addition to your collection.

If you are seriously planning to buy an existing hard copy of Prime #3 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $8 while the near-mint copy of the newsstand edition costs $26.

Overall, Prime #3 (1993) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Mantra #13 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of 1990s comics! This is another examination of the Ultraverse as told through the exploits of Mantra, the pretty armored lady whose body is occupied by the soul of the male warrior Lukasz.

Previously I reviewed Giant Size Mantra, which was a one-shot comic book that was part of the Archimage Quest storyline and it was indeed a well-made Mantra story that fit in nicely with the monthly series. That same comic book is notable for having the debut of Gwendor’s queen Topaz who went on to become a member of the memorable superhero team UltraForce.

With the details made clear, we can find out what happens next in the Archimage Quest in this look back at Mantra #13, published in 1994 by Malibu Comics with a story written by Mike W. Barr and drawn by Jason Armstrong.

The cover.

Early story

The story begins in an unknown realm. Mantra (wearing her usual mask and armor) and Eden Blake are walking together and talking. After exchanging some words about the displacement of souls, Eden clings to Mantra and apologizes from now realizing what a shock the situation is to Mantra on top of everything else that happened. Eden tells Mantra there is something she wants from her and addresses Lukasz by name.

Suddenly Mantra/Eden Blake/Lukasz wakes up to the call of a technician. She is still in Gwendor and being completely naked, she goes through the process of armoring which is done with highly advanced technology. With her new armor on, Mantra is approached by queen Topaz who brings to her a notable sword to use. They discuss some matters as they walk together.

Meanwhile back in the United States, Eden’s daughter Evie visits a shop and talks to the old lady behind the counter. The young girl asks her about magic…

Quality

In the realm Mantra is in, it’s difficult for men and women to work together.

This is one very unique story of Mantra. Carrying over the elements from Giant Size Mantra, you will get to see the protagonist still spending time in the women-filled Gwendor (note: opposite it is another city filled with men) and starts her alliance with queen Topaz who is a very hands-on type of leader, willing to take risks going into battle. As Mantra does not have her mask and armor, she learns to use the magic power within her to make things happen. This is kinda like seeing Marvel’s Tony Stark adjusting and taking action without his Iron Man suit of armor.

Events aside, this story shows a significant development of Lukasz/Mantra’s personality as she adjusts to the ways of the men and women in their realm. The science fantasy elements of the story gave this comic book a unique style of visual presentation nicely pulled off by the illustrator. When it comes to the Archimage Quest, both Mantra and Boneyard are respectively struggling with disadvantages which is a nice storytelling touch. I should state that in this particular story, the complexities between males and females in the new realm is explored.

Conclusion

Yet another new thing worn by Mantra.

Mantra #13 (1994) is another solid story to read. As it continues the quest for Archimage, it explores more of the science fantasy world Mantra finds herself in as well as the differences between the two local societies separated by gender.

If you are seriously planning to buy an existing hard copy of Mantra #13 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $8 while the near-mint copy of the variant edition costs $12.

Overall, Mantra #13 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Fans of the Ultraverse are encouraged to visit the Ultraverse Facebook group at https://www.facebook.com/groups/73184525691