A Look Back at The Solution #13 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

If you’ve got a problem that needs solving, you call The Solution. That’s how it is in the Ultraverse with regards to hiring some specialists (and wild at that) for help. For the newcomers reading this, The Solution is a heroes-for-hire group led by Lela Cho/Tech (note: read about her origin story) with three unique teammates.

In recent times, I’ve been reviewing Ultraverse comic books of The Night Man and Solitaire which formed the first two parts of the Hostile Takeover crossover storyline. From this point on we can see the 3rd chapter in this look back at The Solution #13, published by Malibu Comics in 1994 written by the late James Hudnall and drawn by Scott Benefiel.

The cover.

Early story

The story begins with a look back at the private communication between J.D. Hunt and Rex Mundi (as seen in The Night Man #12). After their talk, J.D. Hunt hires The Solution to find out what is going on at the headquarters of UltraTech in New York.

Later under the busy streets of Manhattan, the team make their way through the darkness with Aera using her magic to find the building. When asked by Troy why they took the mission considering J.D. Hunt’s reputation as a “sleaze on wheels”, Lela Cho states that she is certain that he only wants them to find information that could be used against UltraTech. She added that she does not believe Hunt.

As they talk, Night Man quietly listens to them staying still. Just after Aera found the way for the team to enter the basement of UltraTech’s building, Night Man follows them. Elsewhere, Gordon Bell becomes aware of the intrusion which Prototype (Jimmy Ruiz) and Ranger (Bob Campbell) witness. Bell tells Bob to go to the basement and tells Jimmy to go to the roof…

Quality

The Solution with Night Man and Ranger.

I will start with the visual presentation. This comic book has the unusual yet engaging approach of using pairs of pages to form these wide-angle images composed of a dominating view with panels of other images filling the remaining space. It can be jarring at first but once you get the hang of the story, these visuals will flow smoothly at a nice pace. It should be noted that artist Scott Benefiel is pretty good in visualizing Night Man, Prototype and other related Ultraverse characters. He also did a good job with images of action and superhero spectacle.

As far as storytelling goes, this 3rd chapter of the Hostile Takeover crossover storyline is the most interesting and the most enjoyable to read yet. While The Night Man #12 worked as a big build-up and Solitaire #10 worked as a mere side-story, there is a good payoff in this comic book and at the same time it moved the storyline forward to the next stage.

James Hudnall also kept the details tight and the way he wrote the interactions as the established Ultraverse characters got mixed up is simply great. I really enjoyed reading Lela Cho/Tech talking with Bob Campbell/Ranger about his getting screwed by the corporation, and Night Man’s interactions with The Solution’s members were nicely done.  

Conclusion

The stage is set for conflict.

The Solution #13 (1994) is very enjoyable and compelling! It is the complete package of solid storytelling, memorable character interactions and spectacle that also adds depth to the narrative of the Hostile Takeover storyline. Superhero stuff aside, the element of corporate intrigue remains present which also serves as a lively reminder about what this crossover storyline is about.

If you are seriously planning to buy an existing hard copy of The Solution #13 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $14.

Overall, The Solution #13 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Prime #18 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of the Ultraverse! In this return to the Ultraverse, we will examine another mid-1990s issue of Prime who became a resident of the City of New York as a result of Kevin Green and his mother relocating there.

Last time around, a huge monster (clearly inspired by Godzilla) arrived in New York and Kevin had no choice but to change into Prime to save people. While his heroic act saved lives and spared the city from further damage, Prime still was not spared from the growing speculation that he molested children in California (which by today’s standards is a ravaged state as a result of unrestrained influence of the Left as well as economic complications).

So what will happen next to Kevin/Prime the more time he spends in New York? We can find out more in this look back at Prime #18, published in 1994 by Malibu Comics with a story written by Len Strazewski and Gerard Jones, and drawn by Kirk Jarvinen and Keith Conroy.

The cover.

Early story

The story begins with Prime (standing behind a podium with a crowd in front of him) and the people getting surprised when Turbo Charge (note: his debut in issue #17 was overshadowed by the events of that comic book) suddenly arrived on stage holding civilian clothes and declaring he is Prime’s new partner.

Turbo Charge whispers to Prime that he arrived to help him by pretending that the clothes are his (note: the clothes actually belong to Kevin). He then speaks out to the audience stating distorted details. Just as members of the news media start asking Turbo Charge questions, Prime grabs him and flies away to leave the crowd behind.

As they got far enough, Prime tells the Turbo Charge he has no intention to accept him as a partner…

Quality

Prime’s private life as Kevin remains hard as ever.

As mentioned already, Turbo Charge’s debut in issue #17 was overshadowed by what happened in that comic book. That being said, the story here made up for it not only by investing more pages to emphasize Turbo Charge but also dramatize his personality which was done in a pretty satisfying fashion. Like Prime, Turbo Charge’s life has gotten complicated as a result of his ability of super speed and his personal desire to do good even though he is a teenager with so much to learn.

What I find delightfully surprising in this comic book is the presence of Manhattan Project, a powerful character whose dedication to protect New York’s people from ultras (which he wants to neutralize) leads him to a big fight with Prime which alone has to be seen. It is quite enjoyable.

As for Prime himself, there is a good amount of pages dedicated to his alter ego as Kevin still struggling to adjust to life in New York. It should be noted that key elements from issue #17’s story impacted her perception of Prime (a secret Kevin still keeps successfully). The characterization here for the protagonist is really good.

Conclusion

The fight between Prime and Manhattan Project is a must-see.

Prime #18 (1994) is a really good read. It has a fine balance of storytelling, characterization and spectacle from start to finish. I should also state that the New York setting is looking good as far as telling Prime’s story goes.

If you are seriously planning to buy an existing hard copy of Prime #18 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of this comic book costs $10.

Prime #18 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men #4 (1992)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and X-Men fans! Previously, I reviewed X-Men #3 (1991) which, at the time of its release, marked the end of the era of Chris Claremont who spearheaded the development and storytelling of the X-Men since the mid-1970s. Along the way, he clashed with X-Men books editor Bob Harras behind the scenes at the headquarters of Marvel Comics which was a factor to his departure. It is notable that Claremont returned to Marvel in 1997 as editorial director.

Going back to 1991, Marvel had Jim Lee as their top-notch talent to sell loads of X-Men comic books to buyers. Inevitably as Claremont departed, Marvel bet big on Lee and supported his move to set a new creative direction for the X-Men.

With those details laid down, here is a look back at X-Men #4, published in 1992 by Marvel Comics with a story by Jim Lee and John Byrne. Lee drew the comic book with Scott Williams as the inker.

The cover.

Early story

The story begins in a secret facility in the South Pacific. A sleeping figure wakes up and the men wearing protective suits near him carefully observe his moves. Suddenly, the men died horribly. The figure, with white-colored skin and long blond hair, says, “Who has brought me back from the dark domain of death? Who has summoned Omega Red?”

Behind a protective window, a man starts talking to Omega Red and he shows him a picture of Wolverine (in his civilian identity). Omega Red recognizes Logan…

Quality

Gambit and Rogue in the heat of action.

Being one of the first X-Men comic books published in the so-called post-Claremont era, this comic book has a solid story and a lively presentation of the X-Men’s Blue Team members. I figured that John Byrne delivered the solid dialogue given his previous experience of working on X-Men comics (as an illustrator) as well as being the writer and artist of the memorable The Man of Steel mini-series (with DC Comics, rebooting Superman in the post-Crisis era).

While the basketball scene had true-to-character portrayals of Wolverine, Gambit, Psylocke and Jubilee complete with stylish dialogue per character, there is consistency on the portrayal of Moira MacTaggert who is understandably struggling to recover given the events of X-Men #1 to #3. The same goes with Charles Xavier. The way the script was written with strong focus on the established characters, it’s almost as if Chris Claremont never left.

The biggest feature of this comic book is the debut of the deadly mutant Omega Red who is of Russian heritage and Russia’s own parallel to the United States’ own super soldier Captain America. In pop culture, Omega Red is one of the top villains in comic books ever and this comic book sets up his sudden rise to prominence. Symbolically, Omega Red is a co-creation of Jim Lee and John Byrne and it is pretty fitting for this comic book of the post-Claremont era to feature him.

Conclusion

You love basketball?

There is no doubt that even by today’s standards, X-Men #4 (1992) is a great read and a landmark issue in X-Men comic book history. Given its content, this one will always be remembered as the start of Omega Red who later on proved to be one of the deadliest villains Marvel’s mutants ever encountered. The villain went on to appear in the video games X-Men: Children of the Atom, Marvel Super Heroes vs. Street Fighter and Marvel vs. Capcom 2.

If you are seriously planning to buy an existing hard copy of X-Men #4 (1992), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $125 while the near-mint copy of the newsstand edition costs $375.

Overall, X-Men #4 (1992) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman #13 (1988)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of Wonder Woman! In case you missed the updates, the new movie Wonder Woman 1984 will eventually be released in 4K Blu-ray format although there is no release date announced yet nor a price. As the nearest cinemas remain closed, it looks like buying the movie in 4K Blu-ray is the best alternative for me and at the same time I am not a fan of streaming movies. Let me point out that what customers pay to stream Wonder Woman 1984 does NOT pay that movie’s producers, investors and creditors! You want to make a difference for the people behind Wonder Woman 1984? Buy movie tickets to watch it in the movie theaters (you will also help the theater operators and their employees) and for home viewing, buy the movie on Blu-ray and 4K Blu-ray in the near future.

Anyway, we are here to look back at the comic books of Wonder Woman as rebooted by the creative duo of George Perez and the late Len Wein. We are going to examine the Challenge of the Gods storyline (started in issue #10) which I personally find really intriguing and engaging to read. It is the struggle of Wonder Woman with a really strong fantasy and mythology flavor that made it stand out among superhero comic book stories in the late 1980s. Last time around, there were these great revelations about an untold chapter of the past of the Amazons as well as greater focus on Diana’s mother Queen Hippolyte who joined in the dangerous trek.

With those details laid down, here is a look back at Wonder Woman #13, published in 1988 by DC Comics with a story written George Perez and Len Wein. Perez drew the comic book with ink work done by Bruce D. Patterson. This is the 4th chapter of the Challenge of the Gods storyline!

The cover.

Early story

The story begins with the armored Queen Hippolyte staring at a huge, deformed man-like figure made of rock which she realizes is none other than Heracles, the same man who deceived and abused her long before the birth of Diana. She reflects on her personal hatred of him that lasted for centuries and remembers that her years in Themyscira taught her the folly of anger. She wonders what Heracles had committed to be condemned the way he is. Noticeably, anything that pierces the stony surface causes great pain and tears from Heracles.

Hippolyte moves on toe find a sleeping cyclops in a lair filled with skeletons. Behind him is a tunnel that she believes her daughter took. As she quietly sneaks, she looks back at Heracles and actually hears him mournfully moaning louder as if he was calling to her.

Among the skeletons in the cyclops’ lair is a horned human skull which Zeus and his fellow deities in Olympus believe belongs to Pan. They realize that the Pan who had spent a lot of time with them is an impostor and this causes division among them. Hera speaks out again Zeus pointing out his enormous pride and arrogance as sources of trouble. Hera believes that Gaea’s destiny will be fulfilled through the Amazons and she will not allow Zeus to abuse them.

Hera then sends Hermes to reach Wonder Woman who just joined the company of several superheroes in the California citadel of the Green Lantern Corps…

Quality

The tremendous impact of the challenge felt.

This is another high-quality creation by Perez-Wein and the stakes for not only Wonder Woman but also her mother has been raised even further. As if that was not enough, there are also some solid revelations (pertaining to the Amazons, their heritage and their destiny under the Olympus deities) and in-story surprises that made the story very engaging. As the challenge for Wonder Woman continued on, Queen Hippolyte’s involvement grew even bigger and this added and connected smoothly with her daughter’s struggles. In terms of characterization, the bond between Diana and her queen mother is dramatically deepened and their respective purpose in life got emphasized a lot more.

In terms of spectacle, this one is very loaded with action while still having a very strong fantasy element behind it all. Seeing Wonder Woman and her mother engage the minotaur and mythological creatures are sights to behold. George Perez expectedly visualized everything with high details and well-constructed panels that moved the action.

Conclusion

Wonder Woman and her mother in the heat of battle with the evil creatures.

No doubt about it! Wonder Woman #13 (1988) successfully kept the Challenge of the Gods storyline compelling and at the same time stay fresh by pulling off strong revelations that will make you think deeper about the Amazons, their heritage and their future. The portrayal of Wonder Woman here shows how pure she is as a purposeful protagonist who simply won’t give up in fulfilling the challenges, proving her true worth and making a major impact to all around her. Her role as a daughter is also very well defined.

If you are seriously planning to buy an existing hard copy of Wonder Woman #13 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $30 while the near-mint copy of the newsstand edition costs $60.

Overall, Wonder Woman #13 (1988) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Prime #3 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of the Ultraverse! Join me on my journey to one of the early issues of the Prime monthly series. For the newcomers reading this, Prime is one of the major superheroes of the entire Ultraverse and went on to have an active part in the UV team called UltraForce.

Here we go with this look back at Prime #3, published in 1993 by Malibu Comics with a story written by Len Strazewski and Gerard Jones, and illustrated by the late Norm Breyfogle.

The cover.

Early story

The story begins with Prime struggling as he could not breathe. He remembered the first time, as Kevin, when he woke up inside his own dead body. Back then, Kevin was in his bedroom suffering as he changed into his overly muscular body as Prime while his parents were just outside of his bedroom trying to figure out how to help him. Kevin remembered that the Prime body did not last too long and he broke out of it. The first time he saw the fake flesh of Prime, he got scared. Since that time, Kevin kept everything a secret and has been struggling personally.

In the present, Prime finds himself strapped on a chair surrounded by scientists. He was just captured by them and their monster. One of the scientists asked Kevin how long does his ultra bodies last. The scientist is determined to find out more from Prime and educate him, teach him his nature, his destiny and function…

Quality

Prime restrained.

As expected, the story told by Strazewski and Jones is of very high quality and the engagement is very strong. What makes this one stand out over issues #1 and #2 is its element of powerful revelations (which establish not only Prime’s heritage but also the Ultraverse’s concept of military and scientific personnel tampering with nature). Reading through the well-explained in-universe history of mad science related to Prime’s origin was very gripping and thought-provoking. This also raises a question about Prime…is he a superhero or a monster?

As the tension and pressure rise, Prime is shown to act impulsively which itself is a convincing reflection of the teenager inside him. This is something that Strazewski and Jones captured perfectly!

As expected, Norm Breyfogle really brought the script to life with his compelling artwork.

Conclusion

The first time Kevin turned into Prime.

Prime #3 (1993) is a great comic book to read and a worthy addition to your collection.

If you are seriously planning to buy an existing hard copy of Prime #3 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $8 while the near-mint copy of the newsstand edition costs $26.

Overall, Prime #3 (1993) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman Gallery (1996)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of Wonder Woman! I should say that this is the most unusual comic book I have reviewed so far due to its main presentation of varied artworks featuring the Queen of all Superheroes herself – Wonder Woman!

For the newcomers reading this, there were several comic books back in the 1990s that did not really tell stories but showcased artworks of varied superheroes done by several artists. Such publications were in the form of swimsuit specials, apparently inspired by Sports Illustrated’s own publications. There were WildStorm Swimsuit Special #1, Ballistic Studios Swimsuit Special #1, Homage Studios Swimsuit Special #1, Lady Death Swimsuit Special #1 and the Avengelyne/Glory: Swimsuit Special #1 to name some.

The 1990s saw a rise of eroticism in superhero comic books. Not even the Wonder Woman monthly series of that time was spared from the trend. There was a time when DC Comics hired Mike Deodato to illustrate a number of Wonder Woman comic books in the mid-1990s which resulted a more eroticized look of Diana/Wonder Woman and her fellow Amazons. John Byrne took over after Deodato and his stint was not an improvement.

While the 1990s was a weak decade of Wonder Woman comics for me personally, not all was doom and gloom. Around twenty years before Gal Gadot debuted on the big screen as the cinematic Wonder Woman, DC Comics published an art gallery of the Queen of Superheroes in the form of a comic book.

With the details established, here is a look back at Wonder Woman Gallery, published by DC Comics in 1996 featuring the works of multiple artists.

The cover.

What it is

Wonder Woman Gallery is a showcase of thirty-two artworks done by George Perez, Stuart Immonen, Mike Wieringo and Richard Case, Brent Anderson, Howard Porter and John Dell, Jim Balent (misspelled as Jim Balant), Amanda Conner, Chuck Wojtkiewicz and Will Blyberg, Howard Chaykin, Steve Lightle and 22 others.

As this is an art gallery, there is clearly no story to tell. It is all artwork showcasing the different talents of the artists (and the inkers who helped them) on presenting Wonder Woman (note: the only exception here is a solo image of the forgettable WW replacement Artemis).

This artistic contribution by Phil Jimenez looks great.
Jill Thompson’s inspired take on Wonder Woman.
Wonder Woman by Howard Porter and John Dell.
Wonder Woman by Ivan Reis and Barbara Kaalberg.

Quality

As this is an art showcase, the overall quality of the collected art here varies. Such a collection of different art styles will appeal to Wonder Woman fans depending on how they like their favorite superhero presented visually.

In my honest opinion, I always love the art style done by George Perez on Wonder Woman, her fellow Amazons, the supporting characters and more. His presentation here is flawless and timeless. What surprised me here in this collection is the contribution of Phil Jimenez whose quality and art style seem inspired by George Perez’s Wonder Woman legacy. As many of us know already, Jimenez later went on to become one of the top illustrators of DC Comics in the 2000s and his work here is nice to look.

There were a few artworks that showed Wonder Woman with a very cartoony look. Among them is the Wonder Woman piece done in the very distinct style of Sergio Aragones. Some art pieces here showed WW with a bizarre look and then there were a few others whose take on the Queen of Superheroes turned out good.

Conclusion

This work by George Perez is my favorite in this collection.

I can say that Wonder Woman Gallery (1996) is a published work that Wonder Woman fans will enjoy for as long as they are willing to accept images of their favorite superhero with styles ranging from realistic to cartoony, obscure and simple. Art styles aside, there is a lot here that fans will marvel at again and again, while art enthusiasts (who are not necessarily fans of the Queen of Superheroes) could find something eye-catching here.

If you are seriously planning to buy an existing hard copy of Wonder Woman Gallery (1996), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $40.

Overall, Wonder Woman Gallery (1996) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Darna project starring Jane de Leon now an upcoming TV series

It’s been quite a long time since there has been any official news released about the much-delayed Darna project that currently has Jane de Leon as its star. It is true that the current pandemic set much of the whole world back and that is very true with businesses, governments and entertainment to name a few. Making a production of television or movies is more challenging than before which probably explains why the Darna project with De Leon has been turned into a TV series.

That’s right! The Darna project that was conceived to be a movie that had Liza Soberano as its original star (before De Leon replaced her) will be remade for television audiences here in the Philippines. The new series should debut in 2021.

Jane de Leon is still the star of the Darna project which is now an upcoming TV series set for 2021. (photo a property of ABS-CBN)

In an article at ABS-CBN.com, the hard adjustment of the Darna project was announced on December 5, 2020 during the special contract signing event titled Star Magic Shines On. ABS-CBN’s chief operating officer of broadcast Cory Vidanes said that the Darna TV series has been approved and will indeed push through with its broadcasting sometime next year. It was also made clear that Jane de Leon is still the star in portraying the Philippine superhero icon.

Below are excerpts from the article:

“I’m overwhelmed by the happiness I feel. I am so excited for the next chapters of my life,” Jane said.

“It’s another dream come true. I have so much gratitude for our bosses because until now, they still entrust me with Darna’s stone,” she added.

Those were the details as of this writing. It remains to be seen who else will star in the Darna TV series and what characters as well as what villains will be featured. How many episodes will be made, what costume design of Darna for Jane de Leon will be used, and what the frequency of the series will be have yet to be revealed.

The way I look at it, the pandemic made ABS-CBN rethink its current strategy on selling entertainment. For many months now, most movie theaters here in the Philippines have been closed which makes a Darna movie not feasible.

This not the first time that stories of Darna will be broadcast to many households nationwide. ABS-CBN’s rival GMA Network produced a Darna series starring the famous Angel Locsin, and another series starring Marian Rivera. Both Darna TV series were released just a few years apart from each other. By the time ABS-CBN’s own series of the superhero icon finally starts broadcasting, it will be the first time in over a decade Filipinos saw new Darna stories on their TV sets.

In ending this article, I want to ask you my readers: What do you think of this latest move by ABS-CBN? Do you still want to see a Darna movie starring Jane de Leon? To answer, please comment below. Thank you and come back here for future updates about Darna.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at The Solution #7 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero geeks, comic book collectors and fans of the Ultraverse! Some time ago, I reviewed the sixth issue of The Solution and it turned out to be a pretty compelling and fun comic book to read. I was pleasantly surprised by its high quality and presentation, and by the end I found Lela Cho/Tech (the leader of The Solution) to be a very interesting character of the Ultraverse. Clearly the creative duo of James Hudnall (who also wrote Hardcase) and John Statema literally scored a home run with The Solution #6.

As The Solution #6 focused on the background story of Tech, its portrayal of the current-day events was laced with suspense, drama and intrigue that only teased what could happen in the next moment. What else could be told about Lela Cho’s past and what might happen next in the present day? We can find out in this look back at The Solution #7, published in 1994 by Malibu Comics with a story written by Hudnall and drawn by Statema.

The cover.

Early story

The story begins with Lela Cho accompanied by Troy Wilde standing in front of her father’s grave. The two don’t seem to know that they are being spied on from a distance. A group has set up snipers to take them down.

As the two begin to talk, Lela tells Troy details from her past. She recalls that after the sudden death of her father, she could not fully gain the inheritance from her father – the corporation – as its board of directors refused to accept her. As it turned out, a crime gang anticipated her every move and stole her company. To enhance herself, she paid specialists to install wetware implants into her body to make her the mistress of electronic devices.

She arrived in the city of New York already aware that she has been marked by her enemies, and she knew they would come for her. In New York, she meets with Peter Bazinni to seek help. Not only is he a man with many powerful connections, he was also her old flame. While Peter admitted he could not help her in her conflict with the international crime gang, she gives her a reference to another professional who is her best bet. His name was Troy Wilde…   

Quality

Discovering the secret locations.

James Hudnall delivered another pretty solid story. It’s got a nice mix of elements here and there. From time to time, I felt like I was reading a detective story, then a murder tale, then a hard action tale and then a hard-edged superhero tale. While this comic book continued on telling the origin of Lela Cho, it shifted focus on the background of Troy Wilde who would eventually join the team with the codename Dropkick. How Lela and Troy first interacted with each other was very carefully crafted with believable dialogue and well-defining personalities from each (as reflected in the way they talked with each other). Another member of The Solution appeared in here is as well.

What surprised me here was the revelation of a certain villainess. At first, she looked like a probably disposable villainess but proved to be more significant than meets the eye. If you get to read the succeeding issues of The Solution, you will realize what I just stated.

As with his past works, John Statema’s art here is pretty good. The good stuff he delivered in issue #6 continued to shine here.

Conclusion

Lela Cho’s ultra ability to hack systems and alter digital stuff would help her fit in nicely with this age of social media and streaming.

The Solution #7 (1994) is not only a worthy follow-up to its predecessor, it is one of the stronger origin-type comic books of the Ultraverse as a whole. While the previous issue was focused mainly on Lela Cho, this one shows Troy Wilde/Dropkick making his first involvement with her as well as the eventual formation of their team. At this stage, the story of how The Solution got formed really took shape here. I should state, however, that the level of engagement fell down a bit compared to the previous issue.

If you are seriously planning to buy an existing hard copy of The Solution #7 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $8.

Overall, The Solution #7 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Sludge #1 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero geeks, comic book collectors and fans of the Ultraverse! Before we revisit the Ultraverse, I should state that I am not a fan of monsters as comic book protagonists, especially when it comes to the superhero genre. In the world of pop culture, a lot of people get fascinated with monsters especially those that are dangerous to people. You got the likes of the Swamp Thing, Dracula, the monster of Frankenstein, the Werewolf, etc.

When it comes to the Ultraverse, they have a monster for a protagonist named Sludge. What I find really intriguing was that Sludge was introduced to readers not by making appearances in existing Ultraverse comic books but by actually being featured in full force in the launch of issue of his own series – Sludge #1.

With those details settled, we can find out if there is something special or unique about the Ultraverse monster in this look back at Sludge #1, published by Malibu Comics in 1993 with a story written by Steve Gerber (who previously worked on Marvel’s Man-Thing) and drawn by Aaron Lopresti.

The cover.

Early story

The story begins in a very low place of Manhattan where society’s substratum meets the crust of the earth. Sludge, a grotesque monster with a human perception and a body made out of slime, slowly walks towards a group of poor and homeless people.

Elsewhere somewhere in the city, a radio talk show host talks to his listeners about Frank Hoag, a detective sergeant who worked for twenty years for the New York Police Department or NYPD. It turns out, Hoag has been missing for the past few weeks and the last thing someone knew about him was that he responded to a call about a break-in at the headquarters of a pharmaceutical firm. The next morning at the said place, company employees spotted signs of violence including blood, bullet holes and shell casings. No sign of the detective.

As the radio talk show host engages his listeners by making an issue out of the disappearance of Hoag, police officers got offended while a gang of armed thugs paid close attention to what was said. As the said gang (riding their car) move down the street of homes, they opened fire at the people.

As the gang’s car moves on, the manhole ahead of them opens. Sludge comes out of it and finds himself right on the path of the moving car…

Quality

This is why you don’t mess with Sludge.

The writing is top-notch and this is no surprise not only because of Steve Gerber’s extensive writing experience but also because he knew how to write a story with a monster as a protagonist which was what he did with Marvel’s Man-Thing. Unlike that other monster, Sludge has intelligence and awareness, therefore he is a monster with humanity still existing within. Very cleverly, Gerber introduced Sludge and notable aspects of him in a very smooth and efficient manner. By the time I finished this reading this comic, I realized that I witnessed Sludge’s first appearance and origin story which were done very nicely. I should also state that Sludge here is not a mere monster but really a struggling character worth following.

For his part, Aaron Lopresti’s art is pretty good. His visualization of Sludge really stands out and he did not pull back his punches when it came to drawing the action and presenting the violence.

Conclusion

Considering his physical state, Sludge coming out of the manhole is justified.

I can say that I am very pleasantly surprised and entertained by what was presented in Sludge #1 (1993). It really is a great monster-protagonist story written by Steve Gerber and his work here really shines. By the time I reached the end of the story, I got eager to look forward to the next issue and find out what Sludge will do next. It is a very engaging read and one of the strongest debut issues of the Ultraverse.

If you are seriously planning to buy an existing hard copy of Sludge #1 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $8 while the near-mint copy of the ultra-limited edition costs $32.

Overall, Sludge #1 is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at What If #13 (1990)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, comic book collectors and X-Men fans. I’m about to review an issue of Marvel Comics’ What If monthly series which was published 1990 and was related to the X-Men as the central figure of the comic book is Charles Xavier (AKA Professor X).

To put things in perspective, Charles Xavier is forever known as the founder and leader of the X-Men. Within the Marvel Comics universe, he is one of the most powerful telepaths as well as a genius in science and genetics. He is a paraplegic who can do quite a lot and make an impact on the delicate relationship between his fellow mutants and the humans. In the movies, Xavier was portrayed by Patrick Stewart (first performance as Xavier in X-Men) and James McAvoy (first performance as Xavier in X-Men: First Class). Given his legacy of helping mutants gain rights through peaceful means, Charles Xavier has been compared with Martin Luther King, Jr. Going back to the comics, Xavier has a step brother named Cain Marko who became the X-Men villain Juggernaut.

With the background lesson done, we can now take a look back at What If #13, published by Marvel Comics in 1990 with a story written by Kurt Busiek and drawn by Vince Mielcarek.

The cover drawn by Jim Lee.

Early story

The story begins in New York in the so-called near future. Graffiti artists attempt to run away from a team of mutants riding a floating vehicle. As Thunderbird is about to hit one of the humans, Cyclops stops him. Suddenly the mutants receive a telepathic message from their big boss who turns out to be Charles Xavier the Juggernaut.

Xavier is leading the effort against a group of humans who have been conspiring against them. Xavier declares, “They must be stopped—for the good of mutantkind!”

The X-Men in this particular story are fascist storm troopers policing a wretched, helpless humanity…

Quality

Xavier-Juggernaut with the X-Men and the invading Fantastic Four.

I can start by say that this comic book written by Kurt Busiek has one of the most compelling what-if scenarios that reflect not only its concept (of Charles Xavier becoming Juggernaut) but also the Marvel Comics universe as we know it. As dedicated X-Men fans know, Cain Marko was the one who touched the ruby in the cave which made him the mainstream Juggernaut. In here, the scenario was altered to make Charles Xavier become Juggernaut and the radical changes did not end there. Without spoiling the great stuff, I can say that this is one great exploration of an alternate version of events that affect not only the X-Men and their villains but also the many other superheroes of the Marvel universe as Xavier-Juggernaut went all-out with his dedication to mutantkind. I can say that in this story, symbolically speaking, Xavier easily outclasses the extreme Magneto on prioritizing mutants over humans.

Comic book concept aside, Kurt Busiek’s writing here is really excellent. Not only did he capture the traits of Xavier as he turned him into the alternate Juggernaut, Busiek also emphasized the many twisted events in the Marvel shared universe with sufficient details. The details implemented made the scenarios really believable. His script for this comic book was brought to life by Vince Mielcarek who did a good job making the characters recognizable (note: there were a lot of superheroes and villains here), showcasing the wide scope of changes made on people and places (in relation to Xavier-Juggernaut’s actions) and there was good pacing with the visuals.

Conclusion

Charles Xavier as you’ve never seen him before.

What If #13 (1990) is great to read and it is a must-have with its story alone. Apart from showing the concept’s deep impact on the Marvel Comics universe, I also enjoyed the way Kurt Busiek blurred the boundaries that separated good and evil. If you are an X-Men and you want to see something different with the mutants – especially Professor X – then you you will find a lot to enjoy here. This is a great alternate superhero story and definitely more people should be aware of this.

If you are seriously planning to buy an existing hard copy of What If #13 (1990), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $30 while the near-mint copy of the newsstand edition costs $60.

Overall, What If #13 (1990) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com