Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the year 1994 to examine a small part of the Marvel Comics shared universe through a tale of the Spectacular Spider-Man monthly series.
Following the tragedy told in Amazing Spider-Man #388, Spider-Man got broken emotionally and he started lusting for revenge against the Chameleon in Spider-Man #45 which marked the beginning of the Pursuit storyline. Along the way, the webslinger became more intense, more violent and his marriage with Mary Jane got strained even more.
With those details laid down, here is a look back at Spectacular Spider-Man #211, published in 1994 by Marvel Comics with a story written by Mike Lackey and drawn by Sal Buscema. This is the 2nd chapter of the Pursuit storyline.
The cover.
Early story
The story begins with Spider-Man overwhelming an entire gang of dangerous men on the rooftop of a building. Even though they were armed dangerous, the obsessed webslinger successfully hurt each of them until they fell down on the floor. He beat them all as he obsessively searched for answers about the Chameleon. One of them told Spider-Man they don’t know where the Chameleon is but they heard that he offered a million Dollars to hit him (Spidey). Realizing that he just had another dead end for his search, the webslinger traps them all with his web and then swings away to another destination.
Meanwhile at one of the units of a residential tower in New York, the Chameleon cannot help but smash a lot of things as he struggles with his anger and hatred with Spider-Man. He knows that it is a matter of time before the webslinger finds him…
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Spider-Man gets attacked by Tracer.
In this 2nd chapter of the Pursuit storyline, things really intensified as the plot unraveled. As Spider-Man does his search for the Chameleon and answers, the said super villain executed his strategies that involve deception and deep resources that go beyond money. As such, the webslinger became the target of Tracer who has a powered suit of armor and high-tech weaponry.
As anticipated, Spider-Man remains driven by revenge in his quest for the Chameleon and because of his broken emotional state, he has gotten more violent with his physical action. He also turned sarcastic in key moments which is a lively reminder that this Spider-Man is no longer the friendly neighborhood hero he used to be. The famous webslinger is not completely unhinged here as his concern for bystanders showed he still has some humanity left within him.
When it comes to the Chameleon, this comic book portrays him to be very cunning and resourceful. His deception towards others might draw emotions from you and might make you wish he will suffer a lot once Spider-Man finds him.
Conclusion
A sad look at the poor emotional state of Peter Parker and the sadness over his marriage with Mary Jane.
As the 2nd part of the Pursuit storyline, Spectacular Spider-Man #211 (1994) delivers a portrayal of a deeply hurt Spider-Man whose lust for revenge keeps him going no matter what obstacles he faces. As readers, we witness his intense search for the dreaded villain Chameleon as well as his emotional deterioration. That said, this comic book has a somewhat depressing tone as Spider-Man’s life gets worse and his wife Mary Jane is suffering too. Ultimately, this comic book convinced me to continue with the storyline.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the year 1985 to examine a small part of the Marvel Comics shared universe through a tale of the Peter Parker, The Spectacular Spider-Man monthly series.
I found issue #107 – the first issue of the Sin-Eater storyline – a pretty engaging tale focused on the murder of Jean DeWolff. The sudden demise of DeWolff really impacted the city of New York and its tale involved not only Spider-Man but also Daredevil. The tale is really a murder mystery that is very grounded with reality.
With those details laid down, here is a look back at Peter Parker, The Spectacular Spider-Man #108, published in 1985 by Marvel Comics with a story written by the late Peter David and the late Rich Buckler.
The cover.
Early story
The story begins with Judge Rosenthal lying dead on the floor in his office. Moments earlier, the judge was killed by the Sin-Eater who used a shotgun and in the same room was Matt Murdock (Daredevil). Some people entered the office and the local authorities were called. Murdock slowly makes his way out to discreetly go after the Sin-Eater.
In another part of the city, Peter Parker, Aunt May and the elderly friend named Ernie walk together coming from the courthouse. Ernie could not believe that Judge Rosenthal let go of the punks who mugged him.
As they walked further, people around them begin to panic and move around fast. Peter gets separated from his aunt and Ernie, and eventually he realizes that the Sin-Eater is several feet away armed with a shotgun. The Sin-Eater is speaking to the people even though he is causing a huge disturbance.
Moments later, Peter changed into Spider-Man and proceeds to confront the Sin-Eater in front of many witnesses…
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Spider-Man investigating the apartment of Jean DeWolff.
Following the events of issue #107, this comic book shows more of the Sin-Eater and the story emphasizes why he is very dangerous to everyone. The Sin-Eater is not a superbeing himself, and yet he is capable of killing people and causing chaos in public without the need of having multiple weapons and ammunition. That said, he is tremendous villain that Spider-Man has difficulty handling.
The physical encounter between Spider-Man and the Sin-Eater here is unsurprisingly ground in reality. The comic book action visualized by Rich Buckler has this raw action aesthetic and each time a physical blow was executed, impact is really felt. Don’t expect dynamic action here but a more realism and believability.
What makes the fight between the two unique is that it happened in front of a lot of people on New York City’s street. As the fight went on, Spider-Man struggles not only with fighting the Sin-Eater (a truly violent opponent) but also dealing with the risk of bystanders getting hurt and realizing what happened to his beloved Aunt May.
As expected, the detective story elements in this tale are very strong. Spider-Man, who is not a professional detective at all, gets to do detective work with a sheer determination to solve the mystery behind the death of Jean DeWolff. Along the way, I love how the David-Buckler duo invested a lot of details about the crime which are really worth paying attention to as you read.
Conclusion
The Sin-Eater and Spider-Man in a violent fight!
Peter Parker, The Spectacular Spider-Man #108 (1985) is a powerful follow-up in the Sin-Eater storyline. As it contains all the key elements that made issue #107 a very unique and engaging read, this comic book executed good pay-off to the build-up in the previous issue while consistently building-up the plot simultaneously which is typical of Peter David (read the Spider-Man 2099 comic books back-to-back). As of now, this Sin-Eater storyline is compelling and I am looking forward to what comes next.
Overall, Peter Parker, The Spectacular Spider-Man #108 (1985)is recommended.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the year 1985 to examine a small part of the Marvel Comics shared universe through a tale of the Peter Parker, The Spectacular Spider-Man monthly series.
As I was not a regular reader of Spectacular Spider-Man comics, I missed out on the Sin-Eater storyline. I first learned about the Sin-Eater while reading a key flashback in Amazing Spider-Man #300. That particular detail boggled me for some time, and it was only recently I decided to start reading the comic books about the Sin-Eater.
With those details laid down, here is a look back at Peter Parker, The Spectacular Spider-Man #107, published in 1985 by Marvel Comics with a story written by the late Peter David (Spider-Man 2099) and by the late Rich Buckler.
The cover.
Early story
The story begins with Jean DeWolff recalling several important details from her past as well as her family background. Her father was a police inspector who never forgave her mother for giving birth to her. She was only six months old when her parents split up. Sometime later, her mother married a patrolman named Carl Weatherby and Jean herself admired her stepfather.
As she grew into adulthood, Jean was very influenced by her patrolman stepfather and she went on to go into police academy and graduated. Jean went on to become a fast-rising policewoman.
In the present day, New York police officers barged into a private residence searching for captain DeWolff and the place had bad odor. A dead woman was found inside a bedroom….
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Spider-Man meets with Stan Carter on the road in the middle of New York City.
The first thing I will say about this comic book is that the writing done by Peter David is very grounded with reality and this resulted in a dark and gritty approach to storytelling. The heart of the story is the sudden murder of policewoman Jean DeWolff and its impact on the city of New York is strong and evident.
The story here is ultimately a detective story with a good amount of mystery, suspense and intrigue laced all over it. Along the way, Spider-Man here is barely the protagonist as the impact of Jean DeWolff’s murder has been dramatized through multiple characters in the city from J. Jonah Jameson to Matt Murdock (Daredevil).
This comic book also examines how the justice system in Marvel’s fictional portrayal of New York City works and it actually showed Peter Parker attending witnessing a court room arraignment to see how the bad guys he dealt with (as Spider-Man) were handled by the system. Again, this shows how grounded in reality the story is and the details should be seen. There is also a strong sense of local community dramatized.
The art by Rich Buckler is excellent and he really brought to life Peter David’s script with a heavy emphasis on realism. It seems to me that the illustrator took inspiration from TV shows and movies to achieve a unique visual style fitting for this particular tale.
Conclusion
This is a shocking and powerful way to start the story.
Peter Parker, The Spectacular Spider-Man #107 (1985) is indeed a very powerful tale that has to be seen if you want a gritty 1980s Spider-Man story. The David-Buckler creative duo delivered a very grounded story about murder in New York City that impacted its people which serves as a reminder that violent crime can cause waves of disturbance and disruption. That said, this first chapter of Sin-Eater storyline is pretty believable. As the creative team emphasized the murder’s impact on a wide scale, it is not surprising that Spider-Man’s share of the spotlight was sacrificed somewhat to achieve it. As of now, I am looking forward to the next chapter of the Sin-Eater storyline.
Overall, Peter Parker, The Spectacular Spider-Man #107 (1985)is recommended.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the mid-1990s to examine a small part of the Marvel Comics shared universe through a tale of the Amazing Spider-Man monthly series.
Issue #362 was a compelling read on its own. The creators had the difficult tasks of having Spider-Man and Venom in conflict once again, have the two stop fighting each other and then agree to join forces together to go up against Carnage who was simply too dangerous to be left free. Having read a lot of comic books showing Spider-Man and Venom in conflict with each other, to see them become partners was really alienating.
With those details laid down, here is a look back at Amazing Spider-Man #363, published in 1992 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.
The cover.
Early story
The story begins inside the office of Daily Bugle publisher J. Jonah Jameson and Carnage has him cornered. The symbiote-wearing murderer does not give a damn about Jameson’s importance in the city and he throws him across the room to hurt him a lot. Suddenly, editor-in-chief Robbie Robertson enters the office with an assistant and Carnage notices them.
Elsewhere in New York, Spider-Man and Venom (both previously encountered Carnage after arriving in the city) swing their way through the city towards the Daily Bugle. While traveling, Spider-Man finds it very odd that he has partnered with his mortal enemy to go after the sociopathic murderer Carnage who does not even have the twisted conscience of Venom.
As Spider-Man mentions the need to call the Avengers for assistance, Venom rejects it and reminds him of the freedom promised to him when the mission against Carnage is over. Privately, Spider-Man begins to regret the arrangement with his mortal enemy.
The two arrived at J. Jonah Jameson’s office only to discover they are too late. Robbie Robertson tells them that the monster – Carnage – took Jameson with him going somewhere south and it wanted a large group of people to witness something…
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Spider-Man with Venom during this part of the final conflict with Carnage.
To be clear, this comic book marks the end of the 3-part storyline that started with issue #361 (Carnage’s deadly debut). Similar to the previous issue, David Michelinie carefully set up scenes to build-up not only the tension for the inevitable final conflict with Carnage, but also to emphasize the moral and legal complications of Spider-Man’s team-up with Venom (who has been convicted by the justice system). That said, there was this very notable moment in which law enforcers wanted to apprehend Venom but Spider-Man intervened by taking responsibility on his behalf and pointed to Carnage as the greater danger to society.
Carnage in this comic book is really unhinged, obsessed with death and has no morals whatsoever. He has Jameson as his hostage and does not care about the lives of those who got in his way. In his insane mind, having a great audience for his bloody plan was a priority here and he shamelessly tries to connect with members of audience who share his cold-blooded ways. The insanity and unrelenting violence of Carnage are heavily emphasized here which only added to the tension of the final conflict.
The final conflict here is very action-packed and intense. Visually, this is one of the finest works of Mark Bagley in 1992 and he really delivered the spectacle big-time here. Not only that, Bagley brought Michelinie’s script to life which made the personal encounters between Spider-Man, Venom and Carnage very lively to see.
Conclusion
J. Jonah Jameson is completely helpless in the presence of Carnage.
Amazing Spider-Man #363 (1992) is undoubtedly a powerful conclusion to the 3-part storyline that started in issue #361. Carnage’s personality and unrelenting violence has been clearly defined here and he easily eclipsed Venom when it comes to being evil and murderous as a super villain. Spider-Man here is desperate to stop Carnage and yet he maintained his sanity to focus on the mission while ensuring the protection of civilians and doing some restraint on his enemy-turned-partner Venom (who has violent impulses). The build-up is powerful and the same can be said about the pay-off. While the conclusion is expected, this comic book raises questions about Spider-Man’s honor and what he morally lost when he became so desperate he made very risky and very questionable decisions along the way.
Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/and on Instagram athttps://www.instagram.com/authorcarlocarrasco
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the mid-1990s to examine a small part of the Marvel Comics shared universe through a tale of the Amazing Spider-Man monthly series.
Following his first-ever encounter and battle with Carnage, Spider-Man realized that he alone cannot stop the sadistic, symbiote-wearing murderer. Worse, Carnage is on the loose in New York City and as time passes, civilians can easily get killed by him. As such, Peter Parker got very desperate and has decided to let his deadliest enemy get loose.
With those details laid down, here is a look back at Amazing Spider-Man #362, published in 1992 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.
The cover.
Early story
The story begins with Spider-Man and Johnny Storm of the Fantastic Four are riding a highly advanced team vehicle heading to the deserted Caribbean island where Eddie Brock/Venom is located. Spider-Man knows he is taking a lot of risk to meet Venom knowing that the murderer stalked him and came close to killing him before. Knowing that Carnage can easily kill civilians in New York City anytime, Spider-Man made it clear to Johnny that he needs to get Venom back to stop Carnage.
Sometime after arriving on the island, Johnny and Spider-Man (armed with the Fantastic Four’s sonic rifle) meet with Eddie Brock on the beach. Peter Parker quickly reveals his face to him and attempts to start a conversation. After overcoming the surprise of seeing Spider-Man alive, Eddie quickly turns into Venom and leaps towards Spider-Man for an attack. The webslinger quickly used the sonic rifle at him while Johnny turns into his fiery form. Venom overcomes the pain of the sonic blast, smashes the sonic rifle, and starts hitting Spider-Man hard…
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Carnage is unrelenting with his acts of violence.
This comic book tells parallel tales focused on Spider-Man and Venom, and Carnage. The meat of the story is about the desperate webslinger reaching out to his deadliest foe even though it means putting himself in great danger once again. David Michelinie is excellent in the dramatic portrayal of Spider-Man who has literally been pushed to the edge by Carnage and having no choice but to make a decision his own wife (who had a traumatizing first encounter with Venom sometime prior) disapproves of.
In issue #361, Peter Parker was technically a detective who worked on the trail of violence left behind by Carnage. Everything changed for the worse for Spider-Man during his violent first encounter with Carnage and he witnessed how unrelenting the murderer really is. The bloody “Carnage rules” message left behind had impact on his conscience.
That said, Spider-Man’s transformation into a desperate hero is very believable here thanks to David Michelinie’s strong writing.
Along the way, the rivalry between Spider-Man and Venom turned intense very quickly. It was during this encounter where you will feel the pressure intensify on Peter as he has to somehow convince Venom to stop being violent and join him to go after Carnage (note: Eddie Brock and Cletus Kasady shared a prison cell previously). Of course, Venom has the undying obsession of killing Spider-Man and he has no reason to believe him. Venom also has his own distorted belief about innocence. The rematch between the two – with Johnny Storm on the side – is the very meat of the story and it is engaging to read.
Carnage is here as well and the creators showed exactly what Spider-Man feared would happen.
Conclusion
The encounter between Spider-Man and Venom with Johnny Storm on the side.
There is a lot to like in Amazing Spider-Man #362 (1992). It has a lot of action drawn by Mark Bagley, has suspense in the right moments and the story itself is very engaging to read. The very heart of the story is the encounter between Spider-Man and Venom on the deserted island due to the high stakes involved plus the tension from the past returned in lively fashion. Spider-Man is desperate and he really pays a huge price for making a decision that his own wife disapproves of. Ultimately, New York City has Carnage as its newest crisis and what happened here blurred away the boundary that separates good from evil.
Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/and on Instagram athttps://www.instagram.com/authorcarlocarrasco
Disclaimer: This is my original work with details by doing personal research and watching the movie more than once. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, film buffs and fellow geeks. Today, we go back to the year 2000 which saw the release of the original Scary Movie. It was a parody film that poked fun on the slasher film genre with Scream (1996) and I Know What You Did Last Summer (1997) as the major references. For teen comedy, it parodied American Pie (1999) which in my opinion is its 3rd main reference.
After getting released in cinemas in July 2000, Scary Movie (with a production budget of less than $20 million) opened way beyond everyone’s expectations grossing a then record $42.3 million (the highest opening weekend for an R-rated movie). It ended with over $157 million in North America and its worldwide total was at $278,019,771. By comparison, Scream (1996) grossed $173 million worldwide while I Know What You Did Last Summer (1997) had global ticket sales of $125.6 million.
Months later, Scary Movie opened here in the Philippines and I was fortunate enough to have seen it in one of Festival Mall’s original cinemas (1998-2024). After that, I replayed Scary Movie on DVD and cable TV, and saw most of its sequels.
With the newest Scary Movie (2026) playing in cinemas around the world, it is not surprising that the original Scary Movie of 2000 suddenly got featured in YouTube retrospective videos, retro movie reviews, movie podcasts and the like. Indeed, now is a good time to look back at the one movie that led to a franchise.
The story begins on the night of Halloween. A student named Drew (Carmen Electra) is alone at home and was about to cook herself some popcorn when she suddenly received a telephone call. The talk over the phone start friendly until Drew realizes she’s being watched by the caller. Suddenly a person dressed as Ghostface appears inside her house forcing her to make hasty decisions to survive.
Drew runs outside. As Ghostface grabs her, Drew’s clothes fall off exposing her body and underwear. Ghostface stabs her on the breast only to remove one of her silicone implants. Drew notices their family car approaching fast but she got hit accidentally as her father (the driver) was distracted. Ghostface eventually kills Drew.
A very short time later, the local high school got swarmed by several members of the press. The murder of Drew caused a major disturbance there. At school, Cindy Campbell meets with her boy friend Bobby Prinze, and their friends Brenda Meeks, Ray Wilkins, Greg Phillippe, Buffy Gilmore, and Shorty.
During class, Cindy notices Ghostface watching from a distance. She opens an anonymous letter with a message from the writer that he knows what happened during the previous Halloween. This compels Cindy and her friends to reflect about the hit-and-run accident they were involved in the previous year. They assume the masked killer stalking them is seeking revenge for the cover-up…
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From Left to Right: Shannon Elizabeth as Buffy, Shawn Wayans as Ray, Lochlyn Munro as Greg, Anna Faris as Cindy and Jon Abrahams as Bobby.
This old movie is still very entertaining to watch. Under Keenen Ivory Wayans’ direction and his brothers’ involvement in writing the script, there is a strong emphasis on parodying films with the adult moviegoers in mind, and there definitely is a strong storytelling structure all throughout. There is a fine mix of comedy, horror, action and pop culture references throughout.
The comedic scenes or acts were done organically. Not one funny scene felt fake nor wooden. There definitely is something funny to see most of the time and very few films made me laugh or smile all throughout. When it comes to parodying key scenes from established films like Scream (1996), I Know What You Did Last Summer (1997), American Pie (1999), Scream 2 (1997), The Sixth Sense (1999), The Blair Witch Project (1999) and The Matrix (1999), the filmmakers went all-in to entertain viewers and I can say they were really successful here.
Apart from making parodies, Wayans and his team even went as far as doing their own remakes of key scenes from Scream, I Know What You Did Last Summer, and American Pie, complete with camera angles that strongly replicated those from the established films. With such creativity and passion behind the efforts, Scary Movie crafted its own narrative and had something fresh to show at a time when the slasher horror sub-genre of film was revitalized in American pop culture during the 1990s. In other words, there is something for American moviegoers to relate with in this film.
A notable parody of The Matrix in the film.
The filmmakers knew how to make fun of Scream and other films.
Along the way, the filmmakers got fine performances from the cast. To begin with, Anna Faris really stood out as Cindy Campbell and she showed a fine range of acting. Even though she only had a few professional acting credentials at the time of filming, Faris proved she can be the sweet girlfriend towards Bobby (Jon Abrahams), a real friend towards her friends (played by Marlon Wayans, Regina Hill, Shawn Wayans, Shannon Elizabeth, Dave Sheridan and Lochlyn Munro), be broken-hearted in reaction to betrayal, and even be an effective action performer. Faris is also good with executing comedy and her performance parodying the “What are you waiting for?” moment from I Know What You Did Last Summer is a must-see. This movie marks Faris’ breakout role and she became an essential player as the Scary Movie franchise grew in the years that followed.
Dave Sheridan as Doofy is absolutely cartoony and exaggerated, and also one of the more defining characters of the film. Regina Hill as the girlfriend of Shawn Wayans’ character ranges from talkative to annoying. Marlon Wayans is the 2nd most notable performer in the cast and he symbolizes the stoned guy while successfully delivering a lot of funny moments. Lochlyn Munro as Greg is the high-school jock who is arrogant, uptight and even panicky.
Yes, it is all true! Scary Movie (2000) accidentally predicted the rise of transgendered women (males who believe they are female) who displaced, harassed or even harmed real women in America. Even here in my native Philippines, transgendered individuals and LGBTQ members were caught committing criminal acts.
Shannon Elizabeth is a lot more than being a pretty face with an attractive body. She acted a lot in this movie ranging from being emotional to sarcastic and comedic.
The most surprising cast member here is Shannon Elizabeth as the rich and promiscuous Buffy Gilmore. Before watching Scary Movie, I saw Elizabeth in a small yet very notable sexy role as Nadia in American Pie and I was not surprised when she was presented as a walking sex symbol in this movie. Elizabeth surprised me with the huge amount of acting she did (easily overwhelming her limited acts in American Pie) being emotional, funny, and even sarcastic. As such, Shannon Elizabeth here is memorable to watch here.
As mentioned earlier, there is structure in the storytelling here. Even though a lot of films were parodied and some others were mentioned or visually shown, the filmmakers never lost their direction on telling the story in a coherent manner. In fact, Scary Movie’s story is still the best and the most solid among its many films within the franchise. As such, I enjoyed what was told and there definitely is a plot resolution to the crisis and paranoia that started early.
Conclusion
This scene parodies that of American Pie. The filmmakers went as far as replicating camera angles from the established movies and did their own remakes with comedy in mind.
With a nice mix of inspired works by the filmmakers, the fine performances of the cast members, the unrestrained adulterated comedy, sufficient number of parodies done and the solid storytelling executed, I can easily say that Scary Movie (2000) is still very enjoyable to watch from start to finish.
It is a parody film that was never compromised by the disease of political correctness (which Hollywood has too much of nowadays plus the other disease of wokeness) and the filmmakers succeeded in making something fun to watch without fearing of any potential backlash from moviegoers who might get offended. This movie also had perfect timing with its release during the summer of 2000 as many moviegoers were still aware of the many films parodied (or referenced at). By today’s standards, Scary Movie (2000) stood the test of time and many other comedies or parody films released by modern-day Hollywood (or Commiewood since Hollywood itself has too many woke nuts, modern-day Communists and social justice warriors who love to ruin entertainment) ended up failing to entertain.
Scary Movie (2000) is not just the best film of its own franchise. It is still the very best parody movie Hollywood has produced in the 21st century and nothing else comes close to it. As such, its replay value and fun factor remain very strong. That said, I am glad to have seen this movie in the local cinema and replayed it from time to time.
Overall,Scary Movie (2000) is highly recommended.
+++++
Note: All images sourced from IMDB.com.
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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/and on Instagram athttps://www.instagram.com/authorcarlocarrasco
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the mid-1990s and to explore a part of the Marvel Comics shared universe through a tale of the Spider-Man monthly series.
As revealed in Amazing Spider-Man #388, Richard and Mary Parker – who spent some time living with Peter Parker’s family after suddenly emerging from nowhere – were not Peter’s parents but androids designed to look, act and feel human. They were life model decoys (LFDs) programmed infiltrate Peter’s life until they learn Spider-Man’s true identity. As programmed, they reported to their master the Chameleon. Just seconds before Richard revealed the secret identity, Spider-Man suddenly interfered and this led to a series of violent acts.
With those details laid down, here is a look back at Spider-Man #45, published in 1994 by Marvel Comics with a story written by Howard Mackie and drawn by the late Tom Lyle. This is the first chapter of the Pursuit storyline.
The cover.
Early story
The story begins moments after the huge conflict that happened. A very broken-hearted Spider-Man realized that “Mary” and “Richard” were impostors and his actual parents have long been gone. He is also concerned about how his Aunt May will handle the truth about Richard and Mary. Deep inside him, a desire for vengeance against the Chameleon is growing.
As he swings from one building to another in New York City, Peter Parker begins to realize that his role as Spider-Man is turning into a farce. He begins his obsession of hunting down the Chameleon and stopping him until he keeps him out of his life for good…
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What you are seeing here is a very obsessive, aggressive and more violent Spider-Man. Vengeance is his motivation.
To make things clear to everyone, this tale does not have the long-running friendly neighborhood Spider-Man. Instead, we have the iconic webslinger who is deeply hurt and the pain he carries motivates him to pursue the Chameleon (who is responsible for reviving the deep pain Peter felt after his parents died). It is clearly a pursuit for vengeance and the writing by Howard Mackie is very believable.
That said, readers will not only see Peter Parker wanting vengeance but also his dark side emerge. Carrying over the tragedy that happened in Amazing Spider-Man #388, Mackie and Lyle precisely crafted a story that had a very dramatic and radically different Peter Parker. Peter even shouts at his wife Mary Jane and struggles with revealing the details of the tragedy to his beloved Aunt May. When he goes out as Spider-Man to find answers, he approaches crooks aggressively and with more violence than before. In short, Spider-Man here lacks restraint and really looks like he could become a public menace.
That said, the portrayal of a very broken Peter Parker here can be alienating even to long-time Spider-Man fans.
Along the way, the Mackie-Lyle duo managed to develop the Chameleon not only as Spider-Man’s target but also as his most cunning and very diabolical enemy yet. The Chameleon (first appearance in 1963’s Amazing Spider-Man #1) is very prominently shown here which is quite meaningful because he is the very first super villain to encounter the webslinger. The long-time villain is very organized and has set up a trap for Spider-Man. The Chameleon also has his own obsession versus Spider-Man and his personal connection with Kraven the Hunter has a lot of depth to the story. As such, there are common elements that the webslinger and the evil master of disguise share.
Conclusion
Great work by Howard Mackie and the late Tom Lyle on expressing Peter Parker’s sadness over the loss of his parents.
Spider-Man #45 (1994) is clearly a very engaging read even though its concept of Spider-Man wanting vengeance can be a turnoff to some readers. For one thing, the script Howard Mackie wrote has a lot of depth and Tom Lyle brought it to life with a fine art style. Having seen the 1989 movie Licence to Kill, I noticed the similarities Spider-Man has with Timothy Dalton’s James Bond when it comes to executing a private vendetta. That said, I enjoyed what was presented in this comic book. Indeed, this tale was published at a time when the dynamics of superhero storytelling in the 1990s changed dramatically moving towards tragedy, disaster and death. It is clearly a product of its time and anyone who wants to read a dark and gritty Spider-Man portrayal should go for this. As such, I am convinced to read on with the Pursuit storyline.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the mid-1990s to examine a small part of the Marvel Comics shared universe through a tale of the Amazing Spider-Man monthly series.
During the height of the 30th anniversary celebration of Spider-Man in 1992, Peter Parker’s long-lost parents Richard and Mary Parker suddenly returned and their presence really altered the hero’s view of life, his marriage with Mary Jane and their family as a whole. As time passed, Peter’s aunt May became suspicious about Richard and Mary (note: scenes related to this were included in Amazing Spider-Man #386 and #387) and she went as far as hiring someone to investigate them from a distance.
With those details laid down, here is a look back at Amazing Spider-Man #388, published in 1994 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.
The cover.
Early story
The story begins with the Vulture being upset that the youth-restoration effects he had using the juvenator machine were only temporary. As the Vulture makes a move to threaten the lady doctor who help him, the Chameleon suddenly emerged from her in front of him.
Elsewhere, Peter Parker shared with Mary Jane that he recently revealed to his parents that he is Spider-Man. After a brief chat with her, Parker leaves their home as Spider-Man to visit his aunt who has been suspicious about Richard and Mary Parker…
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The moment of truth that turned out very painful personally for Spider-Man.
This particular tale is a tragedy which the cover art by Mark Bagley clearly showed. Beyond the cover, there is a lot more weight on the plot (which was nicely structured by Michelinie), the characters and tragedy itself.
Without spoiling plot details, I can say that the first half of the comic book has Spider-Man doing detective work and also doing the civilized approach of keeping the family together. Peter Parker’s care and concern for his aunt were naturally dramatize resulting in a human touch that should be seen. Along the way, the conspiracy was built-up gradually and the big revelation for Spider-Man (note: the truth about Richard and Mary Parker was revealed to readers long before Spider-Man learned about it) at the mid-point of the story really turned out powerful.
Even the Chameleon’s presence here is rather light, his acts of evil and diabolical agenda were powerfully portrayed. In fact, the Chameleon used his immense power of disguise that set off the disturbing events that happened in issues #386 and #387, and such revelations were integrated convincingly in this very comic book. What I found impressive was Chameleon’s ability on connecting details linking Peter Parker with Spider-Man. The Chameleon is clearly very intelligent and cunning, and this makes him a more formidable enemy for Spider-Man.
The 2nd half of the main story is where the action really got ramped up by many notches. The action is violent and intense, and yet the Michelinie-Bagley duo managed to insert twists and notable character moments that really added power to the tragedy. This is indeed a very compelling read and it will make you think deeply about how much emotional pain Spider-Man could absorb.
This comic book also has two short stories. The first one (drawn by Ron Lim) was set in the past showing Eddie Brock who just bonded with the alien costume. While the Venom-focused short story was designed to add depth to past events in Amazing Spider-Man comic books, it ultimately felt more like a filler than a substantial piece. Only die-hard Venom fans will enjoy it.
The second short story featuring Cardiac and Chance is completely forgettable and unnecessary.
Conclusion
Peter Parker sharing very confidential information with his wife Mary Jane before going out again.
Amazing Spider-Man #388 (1994) tells a really tragic tale with a purpose behind it. Historically speaking, this comic book made some Spider-Man fans angry and feeling very betrayed as they believed that the 1992 return of Peter Parker’s parents marked the new age in Spider-Man storytelling. On the iconic superhero himself, this tale marked the start of a so-called dark age in which Peter Parker got emotionally broken and his life got turned upside-down. To be clear, this comic book is not a tragedy done merely for the sake of doing a tragedy…it was a creative execution to alter the status quo of Spider-Man storytelling of the era. As such, what David Michelinie and Mark Bagley did here was not only daring but also a huge risk that turned out really powerful. This tale is so significant, Marvel Comics went ahead doing an alternate version with What If #61.
Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/and on Instagram athttps://www.instagram.com/authorcarlocarrasco
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 20th century arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the mid-1970s to examine a small part of the Marvel Comics shared universe through a tale of the Amazing Spider-Man monthly series.
You heard about the notorious Clone Saga of the 1990s that dominated Spider-Man comic books for a few years? That was actually the 2nd saga about Spider-Man and cloning. The first one started in the mid-1970s and it was the result of a move by Marvel’s creative team to let Gwen Stacy return from the dead somehow. A new villain called the Jackal was eventually introduced and in his civilian form as Miles Warren (a character introduced much earlier), he had a personal obsession with Gwen Stacy whose death in Amazing Spider-Man #121 was too overwhelming for him to handle. Warren turned out to be an expert on cloning.
With those details laid down, here is a look back at Amazing Spider-Man #149, published in 1975 by Marvel Comics with a story written by the late Gerry Conway and drawn by the late Ross Andru.
The cover.
Early story
The story begins on top of a building just moments after the Jackal revealed his secret identity to a weakened Spider-Man in the presence of the Gwen Stacy clone and Ned Leeds. For Spider-Man, the revelation is shocking because in his private life as Peter Parker, Warren has been his biology and biochemistry professor at Empire State University (ESU) where he and Gwen Stacy studied. Recently, Parker and Leeds visited Warren to check on certain cell samples from which Gwen Stacy’s clone had been created. Warren claimed those samples had been stolen by a man named Anthony Serba. Spider-Man eventually loses consciousness.
Some time later, Spider-Man awakens inside an abandoned tenement in lower Manhattan. He finds himself restrained on a wooden table and the Jackal starts talking to him. For the Jackal, what is going on is his moment of triumph.
As the Jackal keeps talking, Spider-Man suddenly frees himself from the table to get back on his feet to fight him…
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Can you tell who is the real Spider-Man here?
Apart from historical significance of this original clone saga and the other one from the 1990s, this particular tale is finely written by Conway and the stakes were really raised high from the start (preceded by build-up of key events in prior issues). Clearly, what was presented here was a huge pay-off to the build-up of recent issues and the dialogue has lots of details that are thought-provoking.
At the center of the story is Miles Warren who has gone to the extremes as the Jackal and he already knows that Spider-Man and Peter Parker are one and the same person. He has a burning hatred towards Parker because he is young, he was loved by Gwen Stacy, and was responsible for her death (which happened in Amazing Spider-Man #121). There is a lot of drama Conway wrote into Miles Warren’s transformation into the Jackal (first appearance was in Amazing Spider-Man #129 along with the Punisher) as a result of Gwen’s death and there are established connections with his ability to perform cloning. Conway’s presentation of the origin of the Jackal here is indeed a must-see!
When it comes to the known feature of this comic book – Spider-Man’s physical encounter with his clone – this one was presented as a spectacle laced with suspense and intrigue for the readers. It was done to test the readers’ ability to determine who is truly Spider-Man as the fight with the clone (Ben Reilly without the name) went on. The fight itself is an extension of the madness, hatred and the lust for revenge of the Jackal. That being said, there is clearly a lack of impact behind the clone’s introduction as Conway created him only to bring closure to the cloning concept mandated by Stan Lee. The clone was never meant to return and replace Peter Parker as Spider-Man.
Conclusion
Some of the events that dramatized Miles Warren’s transformation into the Jackal.
Amazing Spider-Man #149 (1975) is a very intense tale that has the engaging origin story of the Jackal who went on to become a very dangerous foe of Spider-Man. That said, Miles Warren here transformed into a freak sparked by the sudden death of the real Gwen Stacy, and the actions he committed really brought danger to Spider-Man.
There is a lot of intrigue and compelling stuff in this comic book, especially when you ignore the Clone Saga of the 1990s (which itself should be treated as a convoluted follow-up reflecting the chaos behind closed doors at Marvel Comics during the time). In my opinion, this original Clone Saga stood the test of time and the creative stuff that Gerry Conway and Ross Andru came up with is pretty believable and dramatic to read again.
Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/and on Instagram athttps://www.instagram.com/authorcarlocarrasco
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, superhero fans, 1990s arts and culture enthusiasts, Image Comics fans and comic book collectors! Today we go back to the mid-1990s to examine one of the many tales of Jim Lee’s original WildStorm universe through the original Gen13 mini-series.
In the previous issue, Dale Keown’s Pitt made a crossover appearance, and his presence was strongly felt. For International Operations (IO), John Lynch and the Black Razors, Pitt is a monster that could handle and transport safely. Their stop at the IO facility in the middle of desert disturbed Ivana and only added tension as Caitlin Fairchild daringly returned to rescue her friends (who endured torture and humiliation under Threshold). Things intensified when Fairchild encountered Pitt.
With those details laid down, here is a look back at Gen13 #4, published by Image Comics in 1994 with a story written by Jim Lee and Brandon Choi with artwork done by Jeffrey Scott Campbell. This is the fourth issue of the mini-series.
The cover.
Early story
The story begins inside the facility in the middle of the desert. Fairchild and the freed Pitt find themselves cornered by John Lynch, Ivana and several armored personnel with their guns aimed at them.
Lynch wants the two secured and escorted to the holding cells. Ivana, who is already upset over the immense damage caused by Fairchild and Pitt moments earlier, wants the two killed instead. Lynch tells her to stop worrying as he will take both Fairchild and Pitt with him the next morning. Ivana responds negatively and orders the Black Razors to have Lynch arrested.
As the Black Razors did not immediately respond to her, Ivana grabs a machine gun and kills them in front of Lynch. Fairchild seized the moment to sweep Ivana and her two red-colored armed guards off their feet to cause them to lose their balance. As Fairchild and Pitt begin to make their next move, more armed guards under Ivana arrived.
Meanwhile on another part of the facility, Grunge, Roxy, Rainmaker and Burnout are on the loose and they have the blonde young boy Timmy with them…
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Facing certain death, Roxy uses her power to overcome the two armed troopers of Ivana.
At this particular stage of the mini-series, the story here is creatively a handsome pay-off to what was built up in the previous issue. As Caitlin Fairchild got delayed in her pursuit to rescue her friends, those four young people saw their respective super abilities manifest which enabled them to overcome tough and violent odds. Grunge here got braver, Roxy learned more how to handle her power properly and the more. As such, the building blocks of Gen13 as a team have started to take shape while still leaving some room left for suspense and surprises. In short, there is more to come after this story and the creative team carefully paced the storytelling, the spectacle and the character development.
Dale Keown’s Pitt continued to have a presence here and he does have an exit that is worth the attention of readers. Anyone who is not fan of Pitt will be able to discover something new and interesting about the character. In some ways, this comic book – plus issue #3 – made me a bit interested to read the Pitt comic books that were published under the Image Comics banner.
Team 7 made a quick appearance here. This was a clever way to promote the Team 7 mini-series to WildStorm fans.
John Lynch, one of the more established characters of WildStorm who appeared in mostly supporting roles, got a bigger spotlight here as he uses his authority as an IO executive which impacted the direction of the story. To be clear, Lynch is not in line with the managers of the facility (which belongs to IO) and his conflict with Ivana led to violence in the facility. What happened also led to his encounter with the Gen13 teenagers. As Lynch realizes their potential, he takes action using IO’s resources to even the odds as Ivana’s troops begin to arrive.
Conclusion
Caitlin Fairchild, Pitt, John Lynch and Ivana early in the story.
Compared to the previous issue, Gen13 #4 (1994) has stronger writing with regards to storytelling and character development. The plot really got deeper here even as twists and turns happened. At this stage, the facility has turned into a battle zone which literally placed the Gen13 teenagers and Lynch into a corner. This 4th issue of the mini-series is very entertaining and gripping.
Author Carlo Carrasco 