A Look Back at Ravage 2099 #1

It’s funny how time moves. The year we live in now is twenty-nineteen (2019). That means eighty years from now, the year will be twenty ninety-nine (2099). As a long time geek, the year 2099 reminds me a lot about the short-lived lineup of superhero comics published by Marvel Comics popularly referred to as Marvel 2099 which had a far future, sci-fi setting.

Back in 1992, the comic book industry was riding high on the spending of collectors who seek profit through the trading of comic books. During those days, Marvel released several comic books with special covers (foil, hologram, etc.) which looked so pretty, a lot of people bought those (normally double the prices of regular comic books) believing it would make a collector’s item (instead of reading and enjoying the comic book).

Marvel added more to the comic book speculation frenzy by launching their 2099 series starting with Spider-Man 2099 #1. Shortly after that, they launched the Ravage 2099 monthly series highlighting a protagonist that was original and co-created by the legendary Stan Lee with artist Paul Ryan. There was also hype accompanying Ravage 2099 #1 as it marked Stan Lee’s return as a regular writer. Here is my review of the comic book Ravage 2099 #1.

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Ravage 2099 #1 and a few other comic books beside my mug of coffee.

The story opens with a man chased by local authorities. Labeled a polluter, the armed personnel killed him instead of taking him in alive. This bothers Paul-Phillip Ravage who is the head of ECO Central (under mega corporation Alchemax). His assistant Tiana warned him that there is greater danger and Alchemax can bring down anyone. Of course, Ravage dismisses her concern as he believed in the system he is part of.

Ravage said to her, “If we can’t trust the system, if we can’t trust Alchemax, then we revert back to anarchy!”

Shortly after, Ravage encounters three young guys who approached him with weapons. After scaring away two of them, the last guy – a teenage boy – said words that made Ravage think. It turns out the young guy is the son of the man who got killed in the beginning.

Even though no compelling evidence was presented to him, Ravage had the teenager come with him to go high at Alchemax. There they meet with Anderthorp Henton, the director general of the corporation. After listening to their concerns, Henton reacts to investigate.

“That’s the most shocking thing I’ve heard! If there’s the slightest shred of truth to your accusation, I’ll move heaven and earth to punish the one’s responsible. You have my word on that, commander and you too, young man!”

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Ravage, the teenager and Henton.

After separating from the teenager, Ravage decides to go back to his office. Tiana warned him that Henton has targeted him for elimination. Suddenly a mutroid (creature brought in from a forbidden place) appears in front of them starting Alchemax’s move to frame and kill Ravage.

Ravage 2099 #1 was released on October 1992 (cover dated December 1992) for $1.75 with a gold-colored foil cover and it sold well for Marvel that month arguably due to the collector craze as well as die hard fans of Stan Lee. In terms of art, Paul Ryan did a good job visualizing the sci-fi, distant future of 2099 laced with futuristic technology (example: vehicles hovering above ground). He clearly made Ravage look mature while Tiana looked too erotic to be in the office. Ryan’s art on Henton, meanwhile, lacked subtlety and right from the start, he obviously looked evil. When it comes to action, Ryan did a decent job.

As for the writing, I can honestly say that Stan Lee’s style lacked precision and engagement. Clearly his style of writing ended up being outdated by the time this comic book got published. Had Ravage 2099 #1 been released in, let’s say in 1975, then the comic book would have felt more engaging and even futuristic. The dialogue is somewhat lousy as well.

I also noticed how Ravage and the villain Henton looked idiotic with their respective acts. While the culture of impunity in 2099 is undeniable, it still does not justify Henton’s knee-jerk decision to order the elimination of Ravage who in turn failed to notice anything suspicious as head of his department. Tiana ends up being the informer for him.

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Ravage starts fighting back at his company’s security personnel.

Another sign of Ravage being not too smart (or at least the lack of precision and intelligence on the script written by Stan Lee) is how unrealistically easy it was for the teenager to convince him that his father was killed WITHOUT PRESENTING ANY COMPELLING EVIDENCE of the incident at all! The teenager only had words…no video, no photos, nothing as evidence!

For a mature man, Ravage was pretty foolish. He never asked the teenager to present any evidence to prove his claims. Instead, he went ahead going to Henton at Alchemax even bringing the young guy with him.

More on Ravage, it was clear that he was doomed as a comic book character even though Stan Lee was involved in creating him. Considering the fact that there were many Hollywood action movies released throughout the 1980s often having a macho guy armed with guns (or capable of doing hard action) as the hero, Ravage ended up looking generic.

 

It is no surprise that even though Marvel Comics revived somewhat the 2099 universe with new comic books over the past few years, Ravage was not revived. There was simply nothing special with the character nor was his part of the 2099 universe deemed important.

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Ultimately, Ravage 2099 #1 is a comic book worth getting way below its cover price. In my view, it is worth fifty cents at best. Ravage is truly a failed hero of Stan Lee’s.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

 

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A Look Back at X-Men (2000)

The first time I saw the first live-action movie of the X-Men was on August 30, 2000, here in the Philippines. Back then my interest in comic books had waned but I was still an X-Men fan by heart. I enjoyed reading the comic books written by Chris Claremont, the early 1990s comic books drawn by Jim Lee and Whilce Portacio, and the X-Men animated series.

Prior to its Philippine opening, X-Men was released in the cinemas in the United States on July 14, 2000, and in the weeks leading to August 30, there were several pirated copies of the movie in video CD format made available here in the Philippines. I resisted the temptation of watching a pirated copy in favor of the cinema experience.

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Arguably the one superhero movie that sparked the 21st century wave of superhero movies which we moviegoers enjoy now.

Back on August 30, 2000, it was a rather intriguing experience for me to see the X-Men and the villains portrayed by actors on the big screen (and there were no IMAX cinemas back then). While I felt Hugh Jackman (then a newcomer) lacked impact on portraying Wolverine, Patrick Stewart captured the essence and look of Professor X/Charles Xavier. Halle Berry’s half-baked foreign accent ruined the cinematic Storm while James Marsden and Famke Jansen really had no chemistry as Cyclops and Jean Grey. Ian McKellen was passable as Magneto while I found Rebecca Romjin’s Mystique a distorted version of the character. On the side, the supporting role of Bruce Davison as Senator Kelly was very solid and it was too bad he did not have enough screen time.

More on the storytelling, I noticed back then that X-Men really felt more like a build-up laced with some spectacle rather than a complete standalone story. Of course, the filmmakers really had to do lots of build-up and they could not just expect moviegoers to be fully aware of the X-Men comics and mythos. At least the movie did a decent job of assembling the characters, emphasizing the theme of public fear of mutants as well as the struggle of mutants, and establishing the elements of good and evil.

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Magneto and Charles Xavier.

There is also symbolism with how the filmmakers translated Charles Xavier and Magneto from the comic books to film. Xavier strives for helping mutants use their powers for good purposes while trying to help them survive in human society that fears them….plus help humans understand mutants in order to accept them. Magneto, who as a boy lived through the Holocaust and witnessed how brutal humans are to his people, strives for the rise of the mutant race even if it means harming innocent humans.

Wolverine and Rogue, in their own ways, are the lost people who have yet to realize their true purpose. They symbolize the mutants struggling in society and in the case of Rogue, played by a very young Anna Paquin, she is the lost youth whose future is clouded with uncertainty since her mutant ability makes her a danger to others by simply touching them. Wolverine/Logan, for the newcomers reading this, has been lost for decades and what makes his plight painful is that he could not remember his past nor is he aware he is over a hundred years old living with claws and a healing factor that delays his aging.

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A young Hugh Jackman as Wolverine. He came into the film as a replacement for Dougray Scott, the guy originally hired to play the superhero icon. Fortunately for Jackman, he became a superstar and a movie icon.

When it comes to spectacle, X-Men is satisfactory. There is enough action to balance with the storytelling and character development but for the most part they lack impact even back in 2000. The standout action sequence is the fight between Wolverine and Mystique which is a mix of martial arts and stunts (aided by wires). The next best sequence is Wolverine’s fight with Sabretooth at the Statue of Liberty. The fight between Toad and the other X-Men meanwhile would have looked better had there been none of those silly moments pulled of by Ray Park (Toad). Special effects that emphasize Cyclop’s optic blast and the Liberty Island energy generation looked tame.

Flaws in the movie? Apart from the uneven quality of cinematic performances and use of cheesy dialogue, not to mention the half-baked use of a foreign accent for Storm, the presentation of Xavier’s estate as a school filled with multiple students remains alienating (note: the “school for gifted children” in the comics had only the X-Men members living and learning in comfortable privacy). Next, Magneto showed carelessness over the handling of his machine designed to mutate humans and his plan to use Rogue as a source and handler for the Liberty Island incident was illogical.

As there were so many characters in the story, the key element of Cyclops as a mature and calculating leader in the comics was absent in the film. James Marsden ended up playing a Cyclops who really did not have much to do other looking cool with his visor.

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Mystique in action.

And then there was the scene in which Magneto kidnapped rogue only to face several police officers outside. During that scene, Charles Xavier mentally controlled, temporarily, Toad and Sabretooth to push Magneto into submission (with Sabretooth’s large hand holding his neck). Magneto answered back by threatening to kill the police officers with their guns and bullets (controlled by Magneto) forcing Xavier to just give up. Knowing that Magneto’s helmet protects him from mental control by Xavier, I said to myself – why Xavier have Sabretooth or Toad remove the helmet so that he can control Magneto? That scene took me out of the film.

Overall, by today’s standards, X-Men of 2000 is a satisfactory superhero flick. Directed by Bryan Singer, it was fairly good in 2000 but did not age well. Really, the film was more of a build-up and set-up for expanding the X-Men Cinematic Universe. Fortunately for Singer and 20th Century Fox, this movie was successful and justified the plan to release sequels (best sequel: X-Men: Days of Future Past) and spin-offs (the best is Logan) which not made billions of dollars more in ticket sales for the studio but also helped make the superhero movie genre wildly popular today.

If you plan to watch this movie, don’t set your expectations too high. Try to enjoy X-Men for what it is and see if you can tolerate the flaws. Definitely this one is no classic.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

For more X-Men insight, check out my latest article about X-Men: Dark Phoenix and my review of Logan.

 

 

 

3 Reasons To Anticipate X-Men: Dark Phoenix In Cinemas

Previously I expressed concern as to why X-Men: Dark Phoenix (opening in the Philippines on June 5 and in the United States on June 7) could end up as a disappointment just as the Walt Disney Company finally took over 20th Century Fox (which led people into believing that integration of the X-Men Cinematic Universe into the Marvel Cinematic Universe could be done instantly).

For one thing, the new movie is the first film of Simon Kinberg as director and to date his credentials include screenwriting, producing and working as a 2nd unit director in the very poor 2015 Fantastic Four movie. Also this movie is the 2nd cinematic adaptation of the classic comic book storyline and the first one from 2006 was bad and there were a few visual elements that the two films shared.

Still there are good reasons to watch this movie whether you are an X-Men fan or not. By now, Avengers: Endgame has satisfied moviegoers which easily makes X-Men: Dark Phoenix the superhero film to anticipate.

Why should you care about this? Here are my reasons (and, yes, I will watch it).

1). This new adaptation is looking more faithful to the Dark Phoenix Saga storyline than how X-Men: The Last Stand ever did – While it is unwise to expect a 100% faithful adaptation of the literary classic, X-Men: Dark Phoenix’s trailer showed the mutants fly into space for a mission, Jean Grey did something desperate and then something happened that changes her. This scene is very similar to what was shown in the comic books decades ago and considering the fact that the cinematic Jean Grey (played by Sophie Turner) unleashed her phoenix power in 2016’s X-Men: Apocalypse, things are making sense. I also liked the shots in the trailers showing Cyclops getting very concerned with Jean Grey which parallels the comic book story.

If there are enough storytelling elements that link this new movie with the literary classic and they get executed nicely, it could make a satisfying experience to moviegoers who are familiar with the classic storyline as well as those who are unfamiliar.

2) Simon Kinberg just might have pulled-off a Dances With Wolves. What do I mean? I mean to say that Kinberg may have prepared himself a lot and somehow managed to not just direct the film efficiently (reminder: this is his directorial debut) but probably outdid himself on executing the scenes strongly, getting strong performances from his actors, carefully crafting the spectacle while maintaining focus on storytelling. As seen in Hollywood history, directorial debuts are often weak efforts of career movie directors so naturally the odds are against Kinberg. Still, Kinberg may have made a very solid directorial debut in comparison to Kevin Costner’s own first directorial effort with Dances With Wolves which grossed over $400 million worldwide and won several Academy Awards including Best Picture and, yes, Best Director! Of course, I’m not a filmmaker myself nor do I have access in Hollywood productions but I did my film research a lot and my Hollywood mentor Rusty Lemorande enlightened me on the history of directorial debuts. Very soon we will find out the true results of Kinberg’s directorial debut.

Surely enough, the executives of 20th Century Fox had their own reasons to hire Kinberg as director despite his lack of movie directing experience.

3) This could be the end of the X-Men Cinematic Universe as we know it. Believe it or not, this film franchise that 20th Century Fox launched is almost twenty years old! Never mind the fact that 20th Century Fox was acquired at last by the Walt Disney Company. I have this strong feeling that the filmmakers did their best to make X-Men: Dark Phoenix a solid film on its own and, possibly, worthy of being the final film of the current cinematic universe. If you love the X-Men cast of Sophie Turner, Jennifer Lawrence, Nicholas Hoult, Michael Fassbender and James McAvoy, then you should watch them perform in this new movie because there is no guarantee that you will see them reprise their roles in future movies under the umbrella of the Walt Disney Company through Marvel Studios.

X-Men: Dark Phoenix is a few weeks away from opening in cinemas worldwide. Watch out for it as well as my review.

For your viewing enjoyment, here’s the movie poster.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

 

 

 

 

 

A Look Back At Logan

What a journey it has been! When I first saw then newcomer Hugh Jackman play Wolverine in the first X-Men movie back in 2000, I was not that impressed. In X2: X-Men United, Jackman outdid himself and established Wolverine as a very defining action hero for 21st century Hollywood cinema that moviegoers can keep coming back for more.

Then Jackman played Wolverine (referred to as Logan) several more times in the X-Men movies plus the standalone Wolverine movies. His most defining performance as the cinematic icon happened in 2017 with the release of Logan directed by James Mangold.

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Hugh Jackman delivered his best superhero movie performance in Logan.

Set in what is the near future, Logan takes place in a time (note: the X-Men cinematic universe timeline was revised as a result of X-Men: Days of Future Past) when mutants are dying off as a human species. Wolverine/Logan works as a limousine driver and lives at a smelting plant in Mexico with Cabal and a very old Charles Xavier (Patrick Stewart) who has dementia and has been unstable with his telepathic powers which make him a danger.

The future is bleak for them. Logan is very old and his healing factor has weakened a whole lot and the adamantium coating of his skeleton has poisoned him. Xavier meanwhile needs be provided with medication to prevent him from having a seizure which, combined with his telepathic powers, affects all others around them negatively. It has also been confirmed that an incident was caused by Xavier’s seizure which killed off several X-Men members leaving them three. Logan has to work and earn as much money as he could to keep providing the medication.

One day, a lady approaches Logan to try to hire him to drive her and a young girl named Laura (X-23 in the comics, played by Dafne Keene) to a refuge in North Dakota to escape from danger. Logan accepts reluctantly but discovers that the lady got killed. He returned to the smelting plant and learned that Laura stowed away by discreetly riding his limo. Eventually mercenaries led by Donald Pierce (who met Logan early in the film) arrive at the smelting plant. From this point, Logan realizes why the lady and Laura are targets and then mayhem begins when the little girl fights the mercenaries.

When it comes to storytelling, Logan emphasizes the violent and bitter journey of Wolverine who, at a very late stage in his life, has to accept the reality that he has to make another hard adjustment as a key element from his past comes into his life which is Laura who is actually a clone of him produced from an extracted sample of his DNA. The movie has some parallels with the 1950s cowboy movie Shane (which has some scenes in the film) which added depth to the story.

Logan also emphasizes the element of aging which has not been fully explored in the superhero movie genre until now. Wolverine lived lonely, had no people to love and his personal journey has been marked with violence and death. He could only move forward with whatever opportunities he could find but no matter what he does, happiness will always be unreachable to him. For Charles Xavier, age really tore him down and being almost 100-years-old in the story, he really has nowhere else to go to but death. Not even his legacy of brilliance and teaching mutants to use their powers for good could make any profound changes.

The long journey of Logan, Xavier and Laura in the film is where the character developments really set in. Along the way, there is a scene in which Logan, holding X-Men comic books (made specifically for the story), expressed his displeasure about how people perceive the X-Men and that the pharmaceutical company fed their young cloned mutants with fantasy and lies. Also striking to me as a viewer and a geek were the scenes showing how unethical the company has been with developing the young mutants (X-23’s pals) who decide to fight to escape.

In terms of presentation, Logan was rated R and for good reasons. It was rated R not simply because of very brutal violence and swearing but because its concepts are clearly meant for adults to see. If you combine the concepts of unethical science experiments, mercenary brutality, human rights violations and unchecked destruction, clearly Logan is NOT the superhero movie made for parents and their little kids to watch together. When it comes to action and spectacle, this movie has more than enough stuff to keep viewers entertaining while at the same time it has this particular 1980s R-rated Hollywood action film feel to it.

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Dafne Keene as X-23/Laura. Her great act will be remembered for a very long time.

Performances of the actors were top-notch, specifically Jackman, Stewart and Dafne Keene. Hugh Jackman as a superhero cinematic artist truly evolved! If you disregard the timeline alteration of the X-Men films, you will realize how Jackman’s Wolverine gradually changed in terms of style and expression. In 2000’s X-Men, Wolverine was trying to figure out his place among the mutants as Charles Xavier helped him. In X2, he decided to be with the X-Men and help them out in their situation. In X-Men: The Last Stand, he has to deal with helping the X-Men tackle Magneto who has Dark Phoenix/Jean Grey (the lady Logan has feelings for). In X-Men Origins: Wolverine, he struggles morally and dealt with his relationship with his “brother” Sabretooth. In The Wolverine, he moves away from the X-Men and got himself involved with a conflict (plus an old friend) in Japan. In X-Men: Days of Future Past, Wolverine of the dark future goes back through time to his younger self with the pressure to alter history.

Patrick Stewart’s dying Xavier in Logan shows a new dimension to the cinematic art of the actor. He really makes Xavier look hopeless and yet he successfully made viewers more sympathetic to his character than ever before. Last but not least, Dafne Keene as Laura/X-23 proved how talented she really is when it comes to dramatic scenes. Even though she got yelled at by Hugh Jackman, Keene still moved on with her strong performance. Definitely her performance is something to be remembered for a very long time in cinema.

Conclusion

I have seen a whole lot of superhero movies in my life. Just over a week ago I managed to watch Avengers: Endgame and it was a true epic like Infinity War. Even by today’s standards, Logan is a standout superhero movie that delivers spectacle, action, solid performances, some humor and the distinct vibe of 1980s R-rated Hollywood action cinema combined. In fact, I should say that Logan is a modern day classic among all superhero movies.

As such, Logan is highly recommended and I urge you readers to watch it on Blu-ray disc format to get the best visual and R-rated viewing experience.


Thank you for reading. If you find this game review engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

 

My Observations: Orient Cable told by Optic Media Board to Explain Piracy of Avengers: Endgame

Orient Cable has been ordered by the Optic Media Board or OMB (the national government’s arm on regulating the production, use and distribution of recording media) to explain to them why they should not be charged over the piracy of the mega blockbuster film Avengers: Endgame.

According to a report by Philippines News Agency (PNA), a “show-cause order” was served by the regulator to the Dipolog City-based company on May 6. The action was the result of a formal complaint issued by Teatro de Dapitan, a movie house that was authorized to show Avengers: Endgame to paying customers.

Atty. Hywel Vergara of the OMB’s legal division was assisted by police officers when the order was served to Orient Cable. It was reported that the company’s officials were reluctant to receive the order.

“With it is an order for the owners (of Orient Cable) to attend hearings at OMB in Manila on May 7 and 14,” said Vergara, referring to the show-cause directive.

For his part, OMB Chairman Ansel Adriano warned establishments and individuals to respect the intellectual rights of the film industry, especially local productions.

The movie opened around the Philippines on April 24 along with many other countries that same day. There were people who claimed to have seen the illegal airing of Avengers: Endgame on April 25 through Orient Cable. Subsequently Teatro de Dapitan complained to the local police the same day the airing happened.

As of this writing, the management of the cable firm is still silent over the issue.

Whatever questions the OMB has for them, it would be nice for the cable TV operator to answer the following questions:

  1. Who within Orient Cable had the capability (or connections) of getting a pirated copy of the movie and make adjustments to show it publicly?
  2. Where did the pirated copy come from?
  3. What could the company gain from showing Avengers: Endgame in pirated form?
  4. How is the financial health of Orient Cable and just how many paid subscribers do they have now?

Check out my review of Avengers: Endgame here.

 

Carlo Carrasco’s Movie Review: Avengers: Endgame

I’ll just say it straight and clear – Avengers: Endgame is an epic superhero movie that, like its predecessor, is great to watch again and again although there are some noticeable differences.

For starters, the creative led by the Russo Brothers came up with a story that somewhat defied most people’s expectations in relation to the ending of Avengers: Infinity War. Considering what happened in the previous film, it’s too easy for moviegoers to anticipate another uniting of remaining superheroes to defeat the omnipotent Thanos who wields the Infinity Gauntlet.

Quite daringly, the filmmakers came up with a story that focused more on time travel and time paradox. Since Endgame is still a new film, I won’t spoil the plot details and will focus on the technical aspects as to why the film is great.

On time travel and time paradox, Endgame felt somewhat self-aware by referencing other popular movies that had time travel concepts. The inevitable time machine gets set up obviously and when the superheroes went their own ways through time, Endgame suddenly felt like The Empire Strikes Back mixed with elements of Back to the Future. What do I mean? What I’m saying is that character development ramps up when the superheroes go their separate ways (not individually but by pairs or small teams) and their time travel exploits brought moviegoers back to the past, especially the unexplored segments of what we saw in previous movies of the Marvel Cinematic Universe.

The good news here is that the Russo Brothers did a great job telling the story even though the concepts of time travel and time paradox were so challenging to execute on-screen. Clearly the co-directors did their research to ensure that the story still made sense. Of course, there is the expository dialogue designed to explain to readers the film’s time travel concept.

When it comes to performances, just about each member of the cast performed nicely on bringing to life their respective characters. I felt Robert Downey, Jr.’s performance as Tony Stark/Iron Man is his best since Iron Man 3. Still, I think the standout performer of them all was Mark Ruffalo who proved to be creative not only with his smart Hulk but also managed to deliver the solid performance the movie script required from him. Personally, this cinematic Hulk is the best one yet and we can forget about the mindless, rampaging Hulk of years ago.

Josh Brolin returned as Thanos and his performance was great (as expected) but in order to understand this film’s version of his character, you need to watch the previous appearances of Thanos from the past years especially with 2014’s Guardians of the Galaxy.

When it comes to superhero spectacle, Endgame delivered the fun stuff – the flying, the energy blasts, powerful strikes, collateral damage, cosmic powers, futuristic sci-fi technology and the like. However, I felt that Infinity War was much more loaded with action, stunts, special effects and superhero spectacle. This is understandable because the first 30-45 minutes of Endgame was more about story build-up, heavy dialogue and character development delivered with little action. The good news is that the pace of the film ran faster when the time travel sequences started. Of course, there is also the anticipated giant battle near the end of the film. A very action-packed final battle indeed although I felt the darkness (lack of light on the setting) somewhat lessened the impact.

Overall, Avengers: Endgame is an epic superhero movie that must be seen and it also justifies replaying Infinity War. While both Endgame and its predecessor are epic movies heavily loaded with spectacle as well as a lot of heart in the story and character development, the major differences go like this – Infinity War carried more shock value while this new movie was more about the pleasant surprises related to time travel.

Does Endgame deserve its massive commercial success? Absolutely! More than that, this film is also the undeniable climax of the 11-year buildup of the Marvel Cinematic Universe that started with Iron Man.

Where the Marvel Cinematic Universe will go next after Endgame will most likely be another uncharted territory of superhero cinema.

Note: When watching Endgame, I highly recommend viewing it on an IMAX screen as it was filmed entirely with IMAX cameras. Go for it if you can afford it!


Thank you for reading. If you find this movie review engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

 

My Observations: Philippine Government Takes Action Versus Cable TV Company Over Avengers: Endgame Piracy

The national government of the Philippines, through its agency the Optic Media Board which is in charge of regulating the production, use and distribution of recording media, took action against Orient Cable for the illegal showing of Avengers: Endgame.

According to the CNN Philippines report, the Optic Media Board announced on May 2 that it has ordered the cable TV company in Dipolog City, Zamboanga Del Norte to explain why it should not be charged over the alleged acts of piracy. In that particular province, movie house Teatro de Dapitan complained about Orient Cable’s illegal showing of the Marvel Studios film even as it was still playing in cinemas nationwide. Teatro de Dapitan is the lone theater licensed to show the movie to paying customers in the province.

The OMB added that Orient Cable could face administrative and criminal raps for violating Republic Act 9239 (the Optical Media Act of 2003), which carries a penalty of up to six years of imprisonment and a fine of up to ₱1.5 million.

According to Teatro de Dapitan owner Lovely Nice Custodio, Avengers: Endgame was played on channels 10 and 18 on Orient Cable.

As of this writing, Orient Cable still has yet to issue an official reaction to the charges and accusations of piracy.

It would be nice for the cable TV operator to answer the following questions:

  1. Who within Orient Cable had the capability (or connections) of getting a pirated copy of the movie and make adjustments to show it publicly?
  2. Where did the pirated copy come from?
  3. What could the company gain from showing Avengers: Endgame in pirated form?
  4. How is the financial health of Orient Cable and just how many paid subscribers do they have now?

As far as the Philippine government is concerned, piracy is a crime.

Stay tuned for more!