A Look Back at The Punisher Meets Archie #1 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors, fans of 1990s culture, and fans of both Marvel Comics and Archie Comics! Today, I have a retro review of one of the most wild ideas for a comic book crossover that actually got published in 1994. Back then I was still in college and ramping up my comic book collection. Then one day, I saw a print ad for the Marvel-Archie special project about the iconic Archie Andrews crossing over with the Punisher!

That’s right! The unthinkable concept pushed through and way back in 1994, I ordered in advance a copy of the comic book (note: this was actually one comic book published respectively by Marvel Comics and Archie Comics but with their own packaging and slight adjustments to the title) and eventually got to read it.

Behind the scenes, the management of Archie Comics wanted to take part in the wildly popular trend of intercompany crossover comic book publishing not just to boost their sales but also establish a stronger presence in comic book specialty stores. Back then, Marvel Comics editor-in-chief Tom DeFalco and Archie Comics editor Victor Gorelick were good friends (note: DeFalco entered comic book publishing while working for Archie Comics) and sometimes they would joke with each other about potential crossover concepts between their companies. Gorelick eventually had lunch with independent comic creator Batton Lash and talked about Archie wanting to get involved with crossovers. The Archie editor told Lash about he and DeFalco joking about Archie encountering the Punisher, and in response the independent creator stated that they should really push through with it.

Lash went on to make a pitch for the series and Gorelick sent it to DeFalco. Marvel’s editor-in-chief loved it and eventually the concept was approved complete with strategic involvement in the production by key talents from both Archie and Marvel. For the artwork, Archie’s Stan Goldberg and Marvel’s John Buscema worked together to maintain different tones by means of drawing settings and characters that are specific with their respective companies. The inkwork was done by Tom Palmer.

Now you must be wondering…was the crazy crossover any good? We can find out in this look back at The Punisher Meets Archie #1, published by Marvel Comics in 1994 with a story written by Batton Lash and drawn by Punisher artist John Buscema and Archie artist Stan Goldberg.

The cover with a die-cut design.

Early story

The story begins in a city where a man (in a trench coat and a cap) is seen running away from someone chasing him. As he hurriedly climbs over a wall, he hears the chaser’s gun click and responds by firing some bullets at him. The chaser climbs over the wall and he turns out to be Frank Castle, the Punisher. The Punisher notices that his target left his cap on the floor, and look at the nearby station full of people.

Inside the said station, the man who got away from the Punisher has red hair and a sinister looking face. He buys a ticket going to Riverdale.

The next day in the town of Riverdale, Archie Andrews rings the bell of the front door at the luxurious residence of the Lodge family. A little boy named Leroy (cousin of Veronica Lodge) surprises him and makes him wet using a water-filled plastic gun. In response, Archie grabs the hose nearby and unleashes water. He accidentally hits Veronica who got so angry, she decided to cancel her date with him.

Still wet, Archie walks down the sidewalk being followed by a car…

Quality

See your favorite Archie characters among them?

I’ll start with the story written by Batton Lash. To be clear, this comic book has a dominant Archie Comics tone meaning it is wholesome and fun, and at the same time never childish. The Punisher-focused scenes showed lots of signs of restraint meaning in order to connect well with the overall wholesome tone of the comic book, adulterated stuff and violent concepts related to the Punisher are absent. For me, having an overall wholesome tone works given the fact that most of the story is set in Riverdale and there are tremendously more Archie characters than there are Marvel characters.

More on the story, the concept by Batton Lash is wonderful and the way the plot was structured not only ensured a fun story but also made sense. The plot itself is pretty believable and the story is full of nice and interesting moments to read. There certainly were no boring scenes at all!

To have Punisher encounter Archie without ever using the now overuses versus-battle-type approach here was believable, sensible and even impressive. For the most part, as reflected in portrayals and dialogue, Lash captured the essence of the Archie characters and anyone who loves stories about Archie and the gang (plus Josie and the Pussycats and Katy Keene) will have a lot to enjoy here. Even the disruption in Riverdale caused by the gang of crooks and the Punisher has that strong Archie-tone and never went overboard.

Punisher, Micro Chip, the local cops and a familiar face from the Riverdale high school’s cafeteria.

With regards to Lash presenting Marvel’s vigilante, the Punisher here is subdued in terms of seriousness. While he is not portrayed to be gritty (note: he’s also less violent), he is still rugged and you will still see him firing guns during the right moments. With the reduction of violent action, Punisher does a lot more detective work and has his companion Microchip with him. While rugged, the Punisher is not as snobbish as one might think here. In fact, there are a few pleasant surprise moments in the story with regards to his encountering certain supporting characters of Archie. These moments, although they make Punished look like he’s out of character, I still find pretty delightful.

More on the characters, there is a whole bunch of them here! As the story is set in Riverdale, it comes to no surprise that supporting characters of Archie Comics are present and for the most part they were presented to delight those who love Archie and the gang. Mr. Weatherbee, Mr. Lodge, Reggie Mantle, Betty Cooper, Jughead Jones, Pop Tate, Svenson, Ms. Grundy, Professor Flutesnoot and others are here and they don’t just make mere appearances.  

As this is a special project between Marvel Comics and Archie Comics, there is a lot of fan service here and there leaning towards the interests of Archie fans. For the most part, these fan service elements (note: there are some from Marvel Comics) were actually fun to look at and I personally did not find them distracting.

Conclusion

Punisher and Micro Chip explore Riverdale as Jughead and Archie are in Pop’s place.

While it is essentially an Archie comic book in terms of storytelling and visuals and lacks the kind of adulterated stuff that Punisher fans love, The Punisher Meets Archie #1 (1994) is still a very enjoyable crossover to read, and it sure is fun from start to finish. For one thing, the concept about Archie meeting with Punisher with Riverdale as the main setting works wonderfully even by today’s standards. What was an unbelievable concept got executed nicely into a believable and fun product. I should state that this kind of intercompany crossover comic book is still one-of-a-kind and its literary value (as opposed to financial value) is undeniably high. No doubt about, this crossover is a comic book classic!

If you are seriously planning to buy an existing hard copy of The Punisher Meets Archie #1 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $53 while the near-mint copies of the deluxe newsstand edition and the direct edition cost $105 and $70 respectively.

If you prefer the Archie Comics-published version – Archie Meets The Punisher #1 (1994) – be aware that the near-mint copy of the comic book costs $70 according to Mile High Comics as of this writing.

The cover of the Archie Comics-published version of the same crossover. This one is more eye-catching than that of the Marvel version.

Overall, The Punisher Meets Archie #1 (1994) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Night of the Creeps

Disclaimer: This is my original work with details sourced from watching the movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

When you craft a story meant to entertain people, it is already tough to mix genre elements and make them work together while still telling a cohesive story. Imagine how hard that could be when making a movie with the mentioned creative mix?

Back in the mid-1980s, a young film enthusiast named Fred Dekker not only pulled it off but actually made a feature-length film titled Night of the Creeps which was his cinematic directorial debut. Before making that science fiction/horror/comedy movie, Dekker grew up watching movies of horror, science fiction and fantasy and developed a passion for movies (and movie production eventually).

After much learning through UCLA, Dekker broke into Hollywood and started a professional career in film and eventually got his dream project in the form of Night of the Creeps.

“Night of the Creeps is very much a first feature with the attitude of many first features. The I-may-not-get-to-do-another-movie-so-I’m-going-to-do-everything-I-want-to-do-in-this-movie attitude. It’s an attitude that often backfires, but in this case, it’s exactly what makes Night of the Creeps so much fun,” Dekker stated.

With the short film history lesson done, it’s now time to take a look back at Night of the Creeps written and directed by Fred Dekker, and released in 1986 by TriStar Pictures.

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If you were the police chief, how many police officers would send to corner one zombie?

Early story

The story begins inside a space ship where one alien creature (carrying a canister) is running away from two armed personnel. With the two chasers delayed, the creature manages to shoot the canister into the realm of space.

On Earth, the year is 1959. In a typical American suburb, a college student visits a sorority house to pick up his date. Together, along with a few other pairs in cars, they spend time at a parking spot with a nice night view. A young police officer, who is aware of the news about a potential killer on the loose, approaches the pair and recognizes the lady from the sorority house. He tells them to go home for their safety, and then leaves them.

Shortly after, the canister from space arrives and crashes nearby causing the college student to drive the car (with his date with him) and find the spot of the crash. He parks the car by the woods and moves into woods leaving the sorority girl alone, sitting and waiting. He finds the canister and decides to look at it closely. Through an opening, an alien slug suddenly jumps from the canister and into his mouth. Meanwhile, the lone lady in the car hears the news about the loose killer and realizes the details about their location (being the destination of the killer). Slowly creeping up on her is a man with an axe.

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What teenagers in America used to do in the 1950s.

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Someone closing in…

In 1986, at the same locality, college students party around and engage in lots of activities in relation to pledge week being organized at a local university. Among the students walking down the sidewalk are Chris Romero and his handicapped friend J.C. Chris spots a pretty girl from a distance and instantly falls for her at first sight. With the help of J.C., he decides to pursue her…

Quality

Even with a low budget, Night of the Creeps is very creatively done and comes with a good amount of fun for viewers who enjoy elements of horror or sci-fi, 1950s romance, 1980s teen comedy and even detective story. What made this movie a cinematic gem is that Fred Dekker and his creative team combined their strengths with the talents of their cast members specifically Jason Lively, James Marshall, Jill Whitlow and Tom Atkins.

At its core, Night of the Creeps is a zombie horror flick that had sci-fi elements of UFOs and the 1950s as a strong foundation (in addition to serving in the background of the plot). Those combined genre elements alone (backed with a plot that is cohesive enough thanks to Dekker) made this movie solid and yet, the implementation of detective/crime storytelling and 1980s teen comedy (specifically college culture) further added more punch and variety in making the film really engaging and fun.

That being said, the actors delivered the goods with their respective performances. Jason Lively and Steve Marshall have excellent chemistry together as the 1980s college boys Chris Romero and J.C. They started their acts as typical college guys trying to achieve something when it comes to campus achievements and winning the girl’s heart. They also delivered strong performances on the comedy and they pushed their dramatic limits further when the film’s tone shifted to horror. Jill Whitlow is interesting as sorority girl Cynthia who has that girl-next-door charm. She proved to be talented with acting as she had convincing romantic chemistry with a certain jerk and Chris.

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Steve Marshal, Jason Lively and Jill Whitlow as J.C., Chris Romero and Cynthia.

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The horror film genre legend himself, Tom Atkins!

The standout performer among them all, unsurprisingly, is Tom Atkins as detective Ray Cameron. Before making this movie, Atkins worked in horror movies and a few cult movies, and got involved with the legendary John Carpenter. As such, playing the veteran detective Cameron here was a natural fit for the actor. As the aging and troubled detective, Atkins portrayed him dramatically and because of his very rugged touch, the actor really looked like he actually lived through decades of police work in the fictional town. Atkins also proved to be very good with quotes, specifically with “Thrill me!” It should be noted that this is Atkins’ personal favorite role in the horror genre.

When it comes to telling a cohesive story to emphasize the mixed genre elements, I should say Fred Dekker and his team succeeded. The pacing ran at a medium pace for the most part and even during the slower scenes, there was never a boring moment. More on storytelling, Night of the Creeps’ concept made sense for the most part (about how a slug from outer space would gradually cause zombification on people and even animals, in the midst of college-related events happening) and still had room for suspense, spectacle (note: Jason Lively and Jill Whitlow themselves used dangerous weapons near the end of the film) and, yes, character development! All of that pulled of nicely in roughly ninety minutes and the viewing experience was ultimately fun and engaging.

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I wonder if this image would be considered offensive by the SJWs…

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Perhaps this will inspire you to research what American life was like back in the 1950s.

It should be noted that, in terms of presentation, key scenes were very well directed and strong performances from the actors were realized. The scene where detective Cameron and Chris had a private talk was intriguing to watch, and that one had the strongest act Tom Atkins made in the film. I should also mention that, apart from the dramatics and performances, I enjoyed the cinematography done by Robert C. New especially with the way the camera moved as the actors delivered their lines in key sequences. There were closeups that perfectly captured the moments when the actors delivered their strongest acts. Last but not least, the music by Barry De Vorzon fit the film’s tone and concept smoothly.

Conclusion

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Here they come…

I really love Night of the Creeps and I want you – my readers and fellow film buffs and pop culture geeks – to watch it from start to finish. I never saw this movie in the cinemas in the 1980s but was fortunate enough to watch it on cable TV on a late night in 1998 (twelve years after its cinematic release). That was a night I’ll never forget because Night of the Creeps delivered the fun and exceeded my expectations. Then years ago, I finally acquired the Sony Pictures Blu-ray disc release which I replayed from time to time at the comfort of home with my Xbox One console as the disc player. The film looks even better in high-definition!

The best thing I love about Night of the Creeps is its big mix of genre elements which was supported by solid storytelling and performances. When it comes to spectacle or shock moments, it should be stated that the practical effects used (note: no CGI or computer-generated images here) in the movie still stand up strongly until now although I must say that the aliens creatures in the early part of the story were just not convincing enough.

Even by today’s standards, Night of the Creeps is enjoyable and gripping to watch, and the fact is nobody in Hollywood is making anything like it, nor are there any filmmakers willing to do a big mix of genre elements and tell a cohesive story with good performance from hired talents. This alone makes Fred Dekker’s directorial debut a cinematic gem that has been overlooked by too many people

In light of modern society and its norms, I declare that Night of the Creeps will give you a good dose of escapism not only from real life but also from the corrupted and highly politicized culture of Hollywood which points to the Political Left (whose central figure Barack Obama supports Iran, the terrorists and illegal immigrants) and its trouble makers (examples: social justice warriors or SJWS, the socialists, the radical feminists, the LGBTQ) who managed to infiltrate the American film industry and even the American media (note: you can tell if a movie review was written by an SJW who only writes something to fit his/her social justice agenda). This old movie was made to deliver fun without any political garbage whatsoever. That being said, it will make you wish that Hollywood would just focus on making their movies truly entertaining and be free from political poison at the same time. Movies that carry political overtones or emphasize identity politics are major turn-offs.

Overall, Night of the Creeps is highly recommended! That being said, I urge you to order a Blu-ray copy of Night of the Creeps now at Shout Factory and Amazon. Whichever Blu-ray version you acquire (note: the Shout Factory version has newer and more extra stuff), you can’t go wrong with Night of the Creeps in high-definition.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Carlo Carrasco’s Movie Review: Write About Love

Write About Love is the first new Metro Manila Film Festival movie I saw in the theater in many years and I should say it was surprisingly good.

Here’s my review of Write About Love directed by Crisanto Aquino and released by TBA Studios.

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Early story

The story begins when a lady (Miles Ocampo) succeeded in selling her story to executives of a movie studio. A short time later, the executives found her story looking “too mainstream” and was very similar to that of another movie. This results an order on revising the story and she has to do the rewriting assignment with the involvement of a seasoned indie screenwriter (Rocco Nacino). They have only thirty days to revise and improve the script and the state of the film project was at stake.

Together the screenwriters work and discuss in detail how to establish the situations, how to develop each character through trials and emotional rides, what to do to make the story deeper and the like.

As the film’s narrative and the screenwriters work on, the respective lives of the in-story characters transpire.

Quality

To put things in perspective, Write About Love is a character-driven movie about screenwriters who are challenged to craft a much-improved screenplay for the movie studio while dealing with matters of their respective lives. Miles Ocampo is clearly the protagonist of the film and through her, you will relate with the pressure of work she goes through, the creative challenges of writing stories (and developing the characters), and the fractured parts of her personal life (hint: she lives with her mother but maintains contact with her father). When it comes to acting, Ocampo delivered the emotions needed in each scene that required heavy drama. You will see her cry a lot and you’ll even feel her pain.

Her co-star Rocco Nacino (the other screenwriter) has comparable screen time as hers but with much less dramatic scenes. Nacino does excel, however, with the more creative side of screen writing.

What really stood out with the dramatic performances are the supporting players Yeng Constantino and Joem Bascon as the screenplay characters of Joyce and Marco. Joyce and Marco are lovers living-in together but their relationship got hampered by their respective careers. Joyce is a musician and Marco is a corporate executive. When things get rough between them, crying scenes happen along with convincing moments of depression. Constantino herself stands out as her in-depth talent in singing blends nicely with the dramatics of her character.

Constantino and Bascon are not the only supporting players in the film. There was also Romnick Sarmienta (himself a star in many romantic comedies in the 1980s) and Che Ramos, and each contributed nicely into the film.

When it comes to storytelling and visual presentation, Write About Love was very nicely done. The story moved at a steady pace and there was a good amount of interesting dialogue. In my experience, nothing felt padded. Even the slowest scenes did not bore me. The drama was heavy and there were several moments of clever humor executed.

I also really enjoyed the filmmakers’ smart of use of visuals in which screenplay scenes showing the lives of Joyce and Marco happening while the screenwriters appear near them as if they are watching (actually they were imagining and structuring the scenes which were part of their work for the movie studio). The shots of Joyce and Marco interacting were in full color while the shots showing the screenwriters had desaturated colors.

While it was clear that the filmmakers got great performances from the actors, this movie should be recommended for some very memorable cinematography that took place in the 2nd half. I’m talking about the location shots of North Luzon locations like Baguio City and Sagada. The most visually striking scene was the sunrise scene and if you ever see it, do your best to feast your eyes on it.

Conclusion

Write About Love is a pretty good film to watch and definitely it is one of the better movies released here in the Philippines for the past decade. It does not have an epic concept but rather a small and simple concept that was nicely executed with fine cinematic artistry. The performances are very good (without going into over-acting), the characters are worth caring and following, and the film offers a very unique look at what goes on behind the scenes in the local movie industry.

Also the theme about love is nicely expressed through the trials and emotions of the characters. In relation to its title, this movie shows that writing about love will never be easy because love itself is complicated and unpredictable. In short, realizing the true meaning of love is an everlasting struggle.

Overall, Write About Love is recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Carlo Carrasco’s Movie Review: Shazam!

I’ll just say it out loud – I had a lot of fun watching Shazam! at the local cinema today. I’m not even a fan of the character Shazam/Captain Marvel (as he was called prior to Marvel’s legal takeover of the name) and still I enjoyed watching the movie. I rarely watch comedies in the cinema but I still had a lot of fun with Shazam!

Whatever challenges the filmmakers led by director David F. Sandberg faced, they succeeded in making their movie fun, action-packed and more importantly telling a story with a lot of heart with the main characters. It also proved crucial that Warner Bros. marketing team did not spoil the pleasant surprise the movie had all along and that surprise alone is already worth the price of admission.

Shazam! introduces moviegoers to Billy Batson who has moved away from multiple homes as he searches for his mother whom he got separated from as a child. At the new family he moved into, he meets Freddy Freeman who lives with a disability. Things change when Billy meets an aging wizard named Shazam and gains his power. By simply saying the wizard’s name, lightning strikes Billy to become the muscular, adult caped superhero. Along the way an obsessed Dr. Sivana rises with a lust for power which only means trouble for the Billy Batson/Shazam and his friends.

Why is storytelling a success in this movie? Answer – it was done with a lot of heart and director Sandberg succeeded in getting very strong performances from the cast. You will really sympathize with Asher Angel as Billy Batson who lives with a missing link in his personal life and often finds himself lonely. This is a movie about a teenager who does not aspire to become a superhero at all but rather find his mother anyway he could. The superhero aspect of the film is an extension (but a very significant one) of that core concept.

In terms of storytelling tone, Shazam! looks so much like a comedy based on the way it was marketed but rest assured the movie is not a dominant comedy at all. In fact it has a lot of dramatic scenes and even some horror elements spread around. Darkness? There is some of that by means of horror elements. Grit? Very little of it too. Cynicism? Non-existent. Clearly the DC Cinematic Universe under the leadership of Warner Bros. executive Walter Hamada continues to move away from the darkness, the grit and cynicism of Zack Snyder’s influence and for me that is a good thing.

In terms of performances, this film has a lot of good acts. While Asher Angel excelled as Billy Batson, Zachary Levi truly brought Shazam/Captain Marvel to life on the big screen. Not only does he really look like the superhero (as if he was ripped straight from the comic books), Levi was successful in playing his character with the act and mindset of a teenage boy. Jack Dylan Grazer was pretty engaging as Freddy Freeman (who is the in-movie geek and superhero culture researcher) and so was Mark Strong as Dr. Sivana. The other cast members like Grace Fulton, Ian Chen and Faithe Herman were good players as well. To sum it up, the quality of performances from the cast is varied and at the same time of good quality and nice artistry. From drama to humor, these cast members really pulled it off.

Shazam! was made to tell a compelling story that can be taken seriously while at the same time it delivered the humor and spectacle to satisfy moviegoers who want their superhero cinema experience to be enjoyable. When it comes to weaknesses, I say that the first twenty minutes was kinda slow. While the film is indeed very wholesome, the horrific imagery of the monsters can scare little kids and compel their parents to cover their eyes.

As a superhero comedy, it definitely is a more fun to watch than any of the Deadpool movies. As a superhero spectacle, Shazam! is quite comparable not only with DC Cinematic Universe movies but also with other humor-laced superhero movies from Marvel Studios. As a DC Cinematic Universe movie, Shazam! is 3rd best to Wonder Woman.

Given its high amount of fun, engaging storytelling, good comedy and solid performances, Shazam! is highly recommended! I urge you to watch it as soon as you can and for the best visual experience, I recommended watching it on an IMAX screen if you can afford it. Shazam! is a lot of fun and you will love it! Very clearly the DC Cinematic Universe continues to improve and its future under Warner Bros. and Walter Hamada looks very bright!

For your enjoyment, posted below are some videos related to Shazam.


Thank you for reading. If you find this article to be engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco.

 

 

 

 

 

Why I’m Looking Forward To Shazam In Cinemas Even Though I’m No Fan Of The Superhero

Let me start by confirming that although I am a geek and I read lots of comic books – especially superhero stories of Marvel Comics, DC Comics and other publishers – I never was a fan of Shazam (formerly called Captain Marvel before Marvel Comics took the trademark legally) nor was I fond of the Marvel Family (Captain Marvel, Jr., Mary Marvel and others) he was identified with.

But even so, I still will watch in the cinemas Shazam!, the next DC Comics Cinematic Universe movie from Warner Bros. starring Zachary Levi, Asher Angel and Jack Dylan Grazer. It is directed by David F. Sandberg and it will be released worldwide on the first week of April.

For your reference, watch the latest trailer below.

 

Shazam/Captain Marvel has a very long history in superhero comics. While the superhero belongs to DC Comics, he (and the related characters) started in comics published by Fawcett Publications in the early 1940s. He debuted in Whiz Comics #2. Believe it or not, in terms of comic book sales Shazam/Captain Marvel was the most popular superhero of the 1940s and not even Superman could match him. DC Comics sued Fawcett on the grounds of copyright infringement and in part this contributed to the publisher’s decision to cease publishing any comics of Shazam/Captain Marvel by the year 1953. This was only the start of the long road before Shazam and the related characters became part of DC Comics.

When it comes to the DC Cinematic Universe, movie productions are now being done under the careful watch of Walter Hamada and already major improvements have happened such as Aquaman making over $1 billion in ticket sales globally. Shazam! is a film clearly made under Hamada’s leadership and based on the previews, it seems like director David F. Sandberg and his creative team have done a good job and somehow they managed to get good performances from their actors.

As to why I look forward to watching the movie even though I’m no fan of the character, here are my reasons:

1. Seeing Shazam’s literary concept translated into cinematic form – For those who are not familiar with Shazam/Captain Marvel, the superhero’s concept goes like this. There’s a homeless teenager named Billy Batson who was chosen by a very old wizard to continue a fight against evil. Being the chosen one, Billy Batson becomes the muscular, caped superhero Shazam/Captain Marvel by simply saying “Shazam” (which attracts a quick bolt of lightning to him enabling the transformation). In my view, this classic concept deserves a cinematic adaptation. Although the movie trailers showed bits of it, I feel there is more than meets the eye. The transformation from teenager to caped superhero is one thing, his character development is another. This brings me to my next point.

2. Watching the actors bring the characters to life – It seems that the right actors were hired to bring the characters – notably Shazam, Billy Batson and Freddy Freeman – to life. Having read comic books of Shazam/Captain Marvel and watched several episodes of the Shazam cartoon series on TV decades, I still remember how the traits of the characters and from what I’ve seen in the trailers and previews, things are looking good. Based on available information, Zachary Levi reminds me a lot about the caped superhero walking with a human adult body but is living with uncertainty for he really is a teenager (Billy Batson) behind it all. Levi looks good too with humor. Jack Dylan Grazer’s Freddy is a very avid geek which I can related with. Asher Angel as Billy Batson so far looks good in handling the character. Definitely I want to see more of their performances.

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Freddy Freeman and Shazam/Captain Marvel. 

3. I’m interested in superhero comedy from Warner Bros –  Since the release of 2017’s Wonder Woman, the DC Cinematic Universe turned a corner and gradually moved away from the cloud of darkness, grit and cynicism that started with Zack Snyder’s Man of Steel. Wonder Woman was not only a more optimistic superhero movie, it also had a good amount of humor successfully pulled off by the supporting cast. Shazam! meanwhile is clearly a superhero comedy and it could become the most cheerful (if not the most humorous) DC Comics movie yet without being too cheesy or too childish. Director Sandberg and the actors seem to have established a lot of synergy to carefully mix action, fun and humor. I’m hoping that what was shown in the previews is just a taste of more good and fun stuff to come. While I rarely watch comedies, I’m interested in more humor in DC Comics movies. Besides, the adulterated and exagerrated humor I saw in the Deadpool movies is just not entertaining.

4. The state of the DC Cinematic Universe under Hamada’s watch – As it is already confirmed by Warner Bros. that standalone DC Comics superhero movies will be the norm for now, Shazam! is an opportunity to show where the current cinematic universe is right now with regards to connections with other DC superheroes. Already there were references to Batman, Superman and even the Justice League (as seen in the merchandise shot in the latest trailer). I’m not expecting to see much connectivity with the other DC superheroes at all but some signs as to where the cinematic universe is going would be good enough for me. Aquaman had a small reference to the events of the Justice League movie. This is, after all, the cinematic story of Shazam/Captain Marvel. The forcing and rushing of a shared cinematic universe previously done by Zack Snyder is in the past. We must remember that we are now watching the DC Cinematic Universe under the leadership of Walter Hamada.

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Justice League references.

Those are my reasons as to why I will watch Shazam! in cinemas once it opens. I’m no fan of Shazam/Captain Marvel but the superhero deserves his cinematic adaptation and so far the movie looks very promising. I feel it also has the potential to attract lots of fans as well as moviegoers who are not even familiar with the character. We will find out soon enough if Shazam! will be a hit or not.


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