A Look Back at Action Comics #544

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

I just love it when comic book creators really pushed their creativity and bold concepts to make an anniversary celebration comic book fun, engaging and memorable. As seen in the history of American superhero comics, such great comic books become essential when their concept sets a new standard of quality or when it sets its series (and its featured superhero) to a new and well accepted direction (which then opens up many opportunities to keep the series and the superhero fresh creatively).

Such greatness was achieved by DC Comics and its creators with Action Comics #544 published in 1983.

AC544cover
The cover.

As seen in the cover above done by artists Gil Kane and Dick Giordano, Superman in the background could do nothing but be surprised to see his two foes Lex Luthor and Braniac presented in doubles reflecting a change of design – Luthor getting his now iconic powered suit of armor and Brainiac having a more robotic design.

So you must be wondering…how is the quality of the story and art of this particular comic book that celebration Superman’s 45th anniversary?

We can now start with my retro comic book review of Action Comics #544.

Early Stories

This special-sized comic book features not one but two separate Superman stories titled “Luthor Unleashed!” (written by Cary Bates and drawn by Curt Swan) and “Rebirth” (by Marv Wolfman and Gil Kane).

“Luthor Unleashed!” begins with Luthor already down on the ground hurting from the crash of his aircraft and with Superman present. Even though Luthor’s already helpless, Superman flies away to an unknow destination confident that the super villain will still be there once he returns. However, Luthor got assisted by a robot of his who took him to a secret lair and rode a spacecraft going into deep space. Luthor arrives on the planet called Lexor.

“Rebirth” begins with Superman saving a lady and dog from getting hit by a car on the city street. Afterwards, he flies into space and arrives at a computerized planet that Brainiac created. Just nearby, the star of Epsilon 4 is about to go supernova which prompts him to do something so that many lives will be saved.

Quality

Visually, the art of both stories, respectively done by Curt Swan (arguably the most memorable artist to draw Superman during the pre-Crisis age) and Gil Kane is still good to look at. Both artists knew how to frame the action in interesting ways, put enough details on the people and environment surrounding Superman or Luthor or Brainiac.

When it comes to the storytelling and characterization, not only were both stories really well written, they succeeded in humanizing Luthor and Brainiac. In “Luthor Unleashed!”, the portrayal of Lex Luthor as a family man (he has a wife and a child) as well as a highly revered leader among the citizens of Lexor was excellently done. By just reading that story, it really looked like Luthor could have been a great contributor for the good of the DC Multiverse had he not been a super villain. What writer Cary Bates made clear was that Luthor’s hatred for Supermen was deeply embedded within him.

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Lex Luthor the husband and father.

The story of Brainiac meanwhile was very engaging. Marv Wolfman really went all-out on portraying the death and rebirth of Brainiac who got reshaped in the form of a futuristic robot armed with his own octopus-like spaceship. What is great about this cybernetic form of Brainiac was that he not only looked more sinister but also proved to be a more dangerous super villain than before. Also, Superman’s first encounter with Brainiac in his new form is very memorable.

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A great debut for Brainiac in his new form.

Conclusion

While Action Comics #544 is a celebration of Superman’s 45th anniversary, it is truly a showcase of the two classic super villains who not only got new looks but also went on to become more challenging to Superman on a new and higher level. Before he got his iconic powered suit of armor (designed by the great George Perez), Luthor was not much of a physical challenge to Superman. Before he got his robotic body, Brainiac was not as deadly and had much less resources to be cause chaos to Superman and others. To say the least, this comic book is a true classic of superhero literature!

If you are a collector, be aware that as of this writing, a near-mint copy of the newsstand edition of Action Comics #544 is now worth $77 while its other edition’s near-mint copy is worth $39 at MileHighComics.com.

Overall, Action Comics #544 is highly recommended. This great comic book also has another thing of value: great inspiration and references that Warner Bros. should use when making a new Superman movie with Luthor and Brainiac as the super villains.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman (2017)

Disclaimer: This is my original work with details sourced by means of watching the movie and doing research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

I just love watching superhero movies, especially the ones that were well crafted by the filmmakers complete with solid storytelling, sufficient spectacle as well as memorable performances by the hired talents (both behind and in front of the camera).

Of all the superhero movies made by the forces of Hollywood starting with 1978’s Superman, I can clearly say that 2017’s Wonder Woman is my favorite. Don’t get me wrong. I did not limit myself to just DC Comics superhero movies. I saw all the X-Men movies and their spinoffs, almost all the Spider-Man flicks, almost all of the Marvel Cinematic Universe movies and even the obscure ones. Along the way, there were some great superhero flicks that became modern-day classics like Logan and Avengers: Infinity War.

Still it is the Gal Gadot-led, Patty Jenkins-directed Wonder Woman that I loved watching the most.

Let’s start with my retro review of Wonder Woman, the one film that arguably saved the DC Comics Cinematic Universe for Warner Bros.

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The Wonder Woman movie poster from 2017.

Early Story

The story begins sometime after the end of Batman v. Superman: Dawn of Justice during which Diana finds a long lost photograph recovered by Bruce Wayne. Then she remembers her past in Themyscira where she grew up as the only little girl among the women called the Amazons and her mother is none other than Queen Hippolyta. Concerned that the wicked Aries is still alive, Hippolyta’s sister Antiope trains Diana (initially in secret until they were discovered) to be strong, brave and more capable than their fellow Amazon warriors.

One day, Steve Trevor arrives in Themyscira becoming the first-ever man Diana ever met. Tension rises when the Germans (from World War I Earth) arrive on their island causing the Amazons to fight in defense. A lot of people lost their lives, including someone very close to Diana.

While interrogated with the Lasso of Truth, Steve reveals who he is and what he has been doing. He states that back in his world, World War I is ravaging the world costing many people their lives. This causes Diana to stand up and stop the war somehow (she believes Aries is responsible). Queen Hippolyta disapproves of Diana’s analysis. After privately meeting with Steve, Diana then starts her move for a mission to stop the war in Man’s World.

Quality

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Gal Gadot as Wonder Woman in the middle of German soldiers.

Let me start with the performances. Gal Gadot definitely IS Wonder Woman in this movie. Regardless of how many versions of Wonder Woman there are in comics, the Israeli actress truly captured the essence of Diana’s early development which includes her special place among the Amazons (note: she is the only Amazon who was born in Themyscira and grew up from infant into a mature woman), her fateful meeting with Steve Trevor, her entry into Man’s World and how she adapts with the events and people outside of Themyscira. Wonder Woman’s purity on saving the world, doing what is right and emphasizing love and compassion were all nicely translated into cinematic art by Gal Gadot. From doing the action scenes to saving people, speaking her mind among her fellow Amazons and interacting with others as she adapts with Man’s World, I really love Gadot’s work on bringing Wonder Woman to life. As her cinematic work is great, there is no doubt that Gadot will always be iconic to fans of the Queen of Superheroes and superhero enthusiasts in general in the decades to come right beside Lynda Carter (who played the icon on TV), Christopher Reeve (Superman), Robert Downey, Jr. (Iron Man) and Chris Evans (Captain America). Meanwhile, the portrayals of Diana as an 8-year-old girl as well as a 12-year-old were perfectly done by Lilly Aspell (who is truly skilled with horse riding) and Emily Carey.

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Lilly Aspell as young Diana with Connie Nielsen as Queen Hippolyta.

Chris Pine is excellent as Steve Trevor who is portrayed to be very dedicated to his work, brave in what he does and still shows compassion instead of arrogance towards others. He also has great chemistry with Gal Gadot and, like in the comic books, their relationship is nicely translated on the big screen. Pine’s performance here is, in my view, the best superhero movie supporting role to date.

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Chris Pine as Steve Trevor with Gal Gadot as Diana in disguise.

Connie Nielsen meanwhile is great in playing Queen Hippolyta and all throughout, there is always a sense of leadership complete with a touch of motherly love just like in the comic books. Her sister Antiope was nicely portrayed by Robin Wright as the one Amazon who taught Diana to be brave, strong and highly capable as an Amazon warrior.

Danny Huston, who played the lead villain in the 2009 movie X-Men Origins: Wolverine, played yet another military bad guy here but this time he’s a World War I German officer. He’s a villain with a purpose who not only fights for the glory of Germany but also strongly believes that war is natural and inevitable for humanity. In some ways, Huston’s Ludendorff reminds me Michael Shannon’s General Zod in Man of Steel.

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Robin Wright is excellent as Antiope.

When it comes to presentation, this film is Patty Jenkins’ 2nd movie as director (her debut was way back in 2003) and the great turnout of Wonder Woman as a high quality movie (as opposed to being a critical and commercial success) only proved yet again that the old saying in Hollywood – The director’s second movie is his/her best movie – is true. Jenkins, who also worked on television, not only prepared a lot to make this movie but also researched Wonder Woman, developed ways to get the most out of the cast members, tweak the written story of the film (by Allan Heinberg, Zach Snyder and Jason Fuchs) and, most notably, she led the production with a lot of passion. To put it short, Wonder Woman is a labor of love (and the No Man’s Land scene is iconic) that not only resonated with fans of the Queen of Superheroes but also with the film critics and moviegoers.

Regarding storytelling, I noticed that a key story from Wonder Woman’s origin in the comics (the contest of the Amazons) did not happen at all in the film. While there were die-hard fans of the icon who complained about it, I felt that the contest of the Amazons would have made this movie more complicated and surely would have lessened the impact of World War I as a key story element. Since the purpose of this movie was to emphasize Diana’s origin and her entry into Man’s World with a major mission, I believe that the contest of the Amazons can be made cinematically later in a future movie.

The way the story was told cinematically, it also captured Diana’s reactions to the events that happened around her. The scene in which she saw the village destroyed showed how death and destruction compelled Wonder Woman to accomplish her mission even though others find ending the war impossible. Along the way, the actors – specifically Gal Gadot – really added life into the narrative with their strong performances.

When it comes to on-screen humor, which is popular among moviegoers and is almost a requirement for most new superhero movies that come out, having it done by supporting players Lucy Davis and Saïd Taghmaoui was a clever move since it allows Gal Gadot to portray Wonder Woman without any performance disruption. Considering her short screen time, Davis as Etta Candy is really funny. The amount of humor in this film, in my view, was just right and never annoying.

Spectacle? Wonder Woman is loaded with action, stunts and exciting stuff! The action involving Wonder Woman was brutal and satisfying to watch, and Patty Jenkins’ use of slow motion on key moments was great (even comparable to John Woo’s past work) and at the same time not too excessive. The Themyscira battle between the Germans and the Amazons at the beach was engaging and strategically filmed. Also, it was fitting that the action ramped up nicely starting with the iconic No Man’s Land sequence. The final battle in the film, unsurprisingly, had lots of computer-generated images (CGI) which is understandable considering the fantasy element of Wonder Woman.

More on the action, I love the way Patty Jenkins had Gal Gadot, Robin Wright, Connie Nielsen and Chris Pine perform the action themselves which all made their characters even more believable. Of course, there were certain moments in which stunt doubles were used to do the more dangerous moments on behalf of the actors.

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This happened just before the iconic No Man’s Land scene.

Apart from the core cast, a lot of the actresses playing the Amazons trained for several months not just to look the part but also to perform action sequences using weapons with actual skill. The stunt coordinators and specialists hired by the filmmakers deserve praise for contributing nicely on making the cinematic Amazons highly believable. This alone not only makes Wonder Woman stand out nicely among all Hollywood superhero movies but also reflects nicely what was portrayed in the comic books.

The production design is also top-notch. I love the scenic locations of Italy used for scenes set in Themyscira. The filmmakers also did a great job recapturing the look of World War I Europe from the historical pictures to the big screen. The costume designs were fantastic, and the standout designs were, unsurprisingly, the costumes of the Amazons which really made their fantasy culture look believable. The filmmakers decided to have much more colorful visuals instead of following the look of Man of Steel, Batman v. Superman: Dawn of Justice and Suicide Squad.

On the music, the work by Rupert Gregson-Williams was great. His rendition of the Wonder Woman theme was very lively to listen to. The same can be said about the music he provided in the memorable No Man’s Land scene which had a nice build-up as Wonder Woman made her first full appearance in costume on the field. Other tunes played in the film suited the scenes well.

If there were any weak spots in this movie, it would be certain shots of action that were not filmed with precision. I’m talking about filming action scenes way too close to the camera combined with music video-style editing that’s supposed to make film look flashy. It’s not only disorienting, it also took me out of the movie.

Conclusion

Overall, Wonder Woman is one of the best-ever superhero movies ever made and easily my favorite of them all. It has an excellent balance between storytelling, character development and spectacle, and Gal Gadot gave the performance of a lifetime not only by bringing Wonder Woman into life in cinematic form but also emphasizing what the Queen of Superheroes stood for. As part of the current DC Comics Cinematic Universe, this movie stood out by having optimism and heroism as core themes (as opposed to the dark, gritty and even cynical approach of Man of Steel, Batman v. Superman: Dawn of Justice and Suicide Squad) and, more importantly, by focusing strongly on Wonder Woman instead of building up for the Justice League movie (which was released months after this one).

Apart from high-quality production values and a strong creative approach, the cast and cinematic performances are easily among the best in the superhero movie genre. Chris Pine’s Steve Trevor is an excellent example of a supporting role that is engaging without ever overshadowing the lead role. By the end of the film, you will realize the impact that Queen Hippolyta and Antiope had on Diana’s personal development.

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Connie Nielsen made a great queen and mother in this movie.

Being strongly focused on heroism with optimism, director Patty Jenkins and her crew succeeded in making this film without ever succumbing to the extreme views of the Political Left in Hollywood and the loudmouth social feminists. When I see the battle between the Amazons and the German soldiers on the beach of Themyscira happen, I simply saw armed women defending their homeland not from men who intend to rape them but rather men who had no right to intrude in the first place. Even as there were scenes showing men in power in World War I Europe (putting Diana in a powerless position), there still was no feminist-inspired hatred towards men. Also the bond between Steve and Diana developing from friendship into a romantic relationship literally shut the door on extreme feminism.

As a Wonder Woman-focused story, this film succeeded on emphasizing the Queen of Superheroes to both long-time fans and mainstream moviegoers. This movie also had a nice mix of having a fantasy setting with Themyscira moving on to a historic setting with World War I Europe. On the origins of Wonder Woman herself, I don’t mind at all that the contest of Amazons was not told because this movie’s concept is already great to begin with and its running time of 141 minutes was just right.

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Gal Gadot will be remembered for a very long time for her excellent portray of Wonder Woman in cinema.

With all the greatness it was made with, I kept coming back to Wonder Woman when replaying superhero movies here at the comfort of home. In the cinemas back in 2017, I saw the film three times. Ultimately, I can say out loud that Wonder Woman is highly recommended and essential!


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

If you are looking forward to Wonder Woman 1984, check out my preview and opinion about the first movie trailer.

A Look Back at Action Comics #454

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Long ago in the history of American comic book publishing, there was a time when superhero comic book storytelling were not told as dramatic serials but rather as standalone stories laced with outlandish ideas.

For this retro comic book review, we go back to the year 1977 as we focus on a Superman story that would not be told again in this day and age. To say the least, its cover art is, by today’s standard, over-the-top in terms of presentation. kapiHere is my look back at Action Comics #454 published by DC Comics with a story by Cary Bates and visuals by Curt Swan and Tex Blaisdell.

A454cover
The cover.

Early Story

The comic book opens with a preview of things to come showing a weak Superman urged by a few people to fly and chase the Toyman.

And then there was the question: What good are super-powers without the stamina and endurance it takes to use them?

The story begins with the Toyman escaping after pulling off a bank robbery. As he flies higher, he sees Superman coming towards him. After using a trick to delay Superman, Toyman uses a special trick to twirl Superman at high speed and literally throws him away to an unknown destination. The villain escaped and, some time later, Clark Kent/Superman finds himself too tired and drained. Because of this, he becomes desperate to consume food and beverages just to keep going. This problem affects both his career and social life.

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When was the last time you saw Clark Kent so exhausted?

Quality

Action Comics #454 explores what would happen if Superman lacks energy and requires a lot of rest and many meals to stay active. To see him eat as many as sixty hamburgers per minute is quite funny to see.

Being weak puts Superman at a disadvantage when it comes to stopping the criminal Toyman. As the Man of Steel flies at high speed to chase the bad guy flying in a personal aircraft, the chase drains him a lot.

When it comes to storytelling, this one is pretty short lasting only thirteen pages. What I find impressive is that the creators managed to tell a standalone story of good-versus-evil as well as answering the question as to what caused Superman to be so weak in the first place.

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Superman flying tired.

Conclusion

To put it clearly, Action Comics #454 is definitely a very short literary escapade that still manages to be fun to read. It sure is outlandish and I strongly doubt DC Comics will want to put Superman through heavy eating in today’s age of comics. Is this comic book a classic? Not exactly but it sure is a satisfying, fun read from an era when outlandish superhero storytelling in comic books was the norm. If you are seeking this as a collector’s item, be aware that a near-mint copy of Action Comics #454 is worth $23 at MileHighComics.com as of this writing.

Overall, Action Comics #454 is recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

 

A Look Back at Superman #100 (1995)

While this old comic book may not be the best-selling Superman story of the 1990s, it is for me the most significant one as well as creator Dan Jurgens’ best work ever on the Man of Steel. I’m talking about Superman #100.

Cover
The cover.

Released in 1995 by DC Comics, Superman #100 came out with a special cover that highlighted the title “The Death of Clark Kent”. It was released with a hefty cover price of $3.95 for the United States and was pretty thick. It was written and illustrated by Dan Jurgens, the same man who worked on the best-selling Superman #75 (The Death of Superman climax).

Early story

The story begins with Clark Kent carrying a deformed Superman object (with makeshift glasses and a knife “stabbing” the letter S) and just feet behind him was his officemate Jimmy Olsen. Hidden mostly from Olsen’s view, the object signifies that someone knows that Clark Kent and Superman are one and the same person. Carefully, Clark hides it away and starts chatting with Jimmy who is very concerned of him.

Clark recently has been struggling over the fact that someone knows his secret identity. After carefully dismissing Jimmy, he moves out as Superman to take of business before the madman (who knows his identity) makes his next move.

Superman visits his parents Jonathan and Martha Kent at their home in Smallville. He expresses to Jonathan that he believes that the madman is someone he knew from his past: Kenny Braverman (Conduit).

Quality

If there is anything that defines this comic book, it is the in-depth storytelling done by Dan Jurgens complete with intense character development as well as exploration of people from his past (all connected to Smallville).

The plot structure is quite simple. Conduit knows Superman/Clark Kent personally and is always at least a step ahead of the superhero complete with strategies mess with him personally. Superman, who came back from the dead and has been struggling to fit in with the times, finds himself at his most vulnerable state not as a super-powered guy but as a human being. To analyze things here, Superman is about to get suffer and lose a lot again but not with the temporary death he got from fighting Doomsday, but rather the demise of his personality as Clark Kent.

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Truly one of the best Superman dialogue and characterizations ever thanks to Dan Jurgens.

Think about it. As Clark, Superman has a career, a social life, grew up the American way, intends to spend his life with Lois Lane and has ambitions of simple living that mean more to him than being with the Justice League America (note: writing the next great American novel).

The great thing here is that writer-artist Dan Jurgens humanized Superman a whole lot in this comic book and his work is excellent. Superman #100 opens up the discussion about what life would be like for the Man of Steel once his identity as Clark Kent gets ruined. The story also connects with Superman’s past (within the post-Crisis universe of DC Comics) and sheds light on his relationships with not only his parents but also with Pete Ross and Lana Lang (Clark’s ex-GF). When it comes to putting Superman in danger, Conduit’s approach is more convincing than Doomsday’s unstoppable power of destruction.

By the time I got immersed with Dan Jurgen’s storytelling and character development, the action scenes involving Superman felt justified. More importantly, this comic book shows the famous superhero being pushed to the limits in terms of personality tolerance and determination.

Conclusion

We live in an age in which established entertainment franchises get ruined by sequels or spin-offs or reboots which were mishandled by creators who tried to reinvent stuff only to fail and disappoint the fans.

Look at Star Wars Episode VIII: The Last Jedi. Director Rian Johnson had complete creative control on telling an engaging and fun Star Wars tale but ended up deforming it (disregarding Star Wars’ most defining elements), focused mainly on subverting people’s expectations and left many long-time fans disappointed and angry.

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Superman going after Conduit.

Going back to Superman #100, Dan Jurgens succeeded in redefining the American icon while maintaining respect of the established past of the character and kept the elements that defined Superman. His story about the demise of Superman’s secret identity was a very fresh concept and, for a time, it paved the way for opportunities to take the Man of Steel into new creative directions without disappointing fans.

Personally, I would love to see Warner Bros. produce a new standalone Superman movie with Henry Cavill as the superhero and adapt the core elements of Jurgens’ work in Superman #100 into the screenplay. Cavill already proved he could portray Superman/Clark very humanly in Man of Steel.

Overall, Superman #100 is highly recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

To Warner Bros. and the Filmmakers, Please Have Superman (Henry Cavill) and Black Adam (Dwayne Johnson) Clash Together on the Big Screen!

With the unexpected, massive success of the Joker movie (my review here), the DC Comics brand in the field of movies got strong even though the said film was not related at all with the current DC Comics Cinematic Universe. The R-rated, Joaquin Phoenix-led movie grossed over $1,000,000,000 worldwide (without even a release in China) and already it is one of the most profitable movies this year given the fact it was made for well below $100 million. Also, please take note that less than 100% of each ticket sold gets collected by the movie producer.

The future meanwhile looks very promising for fans of DC Comics movies. 2020 will see the respective theatrical releases of Birds of Prey (February) and Wonder Woman 1984 (June) care of Warner Bros. and its creative teams of filmmakers. The Batman (starring Robert Pattinson and directed by Matt Reeves) meanwhile spearheads the cinematic superhero excitement for 2021.

And then there is the other DC Comics superhero movie slated for a December 2021 release….. Black Adam which was recently confirmed through social media by none other than Dwayne Johnson himself.

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Official Black Adam movie image. Note Jim Lee’s name on the lower-left corner.

“I’m honored to join the iconic #DCUniverse and it’s a true pleasure to become, BLACK ADAM. BLACK ADAM is blessed by magic with the powers equal to SUPERMAN, but the difference is he doesn’t toe the mark or walk the line. He’s a rebellious, one of a kind superhero, who’ll always do what’s right for the people – but he does it his way,” Johnson wrote in his Facebook page’s November 15, 2019 post.

Recently, Henry Cavill (Man of Steel, Batman v. Superman and Justice League) confirmed through Men’s Health that he is not yet done with playing Superman.

“I’ve not given up the role. There’s a lot I have to give for Superman yet. A lot of storytelling to do. A lot of real, true depths to the honesty of the character I want to get into. I want to reflect the comic books. That’s important to me. There’s a lot of justice to be done for Superman. The status is: You’ll see,” Cavill said.

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Henry Cavill is NOT yet done with playing the cinematic Superman!

While there is no clear sign that there will be a new Superman movie coming, I want to express that Warner Bros. and its creative teams should grab the opportunity of bringing Dwayne Johnson and Henry Cavill together on the big screen as Black Adam and Superman respectively.

I’m not saying that Superman should be in the Black Adam movie because I believe that the 2021 movie has its own concept already. Rather they can have the two DC Comics characters together in a future Superman movie with Black Adam as the main antagonist, and have the two fight each other hard.

In the comic books, there have been past battles between the Man of Steel and the Shazam villain. The first was in the 1982 comic book DC Comics Presents #49. Check out the images posted below.

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And then there was the other encounter in 2005’s Action Comics #831.

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Previously I expressed that the next Superman movie should have Lex Luthor and Brainiac together as the main antagonists. With the recent statements made by Johnson and Cavill, there is now hope for them to appear together in a future DC Comics movie. I believe that having Black Adam as the main antagonist the Man of Steel in a new Superman movie is a great concept.

Let’s not forget the fact that Dwayne Johnson is a great attraction when it comes to hard battles on the big screen.

I believe that having Johnson as Black Adam fighting Cavill’s Superman will be a great cinematic attraction. With the right director and the right fight choreographer, such a movie battle will be a lot of fun and make people forget about the disappointing battle of the DC Comics icons in Batman v. Superman (which started strongly but lost energy and its pace worsened). In terms of storytelling, there are enough comic book references to help screenwriters come up with a sensible and believable way to establish a conflict between Black Adam and Superman. Again, there is Batman v. Superman as a cinematic storytelling disappointment to avoid repeating.

Let’s not forget that the movie Shazam was a critical and commercial hit for Warner Bros. and it’s safe to say that we will see more of Zachary Levi reprise the title role in future movies. At the same time, we have yet to see Shazam (formerly called Captain Marvel) face off with Black Adam and have a true, lengthy encounter with Superman.

If you are a dedicated DC Comics fan who wants to see Superman and Black Adam clash together on the big screen, express your support to the filmmakers, to Warner Bros. and also to Henry Cavill and Dwayne Johnson online.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Wonder Woman is Coming to Brazil!

Hi everyone!

It’s all out in the entertainment news! Wonder Woman is, literally, coming to Brazil as Gal Gadot and Patty Jenkins confirmed through social media that their much-awaited movie Wonder Woman 1984 will officially be presented at the Comic-Con Experience (CCXP) this December in the country. This is not the first time that Warner Bros. showcased DC Comics movies at the annual pop culture event there in Brazil.

As Gadot and the movie director will be there, it is expected that there will be a special presentation about the film and that Warner Bros. will officially release online the first trailer of it.

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A specially designed, fantasy post card emphasizing Wonder Woman 1984’s presence at CCXP this year.

It has been quite some time since Wonder Woman 1984’s production got completed and so far any footage of it has yet to be shown worldwide. The movie was originally slated for a November 2019 global release in cinemas but Warner Bros. delayed it to June 2020.

2017’s Wonder Woman was an acclaimed movie which grossed over $800 million worldwide. Believe it or not, that film was Patty Jenkins’ 2nd movie as director and, quite notably, her directorial debut happened way back in 2003. That first film of Jenkins’ was Monster and its star Charlize Theron won the Academy Award for Best Actress.

WW84

Image from the official movie poster of Wonder Woman 1984 showing Gal Gadot in armor.

I loved the Wonder Woman of two years ago and it easily is my favorite superhero movie of all time. I already explained reasons why I’m excited to watch Wonder Woman 1984.

Come December, excitement for the 2020 film should spread like wildfire through social media from Brazil to the entire world. Let me add that featuring Wonder Woman 1984 at the CCXP makes a lot of sense since the 2017 movie grossed $33.5 million in ticket sales there in Brazil. The country is also very receptive towards other DC Comics movies such as Aquaman ($36.3 million), Batman v. Superman: Dawn of Justice ($36.7 million) and Justice League ($41.3 million).

Watch out for further updates right here.

 

 

 

Carlo Carrasco’s Movie Review: Joker

Let me make it clear to all of you readers. The movie Joker is NOT a superhero movie at all even though it is a cinematic adaptation focused on one of DC Comics’ biggest super villains. It is also not a movie to watch for fun and enjoyment, but it is still engaging in a very different way.

The truth is, Joker is a large art film made to shock viewers with darkness, deep grit and some graphic violence. The good news here is that the movie is very engaging and easily reminds me of two certain movies that Robert De Niro and director Martin Scorsese worked together on. It’s a victory for Warner Bros. and DC Comics.

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Joaquin Phoenix as the new cinematic Joker will be remembered for a long time.

Joker follows the exploits and Arthur Fleck (Joaquin Phoenix), a struggling man who is hardly surviving working as an entertainer (a clown, specifically) supporting his mother and dealing with the hard life of Gotham City which was stylistically made to look like 1970s New York City. Arthur, who is living with a condition of uncontrolled laughter, looks up to TV show host Franklin Murray (played by Robert De Niro) as an inspiring figure to try out comedy and hopefully make it big to free himself and his mother from poverty.

While performing as a clown surrounded by children in a hospital, Arthur accidentally drops a gun he just received from a co-worker. Because of this, he gets fired and learns that the man who gave him the gun lied to their boss. While riding the subway still looking like a clown, he gets beaten up by three business executives who were drunk. In response, Arthur kills them with the gun and gets away. This incident starts a chain of events that causes friction between the upper class and the lower class, and then protesters wearing clown masks multiply.

On face value, Joker is clearly inspired by character-driven films of the 1970s. While it is not necessarily based on any particular comic book, it carried some slight elements from Batman: The Killing Joke. What is more obvious is that it took inspiration from De Niro-Scorsese films Taxi Driver and The King of Comedy.

As a psychological thriller, Joker is a great portrayal of how low a desperate man could go only to strive and survive. Arthur Fleck is greatly played by Joaquin Phoenix who carefully blends drama, anger, violence and even humor altogether. He really made the cinematic Joker his own and along the way, his Joker laught is more effective than that of Heath Ledger and the Joker physical appearance is almost as memorable as that of Jack Nicholson’s. The movie is indeed very violent but it is not overly violent. To be specific, there are a lot more deaths, acts of violence and shooting in Brian De Palma’s Scarface than this movie.

Joker also has a lively portrayal of the conflict between social classes. The scenes of the clown-masked protesters filling the trains and the streets still resonate with the socio-political rallies that happened in modern society. There is also the aspect of poor and desperate people depending on government for survival and they are easily vulnerable to getting cut off whenever resources run out.

Desperation is also a solid theme in the narrative. To see Arthur Fleck look up to Franklin Murray and imagine sharing the stage with him on TV reminds me a lot about some real-life people (who don’t have too much money) I encountered in Cebu City who can’t help but stop studying (even the older ones quit their legitimate jobs) and get into local entertainment hoping that fame and fortune will lift them up. Of course, when things get worse, desperate people would either get back to what they can live with or, worse, turn to a life of crime just to survive. With regards to Arthur’s attempt to become a comedian on screen, that easily reminds me of similar people in real life who thought they are very talented to be the next great superstars but ended up failing.

Conclusion

With its very solid direction by Todd Philips, great dramatic performances, nostalgic presentation and in-depth characterization, Joker is a must-watch movie mainly for moviegoers who want to be engaged with psychological thrills and bouts. As a DC Comics movie that is NOT connected with Warner Bros.’ current franchise of superhero movies (that started with Man of Steel in 2013), Joker works as an adulterated, standalone movie. To compare it with comic books published DC, I should say Joker is very much like an Elseworlds story. For the new comers reading this, Elseworlds was a franchise of comic books published by DC Comics that had stories using established characters but were told outside of DC universe canon.

Joker is highly recommended. Just don’t expect to see the usual superhero movie elements in this very solid DC Comics movie.


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