A Look Back At Superman and Spider-Man

I miss the old times when big rivals Marvel and DC Comics would set aside competition temporarily to team up and rely on their respective comic creators to make superhero crossover comic books that the fans can enjoy.

Back in the 1970s, key developments related to the comic book adaptation of The Wizard of Oz brought the two rivals together as partners. In 1976, Marvel and DC’s first superhero crossover Superman vs. The Amazing Spider-Man got published and to this day many comic book collectors and geeks I encountered still enjoy it. A few of them even called it a classic.

The collaboration between Marvel and DC continued in 1981 with Superman and Spider-Man which was published as issue number 28 of the Marvel Treasury Edition series.

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The cover.

This is my look back at Superman and Spider-Man.

The comic book

Scripted by then Marvel Comic editor-in-chief Jim Shooter (with Marv Wolfman mentioned for plot suggestions) with art drawn by John Buscema and inkwork done by Terry Austin, Al Milgrom, Steva Leialoha, Walt Simonson, Bob Layton, Joe Rubinstein and Bob Wiacek, the comic book begins when Spider-Man swings into a construction site where he encounters several armed men and stops them singlehandedly.

Even though he stopped the bad guys, Spider-Man’s spider sense bothers him making him speculate that, because there’s no clear danger around him, the construction site seemed to be a threat.

After Spider-Man swings away from the police who just arrived, classic Marvel supervillain Doctor Doom watches via surveillance video and he was bother by the way things turned out.

“I did not like the way Spider-Man paused and look around after subduing the thieves – – as if he sensed something unusual about the excavation! Those accursed spider instincts of his,” Doom said before proceeding with his master plan.

A day later, the Hulk arrives in Metropolis causing lots of damage. Separately Superman and Spider-Man arrive to contain the green guy. However, things are not what they seem. This is where the story description ends.

Quality

What this comic book lacked compared to the 1976 Superman-Spider-Man crossover is visual impact. Clearly John Buscema had to follow closely the script which called for multiple panels per page and that left him little room to draw scenes dynamically. That’s not to see the art is weak. In fact, Buscema’s art is pretty good and he has deep knowledge about how the characters (including those many supporting characters and other minor characters from both Marvel and DC Comics) really looked from the size of Hulk’s body, the details on Wonder Woman’s costume, the distinctive look of J. Jonah Jameson, Perry White, etc. In short, I recognized the characters very easily.

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This remains fun to read.
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Peter Parker in Metropolis along with the Superman supporting characters. This is one great element that made this comic book worth reading.

While the high number of panels per page limited him, Buscema managed to come up with some action shots that packed some impact.

When it comes to writing and storytelling, this comic book exceeds that of the 1976 Superman-Spider-Man crossover big time! To start with, the plot is much more elaborate, more detailed and yet consistently remained easy to follow.

While the 1976 crossover had the most popular villains of Superman and Spider-Man as the representation of evil, this one instead had Dr. Doom and Parasite. The great news is that these two super villains complement each other nicely and that itself adds good depth into the plot. Dr. Doom is a major schemer and Parasite fitted nicely within his master plan for global chaos.

Regarding dialogue, the script had a lot of strength and was also specific in capturing the personalities of the superheroes, the super villains and the supporting cast. I can easily identify J. Jonah Jameson, Perry White, Lois Lane and others through the dialogue.

Not to be outdone is the deeper approach to the crossover aspect of the story. Right from the start, the comic book creators expected us readers to suspend disbelief and start believing that while the story is non-canon, the respective universes of Marvel and DC Comics co-existed. Because there were TV shows of Wonder Woman and the Hulk playing, the two characters were included in the comic book adding depth to the crossover.

Speaking of crossovers, this comic book was not limited to Superman and Spider-Man. The encounter between the Hulk and Superman was a short but sweet spectacle to read. The encounter between Wonder Woman and Spider-Man meanwhile was short yet fun.

Adding more to the fun in this comic book was how Clark Kent interacted with the Spider-Man supporting characters while Peter Parker interacted with the Superman supporting characters. I enjoyed every moment of these scenes.

As far as narrative is concerned, this comic book is slightly slanted towards Superman. One factor behind this was the implementation of how local authorities interact with Superman and Spider-Man. Whenever he solves crime, Superman is highly respected by the public and the police. This is not the case with Spider-Man who is often perceived to be a social menace even though he helps solve crimes. Another factor was that Superman did more detective-type work (including a visit to Latveria) while Spidey hardly contributed anything to the plot’s development.

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Nothing can be more frustrating than getting attacked by police officers when you try to help them solve their problems.

Regardless, the two icons got a fair share of the spotlight during the final stages of the story and there was enough spectacle to enjoy.

If there is any complaint I have, it would be the comic book creators’ reluctance on fully connecting itself to the 1976 crossover. In the scene wherein Peter Parker was guided into the film editing room by Jimmy Olsen, he recognized Lois Lane and remembered meeting her in the 1976 crossover (which ended with socializing). And yet when Spider-Man and Superman get together in this comic book, there was a noticeable lack of friendliness and personal cooperation between them even though they bonded nicely in the 1976 story.

Conclusion

Overall, Superman and Spider-Man is indeed a highly engaging, fun-filled superhero crossover comic book. For me, it is a true literary classic and definitely worth searching for out there. I read this crossover many times from start to finish and even though I knew the plot and the dialogue, I still had a lot of fun reading along the way. With the combined talents of Shooter, Buscema and many others, this superhero crossover was indeed one of the very best stories ever told by Marvel and DC Comics.

Given the current corporate climate Marvel and DC Comics are now in, it is very unlikely we will see another creatively fun superhero crossover collaboration between them happening soon. For the newcomers reading this, Marvel is owned by the Walt Disney Company while DC Comics is owned by Warner Bros.

Whether you search for the original comic book or its inclusion in a volume of The Marvel/DC Collection: Crossover Classics Volume 1, Superman and Spider-Man is highly recommended!


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

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Is a Darna movie still needed?

This past summer, the production of the pending Darna movie project suffered a major setback when Liza Soberano dropped out due to a serious injury of her finger. I wrote about that months ago and the fact that Soberano cried during the ABS-CBN interview (she admitted she let the fans down) only showed how heavy and painful the loss of the Philippine pop culture icon was to her deep inside. Not only that, the original director Erik Matti is no longer involved and has since been replaced by Jerrold Tarog.

As of this writing, the filmmakers are still quietly searching for a suitable replacement for Soberano.

As the search goes on in this age of social media and Hollywood-produced superhero movies that dominated the Philippine box office, the hot question remains – is a Darna movie still needed?

To understand things better, let’s go back to the beginning.

The past

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Darna with the Philippine flag on display at the Ravelo Komiks Universe booth during the recent Toycon.

Created by the late Mars Ravelo, Darna debuted in 1950 in illustrated print media and went on to appear in comic books, comic strips, magazine special features, television and movies to name some. Through the decades, Darna went on to become a Philippine pop culture icon and there were those who even compared her with Wonder Woman.

In Philippine cinema, Vilma Santos (who is now a public servant) made her mark with the public when she played Darna more than once. Other actresses who played the superhero in other movies were Sharon Cuneta, Anjanette Abayari and Regine Velasquez to name a few.

The 21st century

In the 21st century, Darna was unsurprisingly modernized in a TV series starring Angel Locsin and produced by GMA Network. The series became a hit nationwide and helped keep Ravelo’s icon relevant to Filipinos while also boosting Locsin’s popularity. A few years later, GMA lost Locsin to its rival network ABS-CBN and “replaced” her with then newcomer Marian Rivera who went on to become a star. While still holding the rights to Darna, GMA launched in 2009 a new series with Rivera as the superhero. Like the 2005 series before it, it became a hit as well.

While it was a success, the deal between GMA and the surviving members of Mars Ravelo came to an end. Unsurprisingly, in 2015, the Ravelos signed up with rival network ABS-CBN with upcoming Darna projects in mind. What made this new deal different was that it was in the form of a motion picture project through its movie-making arm Star Cinema.

Making a live-action Darna movie turned out to be tricky and time-consuming. In 2017, the project generated a lot of buzz and excitement when the young and pretty Liza Soberano was hired to play Ravelo’s creation. She was easily referred to as the “Millennial Darna”.

Of course, in this age of social media and smartphones, Filipinos expressed their reactions online. While there were those who welcomed Soberano as Darna, there were some who had problems with the actress’ American accent and heritage (note: Soberano was born in the United States) and some even claimed that she was “not Filipina enough” to play Darna who in the realm of fantasy is Narda, who is often portrayed as a simple Filipina.

And then there were some people who preferred Angel Locsin over Soberano. Take note that almost a decade before Soberano signed up to play Darna, Locsin was hired by ABS-CBN and starred in many big projects with the network achieving lots of success in both television and movies. As such, it was no surprise that there were still many craving for Locsin to play Darna under the banner of ABS-CBN.

Before losing the role, Liza Soberano worked really hard to play Darna. Videos and images of her physically training for the role were released online and it has been reported that she researched the icon behind the scenes. Soberano, by the way, studied at SISFU (Southville International School Affiliated with Foreign Universities) in BF International, Las Pinas City.

Do people really want to see a Darna movie at all?

While Star Cinema is slowly making the Darna movie, it is only fair to ask if people really want to see the movie at all. Do Filipinos, who collectively paid a good amount of money to enjoy Hollywood-made superhero movies in local cinemas since the year 2000, really need to watch Darna on the big screen?

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Pick a Darna.

Now I am not a filmmaker nor have I gotten involved in the nation’s film industry but as a long-time geek, observer and former journalist, I should say that the odds are against Star Cinema.

Traditionally here in the Philippines, local film productions that became hits were the romantic comedy and horror types of movies. There were a few historical epic films that became hits along the way. A few fantasy movies were released and made some good money. Given the fact that these kinds of films became hits with Filipino moviegoers and given the fact that the Filipino action film genre has faded away since the early 2000s (note: Filipino action movies have been rarely produced since then), it comes to show that Filipino moviegoers are not that interested in locally made action scenes.

Action scenes combined with computer-generated images (CGI) are among the most attractive features of Hollywood superhero movies to Filipinos. There is nothing like watching Spider-Man’s classic fights with Doctor Octopus in Spider-Man 2 (2004), Wonder Woman leading the fight against the Germans in the No Man’s Land scene in Wonder Woman (2017), Batman fighting a gang of thugs in the warehouse in Batman v. Superman: Dawn of Justice (2016), and the massive battle between the superheroes and the evil ones in plains of Wakanda in Avengers: Infinity War (2018) all happen on the big screen!

Definitely those forms of spectacle look great, feel intense and were enjoyable to watch again and again. Moviegoers here in the Philippines paid good money to experience those sequences. For sure, all those on-screen action sequences were carefully crafted, choreographed and painstakingly laced with CGI at a high cost.

That being said, what can the Darna movie offer local moviegoers in terms of spectacle? Can the filmmakers come up with something stylish (if not original) with the action with Darna that can convince moviegoers to come back for more? How much money can the filmmakers afford to invest in such spectacle? For sure, there will be moviegoers who can’t help but make comparisons with Darna’s on-screen spectacle with those of movies from Marvel and DC.

There is also the challenge for the Darna filmmakers to tell a compelling story and have the moviegoers connect with the characters. Sure there is Darna (Narda is her civilian identity) but who else could they add as key cast members? The least the filmmakers could do is involve supporting characters who would end up annoying moviegoers. If the Darna movie would have humor, the producers should make sure that the comedy players should avoid annoying the viewers as they try to make comic relief.

Challenging also is the implementation of the villain to give Darna problems and compel her to act heroically. There is the long-time enemy Valentina but how can the filmmakers make her relevant and not look corny to the locally viewers who have gotten so used to villains in Hollywood superhero movies. Creating a brand new, all-original villain for Darna on the big screen could be a last resort if ever none of the Mars Ravelo-created villains would fit in. A weak cinematic villain is a big no-no.

And then there is the challenge of dramatizing and modernizing the origin of Darna on the big screen. This can make or break the movie because emphasizing the origin requires a good amount of build-up and however the story is written (with the expected big battle near the end) the movie should have balance. It is key to entertain the viewers, to connect them with the characters and make the plot relevant to them. If there is way too much build-up (read: Batman v. Superman: Dawn of Justice), moviegoers will end up getting burned out and the spectacle won’t save the movie. If the film has too much social commentary, it could turn off moviegoers.

Another issue is maintaining the relevance of Darna with the Filipinos as time passes. Each year that passes, a superhero movie of Marvel or DC Comics gets released in cinemas nationwide and adding more to the relevance of the superheroes in those movies is the presence of comic books and trade paperbacks of superheroes in retailers. I’m a comic reader and no matter how hard I try, I could not even find a Darna comic book at the retailers (including the comic book specialty stores) and not even reprints of old comics are available. As for the past TV series and movies of Darna, they can be viewed on YouTube but those productions are not too appealing to me.

Merchandise of Darna and the other Mars Ravelo heroes Lastikman and Captain Barbell are not that common commercially. The Ravelos however, in partnership with ABS-CBN, sell such merchandise (under the title Ravelo Komiks Universe) online.

During my time at the recent Toycon, there was a Ravelo Komiks Universe at the main exhibition floor which showcased statues and some merchandise of Darna, Captain Barbel and Lastikman. There were even hired models portraying the Ravelo superheroes in full costume.

One last issue to discuss here is movie competition. Hollywood superhero movies pretty much made tremendous commercial, and even social, impact here in the Philippines since the year 2000 when X-Men proved that superhero films can be taken seriously and be enjoyed for what they are. There is no denying that Marvel and DC Comics movies are major moneymakers among Filipinos. Wonder Woman grossed over P520 million nationwide in 2017. The disappointing X-Men: Apocalypse made over P400 million in 2016. Iron Man 3’s gross in 2013 was over P625 million. Lastly, Avengers: Endgame made over P1.6 billion this year!

Superhero movie competition is already tough and for sure moviegoers will compare Darna to those foreign superhero flicks on every detail. As if that was not hard enough, there is also movie competition with non-superhero flicks like Jurassic World (over P500 million) and the Star Wars movies to name a few. Some comedies and romantic comedies occasionally sell a lot. There are also those computer-generated animation films as well not to mention some Filipino movies that sometimes turn into major blockbusters.

Conclusion

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I wonder if this classic Darna design will actually be used in the delayed movie. Whoever gets hired as the star should be ready to wear this swimsuit-type costume.

With these issues discussed, making a Darna movie is hard to do and selling it, if ever it gets made at all, is an even bigger challenge for Star Cinema. As a movie market, the Philippines and its moviegoers have an undeniable appetite for foreign movies and if it is spectacle they crave for, they search for it from Hollywood from the superhero movies, the sci-fi movies, the hard action films, fantasy movies, etc. Adding further to the challenge of making the Darna movie succeed is the advanced publishing of schedules of releases of future movies like Wonder Woman 1984 which will be released worldwide on the first week of June 2020.

If ever the film will be made, could Star Cinema’s Darna turn out as the complete package of really special superhero fun, engaging storytelling, memorable characters and great spectacle in the near future? Will it be released during the Metro Manila Film Festival or during the January-November period? How can Star Cinema make Darna relevant to young moviegoers, geeks and the many Filipinos who love watching Hollywood superhero movies?

The answers should unravel in the near future. There is, however, the possibility that the Darna movie would end up getting cancelled. Personally, I would not be surprised if that happens.

Don’t get me wrong. While I am not a fan of Darna, I still am interested to see a modern day film adaptation of Mars Ravelo’s superhero and hope it will happen with an engaging story, characters worth connecting with and carry lots of entertainment value. While I enjoy watching Hollywood superhero movies, I still will give the Darna movie a chance if it ever gets made as a solid film.

How about you, readers? Do you want to see a Darna film on the big screen?


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

A Look Back At X-Men: The Last Stand

X-Men: The Last Stand is better than X-Men: Dark Phoenix? What a joke driven by hatred and uncontrolled emotions of negativity towards the latter.

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Ian McKellen as Magneto.

Released in 2006, X-Men: The Last Stand was the third movie of Marvel’s mutants which made $459,359,555 worldwide establishing new box office records at the time including the Memorial Day weekend opening and a single-day record for Friday openings. It was also the highest grossing X-Men movie until X-Men: Days of Future Past exceeded it in 2014.

While the first two flicks were directed by Bryan Singer (who literally abandoned this movie in favor of the big letdown Superman: Returns), this one was done by Brett Ratner who is best known for Rush Hour films. For the superhero concept of the film, Ratner clearly depended on the script by Simon Kinberg (who directed X-Men: Dark Phoenix) and Zak Pen (X2: X-Men United).

The story begins some time in the past with Charles Xavier and Magneto visiting the house of a little girl named Jean Grey whose power of telepathy and telekinesis make her dangerous. Her own father thinks she has an illness. In another scene, a young boy desperately tries shaving off something on his back which turned out to be a mutation. To put it short, the prologue establishes the two concepts this movie tried to emphasize – the Dark Phoenix (from the classic comic book storyline by Chris Claremont and John Byrne) and the Mutant Cure (in reference to one particular episode of the 1990s X-Men animated series).

The result? A rather unfocused narrative that bogged the movie throughout. In the present day, Charles Xavier and the X-Men are no longer hiding from the federal government (which in turn has Hank McCoy/Beast as part of the US President’s cabinet). A cure that can neutralize the mutant gene has been revealed and eventually Jean Grey suddenly returns back to life in front of Scott Summers/Cyclops. Then trouble in the story (and for this film in particular) sets in.

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Dark Phoenix and Professor X.

On storytelling, the lack of focus on a central concept really dragged this movie down even though the filmmakers made attempts to link them together. This is a very unfaithful adaptation of the Dark Phoenix Saga – instead of showing the Phoenix Force as a cosmic entity the filmmakers used the dual-personality concept in Jean Grey. There are no alien civilizations (read: no Lilandra) involved nor anything related to outer space (a key element in the comic book storyline). With regards to the cure concept, Rogue in this film makes a move to be cured loosely following what was shown in the animated series.

Having these two concepts connect to each other showed Magneto getting motivated to rally the mutants to oppose the humans. Jean Grey meanwhile gets controlled by the Phoenix personality and gets very destructive with power which makes her an asset to Magneto and his brotherhood of evil mutants.

As the filmmakers struggled to tell the story, the social relevance and symbolism emphasized in the first two films got weakened. The core concept of mutants getting isolated and discriminated by humanity simply because they are so different became much less relevant here.

As if that was not bad enough, the characterization also changed for the worse. Magneto here became one-dimensional as a villain and the way he reacted to Charles Xavier’s destruction in front of him and Jean Grey reflected bad screen writing. Any true X-Men fan would know that even though he and Xavier were adversaries with a past friendship, Magneto should have been outraged over his old rival’s destruction and strike at Jean Grey (even if it is suicidal for him to fight a more powerful entity, the Phoenix).

For his part, Charles Xavier turned out to be a manipulator of Jean Grey’s mind making him look as evil and manipulative as Magneto. Jean Grey, despite actress Famke Jansen getting more screen time than before, ended up as a visual tool and was clearly NOT the central figure of the story rather she ended up being a tool of power by Magneto. By today’s standards, Jansen’s portrayal of Jean Grey/Dark Phoenix pales in comparison with Sophie Turner’s performance in X-Men: Dark Phoenix.

More on characterization, the triangle between Iceman, Rogue and Kitty Pryde was executed with no real depth and only served to show Anna Paquin’s character search for the means to be normal (because Rogue absorbs the power and life of people she touches) which ended up being not so meaningful for viewing. Young adult Angel’s (one of the original X-Men in the comics) minutes-long presence in the movie only served to showcase special effects. Storm’s prospect of succeeding Xavier as leader of the X-Men and the school was sloppily done. Oh yes, the showing of multiple mutants (in supporting roles, non-speaking roles or as mere background characters) that weakened the narrative of the first two films was even worse here. As a result, there’s quite a lot of fan service in this movie.

Going back to storytelling, I should say that the early demise of Cyclops (played by James Marsden for too little screen time due to his work with Bryan Singer on Superman Returns) and Charles Xavier were attempts by the filmmakers to raise the stakes and even shock viewers. The problem is that the third act of the film became more of an action and CGI bonanza ultimately failing to justify the loss of Cyclops and Xavier. The story ended with not much impact on me as a viewer and the late scenes showing Magneto recovering a little of his power (plus the post-credit scene about Xavier’s survival) were unsatisfactory. By comparison, X-Men: Dark Phoenix concluded with satisfaction.

Performances? The actors did what they could with the weak screenplay. Patrick Stewart played Charles Xavier managing his school but gets burdened heavily as Jean Grey returns with the Phoenix in her (which makes Xavier feeling guilty over his past manipulation of Jean’s mind). Ian McKellen played a one-dimensional Magneto (forget about the reasonable fighter for mutants you saw in the first two films) and really had little room to flesh him out. Clearly this version of Magneto, even though he has a lot of screen time here, is rubbish when compared to the cinematic Magneto in X-Men: Dark Phoenix.

Hugh Jackman as Wolverine is clearly the hero of this movie and was given a lot to do showing a deeply concerned Wolverine as well as showing him with lots of action on-screen. His emotional reaction towards Jean Grey near the end of the movie was believable. Halle Berry meanwhile failed yet again to capture the leader in Storm from the comic books.

Another thing to mention regarding the weak script is the lame attempt at humor in the film. Just look at the exchanges of words between Wolverine and Beast which only made me frown instead of laughing.

Exchange 1

Dr. Hank McCoy: Wolverine. I hear you are quite an animal.

Logan: Look who’s talkin’.

Exchange 2

Logan: Well, for all we know, the government helped cook this up.

Dr. Hank McCoy: I can assure you, the government had nothing to do with this.

Logan: I’ve heard that before.

Dr. Hank McCoy: My boy, I have been fighting for mutant rights since before you had claws.

Logan: [to the Professor] Did he just call me boy?

If there is anything positive at all with this movie, it is the spectacle (action, stunts and special effects). If you want to watch an X-Men movie without thinking too much and just enjoy the spectacle, The Last Stand is heavily loaded! The scope of destruction (including the major showcase of Magneto’s power with the Golden Gate Bridge) is also great and helped this weak movie look epic (even more epic than the better film X-Men: Dark Phoenix). There is also a big battle of multiple members of Magneto’s brotherhood attacking the soldiers at the Alcatraz facility. Action is where director Brett Ratner is good at and it temporarily helped this film feel fun to watch. The visual design and special effects are of good quality as well.

 

One last positive thing to mention here is the casting of Kelsey Grammer as Hank McCoy/Beast and his performance was, indeed, superb. I really saw the scientist, the intellect and the fighter of Beast from the comics translated nicely in cinematic form.

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A striking shot as a result of Magneto’s power.

By today’s standards of superhero movies, X-Men: The Last Stand unsurprisingly went from big-budget disappointment to what is now an overall bad movie that just happens to have some fun action sequences. As far as adapting the Dark Phoenix Saga from the comics, this film is definitely inferior to X-Men: Dark Phoenix. X-Men: The Stand does look good when compared to the terrible X-Men Origins: Wolverine.

If you are a true fan of the X-Men or if you are moviegoer who wants the best superhero cinematic experience, I won’t recommend watching X-Men: The Last Stand.

But then if you are a moviegoer who cannot do anything except hate and uncontrollably bash the new movie X-Men: Dark Phoenix, then maybe The Last Stand will be your bout of fun.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

 

 

 

 

 

 

 

A Look Back At Prime #1

As a comic book collector, 1993 was a notable year. That year Marvel organized the 30th anniversary celebration of the Avengers and the X-Men (which I’m a fan of). Image Comics meanwhile released a lot more comics showcasing the works of many creators apart from the publisher’s Seven Founding Fathers. Over at DC Comics, Superman was brought back to life but after they started the Reign of the Superman storyline. Oh yes, there was Valiant which scored hits with Turok #1 and even partnered with some Image Comics creators to produce the Deathmate crossover comic books.

At one corner was Malibu Comics which made a brave entry into the highly competitive superhero genre of comic book publishing in America by launching the Ultraverse, a line of superhero comic books which was the result of brainstorming by several comic book creators (many who previously worked with Marvel and DC Comics).

They launched a lot of comics (all those with #1 on their covers) which made it on the walls and shelves of local comic book stores I visited. Among the many Ultraverse launch comic books displayed was Prime #1 which had a great cover drawn by the late Norm Breyfogle.

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The cover with nice art.

Co-written by Len Strazewski and Gerard Jones with art by Breyfogle, the comic book introduces readers to Prime, an overly muscular, caped man who tries to do something good but is quite flawed with his approach.

The story begins when Prime confronts a junior high school coach named Meyer accusing him of being a pervert. Meyer reacts surprised since he personally does not know Prime (“Who are you? What are you?”). He claims that he does not know what exactly the big guy knows. At the side were two high school girls witnessing the encounter.

And then Prime said his words, “I saw you, coach Meyer! I saw you on the basketball court in fifth period..touching those girls!”

Prime2

Prime3

The coach fought back causing Prime to react. Because the hero was not aware of his strength, he miscalculated with his grip on Meyer breaking his arm unintentionally. Prime’s reaction clearly showed his realizing his mistake.

The incident scared the one of the girls away and carelessly Prime tries to explain himself to the other girl standing by. He even called himself as the girl’s “protector and avenger”, telling her not to be afraid of him.

As it turned out, the incident was a recently past event within the narrative of the comic book which is a nice touch. The coach, already injured, gave his testimony expecting cash from a shadowy organization collecting information not only about Prime but the Ultras (the in-universe term referring to beings with super powers).

That’s as far as I will go with telling the plot details. Prime #1 should be read from start to finish and the good news is that old copies of it can be found online at affordable rates and there are lots of copies in overall good condition.

Other notable elements of Prime #1 worth discussing, without spoiling the plot, is the way the story was structured by Strazewski and Jones. At least for 1993, it somewhat defies the tradition of following the views of the protagonist. Instead, Prime is emphasized through the views of others from the injured coach to the soldiers and the media. This approach does not necessarily make Prime a supporting player in his own comic book but rather it was an efficient way of showing how he thinks and acts, what he is capable of doing and how he reacts to others. By the time the comic book ends (with a very intriguing ending no less), you will get to know Prime a lot.

I also liked the way the writers used corporate media as a key element on exploring the connecting elements of the Ultraverse. Hardcase is shown briefly while a reference was made on Prototype. Check out the page posted below on how corporate media looks at Prime.

Prime4
Corporate media exposure and conspiracy efficiently told in one page.

When it comes to the art, the late Norm Breyfogle (1960-2018) delivered visuals that had that cartoony look and yet the visual expressions are quite mature, even dark and gritty. It is a very nice approach and it is no surprise, looking back, that Breyfogle went on to draw a lot more issues of Prime for Malibu Comics. Breyfogle died on September 24, 2018 due to heart failure in Michigan. Before making his mark on the Ultraverse, the late artist drew a lot of comic books for DC Comics and is known for his contributions on Batman.

More on hero himself, Prime is a flagship character of the Ultraverse and the combined talents of the writers and artist were major factors behind it. On face value, Prime looks like the Ultraverse answer to DC Comics Superman but in reality he has a lot more common with Shazam/Captain Marvel. I can explain why but that means spoiling the plot more here.

Overall, Prime #1 is still a very good old superhero comic book to read. It is fun and intriguing from start to finish. Considering its very good quality and being a nice showcase of the talents of the creators, Prime #1 is one of the best Ultraverse launch comic books. It is too bad, however, that there are no signs from Marvel Entertainment (note: Marvel Comics acquired Malibu Comics in the mid-1990s) whatsoever on the possible revival of the Ultraverse which remains in limbo under them.

Even so, I still say that Prime #1 is highly recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Also if you are interested to join an Ultraverse-related community online, I recommend the Facebook group here.

Carlo Carrasco’s Movie Review: Shazam!

I’ll just say it out loud – I had a lot of fun watching Shazam! at the local cinema today. I’m not even a fan of the character Shazam/Captain Marvel (as he was called prior to Marvel’s legal takeover of the name) and still I enjoyed watching the movie. I rarely watch comedies in the cinema but I still had a lot of fun with Shazam!

Whatever challenges the filmmakers led by director David F. Sandberg faced, they succeeded in making their movie fun, action-packed and more importantly telling a story with a lot of heart with the main characters. It also proved crucial that Warner Bros. marketing team did not spoil the pleasant surprise the movie had all along and that surprise alone is already worth the price of admission.

Shazam! introduces moviegoers to Billy Batson who has moved away from multiple homes as he searches for his mother whom he got separated from as a child. At the new family he moved into, he meets Freddy Freeman who lives with a disability. Things change when Billy meets an aging wizard named Shazam and gains his power. By simply saying the wizard’s name, lightning strikes Billy to become the muscular, adult caped superhero. Along the way an obsessed Dr. Sivana rises with a lust for power which only means trouble for the Billy Batson/Shazam and his friends.

Why is storytelling a success in this movie? Answer – it was done with a lot of heart and director Sandberg succeeded in getting very strong performances from the cast. You will really sympathize with Asher Angel as Billy Batson who lives with a missing link in his personal life and often finds himself lonely. This is a movie about a teenager who does not aspire to become a superhero at all but rather find his mother anyway he could. The superhero aspect of the film is an extension (but a very significant one) of that core concept.

In terms of storytelling tone, Shazam! looks so much like a comedy based on the way it was marketed but rest assured the movie is not a dominant comedy at all. In fact it has a lot of dramatic scenes and even some horror elements spread around. Darkness? There is some of that by means of horror elements. Grit? Very little of it too. Cynicism? Non-existent. Clearly the DC Cinematic Universe under the leadership of Warner Bros. executive Walter Hamada continues to move away from the darkness, the grit and cynicism of Zack Snyder’s influence and for me that is a good thing.

In terms of performances, this film has a lot of good acts. While Asher Angel excelled as Billy Batson, Zachary Levi truly brought Shazam/Captain Marvel to life on the big screen. Not only does he really look like the superhero (as if he was ripped straight from the comic books), Levi was successful in playing his character with the act and mindset of a teenage boy. Jack Dylan Grazer was pretty engaging as Freddy Freeman (who is the in-movie geek and superhero culture researcher) and so was Mark Strong as Dr. Sivana. The other cast members like Grace Fulton, Ian Chen and Faithe Herman were good players as well. To sum it up, the quality of performances from the cast is varied and at the same time of good quality and nice artistry. From drama to humor, these cast members really pulled it off.

Shazam! was made to tell a compelling story that can be taken seriously while at the same time it delivered the humor and spectacle to satisfy moviegoers who want their superhero cinema experience to be enjoyable. When it comes to weaknesses, I say that the first twenty minutes was kinda slow. While the film is indeed very wholesome, the horrific imagery of the monsters can scare little kids and compel their parents to cover their eyes.

As a superhero comedy, it definitely is a more fun to watch than any of the Deadpool movies. As a superhero spectacle, Shazam! is quite comparable not only with DC Cinematic Universe movies but also with other humor-laced superhero movies from Marvel Studios. As a DC Cinematic Universe movie, Shazam! is 3rd best to Wonder Woman.

Given its high amount of fun, engaging storytelling, good comedy and solid performances, Shazam! is highly recommended! I urge you to watch it as soon as you can and for the best visual experience, I recommended watching it on an IMAX screen if you can afford it. Shazam! is a lot of fun and you will love it! Very clearly the DC Cinematic Universe continues to improve and its future under Warner Bros. and Walter Hamada looks very bright!

For your enjoyment, posted below are some videos related to Shazam.


Thank you for reading. If you find this article to be engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco.

 

 

 

 

 

My Coplay Photography (Part 1)

I enjoy taking pictures of people who express their artistry, their concepts and charm through the art of cosplay (costume play) which has grown tremendously popular here in the Philippines over the past several years.

Along the way, pop culture-related events like comic conventions, cosplay gatherings, cosplay parades and other related fan events got organized around the country giving cosplayers even more opportunities to come out in full costume.

Here in the Philippines, I was fortunate to attend such comic conventions like the AsiaPOP Comicon Manila and Toycon which are very similar events showcasing action figures, comic books, movies, TV programs, comic creators and the like. Both AsiaPOP Comicon Manila and Toycon are unsurprisingly popular events that attracted countless cosplayers.

Here are some pics of cosplayers I took in the comic conventions.

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Model and actress Ameera Johara as Wonder Woman during the 2016 AsiaPOP Comicon Manila.
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Also taken at the 2016 AsiaPOP Comicon Manila was this Harley Quinn cosplayer who posed for me.
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This Miles Morales Spider-Man cosplayer surprised me at the 2017 AsiaPOP Comicon Manila when I was searching for old comic books. I took the opportunity to photograph this.
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This picture I took at the 2014 Nexcon in Pasig City.
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This Wonder Woman cosplayer posed for me during the 2018 Toycon.
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Miles Morales Spider-Man and female Deadpool cosplayers posing with some fans during the 2017 AsiaPOP Comicon Manila.

Apart from comic conventions, there were also times when I took cosplayer photos in other instances or activities. Check out my pics below.

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A few years ago, Festival Mall in Alabang, Muntinlupa City had cosplayers like this one standing in front of shoppers trying to get their attention and convince them to drop some money into the rectangular box on the floor.
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Harley Quinn cosplayer posed for me during the day when Comic-Con Asia had its press conference and media presentation at a hotel in Pasay City in early 2018.
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The Cosplay Craze event at SM City BF Paranaque saw these two “clashing”.

This is my first post of cosplay photography that I took and I hope you enjoyed viewing it. I’m still trying find other such pictures among my files and once I get them organized, I’ll post them here.

Also if you are organizing a pop culture event and you need online media and/or photography coverage, please feel free to contact me so that we can discuss business terms privately. Thank you.


Thank you for reading. If you find this article to be engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco.

 

Why The No Man’s Land Scene In Wonder Woman Is Iconic

From time to time in the world of cinema, something very significant happens on the big screen which impacts moviegoers deeply. Eventually they talk about for months or even years after seeing it. In due time, such memorable sequences or scenes become iconic. What remains talked about among moviegoers and superhero culture fans until now is the No Man’s Land scene from the acclaimed 2017 superhero movie Wonder Woman starring Gal Gadot and directed by Patty Jenkins.

Released on June 2017, Wonder Woman grossed $821,847,012 worldwide and was also critically acclaimed. Its optimistic tone made it stand out among the DC Cinematic Universe movies and it has been argued that Wonder Woman was Warner Bros.’ serious effort to symbolically pull their cinematic superheroes out of the cloud of darkness that started in 2013 with Man of Steel.

Wonder Woman had it all. Great hard-hitting action, humor (nicely performed by the supporting cast), good pacing, nice cinematography and of course the very fine performances by the actors especially with Gal Gadot’s portrayal of Diana/Wonder Woman.

Among its many scenes, the No Man’s Land sequence is the most defining piece of the film laced with great cinematic art, meaning and powerful symbolism. It’s a very iconic scene that deserves to be seen again and again. The scene also helped the movie win the Best Fight Award of the 2018 MTV Movie and TV Awards.

Why is the No Man’s Land scene so iconic?

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The moment that captivated moviegoers worldwide.

1) It introduces Wonder Woman’s iconic imagery to the world (both within the movie and to moviegoers) – Wonder Woman has been around since 1941 and for the most part she wears the tiara, the bracelets, the strapless top and the like. For the movie, the scene marked the first time ever Wonder Woman appeared wearing her famous costume (specifically a sacred Amazon armor within the story) introducing herself not only within the movie but also to the moviegoers in the cinemas. This scene was accompanied with the very powerful musical score of Rupert Gregson-Williams. By watching and listening, Wonder Woman’s first appearance in her armor symbolized the start of her effort to save people and turn the tide against evil and darkness.

2) Diana: No. But it’s what I’m going to do! – In the moments before Diana makes her appearance on the battlefield, she encounters a suffering woman carrying a child who asked for her help and tells her that their village was seized and her villagers who could not escape end up as slaves.

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Diana listening to a desperate lady whose village got ravaged.

Diana tries to convince Steve Trevor to help the affected people but he insisted on pushing through with their mission. For your reference, posted below is the dialogue from the film.

Steve Trevor: This is no man’s land, Diana! It means no man can cross it, alright? This battalion has been here for nearly a year and they’ve barely gained an inch. All right? Because on the other side there are a bunch of Germans pointing machine guns at every square inch of this place. This is not something you can cross. It’s not possible.

Diana Prince: So… what? So we do nothing?

Steve Trevor: No, we are doing something! We are! We just… we can’t save everyone in this war. This is not what we came here to do

(Diana moves away from Steve, loosens her hair, wears her tiara and turns back to Steve)

Diana Prince: No. But it’s what I’m going to do.

These moments before Wonder Woman’s rise clearly show that she is dedicated to saving people. Her disagreement with Steve was reasonable and the guy, who witnessed the Germans and Amazons clashed early in the film, underestimated Diana’s bravery and special abilities. Diana made the right decision even though her act looked suicidal to the men on both sides of the field. There is just no way she would ignore the fact that people got overwhelmed and have suffered. More importantly, the build-up that started with Diana’s talk with the suffering lady was simply perfect and very timely leading to Wonder Woman’s rise on the field.

3) She stood up for what she believed in – Not only was the No Man’s Land scene a fine display of Wonder Woman’s courage and heroism, it was also an extension of what she believed in and was she learned having grown up in Themyscira. Diana is a warrior but she’s not the type who focuses mainly on achieving victory only nor is she the type who gets satisfied with the use of violence as a means to win. She grew up oriented by her queen mother and Amazon superiors to be compassionate, brave, inspiring and loving. After turning the tide against the Germans and liberating the village, she did NOT develop a personal hatred nor grudge against the Germans. After all, she knew that men can be corrupted and yet they can still be reformed and saved. Wonder Woman stood up, moved forward, deflected the many pieces of ammunition fired at her and inspired Steve and their allies to follow her lead and turn the tide of battle. That’s a great reflection of her heroism, bravery and her dedication on standing up for what she believes in.

Wonder Woman cares about the people who need help and in return we the moviegoers care for her and look up to her as the Queen of Superheroes. She definitely is the kind of superhero we need to see more of in movies.

4) The No Man’s Land scene is comparable with real life art emphasizing struggle – Many may not have realized it until now but the iconic scene in the movie is quite comparable to real life artworks that emphasized bravery, struggle and the effort to be free if not victorious. The one classic art that comes to mind is Liberty Leading the People painted by Eugene Delacroix. That 1830 French artwork about the July Revolution showed a lady with a phrygian cap leading guiding her armed companions and leading the way as they step over some dead bodies on the ground. Liberty in that art was depicted by the painter as a lady of the people as well as a goddess-like figure. Wonder Woman in the No Man’s Land scene flowed with a nice pace using a few slow-motion shots to emphasize her ability to block a bullet with her brace. It’s like looking at a painting being animated. And then as Wonder Woman creates opportunities to beat the opposition, the allied soldiers gained the courage to climb up and run up the field to fight. As the breakthrough happens, Wonder Woman said, “Steve! Let’s go!”

Moments later there is a short shot of Wonder Woman in the foreground running (towards the camera) while the many allied soldiers in the background follow her.

The No Man’s Land scene is quite artistic in its own style and if it is not inspired by the Liberty Leading the People painting, it sure shares common themes of courage and battle with it.

Conclusion

The No Man’s Land sequence is truly iconic and it will always be identified with the cinematic Wonder Woman and even actress Gal Gadot herself. While waiting for Wonder Woman 1984 to come out, we can enjoy replaying Wonder Woman on Blu-ray and watch the story unfold. The No Man’s Land scene is always engaging and artistic to watch. Patty Jenkins and her creative team deserve our appreciation and gratitude.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com