Tag: retro review

A Look Back at X-Men 2099 #23 (1995)

A Look Back at X-Men 2099 #23 (1995)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.  

Having taken over the United States as its President, Doom 2099’s impact was undeniably felt even though his appearances in X-Men 2099 issues #21 and #22 were pretty short. Along the way, members of the futuristic X-Men are gradually making their way back together. While Meanstreak and Krystalin have reunited and left Las Vegas, the trio of Skullfire, Shakti and Luna pursue a dangerous mission to get back Xi’an who has officially joined the Theater of Pain led by the demonic Brimstone Love.

With those details laid down, here is a look back at X-Men 2099 #23, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

Cover of 'X-Men 2099' comic issue featuring a character named Junk Pile, wearing a military-style helmet and armor, with a prominent shield design in the background, displaying the text 'MUTANTS MAKE THE LAWS NOW' and 'AGENT OF SHIELD.'
The cover.

Early story

The story begins with Junkpile who was recently rescued by Doom’s team and restored to functioning status. Doom’s minister of humanity Morphine Somers informs him that he has the chance to join SHIELD (the elite security force of the nation) and operate autonomously and with full administrative sanction. Suddenly, Doom himself appears and convinces Junkpile to calm down and formally join SHIELD.

Over at Death Valley, Skullfire, Shakti and Luna are disguised and traveling with the many disenfranchised people (the ones discarded and unwanted by society) heading to the floodgate bio-resource processing center. Even though the odds are tremendous, the three of them are determined to find their former leader Xi’an and save him from the Theater of Pain.

Upon arriving at the floodgate facility filled with armed guards and handlers, Skullfire, Shakti and Luna join the line for processing. Watching from a distance is Xi’an who is now operating as Controller X…

Quality

A panel from a comic book featuring two characters discussing the use of bodies for various purposes, including medical experimentation and entertainment, with a futuristic backdrop of machinery and monitors.
Pay attention to the details closely. In 2099, human lives can be disregarded or turned into something else.

Apart from the obvious fact that this particular story is part of the build-up towards the events of issue #25, this comic book carries a fundamental expansion of the lore of America of 2099. As the theme of mega corporations taking over America has been a core element of Marvel 2099, this X-Men 2099 tale further explores what happens to the social outcasts and unwanted people, and why the self-declared authorities have such power to have each of them processed under heavy surveillance.  

A scene from a graphic novel featuring a group of characters in hooded cloaks discussing a dangerous situation. They express concern about their security and the fate of a character named Xian.
Even without resources, Skullfire, Shakti and Luna push through with their very dangerous mission.

Through words and images, the Moore-Lim duo gave readers a really dark look at how human lives got turned into commodities by those who wield a lot of power in 2099 America. Some people who got processed end up being subjects for medical experimentation, others are groomed for private pleasure dens while the best ones are prepared for the use of the Theater of Pain. That said, Xi’an being part of the Theater of Pain as Controller X really strikes hard at the foundation of the futuristic X-Men who have been struggling a lot since he left them.

More on the plot itself, the X-Men are the underdogs and they really don’t have much resources nor a solid strategy to get to Xi’an while dealing with the dangerous forces of Brimstone Love and the Theater of Pain. Fortunately for them, there are a few others who have the means to take on the Theater of Pain directly.

Conclusion

A comic book scene featuring two armored characters engaged in conversation. One character, wearing a hooded red cloak and a metallic suit adorned with stars, stands confidently while the other character, a large robotic figure, looms over him. The background depicts a high-tech environment, with panels and machinery visible.
Junkpile joins SHIELD in the presence of Doom 2099.

X-Men 2099 #23 (1995) is another engaging read and it nicely sets the stage for the inevitable big story in issue #25. The odds are really up against the X-Men whose three members are truly determined to get Xi’an back believing there is hope for him to turn away from the Theater of Pain. Bigger than the story itself is the presentation about the immense power others have over the people and why being a social outcast can be very dangerous. That said, I am looking forward to the next issue and see how it connects with issue #25.

Overall, X-Men 2099 #23 (1995) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at X-Men 2099 #21 (1995)

A Look Back at X-Men 2099 #21 (1995)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.  

If you have been reading a great majority of the Marvel 2099 comic book series of the 1990s, then you should be aware about a notable turning point that saw Doom 2099 taking over as the President of the United States. The comic book Spider-Man 2099 #34 reflected the impact of that turning point and it had this pretty clever way of having Doom 2099 and Spider-Man 2099 (but in civilian form as Miguel O’Hara) getting reunited for the first time since the Fall of the Hammer crossover storyline. The same thing also happened in the X-Men 2099 series and the encounter between Doom 2099 and a few X-Men members was remembered.

With those details laid down, here is a look back at X-Men 2099 #21, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

Cover of X-Men 2099 AD comic book featuring the character Halloween Jack, depicted with green skin, long white hair, and wearing a skull necklace.
The cover.

Early story

The story begins with government propaganda released to the public. It announces the direction that America will go to under the rule of Doom 2099 as US President. It turns out, Doom has been President for days and already a series of changes is happening nationwide. Halloween Jack (who was a fake Loki during the events of the Fall of the Hammer) asks a rhetorical question about Doom. Halloween Jack and Meanstreak meet with Celestia Amberlyn who is the biggest star of the Synge casino and also a close personal friend of Indigo Eshun, the minister of Signal.

Their meeting intensified quickly due to their conflicting agendas. Amberlyn is with the Doom administration while Halloween Jack is defiant towards the new US President. He shows her his new technology called the virtual unreality projector. He tells her that he will overturn the natural laws of physics throughout Las Vegas and replace them with the wildly unpredictable reality of another dimension…  

Quality

A comic book scene featuring a character named Doom, wearing an armored suit and a dramatic cape, standing confidently with arms crossed. The background shows a futuristic setting with a hovering spacecraft and two startled characters observing. Dialogue bubbles express surprise and commentary on Doom's demeanor and armor.
Meanstreak, Krystalin and Halloween Jack witness the arrival of Doom 2099 in Las Vegas.

With Doom’s influence as US President felt a lot in this comic book, I can say that the storytelling and events here really got wild. Halloween Jack’s machine really caused a very unique kind of chaos on Las Vegas and his insanity here reminds me a lot about the Joker of DC Comics. After working a lot on making Halloween Jack’s insane agenda happen, Meanstreak finally realizes his errors and decides to take action before total disaster happens. That said, Meanstreak’s old self is back complete with recalling his rightful place with the X-Men.

As stated earlier, Doom has impact on the story and it is truly an expressive portrayal of what he could achieve with the power of the US Presidency. Doom clearly has plans for America and he has his own vision about establishing order and this comic book clearly dramatizes it. On face value, it looks like Doom’s short appearance in this comic book is just for show but I can assure you that he has an action-packed response to Halloween Jack’s insane operation on Las Vegas.  

Conclusion

A comic book panel featuring a character with brown hair and a blue costume discussing the consequences of altering reality, surrounded by other characters who appear concerned. The scene includes dynamic action effects and colorful visual elements like coins and light bursts.
Finally, Meanstreak realizes the wrong things he committed and has decided to take action before total disaster happens.

X-Men 2099 #21 (1995) is indeed a wild tale that concluded with purpose. Not only does it reunite Meanstreak with a teammate, it also sets that direction towards the inevitable reuniting of the futuristic X-Men. The wild turn of events here is balanced with the good amount of details and character development implemented by the Moore-Lim duo. Doom’s presence here really shook things up and the impact on the city of Las Vegas has to be seen.

Overall, X-Men 2099 #21 (1995) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at X-Men 2099 #20 (1995)

A Look Back at X-Men 2099 #20 (1995)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.  

The past few issues followed the developments seen through the eyes of separated X-Men members – Meanstreak who assisted Halloween Jack’s move to take Las Vegas away from the Synge family, Krystalin who has been in California to help her brother, and Shakti who recently uncovered something about the legacy of mutants. That said, Bloodhawk’s absence was really noticeable and this was because Marvel Comics had him appear in a few Doom 2099 comic books set in the Savage Land.

With those details laid down, here is a look back at X-Men 2099 #20, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

Cover of X-Men 2099 comic book featuring Bloodhawk battling a robotic character, with bold, colorful title text.
The cover.

Early story

The story begins in the Arizona desert where Bloodhawk flies over the wasteland. He just returned from the Savage Land and he immediately notices huge tracks left behind by some kind of large machine and they are radiated. He notices a sick and radiated coyote approach. Bloodhawk grabs the coyote, says some words to it and kills it to end its suffering.

Meanwhile at the ACME Pit Stop (a roadside tradition of fuel and food since the year 2047), a conflict between business owner Cyrus and Lou Ann is taking place with lots of bystanders watching. Their conflict gets disrupted as a massive, large robot suddenly arrived causing everyone to panic. The robot grabs a long rig and threw it at the ground causing a huge explosion.

Bloodhawk, who raided one of his weapons cashes to arm himself with grenades, quickly flies in to attack the giant robot…

Quality

A comic book page featuring colorful illustrations of characters engaged in dialogue. One character is working with futuristic technology while two others listen. The setting appears to be a high-tech environment. The conversation includes themes of hardware and technology, with emphasis on weapons and satellite systems.
If you read the details closely, you will realize the extremism of the Free Radicals and why they have so much in common with real-life anarchists and zealots.

To point out the obvious, the main feature here is the focus on Bloodhawk’s return to the American wasteland coming from the Savage Land (chronicled in Doom 2099). By having him encounter a massive robot, it is clear that John Francis Moore and Ron Lim planned this to have a huge storytelling weight and give the X-Men 2099 fans – especially the ones who love Bloodhawk – something to enjoy. Along the way, this comic book has Bloodhawk gaining an unexpected ally which allowed the creators to show some character development on him. As many fans already know, Bloodhawk values nature and despises both technology and modern society as he saw them as devourers of the natural environment. In this comic book, he has a gigantic mechanical problem to deal with and the odds are absolutely against him. That said, Bloodhawk’s tale here is pretty much a big comeback from being absent in the past issues.

Meanwhile, Krystalin finds herself in deeper trouble. After helping the Free Radicals regain their very young but tech-oriented teammate, she finds herself and her brother still trapped by the gang. Continuing from what was symbolized in the previous issues, this comic book sheds light on political symbolism and the radicalized people’s obsession with drastic change in world they believe is controlled by institutions they perceive as oppressive. The Free Radicals have sinister values that make them comparable with real-life evil forces like Black Lives Matter (BLM), Palestinian terrorist group Hamas, Antifa, LGBTQ mobs, Islamists and others. The Free Radical’s youngest member clearly believes that anarchy means freedom.

Conclusion

A giant red robot stands menacingly on a rocky landscape, with two frightened humans in the foreground reacting in panic. The robot's systems are malfunctioning, indicated by a message about damage and a return directive. The scene is drawn in a comic book style with bold colors and dynamic expression.
The design of this giant robot is corny to look at.

Crafted with care and symbolism, X-Men 2099 #20 (1995) has two tales that are gripping to follow. The tales of Bloodhawk and Krystalin succeeded with ensuring a gripping read and moving events forward. That said, the stakes of Krystalin’s conflict with the Free Radicals have been raised even more. Those who are very fond of Bloodhawk will have good stuff to enjoy here. This comic book’s only weakness is the rather corny design of the giant robot, and it felt distracting from time to time.

Overall, X-Men 2099 #20 (1995) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at X-Men 2099 #19 (1995)

A Look Back at X-Men 2099 #19 (1995)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.  

Issue #18 had some political flavor as it tried to shake the foundation of the X-Men 2099 series. It also had symbolism that reminded me about the criminal past of Las Vegas, the twisted Black Panthers (the evil Marxist-Leninist and black power political organization of America) and the social unrest that happened in America during the era of Richard Nixon as US President. At this point in the series, the futuristic X-Men are a shell of themselves as the members have been separated and are involved in different developments far away from each other.

With those details laid down, here is a look back at X-Men 2099 #19, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

Cover of Marvel's X-Men comic issue 19 from April 2055, featuring bold yellow and red title text, 'Winner Take All for Vegas', and characters including a muscular hero and a villain with a green appearance, surrounded by dark, swirling elements.
The cover.

Early story

The story begins inside an old facility in New Mexico. Shakti, who is only wearing a t-shirt and a panty – has been unconscious for several minutes. After waking up, she learns that a thermionic detonator (left by their former leader Xi’an) has been set to explode and time is quickly running out. She also realizes that the bodies of the Chosen have been taken.

In desperation, she wakes up Skullfire and Luna, and they ran out of the facility to save themselves. The facility blows up and Skullfire asks Shakti for an explanation. She reveals to him that Xi’an – whom she momentarily encountered several minutes prior – is responsible for the destruction and he clearly made an attempt to kill them all. As such, Xi’an is now an enemy of the X-Men.

Meanwhile in Las Vegas, a heavily mutated and oversized Lytton Synge grabs his sister Desdemona by the neck. While explaining details to him, Desdemona uses a failsafe device to cause him to stop moving and free her. She puts on additional gear that enables her to control Lytton’s body and she made it clear to him that he will be used against Halloween Jack…

Quality

A comic book page featuring a confrontation between a woman with pink hair and a villainous figure. The woman expresses anger while the villain makes a smug remark. Various characters engage in dialogue, highlighting tension and supernatural elements.
Desdemona, Halloween Jack and Meanstreak are together again. Desdemona here had a desperate attempt to reclaim the casino and their company from Halloween Jack.

There is a good amount of intrigue in this comic book covering the three plot threads. The thread of Shakti, Skullfire and Luna was very short but it added to the tension about having their former leader Xi’an as a deadly enemy.

On the other hand, the events set in Las Vegas saw the return of Lytton Synge in a bloated, Hulk-like figure as Desdemona used him to attack Halloween Jack who has gained control of the Synge business empire (at least in the building they are in) as he continues with his obsession of changing Las Vegas and moving forward with his plan that could mean doom for the city. In this particular plot thread, Halloween Jack has prepared highly advanced technology to redefine Las Vegas in the most phenomenal way. What I find disturbing is Meanstreak’s lack of morality as he keeps on assisting Halloween Jack (his old friend Jordan) with his sinister plan. This makes Meanstreak appear cold-hearted, sinister and unbecoming as an X-Men member.

Over at California, Krystalin pursues a mission to find Billy the Kid as she has absolutely no choice as the life of her brother is at stake. The Free Radicals literally have her cornered and she cannot do anything except doing what they want her to do. In this particular plot thread, the creators did a good job presenting Krystalin as desperate as she is in the middle of a conflict between the Panthers of Wakanda (where her brother belongs to) and the Free Radicals.

Conclusion

A comic book page featuring a distressed woman in a white outfit, looking alarmed as she interacts with a control panel, with countdown clocks and dialogue about a bomb and urgent questions.
Shakti in a very dangerous situation with not much time left.

X-Men 2099 #19 (1995) unsurprisingly moved plot developments forward. Apart from developing the X-Men members more, this comic book also expanded the lore of 2099 America nicely. At this stage, I am eager to find out what would happen next to the X-Men members in their respective plot threads. That said, I am still engaged enough to continue with the remaining X-Men 2099 issues that I have yet to read.

Overall, X-Men 2099 #19 (1995) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at X-Men 2099 #18 (1995)

A Look Back at X-Men 2099 #18 (1995)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.  

After 17 issues read, it is clear that the futuristic X-Men were destined to be separated from each other before getting back together against all odds. By having the team in disarray and the members separated with different situations that affected them, it provided the comic book creators opportunities to really develop each member extensively while expanding the lore of Marvel 2099 in creative ways. After seventeen issues, Skullfire has transformed into a more reasonable person who aligned himself with Shakti closely. Meanstreak meanwhile went to Las Vegas with Halloween Jack to do something that could alter the city seriously. Krystalin in California is on a quest to find her kidnapped brother.

With those details laid down, here is a look back at X-Men 2099 #18, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

Cover of X-Men 2094 comic book, featuring characters in dynamic poses with vibrant colors and the title prominently displayed.
The cover.

Early story

The story begins in Berkeley where Krystalin and her companion visit a ruined part of the city. She is told that it is best for them to turn around but Krystalin insists on finding the Free Radicals who are responsible for kidnapping her brother Zak. As they walk further, they both fall into a trap door only to find themselves in a very dark wind tunnel which caused their fall to slow down. After landing on the floor, gas is suddenly pumped on them. A very bright light followed which disoriented them both. A man and woman appear to take them in. Krystalin decides to fight and find her brother.

Meanwhile in the mountains of New Mexico, three intruders appeared inside a secret laboratory while Shakti struggles to sleep. The intruders analyze Zhao’s attempt to make analogs of the original 20th century X-Men members which ended in failure. One of them thinks that Shakti has finally halted and reversed the deterioration. Using technology, they have the three fossilized bodies teleported to the Theater of Pain.

Shakti, who has been unable to sleep, senses the presence of a mutant inside the laboratory…

Quality

A group of diverse, stylized characters in a comic book setting, gathered in a futuristic underground location. The central figure, wearing a yellow robe and holding a glowing orb, is flanked by various characters with unique features, including a woman in black, a man with a muscular build, and a child with colorful attire, all engaged in a discussion.
Krystalin and her companion meet the Free Radicals, a group of dangerous freaks.

As expected, this comic book continues the tales of the previous issue, specifically Krystalin’s quest and Halloween Jack’s takeover of Las Vegas. Things, however, turned for the weird and the wild.

Krystalin’s quest for her kidnapped brother Zack led her to facing off with the Free Radicals, a group of freaks composed of scientists who have been waging guerilla war against governmental and corporate oppression. Elements of politics were mixed into the narrative of Krystalin’s tale as it brings back memories of radicalized groups in America who engaged in crime, political activism and terrorism during the rule of President Richard Nixon (for insight, click here). As expected, Krystalin finds herself on a huge disadvantage and her will to get her brother (a highly prominent part of the Panthers) back really got tested here.

As for the other important tale, Halloween Jack (assisted by Meanstreak) pushed forward with his insane intention to take over the Synge casino and bring down the syndicate while Desdemona Synge is helpless. This tale easily reminds me of the Las Vegas legacy of crime, particularly with the establishment of businesses owned by gangsters many decades ago. As Marvel 2099 has a strong anti-corporate message (which confirms the Leftist bias and philosophies with Marvel Comics and creators during the 1990s), the boundary that separated good and evil got blurred away in this tale. While Halloween Jack believes he is doing something good and significant by bringing down the Synge empire and changing Las Vegas, he does not realize he himself is evil and is executing a plan of one evil force replacing the current evil force. This should remind you about the Black Panthers, the Palestinian terrorists, the Black Lives Matter (BLM) movement and other wicked forces of the world who see themselves as liberators and went to the extremes with violence and coercion.

Along the way, Meanstreak assists Halloween Jack without any hesitation which made him a pawn of evil. As such, Meanstreak’s character and moral standing got compromised a lot which makes his membership of the X-Men questionable.

Indeed, there is a lot of symbolism in the tales of Krystalin and Halloween Jack here and the undeniable thing is that John Francis Moore implemented a good amount of depth within.   

Conclusion

A comic book panel featuring a dialogue between two characters. One character, a shadowy figure in a black suit, speaks to another character, a woman with long dark hair, wearing a yellow top and black shorts. A glowing green container is present in the background, indicating a sci-fi setting.
Shakti, who has the ability to sense the presence of mutants, encounters the intruder.

X-Men 2099 #18 (1995) is clearly an attempt to shake the foundation of the series itself. Las Vegas has always been a key location since the beginning, and the Synge empire was the original enemy of the futuristic X-Men. Even as the mentioned two tales resulted in the weird and the wild, the creators succeeded in ensuring a cohesive read.

Overall, X-Men 2099 #18 (1995) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at Wolverine #50 (1992)

A Look Back at Wolverine #50 (1992)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics universe to examine one of the many tales of the Wolverine monthly series.  

Before I start the review, I have to say out loud that the very woke and shameless game developer Insomniac Games ruined the superhero icon in the new Wolverine game on PlayStation 5. They inserted woke and homosexual elements into the game. That said, Insomniac Games never intended to make a Wolverine game that was fun and accurate to the source material. I urge you fans of X-Men and Wolverine to BOYCOTT the Wolverine PlayStation 5 video game!

Times like these, it is best to go back to reading the comic books published from the 1970s to the 1990s that featured Wolverine.

With those details laid down, here is a look back at Wolverine #50, published by Marvel Comics in 1992 with a story written by Larry Hama and drawn by Marc Silverstri.

The cover.

Early story

The story begins with Wolverine forcibly going up a New York City skyscraper with his motorcycle. It turns out that S.H.I.E.L.D.’s Helicarrier is secretly floating by the top of the building and Wolverine – who caused a lot of disturbance along the way – used his motorcycle to leave on to the floating structure. Wolverine crashes through the Helicarrier’s window and makes his way to Colonel Nick Fury. Wolverine tells him that he is aware about El Tigre and Emilio Garra’s activities in Cuba and he wants him to hand over his security dossier.

Minutes after Fury makes a call to secure the dossier, pawns of Hydra inside a building nearby gets alerted and retrieves from the National Security Agency (NSA) files of S.H.I.E.L.D. that have not been pulled in over twenty years.

The next day in Washington, D.C., Wolverine arrives at the office of the Department of Agriculture wanting to talk to Professor Thornton who is behind the closed door of his office…

Quality

A barrage of images from Wolverine’s memories drawn in great detail by Marc Silvestri.

The best way to describe this particular story of Wolverine is that it is a mystery and suspense tale (with a touch of political intrigue) told in the form of a superhero tale. More notably, this one reconnects to Wolverine’s past with Weapon X and it strong emphasizes the sinister nature of Weapon X and how is ruined the memories and lives of its living objects (including Wolverine and Silver Fox).

As many fans are already aware, it was during the Weapon X project when Logan was held against his will, got heavily experimented on and had Adamantium installed into his skeleton (note: the sharp Adamantium claws were installed on Logan).

In this comic book, Larry Hama went further with the mysteries by focusing on the memories Wolverine remembers and how the people behind Weapon X cleverly staged scenes (complete with physical sets, props and movie cameras) and implanted false memories into their minds by having neuro-synthetic implants placed in the cerebral vortex.

The X-Men led by Professor X bring Wolverine to Canada where the Weapon X warehouse is located at.

That said, this comic book explores moments from Wolverine’s past which will challenge readers to think if such moments are real or somehow fabricated. Considering Wolverine’s legacy as an aged superhuman who could not figure out his own personal history, this tale offers readers a cerebral reading experience that is truly one of a kind.   

Of course, this comic book would not be complete with action scenes of the icon. Wolverine’s battle with Shiva is indeed action-packed and Marc Silvestri’s art style made it look dynamic and gritty at the same time. I should state that the action did not happen in a random fashion. Instead, the action happened within the context of the story complete with moments of intrigue and revelations (note: pay close attention to the dialogue and other details during the action scenes).

Conclusion

This page’s message is clear: never mess with the tough and rough Wolverine.

Wolverine #50 (1992) is indeed a very compelling read and it still is a great, standalone Wolverine tale to follow from start to finish. The story has a good amount of intelligence, mystery, political intrigue and twists carefully blended. In my experience, the tension gradually built up as Wolverine’s quest for answers and the truth went on. I can also say the payoffs are rewarding. More notably, this old comic book will make you think deeply about Wolverine and his past, and how Weapon X violated him to the point of ruining his memory. This comic book could also make you sympathetic towards the tough and violent Marvel icon in ways that other forms of media (notably the movies) could not.

Overall, Wolverine $50 (1992) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at X-Men 2099 #17 (1995)

A Look Back at X-Men 2099 #17 (1995)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.  

I like the way the direction of the series went with issue #16. The X-Men are in disarray and they are not even complete nor are they stable enough for any opposing force that could come their way. As Krystalin went to California for an uneasy reunion with her brother, Meanstreak has the past catching up to him. Firstly, he is not comfortable with Luna (Skullfire’s former tormentor and romantic partner) being part of their team. Secondly, a friend of his from Alchemax returned but in a radically different form.

With those details laid down, here is a look back at X-Men 2099 #17, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

The cover.

Early story

The story begins with Meanstreak and Halloween Jack (Jordan Boone who previously appeared as Loki during the Fall of the Hammer storyline) arriving in Las Vegas. Halloween Jack tells his pal that they benefit a lot from Las Vegas once they reshape it to their desires. For Meanstreak, trusting Jordan Boone (his friend since their days at the Alchemax academy) is very tough as he has changed so drastically into a dangerous psychopath as Halloween Jack. Jordan tells his fast friend that revenge is motivating him to take over Las Vegas.

Deep inside the Synge Casino & Hotel, Desdemona appears to her fallen brother Lytton who is paying the penalty of having murdered their late father Noah Synge. Even though he is in prison and has been isolated, Lytton remains addicted to shriek

Quality

A civil talk between Krystlin and her extremist brother Zak.

This comic book has two main plot threads – one is about Meanstreak and the obsessed Halloween Jack tackling the top of the Synge empire by confronting Desdemona personally, and the other follows Krystalin in California. Thematically, the two main plot threads are about dealing with the past and doing something with the future in mind.

In the case of Meanstreak (now separated many miles away from his teammates), his uneasy reunion with Jordan Boone puts him into a direct encounter with the head of the Synge empire which itself has a powerful grasp on Las Vegas. Meanstreak is witnessing Halloween Jack’s move to take over the city which effectively puts him in a very awkward position and none of the X-Men could help him.

As for Krystalin, she has the burden of dealing with her brother Zak who is obsessed with the ways of Wakanda and still lives with the obsession that everyone – including his sister – has to follow the Wakandan ways and agenda even if it means betraying the X-Men and their mother’s legacy. In fact, Zak here is pretty extreme and there are hints of racism and discrimination in his beliefs. This comic book also reveals the conflict of beliefs between Krystalin’s own parents which remains in effect between her and Zak.

Conclusion

Desdemona is the head of the Synge empire.

With its two plot threads, new sub-plots and character-driven focus, X-Men 2099 #17 (1995) moved this series to a direction that can be described as suspenseful, intriguing and also uncertain. That said, the current state of the X-Men looks even bleaker and more uncertain. Still, this comic book has set up something about Las Vegas and Krystalin’s personal struggle, and I am interested enough to discover more.

Overall, X-Men 2099 #17 (1995) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at X-Men 2099 #16 (1995)

A Look Back at X-Men 2099 #16 (1995)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.  

Having read the first fifteen issues of the monthly series, the X-Men have so much uncertainty ahead of them. Their leader Xi’an not only left them, but he also joined the sinister Theater of Pain which is led by the demonic Brimstone Love. The twisted Skullfire returned to the X-Men with a renewed purpose, but Kystalin had to leave them to settle a private matter. In Las Vegas, something is brewing within the Synge empire.

With those details laid down, here is a look back at X-Men 2099 #16, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

Cover art of X-Men 2099 #16 featuring a character in a blue and red outfit with a serious expression, and a ghostly figure looming menacingly behind. The title 'X-Men 2099' is prominently displayed at the top, with 'Halloween Jack' as the subtitle.
The cover.

Early story

The story begins in Las Vegas when operators of the Synge empire attempt to kill a man. The man successfully avoids getting hit then jumps off the building and transforms into an eagle. Using their flying vehicle, the operators chased the eagle and successfully knocked it out cold using the neural scattershot.

In Oakland, Kystalin attends the grand funeral of Andre Daniel Ogada, one of the founding soldiers of the panther who helped rescue a community from violence. There, she is reunited with her brother Zak who is addressed by others s Minister Ogada. Krystalin could not believe that Andre Daniel Ogada is gone as she always thought he was invincible. Zak tells her she should have been at his side. Kystalin suddenly finds herself in a conflict between being with her family and being one of the X-Men as Zak tells her that her duty is with the family instead of the mutants…

Quality

A comic book page featuring a dynamic action scene with a character, a woman with white hair and a dark outfit, fighting and using a whip in a confrontational pose. The dialogue includes playful banter and expressions of defiance.
Luna got slashed from behind by someone with serious business with Meanstreak.

To begin with, this comic book really moved a lot of developments forward involving the X-Men members in creative fashion. This one has four plot developments that even include Desdemona Synge and her empire’s struggle with one very notable gang that gave them a lot of trouble.

Among the four plot developments, the one involving Meanstreak – who appeared on the cover art – is the closest thing to being the most important one to follow. This is because each plot development has a lot of depth and John Francis Moore ensured character developments would happen along with intrigue and surprise sprouting from the narrative. The part about Desdemona and the Synge empire is very compelling to read on its own and there is something new to discover about how it operates as it combats individuals perceived to be crooks or terrorists. The plot thread about Kystalin reuniting with her brother carries a lot of emotional weight as the legacy of her family was well defined. To see Krystalin getting conflicted between two families – her biological family and the X-Men – is absolutely intriguing and you might end up speculating about what lies ahead for her.

Conclusion

A comic book scene depicting a fight between characters, with dynamic action lines showing impact. One character receives a kick, while another character is poised for a strike. Speech bubbles reveal dialogue about teamwork and combat skills.
At this stage in the X-Men 2099 series, Skullfire and Shakti are focused on keeping the team together while knowing fully well that the Theater of Pain is one powerful enemy to deal with.

The best way to describe X-Men 2099 #16 (1995) is this…it sparked a wave of emotions from the X-Men members while creatively reconnecting this series to what was told in the early issues (specifically issues #1 to #5) and even paving the way for an uncertain future that awaits the team. This is the kind of comic book that builds up anticipation for the next issue and if you are an X-Men 2099 reader who cares a lot about the characters, then this one will resonate with you.

Overall, X-Men 2099 #16 (1995) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at X-Men 2099 #15 (1994)

A Look Back at X-Men 2099 #15 (1994)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.  

Looking back at how early the members of the futuristic X-Men got separated and lost their leader Xi’an (who became sinister, pursued a quest of his own interest and joined the Theater of Pain), I can see what the creators did to develop the characters, tell new stories, introduce new characters and expand the lore of the 2099 in another part of the United States. That said, this series became consistently entertaining and intriguing at the same time.

With those details laid down, here is a look back at X-Men 2099 #15, published by Marvel Comics in 1994 with a story written by John Francis Moore and drawn by Ron Lim.

The cover.

Early story

The story begins in the Keewazi Nation in Oklahoma. Eddie/Metalhead is unconscious with Hurricane and her friend accompanying him. Their pregnant companion Rosa has been missing since Glitterspike (the man who impregnated Rosa) took her away from them. Metalhead wakes up and immediately asks where Rosa is.

Far away, Rosa tells Alexi/Glitterspike to let go of her even though they are flying high above ground. Glitterspike tells her that he will do the best interest of her and their unborn child to become one big happy family. Rosa rejects him stating that the Freakshow is her family.

Even with the tremendous risk present, Rosa uses power of producing static interference on them. Soon enough, they start losing altitude…

Quality

Serious talk between Shakti and a changed Skullfire about the X-Men and the situation they have now that their former leader Xi’an joined a gang of evil.

The story crafted by John Francis Moore here is strongly focused on the Freakshow with emphasis on former X-Men member Metalhead who at this point of the series has gotten very close with the pregnant member Rosa. This comic book marks the first time that Metalhead became a true major player in the series as he gradually adjusts with becoming a new member of the Freakshow.

Unsurprisingly, Rosa became a major player in the story too as she has no choice but to deal with someone from her past who is not just stubborn but also a cybernostra hitman who was genetically bred to process light into energy. Glitterspike went ballistic when Rosa left him some time prior and his obsession with her only grew.

A major part of this story involved the presence of a fabled monster called the Shadow Dancer which has been lurking in the hills of the wasteland and already a lot of people got scared of it. Creatively, this monster serves as the obstacle that Metalhead, Rosa, and the others have to deal with.

What Moore and Ron Lim accomplished in this story is deeply developing the Freakshow, Metalhead and Rosa while expanding the lore of 2099’s American wasteland even further. They also gave readers a quick look at the remaining X-Men team members who are now dealing with the new reality that their former leader turned evil by joining Brimstone Love’s Theater of Pain. In addition, Skullfire – once a weak and unsure new member of the X-Men in the beginning – not only returned to Shakti and the remaining team members, his personality and view of reality have changed which reinvigorated his passion for the team.

Conclusion

Rosa does something very risky as Glitterspike carries her in the air.

X-Men 2099 #15 (1994) was crafted to be compelling with strong focus on Metalhead and the Freakshow. It clearly marked the next phase in the life of Metalhead and it made the Freakshow an even more interesting team within the X-Men 2099 series. The story has lots of strong and intriguing moments, and character development is consistently strong. The tale also has some science fiction inspiration from the 1979 movie Alien mixed in. This is a good read.

Overall, X-Men 2099 #15 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at X-Men 2099 #13 (1994)

A Look Back at X-Men 2099 #13 (1994)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe to examine one of the many tales of the X-Men 2099 monthly series.  

I enjoyed the way John Francis Moore put things into motion in issue #12 and other previous issues of X-Men 2099. During the 3-part storyline at the start of the series, the Synge business empire and its wing of enforcers looked like the definitive force of evil for the mutants led then by Xi’an. As the series progressed, the Theater of Pain (first introduced comprehensively in issue #4) and its leader Brimstone emerged as the new force of evil while the X-Men lost Xi’an and Skullfire became more unhinged and got more involved with Luna (the one who messed with his mind and emotions). Xi’an, who reverted back to his sinister mindset, is obsessed with finding the Driver. It should be noted that these characters are all in the middle of the wasteland in 2099’s America (for 2099 historical reference, click here).

With those details laid down, here is a look back at X-Men 2099 #13, published by Marvel Comics in 1994 with a story written by John Francis Moore and drawn by Ron Lim.

The cover.

Early story

The story begins with Brimstone Love making his way into the Garage, a secret high-tech facility of the Driver. He finds it interesting that his hunt for Luna led him into the strange structure in the desert and he know that she and her companions are inside.

Inside the structure, Junkpile is bound and tortured on a chair with Adamantium restraints holding him. With Junkpile is the Driver watching him while Xi’an, Skullfire and Luna are trapped nearby by a laser grid. Skullfire, who is aware that Xi’an has been pursuing the Driver ever since he learned key details from Hurricane, implied to the former X-Men leader that the Driver is more of a problem and antagonist while Luna added her own comments about their situation. Xi’an tells them they need to determine the severity of their situation.

Xi’an tells the Driver that Hurricane described him as a part of the mutant underground during the Purge. It turns out, the Driver has not heard about Hurricane for a long time and insisted to Xi’an that he mistook his actions as hostile.

The Driver begins to explain what he has been doing, why he continues to fight and protect the sacred mutant tribe and why he sought out hundreds of mutants to give them sanctuary…

Quality

A lot of intriguing developments happened here and it concludes Xi’an’s pursuit of the Driver.

With regards to storytelling and revelations, I can say that the intensity from the previous continued smoothly in this comic book. While the Theater of Pain was first revealed in issue #4, it was in the previous issue and in this particular story that its actual scope was made clear, and the presence of Brimstone Love – obviously 2099’s walking symbol of Satan – added great tension and a new evil presence for the X-Men to deal with.

What I enjoyed most in the story crafted by John Francis Moore are the revelations. The Driver, who came close to death and witnessed the plight of mutants, has a personal mission of providing sanctuary to mutants who are still living in danger in 2099’s America which has been dominated by mega corporations (MegaCorps). Still, his specific methods of achieving his goals for mutantkind are intriguingly questionable and in someways they made him looked even sinister. That said, Xi’an’s pursuit of him (which started a few issues prior) really resulted in some shock value that has to be seen page by page.  

Very notably, Moore made the script even more dramatic which is clearly reflected in the dialogue of the characters and the art done by Ron Lim. I should also state that flashbacks of the mutants struggle for survival under the Driver and Hurricane are included and they are worth seeing.

Considering what this comic book has, it will make readers think deeply about the essence of X-Men 2099 as a team and the comic book series itself. At the same time, new mysteries about the direction of the series will be realized in ways that readers don’t expect.

Conclusion

The Driver himself was part of the effort that saved desperate mutants decades prior and he came close to dying. This comic book heavily defines his existence and his mission on providing sanctuary to any mutants he finds.

If there is anything significant about X-Men 2099 #13 (1994), it is the fact that it changed the trajectory of the series and reshaped the concept of X-Men 2099 as a whole in dramatic fashion. The build-ups, the pay-offs and revelations in this comic book are powerful. Along the way, this will make you question even further the intentions of Xi’an (former X-Men leader) and Skullfire (the unhinged X-Men member who used to be so weak and unsure of himself). As for the Driver, he is very well defined by the Moore-Lim duo in this comic book and he has gotten even more significant by the end. If there is anything severely lacking here, it is the spotlight on the surviving X-Men team members (with Shakti as their new leader).

Overall, X-Men 2099 #13 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.