Tag: David Michelinie

A Look Back at Amazing Spider-Man #362 (1992)

A Look Back at Amazing Spider-Man #362 (1992)

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Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the mid-1990s to examine a small part of the Marvel Comics shared universe through a tale of the Amazing Spider-Man monthly series.

Following his first-ever encounter and battle with Carnage, Spider-Man realized that he alone cannot stop the sadistic, symbiote-wearing murderer. Worse, Carnage is on the loose in New York City and as time passes, civilians can easily get killed by him. As such, Peter Parker got very desperate and has decided to let his deadliest enemy get loose.

With those details laid down, here is a look back at Amazing Spider-Man #362, published in 1992 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.

The cover.

Early story

The story begins with Spider-Man and Johnny Storm of the Fantastic Four are riding a highly advanced team vehicle heading to the deserted Caribbean island where Eddie Brock/Venom is located. Spider-Man knows he is taking a lot of risk to meet Venom knowing that the murderer stalked him and came close to killing him before. Knowing that Carnage can easily kill civilians in New York City anytime, Spider-Man made it clear to Johnny that he needs to get Venom back to stop Carnage.

Sometime after arriving on the island, Johnny and Spider-Man (armed with the Fantastic Four’s sonic rifle) meet with Eddie Brock on the beach. Peter Parker quickly reveals his face to him and attempts to start a conversation. After overcoming the surprise of seeing Spider-Man alive, Eddie quickly turns into Venom and leaps towards Spider-Man for an attack. The webslinger quickly used the sonic rifle at him while Johnny turns into his fiery form. Venom overcomes the pain of the sonic blast, smashes the sonic rifle, and starts hitting Spider-Man hard…

Quality

Carnage is unrelenting with his acts of violence.

This comic book tells parallel tales focused on Spider-Man and Venom, and Carnage. The meat of the story is about the desperate webslinger reaching out to his deadliest foe even though it means putting himself in great danger once again. David Michelinie is excellent in the dramatic portrayal of Spider-Man who has literally been pushed to the edge by Carnage and having no choice but to make a decision his own wife (who had a traumatizing first encounter with Venom sometime prior) disapproves of.

In issue #361, Peter Parker was technically a detective who worked on the trail of violence left behind by Carnage. Everything changed for the worse for Spider-Man during his violent first encounter with Carnage and he witnessed how unrelenting the murderer really is. The bloody “Carnage rules” message left behind had impact on his conscience.

That said, Spider-Man’s transformation into a desperate hero is very believable here thanks to David Michelinie’s strong writing.

Along the way, the rivalry between Spider-Man and Venom turned intense very quickly. It was during this encounter where you will feel the pressure intensify on Peter as he has to somehow convince Venom to stop being violent and join him to go after Carnage (note: Eddie Brock and Cletus Kasady shared a prison cell previously). Of course, Venom has the undying obsession of killing Spider-Man and he has no reason to believe him. Venom also has his own distorted belief about innocence. The rematch between the two – with Johnny Storm on the side – is the very meat of the story and it is engaging to read.

Carnage is here as well and the creators showed exactly what Spider-Man feared would happen.

Conclusion

The encounter between Spider-Man and Venom with Johnny Storm on the side.

There is a lot to like in Amazing Spider-Man #362 (1992). It has a lot of action drawn by Mark Bagley, has suspense in the right moments and the story itself is very engaging to read. The very heart of the story is the encounter between Spider-Man and Venom on the deserted island due to the high stakes involved plus the tension from the past returned in lively fashion. Spider-Man is desperate and he really pays a huge price for making a decision that his own wife disapproves of. Ultimately, New York City has Carnage as its newest crisis and what happened here blurred away the boundary that separates good from evil.

Overall, Amazing Spider-Man #362 (1992) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Amazing Spider-Man #388 (1994)

A Look Back at Amazing Spider-Man #388 (1994)

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Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the mid-1990s to examine a small part of the Marvel Comics shared universe through a tale of the Amazing Spider-Man monthly series.

During the height of the 30th anniversary celebration of Spider-Man in 1992, Peter Parker’s long-lost parents Richard and Mary Parker suddenly returned and their presence really altered the hero’s view of life, his marriage with Mary Jane and their family as a whole. As time passed, Peter’s aunt May became suspicious about Richard and Mary (note: scenes related to this were included in Amazing Spider-Man #386 and #387) and she went as far as hiring someone to investigate them from a distance.

With those details laid down, here is a look back at Amazing Spider-Man #388, published in 1994 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.

The cover.

Early story

The story begins with the Vulture being upset that the youth-restoration effects he had using the juvenator machine were only temporary. As the Vulture makes a move to threaten the lady doctor who help him, the Chameleon suddenly emerged from her in front of him.

Elsewhere, Peter Parker shared with Mary Jane that he recently revealed to his parents that he is Spider-Man. After a brief chat with her, Parker leaves their home as Spider-Man to visit his aunt who has been suspicious about Richard and Mary Parker…

Quality

The moment of truth that turned out very painful personally for Spider-Man.

This particular tale is a tragedy which the cover art by Mark Bagley clearly showed. Beyond the cover, there is a lot more weight on the plot (which was nicely structured by Michelinie), the characters and tragedy itself.

Without spoiling plot details, I can say that the first half of the comic book has Spider-Man doing detective work and also doing the civilized approach of keeping the family together. Peter Parker’s care and concern for his aunt were naturally dramatize resulting in a human touch that should be seen. Along the way, the conspiracy was built-up gradually and the big revelation for Spider-Man (note: the truth about Richard and Mary Parker was revealed to readers long before Spider-Man learned about it) at the mid-point of the story really turned out powerful.

Even the Chameleon’s presence here is rather light, his acts of evil and diabolical agenda were powerfully portrayed. In fact, the Chameleon used his immense power of disguise that set off the disturbing events that happened in issues #386 and #387, and such revelations were integrated convincingly in this very comic book. What I found impressive was Chameleon’s ability on connecting details linking Peter Parker with Spider-Man. The Chameleon is clearly very intelligent and cunning, and this makes him a more formidable enemy for Spider-Man.

The 2nd half of the main story is where the action really got ramped up by many notches. The action is violent and intense, and yet the Michelinie-Bagley duo managed to insert twists and notable character moments that really added power to the tragedy. This is indeed a very compelling read and it will make you think deeply about how much emotional pain Spider-Man could absorb.

This comic book also has two short stories. The first one (drawn by Ron Lim) was set in the past showing Eddie Brock who just bonded with the alien costume. While the Venom-focused short story was designed to add depth to past events in Amazing Spider-Man comic books, it ultimately felt more like a filler than a substantial piece. Only die-hard Venom fans will enjoy it.

The second short story featuring Cardiac and Chance is completely forgettable and unnecessary.

Conclusion

Peter Parker sharing very confidential information with his wife Mary Jane before going out again.

Amazing Spider-Man #388 (1994) tells a really tragic tale with a purpose behind it. Historically speaking, this comic book made some Spider-Man fans angry and feeling very betrayed as they believed that the 1992 return of Peter Parker’s parents marked the new age in Spider-Man storytelling. On the iconic superhero himself, this tale marked the start of a so-called dark age in which Peter Parker got emotionally broken and his life got turned upside-down. To be clear, this comic book is not a tragedy done merely for the sake of doing a tragedy…it was a creative execution to alter the status quo of Spider-Man storytelling of the era. As such, what David Michelinie and Mark Bagley did here was not only daring but also a huge risk that turned out really powerful. This tale is so significant, Marvel Comics went ahead doing an alternate version with What If #61.

Overall, Amazing Spider-Man #388 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Amazing Spider-Man #361 (1992)

A Look Back at Amazing Spider-Man #361 (1992)

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Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the early 1990s to examine a small part of the Marvel Comics shared universe through a tale of the Amazing Spider-Man monthly series.

When it comes to the argument as to who is the most evil or the deadliest foe Spider-Man ever has, many point towards Venom (Eddie Brock and the alien costume from Secret Wars) who is murderous, filled with revenge against Spider-Man, is physically formidable and knows Peter Parker and his family members. In the early 1990s, the creative guys behind the Amazing Spider-Man series made the key decision to create another symbiote-wearing super villain like Venom but much more violent, more murderous and truly insane.

With those details laid down, here is a look back at Amazing Spider-Man #361, published in 1992 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.

The cover.

Early story

The story begins inside the agro-lab of the Empire State University where an awful figure in black-and-blood intimidates a male worker. The awful figure is Carnage and he decides to play with the worker a bit before fulfilling his intention to kill him. The worker tries to escape but ends up failing as Carnage throws a huge piece of hardware at the door. Carnage grabs the man, slams him on the wall and uses sharp makeshift blades that suddenly stretched to murder the him.

At the a certain home in Forest Hills, Peter Parker spends quality time his aunt May Parker as he repairs an important machine in the basement. Moments later, the phone rings and May goes up to answer it. Peter follows and learns that the call was meant for him.

Upon using the phone, Peter learns the tragic news that his friend Chip at the university was murdered. He excuses himself from May to go outside to secretly change into Spider-Man and make his way to Empire State University. Struck by the tragic news, Spider-Man is aware that there have been a dozen brutal murders in New York City over the last week. He is also aware that a message was written in blood by someone called Carnage…

Quality

The first-ever battle between Spider-Man and Carnage is very intense to look at.

To make things very clear, this comic book has the first full appearance of Carnage which is Cletus Kasady with a living costume spawned from Venom’s symbiote. Kasady himself first appeared in Amazing Spider-Man #344 in 1991, and it is very clear that the creators deliberately modeled him after DC Comics’ super villain the Joker to have the psychopath appearance (distinctive messy hair, crazed facial expressions, slim body frames and the unusual jawline). Kasady and the Joker also have a nihilistic view of the world focused on spreading chaos while enjoying unrestrained violence.

David Michelinie was really methodical when it came to build-up the tension, presenting key details and pacing the narrative when showing Carnage (who actually appears on the first page) and emphasizing the details about him (including Kasady’s background history and personality as observed by the witnesses who knew him). The appearance of Carnage in the first half was deliberately limited to ten panels and as the story moved on, details of him were revealed especially when Peter Parker did his own detective work. By the time Spider-Man and Carnage finally faced off with each other, the spectacle (action scenes) really ramped up high and the Michelinie-Bagley duo succeeded in showing Carnage being deadlier and unrelenting towards the webslinger.

Spider-Man doing detective work in costume and in civilian form as Peter Parker. This is also one of the finest pieces of Spider-Man art done by Mark Bagley.

More on the iconic hero, Peter Parker here was portrayed as being highly disturbed by the recent murders of the city and the loss of his friend which compelled him to do very serious detective work leading up to his discovering of Kasady (and the eventual face-off in a ruined property where Carnage took refuge in). Parker also felt uneasy about remembering his recent encounter with Venom and the details of the murder reminded him of the old nemesis. The pacing here is excellent and as the narrative went on, the tension really intensified.

Spider-Man’s encounter with Carnage – which the cover art obviously emphasized without restraint – is really intense to look at. As he is completely unprepared as to what Carnage was capable of doing, the webslinger really struggled and was in danger in key moments. Carnage also has unique capabilities using the symbiote such as forming sharp blades and shooting small but sharp projectiles. If you want super villain-led moments of action that really challenged the superhero, you will find a good amount of that here. Also, I can say that Mark Bagley is very good in presenting the action scenes with dynamism, danger and intensity mixed together well.

Conclusion

The news image of Cletus Kasady on the lower-right corner is obviously patterned after Batman’s nemesis the Joker. That image really looks like it was ripped out of a Batman comic book.

Amazing Spider-Man #361 (1992) marks the very intense debut of Carnage and the way he was presented as the newest super villain for Spider-Man to deal with, he is nastier and deadlier than Venom (who would eventually have the delusion of protecting the innocent while remaining murderous). In fact, the way the battle between the two was executed here made me forget about Venom temporarily which shows the Michelinie-Bagley duo pulled the right moves in making this comic book. To be clear, Carnage is pure evil laced with insanity and with absolute disregard towards people. Both Carnage and Venom are murderers and they should be condemned always. It happens that Carnage is more disastrous and has no regard for human life, which ironically makes Venom looking a bit less evil by comparison.

As for Spider-Man, his portrayal here is really dramatic and his superhero pursuits only added to the trouble of his marriage with Mary Jane. As such, you could end up feeling sorry for MJ even though Peter Parker himself wants to solve problems while protecting not only their lives but also the lives of the innocent.

Overall, Amazing Spider-Man #361 (1992) is highly recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Amazing Spider-Man #387 (1994)

A Look Back at Amazing Spider-Man #387 (1994)

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Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the 1990s to examine a small part of the Marvel Comics shared universe through a tale of the Amazing Spider-Man monthly series.

In my previous retro review, Spider-Man had a match-up with his arch-enemy the Vulture who returned with a strong obsession within. The rematch is significant not only because it the two have a rivalry that lasted decades in reality, but also because the story was structured to function as a light reintroduction of Adrian Toomes (Vulture) for new Spider-Man fans of the 1990s.

With those details laid down, here is a look back at Amazing Spider-Man #387, published in 1994 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.

The cover.

Early story

The story begins with the Vulture absorbing energy and the youth of Spider-Man using the Juvenator in front of Dr. Sanchez. As a result, Adrian Toomes/Vulture physically turned much younger with rejuvenated skin, cancer getting health, a stronger body and his hair grown back. He declares himself as the new vital Vulture. Spider-Man is down on the floor clearly weakened and with a change of his body’s shape.

Instead of taking the opportunity to kill Spider-Man, the Vulture decides to fly away knowing that his long-time rival will have to deal with brittle bones of old age. As Dr. Sanchez tries to help him, Spider-Man feels exhausted, his lungs feeling gummy and his ears ringing. Knowing that police officers are coming, the webslinger decides to get away and leave Dr. Sanchez behind.

Moments later at the top of the building, the weakened Spider-Man takes his mask and glove off realizing that he has turned into an elderly man…

Quality

Can you recognize Peter Parker?

To get straight to the point, this continued rematch between Spider-Man and the Vulture is so outlandish (backed with the science fiction approach to life energy and the so-called fountain of youth), it almost felt like it was a story crafted for the What If series of comic books. In fact, the sudden aging of Peter Parker into an actually elderly man getting into close calls with two notable family members made this tale even more suitable for the What If series (note: What If #4 of 1989 had a severely aged Peter Parker in it).

Still on the storytelling aspect of this comic book, the creators used the fountain of youth concept to pull off a significant twist on the enduring Spider-Man/Vulture rivalry. As Spider-Man grew so old, the Vulture became much younger which in turn convinced him he could reinvent himself and put his genius of electro-magnetism to great use.  

To make things clear, this tale is not purely a Spider-Man/Vulture rivalry with sci-fi twists. In fact, there is more to the plot than meets the eye here as the Juvenator machine becomes an important element of the story (leading to something intriguing in the next issue), and a sinister revelation concluded this comic book.

Conclusion

The Vulture rejuvenated into a young man at the expense of Spider-Man.

Amazing Spider-Man #387 (1994) is a solid follow-up to the previous issue and it also was a radical attempt to twist the Spider-Man/Vulture rivalry a lot reaching to the point of making it look and feel like a What If story. There is a good amount of suspense, character development and enough superhero spectacle that paid-off the build-up nicely. Ultimately, this tale is actually a part of a short storyline leading to the intriguing events of issue #388.  

Overall, Amazing Spider-Man #387 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Amazing Spider-Man #386 (1994)

A Look Back at Amazing Spider-Man #386 (1994)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the 1990s to examine a small part of the Marvel Comics shared universe through a tale of the Amazing Spider-Man monthly series.

Following a serious of unfortunate events that kept Spider-Man away from his wife Mary Jane (read my retro reviews by clicking here, here and here), the Amazing Spider-Man creators decided it was time to have the iconic webslinger in a new rematch with the classic villain The Vulture (specifically Adrian Toomes whose first appearance was in Amazing Spider-Man #2 in 1963). What makes Toomes Vulture notable (note: there were other versions of Vulture in Marvel’s history) is that he is an old man who happens to be a brilliant electrical engineer who proved to be a very capable criminal. He is also a co-founder of the Sinister Six.

With those details laid down, here is a look back at Amazing Spider-Man #386, published in 1994 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.

The cover.

Early story

The story begins in the prison complex at Ryker’s Island. Adrian Toomes (Vulture) is inside his prison cell working on a small device with a guard watching from his back. It turns out the device has a tractor beam and Toomes uses it on the guard to physically slam his body on the sliding door of the prison cell. Toomes then uses the tractor beam to pull the metal bars of the other side of the cell to create an opening. He equips himself with mechanical wings and flew out of his cell and reach the speed boat prepared by two companions.

At the residence of May Parker, Peter and his Aunt May talk with an investigator. It turns out Aunt May hired the investigator to follow and observe Richard and Mary Parker. When asked by Peter, she tells him she does not think Richard and Mary are his parents. As far as the investigator is concerned, there is nothing suspicious with Richard and Mary Parker. He tells peters that his aunt needs professional help (related to Alzheimer’s Disease)…

Quality

The physical conflict between Spidey and the Vulture is intense to see!

Perceived as modern during the time of publication, the conflict between Spider-Man and the Vulture in this comic book utilized the concept of everlasting youth with science fiction (combined with the villain’s own obsession). This in turn resulted in a unique approach executed by the Michelinie-Bagley duo to make something new with the rematch between Spidey and his winged nemesis.

The Vulture here is not only very obsessed with obtaining everlasting life as there is something deep inside him that has been raging. This explains why the winged super villain is more visceral in his battle with Spider-Man which Mark Bagley visualized with dynamism and intensity. For the newcomers reading this, the two have fought each other a lot since the 1960s and this 1994 rematch was very unique. The Vulture here is not unhinged but rather strategic while being obsessed, and this made him even more dangerous for Spider-Man.

Apart from the promised rematch, this comic book continued building up the tension for the eventual tragedy in Peter Parker’s life (which happened in Amazing Spider-Man #388) while also dramatizing the lasting hardships Mary Jane experiences as Peter’s wife. Peter Parker meanwhile is focused on his family and his intention to find professional help for Aunt May smoothly connected with his rematch with the Vulture.  

Conclusion

Mary Jane Parker participates in a promotional event of her TV show in a shopping mall.

There is a lot to enjoy in Amazing Spider-Man #386 (1994). The rematch between the Vulture and Spider-Man is engaging and intriguing to read. There is also a good amount of suspense applied on the main plot as well as on the sub-plot about Aunt May being suspicious about Richard and Mary Parker. The result here is a reading experience that is entertaining and also balanced with regards to tone and storytelling.  

Overall, Amazing Spider-Man #386 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at What If #85 (1996)

A Look Back at What If #85 (1996)

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Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1996 and explore a part of Marvel Comics’ universe through the reimagined tales emphasized in the What If monthly series.

Back in 1993 – the year that Marvel Comics celebrated the 30th anniversary of the X-Men – the definitive rival of the X-Men, Magneto, made a major comeback and he was so resourceful as a threat to everyone. With the massive space station Avalon as his lair, Magneto sent out Exodus to lure mutants to join him. As time passed, Magneto’s own force grew and arrogantly disrupted the funeral of Illyana Rasputin in the presence of the X-Men, X-Force, Excalibur and X-Factor (as told in Uncanny X-Men #304). As the conflict went on, Colossus betrayed the X-Men to join Magneto.

Can you just imagine what would it be like had Magneto became the ruler of mutants?

With those details laid down, here is a look back at What If #85, published in 1996 by Marvel Comics with a story written by David Michelinie and drawn by Arnie Jorgensen.

The cover.

Early story

The story begins inside Avalon with Magneto and Colossus watching recorded footage of Charles Xavier announcing his decision to stop opposing the ascension of Avalon. It turns out, Xavier’s decision paved the way for mutants to relocate to Avalon (orbiting Earth) in return for assurance that those who remain in it will do so unmolested. With the intention to let Avalon’s residents achieve their full and glorious potential, Magneto allowed the mutants to rule themselves without any dictatorship by him.

Through the years, division between Avalon’s mutants – Acolytes who believe in isolation and the Acolytes who believe in annihilation – intensified and proved that the spirit of mutant unity has faded away. As violence between the mutants went on, the number of explosions inside Avalon kept increasing…

Quality

A magnificent view for Magneto, Colossus and the readers.

What I like most about this What If tale is its core concept exploring what would have happened had Magneto ruled the mutants specifically those living in his own realm (Avalon). Writer David Michelinie (best known for writing Amazing Spider-Man stories) wrote a really inspired script that emphasized Magneto’s vision of mutant utopia isolated from the twisted and complicated societies of Earth (which still has lots of people who are afraid of and hostile towards mutants) while leaving room for conflict in the form of ideological division between mutants on Avalon. As the growing division and violence are shattering Magneto’s vision of mutant utopia, the birth of an infant whose presence adds to the tension and fear of Avalon’s inhabitants.

The good news here is that Michelinie’s script is pretty solid and Arnie Jorgensen did a good enough job visualizing it all. The characters, mainly Magneto, Colossus and Beast, were portrayed clearly in character and to see the master of magnetism struggling with maintaining order on Avalon is a nice portrayal of his human side which makes him have a lot more in common with his opposite Professor X when it comes mutant matters. Considering Magneto’s long history of intense evil and obsession with leading humanity, his portrayal of insecurity, doubt and weakness is very believable to read.

Colossus, whose betrayal of the X-Men in Uncanny X-Men #304 remains unforgettable, is the loyal and sensible servant of Magneto. Beast, meanwhile, remains the very bright and insightful mutant scientist as he has always been which makes Michelinie’s writing really impressive.

Also at the heart of the story is mutant order. Apart from the division between Avalon mutants who want full separation from humanity and those who want to conquer Earth by eliminating all human beings, the very fabric of mutant society got shaken all because of an infant who was born there on Avalon (Avalon’s first natural birth ever). I like the way this sub-plot added tension to the mutant division because it is, in some ways, socially relevant to this day. It will remind you that certain groups of people out there who would go as far as committing murder only because they are so obsessed with their foolish, worldly beliefs. Look at the Palestinian terrorists, the Iranian terrorists and the woke mobs in many parts of the world.

Conclusion

Remember Fabian Cortez and the Acolytes?

With a very solid script filled with intrigue, social relevance and portrayals, What If #85 (1996) is a pretty engaging read. As it is strongly focused on Magneto and his mutants on Avalon, this comic book gives readers a fine dramatization of its core concept as well as developments on what would have happened had mutant utopia been realized far away from human society. I should state that for every build-up in the story, the payoff is fortunately solid. Consider this comic book a dramatic portrayal of mutants of Magneto without the involvement of the X-Men.

Overall, What If #85 (1996) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Amazing Spider-Man #320 (1989)

A Look Back at Amazing Spider-Man #320 (1989)

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Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1985 to examine a small part of the Marvel Comics shared universe through a tale of the Amazing Spider-Man monthly series.

For this particular review, we will explore the first chapter of The Assassin Nation Plot storyline that took place within the Amazing Spider-Man series.  

With those details laid down, here is a look back at Amazing Spider-Man #320, published in 1989 by Marvel Comics with a story written by David Michelinie and drawn by Todd McFarlane.

The cover.

Early story

The story begins inside Empire State University where Peter Parker – working as an assistant in the science lab – takes advantage of the free time and resources to create web fluid using a new formula. He notices that the acetylene torch does not even leave a smudge on the new web he made.

To his surprise, his boss doctor Evan Sloan catches him doing an interesting experiment. Parker comes up with a convincing excuse for the experiment which spares him from getting into trouble. After promising doctor Sloan he will get on the neutron project first thing in the morning of Thursday, Parker leaves, secretly changes into Spider-Man and equipped his brand new web. He then leaves the university and moves deep into the city…

Quality

Peter Parker and Mary Jane having a discussion.

I really like the story David Micheline came up with as the start of The Assassin Nation Plot storyline. This is clearly not your typical good-versus-evil superhero tale starring the webslinger. Instead, there are layers of secrecy, suspense and intrigue that involves a powerful private organization, private armies and diplomats.

Instead of facing off with super villains, Spider-Man finds himself in the middle of something very big brewing behind the scenes, and that puts him in deep danger. That being said, Michelinie’s approach on building up the details of the plot moved very smoothly and the payoff for each buildup was executed on a timely manner. The buildup of details was never boring nor too slow to absorb, and Todd McFarlane excelled with visualizing the plot while still delivering dynamic superhero action.

I should mention that the character Paladin has a strong presence in the story and there were moments when he outweighed Spider-Man in terms of importance.

Conclusion

Spider-Man and Paladin targeted by armed guards.

Amazing Spider-Man #320 (1989) is indeed a very solid story to read and a powerful start of The Assassin Nation Plot storyline. With the way the core concept was presented, this comic book symbolically showed that there are high stakes and other matters that are clearly too overwhelming for Spider-Man to deal with. The story is nicely paced and the creative team knew when and how to execute worthy payoffs for each buildup. By the time I reached the end of the comic book, I became convinced to read the next chapter of this storyline.

Overall, Amazing Spider-Man #320 (1989) is highly recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Amazing Spider-Man #375 (1993)

A Look Back at Amazing Spider-Man #375 (1993)

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Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1993 and examine a small part of the Marvel Comics universe through a tale of the Amazing Spider-Man monthly series.

In my previous retro comic book review, the insane murderer Venom returned to antagonize Spider-Man by targeting his parents. While it was a fact that Venom – who knew Spider-Man’s true identity – got into close contact with Aunt May (symbolizing the danger he poses on the Peter Parker’s family) a few years prior, going after the mother and father of Peter really raised the stakes.

With those details laid down, here is a look back at Amazing Spider-Man #375, published in 1993 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley. This comic book marked the 30th anniversary of Amazing Spider-Man #1 (1963).

The cover.

Early story

The story begins inside one of the facilities of the closed amusement park in Brooklyn. In his vicious form, Venom tells Richard and Mary Parker (both restrained) that they belong to him and declares that he would protect them from Spider-Man.

When Richard Parker asked why would he think that they would have anything to do with Spider-Man, Venom realizes that the couple does not even know their son is the webslinger. Venom tells the couple that their innocence is what he is sworn to preserve.

Over at Manhattan, Spider-Man swings back to the Daily Bugle building and discreetly changes his clothes before moving in as photographer Peter Parker. Inside one of the offices, J. Jonah Jameson reaches out to Silver Sable by telephone…

Quality

Peter Parker had to commit a crime by trespassing into Anne Weying’s residence. His disguise as Spider-Man does not protect him from the law.

I have mixed feelings about this follow-up to the great story of the previous issue. For one thing, David Michelinie’s script had a completely different tone and direction even though he intended this comic book to conclude what issue #374 started. Another thing is that this story has even more characters added in which clearly diluted the intensity of the Venom-Spider-Man rivalry that was so intense in the previous issue.

There are two sub-plots – one of which deals with someone from Eddie Brock’s past – that were emphasized with sufficient details and the creative team integrated them into the main story. It seems that the creators intended to make the main story look grander in scope while sacrificing the very elements that made issue #374 a great and intense reading experience.

Remember the suspense and danger that came with Venom targeting the older Parker couple? Those elements are almost totally absent in this comic book even though this story concluded the previous issue’s conflict build-up. Richard and Mary Parker are both present as captives of Venom but there really is no tension nor any sense of danger here due to the drastic change of tone and direction in the script.

I should also stress that the introduction of Anne Weying (previously Anne Brock) as Eddie Brock’s ex-wife looked and felt like an afterthought inserted into the story. While Anne’s presence brought out some traces of humanity and sanity from Venom during the 2nd half of the story, it did not add much impact on the conflict between the webslinger and the symbiote-wearer murderer. Ultimately, the creative team had to do something to explain the story build-up on Venom’s part leading into the Lethal Protector limited series which is set in the city of San Francisco.

And then there was the presence of Silver Sable’s team called the Wild Pack. The Wild Pack is the result of J. Jonah Jameson’s agreement with Silver Sable with the objective of achieving a journalistic exclusive for the Daily Bugle. This particular sub-plot is really lousy and not even the dynamic looking action sequences involving the Wild Pack could hide lousiness.

If there is anything symbolic about the script, it is the emphasis on family as well as the impact that comes with elements of the past emerging unexpectedly. In this very comic book, you will get to see Eddie Brock/Venom react like a sane person in response to the sudden re-appearance of his former wife. No matter what the creative team did here, I can say that the Spidey/Venom conflict did not really intensify (note: the dynamic action scenes did not solve the shortcomings) and there was no reason to worry about the captive Parker couple.

Conclusion

The insane murderer Venom with the parents of Peter Parker.

Considering the great stuff and raised stakes that made issue #374 a very compelling read, Amazing Spider-Man #375 (1993) is clearly a disappointing conclusion. This is not a terrible comic book as it has some good stuff for fans to enjoy but the overall presentation of the creators here is not too great due to their approach with the storytelling (with two sub-plots that did not add much). Overall, I am glad I never bought this comic book (with flashy cover and more pages) at full price in 1993.

Overall, Amazing Spider-Man #375 (1993) is satisfactory.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Amazing Spider-Man #374 (1993)

A Look Back at Amazing Spider-Man #374 (1993)

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Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1993 and examine a small part of the Marvel Comics universe through a tale of the Amazing Spider-Man monthly series.

In early 1993, the supervillain and murderer Venom was in very high demand among Marvel readers and comic collectors. The Venom: Lethal Protector mini-series launched with issue #1 selling a lot of copies and it portrayed Spider-Man’s greatest enemy as a very twisted and violent makeshift hero who dedicated himself to protecting what he (Eddie Brock specifically) to innocent people. As Venom was one of the few supervillains who knew Spider-Man’s true identity, the creative team behind the Amazing Spider-Man series decided to raise the stakes temporarily by having him encounter Peter Parker’s parents (the ones that appeared in Amazing Spider-Man #365).

With those details laid down, here is a look back at Amazing Spider-Man #374, published in 1993 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.

The cover.

Early story

The story begins inside the bunker beneath the grounds of the deserted Brooklyn amusement park. As Eddie Brock struggles to lift a very heavy piece of equipment, the symbiote forms over his body helping him lift it up above the head. Venom is obsessed with killing Spider-Man and Eddie Brock remains totally bitter over the webslinger’s responsibility on destroying his career. Eddie sees a page of the Daily Bugle on the wall and it contains a news photo of Peter Parker with his mother and father.

At New York’s famous Central Park, Peter, wife Mary Jane and his parents enjoy quality time skating on ice. Aunt May is standing on a wooden platform watching them…

Quality

Lots of intense action scenes in this comic book for fans and readers to be entertained with. The action scenes are not mindless as they serve as reflections of Venom’s powerful quest for revenge.

To begin with, I can say that this tale by David Michelinie is a very intense and dramatic read and it added a new layer of depth into the enduring rivalry between Spider-Man and Venom. At this point in Marvel Comics’ shared universe history, the two icons have encountered each other so many times, the time was right for Michelinie to raise the stakes and have the elderly Parkers (note: Aunt May excluded) as the new targets of Venom (already made obvious on the cover which in turn added tremendous stress on the part of Spider-Man and his wife.

For the newcomers reading this, Eddie Brock’s journalistic career was destroyed over the Sin-Eater story as a result of Spider-Man’s public revelation of Stanley Carter as the said figure (note: Brock’s Sin-Eater article series was based on interviews with Emil Gregg who actually turned out to be a delusional neighbor of Carter’s).

As Brock’s life went way downhill with his reputation destroyed, his hatred of Spider-Man grew and so did his quest for revenge. That being said, what happened in this particular comic book was a very reflective extension of what happened years prior. Anyone who has basic knowledge of the origin of Venom and early appearances of Brock in comics will be able to understand the intensified rivalry in this tale.  

Apart from the great story, this comic book has lots of superhero spectacle for readers to enjoy. That being said, the smashing action of the fight between Spider-Man and Venom was clearly made to be more violent which suitably reflected the supervillain’s lust for revenge. Spidey, meanwhile, had no choice but to avoid causing any more damage or harm as Venom goes after him in public surrounded with lots of bystanders. Along the way, you will see a key moment of the insanity of Venom which served as a useful pause of the fight. Finally, when it comes to the art, this comic book has some of the finest artworks I have seen from Mark Bagley.

Conclusion

At the time of this comic book’s publication, Venom was one of the few supervillains who knew Spider-Man and Peter Parker are one and the same person. The inclusion of Peter’s parents only added to the raising of the stakes.

Amazing Spider-Man #374 (1993) is undeniably a great read complete with intense action scenes, lots of intrigue and, most notably, a rock solid development of the Spider-Man-Venom rivalry. This is the kind of story that will compel long-time Spider-Man fans to revisit Venom’s origin as well as Spider-Man’s involvement with the Sin-Eater. At the same time, this tale will help readers understand the insanity and murderous mind of Venom that took place not only in the Venom: Lethal Protector mini-series in also other mini-series about the symbiotic killer that Marvel published throughout the 1990s.

Overall, Amazing Spider-Man #374 (1993) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Turok: Dinosaur Hunter #3 (1993)

A Look Back at Turok: Dinosaur Hunter #3 (1993)

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Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Valiant Comics shared universe through a tale of the Turok: Dinosaur Hunter series.

Previously, Turok went on exploring Colombia after leaving the village of his romantic interest Serita. The village was decimated by the intelligent dinosaurs (also referred to as bionisaurs) that served Mon-ark, a fierce enemy of Turok’s. Eventually Turok got involved with the Colombian drug lord Comacho who has gang of armed men and lots of resources. Ever the dedicated hunter, Turok makes a deal with the drug lord to pursue dinosaurs.

With those details laid down, here is a look back at Turok: Dinosaur Hunter #3, published in 1993 by Valiant Comics with a story written by David Michelinie and drawn by Bernard Chang.

The cover.

Early story

The story begins in Colombia in 1987. Turok tries to sell the severed head of a bionisaur to a local buyer (collector of hunt-related trophies) who offers him only three hundred Pesos.

After concluding a disappointing deal, Turok leaves the local joint only to encounter a lady driving a jeep…the scientist Maria Cortez. She tells him that the drug lord Comacho is planning a raid against the dinosaurs very soon and the gang wants Turok to come along. Cortez, who is obsessed with researching dinosaurs, tells him her single condition that one dinosaur should be spared for scientific study. After some thinking, Turok agrees to join…

Quality

The evil of Mon-ark emphasized.

Starting first with the plot, I can say that David Michelinie’s script is well-written and never lost focus on the inevitable encounter between Turok and his vicious dinosaur rival Mon-Ark. Right from the start, it is clear that the stakes have been raised higher which is the result of Turok’s successful killing of Mon-ark’s mate. Like in the previous issue, Mon-ark here was portrayed again to be very evil and even abusive to his fellow dinosaurs.

The raid mentioned early in the story is easily the action-packed highlight and it has some notable forms of symbolism. For one thing, the raid was organized by Comacho not because of concern towards Mon-ark nor Turok, but because he wants to stop the disruptions on his illegal drug business caused by the dinosaurs. Cortez meanwhile sees the dinosaurs as animals meant to be studied for the sake of science. And then there is a certain photographer who wants to record everything visually no matter what happens. I can say the raid scenes are entertaining to follow.

As this comic book was not drawn by Bart Sears, I can say that the visual quality and style went way down. I’m not saying that Bernard Chang is a terrible artist at all. It’s just that Chang’s art style does not live up to the gritty, exquisite and intense visuals of the first two issues which clearly defined how Turok stories should look. Along the way, there are several instances wherein Chang’s art style made some characters and facial expressions look somewhat cartoony. The dinosaurs themselves also looked cartoony at times and the heavy loss of visual details on them is very clear.

Conclusion

The armed raid against the dinosaurs with Turok as a willing participant looking like Rambo.

Similar to its predecessor, Turok: Dinosaur Hunter #3 (1993) has enough stuff worth following to be entertained even though the visual quality went down several notches. For one thing, the promised battle between Turok and Mon-ark happened and the way it was written was strong on its own. At the same time, the Indian hunter of dinosaurs got more involved Comacho’s gang which raises questions about his ability to differentiate right from wrong, and good from evil. At this stage of the series, Turok’s direction remains clouded.

Overall, Turok: Dinosaur Hunter #3 (1993) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco