A Look Back At Spider-Man 2099 Meets Spider-Man

When Marvel Comics launched its 2099 franchise back in 1992 with Spider-Man 2099, clamor for having the futuristic hero meet up with the classic Spider-Man (Peter Parker) quickly followed.

Back in those days, crossovers were already popular and sold nicely with collectors. The Infinity Gauntlet of 1991 was an epic, universe-wide crossover done nicely by Jim Starlin, George Perez and Ron Lim. That limited series sold well, Marvel followed it up with The Infinity War (1992) and The Infinity Crusade (1993).  Even the disjointed The X-cutioner’s Song crossover of the X-Men comic books of 1992 kept the fans coming back for more.

For the 2099 universe, the franchise had strong launches with the respective first issues of Spider-Man 2099, Doom 2099, Punisher 2099, Ravage 2099 and even the first latecomer series X-Men 2099. Back in 1993, having the said 2099 heroes mix together was realized in the 5-part crossover The Fall of the Hammer.

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The cover by Rick Leonardi with ink work by Al Williamson. 

No matter what the trends back then, Spider-Man 2099 proved to be the most engaging series of the 2099 line of comic books arguably due to the in-depth storytelling of Peter David. Back in the 1980s, David worked at the direct sales team of Marvel Comics before moving into the editorial team as a writer. And, yes, he got to write for the Spectacular Spider-Man (originally titled Peter Parker, The Spectacular Spider-Man). Early on, Peter David made quite an impact with readers with the 4-part story The Death of Jean DeWolff in the said monthly series.

Many years later, David joined other comic book creators – including the late Stan Lee – on launching the 2099 franchise with Spider-Man 2099. He created a lot from scratch to establish the futuristic Spidey and made his mark on the 2099 universe.

“I don’t remember exactly which aspects of the 2099 were already part of the initial setup when I came aboard. I do know, though, that there was almost nothing specific for Spider-Man other than that he was, well, Spider-Man and (I think this was part of what I was handed) an employee of Alchemax. I was the one, though, who came up with his identity, the way his powers worked, the supporting cast, all of that. I even had a hand in designing the costume; not that I could draw a lick, but I sat there with Rick Leonardi during the first 2099 get together and described to him what I wanted, and he executed it perfectly, building upon what I suggested and improving it. I watched that costume come to life for the first time under Rick’s pencil. It was one of the single best collaborative moments in my life,” David said in a CBR.com interview.

This brings us back to the year 1995 when Marvel published the one-shot special crossover comic book designed to attract Spider-Man 2099 fans and the many millions of followers of the classic Peter Parker Spider-Man. That comic book was Spider-Man 2099 Meets Spider-Man written by Peter David and drawn by Rick Leonardi.

Let’s take a close look.

The comic book

The story begins in the far future of 2099 wherein Spider-Man (Peter Parker) from the 20th century finds himself lost in time and chased by the floating law enforcers who saw him as a danger to the public. Even though his costume is different, one of the law enforcers mistook him for Spider-Man 2099. Predictably, Spider-Man struggles to overcome and get away from them.

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Spider-Man in 2099!
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Spider-Man 2099 inside the Daily Bugle.

Meanwhile in the 20th century, Miguel O’Hara mistakenly arrives “home” only to find himself (naked no less) on the same bed as Mary Jane Parker (Spidey’s wife) who is also naked. This only confirms to him that he is lost in time. He immediately decides to get away from MJ and explore the city of New York which does not have the futuristic society he grew up with.

In an attempt to deal with the new reality, Spider-Man 2099 visits Peter Parker’s workplace – The Daily Bugle. He encounters Peter’s boss J. Jonah Jameson who mistook him as their time’s Spider-Man just wearing a new suit.

“You think you can fool me with a wardrobe change, you wall-crawling freak? Whatever your demented plan is, it won’t work,” Jameson told the disguised Miguel O’Hara who reacts by putting web on his mouth in front of the employees.

While the two superheroes struggle with being lost in time, Tyler Stone of Alchemax and Hikaru-Sama discuss something sinister.

Quality

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Spider-Man with Miguel O’Hara’s brother and Layla.

In terms of storytelling, Spider-Man 2099 Meets Spider-Man is messy even though there were efforts to have the two superheroes switch time settings that would allow them to explore different societies and mix up with their past supporting characters (example: Peter Parker Spidey meeting with Miguel’s brother and artificial intelligence Layla). What also hurt the storytelling was the lack of a very engaging antagonist. The futuristic Green Goblin the creators came up with was very lame.

The art by Rick Leonardi was barely satisfying and the sad thing is that none of his visuals – including the 2-page shot of the two superheroes together – delivered any impact. As Leonardi worked regularly on Spider-Man 2099, his art style of 20th century New York did not give me much immersion. J. Jonah Jameson was barely recognizable with Leonardi’s drawing.

To get straight to the point, this comic book is a major disappointment. It failed miserably to bring the two main characters together in a satisfying manner as there was an overabundance of build-up. By the time the two superheroes met, it was way too late for the comic book to be engaging and fun to read. With only seven pages available for the anticipated encounter, there was way too little of having Spider-Man and his 2099 counterpart together. So much could have been done to make the two superheroes interact and work together with a lot of impact but I suppose Marvel did not give the creative team enough time (and pages) to work with which resulted this disappointment.

By comparison, I found Spider-Man 2099’s encounter with Venom much more satisfying to read. Spider-Man’s encounter with Vulture 2099, meanwhile, was satisfying. Sometimes I felt that it would have been better for Marvel to publish a Spider-Man 2099 versus Venom standalone crossover comic book than this 1995 crossover disappointment!

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This is the BEST thing about this disappointing comic book. 

If you are determined to risk wasting your money by actually getting a physical copy, then be aware that a near-mint copy of Spider-Man 2099 Meets Spider-Man will cost you, believe it or not, over $40 at MileHighComics.com

Financial value aside, this comic book’s entertainment value is pretty low. It’s not a badly made crossover comic book but it sure remains a big disappointment considering its concept. Ultimately, Spider-Man 2099 Meets Spider-Man is not recommended. You have been warned.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Carlo Carrasco’s Comic Book Review: 2099 Alpha #1

Hey comic book fans! It is finally official! The 2099 universe of Marvel Comics has been revived with the release of 2099 Alpha #1 which I bought at the local comic book store here in Alabang, Muntinlupa, Philippines. The comic book that was available had a Spider-Man 2099 variant cover and it carried a hefty $4.99 price!

So you must be wondering…is the comic book any good? Does it capture the look and feel of the 2099 universe that first appeared in comic books back in the 1990s? Any significant changes in terms of storytelling and visuals?

Here is my review of 2099 Alpha #1.

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The variant cover showing Spider-Man 2099 with Spidey and related characters from the past.

Written by Nick Spencer with art by Viktor Bogdanovic (colors provided by Marte Garcia), the comic begins in The Ravage (note: this is NOT the failed 2099 hero of Stan Lee and Paul Ryan) where a little boy finds Thor’s hammer but abandons it as he saw some monsters coming. The story then shifts to Brooklyn where Jake Gallows (Punisher 2099) gets into a violent encounter with a man before finally meeting the backup he called for. Then they see a sign that their god, Thor, is now in a merciful mood.

In Nueva York, Miguel O’Hara (Spider-Man 2099) talks with Tyler Stone inside an Alchemax tower. Tyler examines what Miguel brought to them and he mentions an incoming threat. Elsewhere, Conan appears struggling in battle with some people. From a distance, Doom 2099 watches and he has the Watcher captive.

Quality

To put it short, 2099 Alpha #1 is really a set-up type of comic book designed to immerse readers into the 2099 universe which now looks darker, grittier and more twisted than the way it was first presented back in the 1990s. Because the spotlight shifts from one place to the next, showing multiple characters, there really is not much meat in the storytelling. Really, thirty pages of art and story were made but ultimately ended up being not so engaging.

The art of Viktor Bogdanovic shows the 2099 universe to be a depressing setting and his art on classic characters like Spider-Man 2099, Punisher 2099 and Doom 2099 make them look unrecognizable. I remember Jake Gallows being huge and buff but in this comic book, he looks like he lost a lot of muscle and ended up looking ordinary.

Conclusion

Overall, 2099 Alpha #1 is an expensive disappointment and it is easily the weakest new comic book I bought all year long. There is a lot of suspense, expository details and even some horrific imagery, but ultimately there is no real fun to experience here. At $4.99, this is too expensive and it is a waste as it failed to engage and entertain me. Let me add that I lowered my expectation for this revival of the 2099 universe since the teaser announcement was made months ago. Back then, I anticipated that the new guys handling the 2099 universe of comics will take it to a new direction (move far away from what made the 2099 universe in the 1990s memorable and distinct) and this overpriced comic book is an early confirmation of it.

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Recognize any of these characters?

Of course, there are still several other 2099 comics from Marvel that will be launched next month, including Spider-Man 2099 #1, Venom 2099 #1, Ghost Rider 2099 #1 and more. We will find out soon enough if those comic books will share the same dark and gritty style of 2099 Alpha #1 or not.

Ultimately, 2099 Alpha #1 is not recommended. As long as it is sold at cover price, avoid it.

+++++

If you are nostalgic of the 1990s 2099 universe, check out my reviews of Spider-Man 2099 #1 and #25, Ravage 2099 #1 and X-Men 2099 #1.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

 

 

A Look Back At Spider-Man 2099 #25

Released in late 1994 by Marvel Comics, Spider-Man 2099 #25 had a double-sized issue with an embossed cover that shined as it was laced with foil. The number 25 on the edge of the cover was stylized to capture people’s attention on the shelves of comic book specialty stores.

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The cover of Spider-Man 2099 #25.

Back in the 1990s, Marvel had a “tradition” of releasing comic books with gimmick covers with anniversaries in mind. Notably the 25th, the 50th, the 75th and 100th issue and more got released with covers that came with foil or chromium or hologram or simply a hard embossed material. In other times, the anniversaries of the featured superhero/superheroes were celebrated with gimmick covers on comic books marking the celebration.

With regards to Spider-Man 2099 #25, the 2099 universe of Marvel had reached its 2nd year. By that point of time, the Marvel’s 2099 line of comics was already at full publishing blast with several monthly series (Spider-Man 2099, Ravage 2099, Punisher 2099, Doom 2099, X-Men 2099 and Ghost Rider 2099) plus a quarterly comic book (Marvel 2099).

Written by Peter David and drawn by Rick Leonardi (with ink work by Al Williamson), the comic book begins with a short scene about Miguel O’Hara’s (Spider-Man 2099) mother moving on her way to meet someone. The spotlight then shifts into the heat of the rematch between Spider-Man and the cyborg Venture.

Later Miguel’s mother meets a certain tycoon at his mansion…

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Spider-Man of 2099 fights with Venture.

When it comes to quantity, this comic book has a Spider-Man story of 22 pages, a Hulk 2099 story with 8 pages (a prequel to Hulk 2099 #1 specifically) and a story called Net Loss with 10 pages. The first time I read this comic book back in 1994, I anticipated more Spider-Man 2099 content but got surprised with the other two being part of it. Marvel decided back then to use Spider-Man #25’s content to expand and emphasize the 2099 universe.

When it comes to quality, I find the Spider-Man 2099 story here a worthy read not simply because Peter David wrote it but because he crafted a story that connects and relates well with what happened in Spider-Man 2099 #1. When I reached the end of the story, I really felt compelled to go back to the very first issue to re-examine what happened.

As this was the 25th issue of the series, Peter David and Rick Leonardi were more proficient as a creative team. The aesthetics of Leonardi’s art (inked by Williamson) is pretty much the same but I noticed that the illustrator added more power on key moments of the action. Ultimately this story is worthy of the 25th issue anniversary treatment.

The Hulk 2099 short story by Gerard Jones and Malcolm Davis meanwhile serves only to build up the mean green monster for its monthly series. Hulk 2099 was never an interesting character to me and this one did not change my view of him.

The final short story Net Loss was rather weird. Even though I read a lot of 2099 comic books, the story by Peter David and Tom Grindberg just did not captivate me.

Overall, I find Spider-Man 2099 #25 a worthy comic book to add to your collection and Spidey’s story alone is worth it.

Spider-Man 2099 #25 is recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Ravage 2099 #1

It’s funny how time moves. The year we live in now is twenty-nineteen (2019). That means eighty years from now, the year will be twenty ninety-nine (2099). As a long time geek, the year 2099 reminds me a lot about the short-lived lineup of superhero comics published by Marvel Comics popularly referred to as Marvel 2099 which had a far future, sci-fi setting.

Back in 1992, the comic book industry was riding high on the spending of collectors who seek profit through the trading of comic books. During those days, Marvel released several comic books with special covers (foil, hologram, etc.) which looked so pretty, a lot of people bought those (normally double the prices of regular comic books) believing it would make a collector’s item (instead of reading and enjoying the comic book).

Marvel added more to the comic book speculation frenzy by launching their 2099 series starting with Spider-Man 2099 #1. Shortly after that, they launched the Ravage 2099 monthly series highlighting a protagonist that was original and co-created by the legendary Stan Lee with artist Paul Ryan. There was also hype accompanying Ravage 2099 #1 as it marked Stan Lee’s return as a regular writer. Here is my review of the comic book Ravage 2099 #1.

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Ravage 2099 #1 and a few other comic books beside my mug of coffee.

The story opens with a man chased by local authorities. Labeled a polluter, the armed personnel killed him instead of taking him in alive. This bothers Paul-Phillip Ravage who is the head of ECO Central (under mega corporation Alchemax). His assistant Tiana warned him that there is greater danger and Alchemax can bring down anyone. Of course, Ravage dismisses her concern as he believed in the system he is part of.

Ravage said to her, “If we can’t trust the system, if we can’t trust Alchemax, then we revert back to anarchy!”

Shortly after, Ravage encounters three young guys who approached him with weapons. After scaring away two of them, the last guy – a teenage boy – said words that made Ravage think. It turns out the young guy is the son of the man who got killed in the beginning.

Even though no compelling evidence was presented to him, Ravage had the teenager come with him to go high at Alchemax. There they meet with Anderthorp Henton, the director general of the corporation. After listening to their concerns, Henton reacts to investigate.

“That’s the most shocking thing I’ve heard! If there’s the slightest shred of truth to your accusation, I’ll move heaven and earth to punish the one’s responsible. You have my word on that, commander and you too, young man!”

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Ravage, the teenager and Henton.

After separating from the teenager, Ravage decides to go back to his office. Tiana warned him that Henton has targeted him for elimination. Suddenly a mutroid (creature brought in from a forbidden place) appears in front of them starting Alchemax’s move to frame and kill Ravage.

Ravage 2099 #1 was released on October 1992 (cover dated December 1992) for $1.75 with a gold-colored foil cover and it sold well for Marvel that month arguably due to the collector craze as well as die hard fans of Stan Lee. In terms of art, Paul Ryan did a good job visualizing the sci-fi, distant future of 2099 laced with futuristic technology (example: vehicles hovering above ground). He clearly made Ravage look mature while Tiana looked too erotic to be in the office. Ryan’s art on Henton, meanwhile, lacked subtlety and right from the start, he obviously looked evil. When it comes to action, Ryan did a decent job.

As for the writing, I can honestly say that Stan Lee’s style lacked precision and engagement. Clearly his style of writing ended up being outdated by the time this comic book got published. Had Ravage 2099 #1 been released in, let’s say in 1975, then the comic book would have felt more engaging and even futuristic. The dialogue is somewhat lousy as well.

I also noticed how Ravage and the villain Henton looked idiotic with their respective acts. While the culture of impunity in 2099 is undeniable, it still does not justify Henton’s knee-jerk decision to order the elimination of Ravage who in turn failed to notice anything suspicious as head of his department. Tiana ends up being the informer for him.

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Ravage starts fighting back at his company’s security personnel.

Another sign of Ravage being not too smart (or at least the lack of precision and intelligence on the script written by Stan Lee) is how unrealistically easy it was for the teenager to convince him that his father was killed WITHOUT PRESENTING ANY COMPELLING EVIDENCE of the incident at all! The teenager only had words…no video, no photos, nothing as evidence!

For a mature man, Ravage was pretty foolish. He never asked the teenager to present any evidence to prove his claims. Instead, he went ahead going to Henton at Alchemax even bringing the young guy with him.

More on Ravage, it was clear that he was doomed as a comic book character even though Stan Lee was involved in creating him. Considering the fact that there were many Hollywood action movies released throughout the 1980s often having a macho guy armed with guns (or capable of doing hard action) as the hero, Ravage ended up looking generic.

 

It is no surprise that even though Marvel Comics revived somewhat the 2099 universe with new comic books over the past few years, Ravage was not revived. There was simply nothing special with the character nor was his part of the 2099 universe deemed important.

Ravage2099

Ultimately, Ravage 2099 #1 is a comic book worth getting way below its cover price. In my view, it is worth fifty cents at best. Ravage is truly a failed hero of Stan Lee’s.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

 

A Look Back At Spider-Man 2099 #1

I remember decades ago when superhero comic book collecting was exciting with trends of comic creators unleashing their newest owned projects and comic book publishers publishing new comic books expanding their existing universe.

In 1992, Marvel Comics announced the launch of the 2099 universe which highlights a far, futuristic possible universe of their comic book universe laced with visual inspiration from Blade Runner and an emphasis of what the future would be like had private corporations had more control over people and society.

What kicked off interest with the 2099 imprint was the announcement of Spider-Man 2099 which is obviously a far future counterpart of the famous Peter Parker Spider-Man people knew.

Here is my look back at the comic book Spider-Man 2099 #1.

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Cover of Spider-Man 2099 #1.

Released in late-1992 by Marvel Comics, Spider-Man 2099 #1 came with a hard cover laced with red foil and in the middle was art of the superhero chased by flying police officers. The image easily reminded me of Peter Parker Spider-Man escaping from police officers who thought he committed crime.

With its story written by the legendary Peter David and drawn by Rick Leonardi (who drew some Spider-Man comics previously), the comic book introduced readers to Miguel O’Hara who is a very talented geneticist working for Alchemax with an interest on the original Spider-Man (Peter Parker). As head of the company’s genetics project (working under Aaron Delgado who answers to R&D Vice President Tyler Stone), the Latino O’Hara planned to create new and powerful beings called “corporate raiders” (which reflects Alchemax’s planned control over them).

O’Hara intends to create a new being with abilities and specialties similar to that of the classic Spider-Man and it is clear in the story that he has vested interest with him having existing records from the past.

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The classic Spider-Man referenced in this page.

Even with very high-tech equipment and resources, a genetic experiment using a living person went horribly wrong which brought way down O’Hara’s morale and spirit. Discouraged and filled with guilt he visits Stone’s office to express his desire to resign. Seeking to calm O’Hara down, Tyler offers him a drink and at this point of the story things really start taking twists leading to how O’Hara becomes Spider-Man of his era. You’ll just have to read the comic book.

From a visual standpoint, Rick Leonardi did a nice job bringing 2099’s society to life with those high-tech machines, floating vehicles, buildings with very futuristic designs, nice looking action, etc. On pages 2 and 3 you’ll see Spider-Man 2099’s first-ever appearance literally coming straight at you which is to say the least memorable. Oh yes, the late Al Williamson inked the art.

Storytelling was nicely paced. The chase and action scenes in the start were pretty fast and clearly Peter David took his time controlling the pace when it came down to emphasizing characters and telling the back story. He really defined Miguel O’Hara’s personality and within a few minutes any reader will realize that the protagonist is not the “typical and likable” hero some would expect.

In fact Miguel O’Hara is somewhat arrogant and even had the guts to stand up to Tyler Stone. He’s a lonely guy as well and spends a lot of time interacting and depending on Lyla, a holographic aid with artificial intelligence.

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Spider-Man of 2099 in action!

With regard to the presentation of genetics, Peter David was clearly influenced by the 1986 movie The Fly directed by David Cronenberg. Even that movie’s title was mentioned in the comic book. That being said the story shed light on the risks and possible unethical approach to scientific experiments that involved the manipulation of human genetics. Along the way it clearly dramatizes the complete power and freedom (and abuse perhaps) Alchemax enjoys with its operations and that nothing could stop them.

Overall Spider-Man 2099 #1 is worth looking for and collecting even though it is decades old. Sure it has that 1990s vibe in terms of visuals but it is indeed refreshing to read especially after reading many of today’s “modern” art in comics (especially with the recent Spider-Man 2099 comics). As far as importance is concerned, Spider-Man of 2099 is truly valued by Marvel and clearly the character truly defines the 2099 imprint. It is no surprise that Spider-Man 2099 was brought back when Marvel launched a new line of 2099 comic books back in 2015.

Even until now Spider-Man 2099 #1 is still one of the very best 2099 comic books ever released. It is a classic in its own right. I suggest visiting your local comic book store to find an existing copy of it.


Thank you for reading. If you found this article to be engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco.

Author’s Note: This article was originally published at my old Geeks and Villagers blog. What you read on this website was an updated and expanded version. In other words, this newest version you just read is the most definitive version