A Look Back at X-Men 2099 #5 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors, 1990s culture enthusiasts and fans of Marvel Comics! This is the continuation of a look back at the Marvel 2099 crossover storyline The Fall of The Hammer which started in Spider-Man 2099 #16 followed next in Ravage 2099 #15. The 3rd chapter of the said crossover filled the fifth issue of the X-Men 2099 monthly series.

For the newcomers reading this, a few of the X-Men of the far future were officially involved in this 5-part crossover storyline that was meant to celebrate the Marvel 2099 franchise back in the 1990s. This was the reason why Skullfire, Meanstreak, Krystalin and Bloodhawk were separated from their team leader Xi’an and the remaining teammates. Last time around, three of the mentioned X-Men got involved with Ravage and eventually reached the floating city of Valhalla together only to get separated.

With those details laid down, here is a look back at X-Men 2099 #5, published in 1993 (cover dated 1994) by Marvel Comics with a story written by John Francis Moore and drawn by Ron Lim.

The cover.

Early story

The story begins in New York City where a vehicle moves at high speed until it hits a wall and stops. Out comes Tim Fitzgerald/Skullfire who moves away and spots Valhalla above him. In the floating city, Krystalin, Meanstreak and Bloodhawk are in confrontation with a powerful enemy called Heimdall who tells them to bow to him and swear allegiance.

Bloodhawk attacks Heimdall only to get pushed back. Krystalin fires crystal bits at him but to no success. Thinking that he’s too fast for Heimdall, Meanstreak tries a sneak attack from the side only to be hit hard, lose control and crashes to a wall. As the X-Men’s fastest member is down, a shadowy figure approaches him nearby…

Quality

This quick flashback explains how the four X-Men 2099 members went to New York.

As an X-Men 2099 tale, this one felt like a catch-up for Skullfire who was absent in the first two parts of The Fall of the Hammer storyline even though it was confirmed in X-Men 2099 #4 that he joined his teammates and help Meanstreak find his friend Jordan. That being said, there is a good amount of scenes focused on Skullfire as he makes his way up to Valhalla. There is also a quick flashback showing that indeed he was with his teammates as they arrived in New York only to get separated (which explains why only Krystalin, Bloodhawk and Meanstreak approached Ravage). More importantly, the flashback also contains additional details that explain what the X-Men discovered before arriving at Valhalla and why they decided to approach Ravage.

As the 3rd chapter of The Fall of The Hammer storyline, this comic book barely moved the present-day narrative forward mainly due to having to use a few but precious pages to tell the short flashback to explain the X-Men’s involvement. Still, key revelations related to what happened behind-the-scenes added a lot of depth to the narrative and this properly sets the stage of for the remaining chapters. The 2099 major figures like Spider-Man, Punisher, Doom and Ravage all appeared here but very sparsely.    

Conclusion

Ravage 2099 helps Krystalin.

X-Men 2099 #5 (1994) pushed the narrative of the crossover a few notches forward but the revelations written saved it from being a throw-away story. For fans of X-Men 2099, there is a lot to like here and Skullfire’s late entry into the crossover will delight them. The writing was good enough and by the end of the story, the explanations were satisfying and the ending suggested that the stakes would be raised for the final two chapters of the crossover. Those who missed the presence of Thor 2099 should be happy to see him here, even though it was clear that he was being conserved for the last two chapters.

If you are seriously planning to buy an existing hard copy of X-Men 2099 #5 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $6 while the near-mint copy of the newsstand edition costs $18.

Overall, X-Men 2099 #5 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Ravage 2099 #15 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors, 1990s culture enthusiasts and fans of Marvel Comics! To those who read my previous retro comic book reviews related to the 2099 universe of Marvel Comics, you know fully well that I found the first eight issues of the Ravage 2099 monthly series to be lackluster even though they all involved the writing of the late legend Stan Lee. After Lee stopped working, the Ravage 2099 series was taken over by Pat Mills and Tony Skinner for the writing duties and those two were in-charge of the Punisher 2099 series.

Eventually, a crossover storyline of the 2099 universe was published titled The Fall of the Hammer. It was told in five parts and each of the existing 2099 monthly series at the time – Spider-Man 2099, Ravage 2099, Doom 2099, Punisher 2099 and X-Men 2099 – had one issue forming it. The Fall of the Hammer kicked off with Spider-Man 2099 #16 which had solid writing by Peter David.

Part 2 was told in a Ravage 2099 issue. To find out the story and its quality, here is a look back at Ravage 2099 #15, published in 1993 (cover dated 1994) by Marvel Comics with a story written by Pat Mills and Tony Skinner, and drawn by Grant Miehm.

Early story

The story begins at the place of Paul-Phillip Ravage who is now in human form. In his presence are X-Men 2099 members Meanstreak, Krystalin and Bloodhawk. Suddenly Bloodhawk comes after Ravage and tries to make him give out information in relation to the disappearance of Jordan Boone, a friend of Meanstreak. Boone disappeared after compiling data related to Alchemax’s problem with Valhalla.

Ravage then transforms into his monstrous form which surprises Bloodhawk. After the winged X-Men member mentioned Valhalla, Ravage calms down and decides to talk with the team. Soon enough, they fly above the city streets in a vehicle heading towards Valhalla. As they approach the floating city, armed flying personnel move in to attack Ravage 2099 and the three X-Men.

Elsewhere in New York, Spider-Man 2099 finds himself at a disadvantage as Punisher 2099 has a gun pointed at him…

Quality

2099’s Spider-Man and Punisher together.

To put it clearly, this 2nd part of The Fall of the Hammer storyline is where the 2099 heroes begin to actually cross over with each other and the first panel showing Ravage with the three X-Men members is symbolic of that. The plot here is actually simple…Ravage and the X-Men make it to Valhalla which is their common destination. The mutants want information about Jordan Boone while Ravage tries to meet Doom 2099 (whom he met in Ravage 2099 #14). Apart from those objectives, there is a lot of action scenes laced with dialogue designed to move the narrative forward little by little. If you are looking for character development of Ravage, you won’t find much here. What you will find, however, are some scenes of intrigue that show Ravage getting disturbed temporarily as a result of realizing the presence of a certain someone he got close with.

As for Valhalla, the city here is more of a technical playground than an actual threat to the people and societies it flew over. What weakens the story here is the absence of 2099’s Thor.

Conclusion

The money shot of this comic book!

To a certain extent, Ravage 2099 #15 (1994) is a somewhat entertaining read mainly due to the mix up of 2099 characters together here. The story is pretty light but at the very least fans of Ravage 2099 will find their monstrous hero in a somewhat interesting misadventure here. The concept that started in Spider-Man 2099 #16 showing Valhalla as a floating danger is weaker here but at least this comic book sets the stage for the next chapter of the storyline decently.

If you are seriously planning to buy an existing hard copy of Ravage 2099 #15 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $16 while the near-mint copy of the newsstand edition costs $48.

Overall, Ravage 2099 #15 (1994) is satisfactory.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Spider-Man 2099 #16 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

By the year 1993, Marvel Comics’ new comic book line of the 2099 universe kept filling the shelves of retailers and made it into the hands of collectors and fans with the monthly series composed of Spider-Man 2099, Ravage 2099, Doom 2099, Punisher 2099 and the new addition of the year X-Men 2099. Back then, the Marvel 2099 line expanded a lot and saw the establishment of new fans. Even the quarterly series 2099 Unlimited caught the attention of some readers as it told the early stories of Hulk 2099 (who debuted in 2099 Unlimited #1).

Unsurprisingly, there were fans of the 2099 universe who wished for a crossover storyline that would bring together their respective favorite futuristic heroes. Remember the rivalry between classic Spider-Man (Peter Parker) and the Punisher (Frank Castle)? Some wanted Spider-Man 2099 and Punisher 2099 to encounter each other.

Eventually, the crossover dream of the fans came through in the form of The Fall of the Hammer storyline that took place in five parts. Specifically one issue each of Spider-Man 2099, Ravage 2099, Doom 2099, Punisher 2099 and X-Men 2099. It was also an opportunity for the 2099 creative teams (note: the legendary Stan Lee and Peter David were among the writers at the time) to get together and contribute to make something special under the watch of 2099 editor Joey Cavalieri.

With those details laid down, we can finally start examining the beginning of The Fall of the Hammer storyline in this look back at Spider-Man 2099 #16, published in 1993 (cover dated 1994) by Marvel Comics with a story written by Peter David and drawn by Rick Leonardi.

The cover drawn by Ron Lim.

Early story

The story begins with the arrival of the floating city of Valhalla, disturbing the people of the town of Randall below. On the floating city itself, a crowd of people – with Miguel O’Hara and Dana among them – stare at a hammer-wielding, caped blonde man who claims to be Thor (their idol). Accompanied by Heimdall, Thor tells them that a select few among them will remain in the city to act as sentinels while the rest will come with Heimdall to a place of departure.

Thor turns his attention on Dana causing Miguel to intervene and challenge his so-called authority. As Thor reacts to Miguel’s defiance, he throws a punch which got deflected. This causes the so-called god of thunder to be surprised given Miguel looking ordinary to him. In reaction, Thor grabs him and throws his body several feet over many people’s heads. This leaves Dana helpless.

Miguel crashes through a glass window, falling outside until he shoots a web to control his movement. He takes off his civilian clothes, revealing his costume as Spider-Man of 2099. He sets off to get back at Thor…  

Quality

The highlight of the comic book is Spider-Man 2099’s conflict with Thor.

To make clear the obvious, the writing by Peter David is indeed solid although the sketch-like aesthetic of the art of Rick Leonardi badly needed more visual details.

As for the story itself, it is succeeded in creating tension with regards to the caped figure who believes himself to be Thor who is the central figure of religion in 2099 America and has the means to wield power by even involving technology (with Valhalla as the center piece). That being said, Spider-Man 2099’s encounter with him was inevitable, and so was the result (a bit predictable). The story also sheds light on the perceived omnipotence of Thor and how Spider-Man 2099 (who was previously referred to by some people as Thor’s harbinger) got associated with his legend.

To make things clear, this one is purely a Spider-Man 2099 story that justifies the concept of needing other 2099 heroes as the threat was simply too great for any one hero to handle. I should also state that the crossover between any heroes does not begin until the final page of this comic book.

Conclusion

Nothing like being in a crowd of people watching helplessly in front of two so-called omnipotent figures.

Spider-Man 2099 #16 (1994) is still a good read and as the first chapter of The Fall of the Hammer storyline, it served its purpose well. This is mainly due to the strong writing by Peter David who also succeeded in establishing 2099’s Thor not only as the villain but also as a figure who truly is a threat to the people. This comic book also shows that people in 2099 failed to realize who their true Creator is as they embraced religion (instead of faith) and committed idolatry (which is truly unholy) by believing in a false god like Thor.

If you are seriously planning to buy an existing hard copy of Spider-Man 2099 #16 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $40 while the near-mint copies of the newsstand and the signed-and-numbered editions cost $120 and $300 respectively.

Overall, Spider-Man 2099 #16 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at 2099 Unlimited #1 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

During the first half of 1993, Marvel Comics had published four monthly series of their 2099 franchise of comic books: Spider-Man 2099, Ravage 2099, Doom 2099 and Punisher 2099. X-Men 2099 debuted in the 2nd half of 1993 but months before that happened, Marvel went ahead with expanding their 2099 franchise by launching what was back then a new, quarterly comic book series simply titled 2099 Unlimited.

That being said, the mentioned quarterly series was officially launched with 2099 Unlimited #1 which, as its cover showed, featured Spider-Man 2099 as well as Hulk 2099. The comic book came with a high price of $3.95 on its cover and it had 64 pages of content (including ads and bulletins). I myself bought a copy of it as soon as it appeared on the shelves of the local comic book store here in the Philippines.

Was the debut comic book fun? Is it good by today’s standards? We can all find out in this look back at 2099 Unlimited #1, published in 1993 by Marvel Comics with stories written by Evan Skolnick and Gerard Jones, and drawn by Chris Wozniak and Dwayne Turner.

The cover.

Early stories

“Nothing ever changes!” – the story begins at New York City’s Koop Memorial Hospital where an investigation is happening. A married couple arrives and noticed the unusual activity happening there. As they arrive at another floor to visit their son Michael, they noticed the hallway is full of dead bodies. They panic and start running to find their son. Suddenly a muscular man appears and kills the husband, stating his action is justified by his belief about the natural order of things and his effort to ensure humanity’s survival. The killer escapes.

Weeks later, Spider-Man/Miguel O’Hara returns home from fighting crime just in time to rush and prepare himself for his date with Anna. During their date, Anna talks about her sister who has a rare genetic deformity. She intends to visit her sister at the hospital, and Miguel asked if she wants him to come along…

“Hulk 2099” – the story begins in the Mojave Desert with the Hulk traveling alone in the middle of the night. He has been traveling for over three hundred miles alone hunting something. The Hulk arrives at the private residence of a lady who spots him and alerts the armed personnel of Sweat Dreams Security Services. Soon enough, Sweet Dreams personnel arrive and its tank charges at the green monster…

Quality

Imagine Hulk 2099 trespassing on your property.

The first story featuring Spider-Man 2099 has a pretty interesting concept that was nicely executed and proved to be surprisingly satisfying. The creative team introduced the new villain Mutagen and they succeeded in building his personality (including his obsession with perfecting human genetics and altering the so-called gene pool) which resulted a justified conflict with Spider-Man. The character development, focused mainly on Mutagen, was well done and by the end of the story, he became a pretty interesting villain.

As for Spider-Man, his character development was pretty limited to his interactions with Anna laced with little references to his career with Alchemax, and there were no references to his personal life and the people who mattered most to him. Clearly, the first story was more about Mutagen than Spider-Man, and it has a very satisfying conflict between the two. I also enjoyed the way the creative team presented Mutagen being able to adapt to his environment and the attacks Spider-Man threw at him. While the story is strong, I should say that Chris Wozniak’s art is uneven. His drawings on Mutagen were pretty details but the same cannot be said about his art on Spider-Man.

The second story, featuring Hulk of 2099, is the actual gem in this comic book. Not only was it the first-ever appearance of the character, it unsurprisingly took inspiration from the origin of the classic Hulk (Bruce Banner) and made some twists with themes of the business of entertainment and the human desire of idolatry (always unholy). The new Hulk here is an entertainment executive named John Eisenhart who has been researching the Knights of Banner, a group of people who worship the classic Hulk. What he does in the real world and with people, he strives to make something out of them to boost his career and stand out in the business of amusement. Eisenhart sees Banner’s idolaters having the makings of a new cult of Thor complete with living in isolation

Eisenhart is not the typical good-natured protagonist. Quite the opposite in fact as he is obsessed with success and is a walking tool of Hollywood who exploits people and insists that being civilized is essential and that strength is knowing where the power is. That being said, this story has a lot of build-up on Hulk 2099 while still having sufficient space to tell his origin that arguably links him with the legacy of Banner Hulk. For the most part, the bouts of build-up resulted worthy pay-offs that readers can enjoy.

More on Hulk 2099 himself, this version of the classic character is more monstrous and freakish looking. While Hulk 2099 maintains the intelligence of Eisenhart, he still is deadly and unpredictable. Supporting characters like Gawain and Quirk both lacked scenes and dialogue but that is not surprising since the focus of the comic book is on Hulk 2099. For the art, Dwayne Turner’s work here is satisfying.

Conclusion

Spider-Man 2099 and Mutagen in battle!

When I first read this way back in 1993, I felt underwhelmed. By today’s standards, 2099 Unlimited #1 (1993) surprisingly aged well and it is actually deeper, more meaningful and engaging than I previously thought. Apart from Hulk 2099’s debut, the introduction of Mutagen was pretty engaging and he had a lot of potential to be a major 2099 universe villain. Too bad that Mutagen was not used to be a nemesis against Ravage 2099 or Punisher 2099 or even X-Men 2099. Hulk 2099 meanwhile went on to have a dedicated monthly series which came at a time when the 2099 imprint and the comic book industry in general went way down. This comic book, in my opinion, is more cerebral than it looks and that is thanks to the writers.

If you are seriously planning to buy an existing hard copy of 2099 Unlimited #1 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $15 while the near-mint copy of the newsstand edition costs $32.

Overall, 2099 Unlimited #1 (1993) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Ravage 2099 #3 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, Marvel 2099 fans and superhero comic book geeks! Are you ready for another trip into the high-tech future of Marvel’s comic book universe through the storytelling of the late Stan Lee? This is about the 3rd issue of the Ravage 2099 monthly series.

For the newcomers reading this, Ravage is an original character co-created by Stan Lee and artist Paul Ryan for the 2099 universe of Marvel Comics. By comparison, 2099 started in the 1990s with its own versions of Spider-Man, Dr. Doom and the Punisher. As such, Ravage stood out simply because he was different from them and that includes being idiotic and chaotic as a lead character.

Having already reviewed the first two issues (read my recent review), it became clear to me that Ravage started to deteriorate as a person even as he strived hard in doing what he thought was right. There are two established villains in the story and so far, Ravage does not look any different from them since he proved to be so chaotic, he became a danger not only to the thugs but also to law enforcers. As such, he is a danger to the public.

To find out if anything will improve creatively and artistically, here is a look back at Ravage 2099 #3, published in 1993 by Marvel Comics with a story written by Stan Lee and drawn by Paul Ryan.

The cover.

Early story

The story begins moments after Alchemax forces abducted Tiana from Ravage and Dack who find themselves busy with armed enemies on the street. The young Dack got hit by a gun blast. Somehow, Dack was brought to the nearest medical facility for treatment and placed in a medi-cell for questioning.

Already alone in the room, Dack is trapped and a bearded man delivering some candy arrives. It turns out it is Ravage in disguise and he wanted to make sure the youth was fine. Dack tells reveals that he was question for hours. Ravage updates Dack that Tiana was probably half-way to Hellrock, and he intends to get her back.

Meanwhile, armed personnel spot Ravage on surveillance video and rush to get him…

Quality

Most likely the portrayal of Tiana being helpless will turn off radical feminists and SJWs reading this.

To put things straight, this particular story has a retro vibe which reminds me of certain sci-fi and adventure comic books of the 1950s to the 1970s. This is not surprising given Stan Lee’s own style of plotting and writing. Like in issue #2, creative baggage was less of a hindrance and this allowed Lee and Paul Ryan to craft another action-hero tale that is straightforward and easier to follow. Unlike the previous issue, this one has stakes raised near the end of the story which is refreshing and it also involves a nice change of location. Compared to how he acted in issue #2, Ravage here begins to act more heroic and showed willingness to sacrifice something to help someone. He still is a chaotic person to be with, only this time he is in the company of a different kind of walking characters. To say the least, this story is an improvement over its predecessor.

Conclusion

Ravage in action inside Dak’s medi-cell.

I can say that Ravage 2099 #3 (1993) is surprisingly a satisfying read. It definitely is not great but the traditional elements of sci-fi, action adventure storytelling lifted its quality. It should be noted that the act of heroism on the part of Ravage begins here and the predicted rivalry between him and the villain Dethstryk (who looks generic as the leader of a band of baddies) finally starts.

If you are seriously planning to buy an existing hard copy of Ravage 2099 #3 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $8 while the near-mint copy of the newsstand edition costs $24.

Overall, Ravage 2099 #3 (1993) is satisfactory. That being said, I don’t recommend spending any more than $1 for it.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men 2099 #35 (1996)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

This is it! The thirty-fifth and final issue of the X-Men 2099 monthly series from Marvel Comics is at hand. How times have changed in the American comic book industry back in the 1990s. When X-Men 2099 #1 was released in 1993, there was still good demand and room for expanding the 2099 imprint beyond the pioneering characters Spider-Man 2099, Punisher 2099, Ravage 2099 and Doom 2099. By the time the X-Men 2099 series came to an end, Marvel Comics was in turmoil internally and several 2099 series talents behind the scenes left as a result of the termination of 2099 line editor Joey Cavalieri.

With the short history lesson done, we can now take a look back at X-Men 2099 #35, published in 1996 by Marvel Comics with a story written by John Francis Moore (who wrote ALL the series’ issues) and drawn by Jan Duursema.

Cover
The cover.

Early story

The story begins with some members of the X-Men facing off with Darkson (his name is Joaquim, the accelerated grown-up son of Metalhead and Rosa) and his evil mentor Vulcan. Following Vulcann’s command, Darkson lets go of Luna (who was carried earlier by him) who lands on the ground in a weakened state and was approached by Krystallin. In reaction, Krystallin launches some crystals to Vulcann and Darkson but got blocked by a protective aura.

The X-Men realize that Darkson is as potentially dangerous as Zhao. Darkson then strikes at Bloodhawk with a psionic blast and then attacks the other X-Men…

Quality

7
Two X-Men veterans and one X-Nation member in a scene.

In terms of storytelling, John Francis Moore did what he could with all the plot details and with what was built up during the previous issues leading to this issue’s final conflict. The problem, however, is that the pay-off was ultimately unsatisfactory.

Firstly, having Vulcann and Darkson parallel God and Jesus (complete with doing something about the destiny of people who need saving, which in this comic book referred to the futuristic mutants) in a twisted fashion was just hollow and never engaging. Secondly, the way the X-Men members got together was very rushed in execution. Thirdly and more importantly, the final conflict was pretty shallow and only led to a sequel-bait ending designed to lead into 2099: World of Tomorrow #1.

If you are looking for superhero spectacle, you will find some here but they all feel rushed and unsatisfying. If you care about key X-Men 2099 characters like Skullfire and Xi’an, the way they developed and appeared here will disappoint you. In fairness, Shakti remains the strong-willed mutant as before.

To say the least, there was an effort to emphasize what was at stake for the mutants of 2099 living in Halo City and there was also the idea that the world was coming to an end. The problem here was the execution as the comic book basically showed the X-Men in the presence of Vulcann and Darkson. There was no epic battle here at all and the climax at the end clearly showed rush and even a lack of creativity (note: most likely due to the internal turmoil at Marvel at the time).

Conclusion

2
Vulcan and Darkson (carrying the X-Men’s Luna).

I should say that X-Men 2099 #35 is indeed a disappointing conclusion not only to its series but also in the final conflict the X-Men had with Vulcann and Darkson. The pay-off was very unsatisfying and it did not help that this comic book served as just another build-up leading to another Marvel 2099 publication. By the time the conflict ended, I did not care much about the X-Men which, for the most part, became irrelevant. This is too bad because in issue #1 they were very interesting and (after some stories of misadventures showing the X-Men members separated) they became interesting again with the events in issue #25.

If you are seriously planning to buy an existing hard copy of X-Men 2099 #35 (1996), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $17 while the near-mint copy of the newsstand edition costs $51.

Overall, X-Men 2099 #35 (1996) is unsatisfying. I don’t recommend spending a lot of money for it. Better save your money.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men 2099 #30

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

With the conclusion of the 4-part storyline involving the Undead gang, the X-Men of 2099 find themselves literally back to Square One complete with Skullfire having returned. The team also accepted that their former teammate Serpentina has really come to an end. As the security handlers of Halo City, the X-Men find themselves dealing with responsibilities.

Here’s a look back at X-Men 2099 #30, published in 1996 by Marvel Comics with a story by John Francis Moore and art by Ron Lim.

Cover
The cover.

Early story

The story begins at a medical center in Halo City where Shakti/Cerebra watches her father in a coma. Her teammate Krystallin is with her. Shakti shares some threads from her past and admits to Krys that her father represented everything she despised. Suddenly their boss Morphine arrives, turning off Shakti who abruptly leaves him and Krys.

Walking alone in a part of the city, Shakti notices that some – a mutant – has been following her. She turns and sees Billy, one of the Free Radicals Krys encountered in X-Men 2099 #19. He gives her a high-tech coin. Upon receiving it, Shakti gets transported elsewhere in a flash.

Elsewhere, a ship full of passengers arrives at a dock. Among them are two young guys named Clarion and Nostromo. Even Clarion told him he will take him to Halo City, Nostromo is very uncertain of himself stating that he should not even be alive. After being told of gaining a second chance, Nostromo decided to go down the ship and join Clarion for the journey…

Quality

14
Nothing like getting cornered during your first ever visit to a city.

After going through all the battles and intrigue between the X-Men and the Undead in the past few issues, X-Men 2099 #30 is literally a breath of fresh air. This comic book has a well made story by John Francis Moore emphasizing youth mutants, Halo City’s continued development as a key destination diverse people, and most notably the coming of anticipated messiah among the mutants. What I also enjoyed here is the renewed focus on the state of mutants in 2099, specifically in the southwestern region of the United States.

Without going into spoiler territory, I can confirm that X-Men 2099 #30 serves as a set-up for X-Nation, which is arguably the futuristic X-Men’s version of The New Mutants. That’s not to say that this comic book is just a set-up. Other than that, its focus on Shakti and the important role she’s about to have with mutants is quite engaging.

Conclusion

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This is one of the few visual references to the 20th century X-Men.

Other than being a very good comic book on its own, X-Men 2099 #30 clearly showed that John Francis Moore was very confident on taking the monthly series on yet a new direction while paving the way for expanding elements of the Marvel 2099 universe which eventually led to the establishment of a short-lived series called X-Nation 2099.

If you are seriously planning to buy an existing hard copy of X-Men 2099 #30, be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $7 while the newsstand edition’s near-mint copy is worth $21.

Overall, X-Men 2099 #30 is recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men 2099 #3

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

When X-Men 2099 #1 was released in 1993, it was an instant hit with comic book collectors and became one of the top-selling comic books in America during its month of release. That was no surprise not simply because the comic book speculator boom was still in effect back then, but also because the X-Men 2099 monthly series was launched at a time when Marvel Comics spent a lot of money promoting the 30th anniversary celebration of the X-Men franchise and, on the other hand, agreed to expand the Marvel 2099 universe apart from Spider-Man 2099, Ravage 2099, Doom 2099 and Punisher 2099.

And there I was eager to witness how the 2099 universe got expanded through the futuristic X-Men whose adventures took place far away from New York. After reading the first two issues, I was hooked already on X-Men 2099. And then X-Men 2099 #3 appeared at the shelves of the local comic book store with a rather intriguing cover.

Cover
The intriguing cover complete with a coloring error (Tim’s red hair ended up black). 

I admit that after seeing that cover, I became more eager to find out if anyone from the futuristic mutants would actually die. By that time, the story that started with issue #1 turned out to be a 3-part story with the objective of establishing X-Men 2099 to readers.

Anyway, let’s start with the retro comic book review of X-Men 2099 #3 published in 1993 by Marvel Comics with a story by John Francis Moore and illustrations by Ron Lim.

Early story

Picking up shortly after the events of issue #2, the comic book begins with Xi’an’s cocooned body being transported back to headquarters by Junkpile (who turned traitor on the X-Men) while captured X-Men team members Meanstreak and Metalhead were placed into liquid-filled chambers. Team member Krystalin managed to elude capture while her teammates Serpentina, Cerebra, Skullfire and Bloodhawk are temporarily free.

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The free X-Men members try to infiltrate the place to rescue their teammates.

Lytton, who took over the family corporation since the death of his father Noah Synge, is running a brutal operation. His sister Desdemona does not fully trust him. Bloodhawk flies and breaks into a building in Las Vegas causing trouble for the Synge security personnel.

On the side of the chaos, Shakti/Cerebra, Tim/Skullfire and Tina/Serpentina quiet grab uniforms of Synge security personnel to infiltrate the place to rescue Meanstreak, Metalhead and their cocooned leader Xi’an…..

Quality

When it comes to storytelling, the creators delivered a satisfying ending to the 3-story arc complete with actually killing one of the X-Men 2099 members. John Francis Moore was successful in creating a 3-part story that ultimately gave me clear views of the respective personalities of each X-Men member (examples: Tim is the newcomer who is slowly finding his purpose, Shakti is the strong lady with leadership values who supports the leadership of the reformed Xi’an, Bloodhawk is a hard-headed rebel, etc.) while also succeeded in telling a cohesive story that placed the mutants in conflict with the Synge corporate family.

The twist regarding the murder of Noah Synge (the patriarch) was decently pulled off and the executed death of an X-Men 2099 member actually raised the stakes for the team. By the end of issue #3, the purpose of the futuristic X-Men became clear and was different enough from the mainstream X-Men. Unlike Charles Xavier’s mutants, Xi’an’s X-Men have to reclaim their heritage in a totally different America where corporations ruled the cities and outlaws ruled the wasteland and wilderness of the American southwest region. The X-Men of 2099 are nomadic and they don’t have the facilities nor a safe place to live in which Charles Xavier’s X-Men had.

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Desdemona, Junkpile and the cocooned Xi’an.

When it comes to art, I noticed that Ron Lim exerted more effort not only with visualizing John Francis Moore’s script but added noticeable visual details on key moments in the comic book. Seeing Tim/Skullfire so enraged followed by a violent impact of action was unforgettable when compared to other highly charged, emotional scenes Lim drew in his other works. Lim also delivered good stuff with the action scenes and further visualized the look of Las Vegas of 2099. His design of Desdemona, however, really looks uninspired and generic.

Conclusion

On its own, X-Men 2099 #3 is a good and fun comic book to read complete with a good amount of characterization. To really know the X-Men on a personal level, you really have to buy issues #1 and #2. On the creative side of things, I like the fact that John Francis Moore kept references to Charles Xavier’s X-Men to a bare minimum which nicely kept a strong focus on the X-Men of 2099 and the world they live in.

For the comic collectors reading this, if you are seriously considering acquiring a hard copy of X-Men 2099 #3, be aware that according to Mile High Comics, a near-mint copy of the regular edition costs $4 while the near-mint copy of the newsstand edition is priced at $8.

Overall, X-Men 2099 #3 is recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

A Look Back at X-Men 2099 #26

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

As already mentioned in my retro review of X-Men 2099 #25, a new creative direction was taken for the futuristic mutants of Marvel (who got back together after being apart for long) and the monthly series itself while still maintaining connection with the rule of Doom 2099 (already driven by Warren Ellis as the writer) as the US President. That story ended with noticeable changes on the characters, especially on Xi’an who ended up nothing like the strong and driven X-Men leader he was in X-Men 2099 #1. As such Tim Fitzgerald/Skullfire, who went through a lot of emotional struggles and confusion, finally learned to be strong to become the mutants’ new leader.

In this review, we will take a look at the aftermath of the events that happened in the above-mentioned anniversary celebration issue. Series lead creators John Francis Moore and Ron Lim took another shot heading towards the new direction in X-Men 2099 #26 published by Marvel Comics in 1995.

Cover
The cover by Ron Lim.

Early story

The comic book opens with Doom 2099’s Minister for Humanity Morphine Somers waking up and learns from his digital assistant that disaster happened in the White House (refer to Doom 2099 #33).

The story then shifts to Halo City which is the walled mecca which continues to attract some hundreds of thousands of misfits, mutants and refugees who seek sanctuary from the mega corporations which have dominated societies in most cities around the United States. In the middle of the traffic jam going into the city, a man decides to get out of the taxi and head on by foot.

The man is identified as Gunnar Tristan, an entertainment journalist. As the city authorities examines Gunnar, a man wearing a shirt looking like the American flag fires a shot at one of the security personnel.

“Down on your knees and pledge allegiance! The time’s come to sweep out all the genetic trash that’s polluting this great country. I got a thermonuclear bomb that’s gonna wash this mongrel city of the taint of foreigners and freaks,” said the armed man.

Just as Gunnar is about to fire, Henri Huang/Meanstreak of X-Men 2099 intervenes to prevent anymore danger from happening. Meanstreak is with teammate Krystalin and seen on their clothes are V-like symbols. They are now officially working for the city authorities as the mutant protectorate….

Quality

Clearly following up on the ending of X-Men 2099 #25, this story delivered strongly on showing the futuristic X-Men as Halo City authority members which is a drastic change from their past as outlaws and misadventure participants.

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The X-Men as members working for the authorities.

A strong element in this comic book is character development and it shows the former X-Men leader Xi’ian feeling guilty and has gotten obsessed with healing sick people as a way to atone for his sins. At this point of time, Xi’an went from a bag guy into a reformed man (X-Men leader) into a bad guy again before ending up weak and confused. This puts him yet again into conflict with his long-time trustee Shakti/Cerebra (who by this time can be seen as a suitable team leader with a very strong moral direction). Skullfire meanwhile is feeling uneasy with his team working for an administration and it can be seen that the time he spent in the wilderness took its toll on him.

When it comes to art, Ron Lim pushed his creativity hard this time by establishing the overall look of Halo City and how it is transforming into a hot bed for people who don’t want to live in a place monitored always by mega corporations. On characters, I should say that Lim’s designs for the new villain group The Undead is not very captivating although one of them really looked horrifying. On action scenes, Lim continued to deliver the goods.

Conclusion

I should say that I like this comic book a lot. It’s got more character development scenes and story build-up with noticeably lesser spectacle (which is not a problem at all). Being the 26th issue of the X-Men 2099 monthly series, characterization really had to be prioritized by the creative team to emphasize the bold, new direction taken. Just to see the X-Men become authority members even though they are not really qualified is just intriguing!

What makes this particular old comic book special in a rather bizarre and accidental manner is the raging debate about how America of today should handle its immigration problems especially with hot topics like securing the borders, building the wall along the south border with Mexico, and deporting as many illegal immigrants (even those who have families in America, established business and paid taxes) as possible. Back in the year this old comic book was published, immigration was not such a hot topic and there were even more Democrats (including then US President Bill Clinton) who favored stricter moves to curb illegal immigration.

The presence of the armed man who despises foreigners and mutants is now more socially relevant to see. It’s so symbolic, you should look at the page below.

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I wonder if anyone from the Democratic Party or the Political Left in America who support open borders had seen this page.

If you are seriously collecting comic books, be aware that as of this writing, MileHighComics.com shows that a near-mint copy of X-Men 2099 #26 regular edition is worth $4 while the near-mint copy of the newsstand edition is worth $8.

Overall, X-Men 2099 #26 is highly recommended.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men 2099 #25

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Back in the 1990s, comic books with gimmick covers and higher cover prices were abundant and also were easy targets for collectors. In the case of Marvel Comics, the concept of the “anniversary issue” was important because it gave them a chance to sell comics at a higher price.

To put things in perspective, many times back then Marvel would produce comic books with slightly more pages and a gimmick cover in celebration of a so-called anniversary such as the comic book series reaching its 25th or 50th or 75th or 100th issue and so on. Other anniversary celebrations include a character specific anniversary such as Spider-Man’s 30th anniversary celebrated with the comic book Amazing Spider-Man #365 which had a lot of pages and a hologram cover.

Of course, such anniversary celebrations were implemented on the Marvel 2099 line of comic books. Check out my review of Spider-Man 2099 #25.

Right here we will take a look at the first-ever anniversary celebration issue of the X-Men of the far future with X-Men 2099 #25 written by John Francis Moore and drawn by Ron Lim. This comic book was released in 1995 and Marvel already published multiple series of other franchises of their 2099 line. Prior to X-Men 2099 #25, the team saw its members separated from each other and went through lots of misadventures and unfortunate events before finally getting back together.

Cover
The full cover drawn by Ron Lim.

Early story

X-Men 2099 #25 begins with a research of Xi’an and his band of mutants being presented by the Minister of Humanity (Morphine Somers) to the President in their airship flying above California.

“I see in this current generation of X-Men an untapped potential,” said the President. “Now, tell me you have finally relocated them.”

The story then shifts to the slaughterhouse of the Theater of Pain wherein a restrained Shakti/Cerebra is standing helpless next to Brimstone Love and a masked Xi’an who are about to execute a sinister plan. Shakti speaks out against them and tells Brimstone that they are parasites preying on the pain and vulnerability of innocent people. Brimstone insists that the weak and helpless provide sport for the rich and powerful, and that his group was founded for the select powerful few who crave for and pay a lot for performances. Xi’an, who had a sinister past before getting reformed to revive the X-Men (before reverting back to evil due to Zhao’s invasion of his mind), only emphasized the theater’s importance.

Defiant, Shakti tries to reach deep into Xi’an and turn him around.

Elsewhere, the former Theater of Pain member Luna (who by this time got close with Tim/Skullfire) is chained and is confronted by her sisters in the theater. Skullfire meanwhile is in the waste disposal center where he meets someone who betrayed their team. They both thought about setting aside their differences to do something before time runs out…

Quality

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X-Men 2099’s Krystalin, Meanstreak and Bloodhawk get into the action.

In terms of visuals, I can say that Ron Lim’s art is pretty good and, most likely in tandem with the writer, took careful steps to control the pace enough to keep readers entertained without ever making things look disorienting. When there is action, the pace moves fast and the impact of the action done is always visible. As seen throughout the X-Men 2099 series, the look of the southwestern region of America is always striking and I like the fact that the wilderness setting comes with lesser presence of futuristic technology (compare this to what was seen in 2099’s New York) which gives this comic book a more laid-back concept.

When it comes to the storytelling, character development is nicely emphasized in this comic book. If you read enough of the early comic books (let’s say the first ten issues) and paid close attention to the futuristic X-Men, you will be able to relate with their struggles which add a lot of depth to the usual good-versus-evil storytelling here. Without spoiling the story, I should say that this comic book concluded with a believable new direction emphasized which in turn made me want to look to the next issue. It’s that strong of an ending!

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It sure is intriguing to see Shakti, one of the most prominent X-Men 2099 members, really suffer along with others.

I also liked the way this comic book emphasized the connections between the Theater of Pain with the Chosen (another group of villains) and most notably with Zhao (a previous leader of the X-Men before Xi’an’s time).

As for in-universe crossing-over, this comic book nicely ties up with Doom 2099 which, at the time of publishing, was under the creative direction of Warren Ellis who is now one of the best comic book writers.

If there is anything I have an issue with, it’s the cover art. It has a few characters who appeared on the cover, most notably Desdemona, and yet were absent in this comic book’s story. They ended up looking like cover art filler. Not a problem but distracting and meaningless.

Conclusion

Let me make it clear here…I really like this comic book. It definitely has the best and most engaging story of the X-Men of 2099 ever and that’s because this particular monthly series had an extensive build-up on all the characters since issue #1 and issue #25 executed a great payoff.

In retrospect, the X-Men drastically changed since the start of issue #4 and this includes members who went far away or decided to exclude themselves. X-Men 2099 #25 tied up most the loose threads not only by having the team members back together but also emphasized how much they developed over the past few years (in real life, that is). This is also the kind of comic book that will make you want to revisit the very start of its series and rediscover the characters.

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Luna in chains.

If you are seriously collecting comic books, be aware that based on the listings of MileHighComics.com as of this writing, as a near-mint copy of the comic book’s regular edition is $4 while a near-mint-copy of the deluxe edition (with gimmick cover) is at $6. X-Men 2099 #25’s newsstand edition is worth $8 for a near-mint copy.

Overall, X-Men 2099 #25 is highly recommended. The creators outdid themselves and made the best story of titled characters. Truly, this comic book is where the mutants of 2099 really got defined in their respectful place within the Marvel Comics universe of the 1990s.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com