Tag: 2099 Universe

A Look Back at X-Men 2099 #24 (1995)

A Look Back at X-Men 2099 #24 (1995)

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Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.

One of the things I enjoyed the most about the X-Men 2099 series was its expansion of the 2099 universe lore as well as the portrayal of uncertainty that mutants deal with in the more desolate parts of America (far away from Spider-Man 2099 and Punisher 2099). Along the way, the futuristic X-Men themselves were really torn down by a series of unfortunate events that includes the departure of their founder and leader Xi’an (eventually Controller X of the Theater of Pain). With the team members separated by circumstances, they were given their own tales and character development periods.

With those details laid down, here is a look back at X-Men 2099 #24, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

X-Men 2099 comic book cover featuring characters Skullfire and Luna facing the Norns, with action-oriented poses and vibrant colors.
The cover.

Early story

The story begins in southern California where the Slaughterhouse gets shaken by the force of a gamma bomb that detonated far away. Inside the facility, Quiver and Sham struggle as they sneak carefully. They intend to escape even though the odds are against them.

Nearby, the demonic Theater of Pain leader Brimstone Love strikes Junkpile (now with SHIELD serving the new President Doom 2099) hard and seriously damages him. With Junkpile down, the evil leader believes that Doom’s best is a failure and the Theater of Pain has nothing to fear from him. Brimstone Love issues an order to have Junkpile disposed.

Several feet below the ground, Skullfire and Luna find themselves contained after getting captured. For Luna, Xi’an is a lost cause and she prefers to find Shakti and escape. Skullfire, however, insists on pursuing Xi’an even though their situation looks very hopeless. As the two try to escape, they end up facing the muses of the Theater of Pain’s bloodsport arenas…Euphoria, Felicity and Bliss. Luna was previously one of them…

Quality

A dramatic comic book scene depicting a confrontation between two characters. One character, wearing a green outfit, appears distressed and is gripping her arms while shouting. The other character, in a golden outfit with a menacing expression, is explaining the concept of pain in a theatrical context. Their surroundings include futuristic elements and machinery.
Shakti represents the remaining X-Men while her former superior Xi’an has fully sided with the evil Theater of Pain as Controller X.

Being the comic book that immediately precedes issue #25, there is a lot of creative stuff here that X-Men 2099 fans will enjoy. The Moore-Lim duo took their time in setting up the eventual restoration of the futuristic X-Men as a team while carefully telling the dangerous events they will face with the Theater of Pain standing in their way.

Fans can find small moments that can be enjoyable or even intriguing to discover such as Luna facing off with her Theater of Pain “sisters” of long ago, the reuniting of Bloodhawk with Meanstreak and Krystalin followed by the justification behind their decision to get involved, and more. What I find very compelling to read is Shakti’s interaction with Controller X (Xi’an behind the mask obsessively serving the Theater of Pain) and the rising danger the Theater’s operation is brewing. There is richness in the dialogue between Shakti and Xi’an, and the symbolic division between them – Shakti representing the X-Men and their former leader Xi’an now serving the evil ones – is really powerful to see.

The storytelling as a whole has a lot of depth behind it, and the build-up of the events is undeniably powerful. As the story progressed, the tension also grew stronger and you can feel the danger that awaits the futuristic X-Men.

Conclusion

A comic book scene featuring two characters discussing their feelings and a recent earthquake, standing near a cliff with a dragon-like creature in the background.
Bloodhawk is back with Meanstreak and Krystalin.

X-Men 2099 #24 (1995) succeeds a lot on setting-up the big conflict of issue #25 and it also sets in motion the eventual reuniting of the X-Men. Along the way, there are small details here and there that will compel you to revisit previous X-Men 2099 issues. Brimstone Love’s evil was emphasized more here and Controller X/Xi’an’s determination to serve him and make a lot of people suffer under the Theater’s operation added a lot of tension to the plot. Consider this a very important read before reading X-Men 2099 #25.

Overall, X-Men 2099 #24 (1995) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at X-Men 2099 #23 (1995)

A Look Back at X-Men 2099 #23 (1995)

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Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.  

Having taken over the United States as its President, Doom 2099’s impact was undeniably felt even though his appearances in X-Men 2099 issues #21 and #22 were pretty short. Along the way, members of the futuristic X-Men are gradually making their way back together. While Meanstreak and Krystalin have reunited and left Las Vegas, the trio of Skullfire, Shakti and Luna pursue a dangerous mission to get back Xi’an who has officially joined the Theater of Pain led by the demonic Brimstone Love.

With those details laid down, here is a look back at X-Men 2099 #23, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

Cover of 'X-Men 2099' comic issue featuring a character named Junk Pile, wearing a military-style helmet and armor, with a prominent shield design in the background, displaying the text 'MUTANTS MAKE THE LAWS NOW' and 'AGENT OF SHIELD.'
The cover.

Early story

The story begins with Junkpile who was recently rescued by Doom’s team and restored to functioning status. Doom’s minister of humanity Morphine Somers informs him that he has the chance to join SHIELD (the elite security force of the nation) and operate autonomously and with full administrative sanction. Suddenly, Doom himself appears and convinces Junkpile to calm down and formally join SHIELD.

Over at Death Valley, Skullfire, Shakti and Luna are disguised and traveling with the many disenfranchised people (the ones discarded and unwanted by society) heading to the floodgate bio-resource processing center. Even though the odds are tremendous, the three of them are determined to find their former leader Xi’an and save him from the Theater of Pain.

Upon arriving at the floodgate facility filled with armed guards and handlers, Skullfire, Shakti and Luna join the line for processing. Watching from a distance is Xi’an who is now operating as Controller X…

Quality

A panel from a comic book featuring two characters discussing the use of bodies for various purposes, including medical experimentation and entertainment, with a futuristic backdrop of machinery and monitors.
Pay attention to the details closely. In 2099, human lives can be disregarded or turned into something else.

Apart from the obvious fact that this particular story is part of the build-up towards the events of issue #25, this comic book carries a fundamental expansion of the lore of America of 2099. As the theme of mega corporations taking over America has been a core element of Marvel 2099, this X-Men 2099 tale further explores what happens to the social outcasts and unwanted people, and why the self-declared authorities have such power to have each of them processed under heavy surveillance.  

A scene from a graphic novel featuring a group of characters in hooded cloaks discussing a dangerous situation. They express concern about their security and the fate of a character named Xian.
Even without resources, Skullfire, Shakti and Luna push through with their very dangerous mission.

Through words and images, the Moore-Lim duo gave readers a really dark look at how human lives got turned into commodities by those who wield a lot of power in 2099 America. Some people who got processed end up being subjects for medical experimentation, others are groomed for private pleasure dens while the best ones are prepared for the use of the Theater of Pain. That said, Xi’an being part of the Theater of Pain as Controller X really strikes hard at the foundation of the futuristic X-Men who have been struggling a lot since he left them.

More on the plot itself, the X-Men are the underdogs and they really don’t have much resources nor a solid strategy to get to Xi’an while dealing with the dangerous forces of Brimstone Love and the Theater of Pain. Fortunately for them, there are a few others who have the means to take on the Theater of Pain directly.

Conclusion

A comic book scene featuring two armored characters engaged in conversation. One character, wearing a hooded red cloak and a metallic suit adorned with stars, stands confidently while the other character, a large robotic figure, looms over him. The background depicts a high-tech environment, with panels and machinery visible.
Junkpile joins SHIELD in the presence of Doom 2099.

X-Men 2099 #23 (1995) is another engaging read and it nicely sets the stage for the inevitable big story in issue #25. The odds are really up against the X-Men whose three members are truly determined to get Xi’an back believing there is hope for him to turn away from the Theater of Pain. Bigger than the story itself is the presentation about the immense power others have over the people and why being a social outcast can be very dangerous. That said, I am looking forward to the next issue and see how it connects with issue #25.

Overall, X-Men 2099 #23 (1995) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at Spider-Man 2099 #44 (1996)

A Look Back at Spider-Man 2099 #44 (1996)

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Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1996 and explore a part of the Marvel Comic shared universe through a tale of the Spider-Man 2099 monthly series.

To put things in perspective, the original Spider-Man 2099 monthly series that launched in 1992 lasted a total of 46 issues. The prolific author Peter David wrote the first 44 issues as he resigned from his duty in relation to the sudden firing of Marvel 2099 editor Joey Cavalieri in 1996. The previous issue was a great read.

With those details laid down, here is a look back at Spider-Man 2099 #44, published in 1996 by Marvel Comics with a story written by Peter David and drawn by Ron Lim.

The cover.

Early story

The story begins in the City of New York already flooded and infiltrated by lots of marine life. Under the water, Spider-Man and Roman the Sub-Mariner fight each other intensely as the foot of a gigantic sea monster is about to step in. At the last moment, Spider-Man saw the huge foot and instantly flipped away to survive with the Sub-Mariner.

After getting separated, Spider-Man gets out of the water to breath and immediately spots an organic-looking horn that the Sub-Mariner used to control the huge monster. Suddenly, on the aquatic humanoids appears to get the horn. Spider-Man then used his web to get the horn first which triggered the aquatic humanoid to move fast towards him.

Quality

The intense battle between Sub-Mariner and Spider-Man went on even as the huge sea monster is very near them in the city.

Without spoiling the plot, this comic book is a tale about a massive disaster and also a tale about the complicated legacy of Miguel O’Hara whose personal life is even more connected with the corporation he works for.

The huge disaster of New York getting flooded (which started in the previous issue) and Spider-Man fighting the leader of the mutates (genetically designed sentient beings) concluded in a really satisfying way. The futuristic webslinger really found himself struggling with the determined Sub-Mariner (motivated by what Alchemax did to the aquatic world) while dealing with the fact that so many citizens got displaced or even got killed by not only the huge flood but also by the presence of the gigantic sea monster. The stakes were really raised high for Spider-Man and the pay-off was really good.

The rest of the comic book deals with the intense meeting between Conchata O’Hara and Tyler Stone, Xina’s time with the Net Prophet, Gabriel O’Hara’s time with “father” Jennifer. Among the three sub-plots, the conflict between Conchata and Tyler is very intense and dramatic to read. More importantly, it was crafted by Peter David to be really believable and it ultimately added tension to the background and even the future of Miguel O’Hara (now a powerful Alchemax executive). This particular sub-plot is easily the most important one this comic book has and it will compel fans to revisit the 25th issue of this monthly series as well as issue #10.

While the sub-plot of Xina and the Net Prophet does not generate enough depth for this comic book, there is a big revelation made in the sub-plot of Gabriel and “father” Jennifer which will compel fans to revisit issues #40 and #41. In fact, nothing is ever simple regarding the origin of a specific villain of the 2099 universe.

When it comes to the artwork, this comic book is a downgrade compared to what was presented in issue #43 (drawn by Andrew Wildman). I’m not saying that Ron Lim’s art is bad, it’s just nowhere as good as that of Wildman’s art. In fairness, Ron Lim managed to make the city disaster look intense and he managed to make the characters look recognizable. In fact, Lim successfully made the Conchata-Tyler scenes look intense and dramatic.

Conclusion

The giant monster aspect of this comic book added intensity to the battle and the disaster. There were a few Godzilla vibes here and there.

As the final Peter David-written issue of this monthly series, Spider-Man 2099 #44 (1996) is undeniably a very solid reading experience. There were strong pay-offs executed here to what was built-up in the previous issues, and in typical fashion, David kept building up the other sub-plots. The conclusion to the Conchata-Tyler sub-plot is actually more powerful than that of the city disaster. Clearly, Peter David kept track of the character developments and events that previously happened and dramatized them nicely here. In fact, you will feel some sympathy towards Miguel O’Hara knowing how unfortunately complicated his family legacy really is.  

Overall, Spider-Man 2099 #44 (1996) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

What to watch on YouTube right now – Part 43

What to watch on YouTube right now – Part 43

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Welcome back, my readers, YouTube viewers and all others who followed this series of articles focused on YouTube videos worth watching. Have you been searching for something fun or interesting to watch on YouTube? Do you feel bored right now and you crave for something to see on the world’s most popular online video destination?

I recommend you check out the following topics and the related videos I found.

#1 When Atari invaded Japan – Here in the Philippines, me and my friends played video games on the Atari 2600 consoles in our respective homes during the first half of the 1980s. What I did not know back then was the fact that Atari did its best to sell its console and video games in nearby Japan. It turns out, their console in Japan was the Atari 2800.  Watch and learn about this particular part of video game history with the video of GTV Japan below.

#2 A look back at Superman: The Animated Series – When it comes to animated series of the 1990s related to superheroes, X-Men: The Animated Series, Batman: The Animated Series and Spider-Man: The Animated Series are often remembered by long-time fans and geeks. The animated series of Superman, however, does not get remembered as much even though it had good quality animation and presentation. Of course, it should be remembered that the 1990s was the same decade when DC Comics had Superman killed, introduced the Supermen, brought Superman back to life and even had the Clark Kent identity destroyed which probably overshadowed the animated series. To discover more of Superman: The Animated Series, watch the video below.

#3 Examining the original 2099 comics franchise of Marvel Comics – You might have heard about 2099 among the many comic books Marvel published through the decades. The futuristic of Marvel’s shared universe originally started in late 1992 when the comic book speculator boom was still intense. It started strongly with Spider-Man 2099 followed by Ravage 2099, Doom 2099 and Punisher 2099. In the 2nd half of 1993, X-Men 2099 followed and even more related comic books got released. Of course, the 2099 franchise of the 1990s eventually ended. How and why it all happened like that, you can learn by watching Owen likes Comics’ video below.

#4 You, Me and the Movies’ Excalibur reaction – Excalibur is an epic medieval fantasy movie about the legend of King Arthur and his knights released in 1981. I first saw the film on TV in 1988 and it was an intriguing viewing experience. I replayed it on physical disc format in 2003 and eventually recognized Patrick Stewart, Helen Mirren, Liam Neeson and Gabriel Byrne looking much younger. If you want to discover more of Excalibur through the reaction of You, Me and the Movies, watch the video posted below. It’s a fun watch.

#5 Assorted videos about Planet of the Apes (1968) – Planet of the Apes of 1968 is considered by many as a great science fiction film as well as a philosophical and intelligent viewing experience. While it is an engaging viewing experience, I find the concept of human evolution and the so-called genetic links between humans and apes to be nothing more than fantasies. Considering its fame, it is no surprise that a lot of YouTubers made their own videos about it and you can watch the selected videos below.  

#6 A look back at Robotron: 2084 – Robotron: 2084 is a 2D, multi-directional shooting game first released in arcades way back in 1982. I never played the arcade version but managed to play it on an IBM PC around the mid-1980s. The history behind the game is quite rich in details and you can enjoy learning about it by watching the video of PatmanQC below.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram athttps://www.instagram.com/authorcarlocarrasco

A Look Back at Spider-Man 2099 #43 (1996)

A Look Back at Spider-Man 2099 #43 (1996)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1996 and explore a part of the Marvel 2099 comics universe through a tale of the Spider-Man 2099 monthly series.

In my previous retro review, Miguel O’Hara learns how challenging it could be for him to direct the path of Alchemax which is symbolize with himself being surrounded by the managers. He recently stopped his father Tyler Stone from taking control of his office. As his office needs a secretary, someone very exceptional came in.

With those details laid down, here is a look back at Spider-Man 2099 #43, published in 1996 by Marvel Comics with a story written by Peter David and drawn by Andrew Wildman and Ron Lim.

The cover.

Early story

The story begins when one of the undersea bases of Alchemax explodes to the surface in heavily damaged form. Something terrible happened to it deep below and there is only one man (wearing a protective suit) still living floating on the sea. Just as he notices sharks coming his way, Spider-Man comes down to save him with the use of one of Alchemax’s floating vehicles. As Spider-Man pulls the helpless man up with his web, one of the sharks leaped high at them. The web breaks and both the man and Spidey fall into the sea.

Meanwhile at Alchemax, Gabriel O’Hara confronts his mother Conchata who very recently started working as the office secretary of Miguel. Gabriel asks how could she be working for Miguel as part of Alchemax which is the very corporation she hated. The mother answered back stating that she resolved her accumulated anger related to Miguel and has realized that he needs her…

Quality

The rise of the mutate rebel Roman and Miguel O’Hara’s corporate interactions dramatized efficiently in this single page.

Moving further away from what was dramatized in issues #40 and #41, Peter David crafted this tale focusing on a new threat that endangers not only Spider-Man but the people and their local society as a whole. To put things in perspective, it is recommend you revisit issue #8 and focus on Alchemax’s aquatic division called Atlantis which had been working on a major reclamation project under the sea with the objective of becoming a tourist attraction in the years to come. Right there, Tyler Stone mentioned Miguel’s involvement with the project which includes bio-engineered workers.

The key elements of Atlantis mentioned in issue #8 literally resurfaced in this comic book and Peter David heavily emphasized the related details and integrated it all in the plot which essentially justified the existence of the new opposition led by Roman who is the charismatic leader of the mutates (genetically designed sentient beings) who had long been working hard and long outside of the undersea bases which had humans living comfortably inside. Roman here is not related in any way to Marvel’s aquatic hero Namor the Sub-Mariner but he is an imitation of him (note: his name is Namor in reverse).

The conflict of Atlantis revives the business-laborers conflict but was twisted to show the conflict between humans and mutates, as well as Atlantis being symbolized as a physical project of Alchemax to exploit the aquatic life and resources deep under the sea. The build-up of the human-mutates conflict in this particular comic book is surprisingly beefy and was efficiently done.

As for Spider-Man himself, you will get to see him more involved with Alchemax just as he successfully keeps his civilian identity secret. Along the way, you will see more of Miguel O’Hara doing more corporate work and negotiations. As expected, his drive to lead Alchemax with his own perception of being compassionate encounters hurdles from the established order – both within and outside his company. His mother was portrayed to be more sympathetic than before and she shows lots of signs of having mellowed. The development on Miguel and Conchata here were deep and they made a lot of sense with the plot itself.

Conclusion

The futuristic Spidey interacts with a huge shark!

Spider-Man 2099 #43 (1996) is another tale that has aged well as its foundations and elements proved to be very solid until now. With regards to the big event that took place near the end of this comic book, it seems that Peter David took inspiration from what was portrayed in Fantastic Four #4 (1962) as well as from Namor the Sub-Mariner himself. I really enjoyed how this story became a huge pay-off to the minor build-up in issue #8.

Overall, Spider-Man 2099 #43 (1996) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Spider-Man 2099 #41 (1996)

A Look Back at Spider-Man 2099 #41 (1996)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1996 and explore a part of the Marvel 2099 comics universe through a tale of the Spider-Man 2099 monthly series.

In my previous retro review, the futuristic webslinger encountered Goblin 2099 (note: the futuristic take on Green Goblin) who proved to be very dangerous not with weapons nor physical attacks but with influence members of the local society to rebel against him believing that he is a corporate asset. How much influence Goblin had on the people at the expense of Spider-Man is just waiting to be discovered.

With those details laid down, here is a look back at Spider-Man 2099 #41, published in 1996 by Marvel Comics with a story written by Peter David and drawn by Andrew Wildman

The cover.

Early story

The story begins with Miguel O’Hara visiting a ruined place with armed personnel escorting him. It turns out the site was the White House and Doom 2099 has already fallen as President of the United States. Miguel seeks closure as he spends time at the ruins and eventually finds the name plate from the office of Tyler Stone (Miguel’s biological father).

Meanwhile at Alchemax, corporate personnel got surprised to see Tyler Stone return confined to a hovechair due to his fragile and weakened state. This turned out to be his first time to be at work since he got shot.

Inside the laboratory, Tyler sees his deranged son Kron (Venom 2099) contained behind solid glass like a mere scientific specimen for study. After learning key details about the symbiote and how it affected his son, Tyler gives the order to have Kron executed…

Quality

Even though Goblin 2099 was not present, this scene shows how much the said villain poisoned the minds of people to harm Spider-Man.

Let me start with the writing by Peter David. It is clear to me that David confidently wrote this story to maintain the flow of intrigue, emphasize how local society’s changing, how the external events affect others and, most notably, managing to push Spider-Man 2099 to the edge complete with a brewing conflict with the very powerful Tyler Stone.  

At this stage of the monthly series of the 1990s, Miguel O’Hara’s rise within the corporate structure of Alchemax got emphasized again and Peter David inserted growing tensions for the protagonist effectively blurring the boundary that separates personal life from the corporate career. That being said, the futuristic Spider-Man in his civilian identity literally entered a gray area which will compel readers to speculate if he was still in control of matters or if he was slowly becoming evil as he gains power (this makes him comparable with the tycoon Tyler).

Still on the character development aspect of this comic book, Miguel here still showed his fragile side as the death of Dana left him with a lot of pain deep inside (which was dramatically emphasized by Andrew Wildman through his art in one very particular page). This furthers adds to questions about the sanity and mental stability of the protagonist who already wields so much power as Spider-Man and as an Alchemax executive.

Speaking of Alchemax, Tyler Stone here appeared more sinister than before and being unable to stand did not hinder him at all. His cold-hearted move to have his own biological son Kron (the futuristic Venom and the same guy responsible for the deaths of Punisher 2099’s family) executed clearly shows not only his sadistic nature but also the fact that he is living with pure worldly beliefs. His believes are so worldly, he does not really care about his own offspring. Ironically, this suggests that Tyler could be as twisted and evil as his murderous son Kron. Lastly, the connections between the late Dana and Tyler and Miguel is indeed morally disturbing.

While the cover art showed Goblin 2099, the new antagonist is nowhere to be found in this comic book. However in a very symbolic fashion, Goblin’s influence remained lively through a number of people who condemned Spider-Man 2099 so much, they went as far as actually hurting an idolater of the webslinger. This part of the story is a strong reminder that idolatry is unholy and foolish, that religion is corrupted and will never lead believers to salvation, and that socialism attacking capitalism remained a social disease in the far future.

Conclusion

Tyler Stone and his son Kron (Venom 2099) are both very evil. They have different ways of being evil.

Spider-Man 2099 #41 (1996) is indeed a great comic book to read from start to finish. Not only will you get to see the futuristic Spidey struggle with the tension both personally and professionally, you will see the big impact of Dana’s death on him too. The portrayal of negative changes in the local society (at least the society Spider-Man is part of) is pretty dramatic and what Peter David imagined about Marvel 2099 still remains socially relevant to this day. Lastly, this comic book ended very powerfully and was enough to convince me to see what happens next.

Overall, Spider-Man 2099 #41 (1996) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Spider-Man 2099 #34 (1995)

A Look Back at Spider-Man 2099 #34 (1995)

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Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 and explore a part of the Marvel 2099 comics universe through a tale of the Spider-Man 2099 franchise.

In my previous retro review, Spider-Man worked together with Strange 2099 on an abrupt mission dealing with a grave digger who is obsessed with his long dead sibling just as the undead in Mexico start walking again.

With those details laid down, here is a look back at Spider-Man 2099 #34, published in 1995 by Marvel Comics with a story written by Peter David and drawn by Andrew Wildman.

The cover.

Early story

The story begins with Miguel O’Hara and Xina returning from Mexico speeding on a lonely road by car. O’Hara suddenly got scanned from a distance. Just as Xina shares to Miguel her newest observations and opinion about Spider-Man, the man suddenly got snatched from the car by uniformed authorities riding a floating vehicle. Miguel tells his abductors to let him go and one of them replies stating that he is being taken to the White House at the request of his Alchemax superior Tyler Stone.

Meanwhile inside an apartment located near the White House in Washington, DC, Dana converses with Tyler Stone by holographic call complaining that without him, the city is getting lonely for her. As soon as her communication ends, someone knocks her out cold…

Quality

For the newcomers reading this, this page shows the first time ever that Doom 2099 sees Miguel O’Hara in person (Spider-Man 2099 without the mask and costume). Spidey and Doom encountered each other previously in The Fall of the Hammer storyline.

I will start what is very obvious about this comic book…its story is totally intriguing as it reflects a very dramatic turn of events within the 2099 realm at the time of publication. I’m talking about the rise of Doom 2099 as the new President of the United States and this comic book dramatizes in detail how the new leader impacts Miguel O’Hara’s career which adds tension to his already hectic 2nd life as the webslinger. This is all about the storyline of One Nation Under Doom and for context, you must read Doom 2099 #26 to #30.

As I just mentioned, life for Miguel became more complicated as he has to deal with the federal government under the control Doom who himself is connected with the powerful tycoon Tyler Stone (Miguel’s own boss at Alchemax). For the newcomers reading this, this is not the first time Doom and Spider-Man of 2099 encountered each other as they were together in the Fall of the Hammer storyline (read my past reviews by clicking here, here, here, here and here).

In relation to the dramatic turn of events that changed the direction of the 2099 comics franchise, I can confirm that the writing by Peter David in this comic book is indeed very strong and highly engaging to follow. You will not see a good-versus-evil superhero tale here but the impact of Doom as US President on Spider-Man and local society. Along the way, this tale has a theme about gaining absolute power, how it affects the one who gains it and how the more powerful person affects many others. You will see the mentioned theme reflected on Spider-Man who himself already has super powers and even a following of idolaters.

Compared to the previous two issues, the dialogue by Peter David here is very rich and I also enjoyed the way how he presented the exposition of details to help Spider-Man 2099 readers understand how Doom’s rise as US President impacts the titular hero and many others. Speaking of Doom, I enjoyed the way how David portrayed him here.  

Conclusion

Gabriel O’Hara, Kasey and the Spider-Man 2099 idolaters doing the old fashioned way of protesting against US President Doom.

Spider-Man 2099 #34 (1995) is indeed a great comic book and one of the best tales of the original Spider-Man 2099 monthly series. As Doom’s takeover of the US Presidency really changed the direction of the entire 2099 franchise of comics in the 1990s, it was inevitable that the repercussions would be reflected in a Spider-Man 2099 tale. The result here is a fascinating tale of the futuristic webslinger that does not even have the usual good-versus-evil conflict. What you will see here is how the stakes got raised for Miguel O’Hara not only as a superhero but also as a civilian who has a strong record within Alchemax. Not only that, this is the tale that took place just before the very memorable first encounters between Spider-Man and Venom 2099 (click here, here, here and here).

Overall, Spider-Man 2099 #34 (1995) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Spider-Man 2099 #33 (1995)

A Look Back at Spider-Man 2099 #33 (1995)

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Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 and explore a part of the Marvel 2099 comics universe through a tale of the Spider-Man 2099 franchise.

In my previous retro review, Miguel O’Hara arrives in Mexico with Xina and they shared a room together. It turns out his brother Gabriel was also there even occupying the next room. Elsewhere, a lady practicing sorcery (Strange 2099) is told that Spider-Man will be her ally and they will work together to fulfill a mission. Elsewhere, a grave digger performs rituals over the skeletal remains of his beloved sister. Issue #32 had a dark and totally different tone as the sci-fi element of the monthly series got pushed aside.

With those details laid down, here is a look back at Spider-Man 2099 #33, published in 1995 by Marvel Comics with a story written by Peter David and drawn by Andrew Wildman.

The cover.

Early story

The story begins when Spider-Man 2099 and his new ally Strange 2099 crash into a room on a mission they must complete. They see the grave digger clinging to a magical item that he believes should resurrect his dead sister.

In an attempt to find a solution, Strange touches the item and suddenly becomes a hideous looking monster.

Meanwhile, the streets of Mexico City suddenly gets filled with several undead people walking. On the street, Xina (walking with Kasey and Gabriel) begins to worry about Miiguel. Soon enough, some of the undead move towards them…

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Spider-Man helps to ensure safety.

As this story is the continuation to the events of issue #32, this one keeps on building up on sorcery and evil forms of the supernatural as the key elements of the narrative as well as the setting. That being said, the usual science fiction element remains completely absent and this opened the opportunity for the creative team to show Spider-Man in action within a supernatural atmosphere complete with the unfortunate event of a demonic possession.

Spider-Man’s team-up with Strange (obviously the futuristic take of Dr. Strange) inevitably led to a conflict with evil and the ironic thing is that the grave digger himself is not even the villain but someone obsessed with bringing his sister back to life by means of resorting to magic and tapping the demonic force he could not even see. The Spidey-Strange team-up clearly dominated the narrative but I should say that the sorceress is not too interesting as a character and she barely has any chemistry with the futuristic web-slinger. It seems to me that Strange 2099 was created to emphasize racial diversity and rabid feminism than to really add any depth to the 2099 universe and its lineup of supporting characters.

As for the concept of the undead walking along many people who happen to be commemorating the day of the dead on the city streets, it really heightened the horror and supernatural aspects of the story while escalating the sense of danger.

Conclusion

Spidey, Strange 2099 and the grave digger.

In line with the concept of the previous issue, Spider-Man 2099 #33 (1995) is a supernatural tale of Spider-Man on a misadventure teamed up with a futuristic take on Dr. Strange. Its pay-off to the build-up in issue #32 was barely felt and I could not help but feel the presentation was rushed. Strange 2099 was simply not interesting and the grave digger’s personal pursuit over his dead sister did not have much of an impact. That being said, the concept of this 2-part story felt more like a diversion than a meaningful story. If there is anything worth focusing on in this comic book, it is Spidey himself struggling in the very nation where he previously got his costume.

Overall, Spider-Man 2099 #33 (1995) is satisfactory.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Spider-Man 2099 Special #1 (1995)

A Look Back at Spider-Man 2099 Special #1 (1995)

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Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 and explore a part of the Marvel 2099 comics universe through a tale of the Spider-Man 2099 franchise.

Specifically speaking, we will examine a thick one-shot comic book about the futuristic Spider-Man simply referred to as a special. Back in those days, Marvel Comics hired the famous Brothers Hildebrandt and among the projects they worked on were varied pieces of captivating art about Marvel’s 2099 universe. In relation to this particular retro comic book review, the Hildebrandt brothers made the cover art for the special comic book which contained three standalone stories.

With those details laid down, here is a look back at Spider-Man 2099 Special #1, published in 1995 by Marvel Comics with the main story “The Menace of the Man-Spider” written by Jon Peterson and drawn by Joe St. Pierre.

The cover.

Early story

The story begins at 1:45 AM inside the high-tech laboratory of Synthia when the Man-Spider (a human in a monstrous form of a huge spider) causes havoc and tries to hurt the personnel inside in response to their interference of his work. One of the troubled personnel manages to call for help as the Man-Spider tries to get them.

Just as the two workers get hit by the Man-Spider’s organic green web, armored elements of the security force arrived in response to the call and one of them fires a hot at the beast’s right arm causing a serious wound. Suddenly, the Man-Spider violently jumps away smashing through a large window going into the city. The Man-Spider escapes leaving behind a mess at the laboratory including a high amount of organic web that disgusts the people back there.

Hours later at another part of the city, Spider-Man got spotted by a floating drone which declares him as under arrest under the authority of the Public Eye. Spider-Man simply kept on swinging away to another destination until he uses his organic web on the drone and hurls it to a wall and explodes into several tiny pieces. Once alone, he changes into civilian clothes as Miguel O’Hara and rushes to Synthia’s facility…

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A huge monster breaks out.

Focusing on the main story (the first story), I find this particular tale of Spider-Man of 2099 rather worthy to read even though there were some flaws here and there. Jon Peterson crafted a story that took place sometime before the 34th issue of the original Spider-Man 2099 monthly series while reflecting what was declared in issue #8 and building up something new with it. The main story was about Spider-Man getting into eventual conflict with the Man-Spider (note: it looks like someone at Marvel decided to copy DC Comics’ Man-Bat and make something new for the Marvel 2099 franchise) who in turn is an antagonist who is deeply troubled and yet not really evil. The Man-Spider is actually a man who does not have super abilities but rather high scientific intelligence and the capabilities to alter genetics using advanced technologies. The Man-Spider is not obsessed with destroying the world or murdering people, but achieving a major breakthrough backed with good intentions.

One of the most notable weaknesses of the script written by Peterson is the emphasis that Miguel O’Hara/Spider-Man 2099, Dana and the so-called resident mad scientist Antoine have a history together since their youth. This one felt very forced and ended up being unbelievable.

Still on the world-building aspect of the story, this comic book showed a true link between the company Synthia and the gigantic Alchemax which reflects what was state in issue #8. This link between the two corporations opened up opportunities for the creators to emphasize Alchemax’s moves on securing valuable stuff for the future.

Ultimately, the main story turned out to be a good read even though there were flaws that somewhat took away credibility from its core concept. I should also state that Joe St. Pierre established a rather unique look for the Spider-Man 2099 franchise. His work here is a nice alternative opposite Rick Leonardi’s Spidey 2099 art.

While the 2nd story of this one-shot was not worth reading at all, the final story has a unique concept exploring voyeurism in 2099 which accidentally reminded me about how social media in real life could ruin the public’s perception and people themselves.

Conclusion

Spider-Man 2099, Dana and the Man-Spider in a dangerous situation.

With a good enough main story, one forgetful 2nd story and a satisfactory third story, Spider-Man 2099 Special #1 (1995) is ultimately a mixed bag. You will find variety here as well as unique takes on the futuristic Spider-Man and 2099’s society from the creators, but don’t expect great stuff. I think the most die-hard Spidey 2099 and Marvel 2099 fans will enjoy this the most.

Overall, Spider-Man 2099 Special #1 (1995) is serviceable.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Spider-Man 2099 #10 (1993)

A Look Back at Spider-Man 2099 #10 (1993)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, Marvel 2099 fans and comic book collectors! Today we revisit the Marvel 2099 franchise within Marvel Comics’ shared universe during the 1990s. Specifically speaking, we take a look back at one of the early tales of Spider-Man 2099.

In this retro comic book review, Spider-Man made it back to his home after encountering Vulture 2099 and seeing the low life and inhabitants of the people living in the old City of New York far below. His return, however, is not joyful not only because of the growing tension between Miguel O’Hara and the people his connected with but also because his mother suffered a health-related attack.

With those details laid down, here is a look back at Spider-Man 2099 #10, published by Marvel Comics in 1993 with a story written by Peter David and drawn by Rick Leonardi.

The cover.

Early story

The story begins inside a hospital room. Conchata O’Hara is slowly recovering and near her are her sons Miguel (Spider-Man) and Gabriel as well as Dana. Conchata starts to feel and move restlessly but for Miguel (who heard his mother call his brother Gabriel a good son), she was just acting. Conchata then gets up from her bed and Gabriel encourages his brother to talk to her. Miguel responds saying that their mother hates him because he reminds her of his father – George O’Hara. Dana and Gabriel tell him to talk to her…

Quality

Spider-Man takes on the local authorities. Does this make him a criminal or a social justice symbol? Read the comic book.

To put it straight, this comic book tells the story of the O’Hara family complete with flashbacks from key points of the past. Unsurprisingly, Peter David’s writing is very rich and in-depth with details which made it a compelling read in my experience, and it should be more engaging for readers who passionate follow Spider-Man 2099 and his civilian life as Miguel.

Without going too far with the details, I can say that this comic book explains why Miguel has a very uneasy relationship with his own mother who in turn is close with Gabriel while also resentful of George. As this is a Spider-Man 2099 story, you will see Miguel do his best to make his mother understand his views and himself better no matter the rift between them. There is also a notable superhero-related twist within the Miguel-Conchata interactions that readers who have troubled relationships with their own mothers (especially those who engage in idolatry which is foolish and unholy) will find strongly relevant personally. Miguel’s own personal assessment of his 2nd life as Spider-Man alone deserves your deep attention. Again, Peter David’s writing here is literally solid gold in terms of richness and characterization.

Conclusion

A quick look at the past of the O’Hara family.

While there is no good-versus-evil conflict for superhero enthusiasts to look forward to, Spider-Man 2099 #10 (1993) is a highly engaging, character-driven story that highlights Miguel O’Hara on a very personal level while also having enough space to explain to readers why the O’Hara family relationships are strained. There are even flashbacks that nicely dramatized the past and the one scene in which Miguel goes out in public in full costume as Spider-Man will make you wonder what the protagonist really believes in and where he plans to take his life to. Peter David’s writing here made all the difference.

Overall, Spider-Man 2099 #10 (1993) is recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.