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Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the mid-1990s to examine a small part of the Marvel Comics shared universe through a tale of the Amazing Spider-Man monthly series.
During the height of the 30th anniversary celebration of Spider-Man in 1992, Peter Parker’s long-lost parents Richard and Mary Parker suddenly returned and their presence really altered the hero’s view of life, his marriage with Mary Jane and their family as a whole. As time passed, Peter’s aunt May became suspicious about Richard and Mary (note: scenes related to this were included in Amazing Spider-Man #386 and #387) and she went as far as hiring someone to investigate them from a distance.
With those details laid down, here is a look back at Amazing Spider-Man #388, published in 1994 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.
Early story
The story begins with the Vulture being upset that the youth-restoration effects he had using the juvenator machine were only temporary. As the Vulture makes a move to threaten the lady doctor who help him, the Chameleon suddenly emerged from her in front of him.
Elsewhere, Peter Parker shared with Mary Jane that he recently revealed to his parents that he is Spider-Man. After a brief chat with her, Parker leaves their home as Spider-Man to visit his aunt who has been suspicious about Richard and Mary Parker…
Quality
This particular tale is a tragedy which the cover art by Mark Bagley clearly showed. Beyond the cover, there is a lot more weight on the plot (which was nicely structured by Michelinie), the characters and tragedy itself.
Without spoiling plot details, I can say that the first half of the comic book has Spider-Man doing detective work and also doing the civilized approach of keeping the family together. Peter Parker’s care and concern for his aunt were naturally dramatize resulting in a human touch that should be seen. Along the way, the conspiracy was built-up gradually and the big revelation for Spider-Man (note: the truth about Richard and Mary Parker was revealed to readers long before Spider-Man learned about it) at the mid-point of the story really turned out powerful.
Even the Chameleon’s presence here is rather light, his acts of evil and diabolical agenda were powerfully portrayed. In fact, the Chameleon used his immense power of disguise that set off the disturbing events that happened in issues #386 and #387, and such revelations were integrated convincingly in this very comic book. What I found impressive was Chameleon’s ability on connecting details linking Peter Parker with Spider-Man. The Chameleon is clearly very intelligent and cunning, and this makes him a more formidable enemy for Spider-Man.
The 2nd half of the main story is where the action really got ramped up by many notches. The action is violent and intense, and yet the Michelinie-Bagley duo managed to insert twists and notable character moments that really added power to the tragedy. This is indeed a very compelling read and it will make you think deeply about how much emotional pain Spider-Man could absorb.
This comic book also has two short stories. The first one (drawn by Ron Lim) was set in the past showing Eddie Brock who just bonded with the alien costume. While the Venom-focused short story was designed to add depth to past events in Amazing Spider-Man comic books, it ultimately felt more like a filler than a substantial piece. Only die-hard Venom fans will enjoy it.
The second short story featuring Cardiac and Chance is completely forgettable and unnecessary.
Conclusion
Amazing Spider-Man #388 (1994) tells a really tragic tale with a purpose behind it. Historically speaking, this comic book made some Spider-Man fans angry and feeling very betrayed as they believed that the 1992 return of Peter Parker’s parents marked the new age in Spider-Man storytelling. On the iconic superhero himself, this tale marked the start of a so-called dark age in which Peter Parker got emotionally broken and his life got turned upside-down. To be clear, this comic book is not a tragedy done merely for the sake of doing a tragedy…it was a creative execution to alter the status quo of Spider-Man storytelling of the era. As such, what David Michelinie and Mark Bagley did here was not only daring but also a huge risk that turned out really powerful. This tale is so significant, Marvel Comics went ahead doing an alternate version with What If #61.
Overall, Amazing Spider-Man #388 (1994) is recommended.
+++++
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