Tag: Kraven’s Last Hunt

A Look Back at Amazing Spider-Man #389 (1994)

A Look Back at Amazing Spider-Man #389 (1994)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the mid-1990s to examine a small part of the Marvel Comics shared universe through a tale of the Amazing Spider-Man monthly series.

We are finally here! I’m talking about the fourth chapter of the Pursuit storyline featuring a broke-hearted and revenge-obsessed Spider-Man who has been more violent in his search for the Chameleon. It should be noted that his marriage with Mary Jane has turned for the worse as time went on. For my previous retro comic book reviews about the Pursuit storyline, click here, here and here.

With those details laid down, here is a look back at Amazing Spider-Man #389, published in 1994 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.

Early story

The story begins at a very familiar tomb stone. It marked the very spot where Spider-Man was once buried in (refer to Kraven’s Last Hunt). Nearby is the tomb stone referring to the late Kraven the hunter. Moments earlier, Spider-Man discovered the coffin is empty which shocked him. Even though he is burdened with stress fighting the Chameleon, memories of his past encounters with Kraven and the impostors (who posed as his late mother and father) flashed in his mind bringing back pain and anguish.

Spider-Man decides that the time of mourning (dating back to the day he lost his parents when he was little) has to stop and slowly makes his way into Kraven’s mansion. As soon as the door opens, he shouts the Chameleon’s name…

Quality

Spider-Man deals with a physical distraction set-up by the Chameleon inside the mansion of the late Kraven.

As the conclusion to the 4-part Pursuit storyline, this comic book is very intense and it is clear to me that the Michelinie-Bagley duo went all-in to pack it with a lot of punch and a startling revelation that really defined the Chameleon.

While previous chapters showed the broken and revenge-hungry Spider-Man getting more violent towards others as he pursued the Chameleon, this comic book has the webslinger fully unhinged within the setting of Kraven’s property. Spider-Man here goes through two so-called death traps before finally encountering the Chameleon in person. As he fought with the tigers and the mechanized set-ups (in the forms of the type of animals hunted by man), Spider-Man was truly determined to kill the master of disguise and he did not hold back with his violent attacks.

Readers will witness the moment when the spectrum of good and evil got twisted as the Chameleon becomes very fearful of Spider-Man who is so unrelenting he looked truly murderous. That said, the famous webslinger himself is a shadow of what he was and there were moments when I felt he was becoming evil. Indeed, the loss of beloved family members combined with the obsession for revenge against the responsible one can turn good people into destructive individuals moving towards evil. At this point of the Pursuit storyline, Michelinie and Bagley took huge creative risks as they worked to make a conclusion that is believable, intriguing and compelling at the same time.

But that is not all. The Chameleon himself got highly developed in this very late stage of the Pursuit storyline. His relationship with Kraven the hunter was revealed with lots of details pointing to their heritage in Russia with clear separate paths – Kraven was privileged while the Chameleon (Dmitri Smerdyakov) had a more painful life. Chameleon’s perception towards Kraven is complicated as he admires him while still harboring a deep resentment towards him. The revelations about the Chameleon’s past and connections with the late hunter really added dramatic value and tension in the story.

Conclusion

This is the calm before the storm (Spider-Man’s rage and obsession with revenge).

Amazing Spider-Man #389 (1994) is indeed a powerful conclusion to the Pursuit storyline. It went as far as showing Spider-Man as the unhinged force of destruction who was determined to really kill the Chameleon and is also succeeded on defining the super villain’s personality with revelations about his Russian heritage with the late Kraven. This comic book also sheds light as to why the Chameleon became proficient with impersonating people and changing his face physically. There will be times when you could feel pity for both Spider-Man and the master of disguise as their respective emotional states and obsessions were powerfully dramatized by the Michelinie-Bagley duo. When it comes to conclusions, the very ending of this comic book is startling and it does not have much to do with the Chameleon.  

Overall, Amazing Spider-Man #389 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Web of Spider-Man #112 (1994)

A Look Back at Web of Spider-Man #112 (1994)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1994 to explore a part of the Marvel Comics shared universe through the Web of Spider-Man monthly series.

In this review, we will be looking at the 3rd chapter of the Pursuit storyline. Spider-Man #45 showed a broken-hearted Spider-Man who starts his quest for vengeance against the Chameleon whom he holds responsible for the deception that happened in Amazing Spider-Man #388. As the webslinger continued his search for answers while hurting a lot of thugs, the Chameleon deceptively hires the service of a contractor to kill Spider-Man. That said, the tension really built-up a lot and we will find out what will happen next.

With those details laid down, here is a look back at Web of Spider-Man #112, published in 1994 by Marvel Comics with a story by Terry Kavanaugh and drawn by Alex Saviuk. This is the 3rd chapter of the Pursuit storyline.

The cover.

Early story

The story begins deep within New York City. A bus full of prisoners and armed guards makes its way through the rough streets of the city. The guard notices that they are taking a long route and approached the bus driver – the Chameleon in disguise.

The Chameleon is aware that Spider-Man has been tracing him and he puts his sinister plan into action by suddenly hitting the brakes, helping the prisoners overcome the guards, and letting them loose in the city to spark chaos.

Spider-Man swings into action as prisoners get off the bus. Already stressed and obsessed with his search for the Chameleon, he lands on top of the bus and gains access through one of the windows. As the Chameleon fails to maintain his disguise, the webslinger notices him…

Quality

As if he does not have enough stress and tension, Spider-Man also has to deal with the Chameleon’s plan of terrorism.

Following the events of the first two chapters, the storytelling in this comic book really turned intense as the stakes were raised. As expected, Spider-Man is doing things the hard way as his obsession for revenge against the Chameleon continues to burn strongly, and his wife Mary Jane is suffering from the loneliness connected with it.

On the raising of stakes in the plot, there is a theme about terrorism here which is dramatized through the Chameleon’s elaborate plan of setting off bombs in several parts of New York. As such, the story has this emphasis on chaos which works well with the webslinger’s state of madness and desperation. Along the way, Spider-Man’s humanity remains as dramatized in key points of the comic book.

In connection with the chaos and terrorism elements, the action here looked grounded with reality and Alex Saviuk’s style made the tale look gritty.

One notable part of this comic book shows the development of a separate sub-plot in Washington, D.C., which reflects developments that took place in Web of Spider-Man #109 to #111. It has a touch of politics and was effectively a distraction from the main story.  

Conclusion

Spider-Man dealing with freed prisoners in the middle of New York City.

Web of Spider-Man #112 (1994) is easily the most intense and most action-packed chapter of the Pursuit storyline. The themes of chaos and terrorism here easily overshadowed Spider-Man’s obsessive state and yet the creative team succeeded in moving the plot forward. That said, the stage is all set for the conclusion of the Pursuit storyline and I am looking forward to it.

Overall, Web of Spider-Man #112 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/and on Instagram athttps://www.instagram.com/authorcarlocarrasco

A Look Back at Amazing Spider-Man #388 (1994)

A Look Back at Amazing Spider-Man #388 (1994)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the mid-1990s to examine a small part of the Marvel Comics shared universe through a tale of the Amazing Spider-Man monthly series.

During the height of the 30th anniversary celebration of Spider-Man in 1992, Peter Parker’s long-lost parents Richard and Mary Parker suddenly returned and their presence really altered the hero’s view of life, his marriage with Mary Jane and their family as a whole. As time passed, Peter’s aunt May became suspicious about Richard and Mary (note: scenes related to this were included in Amazing Spider-Man #386 and #387) and she went as far as hiring someone to investigate them from a distance.

With those details laid down, here is a look back at Amazing Spider-Man #388, published in 1994 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.

The cover.

Early story

The story begins with the Vulture being upset that the youth-restoration effects he had using the juvenator machine were only temporary. As the Vulture makes a move to threaten the lady doctor who help him, the Chameleon suddenly emerged from her in front of him.

Elsewhere, Peter Parker shared with Mary Jane that he recently revealed to his parents that he is Spider-Man. After a brief chat with her, Parker leaves their home as Spider-Man to visit his aunt who has been suspicious about Richard and Mary Parker…

Quality

The moment of truth that turned out very painful personally for Spider-Man.

This particular tale is a tragedy which the cover art by Mark Bagley clearly showed. Beyond the cover, there is a lot more weight on the plot (which was nicely structured by Michelinie), the characters and tragedy itself.

Without spoiling plot details, I can say that the first half of the comic book has Spider-Man doing detective work and also doing the civilized approach of keeping the family together. Peter Parker’s care and concern for his aunt were naturally dramatize resulting in a human touch that should be seen. Along the way, the conspiracy was built-up gradually and the big revelation for Spider-Man (note: the truth about Richard and Mary Parker was revealed to readers long before Spider-Man learned about it) at the mid-point of the story really turned out powerful.

Even the Chameleon’s presence here is rather light, his acts of evil and diabolical agenda were powerfully portrayed. In fact, the Chameleon used his immense power of disguise that set off the disturbing events that happened in issues #386 and #387, and such revelations were integrated convincingly in this very comic book. What I found impressive was Chameleon’s ability on connecting details linking Peter Parker with Spider-Man. The Chameleon is clearly very intelligent and cunning, and this makes him a more formidable enemy for Spider-Man.

The 2nd half of the main story is where the action really got ramped up by many notches. The action is violent and intense, and yet the Michelinie-Bagley duo managed to insert twists and notable character moments that really added power to the tragedy. This is indeed a very compelling read and it will make you think deeply about how much emotional pain Spider-Man could absorb.

This comic book also has two short stories. The first one (drawn by Ron Lim) was set in the past showing Eddie Brock who just bonded with the alien costume. While the Venom-focused short story was designed to add depth to past events in Amazing Spider-Man comic books, it ultimately felt more like a filler than a substantial piece. Only die-hard Venom fans will enjoy it.

The second short story featuring Cardiac and Chance is completely forgettable and unnecessary.

Conclusion

Peter Parker sharing very confidential information with his wife Mary Jane before going out again.

Amazing Spider-Man #388 (1994) tells a really tragic tale with a purpose behind it. Historically speaking, this comic book made some Spider-Man fans angry and feeling very betrayed as they believed that the 1992 return of Peter Parker’s parents marked the new age in Spider-Man storytelling. On the iconic superhero himself, this tale marked the start of a so-called dark age in which Peter Parker got emotionally broken and his life got turned upside-down. To be clear, this comic book is not a tragedy done merely for the sake of doing a tragedy…it was a creative execution to alter the status quo of Spider-Man storytelling of the era. As such, what David Michelinie and Mark Bagley did here was not only daring but also a huge risk that turned out really powerful. This tale is so significant, Marvel Comics went ahead doing an alternate version with What If #61.

Overall, Amazing Spider-Man #388 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco