A Look Back at Wonder Woman #20 (1988)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

It’s the second week of March already. That means we are slowly but surely inching closer to the March 30, 2021 scheduled releases of Wonder Woman 1984 on 4K Blu-ray, Blu-ray and DVD! If you have not yet ordered a copy of the sequel starring Gal Gadot as the Queen of Superheroes, you can do so now if you want to. I already ordered my copy. You can also read my retro review of the 2017 Wonder Woman movie.

On to literature! Last time, the George Perez-led story not only saw the end of Diana’s visit of Greece, it also fully presented to readers what was back then the modern portrayal of Circe (DC Comics’ own take on the false Greek goddess) who proved to be at the time the most sinister and most powerful supervillain Wonder Woman faced. Wonder Woman #19 also showed the Queen of Superheroes in her most vulnerable state.

Now that Diana and her friends have returned to America, we can find out what happens next in this look back at Wonder Woman #20, published by DC Comics in 1988 with a story written and illustrated by George Perez based on an idea by Carol Flynn. Bob McLeod was in charge of the finishes.

The cover.

Early story

The story begins in the City of Boston at night. Three Chinese men are running away from something until Wonder Woman confronts them. One of the men fires several bullets at her but each bullet got blocked by her using her tremendous reflexes and braces. After Wonder Woman disarms the gunman, another Chinese man tries attacking her with sharp weapons only to be defeated easily. The other Chinese man tries to run away but gets caught by Wonder Woman who uses her lasso. In reaction to his question, Wonder Woman demands answers.

Elsewhere, investigators are searching for clues and details inside a lady’s modern looking office. Lying on the floor is the dead body of a victim and according to the investigator’s report, she had been dead for a few hours. The victim is none other than Myndi Mayer, a highly successful publicist who made a career out of the media and celebrities. Wonder Woman happened to be her most recent, high-profile client. Mayer was involved in the Wonder Woman fair.

Based on their findings, Myndi Mayer looked like she didn’t go without a fight. A bloody letter opener was found in her hand and her purse was found next to her body emptied. Traces of white powder were found on her desk. Mayer’s secretary Christine Fenton was visited by the investigators who told her about the death of her boss. She did not express any surprise and told them that it was only a matter of time before Mayer’s end came. Christine added that she warned Mayer about a certain man.

The investigators then show Christine the sketch of man based on the description of an eyewitness. She expressed surprise as she recognizes him…

Quality

Wonder Woman takes part in the search for truth.

Wow! This is one dark Wonder Woman story to read and I can say that it is a very inspired work written by George Perez based on an idea by Carol Flynn. This is not your typical story of showing the Queen of Superheroes fighting someone evil or saving people from disaster. This is a murder mystery that is laced with corporate intrigue, crime, legal wrangling and the everlasting struggle to determine the truth.

Myndi Mayer’s death really set of a series of events and revelations that are no less striking. Considering the many details about law, crime, investigations and corporate intrigue, the in-depth writing here indicates that George Perez did a lot of researching and found ways to tell a very cohesive story with Wonder Woman playing a role. I should state that as of this writing, this particular story comes close to becoming realistic and reflective of 1980s life. This is top-notch writing by Perez!

When it comes to characterization, Myndi Mayer was deeply portrayed to be in deep trouble both personally and professionally. Of all the Wonder Woman comics of the post-Crisis era of DC Comics I’ve read so far, this one clearly defines Mayer and goes beyond her usual appearance as a prolific publicist.

On Wonder Woman, as mentioned earlier, she does not get to fight a super villain. Rather she takes part in the search for truth and tries her best to solve the mystery even though she is not even fully familiar with the way law and order works in the world of man. In some ways, her approach to literally putting pieces of the puzzle into place and approaching people in different places reminds me somewhat of Batman’s detective work but without the vigilante approach.

Conclusion

This page about the murder investigation at the scene of the crime has some Watchmen vibes to it.

I can say that Wonder Woman #20 (1988) is not only a great comic book to read but also one of the most unique stories about the Queen of Superheroes ever published. By this time, George Perez has proven himself to be very prolific in storytelling on top of his great ability to draw art. I should state I love the way the story was structured and the way it ended delivered both impact and intrigue.

If you are seriously planning to buy an existing hard copy of Wonder Woman #20 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $41.

Overall, Wonder Woman #20 (1988) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman #19 (1988)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of DC Comics! Today is the first day of March of 2021. Do you know what that means? It means that Wonder Woman 1984’s scheduled release on DVD, Blu-ray and 4K Blu-ray is just 29 days away! Even though I still have not seen the movie (which as of this writing has not been released in movie theaters here in the Philippines) and even though social media showed that WW fans are divided over it, I still went ahead ordering the 4K Blu-ray combo online. Just today, the online retailer gave me an important update as to when the 4K Blu-ray combo will arrive.

Personally, I’m excited to watch Gal Gadot play the Queen of Superheroes again and her performance in the 2017 Wonder Woman movie is phenomenal and captures the essence of the icon! I am also interested to see how director Patty Jenkins handled the storytelling as she herself co-wrote the screenplay.

More on Wonder Woman, I should say that I really love the way she was redefined by George Perez and Len Wein in the post-Crisis era of DC Comics. Today, we will find out what happens next to her during her time in Greece in this look back at Wonder Woman #19, published in 1988 by DC Comics with a story written and drawn by George Perez (with Frank McLaughlin on the finishes).

The cover.

Early story

The story begins with a short look back at the end of issue #18 which saw Wonder Woman fighting several monsters that surrounded her. Suddenly a powerful blast hits her and knocks her out.

Vanessa, who survived thanks to Wonder Woman’s help, is found by her mom Julie who was accompanied by several armed Greeks. Vanessa states that the scroll she got from her uncle Stavros seemed to attract the monsters which drew a response from local rebel Katina Leikos who belongs to a group that oppose the fabled witch on the nearby island. She states that if they don’t stop the witch, she will destroy princess Diana/Wonder Woman.

Inside the old structure on the said island, Wonder Woman wakes up finding herself on the floor chained by the neck and wrists. Located very near her is Circe, the enchantress who is the daughter of Hyperion and Perseis. The enchantress tells Wonder Woman that it is her destiny to execute her…

Quality

Julia Kapatelis is more involved with the action and mission.

Of all the comic books that I’ve reviewed so far on this particular monthly series in the post-Crisis era, this one is easily the darkest and most grim Wonder Woman story. It also has the heaviest emphasis on monsters and sorcery, complete with sinister rituals and connections to Greek mythology.

As expected, the story here further develops Wonder Woman and her place in man’s world but with emphasis on destiny and legacies. In this case, destiny related to the shared history between Wonder Woman’s fellow Amazons and Circe (who is DC Comics’ own take on the false Greek goddess) which puts the superhero icon in a rather complex situation. For Circe, Wonder Woman’s innocence means nothing because destiny and hatred matter a lot more. The way George Perez wrote, Circe in this particular issue proved to be more menacing than Ares and is also the most sinister villain of Wonder Woman’s.

More on this comic book, I can declare that it is right here where you will get to see the Queen of Superheroes in her most vulnerable and most helpless state yet. For several pages, you will see Wonder Woman struggle not only against Circe and her monsters, but also with the revelations of history. You will also get to see Wonder Woman’s emotional limits pushed.

Regarding the supporting cast, I really enjoyed seeing Julie Kapatelis really putting her academic skills and expertise to great use as well as getting involved in the action. With her Greek heritage and connections with the locals clearly defined, Julie got a good amount of the spotlight among the characters and nicely contributed to the story. I also love the part when Julie said that Diana (Wonder Woman) is like a daughter to her which really emphasize the bond of love and trust between them.

Conclusion

Wonder Woman bravely fights the monsters of Circe.

As far as the visit in Greece goes, Wonder Woman #19 (1988) really ramped up the stakes with Circe’s evil presence emphasized a lot while having Wonder Woman in a vulnerable state which added to her character development in this particular monthly series. It is indeed a very well written tale by Perez who proved to be capable of pushing the boundaries while redefining Wonder Woman in the post-Crisis era. Apart from being the most sinister villain in this monthly series so far, Circe is the complete opposite of Wonder Woman.

If you are seriously planning to buy an existing hard copy of Wonder Woman #19 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $42 while the near-mint copy of the newsstand edition costs $44.

Overall, Wonder Woman #19 (1988) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman #18 (1988)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors, fellow geeks and fans of Wonder Woman! Last time, I found George Perez’s standalone writing of the story about Wonder Woman discovering Greece and its connections to her people’s heritage a really good story. For much of the post-crisis Wonder Woman monthly series’ early stage, the stories were done by Perez and the late Len Wein. In issue #17, Perez not only succeeded in developing Diana/Wonder Woman further, he also captured nicely the wonder of discovery of new places and astonishing aspects of life while traveling overseas.

Of course, issue #17 was not purely a tourism story through the eyes of the Queen of Superheroes. There was an obvious build-up of a new villain who is aware of Wonder Woman’s presence in Greece.

What will happen next? Who could the new force of evil be? We can find out in this look back at Wonder Woman #18, published by DC Comics in 1988 with a story written and drawn by George Perez with ink work done by Dick Giordano.

The cover.

Early story

The story begins deep in the darkness of limbo. Light sparks suddenly as Zeus, Hades and Poseidon arrive in the search of their father called Cronus. Zeus retrieves the Olympian pact. After further talking, they join forces in lighting a flame to burn the pact to make way for something new.

Meanwhile in a hospital in the Greek isle of Cephalonia, Diana wakes up surrounded by Julia Kapatelis, Vanessa, a doctor and other Greeks. Diana states that some kind of aura seemed to clutch her in a chilling grip which Julia dismisses and believes that her Amazon friend was simply tired from all the months-long pushing herself since returning from Themyscira.

Julia introduces Diana to Theophilus Ventouras and his nephew Demetrios. The older Ventouras is the owner of the wealthiest estate on the islands. He tells Diana that the governor asked him to meet her at the dock and reveals to her that a local boy was killed by a wolf which some car calling it as a “magia”.

As they continue talking, a nurse listens to them carefully just outside the door of the room they are in. She learns about Ventouras’ offer of assistance to Diana and quietly leaves. Some time later just outside the hospital, the nurse (named Angela) reveals to a man named Mikos that Diana and her group will be going to Ventourata the next day…

Quality

Without hesitation, Wonder Woman moves to save lives.

I can start by saying that this is another well-written tale by George Perez. Apart from the continuing focus on Wonder Woman’s discovery of Greece, the elements of fantasy, intrigue, suspense and even horror have been used more in this comic book compared to the previous issue.

When it comes to characterization, Diana’s close relationship with the Kapatelises is deepened further as the story explored the already established Greek background of Julia. I also found engaging Wonder Woman’s unflinching moves to search for Vanessa and get her out of trouble any way she could.

For those of you who are aware about the lack of superhero spectacle in issue #17, I can share to you that there definitely is more action in this comic book and it is all nicely presented by George Perez.

Continuing what began in the previous issue, Perez ramped up further the build-up of the new force evil awaiting Wonder Woman. I won’t reveal who it is but rest assured, this comic book’s ending is pretty strong and easily justifies the build-up.

Conclusion

Diana and Julia treat each other like family.

Wonder Woman #18 (1988) successfully continued the redefining of the Queen of Superheroes in the post-Crisis era and George Perez really delivered great stuff as well as a very solid story here. From start to finish, there is a lot to enjoy and examine in the story.

If you are seriously planning to buy an existing hard copy of Wonder Woman #18 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $41 while the near-mint copy of the newsstand edition costs $84.

Overall, Wonder Woman #18 (1988) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

For Wonder Woman fans, be aware that the movie Wonder Woman 1984 will be released in a 4K Blu-ray disc combo on March 30, 2021. Read my article for the details and, if you have decided to order, do it now at Amazon.

A Look Back at Wonder Woman #17 (1988)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

When was the last time you traveled overseas not to have fun the usual way (partying, spending time in bars, watching movies or stage plays, and the like) but rather to immerse yourself into history by visiting several historical sites? When you plan to travel overseas, have you thought about pursuing the wonder of discovery?

Welcome back, Wonder Woman fans and comic collectors! It has been almost a year since I started publishing retro reviews of Wonder Woman comic books from the post-Crisis age of DC Comics drawn by the famous George Perez. I can say that I really enjoyed the modernizing of the Queen of Superheroes done by Perez along with the late Len Wein. In fact, my enjoyment on the post-Crisis Wonder Woman is greater than what I had for the New 52 Wonder Woman. For those who love Wonder Woman movies, check out my retro review of the 2017 Wonder Woman movie and my feature about the No Man’s Land scene. If you are into the latest movie Wonder Woman 1984 starring Gal GadotChris Pine and Kristen Wiig, be aware that the 4K Blu-ray combo of it will be released on March 30, 2021. I already ordered a copy of it.

Going back to what I mentioned earlier, discovering new places can be tremendous experiences for those who travel abroad. With those details laid down, we can finally start this look back at Wonder Woman #17, published in 1988 by DC Comics with a story written and drawn by George Perez with ink work done by Dick Giordano.

The cover.

Early story

The story begins as a white bird flies high in the sky in the middle of dark clouds and bolts of lightning. The bird is carrying a message and as it continues to move forward, the darkness fades away as light and calm clouds set in.

In Wakefield, Massachusetts, Diana Prince/Wonder Woman receives her special United Nations (UN) passport from Etta Candy. It turns out that Julie Kapatelis is in Athens, Greece, making arrangements for Diana’s first overseas trip in man’s world. As they talk, Etta reveals that Steve Trevor is aware of the connection between Wonder Woman’s costume with his mother.

As Vanessa (Julie’s daughter) comes down from the second floor, Steve Trevor enters the house carrying a bird carrying a message. Even as she recognizes the bird, she is amazed to discover that it arrived there all the way from Themyscira. The message carried by the bird is from Diana’s mother, Queen Hippolyte. She begins to read the message in the car with Vanessa on the way to the airport…

Quality

Diana visits and discovers Greece.

I’ll start by pointing out that this is the first issue of this particular monthly series to be written entirely by George Perez (note: Len Wein was involved with the script for issue #16) and, as I read this comic book, he wrote well and succeeded in further developing Wonder Woman’s personality just as she discovers more of man’s world and its connections with her fellow Amazons.

In this comic book, Wonder Woman (with Vanessa) travels to Greece for an arranged visit with her mentor Julie anticipating her arrival. Upon arriving in Greece, a lot of people warmly welcomed Wonder Woman who in turn got reunited with Julie in the presence of her Greek friend Stavros. In relation to the opening paragraph of this review, this is the story of Diana’s discovery of Greece, its people, its culture and legacy. The way Perez wrote and visualized her discovering and learning of the Greek sites really emphasized her thoughts as her perception of man’s world and its connections to her people and her culture builds up.

Unlike the previous two issues, this story is much heavier with character development and Perez’s writing is indeed engaging. As you read Diana’s words and thoughts, you will experience intrigue and even relate to her experiencing a great wonder of discovery. Also worth reading are her thoughts about Superman.

Apart from the focus on Wonder Woman, this comic book also paid attention to the intrigue that happened among the deities of Olympus – including Heracles – who are still recovering from the great disturbance caused by Darkseid. Oh yes, the story also marked the start of the build-up of another supervillain for Diana to face.

Conclusion

In the airplane on the way to Greece.

While it clearly lacked a strong conflict between good and evil, the wonder of discovery as well as the in-depth characterization made Wonder Woman #17 (1988) a must-read. George Perez, who is best known for his artworks, proved to be a very solid writer and it should be noted that he went on to write a whole lot more stories about the Queen of Superheroes.

If you are seriously planning to buy an existing hard copy of Wonder Woman #17 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $42 while the near-mint copy of the newsstand edition costs $42.

Overall, Wonder Woman #17 (1988) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Wonder Woman 1984 4K Blu-ray combo set for March 30, 2021 release!

Calling all fans of Wonder Woman, fans of superhero movies and all other geeks! Some great news for you all and it’s related to what I observed and wrote before.

It has officially been announced that Wonder Woman 1984 (starring Gal Gadot, Chris Pine and Kristen Wiig) will be released in a 4K Blu-ray combo (4K Blu-ray with Blu-ray disc plus a digital copy) on March 30, 2021 and already orders for it are being accepted at Amazon.com Check out the image below.

Coming out on March 30, 2021! This early, orders for Wonder Woman 4K Blu-ray combo are being accepted at Amazon.com

Some relevant numbers about Wonder Woman 1984 4K Blu-ray combo below…

Video

Codec: HEVC / H.265

Resolution: Native 4K (2160p)

HDR: Dolby Vision, HDR10

Original aspect ratio: 2.39:1

Audio

English: Dolby Atmos

English: Dolby TrueHD 7.1 (48kHz, 24-bit)

Subtitles

English SDH, French, Spanish

Discs

4K Ultra HD

Blu-ray Disc

Two-disc set (1 BD-50)

Playback

4K Blu-ray: Region free

2K Blu-ray: Region A

If you are only planning to watch Wonder Woman 1984 in 1080p, there is also the Blu-ray disc version as well. You order it at Amazon now.

Going back to the 4K Blu-ray combo, I am very delighted over the confirmation that Wonder Woman 1984 will be presented in genuine, native 4K resolution. By comparison, the 4K Blu-ray of the 2017 Wonder Woman film was an upscaled 4K presentation (read: fake 4K).

Even though I still have not seen Wonder Woman 1984 and I deliberately avoided streaming and digital piracy of it, I went ahead ordering the 4K Blu-ray combo this early. Now the wait to watch it in the comfort of home truly begins!

Remember that 4K Blu-ray with native 4K visuals is much better than streaming!

For more Wonder Woman-related stuff, check out my recent retro comic book reviews as follows: post-Crisis Wonder Woman issues #10, #11, #12, #13, #14, #15 and #16.

Check out my retro movie review as well as my feature about the No Man’s Land scene of the 2017 movie.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Wonder Woman 1984 4K Blu-ray listing spotted online

Welcome back, fellow geeks and Wonder Woman fans!

Have you seen Wonder Woman 1984 yet? I have not and I am waiting for local cinemas to reopen to screen it. The pandemic really brought down movie theaters which is really bad not only for their industry but also because a lot of employees of cinemas lost their jobs. I’m not just talking about the people handling the tickets but also those who work to cook food, prepare drinks and serve them to moviegoers.

More on Wonder Woman 1984, the film is available for viewing via HBO Max (mainly in the United States) without a premium fee required. This, in my opinion, is a terrible move by AT&T-controlled Warner Bros. because customers’ payments for HBO Max do NOT really go to the producers and financiers who made the Patty Jenkins-directed sequel.

As I mentioned before, I prefer to watch Wonder Woman 1984 in the movie theater instead of streaming it. Back in June 2017, I went to the local IMAX cinema to watch Wonder Woman by buying a premium movie ticket, buying popcorn and a drink, sat comfortably and watched the movie in its full greatness. Truly, VOD streaming will NEVER match the experience of the cinema. Right now, I’m waiting for the opportunity to watch Wonder Woman 1984 in the local movie theater.

As for home viewing, I personally prefer watching movies via optic disc media over streaming. Blu-ray is notable for advantages over streaming. That being said, there is a much better option to view Wonder Woman 1984 in the comfort of home – the upcoming 4K Blu-ray combo release of Wonder Woman 1984!

When it comes to watching Wonder Woman 1984 in the comfort of home, this is the BETTER option than streaming! (source – Blu-ray.com)

Recently Wonder Woman 1984 has been listed at Blu-ray.com to be released in 4K Blu-ray disc format along with a Blu-ray disc (1080p) and a digital copy. While this is not in any way an official announcement (note: as of this writing, the listing does not have a release date yet), it is inevitable that Wonder Woman fans and consumers will have the option to buy the new movie in 4K Blu-ray and Blu-ray discs.

According to the listing at Blu-ray.com, Wonder Woman 1984 4K Blu-ray will have a native 4K (3840x2160p) resolution. This alone is a major improvement over the upscaled 4K resolution (read: fake 4K) that the Wonder Woman 4K Blu-ray had. Upscaled 4K means digitally stretching a lower resolution video until it reached 3840x2160p resolution. Native 4K means the footage truly got rendered in 3840x2160p resolution, and this means more detailed visuals! Take note that the new movie that starred Gal Gadot had scenes filmed with IMAX cameras and their high visual details should translate nicely in 4K Blu-ray.

More on Wonder Woman 1984 4K Blu-ray, its original aspect ratio is 2.39:1, its audio has Dolby Atmos and Dolby TrueHD 7.1 confirmed, its subtitles are in English, French and Spanish. For playback, the 4K Blu-ray will be region-free while the Blu-ray (1080p) will be coded for Region A.

How much will Wonder Woman 4K Blu-ray combo package cost and when will be released? We will find out soon enough. Personally, as soon as it becomes available for ordering at Amazon, I will order it. It should be noted that what you pay for Wonder Woman 4K Blu-ray (or the standalone Blu-ray 1080p release), part of your money will go to the movie producers and investors who are struggling to recover their investment. This is another solid reason why I will not stream this movie. Dump HBO Max!

If you are looking for more Wonder Woman-related content, just search here in my website’s search engine. For those who have not seen Wonder Woman 1984, I recommend reading my retro review of the 1987 comic book Wonder Woman #9 which itself is required reading to get yourselves oriented about the first full appearance of Cheetah (Barbara Minervia). Also check out my most recent Wonder Woman retro review as well as my 2017 Wonder Woman movie review and my No Man’s Land scene special feature.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman #12 (1988)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of Wonder Woman and DC Comics! Happy New Year to you all as well! To start 2021, I have another Wonder Woman retro comic book review here.

Before getting to the review, I want to ask if you were able to watch Wonder Woman 1984? I have not seen it yet as the local cinemas in our part of Metro Manila still have not reopened. I have no intention to stream the new movie at all. Big movie productions like the one starring Gal Gadot and Chris Pine were clearly made for the big screens in the cinemas and I am patiently waiting for the golden opportunity to watch Wonder Woman 1984 in a theater. If the nearest local cinemas won’t reopen due to this ongoing pandemic, the next best option for me is to get the movie in its future 4K Blu-ray release.

Going back to the Wonder Woman comic series of the post-Crisis DC Comics era, I reviewed issue #11 recently which saw Princess Diana enter the forbidden zone of Themyscira as she struggles to fulfil the challenge of Olympus’ deities. Meanwhile, Queen Hippolyte decides to take action by following and search for her daughter. This naturally troubles the Amazons who themselves are uncertain about what the deities have in plan for them.

With those details laid down, here is a look back at Wonder Woman #12, published in 1988 by DC Comics with a story written George Perez and Len Wein. Perez illustrated the comic book with ink work done by Bruce D. Patterson.

The cover.

Early story

The story begins with the armored Queen Hippolyte making her way down into the forbidden zone, with a feathered companion flying just near her. Suddenly a horde of bats surround her compelling her to defend herself. She notices that the vulture made no effort to help her which convinces her that it is there to guide.

Over at Oklahoma, Steve Trevor sits by his very old father and apologizes to him for failing to be there sooner. Tearfully he remembers the demise of his mother and the times he spent with his father growing up. Downstairs, Etta Candy examines a framed photo of Steve’s mother.

Deep within the forbidden zone, Wonder Woman is struck with disbelief as she just encountered in the flesh the one mysterious warrior whom she was named after which Queen Hippolyte and the Amazons did not discuss with her…

The mysterious warrior tells Princess Diana: I’ve waited this day far longer than you could imagine—-but if there’s anything I’ve learned here, it’s that life on the mortal coil follows a grand design! We were faither to meet, child—from the day you were born!

Quality

This comic book showed more of Queen Hippolyte’s side of the story than the previous issue.

Once again, this is another high-quality work of art and literature done by the creative team led by the Perez-Wein duo and considering the way things were structured, this proves that they really planned this storyline early and this very comic book happens to be full of revelations relating to a notable event in the past of the Amazons.

In this particular chapter of the Challenge of the God’s storyline, Wonder Woman’s significance (in connection with events that took place before her birth) and her special bond with Steve Trevor (in relation to issues #2, #3, #4, #5 and #6) were deeply emphasized through the story of the mysterious warrior whose name is also Diana and also a native from man’s world. The mysterious warrior’s personal story and discovery of Themyscira were excellently dramatized by Perez-Wein, which is not surprising, and the narrative was carefully paced giving readers breathing space to learn the details.

Picking up from the previous issue, this comic book’s focus on Queen Hippolyte has grown larger effectively creating what is technically a solo adventure for her within the forbidden zone. Compared to her daughter, Queen Hippolyte has deeper knowledge of the history of the place and is naturally cautious with her search for Diana. I should state that the dialogue style written for the queen was very cleverly crafted. Meanwhile, the Olympus deity Pan was clearly portrayed to be the evil manipulator and clearly the Satan figure of the story.

Conclusion

Princess Diana meets the other Diana whose past is linked with the Amazons.

Wonder Woman #12 (1988) is another excellent work by the Perez-Wein creative team. It is more than just a Wonder Woman story and more than just a well-told fantasy of the DC Comics universe, it is filled with very profound revelations that further deepen the legacy of the Amazons and Wonder Woman’s significance. As for the influences behind the design and symbols on Wonder Woman’s costume, those have been revealed in this comic book as well.

If you are seriously planning to buy an existing hard copy of Wonder Woman #12 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $30 while the near-mint copy of the newsstand edition costs $60.

Overall, Wonder Woman #12 (1988) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Wonder Woman 1984 opening in the Philippines TENTATIVELY set for January 8, 2021

I am a long-time Wonder Woman fan. I deeply love watching the 2017 movie that starred Gal Gadot. I saw that movie thrice in movie theaters here in the Philippines, the first screening of which was inside the local IMAX cinema.

Gal Gadot as the armored Wonder Woman.

Like anyone else, I am excited that the much-awaited sequel Wonder Woman 1984 has been scheduled for a Philippine release date of January 8, 2021 although I am cautious too. Why?

That’s because after experiencing the initial excitement of the international release dates published by Variety, I decided to verify with Warner Bros. Pictures directly via their official page on Facebook. In a November 26, 2020 FB post of theirs, I asked them directly (plus about IMAX) and they actually replied. Below is the screenshot.

As you can see above, Warner Bros. Pictures pointed to the Variety article (about the global release schedules) and with regards to the Philippines, the supposed launch of Wonder Woman 1984 in cinemas hangs in the balance because until now many cinemas – at least in the National Capital Region – remain closed even though restrictions (related to community quarantine) have been eased over the past several months as local authorities monitored the developments related to the current pandemic. This means that the Wonder Woman 1984 opening for the Philippines remains tentative at best. Warner Bros. did not say anything about IMAX.

For those who are based outside the Philippines, Metro Manila (with multiple cities and a high number of movie theaters combined) is under the General Community Quarantine (GCQ) status until December 31, 2020. Under GCQ, more people are allowed to report to work, more business are allowed to operate albeit less than 100% (depending on the business nature) and people are able to visit shopping malls but without minors (their children).

What the status for Metro Manila will be come January 1, 2021 remains unknown. Speaking of movie theaters, I have yet to find any signs or confirmation that local movie theater operators are lobbying/appealing to the authorities to allow them to resume operations.

Again, the Philippines opening date for Wonder Woman 1984 is tentative. Whether the Patty Jenkins-directed movie will open on January 8, 2021 or be delayed, I will make it a point to watch the movie on the big screen. I will not stream Wonder Woman 1984. As far as watching the movie at home later is concerned, I’d rather watch it on Blu-ray and 4K Blu-ray. Paying for streaming will help the service but NOT the people who made the newest Wonder Woman movie.

While waiting for solid updates about Wonder Woman 1984’s opening here in the Philippines, check out my review of the 2017 movie, my review of the literary classic Wonder Woman #1 (1987), my review of Wonder Woman #9 (1987) which is the essential read before watching the new movie, and my most recent review of Wonder Woman Gallery (1996).

In ending this, here are some Wonder Woman-related videos for your amusement.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

My Observations: Christopher Nolan slams AT&T-controlled Warner Bros. over plan to release new movies in cinemas and HBO Max simultaneously

I am not a fan of director Christopher Nolan but I say he still deserves credit for the massive contributions he made in cinema, specifically with the Dark Knight trilogy (which strengthened the superhero film genre) and IMAX (Dunkirk and Interstellar come to mind.)

Director Christopher Nolan. (photo source – IMDB.com)

Very recently the acclaimed movie director and producer made tremendous buzz in the news as he slammed AT&T-controlled Warner Bros. over their plans to release their seventeen 2021 movies in both movie theaters and the streaming app HBO Max. As you already know, the much-awaited Wonder Woman 1984 is just the first of many WB films that will debut inside cinemas and via streaming on the same day. HBO Max is currently way behind rival streaming services Disney+ and Netflix in terms of subscribers, and this fact makes Warner Bros. look not only desperate but traitorous towards movie theatre operators (who lost money and have struggled to retain their employees).

Going back to Christopher Nolan, read closely below the excerpt from The Hollywood Reporter article.

For many in the movie business — producers, directors, stars and their representatives — Dec. 3, 2020 is a day that will live in infamy.

“Some of our industry’s biggest filmmakers and most important movie stars went to bed the night before thinking they were working for the greatest movie studio and woke up to find out they were working for the worst streaming service,” filmmaker Christopher Nolan, whose relationship with Warners dates back to Batman Begins in 2005, said in a statement to The Hollywood Reporter.

Nolan added: “Warner Bros. had an incredible machine for getting a filmmaker’s work out everywhere, both in theaters and in the home, and they are dismantling it as we speak. They don’t even understand what they’re losing. Their decision makes no economic sense and even the most casual Wall Street investor can see the difference between disruption and dysfunction.”

Personally, I agree with the Batman films director. Even with the ongoing pandemic, it still does not make sense economically to release brand new movies in both cinemas and online streaming simultaneously. I know that there are a lot of people who don’t want to leave their homes to watch a movie because of fear that they will get infected with COVID-19. I noticed a few people who posted on social media that the movie theatre is a death trap of COVID-19 and they disregarded the efforts movie theater operators made to have their facilities sanitized, cleaned and practiced social distancing. This contributes to them relying on streaming to watch brand new movies in their homes.

The WB plan to release new movies in both cinemas and HBO Max only made the tough situation of movie theater operators even worse. Cinemas have been struggling to survive and badly need customers to buy tickets, snacks and drinks, and most notably enjoy the grand experience of watch films on the big screen which streaming will never ever match nor replicate. It should be noted that the business model of standalone movies recovering the negative costs (production, marketing and others covered by movie producers and investors) by means of movie ticket sales (plus merchandising) followed MONTHS LATER by revenue from sales/rentals of DVD/Blu-ray/4K Blu-ray, cable TV, pay-per-view services, and public TV showing is still the best even though several theaters have been closed down due to the pandemic.

It should be noted that the fact that WB does not charge a dedicated upfront fee for viewing Wonder Woman 1984 on HBO Max only means that the said movie’s producers won’t be collecting proceeds from the payments of subscribers. If you are a dedicated fan of Wonder Woman, Gal Gadot, Chris Pine, Kristen Wiig and you want to see more Wonder Woman movies in the future, you are better off skipping streaming and instead pay for the movie by buying movie tickets, buying the movie’s eventual releases on DVD, Blu-ray and 4K Blu-ray, pay for the movie’s eventual pay-per-view release, pay for the future rental service of the movie, etc. Paying HBO Max only pays for the service, and not for Wonder Woman 1984. Streaming will NOT help Wonder Woman 1984’s producers, investors and filmmakers, and it also will NOT help movie theater operators.

As for me, I’ll make it a point to watch Wonder Woman 1984 in the local cinema (especially IMAX) a number of times and then anticipate its release on Blu-ray and 4K Blu-ray. I will not stream to watch it!

Going back to Christopher Nolan, he is not alone with his reaction towards WB’s plan. Major cinema chain AMC reacted negatively as well. Below is an excerpt from The Hollywood Reporter story.

“Clearly, Warner Media intends to sacrifice a considerable portion of the profitability of its movie studio division, and that of its production partners and filmmakers, to subsidize its HBO Max startup,” said Adam Aron, CEO and president of AMC Entertainment, in a statement to The Hollywood Reporter. “As for AMC, we will do all in our power to ensure that Warner does not do so at our expense. We will aggressively pursue economic terms that preserve our business.”

The move will see the studio’s 17-film slate hit HBO Max for a one-month window that starts the same day the titles will be available in theaters in the U.S. The move comes after the studio had already revealed plans to release Wonder Woman 1984 day-and-date on Christmas Day, a plan that AMC says it was notified about.

“These coronavirus-impacted times are uncharted waters for all of us, which is why AMC signed on to an HBO Max exception to customary practices for one film only, Wonder Woman 1984, being released by Warner Brothers at Christmas when the pandemic appears that it will be at its height,” read a statement from the exhibitor, which added, “However, Warner now hopes to do this for all their 2021 theatrical movies, despite the likelihood that with vaccines right around the corner the theatre business is expected to recover.”

CEO Aron added that the company has already started an “immediate and urgent dialogue” with the studio. AMC, which announced today that it would be selling 200 million shares in the hope of improving its liquidity, has seen its stock fall some 16 percent by Thursday afternoon.

You heard about the Independent Cinema Alliance? They too are disappointed with Warner Bros. They called for a return to theatrical exclusivity and expressed that releasing films solely in movie theaters for a period of time is “what drives that value – not streaming.” Below is the full statement of ICA from the Variety report.

“Unprecedented times call for unprecedented measures. The Independent Cinema Alliance, however, is disappointed in WarnerMedia’s questionable decision to release its entire 2021 film slate simultaneously in movie theaters and on HBO Max. WarnerMedia is correct that its content is extremely valuable, but it also must know that theatrical exclusivity is what drives that value—not streaming. Given that COVID-19 vaccines will begin distribution in the coming weeks, the ICA calls on our partners at Warner Bros. and other studios to help write the industry’s comeback story with a recommitment to exclusive theatrical content.

The ICA welcomes short-term, innovative film distribution models developed to bridge the coronavirus pandemic. It is important that our studio partners support independent exhibitors during this crisis with new theatrical releases backed by robust marketing campaigns. For our part, exhibitors will bring the magic of moviegoing to communities across America while implementing expert-backed, industry-specific health and safety protocols.

But let’s be very clear, it is essential to the success of the entire motion picture ecosystem that hybrid distribution models influenced by the pandemic properly reflect appropriate terms for movie theater owners. It is also imperative that these reactionary policies made in response to a public health crisis do not reflect long-term, formal shifts in distribution strategies for studio films. A theatrically driven business model is vital to the success of movie theater owners, studios, and the creative community. The ICA looks forward to collaborating with our partners in Hollywood on deliberate, innovative solutions that build a brighter future for this great industry.”

The hybrid film release model of WB is not only harming movie theater operators, it is also destroying the mutual trust movie theaters have with movie studios as we know it. As seen with Christopher Nolan, his long-time business relationship with Warner Bros. looks like it will crumble. Nolan might as well leave WB and find another Hollywood studio that agrees with him.

Not only that, Warner Bros. long-time business relationship with Legendary Pictures is in danger as well. Legendary Pictures co-financed WB’s upcoming films like Godzilla vs. Kong and Dune, and according to a Variety report, they may take legal action against the studio over its plan on launching movies in both cinemas and HBO Max. Here’s an excerpt from the said report.

It’s unclear what legal grounds Legendary would use to challenge the decision, though it would likely involve some breach of contract.

Legendary declined to comment, as did Warner Bros.

Part of Legendary’s frustration is that despite largely bankrolling “Dune” and “Godzilla vs. Kong,” the production company didn’t have much of a say in how its buzzy titles would be released. Moreover, the company felt that Warner Bros. wasn’t being transparent with its intentions. Months ago, Netflix had discussed a possible sale of “Godzilla vs. Kong” for a hefty $250 million but WarnerMedia, the parent company of Warner Bros., blocked that arrangement.

Denis Villeneuve, the director of “Dune,” is similarly disappointed with the HBO Max plan and would prefer a traditional theatrical release for his movie, according to insiders.

As if that was not enough, it has been reported that movie piracy has been rising as the studios skipped the struggling cinemas. Even Disney’s live-action Mulan was shared millions of times in the form of unlicensed copies! Below is an excerpt from the report by Bloomberg.

Studios have tried to salvage some of their big-budget films this year by selling them through streaming services for $20 to $30. But that business model has made it easier for pirates to illegally copy and share new releases, with an estimated loss of millions of potential customers for the production companies.

Unlicensed downloads of Walt Disney Co.’s most-recent picture, “Mulan,” have outpaced those of other movies since its Sept. 4 U.S. debut on the Disney+ streaming service, according to TorrentFreak, a website that tracks pirating activity on public servers. Compared with “The Lion King,” which came out last year in theaters, “Mulan” saw about twice as many downloads in the days and weeks after its release.

When a traditional movie is released in theaters, thieves struggle to obtain high-quality recordings of it, often resorting to bootlegging with a hidden camcorder. With digital releases, pirates use technologies not available to most consumers to make perfect copies quickly.

On the other side of the spectrum, Warner Bros. Entertainment chairman and CEO Ann Sarnoff defended her company’s decision and specified that they have “many movies which are ready to go, and they’ve been sitting on shelves. So we thought this was the most creative and win-win situation to bring them not only to theaters but simultaneously for 31 days on HBO Max.”

The same CNBC report also states that Warner Bros. did not consult the actors, the directors, the agents with regards to the 2021 movies, and that they did not make distribution deals with the cinemas.

In ending this, here is an excerpt from The Hollywood Reporter’s report. Play close attention to the details.

The Warners move poses big, maybe even existential questions: How do theaters survive this supposedly one-time, excused-by-the-pandemic move? Genies are hard to put back in the bottle and no one believes Warners intended this to be temporary anyway. What damage will be done to exhibitors by training customers that if they sit on their sofas, the biggest movies will come? And will Warners face serious backlash from important producers, filmmakers, guilds and on-screen talent? “Warners was the quintessentially talent-friendly, filmmaker-friendly studio,” says one agent. “Now Warners isn’t the first place, second place or third place you want to go.”

Many in Hollywood think WarnerMedia jumped at this drastic move to play to streaming-infatuated Wall Street and re-do the botched launch of HBOMax, which netted a dismal 8.6 million subscribers. But one prominent agent notes that the top executives at WarnerMedia and its parent — AT&T CEO John Stankey, WarnerMedia CEO Jason Kilar and, of course, Sarnoff — “don’t understand the movie business and they don’t understand talent relations.”

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman Gallery (1996)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of Wonder Woman! I should say that this is the most unusual comic book I have reviewed so far due to its main presentation of varied artworks featuring the Queen of all Superheroes herself – Wonder Woman!

For the newcomers reading this, there were several comic books back in the 1990s that did not really tell stories but showcased artworks of varied superheroes done by several artists. Such publications were in the form of swimsuit specials, apparently inspired by Sports Illustrated’s own publications. There were WildStorm Swimsuit Special #1, Ballistic Studios Swimsuit Special #1, Homage Studios Swimsuit Special #1, Lady Death Swimsuit Special #1 and the Avengelyne/Glory: Swimsuit Special #1 to name some.

The 1990s saw a rise of eroticism in superhero comic books. Not even the Wonder Woman monthly series of that time was spared from the trend. There was a time when DC Comics hired Mike Deodato to illustrate a number of Wonder Woman comic books in the mid-1990s which resulted a more eroticized look of Diana/Wonder Woman and her fellow Amazons. John Byrne took over after Deodato and his stint was not an improvement.

While the 1990s was a weak decade of Wonder Woman comics for me personally, not all was doom and gloom. Around twenty years before Gal Gadot debuted on the big screen as the cinematic Wonder Woman, DC Comics published an art gallery of the Queen of Superheroes in the form of a comic book.

With the details established, here is a look back at Wonder Woman Gallery, published by DC Comics in 1996 featuring the works of multiple artists.

The cover.

What it is

Wonder Woman Gallery is a showcase of thirty-two artworks done by George Perez, Stuart Immonen, Mike Wieringo and Richard Case, Brent Anderson, Howard Porter and John Dell, Jim Balent (misspelled as Jim Balant), Amanda Conner, Chuck Wojtkiewicz and Will Blyberg, Howard Chaykin, Steve Lightle and 22 others.

As this is an art gallery, there is clearly no story to tell. It is all artwork showcasing the different talents of the artists (and the inkers who helped them) on presenting Wonder Woman (note: the only exception here is a solo image of the forgettable WW replacement Artemis).

This artistic contribution by Phil Jimenez looks great.
Jill Thompson’s inspired take on Wonder Woman.
Wonder Woman by Howard Porter and John Dell.
Wonder Woman by Ivan Reis and Barbara Kaalberg.

Quality

As this is an art showcase, the overall quality of the collected art here varies. Such a collection of different art styles will appeal to Wonder Woman fans depending on how they like their favorite superhero presented visually.

In my honest opinion, I always love the art style done by George Perez on Wonder Woman, her fellow Amazons, the supporting characters and more. His presentation here is flawless and timeless. What surprised me here in this collection is the contribution of Phil Jimenez whose quality and art style seem inspired by George Perez’s Wonder Woman legacy. As many of us know already, Jimenez later went on to become one of the top illustrators of DC Comics in the 2000s and his work here is nice to look.

There were a few artworks that showed Wonder Woman with a very cartoony look. Among them is the Wonder Woman piece done in the very distinct style of Sergio Aragones. Some art pieces here showed WW with a bizarre look and then there were a few others whose take on the Queen of Superheroes turned out good.

Conclusion

This work by George Perez is my favorite in this collection.

I can say that Wonder Woman Gallery (1996) is a published work that Wonder Woman fans will enjoy for as long as they are willing to accept images of their favorite superhero with styles ranging from realistic to cartoony, obscure and simple. Art styles aside, there is a lot here that fans will marvel at again and again, while art enthusiasts (who are not necessarily fans of the Queen of Superheroes) could find something eye-catching here.

If you are seriously planning to buy an existing hard copy of Wonder Woman Gallery (1996), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $40.

Overall, Wonder Woman Gallery (1996) is recommended.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com