A Look Back at Wonder Woman #18 (1988)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors, fellow geeks and fans of Wonder Woman! Last time, I found George Perez’s standalone writing of the story about Wonder Woman discovering Greece and its connections to her people’s heritage a really good story. For much of the post-crisis Wonder Woman monthly series’ early stage, the stories were done by Perez and the late Len Wein. In issue #17, Perez not only succeeded in developing Diana/Wonder Woman further, he also captured nicely the wonder of discovery of new places and astonishing aspects of life while traveling overseas.

Of course, issue #17 was not purely a tourism story through the eyes of the Queen of Superheroes. There was an obvious build-up of a new villain who is aware of Wonder Woman’s presence in Greece.

What will happen next? Who could the new force of evil be? We can find out in this look back at Wonder Woman #18, published by DC Comics in 1988 with a story written and drawn by George Perez with ink work done by Dick Giordano.

The cover.

Early story

The story begins deep in the darkness of limbo. Light sparks suddenly as Zeus, Hades and Poseidon arrive in the search of their father called Cronus. Zeus retrieves the Olympian pact. After further talking, they join forces in lighting a flame to burn the pact to make way for something new.

Meanwhile in a hospital in the Greek isle of Cephalonia, Diana wakes up surrounded by Julia Kapatelis, Vanessa, a doctor and other Greeks. Diana states that some kind of aura seemed to clutch her in a chilling grip which Julia dismisses and believes that her Amazon friend was simply tired from all the months-long pushing herself since returning from Themyscira.

Julia introduces Diana to Theophilus Ventouras and his nephew Demetrios. The older Ventouras is the owner of the wealthiest estate on the islands. He tells Diana that the governor asked him to meet her at the dock and reveals to her that a local boy was killed by a wolf which some car calling it as a “magia”.

As they continue talking, a nurse listens to them carefully just outside the door of the room they are in. She learns about Ventouras’ offer of assistance to Diana and quietly leaves. Some time later just outside the hospital, the nurse (named Angela) reveals to a man named Mikos that Diana and her group will be going to Ventourata the next day…

Quality

Without hesitation, Wonder Woman moves to save lives.

I can start by saying that this is another well-written tale by George Perez. Apart from the continuing focus on Wonder Woman’s discovery of Greece, the elements of fantasy, intrigue, suspense and even horror have been used more in this comic book compared to the previous issue.

When it comes to characterization, Diana’s close relationship with the Kapatelises is deepened further as the story explored the already established Greek background of Julia. I also found engaging Wonder Woman’s unflinching moves to search for Vanessa and get her out of trouble any way she could.

For those of you who are aware about the lack of superhero spectacle in issue #17, I can share to you that there definitely is more action in this comic book and it is all nicely presented by George Perez.

Continuing what began in the previous issue, Perez ramped up further the build-up of the new force evil awaiting Wonder Woman. I won’t reveal who it is but rest assured, this comic book’s ending is pretty strong and easily justifies the build-up.

Conclusion

Diana and Julia treat each other like family.

Wonder Woman #18 (1988) successfully continued the redefining of the Queen of Superheroes in the post-Crisis era and George Perez really delivered great stuff as well as a very solid story here. From start to finish, there is a lot to enjoy and examine in the story.

If you are seriously planning to buy an existing hard copy of Wonder Woman #18 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $41 while the near-mint copy of the newsstand edition costs $84.

Overall, Wonder Woman #18 (1988) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

For Wonder Woman fans, be aware that the movie Wonder Woman 1984 will be released in a 4K Blu-ray disc combo on March 30, 2021. Read my article for the details and, if you have decided to order, do it now at Amazon.

A Look Back at Wonder Woman #17 (1988)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

When was the last time you traveled overseas not to have fun the usual way (partying, spending time in bars, watching movies or stage plays, and the like) but rather to immerse yourself into history by visiting several historical sites? When you plan to travel overseas, have you thought about pursuing the wonder of discovery?

Welcome back, Wonder Woman fans and comic collectors! It has been almost a year since I started publishing retro reviews of Wonder Woman comic books from the post-Crisis age of DC Comics drawn by the famous George Perez. I can say that I really enjoyed the modernizing of the Queen of Superheroes done by Perez along with the late Len Wein. In fact, my enjoyment on the post-Crisis Wonder Woman is greater than what I had for the New 52 Wonder Woman. For those who love Wonder Woman movies, check out my retro review of the 2017 Wonder Woman movie and my feature about the No Man’s Land scene. If you are into the latest movie Wonder Woman 1984 starring Gal GadotChris Pine and Kristen Wiig, be aware that the 4K Blu-ray combo of it will be released on March 30, 2021. I already ordered a copy of it.

Going back to what I mentioned earlier, discovering new places can be tremendous experiences for those who travel abroad. With those details laid down, we can finally start this look back at Wonder Woman #17, published in 1988 by DC Comics with a story written and drawn by George Perez with ink work done by Dick Giordano.

The cover.

Early story

The story begins as a white bird flies high in the sky in the middle of dark clouds and bolts of lightning. The bird is carrying a message and as it continues to move forward, the darkness fades away as light and calm clouds set in.

In Wakefield, Massachusetts, Diana Prince/Wonder Woman receives her special United Nations (UN) passport from Etta Candy. It turns out that Julie Kapatelis is in Athens, Greece, making arrangements for Diana’s first overseas trip in man’s world. As they talk, Etta reveals that Steve Trevor is aware of the connection between Wonder Woman’s costume with his mother.

As Vanessa (Julie’s daughter) comes down from the second floor, Steve Trevor enters the house carrying a bird carrying a message. Even as she recognizes the bird, she is amazed to discover that it arrived there all the way from Themyscira. The message carried by the bird is from Diana’s mother, Queen Hippolyte. She begins to read the message in the car with Vanessa on the way to the airport…

Quality

Diana visits and discovers Greece.

I’ll start by pointing out that this is the first issue of this particular monthly series to be written entirely by George Perez (note: Len Wein was involved with the script for issue #16) and, as I read this comic book, he wrote well and succeeded in further developing Wonder Woman’s personality just as she discovers more of man’s world and its connections with her fellow Amazons.

In this comic book, Wonder Woman (with Vanessa) travels to Greece for an arranged visit with her mentor Julie anticipating her arrival. Upon arriving in Greece, a lot of people warmly welcomed Wonder Woman who in turn got reunited with Julie in the presence of her Greek friend Stavros. In relation to the opening paragraph of this review, this is the story of Diana’s discovery of Greece, its people, its culture and legacy. The way Perez wrote and visualized her discovering and learning of the Greek sites really emphasized her thoughts as her perception of man’s world and its connections to her people and her culture builds up.

Unlike the previous two issues, this story is much heavier with character development and Perez’s writing is indeed engaging. As you read Diana’s words and thoughts, you will experience intrigue and even relate to her experiencing a great wonder of discovery. Also worth reading are her thoughts about Superman.

Apart from the focus on Wonder Woman, this comic book also paid attention to the intrigue that happened among the deities of Olympus – including Heracles – who are still recovering from the great disturbance caused by Darkseid. Oh yes, the story also marked the start of the build-up of another supervillain for Diana to face.

Conclusion

In the airplane on the way to Greece.

While it clearly lacked a strong conflict between good and evil, the wonder of discovery as well as the in-depth characterization made Wonder Woman #17 (1988) a must-read. George Perez, who is best known for his artworks, proved to be a very solid writer and it should be noted that he went on to write a whole lot more stories about the Queen of Superheroes.

If you are seriously planning to buy an existing hard copy of Wonder Woman #17 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $42 while the near-mint copy of the newsstand edition costs $42.

Overall, Wonder Woman #17 (1988) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Wonder Woman 1984 4K Blu-ray combo set for March 30, 2021 release!

Calling all fans of Wonder Woman, fans of superhero movies and all other geeks! Some great news for you all and it’s related to what I observed and wrote before.

It has officially been announced that Wonder Woman 1984 (starring Gal Gadot, Chris Pine and Kristen Wiig) will be released in a 4K Blu-ray combo (4K Blu-ray with Blu-ray disc plus a digital copy) on March 30, 2021 and already orders for it are being accepted at Amazon.com Check out the image below.

Coming out on March 30, 2021! This early, orders for Wonder Woman 4K Blu-ray combo are being accepted at Amazon.com

Some relevant numbers about Wonder Woman 1984 4K Blu-ray combo below…

Video

Codec: HEVC / H.265

Resolution: Native 4K (2160p)

HDR: Dolby Vision, HDR10

Original aspect ratio: 2.39:1

Audio

English: Dolby Atmos

English: Dolby TrueHD 7.1 (48kHz, 24-bit)

Subtitles

English SDH, French, Spanish

Discs

4K Ultra HD

Blu-ray Disc

Two-disc set (1 BD-50)

Playback

4K Blu-ray: Region free

2K Blu-ray: Region A

If you are only planning to watch Wonder Woman 1984 in 1080p, there is also the Blu-ray disc version as well. You order it at Amazon now.

Going back to the 4K Blu-ray combo, I am very delighted over the confirmation that Wonder Woman 1984 will be presented in genuine, native 4K resolution. By comparison, the 4K Blu-ray of the 2017 Wonder Woman film was an upscaled 4K presentation (read: fake 4K).

Even though I still have not seen Wonder Woman 1984 and I deliberately avoided streaming and digital piracy of it, I went ahead ordering the 4K Blu-ray combo this early. Now the wait to watch it in the comfort of home truly begins!

Remember that 4K Blu-ray with native 4K visuals is much better than streaming!

For more Wonder Woman-related stuff, check out my recent retro comic book reviews as follows: post-Crisis Wonder Woman issues #10, #11, #12, #13, #14, #15 and #16.

Check out my retro movie review as well as my feature about the No Man’s Land scene of the 2017 movie.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Wonder Woman 1984 4K Blu-ray listing spotted online

Welcome back, fellow geeks and Wonder Woman fans!

Have you seen Wonder Woman 1984 yet? I have not and I am waiting for local cinemas to reopen to screen it. The pandemic really brought down movie theaters which is really bad not only for their industry but also because a lot of employees of cinemas lost their jobs. I’m not just talking about the people handling the tickets but also those who work to cook food, prepare drinks and serve them to moviegoers.

More on Wonder Woman 1984, the film is available for viewing via HBO Max (mainly in the United States) without a premium fee required. This, in my opinion, is a terrible move by AT&T-controlled Warner Bros. because customers’ payments for HBO Max do NOT really go to the producers and financiers who made the Patty Jenkins-directed sequel.

As I mentioned before, I prefer to watch Wonder Woman 1984 in the movie theater instead of streaming it. Back in June 2017, I went to the local IMAX cinema to watch Wonder Woman by buying a premium movie ticket, buying popcorn and a drink, sat comfortably and watched the movie in its full greatness. Truly, VOD streaming will NEVER match the experience of the cinema. Right now, I’m waiting for the opportunity to watch Wonder Woman 1984 in the local movie theater.

As for home viewing, I personally prefer watching movies via optic disc media over streaming. Blu-ray is notable for advantages over streaming. That being said, there is a much better option to view Wonder Woman 1984 in the comfort of home – the upcoming 4K Blu-ray combo release of Wonder Woman 1984!

When it comes to watching Wonder Woman 1984 in the comfort of home, this is the BETTER option than streaming! (source – Blu-ray.com)

Recently Wonder Woman 1984 has been listed at Blu-ray.com to be released in 4K Blu-ray disc format along with a Blu-ray disc (1080p) and a digital copy. While this is not in any way an official announcement (note: as of this writing, the listing does not have a release date yet), it is inevitable that Wonder Woman fans and consumers will have the option to buy the new movie in 4K Blu-ray and Blu-ray discs.

According to the listing at Blu-ray.com, Wonder Woman 1984 4K Blu-ray will have a native 4K (3840x2160p) resolution. This alone is a major improvement over the upscaled 4K resolution (read: fake 4K) that the Wonder Woman 4K Blu-ray had. Upscaled 4K means digitally stretching a lower resolution video until it reached 3840x2160p resolution. Native 4K means the footage truly got rendered in 3840x2160p resolution, and this means more detailed visuals! Take note that the new movie that starred Gal Gadot had scenes filmed with IMAX cameras and their high visual details should translate nicely in 4K Blu-ray.

More on Wonder Woman 1984 4K Blu-ray, its original aspect ratio is 2.39:1, its audio has Dolby Atmos and Dolby TrueHD 7.1 confirmed, its subtitles are in English, French and Spanish. For playback, the 4K Blu-ray will be region-free while the Blu-ray (1080p) will be coded for Region A.

How much will Wonder Woman 4K Blu-ray combo package cost and when will be released? We will find out soon enough. Personally, as soon as it becomes available for ordering at Amazon, I will order it. It should be noted that what you pay for Wonder Woman 4K Blu-ray (or the standalone Blu-ray 1080p release), part of your money will go to the movie producers and investors who are struggling to recover their investment. This is another solid reason why I will not stream this movie. Dump HBO Max!

If you are looking for more Wonder Woman-related content, just search here in my website’s search engine. For those who have not seen Wonder Woman 1984, I recommend reading my retro review of the 1987 comic book Wonder Woman #9 which itself is required reading to get yourselves oriented about the first full appearance of Cheetah (Barbara Minervia). Also check out my most recent Wonder Woman retro review as well as my 2017 Wonder Woman movie review and my No Man’s Land scene special feature.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman #12 (1988)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of Wonder Woman and DC Comics! Happy New Year to you all as well! To start 2021, I have another Wonder Woman retro comic book review here.

Before getting to the review, I want to ask if you were able to watch Wonder Woman 1984? I have not seen it yet as the local cinemas in our part of Metro Manila still have not reopened. I have no intention to stream the new movie at all. Big movie productions like the one starring Gal Gadot and Chris Pine were clearly made for the big screens in the cinemas and I am patiently waiting for the golden opportunity to watch Wonder Woman 1984 in a theater. If the nearest local cinemas won’t reopen due to this ongoing pandemic, the next best option for me is to get the movie in its future 4K Blu-ray release.

Going back to the Wonder Woman comic series of the post-Crisis DC Comics era, I reviewed issue #11 recently which saw Princess Diana enter the forbidden zone of Themyscira as she struggles to fulfil the challenge of Olympus’ deities. Meanwhile, Queen Hippolyte decides to take action by following and search for her daughter. This naturally troubles the Amazons who themselves are uncertain about what the deities have in plan for them.

With those details laid down, here is a look back at Wonder Woman #12, published in 1988 by DC Comics with a story written George Perez and Len Wein. Perez illustrated the comic book with ink work done by Bruce D. Patterson.

The cover.

Early story

The story begins with the armored Queen Hippolyte making her way down into the forbidden zone, with a feathered companion flying just near her. Suddenly a horde of bats surround her compelling her to defend herself. She notices that the vulture made no effort to help her which convinces her that it is there to guide.

Over at Oklahoma, Steve Trevor sits by his very old father and apologizes to him for failing to be there sooner. Tearfully he remembers the demise of his mother and the times he spent with his father growing up. Downstairs, Etta Candy examines a framed photo of Steve’s mother.

Deep within the forbidden zone, Wonder Woman is struck with disbelief as she just encountered in the flesh the one mysterious warrior whom she was named after which Queen Hippolyte and the Amazons did not discuss with her…

The mysterious warrior tells Princess Diana: I’ve waited this day far longer than you could imagine—-but if there’s anything I’ve learned here, it’s that life on the mortal coil follows a grand design! We were faither to meet, child—from the day you were born!

Quality

This comic book showed more of Queen Hippolyte’s side of the story than the previous issue.

Once again, this is another high-quality work of art and literature done by the creative team led by the Perez-Wein duo and considering the way things were structured, this proves that they really planned this storyline early and this very comic book happens to be full of revelations relating to a notable event in the past of the Amazons.

In this particular chapter of the Challenge of the God’s storyline, Wonder Woman’s significance (in connection with events that took place before her birth) and her special bond with Steve Trevor (in relation to issues #2, #3, #4, #5 and #6) were deeply emphasized through the story of the mysterious warrior whose name is also Diana and also a native from man’s world. The mysterious warrior’s personal story and discovery of Themyscira were excellently dramatized by Perez-Wein, which is not surprising, and the narrative was carefully paced giving readers breathing space to learn the details.

Picking up from the previous issue, this comic book’s focus on Queen Hippolyte has grown larger effectively creating what is technically a solo adventure for her within the forbidden zone. Compared to her daughter, Queen Hippolyte has deeper knowledge of the history of the place and is naturally cautious with her search for Diana. I should state that the dialogue style written for the queen was very cleverly crafted. Meanwhile, the Olympus deity Pan was clearly portrayed to be the evil manipulator and clearly the Satan figure of the story.

Conclusion

Princess Diana meets the other Diana whose past is linked with the Amazons.

Wonder Woman #12 (1988) is another excellent work by the Perez-Wein creative team. It is more than just a Wonder Woman story and more than just a well-told fantasy of the DC Comics universe, it is filled with very profound revelations that further deepen the legacy of the Amazons and Wonder Woman’s significance. As for the influences behind the design and symbols on Wonder Woman’s costume, those have been revealed in this comic book as well.

If you are seriously planning to buy an existing hard copy of Wonder Woman #12 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $30 while the near-mint copy of the newsstand edition costs $60.

Overall, Wonder Woman #12 (1988) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Wonder Woman 1984 opening in the Philippines TENTATIVELY set for January 8, 2021

I am a long-time Wonder Woman fan. I deeply love watching the 2017 movie that starred Gal Gadot. I saw that movie thrice in movie theaters here in the Philippines, the first screening of which was inside the local IMAX cinema.

Gal Gadot as the armored Wonder Woman.

Like anyone else, I am excited that the much-awaited sequel Wonder Woman 1984 has been scheduled for a Philippine release date of January 8, 2021 although I am cautious too. Why?

That’s because after experiencing the initial excitement of the international release dates published by Variety, I decided to verify with Warner Bros. Pictures directly via their official page on Facebook. In a November 26, 2020 FB post of theirs, I asked them directly (plus about IMAX) and they actually replied. Below is the screenshot.

As you can see above, Warner Bros. Pictures pointed to the Variety article (about the global release schedules) and with regards to the Philippines, the supposed launch of Wonder Woman 1984 in cinemas hangs in the balance because until now many cinemas – at least in the National Capital Region – remain closed even though restrictions (related to community quarantine) have been eased over the past several months as local authorities monitored the developments related to the current pandemic. This means that the Wonder Woman 1984 opening for the Philippines remains tentative at best. Warner Bros. did not say anything about IMAX.

For those who are based outside the Philippines, Metro Manila (with multiple cities and a high number of movie theaters combined) is under the General Community Quarantine (GCQ) status until December 31, 2020. Under GCQ, more people are allowed to report to work, more business are allowed to operate albeit less than 100% (depending on the business nature) and people are able to visit shopping malls but without minors (their children).

What the status for Metro Manila will be come January 1, 2021 remains unknown. Speaking of movie theaters, I have yet to find any signs or confirmation that local movie theater operators are lobbying/appealing to the authorities to allow them to resume operations.

Again, the Philippines opening date for Wonder Woman 1984 is tentative. Whether the Patty Jenkins-directed movie will open on January 8, 2021 or be delayed, I will make it a point to watch the movie on the big screen. I will not stream Wonder Woman 1984. As far as watching the movie at home later is concerned, I’d rather watch it on Blu-ray and 4K Blu-ray. Paying for streaming will help the service but NOT the people who made the newest Wonder Woman movie.

While waiting for solid updates about Wonder Woman 1984’s opening here in the Philippines, check out my review of the 2017 movie, my review of the literary classic Wonder Woman #1 (1987), my review of Wonder Woman #9 (1987) which is the essential read before watching the new movie, and my most recent review of Wonder Woman Gallery (1996).

In ending this, here are some Wonder Woman-related videos for your amusement.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

My Observations: Christopher Nolan slams AT&T-controlled Warner Bros. over plan to release new movies in cinemas and HBO Max simultaneously

I am not a fan of director Christopher Nolan but I say he still deserves credit for the massive contributions he made in cinema, specifically with the Dark Knight trilogy (which strengthened the superhero film genre) and IMAX (Dunkirk and Interstellar come to mind.)

Director Christopher Nolan. (photo source – IMDB.com)

Very recently the acclaimed movie director and producer made tremendous buzz in the news as he slammed AT&T-controlled Warner Bros. over their plans to release their seventeen 2021 movies in both movie theaters and the streaming app HBO Max. As you already know, the much-awaited Wonder Woman 1984 is just the first of many WB films that will debut inside cinemas and via streaming on the same day. HBO Max is currently way behind rival streaming services Disney+ and Netflix in terms of subscribers, and this fact makes Warner Bros. look not only desperate but traitorous towards movie theatre operators (who lost money and have struggled to retain their employees).

Going back to Christopher Nolan, read closely below the excerpt from The Hollywood Reporter article.

For many in the movie business — producers, directors, stars and their representatives — Dec. 3, 2020 is a day that will live in infamy.

“Some of our industry’s biggest filmmakers and most important movie stars went to bed the night before thinking they were working for the greatest movie studio and woke up to find out they were working for the worst streaming service,” filmmaker Christopher Nolan, whose relationship with Warners dates back to Batman Begins in 2005, said in a statement to The Hollywood Reporter.

Nolan added: “Warner Bros. had an incredible machine for getting a filmmaker’s work out everywhere, both in theaters and in the home, and they are dismantling it as we speak. They don’t even understand what they’re losing. Their decision makes no economic sense and even the most casual Wall Street investor can see the difference between disruption and dysfunction.”

Personally, I agree with the Batman films director. Even with the ongoing pandemic, it still does not make sense economically to release brand new movies in both cinemas and online streaming simultaneously. I know that there are a lot of people who don’t want to leave their homes to watch a movie because of fear that they will get infected with COVID-19. I noticed a few people who posted on social media that the movie theatre is a death trap of COVID-19 and they disregarded the efforts movie theater operators made to have their facilities sanitized, cleaned and practiced social distancing. This contributes to them relying on streaming to watch brand new movies in their homes.

The WB plan to release new movies in both cinemas and HBO Max only made the tough situation of movie theater operators even worse. Cinemas have been struggling to survive and badly need customers to buy tickets, snacks and drinks, and most notably enjoy the grand experience of watch films on the big screen which streaming will never ever match nor replicate. It should be noted that the business model of standalone movies recovering the negative costs (production, marketing and others covered by movie producers and investors) by means of movie ticket sales (plus merchandising) followed MONTHS LATER by revenue from sales/rentals of DVD/Blu-ray/4K Blu-ray, cable TV, pay-per-view services, and public TV showing is still the best even though several theaters have been closed down due to the pandemic.

It should be noted that the fact that WB does not charge a dedicated upfront fee for viewing Wonder Woman 1984 on HBO Max only means that the said movie’s producers won’t be collecting proceeds from the payments of subscribers. If you are a dedicated fan of Wonder Woman, Gal Gadot, Chris Pine, Kristen Wiig and you want to see more Wonder Woman movies in the future, you are better off skipping streaming and instead pay for the movie by buying movie tickets, buying the movie’s eventual releases on DVD, Blu-ray and 4K Blu-ray, pay for the movie’s eventual pay-per-view release, pay for the future rental service of the movie, etc. Paying HBO Max only pays for the service, and not for Wonder Woman 1984. Streaming will NOT help Wonder Woman 1984’s producers, investors and filmmakers, and it also will NOT help movie theater operators.

As for me, I’ll make it a point to watch Wonder Woman 1984 in the local cinema (especially IMAX) a number of times and then anticipate its release on Blu-ray and 4K Blu-ray. I will not stream to watch it!

Going back to Christopher Nolan, he is not alone with his reaction towards WB’s plan. Major cinema chain AMC reacted negatively as well. Below is an excerpt from The Hollywood Reporter story.

“Clearly, Warner Media intends to sacrifice a considerable portion of the profitability of its movie studio division, and that of its production partners and filmmakers, to subsidize its HBO Max startup,” said Adam Aron, CEO and president of AMC Entertainment, in a statement to The Hollywood Reporter. “As for AMC, we will do all in our power to ensure that Warner does not do so at our expense. We will aggressively pursue economic terms that preserve our business.”

The move will see the studio’s 17-film slate hit HBO Max for a one-month window that starts the same day the titles will be available in theaters in the U.S. The move comes after the studio had already revealed plans to release Wonder Woman 1984 day-and-date on Christmas Day, a plan that AMC says it was notified about.

“These coronavirus-impacted times are uncharted waters for all of us, which is why AMC signed on to an HBO Max exception to customary practices for one film only, Wonder Woman 1984, being released by Warner Brothers at Christmas when the pandemic appears that it will be at its height,” read a statement from the exhibitor, which added, “However, Warner now hopes to do this for all their 2021 theatrical movies, despite the likelihood that with vaccines right around the corner the theatre business is expected to recover.”

CEO Aron added that the company has already started an “immediate and urgent dialogue” with the studio. AMC, which announced today that it would be selling 200 million shares in the hope of improving its liquidity, has seen its stock fall some 16 percent by Thursday afternoon.

You heard about the Independent Cinema Alliance? They too are disappointed with Warner Bros. They called for a return to theatrical exclusivity and expressed that releasing films solely in movie theaters for a period of time is “what drives that value – not streaming.” Below is the full statement of ICA from the Variety report.

“Unprecedented times call for unprecedented measures. The Independent Cinema Alliance, however, is disappointed in WarnerMedia’s questionable decision to release its entire 2021 film slate simultaneously in movie theaters and on HBO Max. WarnerMedia is correct that its content is extremely valuable, but it also must know that theatrical exclusivity is what drives that value—not streaming. Given that COVID-19 vaccines will begin distribution in the coming weeks, the ICA calls on our partners at Warner Bros. and other studios to help write the industry’s comeback story with a recommitment to exclusive theatrical content.

The ICA welcomes short-term, innovative film distribution models developed to bridge the coronavirus pandemic. It is important that our studio partners support independent exhibitors during this crisis with new theatrical releases backed by robust marketing campaigns. For our part, exhibitors will bring the magic of moviegoing to communities across America while implementing expert-backed, industry-specific health and safety protocols.

But let’s be very clear, it is essential to the success of the entire motion picture ecosystem that hybrid distribution models influenced by the pandemic properly reflect appropriate terms for movie theater owners. It is also imperative that these reactionary policies made in response to a public health crisis do not reflect long-term, formal shifts in distribution strategies for studio films. A theatrically driven business model is vital to the success of movie theater owners, studios, and the creative community. The ICA looks forward to collaborating with our partners in Hollywood on deliberate, innovative solutions that build a brighter future for this great industry.”

The hybrid film release model of WB is not only harming movie theater operators, it is also destroying the mutual trust movie theaters have with movie studios as we know it. As seen with Christopher Nolan, his long-time business relationship with Warner Bros. looks like it will crumble. Nolan might as well leave WB and find another Hollywood studio that agrees with him.

Not only that, Warner Bros. long-time business relationship with Legendary Pictures is in danger as well. Legendary Pictures co-financed WB’s upcoming films like Godzilla vs. Kong and Dune, and according to a Variety report, they may take legal action against the studio over its plan on launching movies in both cinemas and HBO Max. Here’s an excerpt from the said report.

It’s unclear what legal grounds Legendary would use to challenge the decision, though it would likely involve some breach of contract.

Legendary declined to comment, as did Warner Bros.

Part of Legendary’s frustration is that despite largely bankrolling “Dune” and “Godzilla vs. Kong,” the production company didn’t have much of a say in how its buzzy titles would be released. Moreover, the company felt that Warner Bros. wasn’t being transparent with its intentions. Months ago, Netflix had discussed a possible sale of “Godzilla vs. Kong” for a hefty $250 million but WarnerMedia, the parent company of Warner Bros., blocked that arrangement.

Denis Villeneuve, the director of “Dune,” is similarly disappointed with the HBO Max plan and would prefer a traditional theatrical release for his movie, according to insiders.

As if that was not enough, it has been reported that movie piracy has been rising as the studios skipped the struggling cinemas. Even Disney’s live-action Mulan was shared millions of times in the form of unlicensed copies! Below is an excerpt from the report by Bloomberg.

Studios have tried to salvage some of their big-budget films this year by selling them through streaming services for $20 to $30. But that business model has made it easier for pirates to illegally copy and share new releases, with an estimated loss of millions of potential customers for the production companies.

Unlicensed downloads of Walt Disney Co.’s most-recent picture, “Mulan,” have outpaced those of other movies since its Sept. 4 U.S. debut on the Disney+ streaming service, according to TorrentFreak, a website that tracks pirating activity on public servers. Compared with “The Lion King,” which came out last year in theaters, “Mulan” saw about twice as many downloads in the days and weeks after its release.

When a traditional movie is released in theaters, thieves struggle to obtain high-quality recordings of it, often resorting to bootlegging with a hidden camcorder. With digital releases, pirates use technologies not available to most consumers to make perfect copies quickly.

On the other side of the spectrum, Warner Bros. Entertainment chairman and CEO Ann Sarnoff defended her company’s decision and specified that they have “many movies which are ready to go, and they’ve been sitting on shelves. So we thought this was the most creative and win-win situation to bring them not only to theaters but simultaneously for 31 days on HBO Max.”

The same CNBC report also states that Warner Bros. did not consult the actors, the directors, the agents with regards to the 2021 movies, and that they did not make distribution deals with the cinemas.

In ending this, here is an excerpt from The Hollywood Reporter’s report. Play close attention to the details.

The Warners move poses big, maybe even existential questions: How do theaters survive this supposedly one-time, excused-by-the-pandemic move? Genies are hard to put back in the bottle and no one believes Warners intended this to be temporary anyway. What damage will be done to exhibitors by training customers that if they sit on their sofas, the biggest movies will come? And will Warners face serious backlash from important producers, filmmakers, guilds and on-screen talent? “Warners was the quintessentially talent-friendly, filmmaker-friendly studio,” says one agent. “Now Warners isn’t the first place, second place or third place you want to go.”

Many in Hollywood think WarnerMedia jumped at this drastic move to play to streaming-infatuated Wall Street and re-do the botched launch of HBOMax, which netted a dismal 8.6 million subscribers. But one prominent agent notes that the top executives at WarnerMedia and its parent — AT&T CEO John Stankey, WarnerMedia CEO Jason Kilar and, of course, Sarnoff — “don’t understand the movie business and they don’t understand talent relations.”

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman Gallery (1996)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of Wonder Woman! I should say that this is the most unusual comic book I have reviewed so far due to its main presentation of varied artworks featuring the Queen of all Superheroes herself – Wonder Woman!

For the newcomers reading this, there were several comic books back in the 1990s that did not really tell stories but showcased artworks of varied superheroes done by several artists. Such publications were in the form of swimsuit specials, apparently inspired by Sports Illustrated’s own publications. There were WildStorm Swimsuit Special #1, Ballistic Studios Swimsuit Special #1, Homage Studios Swimsuit Special #1, Lady Death Swimsuit Special #1 and the Avengelyne/Glory: Swimsuit Special #1 to name some.

The 1990s saw a rise of eroticism in superhero comic books. Not even the Wonder Woman monthly series of that time was spared from the trend. There was a time when DC Comics hired Mike Deodato to illustrate a number of Wonder Woman comic books in the mid-1990s which resulted a more eroticized look of Diana/Wonder Woman and her fellow Amazons. John Byrne took over after Deodato and his stint was not an improvement.

While the 1990s was a weak decade of Wonder Woman comics for me personally, not all was doom and gloom. Around twenty years before Gal Gadot debuted on the big screen as the cinematic Wonder Woman, DC Comics published an art gallery of the Queen of Superheroes in the form of a comic book.

With the details established, here is a look back at Wonder Woman Gallery, published by DC Comics in 1996 featuring the works of multiple artists.

The cover.

What it is

Wonder Woman Gallery is a showcase of thirty-two artworks done by George Perez, Stuart Immonen, Mike Wieringo and Richard Case, Brent Anderson, Howard Porter and John Dell, Jim Balent (misspelled as Jim Balant), Amanda Conner, Chuck Wojtkiewicz and Will Blyberg, Howard Chaykin, Steve Lightle and 22 others.

As this is an art gallery, there is clearly no story to tell. It is all artwork showcasing the different talents of the artists (and the inkers who helped them) on presenting Wonder Woman (note: the only exception here is a solo image of the forgettable WW replacement Artemis).

This artistic contribution by Phil Jimenez looks great.
Jill Thompson’s inspired take on Wonder Woman.
Wonder Woman by Howard Porter and John Dell.
Wonder Woman by Ivan Reis and Barbara Kaalberg.

Quality

As this is an art showcase, the overall quality of the collected art here varies. Such a collection of different art styles will appeal to Wonder Woman fans depending on how they like their favorite superhero presented visually.

In my honest opinion, I always love the art style done by George Perez on Wonder Woman, her fellow Amazons, the supporting characters and more. His presentation here is flawless and timeless. What surprised me here in this collection is the contribution of Phil Jimenez whose quality and art style seem inspired by George Perez’s Wonder Woman legacy. As many of us know already, Jimenez later went on to become one of the top illustrators of DC Comics in the 2000s and his work here is nice to look.

There were a few artworks that showed Wonder Woman with a very cartoony look. Among them is the Wonder Woman piece done in the very distinct style of Sergio Aragones. Some art pieces here showed WW with a bizarre look and then there were a few others whose take on the Queen of Superheroes turned out good.

Conclusion

This work by George Perez is my favorite in this collection.

I can say that Wonder Woman Gallery (1996) is a published work that Wonder Woman fans will enjoy for as long as they are willing to accept images of their favorite superhero with styles ranging from realistic to cartoony, obscure and simple. Art styles aside, there is a lot here that fans will marvel at again and again, while art enthusiasts (who are not necessarily fans of the Queen of Superheroes) could find something eye-catching here.

If you are seriously planning to buy an existing hard copy of Wonder Woman Gallery (1996), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $40.

Overall, Wonder Woman Gallery (1996) is recommended.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

My Observations: Wonder Woman 1984 is coming to BOTH movie theaters and HBO Max streaming service on Christmas Day

The news has spread like wildfire in such a short time and unsurprisingly hashtags like #WonderWoman and #WW84 got really active again on social media. It has officially been announced that the much-delayed Wonder Woman 1984 (starring Gal Gadot, Chris Pine and Kristen Wiig) will indeed open in movie theaters in America on Christmas Day PLUS debut also via Warner Bros. own streaming service HBO Max.

Watch the confirming video below…

Already cinema chain AMC is supportive of the movie’s scheduled theatrical release.

“We hope movie lovers enjoy ‘Wonder Woman 1984’ during the holidays this year at AMC,” AMC Entertainment CEO and President Adam Aron stated.

Personally, I am surprised that Warner Bros. decided to do the simultaneous theater-and-streaming approach because the move is pretty risky in terms of doing business as well as reaching out to the many millions of fans willing to pay to watch the movie. It is a fact that a lot of movie theaters in America remain closed and families are forced to stay at home especially in states where the state governments strictly implemented lockdowns due to the COVID-19 crisis.

It is also a fact that HBO Max is not exactly massively large with its subscribers. According to a Variety report, HBO Max users grew to 8.6 million at the end of the 3rd quarter of 2020. Also reported was 28.7 million customers described to be eligible to avail of the mentioned streaming service. Combined subscribers of standalone HBO and HBO Max in the United States reached 38 million as of the end of September. When it comes to the global scale, 57 million subscribers of both HBO and the streaming service were reported. The numbers look big but there is no guarantee that 100% of standalone HBO subscribers will actually avail of HBO Max for WW84. There is also the issue of generating a lot of funds to help Warner Bros. recover their investment in making and marketing Wonder Woman 1984.

As I stated before, the best way to watch Wonder Woman 1984 is still in the movie theater for it is a fact that it is such a very big production as a whole and it has certain sequences filmed with IMAX cameras (the highest quality visuals of which will not be captured perfectly via streaming). While it is a fact that way below 100% of movie theaters worldwide are open for business, it is now high time for Wonder Woman fans, superhero movie enthusiasts and geeks to contact their local cinema operators and find out once and for all if they will screen Wonder Woman 1984. Don’t just sit down waiting for something to come to you, take action by reaching out to the movie theaters online or by the phone if you really want to watch the movie!

If there is an AMC theater near you operating (or planning to open for the Christmas holiday), you are fortunate because WW84 will be screened. If there is an IMAX cinema near you that will really play the movie, go for the movie there for the best visual experience!

While I noticed online that there are a lot of self-described Wonder Woman fans who arrogantly disregard movie theater operators only because they selfishly want WW84 to be streamed directly to them, I myself will not avail of the movie via streaming because there is a better option for home viewing that has yet to be announced…Wonder Woman 1984 on Blu-ray and 4K Blu-ray. Personally, I don’t have anything against VOD streaming services but when it comes to enjoying movies at home with the HDTV, I prefer Blu-ray over streaming anytime! Blu-ray has undeniable advantages over streaming!

What I intend to do on watching Wonder Woman 1984 is quite simple: movie theater first followed by Blu-ray months later. Really, I’m not rushing to avail HBO Max this Christmas.

Going back to movie theaters, Wonder Woman 1984 director Patty Jenkins announced via social media a program is in development to allow moviegoers, fans and other people to be able to rent their own theaters out to screen the movie with group safety in mind.

“We will try to help to bring it to as many of you as we can and thank you all for your support,” Jenkins stated via Twitter.

For its part, AMC Entertainment made moves to not only screen Wonder Woman 1984 but also ensure safety and reducing health risks. Check out the full statement of AMC CEO and President Aron below:

Movie fans across the United States, Europe and the Middle East will be excited to learn that the release of Wonder Woman 1984 this holiday season is right around the corner, and that AMC will show this eagerly awaited movie on our big screens all across our global network.

For many months, AMC has been in active and deep dialogue with Warner Brothers to figure out how best this cinematic blockbuster could be seen at AMC Theatres in these unprecedented times. Given that atypical circumstances call for atypical economic relationships between studios and theatres, and atypical windows and releasing strategies, AMC is fully onboard for Warner Brothers’ announcement today.

AMC continues to believe that exclusive theatrical releases benefit consumers, filmmakers, studios and exhibitors. Even so, we also have clearly demonstrated this year that we are flexible and remain open to evolving long-standing business models, provided that we do so in ways that improve the industry ecosystem for all players. We have instituted novel approaches with other movie studios this year. We are doing so again, this time with Warner Brothers to facilitate the specific release of this important movie.  We hope movie lovers enjoy Wonder Woman 1984 during the holidays this year at AMC.

In showcasing Wonder Woman 1984, we especially note AMC’s commitment to the safety and health of our moviegoing guests and associates at our theatres. Our comprehensive and extensive AMC Safe & Clean protocols were unveiled this summer, having been designed in consultation with current and former faculty of Harvard University’s prestigious School of Public Health and in partnership with Clorox. Our commitment to AMC Safe & Clean already has allowed us to responsibly and safely welcome literally millions of moviegoers to enjoy seeing movies at AMC Theatres.

To put things in perspective, AMC has around one thousand movie theaters and over 10,000 screens worldwide. That being said, their support to screen Wonder Woman 1984 is crucial not only for Warner Bros. and the fans but for the movie industry as a whole. Also I am confident that other cinema operators (who are already struggling financially and have been trying to retain their employees) are observing and may decide soon to follow AMC’s move. The more movie screens for Wonder Woman 1984, the better!

In ending this piece, here are some Wonder Woman-related videos for your enjoyment. Also check out my retro reviews of the George Perez-drawn Wonder Woman comic books such as issue #1 and issue #9 (required reading as it includes Cheetah). Check out also my review of the 2017 movie as well as my feature of the No Man’s Land scene.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

My Observations: Watching Wonder Woman 1984 on VOD streaming will NEVER match the theatrical experience

By now you should be aware that Warner Bros. postponed yet again the release of the much-awaited Wonder Woman 1984 and selected December 25, 2020 (Christmas Day) as the new opening day. This is because of the ongoing pandemic which depressed economies around the world and dragged down the movie theaters. Of course, as I personally observed on social networks, a lot of fans are upset with the daily and there are some of them who expressed that a theatrical release of Wonder Woman 1984 is no longer needed and it should instead be released via video-on-demand streaming services. And then there were a few who did not hide their Leftist, socialist beliefs and even condemned Warner Bros. for corporate greed only because it still insists on showing Wonder Woman 1984 in the cinemas first.

Wow! It’s as if doing business is an evil thing and being a socialist and a hater of business are good things. Talk about being delusional and impulsive as a result of being brainwashed with socialism and anti-capitalism views. The truth of the matter is that socialism sucks and will continue to suck. To understand the business side of things before talking more about Wonder Woman 1984, let’s examine the state of movie theaters.

As of this writing, the movie theater operators are slowly reopening their locations and already they have spent time and money on implementing a variety of measures such as sanitation, constant cleaning, practicing social distancing, requiring moviegoers to wear facemasks and the like. At the same time, seating capacity per screen has been reduced to minimize the risk of viral infection. The reopening of cinemas not only means the resumption of their business but also the retention of the employees they still have.

Even with less than 100% of movie theaters in operation, Warner Bros. took the big risk of releasing their $200 million production Tenet which went on to gross more than $20 million in its first four days in the United States and Canada. Elsewhere, the movie raked in more than $100,000,000 in ticket sales and it has surpassed the $150,000,000 mark globally. The more movie theaters open – including the drive-in locations –  the better it will be for Wonder Woman 1984 and this obviously requires time.

To have the theatrical opening of Wonder Woman 1984 moved all the way to Christmas Day is, in my honest opinion, a sensible move. Like other forms of businesses negatively affected by the pandemic, movie theaters are struggling to reshape themselves (and retain their employees somehow in order to avoid adding them to the unemployed) and get back to business. Movie studios on the other hand are struggling with what to do with their finished productions, especially the ones that cost $200,000,000+ to make (complete with the hard work of the technical crew, the creative team and the talents who worked).

Like anyone else, I love Wonder Woman (she is my favorite of all superheroes) and I also love 2017 Wonder Woman movie which I still replay on Blu-ray. Unlike other fans who lost patience, I myself am willing to wait for the new Wonder Woman movie to open in the local cinemas, especially in the IMAX cinema. I certainly do not agree with the idea that Warner Bros. should just skip all the movie theaters in favor of releasing Wonder Woman 1984 on VOD streaming services, and I have reasons.

Warner Bros. is right to delay Wonder Woman 1984 and keep it scheduled to open in movie theaters first!

Firstly, Wonder Woman 1984 was made with the movie theater viewing experience first and foremost. The creative team led by director Patty Jenkins even used IMAX cameras for some scenes. While the filming of scenes for IMAX is limited in total, it is clear that Wonder Woman 1984 will look and play its very best on the gigantic screen in the IMAX theater! It is also likely that the most spectacular (or the most important) scenes filmed with IMAX captured Gal Gadot as the cinematic Wonder Woman. That being said, the visual splendor and the magnificence of big screen viewing will NEVER be matched on VOD streaming nor on the HDTV at home. I should add that the enhanced visuals that come with scenes being filmed with IMAX cameras can only be seen on the large IMAX screen, and this cannot be achieved on HDTV or on the best smartphones via streaming.

Secondly, releasing Wonder Woman 1984 directly to VOD streaming services is harmful not just to the struggling theater operators and their employees but also the economy itself. I do understand that going outside the home during the pandemic has its risks but the fact remains is that businesses around you have suffered a lot and there is a need for commerce and industry to be revived, and you can help the local and the national economy move forward again. Be mindful that many people who lost their jobs and their income are also suffering, and there is a need for businesses to be supported so that new job opportunities can be made…jobs that the unemployed badly need! Let’s face it, you can enjoy watching movies on the VOD streaming service you subscribed to and binge watch at the comfort of your home all you want but still the best place to watch is in the cinema. I can never forget the very day in 2017 I went to the local IMAX cinema to watch Wonder Woman by buying a premium movie ticket, buying popcorn and a drink, sat comfortably and watched the movie in its full greatness. I paid a lot and got tremendous value in return for the premium cinematic experience with Wonder Woman. Right now, movie theaters are struggling to recover and they badly need you to buy their tickets, snacks and drinks and enjoy the movie. It is also clear that both Warner Bros. and the movie theaters need each other, and Wonder Woman 1984 is too expensive a production to be released only on VOD streaming services.

Thirdly, still on the business side, video-on-demand streaming services are not exactly effective in helping movie producers recover the massive amounts of money spent on producing and marketing their major projects. Wonder Woman 1984 is a more expensive production than its predecessor and it is still the movie theater business model that will help it recover all the negative cost and break even (if not profit). The following are my questions to the loudmouths who ranted that Wonder Woman 1984 should be released directly to VOD streaming services only because of their impatience and other reasons: Do you seriously believe that video-on-demand will help Wonder Woman 1984’s producers and investors recover their money? If you are willing to pay a premium rate for digitally availaing Wonder Woman 1984 at all, how much are you really willing to pay? Do you seriously believe that movie theater operators and their employees should suffer only because you are so self-centered with wanting the new Wonder Woman film only on video-on-demand streaming?

Finally, this one is aimed at those who got indoctrinated with socialism and Leftist beliefs …who do you think you are to condemn Warner Bros. for corporate greed only because the studio is focused on releasing Wonder Woman 1984 first in cinemas? We are Wonder Woman fans here, right? It is the movie studio, its investors and other capitalists who pooled the financial resources together to hire Patty Jenkins, Gal Gadot, Chris Pine, Kristen Wiig, Hans Zimmer and a whole lot of other people to make Wonder Woman 1984! They did that, not your socialist partners nor your socialist idols! The least we fans can do is be thankful to the filmmakers and their capitalism partners for making the movie. As for Warner Bros., we should keep in mind that the pandemic has made it very hard for them to decide when to release the movie we have been waiting for, and for sure their top executives and strategists have struggled in ways that you cannot imagine. You seriously believe that Warner Bros. and the other movie studios did not lose any money from the months-long shutdown of the cinemas during the pandemic? What is your basis for condemning Warner Bros. for corporate greed over Wonder Woman 1984?

Oh, one more thing, do you still go to a coffee shop, availed of their coffee and WiFi and used your branded smartphone to condemn capitalism and promote socialism? Capitalists made the things that you socialists enjoyed, not to mention all the other Wonder Woman-related products like comic books, toys, action figures, clothes, souvenirs, accessories and much more!

That being said, what we Wonder Woman fans can all do right now is wait for Wonder Woman 1984 to open in cinemas this Christmas Day. I believe that the delayed movie itself will turn out great and prove to be worth the long wait…and then prove that the movie theater is still the best place to watch it.

Who knows? Wonder Woman 1984 could spark a strong revival of the movie theater business around the world and we fans can be part of that!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com