A Look Back at Wonder Woman #23 (1988)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Before I start another retro review of the post-Crisis Wonder Woman comic book series, I need to share to you readers my observations about the recent social media trends that happened inside three Wonder Woman-focused groups within Facebook.

For one thing, I asked a simple question on all three WW FB groups asking the members if they would want to see Zack Snyder replace Patty Jenkins as the director of future Wonder Woman movies. Their reactions were pretty mixed and among them were a few very toxic responses. One group member asked me why do I hate Patty Jenkins (I have no hatred for her and in fact I admired her work in the 2017 Wonder Woman movie and pointed out her work in my piece about the No Man’s Land scene). Another member (an openly feminist-minded male) condemned me of sexism (completely false).

And in most recent times, I posted a few not so favorable media reviews of Zack Snyder’s Justice League on those same three WW groups on Facebook. This member called me a hater (I’m not a hater and I cannot judge a movie I have not even viewed), another member thought I allowed the negative review to influence me (sharing a post of an unfavorable review does NOT mean I believe in it), while another member took it very personal against me by means of verbal attacks (that person does not even know me and he allowed his uncontrolled fanaticism to go on the offense) on me.

Whew! There sure are a lot of Wonder Woman fans out there who are over-sensitive, who lacked self-control, who allowed themselves to be influenced by the socialists, and who allowed themselves to be swallowed by unrestrained political correctness. Clearly there are lots of hostile minds and likely believers of Cancel Culture among fellow WW fans which is unfortunate. What I posted on those FB groups were simply about entertainment, not identity politics and certainly not about attacking others.

I am still standing here!

Anyway, last time I reviewed an issue of Wonder Woman that I determined lacked depth and only served to build-up suspense and anticipation for future events. What will happen next to Wonder Woman and her companions? Will there be a pay-off to the build-up that happened in the pages of issue #22? We can all find out in this look back at Wonder Woman #23, published by DC Comics in 1988 with a story written and drawn by George Perez with finishes done by Will Blybers.

The cover.

Early story

The story begins with a print media blast of Diana, her mother Queen Hippolyte, as well as Julie Kapatelis and her daughter Vanessa all occupying varied parts of the front cover of The World Today magazine with a feature about the royal family of Themyscira. At the corner of the cover says, “Memories of a Boston teen.”

At school, the teenage Vanessa (referred to as Nessie) is completely surrounded by other students who want her to sign their respective copies of the said magazine. She is enjoying the attention being the close, personal friend of the Amazons. Vanessa’s friends Eileen and Meekins can only watch the activity from a distance feeling lonely and let down.

In New York, Wonder Woman delivered a speech to the United Nations general assembly. She spoke on behalf of her mother and formally announced that the gates of Themyscira will be opened to the rest of the world (which is the result of the Amazons’ majority vote in issue #22). The response to her speech ranged from enthusiastic to apathetic.

After the speech, Diana finds herself surrounded by news reporters who ask her a lot of questions about her homeland, Queen Hippolyta’s potential visit to man’s world (AKA patriarch’s world) and the way some assembly members reacted to her speech.

Suddenly a mysterious figure whose head and face cannot be seen emerges. Diana senses something is wrong…

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Wonder Woman flying in search of the mysterious figure.

I will start first by confirming that indeed, this comic book’s story has some pay-off to the suspense built-up in issue #22. Take note…some pay-off. It might sound disappointing for those who read issue #22 expecting a big pay-off but after going through the theme of this particular story, it is clear that there were planned plot events lying ahead related to the build-up (in issue #22).

More on the story itself, without spoiling much, I can say that George Perez pushed the envelope yet again by involving Hermes a lot more with Wonder Woman here. A lord to Diana, Hermes appeared not merely for a cameo appearance nor as a guide as seen in the early issues of this series, but rather he has a much bigger role than before. Hermes does not just appear with Wonder Woman who strictly follows him, he also makes an impact with the people on Earth.

When it comes to moral lessons, this comic book is boldly written by touching on themes such as how a deity from Olympus would impact people by bribing them, why mortals let their guard down when they believe what they saw or witnessed, and why would a foreign deity (from Olympus specifically) does not want mortals to challenge their authority.

The good news here is that everything is very well written from the way the plot was structured, the clear presence of emotion that filled much of the dialogue and the notable presence of philosophies that added depth to the dialogue.

When it comes to Wonder Woman herself, I love the way how Perez portrayed her on her struggle of doing her duty (for Themyscira and her deities) and maintaining friendship with the people she loved in man’s world. There is that nice touch of fragility on Diana’s personality and the same can be found on Julie Kapatelis whose struggle with being a mother and a friend is nicely dramatized.

Conclusion

Wonder Woman faces the world through the corrupt United Nations.

I can say that Wonder Woman #23 (1998) is a clear improvement over its predecessor by means of having a solid story concept backed with nice artwork (no surprise) and in-depth writing done by George Perez. I also like the fact that Wonder Woman herself gets upstaged in a rather reasonable way which shows Perez was not afraid to take risks when it comes to redefining the Queen of Superheroes in the post-Crisis era of DC Comics. Lastly, this comic book shows how faith is not to be practiced and why deities of Olympus are not worthy of faith and trust of the people. It also shows idolatry is foolishness.

If you are seriously planning to buy an existing hard copy of Wonder Woman #23 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $35 while the near-mint copy of the 2nd print edition costs $350.

Overall, Wonder Woman #23 (1998) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman #20 (1988)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

It’s the second week of March already. That means we are slowly but surely inching closer to the March 30, 2021 scheduled releases of Wonder Woman 1984 on 4K Blu-ray, Blu-ray and DVD! If you have not yet ordered a copy of the sequel starring Gal Gadot as the Queen of Superheroes, you can do so now if you want to. I already ordered my copy. You can also read my retro review of the 2017 Wonder Woman movie.

On to literature! Last time, the George Perez-led story not only saw the end of Diana’s visit of Greece, it also fully presented to readers what was back then the modern portrayal of Circe (DC Comics’ own take on the false Greek goddess) who proved to be at the time the most sinister and most powerful supervillain Wonder Woman faced. Wonder Woman #19 also showed the Queen of Superheroes in her most vulnerable state.

Now that Diana and her friends have returned to America, we can find out what happens next in this look back at Wonder Woman #20, published by DC Comics in 1988 with a story written and illustrated by George Perez based on an idea by Carol Flynn. Bob McLeod was in charge of the finishes.

The cover.

Early story

The story begins in the City of Boston at night. Three Chinese men are running away from something until Wonder Woman confronts them. One of the men fires several bullets at her but each bullet got blocked by her using her tremendous reflexes and braces. After Wonder Woman disarms the gunman, another Chinese man tries attacking her with sharp weapons only to be defeated easily. The other Chinese man tries to run away but gets caught by Wonder Woman who uses her lasso. In reaction to his question, Wonder Woman demands answers.

Elsewhere, investigators are searching for clues and details inside a lady’s modern looking office. Lying on the floor is the dead body of a victim and according to the investigator’s report, she had been dead for a few hours. The victim is none other than Myndi Mayer, a highly successful publicist who made a career out of the media and celebrities. Wonder Woman happened to be her most recent, high-profile client. Mayer was involved in the Wonder Woman fair.

Based on their findings, Myndi Mayer looked like she didn’t go without a fight. A bloody letter opener was found in her hand and her purse was found next to her body emptied. Traces of white powder were found on her desk. Mayer’s secretary Christine Fenton was visited by the investigators who told her about the death of her boss. She did not express any surprise and told them that it was only a matter of time before Mayer’s end came. Christine added that she warned Mayer about a certain man.

The investigators then show Christine the sketch of man based on the description of an eyewitness. She expressed surprise as she recognizes him…

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Wonder Woman takes part in the search for truth.

Wow! This is one dark Wonder Woman story to read and I can say that it is a very inspired work written by George Perez based on an idea by Carol Flynn. This is not your typical story of showing the Queen of Superheroes fighting someone evil or saving people from disaster. This is a murder mystery that is laced with corporate intrigue, crime, legal wrangling and the everlasting struggle to determine the truth.

Myndi Mayer’s death really set of a series of events and revelations that are no less striking. Considering the many details about law, crime, investigations and corporate intrigue, the in-depth writing here indicates that George Perez did a lot of researching and found ways to tell a very cohesive story with Wonder Woman playing a role. I should state that as of this writing, this particular story comes close to becoming realistic and reflective of 1980s life. This is top-notch writing by Perez!

When it comes to characterization, Myndi Mayer was deeply portrayed to be in deep trouble both personally and professionally. Of all the Wonder Woman comics of the post-Crisis era of DC Comics I’ve read so far, this one clearly defines Mayer and goes beyond her usual appearance as a prolific publicist.

On Wonder Woman, as mentioned earlier, she does not get to fight a super villain. Rather she takes part in the search for truth and tries her best to solve the mystery even though she is not even fully familiar with the way law and order works in the world of man. In some ways, her approach to literally putting pieces of the puzzle into place and approaching people in different places reminds me somewhat of Batman’s detective work but without the vigilante approach.

Conclusion

This page about the murder investigation at the scene of the crime has some Watchmen vibes to it.

I can say that Wonder Woman #20 (1988) is not only a great comic book to read but also one of the most unique stories about the Queen of Superheroes ever published. By this time, George Perez has proven himself to be very prolific in storytelling on top of his great ability to draw art. I should state I love the way the story was structured and the way it ended delivered both impact and intrigue.

If you are seriously planning to buy an existing hard copy of Wonder Woman #20 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $41.

Overall, Wonder Woman #20 (1988) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman #14 (1988)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of DC Comics! By this time, the road for Wonder Woman 1984’s run in the movie theaters around the world is ending. That being said, the next way for people to avail of the said movie is the anticipated 4K Blu-ray release of it. That is something I am looking forward to and I am not fond of video-on-demand streaming when it comes to big movie productions (which are best enjoyed in the movie theater). Recently, I’ve heard buzz the Wonder Woman 1984 will be released on 4K Blu-ray and Blu-ray formats within the first-half of 2021, and there is also buzz those will be released this coming April. Again, there is still no official launch date yet for Wonder Woman 1984 in optical disc format but once the announcement has been made, I’ll update you all.

Now we can focus on the post-crisis Wonder Woman comic books of the late 1980s. Last time around, the Challenge of the Gods story saw Diana/Wonder Woman and her mother Queen Hippolyte together as well as the deformed, petrified presence of a certain demi-god who abused the queen very long ago.

Want to find out what will happen next? We can see what follows in this look back at Wonder Woman #14, published in 1988 by DC Comics with a story by George Perez and Len Wein. Perez drew the comic book with ink work done by Bruce D. Patterson.

The cover.

Early story

The story begins with Wonder Woman rushing back to into the deep darkness. While flying through the air, she recalls the details about the death of Pan (the son of Hermes) as well as the manhunter who murdered and then impersonated him causing his own destruction. While justice has been served, she wonders why must so many battles end with senseless slaughter.

Suddenly, to her shock, she sees her mother Queen Hippolyta laying down on the rubble helpless as Heracles (the son of Zeus) struggles with carrying the entire weight of paradise island upon his shoulders. Heracles tells Wonder Woman to begone, stating that there is no place for such as her.

Realizing that Wonder Woman is Hippolyta’s daughter, Heracles tells Diana to take her mother away quickly. Wonder Woman carries her mother and flies off heading towards the surface where their fellow Amazons are waiting…

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Steve Trevor and Etta Candy.

I’ll start first by confirming that this story is a very strong conclusion to the Challenge of the Gods storyline (started in issue #10 followed in issues #11, #12 and #13) complete with clear impact on the Amazons (both emotionally and socially) as well as on the deities of Olympus. Clearly, George Perez and Len Wein organized themselves and prepared the storyline’s structuring, concept and post-event direction early.

As expected, the fantasy and mythological elements are very well portrayed giving the comic book’s story a richly layered structure and solid quality. There is a lot of dramatic stuff here as the tale involving Wonder Woman, her fellow Amazons and the deities of Olympus who all got affected by the conclusion of the storyline. With regards to the presence of Heracles, I do recommend re-reading Wonder Woman #1 (1987) so that you will not only understand the background details but also feel the overall impact of his role in this story. More on the storytelling, there are themes about forgiveness, justification, fulfillment and diplomacy.

Apart from Wonder Woman, the Amazons and the deities, there is a very intriguing sub-plot about Steve Trevor who, at this point of the post-Crisis DC universe, is not Diana’s love interest but rather a supporting character whose heritage is somewhat linked with the Amazons.

Conclusion

This is a magnificent looking art at the start of the story.

Wonder Woman #14 (1988) is truly a great comic book to read! Not only is this a pretty powerful conclusion to the Challenge of the Gods storyline, it succeeded in defining Wonder Woman not only as brave and strong, but also dutiful, focused and compassionate. I should state that the events in this comic book really marked another notable turning point in the overall narrative of the post-Crisis Wonder Woman monthly series.

If you are seriously planning to buy an existing hard copy of Wonder Woman #14 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $30 while the near-mint copy of the newsstand edition costs $60.

Overall, Wonder Woman #14 (1988) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

My Observations: Watching Wonder Woman 1984 on VOD streaming will NEVER match the theatrical experience

By now you should be aware that Warner Bros. postponed yet again the release of the much-awaited Wonder Woman 1984 and selected December 25, 2020 (Christmas Day) as the new opening day. This is because of the ongoing pandemic which depressed economies around the world and dragged down the movie theaters. Of course, as I personally observed on social networks, a lot of fans are upset with the daily and there are some of them who expressed that a theatrical release of Wonder Woman 1984 is no longer needed and it should instead be released via video-on-demand streaming services. And then there were a few who did not hide their Leftist, socialist beliefs and even condemned Warner Bros. for corporate greed only because it still insists on showing Wonder Woman 1984 in the cinemas first.

Wow! It’s as if doing business is an evil thing and being a socialist and a hater of business are good things. Talk about being delusional and impulsive as a result of being brainwashed with socialism and anti-capitalism views. The truth of the matter is that socialism sucks and will continue to suck. To understand the business side of things before talking more about Wonder Woman 1984, let’s examine the state of movie theaters.

As of this writing, the movie theater operators are slowly reopening their locations and already they have spent time and money on implementing a variety of measures such as sanitation, constant cleaning, practicing social distancing, requiring moviegoers to wear facemasks and the like. At the same time, seating capacity per screen has been reduced to minimize the risk of viral infection. The reopening of cinemas not only means the resumption of their business but also the retention of the employees they still have.

Even with less than 100% of movie theaters in operation, Warner Bros. took the big risk of releasing their $200 million production Tenet which went on to gross more than $20 million in its first four days in the United States and Canada. Elsewhere, the movie raked in more than $100,000,000 in ticket sales and it has surpassed the $150,000,000 mark globally. The more movie theaters open – including the drive-in locations –  the better it will be for Wonder Woman 1984 and this obviously requires time.

To have the theatrical opening of Wonder Woman 1984 moved all the way to Christmas Day is, in my honest opinion, a sensible move. Like other forms of businesses negatively affected by the pandemic, movie theaters are struggling to reshape themselves (and retain their employees somehow in order to avoid adding them to the unemployed) and get back to business. Movie studios on the other hand are struggling with what to do with their finished productions, especially the ones that cost $200,000,000+ to make (complete with the hard work of the technical crew, the creative team and the talents who worked).

Like anyone else, I love Wonder Woman (she is my favorite of all superheroes) and I also love 2017 Wonder Woman movie which I still replay on Blu-ray. Unlike other fans who lost patience, I myself am willing to wait for the new Wonder Woman movie to open in the local cinemas, especially in the IMAX cinema. I certainly do not agree with the idea that Warner Bros. should just skip all the movie theaters in favor of releasing Wonder Woman 1984 on VOD streaming services, and I have reasons.

Warner Bros. is right to delay Wonder Woman 1984 and keep it scheduled to open in movie theaters first!

Firstly, Wonder Woman 1984 was made with the movie theater viewing experience first and foremost. The creative team led by director Patty Jenkins even used IMAX cameras for some scenes. While the filming of scenes for IMAX is limited in total, it is clear that Wonder Woman 1984 will look and play its very best on the gigantic screen in the IMAX theater! It is also likely that the most spectacular (or the most important) scenes filmed with IMAX captured Gal Gadot as the cinematic Wonder Woman. That being said, the visual splendor and the magnificence of big screen viewing will NEVER be matched on VOD streaming nor on the HDTV at home. I should add that the enhanced visuals that come with scenes being filmed with IMAX cameras can only be seen on the large IMAX screen, and this cannot be achieved on HDTV or on the best smartphones via streaming.

Secondly, releasing Wonder Woman 1984 directly to VOD streaming services is harmful not just to the struggling theater operators and their employees but also the economy itself. I do understand that going outside the home during the pandemic has its risks but the fact remains is that businesses around you have suffered a lot and there is a need for commerce and industry to be revived, and you can help the local and the national economy move forward again. Be mindful that many people who lost their jobs and their income are also suffering, and there is a need for businesses to be supported so that new job opportunities can be made…jobs that the unemployed badly need! Let’s face it, you can enjoy watching movies on the VOD streaming service you subscribed to and binge watch at the comfort of your home all you want but still the best place to watch is in the cinema. I can never forget the very day in 2017 I went to the local IMAX cinema to watch Wonder Woman by buying a premium movie ticket, buying popcorn and a drink, sat comfortably and watched the movie in its full greatness. I paid a lot and got tremendous value in return for the premium cinematic experience with Wonder Woman. Right now, movie theaters are struggling to recover and they badly need you to buy their tickets, snacks and drinks and enjoy the movie. It is also clear that both Warner Bros. and the movie theaters need each other, and Wonder Woman 1984 is too expensive a production to be released only on VOD streaming services.

Thirdly, still on the business side, video-on-demand streaming services are not exactly effective in helping movie producers recover the massive amounts of money spent on producing and marketing their major projects. Wonder Woman 1984 is a more expensive production than its predecessor and it is still the movie theater business model that will help it recover all the negative cost and break even (if not profit). The following are my questions to the loudmouths who ranted that Wonder Woman 1984 should be released directly to VOD streaming services only because of their impatience and other reasons: Do you seriously believe that video-on-demand will help Wonder Woman 1984’s producers and investors recover their money? If you are willing to pay a premium rate for digitally availaing Wonder Woman 1984 at all, how much are you really willing to pay? Do you seriously believe that movie theater operators and their employees should suffer only because you are so self-centered with wanting the new Wonder Woman film only on video-on-demand streaming?

Finally, this one is aimed at those who got indoctrinated with socialism and Leftist beliefs …who do you think you are to condemn Warner Bros. for corporate greed only because the studio is focused on releasing Wonder Woman 1984 first in cinemas? We are Wonder Woman fans here, right? It is the movie studio, its investors and other capitalists who pooled the financial resources together to hire Patty Jenkins, Gal Gadot, Chris Pine, Kristen Wiig, Hans Zimmer and a whole lot of other people to make Wonder Woman 1984! They did that, not your socialist partners nor your socialist idols! The least we fans can do is be thankful to the filmmakers and their capitalism partners for making the movie. As for Warner Bros., we should keep in mind that the pandemic has made it very hard for them to decide when to release the movie we have been waiting for, and for sure their top executives and strategists have struggled in ways that you cannot imagine. You seriously believe that Warner Bros. and the other movie studios did not lose any money from the months-long shutdown of the cinemas during the pandemic? What is your basis for condemning Warner Bros. for corporate greed over Wonder Woman 1984?

Oh, one more thing, do you still go to a coffee shop, availed of their coffee and WiFi and used your branded smartphone to condemn capitalism and promote socialism? Capitalists made the things that you socialists enjoyed, not to mention all the other Wonder Woman-related products like comic books, toys, action figures, clothes, souvenirs, accessories and much more!

That being said, what we Wonder Woman fans can all do right now is wait for Wonder Woman 1984 to open in cinemas this Christmas Day. I believe that the delayed movie itself will turn out great and prove to be worth the long wait…and then prove that the movie theater is still the best place to watch it.

Who knows? Wonder Woman 1984 could spark a strong revival of the movie theater business around the world and we fans can be part of that!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Wonder Woman 1984-themed Xbox One X game consoles announced and a movie-related comic book is coming!

With DC FanDome now past us, it’s time for Wonder Woman fans as well as any fun-loving moviegoer to look forward to the release of the much-awaited Wonder Woman 1984 which Warner Bros. confirmed will come out only on cinemas. As of this writing, the movie directed by Patty Jenkins and starring Gal Gadot, Chris Pine and Kristen Wiig is slated for an October 2, 2020 release in America even though there are concerns that movie theaters and cinema chains are far from operating normally (note: to allow moviegoers to fill each seat side by side) due to the current pandemic. I personally would not be surprised if the movie studio decides to delay Wonder Woman 1984 into 2021.

Before the anticipated theatrical opening of the movie, Microsoft made an announcement that pleasantly surprised me – they will give away not one but three models of Wonder Woman 1984-inspired Xbox One X consoles which is done in part of the anticipation of the movie.

Three Wonder Woman 1984-inspired Xbox One X consoles.

In an Xbox.com article written by Microsoft’s general manager of games marketing Aaron Greenberg, collectors can expect the Wonder Woman golden armor Xbox One X console (reflecting the gold eagle armor of the Queen of Superheroes), the Wonder Woman lasso of truth Xbox One X console (inspired by Wonder Woman and her famous lasso) and the Barbara Minerva (Cheetah) Xbox One X console (reflecting the antagonist played by Kristen Wiig).

According to Greenberg, fans will have the chance to win the Wonder Woman lasso of truth Xbox One X console by simply liking or retweeting the Xbox sweepstakes tweet on Twitter. This has to be done within the period of August 25 until September 17. There are rule to follow, take note.

Greenberg further wrote: We can’t wait for “Wonder Woman 1984”, Warner Bros. Pictures’ follow up to the DC Super Hero’s first outing, 2017’s record-breaking “Wonder Woman”.  Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing two all-new foes: Max Lord and The Cheetah. Set to open in theaters in 2D and 3D in select theaters and IMAX, it will be distributed worldwide by Warner Bros. Pictures and is rated PG-13.  To learn more about the upcoming film, visit wonderwomanfilm.com.

The article ends with the following note: Please note, that all the Xbox is for display ONLY, not gameplay. Prize and the successful bidder will also get a standard Xbox One X.

For the newcomers reading this, Xbox One X is the high-end version of the Xbox One console. Released in late 2017, the Xbox One X is currently the most powerful video game console in the market although finding one is challenging as manufacturing has ended clearly to make way for the next-generation Xbox Series X console (and avoid causing confusion among consumers).

It sure is nice that Microsoft and Warner Bros. agreed to do a cross-promotion of their respective properties. There are a lot of Xbox fans among superhero enthusiasts and there are some comic book readers who play video games. Personally, I’d like to see Microsoft and WB someday come up with a limited edition Wonder Woman-themed Xbox Series X console if possible. Also when it comes to superheroes, I prefer Wonder Woman over Spider-Man anytime!

More on exciting stuff for Wonder Woman fans, there will be a comic book that will tie-in with the movie titled Wonder Woman 1984 #1 and it will be released on September 29, 2020. It’s cover was drawn by Nicola Scott.

Cover art for Wonder Woman 1984 #1 done by Nicola Scott. She did a good job capturing the likeness of actress Gal Gadot.

According to the official press release, Wonder Woman 1984 #1 is a 32-page one-shot comic book that will link with the upcoming movie which involves Wonder Woman 1984 associate producer Anna Obropta and comic book veteran Louise Simonson involved in the writing with illustration done by Bret Blevins.

The first story follows a failed burglary attempt that causes a hostage situation at the Smithsonian Museum of Natural History. As such, Diana Prince/Wonder Woman leaves the teenage tour group so that she can save the day. The odds are against her as there are ten gunmen involved and not much time to spare.

The second story written by Steve Pugh and drawn by Marguerite Sauvage, is a 1980s flashback. There is a reckless mastermind who made the ultimate power move by stealing the Lasso of Truth from Wonder Woman. As such, Diana and Steve Trevor have to get the lasso back before it’s too late.

Since the pandemic and community lockdown took place months ago, I have not bought any comic book – old or brand new – ever since. I’m not certain if copies of Wonder Woman 1984 #1 will make it in my place as the nearest comic book specialty store remains closed. Still, I’m interested in the comic book and here is hoping it will turn out good.

In ending this, posted below is the latest movie trailer of Wonder Woman 1984. Also if you are interested about the literary history of Barbara Minerva/Cheetah and her rivalry with Wonder Woman, read my retro review of Wonder Woman #9 (1987).

For more Wonder Woman-related articles and features, visit www.CarloCarrasco.com and search Wonder Woman.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman #8 (1987)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

With the combined talents of George Perez, Len Wein, Greg Potter plus others, the reintroduction of Wonder Woman during the early stage of the Post-Crisis era of DC Comics is not only great but an essential read and a true superhero literature classic! When it comes to the presentation, the origin of not only Wonder Woman but also the Amazons was retold with a stronger emphasis on Greek mythology.

To put things in perspective, Wonder Woman #6 saw Ares’ plan on completely ruining man’s world defeated while Wonder Woman #7 saw the revival of Princess Diana as the deities of Olympus bless her and the Amazons. Where could George Perez, Len Wein and the creative team take the post-Crisis Wonder Woman story to?

That we will precisely find out in this look back at Wonder Woman #8, published by DC Comics in 1987 with a story written by George Perez and Len Wein. The art was done by Perez and inked by Bruce D. Patterson.

Cover
The cover.

Early story

The story begins in Boston, specifically at the Harvard University office of academic veteran Julia Kapatelis. She starts typing her recollections about Diana who, by this time, became a celebrated figure with the public thanks in part to Myndi Mayer’s publicity engine. Julia expressed how astonished she was with Wonder Woman’s ability to assimilate a lot of information so quickly (note: when she first arrived in man’s world, she did not even know how to speak English).

She recalled during their time at the United Nations that there were some nations that refused to listen to her and that the delegate from Russia protested Wonder Woman’s star-spangled costume on political grounds.

While Wonder Woman is loved by the public, there still were those who opposed her. Julia recalls the national campaign to outlaw all superheroes launched by the psychologist G. Gordon Godfrey who even won the support of some of America’s political figures. Julia also noticed the effects of Godfrey’s campaign on the minds of some of her students and the division that followed.

Wonder Women went on to interact with other superheroes as she strived to do good and save people. She even got invited to join the newly reformed Justice League with Superman, Batman, the Flash and many others present…

Quality

16
Wonder Woman as recalled by Vanessa.

Before describing the quality of this comic book, I should state that Wonder Woman #8 is not your typical superhero comic book at all. In reality, to reflect the title Time Passages, this one is technically a collection of journals that efficiently showed how much has changed for Wonder Woman and the people around her since after the Ares Affair happened.

When it comes to quality, each journal fictionally authored by Julia Kapatelis, Etta Candy, Vanessa Kapatelis and Myndi Mayer, was well-written by Perez and Wein. Apart from describing what happened and how much had changed with Wonder Woman in their presence, each character’s journal had its own distinct view apart from style of writing. Each journal is important to read and through them you will realize how much impact Wonder Woman had on their society and on themselves.

Still on the writing, there were some pages that provided relief to readers. In between the journals are story pages focused on Dr. Barbara Minerva and her short male companion which served as the build-up leading to the first appearance of the post-Crisis Cheetah.

And there is all the beautiful art provided by Perez. Each page of a fictional journal has artwork that visualize what was told. There are also whole pages highlighting the passage of time and the characters who made each journal. Even with the unusual format used, this is still very good looking comic book to see!

Conclusion

10
The test of Wonder Woman with the military as recalled by Etta Candy.

To describe it bluntly, Wonder Woman #8 is an exposition-heavy, very wordy, time-passing comic book that succeeds in what it was meant to achieve: move Wonder Woman’s post-Crisis development forward efficiently (note: without having to create multiple comic books reflecting the events told) while emphasizing how people look at her, how she connects with other DC Comics superheroes and the like. It was nicely crafted by Perez and the creative team and each page showed that a lot of special care was done. With regards to modernizing Wonder Woman for the 1980s, this comic book is a success.

If you are seriously planning to buy an existing hard copy of Wonder Woman #8 (1987), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $26 while the near-mint copy of the newsstand edition costs $51.

Overall, Wonder Woman #8 (1987) is highly recommended!


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman #7 (1987)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Having seen Wonder Woman in cinemas in 2017 and having reviewed the comic book Wonder Woman #6 of 1987 recently, I can say that I enjoyed the two different battles between the Queen of Superheroes and the war deity Ares. Both battles had their respective styles of art and presentation and there were a few similarities between them.

I like both conflicts equally and that’s in relation to very different formats used – cinematic and comic book. Also, the Wonder Woman-Ares battles served as effective story turning points on both the big screen and the comic book. In the case of the Post-Crisis era of DC Comics, the major battle was the climax of the brewing, global military aggression (due to Ares influencing people of man’s world to destroy each other) in which Wonder Woman got involved not only with the Cold War but also with the connections between man’s world, Themyscira and Olympus.

That being said, now is time to move forward with the Post-Crisis Wonder Woman saga with this look back at Wonder Woman #7, published in 1987 by DC Comics with a story co-written by George Perez and Len Wein. Perez drew the story which was inked by Bruce D. Patterson.

Cover
The cover.

Early story

The story begins in Olympus with Hermes spreading the news that the threat by Ares has ended. Zeus declares the news are true and issues a decree of a feast of celebration. The others smiled in reaction. As others make merry to the music of the spheres, Athena reminds Zeus that Prince Diana/Wonder Woman lies at death’s threshold emphasizing the her victory of Ares came at such a high price. Realizing the Amazons’ value, Zeus decides to keep a closer look at them.

Over at Themyscira, the Amazons (under the watch of Queen Hippolyte) perform a ritual of revival for their fallen sister Diana. They noticed no progress has been made. From high above, Zeus and his fellow deities watch…

Quality

9
A mother-daughter scene.

Top-notch quality once again achieved by the creative team led by George Perez and Len Wein. While the previous two issues had high fantasy concepts with battles as the highlights, Wonder Woman #7 is much more character-driven showing Wonder Woman’s recovery from the great battle and how the Greek deities’ view of the Amazons changed as a result of Ares’ defeat. Specifically, there is a lot of richness emphasizing Wonder Woman’s continued development as the daughter of Queen Hippolyte and as the continued doer of missions as her people’s representative in man’s world. I also like the way the comic book creators explored the divisions between the deities of Olympus.

Without spoiling all the details, this story resolved the crisis on the part of Vanessa, the young daughter of Julia Kapatelis and it also added to Diana’s evolution as a loving and caring superhero. The academic professional Julia – who has grown into a close friend of Wonder Woman’s – also was developed nicely here. And then there is the introduction of someone who is very savvy with the media.

In stark contrast to issues #4, #5 and #6, Wonder Woman #7 does not have any superhero action as it was much more focused on character development. That’s not to say that it is all just characters talking several lines of dialogue and looking dramatic. This story still has that epic fantasy look as it provides readers a good look at Olympus. This comic book really pushed the narrative far more than the three previous issues.

Conclusion

8
The deities in the spiritual realm.

Another great comic book this truly is. Then again, it should not be a surprise at all considering the great talents of George Perez and Len Wein combined. By the time I finished reviewing Wonder Woman #7, I am convinced that the creative team in-charge of this Post-Crisis version of the Queen of Superheroes not only worked with a high level of confidence but also carefully crafted their plans on reintroducing Wonder Woman with the 1980s in mind and making her much more relevant with the public. Storywise, this comic book marks a turning point in the Wonder Woman monthly series.

Other than being another great Wonder Woman story, Wonder Woman #7 also marks the first-ever appearance of Dr. Barbara Minerva (in civilian form specifically) who would later become the Post-Crisis era’s Cheetah a few issues later. For the newcomers reading this, Barbara Minerva/Cheetah was portrayed by Kristen Wiig in the upcoming superhero movie Wonder Woman 1984. With regards to that movie, reading Wonder Woman #9 is a must!

If you are seriously planning to buy an existing hard copy of Wonder Woman #7 (1987), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $77 while the near-mint copy of the newsstand edition costs $153.

Overall, Wonder Woman #7 (1987) is highly recommended!


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman #5 (1987)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

There is nothing like witnessing the development of a pop culture icon like Wonder Woman with modern society in mind. After completing Crisis on Infinite Earths in the mid-1980s, DC Comics restarted their entire superhero universe opening lots of opportunities to reintroduce their superheroes, super villains and other characters to readers updated with the times. The Post-Crisis Wonder Woman involving the legendary George Perez and other creators saw the Queen of Superheroes updated with the 1980s in mind.

Even though Princess Diana and her fellow Amazons clearly expressed themselves in English to use readers, it turned out within the comic series that English was not their native language. In fact, Wonder Woman and her Amazon sisters all spoke Themysciran which is derived from Greek. Fortunately for Diana, she met someone who could understand her and communicate well. The language barrier is just one of the challenges Diana had to go through as she discovers man’s world.

We can now rejoin Wonder Woman and her journey of discovery in man’s world with this look back at Wonder Woman #5, published by DC Comics in 1987 with a story co-written by George Perez and Len Wein. Perez’s art was inked by Bruce D. Patterson.

Cover
A really striking cover by George Perez.

Early story

The story begins in Themyscira where the Amazons wait as Menalippe (their oracle) tries communion with their deities. One of the women expressed worry that the god of War – Ares – continues to gain power across the world. Even as she tries, Menalippe could not figure out the signs from their gods and Queen Hippolyte is eager to find out something about her daughter Diana.

Beneath Mount Olympus, Apollo remains in dreamless sleep. The women, in the presence of Hermes, remain uncertain about what has been going on. An ancient is near them.

In man’s world, war and chaos spreads. Steve Trevor appears in the television news as a rumored spy of the Soviet Union. At the same time, Wonder Woman makes waves in the news as a result of her battle with Decay

Quality

4
Wonder Woman and the supporting players.

Unsurprisingly, the very high quality of art, storytelling and characterization that started since issue #1 is well maintained by the creators in this comic book. What I love in Wonder Woman #5 aside from her continued journey of discovering more of man’s world and interacting with more with Steve Trevor (plus Etta Candy and other supporting characters) is the strong shift into the realm of fantasy which is full of action and other forms of spectacle!

For the plot, George Perez and Len Wein made a fascinating story that had a nice mix of Greek culture, fantasy and contemporary military battles. There were layers of intrigue as the creators made clear how Ares and his minions from the spiritual realm (related to Olympus and their deities) influenced mortals to fight each other so fiercely without even pausing to be clam and reasonable. This raises the stakes for Wonder Woman who is still adjusting to man’s world.

On characterization, each character here is well-written and clearly defined as believable individuals. The interactions between Wonder Woman and the others (plus their interactions in between themselves) are very rich to read and analyze.

When it comes to spectacle, this one is really loaded and, at the same time, much more imaginative! The shift from man’s world into the realm of fantasy (specifically a location often inaccessible to mortals) gave this comic book a fantastic atmosphere! There is a lot to enjoy here.

While it is not surprising that George Perez excellently illustrated this comic book, I should mention that his use of multiple panels per page here is quite clever. While using more than five panels per page is considered excessive by today’s standards, Perez managed to tell clearly the story and took time to control the pace. The spectacle scenes are fast but never disorienting. The character development and worldview scenes are never boring to look at.

Conclusion

6
One of Ares’ sons influencing the world into war.

Undoubtedly, Wonder Woman #5 is a great comic book. Elements of militarism, fantasy and Greek mythology were excellently blended here and ultimately it presented Wonder Woman’s personal development and interaction with the supporting players with a lot of depth. At this stage, her interaction with Steve Trevor as well as Julia Kapatelis really blossomed here.

If you are seriously planning to buy an existing hard copy of Wonder Woman #5 (1987), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition and the newsstand edition costs $26 and $51 respectively.

Overall, Wonder Woman #5 (1987) is highly recommended!


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman #4 (1987)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

There is no doubt that George Perez’s famous handling of Wonder Woman (that became a key part of the Post-Crisis era of DC Comics) is influential for other creators. Over at Comic Book Resources, I read a 2017 article in which Wonder Woman movie director Patty Jenkins confirmed that Perez’s work on the Queen of Superheroes helped influence the movie.

Below is what Jenkins said in response to CBR’s question involving George Perez:

I think it was the fact that he expanded the role of the gods. It was always there — nothing he did contradicted what William Marston did and created, I think it only expanded upon and fleshed out who the gods are. What that relationship is, and how that works. What was a wonderful thing for us to take from.

I personally love the Wonder Woman movie and truly Gal Gadot IS Wonder Woman! As George Perez’s work on the Queen of Superheroes was influential to the director, it is clear that he set the standard on presenting Wonder Woman to the world.

With the movie and history talk over, we can now proceed on revisiting the Post-Crisis era of DC Comics with this look back at Wonder Woman #4, published in 1987 by DC Comics with a story by George Perez and Len Wein (script) and art by Perez (inked by Bruce D. Patterson).

Cover
The cover.

Early story

The story begins with Wonder Woman carrying Julia Kapatelis and her daughter Vanessa moving away from the villainess Decay (daughter of Medusa) as a huge portion of the Kapatelis home collapses. As expected, the next-door neighbors got disturbed and went out of their homes to see what’s going on.

While taking a break just out of the rubble, Julia checks on Vanessa and asks: “What has that monster done to her?”

Suddenly, Decay rises from the rubble and answers Julia’s question directly stating she will do the same thing to her and Wonder Woman. Decay has Wonder Woman’s tiara with her.

Decay’s appearance scares many onlookers. Wonder Woman tells Julia to keep the neighbors back. Decay says that she came only for the symbol of Wonder Woman’s power (the tiara specifically) which she will use to symbolize her power. Decay then flies away.

Before flying off, Wonder Woman tells Julia that she will return with a cure for her teenage daughter whose body got heavily wrinkled by Decay…

Quality

9
I hope Wonder Woman 1984 and future Wonder Woman live-action movies will have more hard-hitting action scenes like this.

Once again, George Perez and Len Wein crafted another excellent Wonder Woman comic book that is timeless and symbolic. While Wonder Woman #3 marked Princess Diana’s arrival in man’s world, this comic book marked her first-ever battle in the same world complete with disturbance on the local society. Take note that at this point, Wonder Woman still has yet to understand and speak English and she has not fully adjusted to the local culture and society. She also just befriended Julia, the university professor and only person who could communicate with her by talking in Greek. Even with all the trouble caused by Decay, Wonder Woman’s heroism laced with love and compassion backed by her Amazon values remains intact and this aspect alone makes this comic book worth reading.

Apart from focusing on Wonder Woman and the supporting players, the comic book gives a close look at what has been happening at Mount Olympus where the Greek gods and goddesses discuss the situation of Princess Diana. There are also a few scenes set in the American military base wherein Lieutenant Etta Candy secretly does detective work to find out what caused the anomaly that led the higher-ups to suspect Steve Trevor of wrongdoing.

As for the artwork, George Perez’s work here is excellent as expected. When destruction is shown, there is a strong sense of danger. When hard superhero action occurs, there is a lot of impact shown! I just love looking at scenes showing Wonder Woman saving people from certain death. Also there were some really powerful executions of action here (involving Wonder Woman) that I wish future Wonder Woman movies will someday replicate.

Conclusion

4
Wonder Woman striving hard to go after Decay, the monster responsible for the destruction seen here.

Wonder Woman #4 of 1987 is excellent! Apart showing the first time ever that Wonder Woman engaged in battle in man’s world, this comic book also has an intimate look on how Princess Diana struggles with focusing on her mission while adjusting to the local culture and making sure that evil beings from her culture would not succeed in destroying the people of man’s world.

If you are seriously planning to buy an existing hard copy of Wonder Woman #4, be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition and the newsstand edition cost $25 and $51 respectively.

Overall, Wonder Woman #4 (1987) is highly recommended!


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman #3 (1987)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Like anyone of you guys and gals reading this, I’ve been limited to staying mostly at home as a result of the community quarantine imposed by the local authorities in response to the Coronvirus disease COVID-19 that started in China and has since turned into a global pandemic. Many people lose their jobs and have no income. Varied industries have been shut down. People are struggling to follow local authorities while there are some depending on relief goods (food, water and essential supplies) released by their respective governments or by charitable organizations.

The pandemic affected the entertainment industry too. As such, the much-awaited threatrical opening of the Wonder Woman 1984 movie had to be delayed by Warner Bros. from June 2020 to August 2020.

While waiting for the big movie to come out, let’s take a nice look back at Wonder Woman #3 published by DC Comics in 1987 with a story co-written by the late Len Wein and the legendary George Perez who worked on the art (inked by Bruce D. Patterson).

Cover
The cover by George Perez.

Early story

The story begins with Wonder Woman and Hermes arriving in the City of Boston in the United States. While flying in the air, princess Diana expressed her amazement of the city finding it exquisite and yet so disturbing. Even as Hermes cautions her from judging the people of man’s world, he states that man appears to have lost his way on Earth which makes him afraid and vulnerable to the influence of Ares.

He tells Wonder Woman that he led her to man’s world so that she could end the madness Ares has been causing on the people. Together they fly off to pursue the next objective.

2
Wonder Woman and Hermes arrive in Boston.

Meanwhile at the Hanscom Air Force Base, a general arrives to check on Steve Trevor who is recovering from the incident that happened at Themyscira (in issue #2). As it turns out, Trevor is under arrest as he is wanted for questioning in relation to the shocking murder of another general. It was also stated that Trevor returned without the jet he used….

Quality

If there is anything that stood out for me personally in Wonder Woman #3, it is the wonder that comes with discovery which was greatly pulled off by Len Wein and George Perez. As Wonder Woman arrives in Boston, observes how strange the society is to her and how she adjusts to the place and people around her, I got very engaged along the way. What Wonder Woman discovers and learns, I discovered and learned as well. In some ways, her discovery of man’s world (through Boston) reminded me of what I experienced during my first arrival in San Francisco, California decades ago. It should be noted that the dialogue is very rich continuing nicely from what was started in issue #1.

9
Wonder Woman and Julia Kapatelis slowly communicating with each other. 

Like in the first two issues, there is also a nice build-up of suspense which is connected with the fusion of both fantasy elements and Greek mythology. This comic book cleverly reminds readers what is happening behind the scenes in the fantasy realm (within the story that is) just as Wonder Woman and the people in man’s world move on with their respective exploits. Such suspense is very well used on adding depth to the plot while paving the way for sub-plots.

Also worth mentioning here is the introduction of professor Julia Kapatelis and her teenage daughter Vanessa as supporting characters who will prove to be crucial to Wonder Woman’s adjustment into their society. Personally, I just love the way the creators showed that Wonder Woman does not speak English and had yet to learn the language which added some depth into her first encounter with Julia.

Conclusion

I really had a great time reading Wonder Woman #3. This is a significant comic book as it marked Wonder Woman’s first arrival in man’s world during the Post-Crisis era (after Crisis on Infinite Earths) and a true modernization of the icon as well as her literary story during the Reagan years. As many true Wonder Woman fans already know, George Perez’s leading on reintroducing Wonder Woman in the 1980s is better and more dramatic than the Golden Age Wonder Woman.

4
Steve Trevor recovering and Wonder Woman and Hermes arrive at Harvard University.

If you are seriously planning to buy an existing hard copy of Wonder Woman #3 (1987), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $24 while the newsstand edition’s near-mint copy is priced at $51. As for the edition that does not have the month printed on the cover, the near-mint copy is worth $77.

Overall, Wonder Woman #3 (1987) is highly recommended!


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com