Largest launch in Xbox history declared

Welcome back fellow Xbox fans, geeks and gamers! The new generation of console gaming has begun with the twin-launch of the Xbox Series X and Xbox Series S done around the world. Even though there were not too many images of gamers and long-time Xbox fans lining up at retailers or at special launch-related events to buy the new consoles (due to the pandemic which changed life and business the way we know it), the launch has been declared the largest in Xbox history.

On Twitter, Xbox chief Phil Spencer posted: Thank you for supporting the largest launch in Xbox history. In 24 hrs more new consoles sold, in more countries, than ever before. We’re working with retail to resupply as quickly as possible. You continue to show us the connective power of play is more important than ever.

As you can see above, Spencer declared the launch as being the largest just as he thanked those who supported it. While no sales figures were provided, he stressed that more new consoles were launched in more countries this time which means that they already exceeded the respective launch of Xbox One in 2013. In retrospect, Microsoft sold over a million units of Xbox One at launch.

The new generation of console gaming has officially started with Xbox Series X and Xbox Series S now making their way through retailers worldwide.

With regards to supply, Spencer stated that they will resupply their retailers so that those who failed to secure a unit at launch won’t be left behind. It should be stated that retail giant Amazon told a certain number of their customers that Xbox Series X units ordered through them won’t be available until the end of the year. It should be noted that Amazon itself is a rival a Microsoft’s when it comes to cloud-related business and making gaming available to billions of people around the world. Delays regarding the two Xbox Series consoles also hit Canada and the United Kingdom. When it comes to launching games overseas, Yakuza: Like a Dragon reportedly (note: local publication Game Watch the source) has been delayed. Team Xbox needs to work on these issues.

In relation to the launch, EA Play has been made available to Xbox Game Pass (XGP) ultimate subscribers. This means that the said subscribers who own Xbox consoles – including the brand new Xbox Series X and Xbox Series S – will be provided EA Play membership for free and this will enable them to are able to play many games. Think about the many sports games, first-person shooters, role-playing games (RPGs), racing games and many other games from EA being offered apart from the many games already listed under Xbox Game Pass own lineup. Definitely there is no shortage of games to play at launch and backward compatibility is also a factor. With regards to the Xbox ecosystem, XGP Ultimate subscribers will be able download and play games from EA Play’s library on their Windows 10 personal computers starting this December.

By the way, do you own a copy of the acclaimed Xbox One-exclusive Gears 5? The said game has been relaunched along with the Xbox Series consoles with technical optimization for the said machines. The main campaign of the game has been updated and includes Dave Bautista (presented as WWE’s Batista) as Xbox icon Marcus Fenix. This is the closest thing Xbox and Gears of War fans will have to a live-action movie adaptation. For the newcomers reading this, Bautista appeared in two Guardians of the Galaxy movies, Avengers: Infinity War, Avengers: Endgame and the James Bond movie Spectre.

More on Gears 5, the game takes advantage of the new technology of the Xbox Series consoles and this means heavily reduced load times, utilization of Quick Resume (now one of the most notable new features only on the new consoles), reduced input latency (meaning improved responsiveness), variable rate shading (a key feature of AMD’s RDNA 2) and the super smooth 120 frames-per-second frame rate in Versus mode. With regards to Xbox Series X, the game is presented in 4K resolution thanks to the Ultra-HD pack and Ultra-Spec graphics that were previously only made available to PC gamer. As if that was not enough, developer The Coalition prepared new features for the Gears 5 campaign, new achievements (worth almost 100 Gamerscore points), etc.

Gamers of Gears 5 transitioning from Xbox One consoles into Xbox Series consoles will be delighted to know that it will take only a push of a button to download the update and download the next-generation version of the game via Smart Delivery for free!

In relation to the availability of Xbox Series consoles, over forty new games (including 30 games optimized for the new generation) have been made available and Team Xbox made the effort to ensure that Xbox Series consoles owners will play the best versions of the games they owned (for consoles) across the generations. While a lot has been showcased about the acclaimed Forza Horizon 4 optimized for the new consoles, it should be noted that Halo: The Master Chief Collection has also been optimized and ALL Halo games have been improved to run at higher resolutions and higher frame rates as well. Being a long-time Halo gamer myself, being able to replay past Halo games way above the 30FPS limits alone is very enticing.

When it comes to the near future, be aware that starting November 18, 2020, cloud gaming will debut in Australia, Brazil, Japan and Mexico via the Project xCloud Preview program.

Project xCloud General Manager and Head of Product Catherine Gluckstein wrote: In each of these four markets we’ll begin with this Preview to test, iterate, and gather your feedback. And next year, we’ll move to the next step and bring cloud gaming to these markets as part of Xbox Game Pass Ultimate; this is an important step in our journey as we look to reach more gamers around the world. 

2020 has brought challenges to all of us, but we hope that cloud gaming simply opens up new ways for you to play when and how you choose. Enjoy Master Chief anywhere and everywhere when you play on your phone, get some laps in on Forza while someone else occupies the TV, or to try out a new-to-you Xbox game. Cloud gaming makes it possible to play those top titles on your Android phone or tablet. 

Come join us in Preview as we test and learn in Australia, Brazil, Japan and Mexico. During this Preview you’ll have access to a curated library of great games for free, including favorites from Xbox Game Studios such as “Minecraft Dungeons,” “Halo: The Master Chief Collection” and “Forza Horizon 4” in addition to some fantastic content from our partners such as “Black Desert,” “PlayerUnknown’s Battlegrounds,” and “Yakuza 0.” 

Our Project xCloud Preview is currently supported on Android phones and tablets through the Xbox Game Streaming (Preview) app in the Google Play Store, available in English, Spanish, Portuguese and Japanese.

Anyone who wants to join can register online.  

Finally, GameSpot published a feature article highlighting their recent talk with Phil Spencer about Xbox and several related topics.

I find notable how the head of Xbox reacted towards GameSpot’s mentioning of a Bloomberg report which said that several developers in Japan have been approached by Microsoft about acquisition.

Let’s see how receptive gamers in Japan are towards the new Xbox consoles.

When asked if there was any truth to the report, Spencer responded: I don’t think so. I say, I don’t think so… I mean, I’m not in every meeting that every team has, but I’ll say not from me. Most of the opportunities that we’ve had to date have been a long-lasting relationship, and so, I don’t think we’re out there with our business card, throwing them out on the corner, trying to find people. I’ve talked about my affinity for Japanese studios and thinking back in the day when we had more games that were created in Japan as part of our first party, I’m excited when the deal closes to get to spend more time with Tango [Gameworks] and the work that they’re doing. So it’s an area that I’m interested in, but no, I don’t think it’s… I think that’s not accurate.

Spencer also expressed his view about the Asian market from a gaming standpoint and noted how different the Japanese market is compared to those in Korea, China and Southeast Asia. He also stated that he has an affinity for all the amazing creators based in Japan and he spent a lot of time there and wants to make sure those creators see Xbox as a great place for their games. It should be stated, in relation to what was said, that a free downloadable demo of Dragon Quest XI S is now available via the Xbox Store. The blockbuster Japanese RPG will be released in full on December 4, 2020 for Xbox One, Windows 10 PC and – via backward compatibility and XGP – on Xbox Series X and Xbox Series S.

Back to the interview, Spencer mentioned Mistwalker and their notable Xbox 360 JRPGs Lost Odyssey and Blue Dragon. Eventually, the interview focused on the upcoming RPG Elden Ring and when asked about it, the head of Xbox stated: I’ve seen actually quite a bit. I’ve played quite a bit.

In closing this article, here are some gaming-related videos for your enjoyment.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

For more Xbox-related stuff, check out the Xbox Series Philippines Facebook group at https://www.facebook.com/groups/XboxOnePH

My Observations: Watching Wonder Woman 1984 on VOD streaming will NEVER match the theatrical experience

By now you should be aware that Warner Bros. postponed yet again the release of the much-awaited Wonder Woman 1984 and selected December 25, 2020 (Christmas Day) as the new opening day. This is because of the ongoing pandemic which depressed economies around the world and dragged down the movie theaters. Of course, as I personally observed on social networks, a lot of fans are upset with the daily and there are some of them who expressed that a theatrical release of Wonder Woman 1984 is no longer needed and it should instead be released via video-on-demand streaming services. And then there were a few who did not hide their Leftist, socialist beliefs and even condemned Warner Bros. for corporate greed only because it still insists on showing Wonder Woman 1984 in the cinemas first.

Wow! It’s as if doing business is an evil thing and being a socialist and a hater of business are good things. Talk about being delusional and impulsive as a result of being brainwashed with socialism and anti-capitalism views. The truth of the matter is that socialism sucks and will continue to suck. To understand the business side of things before talking more about Wonder Woman 1984, let’s examine the state of movie theaters.

As of this writing, the movie theater operators are slowly reopening their locations and already they have spent time and money on implementing a variety of measures such as sanitation, constant cleaning, practicing social distancing, requiring moviegoers to wear facemasks and the like. At the same time, seating capacity per screen has been reduced to minimize the risk of viral infection. The reopening of cinemas not only means the resumption of their business but also the retention of the employees they still have.

Even with less than 100% of movie theaters in operation, Warner Bros. took the big risk of releasing their $200 million production Tenet which went on to gross more than $20 million in its first four days in the United States and Canada. Elsewhere, the movie raked in more than $100,000,000 in ticket sales and it has surpassed the $150,000,000 mark globally. The more movie theaters open – including the drive-in locations –  the better it will be for Wonder Woman 1984 and this obviously requires time.

To have the theatrical opening of Wonder Woman 1984 moved all the way to Christmas Day is, in my honest opinion, a sensible move. Like other forms of businesses negatively affected by the pandemic, movie theaters are struggling to reshape themselves (and retain their employees somehow in order to avoid adding them to the unemployed) and get back to business. Movie studios on the other hand are struggling with what to do with their finished productions, especially the ones that cost $200,000,000+ to make (complete with the hard work of the technical crew, the creative team and the talents who worked).

Like anyone else, I love Wonder Woman (she is my favorite of all superheroes) and I also love 2017 Wonder Woman movie which I still replay on Blu-ray. Unlike other fans who lost patience, I myself am willing to wait for the new Wonder Woman movie to open in the local cinemas, especially in the IMAX cinema. I certainly do not agree with the idea that Warner Bros. should just skip all the movie theaters in favor of releasing Wonder Woman 1984 on VOD streaming services, and I have reasons.

Warner Bros. is right to delay Wonder Woman 1984 and keep it scheduled to open in movie theaters first!

Firstly, Wonder Woman 1984 was made with the movie theater viewing experience first and foremost. The creative team led by director Patty Jenkins even used IMAX cameras for some scenes. While the filming of scenes for IMAX is limited in total, it is clear that Wonder Woman 1984 will look and play its very best on the gigantic screen in the IMAX theater! It is also likely that the most spectacular (or the most important) scenes filmed with IMAX captured Gal Gadot as the cinematic Wonder Woman. That being said, the visual splendor and the magnificence of big screen viewing will NEVER be matched on VOD streaming nor on the HDTV at home. I should add that the enhanced visuals that come with scenes being filmed with IMAX cameras can only be seen on the large IMAX screen, and this cannot be achieved on HDTV or on the best smartphones via streaming.

Secondly, releasing Wonder Woman 1984 directly to VOD streaming services is harmful not just to the struggling theater operators and their employees but also the economy itself. I do understand that going outside the home during the pandemic has its risks but the fact remains is that businesses around you have suffered a lot and there is a need for commerce and industry to be revived, and you can help the local and the national economy move forward again. Be mindful that many people who lost their jobs and their income are also suffering, and there is a need for businesses to be supported so that new job opportunities can be made…jobs that the unemployed badly need! Let’s face it, you can enjoy watching movies on the VOD streaming service you subscribed to and binge watch at the comfort of your home all you want but still the best place to watch is in the cinema. I can never forget the very day in 2017 I went to the local IMAX cinema to watch Wonder Woman by buying a premium movie ticket, buying popcorn and a drink, sat comfortably and watched the movie in its full greatness. I paid a lot and got tremendous value in return for the premium cinematic experience with Wonder Woman. Right now, movie theaters are struggling to recover and they badly need you to buy their tickets, snacks and drinks and enjoy the movie. It is also clear that both Warner Bros. and the movie theaters need each other, and Wonder Woman 1984 is too expensive a production to be released only on VOD streaming services.

Thirdly, still on the business side, video-on-demand streaming services are not exactly effective in helping movie producers recover the massive amounts of money spent on producing and marketing their major projects. Wonder Woman 1984 is a more expensive production than its predecessor and it is still the movie theater business model that will help it recover all the negative cost and break even (if not profit). The following are my questions to the loudmouths who ranted that Wonder Woman 1984 should be released directly to VOD streaming services only because of their impatience and other reasons: Do you seriously believe that video-on-demand will help Wonder Woman 1984’s producers and investors recover their money? If you are willing to pay a premium rate for digitally availaing Wonder Woman 1984 at all, how much are you really willing to pay? Do you seriously believe that movie theater operators and their employees should suffer only because you are so self-centered with wanting the new Wonder Woman film only on video-on-demand streaming?

Finally, this one is aimed at those who got indoctrinated with socialism and Leftist beliefs …who do you think you are to condemn Warner Bros. for corporate greed only because the studio is focused on releasing Wonder Woman 1984 first in cinemas? We are Wonder Woman fans here, right? It is the movie studio, its investors and other capitalists who pooled the financial resources together to hire Patty Jenkins, Gal Gadot, Chris Pine, Kristen Wiig, Hans Zimmer and a whole lot of other people to make Wonder Woman 1984! They did that, not your socialist partners nor your socialist idols! The least we fans can do is be thankful to the filmmakers and their capitalism partners for making the movie. As for Warner Bros., we should keep in mind that the pandemic has made it very hard for them to decide when to release the movie we have been waiting for, and for sure their top executives and strategists have struggled in ways that you cannot imagine. You seriously believe that Warner Bros. and the other movie studios did not lose any money from the months-long shutdown of the cinemas during the pandemic? What is your basis for condemning Warner Bros. for corporate greed over Wonder Woman 1984?

Oh, one more thing, do you still go to a coffee shop, availed of their coffee and WiFi and used your branded smartphone to condemn capitalism and promote socialism? Capitalists made the things that you socialists enjoyed, not to mention all the other Wonder Woman-related products like comic books, toys, action figures, clothes, souvenirs, accessories and much more!

That being said, what we Wonder Woman fans can all do right now is wait for Wonder Woman 1984 to open in cinemas this Christmas Day. I believe that the delayed movie itself will turn out great and prove to be worth the long wait…and then prove that the movie theater is still the best place to watch it.

Who knows? Wonder Woman 1984 could spark a strong revival of the movie theater business around the world and we fans can be part of that!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back At Friday The 13th Part VIII: Jason Takes Manhattan

When a filmmaker has high concepts but ends up receiving insufficient resources to realize them, disaster normally strikes not only the film crew but also the fans.

This was precisely what happened in the horror movie Friday The 13th Part VIII: Jason Takes Manhattan, written and directed by Rob Hedden. Released on July 28, 1989 in the United States, the movie was the result of Paramount Pictures’ rejection of proposals on making a direct sequel to Friday The 13th Part VII: The New Blood involving that film’s lead character Tina Shepard (played by Lar Park Lincoln).

Hedden, who previously worked for another movie studio and participated in the unrelated Friday The 13th TV series, was hired to make the sequel and he had the idea of bringing the horror icon Jason Voorhees out of Camp Crystal Lake (and its related locations) and came up with concepts of having one story set on a cruise ship (for a claustrophobic horror experience) and another story set in New York City (which includes ideas of having notable locations there as key places for misadventures and action).

“Everything about New York was going to be completely exploited and milked,” Hedden said in an interview. “There was going to be a tremendous scene on the Brooklyn Bridge. A boxing match in Madison Square Garden. Jason would go through department stores. He’d go through Times Square. He’d go into a Broadway play. He’d even crawl onto the top of the Statue of Liberty and dive off.”

The movie studio liked Hedden’s concepts and gave him a budget. The big problem was that there simply was not enough money granted (a little over $5 million) and it was too expensive to film on location in New York (I wonder if Hedden actually made some research about the city as he came up with his New York ideas). Although the given budget was the BIGGEST for a Friday The 13th film at the time, Hedden had no choice but to combine the two concepts into one single narrative. As if insufficient funds were not bad enough, Hedden implemented another concept to look at Jason as a child through the hallucinations of the film’s lead – Rennie Wickham (played by Jensen Daggett). Of course, the hallucinations led to spending some money on “special” effects, make-up, and set-up.

Now, we can start taking a close look at Friday The 13th Part VIII: Jason Takes Manhattan.

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Kane Hodder as Jason on location at Times Square in New York.

The movie begins with shots of New York City (with several spots of Vancouver, Canada pretentiously presented as spots of the more famous city). Over at Camp Crystal Lake far away, a guy and his girl prepare to make love riding a boat floating on the lake unaware that Jason is deep underwater (following the events of Part VII). Through expository dialogue, the guy tells his girl about the legend of Jason who had murdered several people who came near the camp.

Due to an anchor cutting an underwater power cable, loose electricity reanimates Jason (played by Kane Hodder) who went up to the boat to kill the guy and the lady, one by one.

Very soon, a group of graduates from Lakeview High School prepares to embark on a cruise ship for their much-awaited visit to New York. Beyond logic, the scene shows that Crystal Lake is magically connected to the Atlantic Ocean and the background scenery shows that they are in Canada (note: back then it was more affordable to shoot scenes in Canada and pretend to be in the US).

At this point, the film introduces the final girl Rennie who is a gifted student but remains terrified about water since childhood. The leading man meanwhile is Sean (played by Scott Reeves) who is handsome but lacks the heart to follow the footsteps of his successful father who is the captain of the ship. Rennie and Sean both show signs of pain and lack from their respective past and these elements, predictably, make them a matching pair for moviegoers to follow.

Aside from the two, the film introduces mostly disposable characters like Rennie’s overbearing uncle (who happens to be a teacher in the same high school she attends and was clearly written to be the one character to irritate moviegoers into being sympathetic with Rennie and others), the good-natured lady teacher, the hard rock musician, the aspiring filmmaker, the jock, the pretty bad girl, the dude who talks without taking a look, the doomsayer, etc.

Just before the ship leaves, Jason climbs his way up to join the trip. Then he’s stalking starts.

Quality

Friday The 13th Part VIII: Jason Takes Manhattan was very bad when it was first released more than thirty years ago. By today’s standards, this film has aged terribly. Its quality is even worse now.

Let’s start with the most obvious flaw – the movie failed to live up to its promise of Jason’s taking Manhattan. The film’s subtitle is a big lie as much of the movie is set in the ship and New York (including the fake NYC spots that were filmed in Vancouver) does not appear as the definitive location until late in the story!

While the story was set on the ship, the film crew seem to focus on producing on-screen fillers creatively. Sure we get to see Jason stalk and kill characters (with some off-screen death blows) but the dialogue scenes, the transition scenes and character “development” stuff in between were very cheaply and poorly handled.

With Rennie, however, the team managed to make her somewhat engaging as the lead of the film by slowly defining her personality (nicely done by Daggett) and creating on-screen hallucination sequences emphasizing the emotional and psychological damage she suffered from encountering Jason when she was a young girl. The flashback of little Rennie encountering little Jason (which does not make sense at all as far as in-story history is concerned) under Crystal Lake was not only badly done but done without any sense of logic. One can argue that little Rennie only hallucinated of seeing kid Jason (supposedly out of fear and paranoia) but that sequence was just a waste of time even though the filmmakers tried to make moviegoers connect and feel with her. Sean, the other lead, was literally protected by plot armor (note: he was not one of the disposable characters) but his character was not written to do much except serving as a supporter for Rennie.

Lousy stuff? Lots of them here and there! Even though he saw his captain father dead, Sean does not show very much emotion and even worse, he easily forgets about him even as he sees Jason quite a number of times later. He should at least show some deep anger (if not lust for revenge) against Jason. Even though he did not witness Jason killing his father, it was made clear to him and the rest that Jason (and not the doomsayer) was responsible.

How about Wayne, the film-obsessed guy? Even though he and his pals took weapons to go around and hunt Jason, he still bothered to use his camera (while clumsily holding the gun) and film his way around! That is so stupid and it was no surprise that he ends up getting disposed of! Being obsessed with filming, Wayne could have decided to accompany one of his armed pals and used his camera for both video documenting and even help an armed guy see something (example: zooming at a spot or object far away).

As for lousy stuff reflecting the very low budget of the movie, I can point out that the scene in which Sean, Rennie, the uncle and lady school teacher board a lifeboat clearly looked fake and was shot on a studio set. The same thing can also be said about Rennie’s fall into the water (pushed over the deck by Tamara) and she was NOT left behind by the ship that was supposedly moving. The location where JJ played rock music before getting killed looked cheap.

More on production cheapness, either the filmmakers ran out of money or they became too lazy with the wardrobe and hoped moviegoers would be too stupid to notice anything. Look back at the scene when Rennie got pushed off by Tamara into the water and was saved by Sean (who jumped to do his heroic act). Even though they got wet, both Rennie and Sean STILL WORE THE EXACT SAME CLOTHES until the end of the film! Those characters did not change clothes even though Rennie returned to her room!

Speaking of which, the filmmakers disregarded the fact that, in the story, the ship was filled with a lot of students going to New York. There were guys and gals partying, playing games, enjoying the scenery (of Canada!), etc. And yet as the film played on, the filmmakers literally abandoned those many other students. The only exception here was the short scene in which the good-natured lady teacher brought some students with her and told them to stay and wait in the restaurant. A short time later, as she mentioned to her companions that there were students left in the restaurant, Sean replied to her depressingly, “There is no more restaurant.” Without showing any scenes, the filmmakers creatively and nonsensically got rid of the others. I suppose Hedden and team had no more time and money left to show what happened to them all.

The cheapness also affected the look of Jason. Adult Jason in Friday The 13th Part VII had a very menacing, gritty and rotten face design. In this movie, adult Jason’s face looks melted and cartoony! And then there was the inaccuracy with regards to how the film presented little Jason. In the early flashback scene, a kid Jason with a normal looking face was shown drowning (which contradicts the fact that Jason always had a deformed face). There was a ladies’ rest room scene wherein kid Jason (with a slightly deformed face this time) appeared to Rennie via a hallucination. Then there was another kid Jason, more deformed, during the flashback of little Rennie. Whatever the filmmakers did, none of those physical presentations of Jason proved to be scary. Clearly whatever little amount of money they spent here ended up wasted.

On the presentation, the film’s pacing was inconsistent and it sure had several dragging moments. Granted, this was Rob Hedden’s debut as a movie director but I’ve seen other slasher horror films that were paced better and had kills that were executed satisfactorily. The fear factor of this movie was weak overall. Meanwhile, Jason illogically has the ability to teleport in this film which is complete nonsense. I believe that the teleportation was implemented as a convenient way of cutting down on time and expense to complete the production. I suppose showing Jason physically moving from one place to the next to get to his running victim was too expensive and too inconvenient for Hedden’s team.

If there are any good points in this film, I should say that Rob Hedden and his team at least tried to be creative with Jason’s kills (but the teleporting still makes no sense). Tamara (whose mirror got dropped and broke into pieces) got stabbed with a sharp mirror piece. A guy in the sauna gets killed with a hot rock forced into his body. And then there was the city thug who got killed with a syringe piercing through his body (which is impossible and cartoony to look at).

The most memorable kill sequence by Jason was the “boxing fight” with Julius. In that sequence, Hedden told the actor to punch Jason many, many times with real physical contact. That sequence lasted rather long but Jason’s kill of Julius was undeniably good and with impact. Too bad that kill sequence could not carry this movie up.

Another good point to take note is Kane Hodder’s improved take on Jason in terms of action and looking threatening. This was his 2nd time to play Jason and he showed more confidence playing him.

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Kelly Hu was only 20-years-old at the time of production. Jason Voorhees, not Wolverine, was the first pop culture icon she encountered on the big screen.

The stunt done inside a diner (with a particular stuntman who would later have his moment playing Jason in a certain 2003 movie) was at least satisfying to see. Last but not least, this movie featured a very young Kelly Hu who is now a successful and popular Hollywood actress. Fourteen years before she got to fight superhero icon Wolverine on the big screen, she encountered the horror icon Jason right here. What happened to Hu’s character and Jason? You should take time out to watch her scene here.

Conclusion

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Symbolically speaking, Jensen Daggett realized that the film was doomed and it took Jason to catch her attention from behind!

Overall this movie is very, very bad. I can only recommend this to die-hard Friday The 13th fans who are more than willing to set aside logic all for the sake of seeing Jason stalk and kill people. There is little entertainment value here and drastic cheapness will disturb viewers along the way. Not even the short Time Square on-location sequence could save the film. The kills of Jason are a mixed-bag at best and clearly this movie is not even scary to watch. I remember the very first time I saw this way back in the summer of 1990 on laser disc format and there was not even a single moment I got scared. I got to replay this movie on DVD to take a closer look and still I did not get much entertainment value in return.

Friday The 13th Part VIII: Jason Takes Manhattan should be skipped as it is a clear waste of time. If you plan to watch it at all, play the movie only when you want to bore yourself to sleep.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Asian Games Triathlon Gold Medalist Banners Large Field in 2019 NTT ASTC Subic Bay International Triathlon (SuBIT)

Asian Games Triathlon Gold Medalist Banners Large Field in 2019 NTT ASTC Subic Bay International Triathlon (SuBIT)

Pasig City, Philippines – April 20, 2019 – Japanese Jumpei Furuya, 2018 Asian Games triathlon gold medalist, banners a large field of   foreign hopefuls vying for qualifying points in the 2019 NTT ASTC Subic Bay International Triathlon (SuBIT) Asian Cup set for April 27 and 28.

Furuya, currently ranked no. 43 in the world and champion of last January’s NTT ASTC Asian Cup event in Rayong, Thailand will be backstopped by 13 other Japanese triathletes.

Poised to crowd out the Japanese are China’s sextet and Hong Kong’s large contingent–33 entries spread over the Elite, Junior and Super Sprint Distance Categories.

Supported by Philippine Sports Commission (PSC,) NTT, Philippine Olympic Committee (POC), Standard Insurance, Asian Centre for Insulation Philippines (ACIP) and Pocari Sweat, SuBIT lured over a hundred foreign entries.

Chinese Taipei had entered 18, Korea 16, Macao 10, Singapore nine, Syria six and Thailand four.

Not to be discounted in the 1.5-kilometer swim, 40-kilometer bike and 10-kilometer run Elite competition are both the pair of Australians and Palestinians and a sole Canadian.  

According to Tom Carrasco, Triathlon Association of the Philippines (TRAP) president, John Chicano will spearhead the Philippine challenge along with Kim Remolino even as Filipino-Spanish Fer Caseres is seen to spring a surprise in his quest for a slot in the Team Philippines for the SEA Games in December.

In the distaff side, 2017 SEA Games medalist Claire Adorna, Asia Games veteran Kim Kilgroe and fast rising JC Abad are the country’s best bets.

Overall, close to 800 foreigners and locals will see action in the annual event organized by the TRAP in cooperation with the Subic Bay Metropolitan Authority (SBMA) Tourism Department.

For more information, visit Triathlon.org.ph or send email at trapsecretariat@gmail.com.