A Look Back at Prime #4 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

When it comes to notable rivalries between superheroes within the Ultraverse, the Prime-Prototype conflict comes to mind. Granted, the two became teammates in the UltraForce monthly series that launched in 1994 but before that happened, their conflict was intriguing and intense to see.

Let’s examine the beginning of the rivalry between Prototype and Prime in Prime #4, published in 1993 by Malibu Comics with a story co-written by Len Strazewski and Gerard Jones, and drawn by the late Norm Breyfogle.

The cover.

Early story

The story begins with Prototype blasting Prime right on his head saying: “I’m telling you again—Hardcase ain’t here! This is Prototype turf and you are making me look bad!”

Out of impulse, Prime (who is teenager Kevin Greene inside the body) strikes back at Prototype pushing him back into the air. Prime describes himself as a real hero and called Prototype a phony of Hollywood.

As the tension increases between them, Prototype fires back at Prime who subsequently responds by punching him hard. The battle goes on.

Meanwhile at another location, Boneyard emerges from a portal carrying an unconscious Mantra with him…


This is compelling character development.

Strong writing and very impressive works of art in this comic book! There is no doubt about that. The writers really poured a lot of energy into the very action-packed conflict between Prime and his armored rival. The conflict is not limited to superhero violence between the two as the writers cleverly crafted a big battle of personalities between an impulsive and clueless teenager (Prime) and a corporate performer (Prototype). In order to grasp that concept, one must read at least the launch issues of the Prototype and Prime series.

Along the way, the writers still managed to conserve a good amount of creative energy to further develop Kevin Greene in his civilian life. I really enjoyed how the creators portrayed him to be a very troubled youth whose struggle with social life has gotten worse as he also struggled with keeping a superhero identity and doing what he believes are good deeds (helping people in trouble) even though he got reckless or clumsy. This is reflected nicely with the ways he tries to socialize with Kelly. Apart from that, the scenes showing Kevin with his father are very intriguing to follow.

The artwork here by Breyfogle is unsurprisingly great. As seen in the previous issues of Prime, the superhero action is dynamic to look at, Kevin and the supporting characters have very well defined looks and by this time, I find them instantly recognizable. As for his visual take on Prototype, I really like Breyfogle’s illustration in this issue.


A very dynamic shot of Prime striking Prototype away.

Prime #4 is a great Ultraverse comic book highlighted by the first conflict between Prime and Prototype which is very compelling and at the same time memorable. It’s like seeing two titans of the Ultraverse collide complete with dramatizing how other people got affected by them. As far as the Ultraverse is concerned, the rivalry between the armored ultra and the kid-in-a-man’s-body is solid gold.

If you are seriously planning to buy an existing hard copy of Prime #4 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the unbagged regular edition, the bagged regular edition, the unbagged newsstand edition and the bagged newsstand edition costs $4, $5, $6 and $7 respectively.

Overall, Prime #4 (1993) is highly recommended!

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