A Look Back at X-Men Adventures #5 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superheo enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the X-Men Adventures monthly series which was the literary adaptation of the popular X-Men animated series of the 1990s.  

In my previous retro review, the encounter with Magneto ended without any resolution. Back at X-Men headquarters, Sabretooth freed himself and got into a fight with Wolverine which symbolically highlighted tensions from their past encounters.

With those details laid down, here is a look back at X-Men Adventures #5, published by Marvel Comics in 1993 with a story written by Ralph Macchio and drawn by Andrew Wildman.

The cover.

Early story

The story begins inside the Danger Room where X-Men members Storm, Rogue, Gambit and Jubilee are tested for combat and skills development under the tight watch of Professor X. While Xavier is aware that while a real-life threat would cause his team to perfect their reflexes and counterattack strategies, it is the leadership of Storm that concerns him the most.

Just as the amount of danger rises, Xavier decides to raise the stakes of the exercise by drawing upon the deepest fears within Storm. Suddenly the ceiling moves down and the walls start closing in on the X-Men. This causes Storm to lose focus as painful memories from her childhood pertaining to claustrophobia suddenly entered her head. The exercise ended on a negative note and Storm tells Professor X that she cannot lead the X-Men as she believes that her claustrophobia will only put others at risk.

Within Xavier’s mansion, the still recovering Wolverine practices martial arts moves. Standing nearby is Jean Grey who starts talking sense into him. Wolverine then notices something in the way Jean looks at him…  

Quality

Cyclops and Jean Grey cornered by the Morlocks led by Callisto.

As the cover of this comic book shows, the main feature of the story is the X-Men’s encounter with the Morlocks (first appearance in Uncanny X-Men #169 published in 1983), a group of mutants living underneath the city of New York. Other than being a force of opposition, the Morlocks – led by Callisto – is itself a society composed of outcast mutants who could not really live among humans in normal society not only because of their mutations but also because of their collective look of deformity.

Picking up from the previous issue, the plot moved smoothly starting with a clear focus on Storm and her potential to lead the X-Men followed by the short but intriguing scene between Jean Grey and Wolverine. When the narrative shifted on New York City and the start of the conflict with the Morlocks, the story noticeably turned dark with its tone as the underground mutants become more prominent.

Other than the expected good-versus-evil emphasis of the plot, this comic book sheds light on the social ladder of America with the X-Men symbolizing the normal people and the Morlocks as the misfits. Symbolically speaking, the X-Men are bound to their code of no killing and their search for mutants that their leader Professor X could help, while the Morlocks prefer to be independent believing that isolation best serves their interests. Both the X-Men and the Morlocks have their respective approach on honor which is symbolized further when Storm and Callisto engage in close combat (note: this was the X-Men animated series’ adaptation of their fight as told in 1983’s Uncanny X-Men #170). I should also state that the portrayal of Cyclops and Jean Grey a very vulnerable figures in this story is pretty engaging.

To put things in perspective, the script of this comic book showed that the superhero spectacle is finely balanced with the strong dialogue and dramatization of the X-Men-Morlocks conflict.

Conclusion

The X-Men during the Danger Room session.

X-Men Adventures #5 (1993) is not only a very engaging read on its own, it is also one fine adaptation of the X-Men animated series episode “Captive Hearts” which I first saw on local TV way back in 1993.

Overall, X-Men Adventures #5 (1993) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram athttps://www.instagram.com/authorcarlocarrasco/.

A Look Back at X-Men Adventures #4 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superheo enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the X-Men Adventures monthly series which was the literary adaptation of the popular X-Men animated series of the 1990s.  

In my previous retro review, the X-Men encountered Magneto for the first time and things turned out for the worse for Charles Xavier’s team.

With those details laid down, here is a look back at X-Men Adventures #4, published by Marvel Comics in 1993 with a story written by Ralph Macchio and drawn by Andrew Wildman.

The cover.

Early story

The story begins in a ruined place where Magneto floats in the air and below him are Cyclops, Storm and Rogue who are down and looked knocked out. It turns out Rogue is still conscious and as Magneto remains unaware of her state, she makes her moves to get Storm and Cyclops back up.

Knowing the risk of absorbing another mutant’s power by touching, Rogue executes CPR to revive Cyclops. Just moments after Cyclops gets revived, powerful beams of laser suddenly come out of Rogue’s eyes. As soon as the problem eased, Rogue then flies off towards Magneto in a mad attempt to tackle him…

Quality

The encounter between Wolverine and Sabretooth is a must-read!

To get straight to the point here, this comic book tells two succeeding events starting with the encounter between Magneto and the X-Men. In reflecting Magneto’s first appearance in the animated series, this adaptation emphasizes the first time the X-Men encountered the master of magnetism but with the contemporary character designs and visual aesthetics of the era. On face value, the encounter here looks inspired by the X-Men Blue Team’s encounter with Magneto in 1991’s X-Men #1 but in reality this one was designed in accordance to the animated series creators’ way of establishing the start of the X-Men-Magneto rivalry. There is a good amount of superhero spectacle as Storm, Rogue, Cyclops and Charles Xavier each take turns on bringing down Magneto in their own unique methods. Of course, these developments helped emphasize how powerful Magneto really is.

The other half of this comic book tale focuses more on the presence of Sabretooth as a captive of the X-Men at their headquarters, as well as the eventual rivalry between him and Wolverine. It is during the heat of Wolverine’s encounter with Sabretooth that the dialogue became very rich and engaging to read as elements of their past together got raised, and Sabretooth’s observations on how the X-Men handled things became philosophical. I also enjoyed how the philosophical writing continued within Charles Xavier’s dialogue as he attempts to nullify the rage between Wolverine and Sabretooth.

As with his past works, the art here drawn by Andrew Wildman is very good and he even pushed the limits of on-page superhero violence during two key moments of the physical struggle between Wolverine and Sabretooth (which resulted in altered colors to avoid graphic violence).  

Conclusion

The encounter between Magneto and the X-Men was pretty engaging to read.

X-Men Adventures #4 (1993) is a solid read from start to finish. By the time I reached the final page, the comic book clearly marked the beginning of the rivalry between the X-Men and Magneto (in accordance to what was set up in the animated series). This comic book emphasized the rivalry further with the clever use of dialogue and visuals (complete with the strategic use of panels on the final pages), so much so there was this genuine feel of the start of a new age.

Overall, X-Men Adventures #4 (1993) is highly recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/and on Instagram athttps://www.instagram.com/authorcarlocarrasco/.

A Look Back at X-Men Adventures Season II #4 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Note: Since this retro review mentions both Russia and Ukraine, I encourage you all to help the people of Ukraine (whose lives have been disrupted by Russian forces) by donating to the Ukraine Appeal project of Hillsong Church. Donate now at https://hillsong.com/appeal/

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the X-Men Adventures monthly series which was a literary adaptation of the famous X-Men animated series of the 1990s.

To be more specific, we examine a tale of the major X-Men villain Omega Red within the monthly series adaptation of the 2nd season of the animated series. Take note that I previously reviewed X-Men #4 (1991), X-Men #5 (1992) and X-Men #6 (1992) which told the first tale of Omega Red who turned out to have a history of conflict with Wolverine decades prior.

With those details laid down, here is a look back at X-Men Adventures Season II #4, published by Marvel Comics in 1994 with a story by Ralph Macchio and drawn by John Herbert.

The cover.

Early story

The story begins in the Caucasus located between Ukraine and Georgia. Inside, a group of people work on a scientific operation resulting a power surge. The surge then causes a stasis chamber’s glass to crack. Moments later, Omega Red emerges and he has clear knowledge about who restrained him, who the government leaders and what happened to the Russian empire. He declares that the Russian empire shall live again. In Moscow, three high ranking military officers discuss their secret plan on restoring the Soviet Union. It turns out, the return of Omega Red is the first step for their ambitious plan.

In America, Jubilee encounters a group of activists who hate mutants inside a convenience store. Peter Rasputin/Colossus, the Russian mutant who encountered the X-Men sometime prior, comes into the store to help Jubilee. Afterwards, Jubilee and Colossus travel to Charles Xavier’s mansion – Xavier’s School for Gifted Children – and discuss important matters. He tells her that Omega Red has emerged in Russia and he need to speak to Professor X. It turns out, Xavier disappeared some weeks prior.

As the situation is so desperate for Colossus, he asks Jubilee if she would help him in his struggle to save his nation. Jubilee makes a hasty decision to do so and leaves a handwritten note telling her teammates that she is off to Russia…

Quality

Colossus and Jubilee in Russia.

While this comic book’s cover art easily reminds me of the Wolverine-Omega Red confrontation on the cover of X-Men #5 (1992), the story here is more varied than that mentioned comic book drawn by Jim Lee. As this is an adaptation of the X-Men animated series episode titled “Red Dawn”, it is not surprising to see the spotlight being divided by many characters.

Omega Red, who has been declared as one of the greatest X-Men villains ever, has a somewhat strong presence serving as the main figure of opposition against Charles Xavier’s team as well as the surviving elite remnant of the Soviet Union. Quite amusingly, Omega Red is totally loyal to the Russian empire similar to how James Bond is very loyal to England and the queen. In comparison to issues #4 to #6 of the X-Men monthly series, the history of conflict between Omega Red and Wolverine was very lightly portrayed.  

Wolverine and Omega Red in battle!

As mentioned earlier, the spotlight is shared a lot by many characters which results a lack of a true protagonist among the X-Men. This is not necessarily a problem as Omega Red’s presence had enough strength. The other Russian Colossus, who at the start of the story has not yet joined the X-Men, got a good share of the spotlight among the good guys and that results some quick and efficient exposition to get readers oriented with him, his family and how he became an outcast in his nation because of his mutation.

The plot itself is light on details which is not surprising due to the high amount of exposition which includes a geopolitical look at the remaining loyalists of the Soviet Union living in Russia which saw some of its regions transformed into republics. With regards to superhero spectacle, this one has a good amount of action and I can easily say the biggest attraction is the fight between Wolverine and Omega Red. Just don’t expect it to be as extensive nor as detailed as the ones Jim Lee drew in the adjective-less X-Men series.  

Conclusion

John Herbert’s take on Omega Red was carefully crafted.

X-Men Adventures Season II #4 (1994) is a fun superhero story to read and I find its portrayal of the Wolverine-Omega Red conflict to be interesting knowing it was not part of comic book canon of the time. Apart from the mentioned conflict, there is something for X-Men fans to enjoy here such as Colossus’ return and his new interactions with the X-Men, how Omega Red’s presence causes danger in Russia, and the current whereabouts of Charles Xavier. Lastly, I should state that John Herbert’s art style is engaging to look at and he made Omega Red look intimidating.

Overall, X-Men Adventures Season II #4 (1994) is recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/

A Look Back at X-Men Adventures #7 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, X-Men fans, superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today, we take a look at the topic of slavery and its connection with the mutants within the universe of Marvel. To be more specific, slavery was emphasized in one of the episodes of the popular X-Men animated series which itself had a monthly series of comic book adaptations – X-Men Adventures!

With those details laid down, here is a look back at X-Men Adventures #7, published by Marvel Comics in 1993 with a story written by Ralph Macchio and drawn by Chris Batista.

The cover.

Early story

The story begins in Genosa, an island nation where mutants are designated as slaves constantly monitored by armed personnel of the state. X-Men team members Gambit, Storm and Jubilee are forced to do hard labor as they have been rendered powerless (with high-tech collars on their necks). Along with many other mutants, they are working on a key infrastructure project of the state.

As soon as the local authorities deactivated the collars of the slaves, Storm immediately attempts to escape by flying. Immediately, the collar on her neck got reactivated which neutralized her powers and caused her to fall down to the water below. As soon as she climbs up on a rock to rest, a cable wraps itself on her right leg. Suddenly, a huge Sentinel rises above the water and pulls her…

Quality

The money shot!

Like the TV episode it was based on, this comic book does a decent job of portraying slavery and oppression with mutants in mind while avoiding the very sensitive topic of racism. To see Gambit, Storm and Jubilee portrayed as much more vulnerable characters is a nice change from their usual portrayals. While the story has a strong slavery theme, it also sheds light on the ongoing, secretive development of the Sentinels program which clearly emphasizes the growing danger that await not only the X-Men (the prime target of Trask and his team) but mutants in general.

When it comes to the art, Chris Batista did a nice job drawing not only the characters (all recognizable) but also their surroundings, the Sentinels and the framing of action scenes.

Conclusion

Gambit, Storm and Jubilee as slaves on Genosha.

I personally find X-Men Adventures #7 (1993) somewhat fun and slightly engaging to read. As this is an adaptation of the X-Men animated series episode about Genosha and mutant slavery, it clearly has a strong wholesome approach to its presentation. That being said, its depth is actually limited as it presented its themes with younger readers and new X-Men readers in mind. Unsurprisingly, the action is limited and was portrayed to avoid violence. If you want a more serious and grittier portrayal of Genosha and mutant slavery, you should read Uncanny X-Men #235 to #238, and the X-tinction Agenda storyline.

If you are seriously planning to buy an existing hard copy of X-Men Adventures #7 (1993) be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $30, while the near-mint copies of the newsstand edition and the Greek edition cost $90 and $200 respectively.

Overall, X-Men Adventures #7 (1993) is satisfactory.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men Adventures #3 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Who is the most definitive X-Men villain ever? That is none other than Magneto! Co-created by Stan Lee and Jack Kirby, Magneto made his literary debut alongside Marvel’s heroic mutants in The X-Men #1 way back in 1963. Magneto is capable of generating and controlling magnetic fields which make him dangerous since he has the power to manipulate metal and even use them as weapons against others, plus he can even cause destruction to buildings by moving the metal in them to bring them down.

What even makes Magneto more dangerous is his very strong belief that his fellow mutants are genetically superior over humans and he does not believe in the concept of mutants and humans co-existing. Character-wise, Magneto is the complete opposite of Charles Xavier/Professor X of the X-Men.

When it comes to pop culture influence, GamesRadar+ declared Magneto as the #1 best X-Men villain of all time. Even more intriguing was the super villain topping IGN’s Top 100 Comic Book Villains List. Beyond comic books, Magneto also appeared in the X-Men arcade game of 1992 made by Konami. On November 27, 1992, Magneto made his debut in the Enter Magneto episode of the popular X-Men animated series on TV. The said episode was, unsurprisingly, adapted into comic book form in issue #3 of the X-Men Adventures monthly comic book series.

How was Magneto’s debut in the said monthly series? We can find out in this look back at X-Men Adventures #3, published in 1993 by Malibu Comics with a story written by Ralph Macchio and drawn by Andrew Wildman.  

The cover.

Early story

The story begins in outer space where Asteroid M is orbiting above planet Earth completely undetected. As a meteor is on-course to collide with Asteroid M, the operator of the asteroid activates its guns and hits it. While Asteroid M got spared, a smaller meteor found itself falling into Earth’s atmosphere. As it burns through the atmosphere, Charles Xavier spots it from inside his mansion.

Xavier turns his attention to Jean Grey. As they travel together, the doors open and Sabretooth enters landing on the floor. The two have yet to know him.

Over at a prison, the captured Hank McCoy/Beast thinks deeply inside his prison cell only to suddenly witness one of the walls get smashed by some powerful force. Magneto arrives and tells him he came for him…

Quality

The power of Magneto.

The writing, with credit to the screenwriters behind the animated episode, is pretty solid and the essence of the said episode was very well adapted into this comic book. As this is Magneto’s debut in the X-Men Adventure series reflecting his debut in animated series, his character is portrayed very accurately and it only made perfect sense for him to approach Beast first to try to convince him join his pro-mutant movement. More on the writing, Beast’s restraint brought out more of Magneto’s hardcore beliefs and his complete opposition towards humans.

Of course, the creators did not let down their efforts to portray the struggle mutants have under the laws of human society which is strongly reflected in Beast’s court hearing with Wolverine and Cyclops (in civilian forms) observing powerlessly. The court room drama and arguments were intense.

I should also state that there really was a nice build-up leading to the first battle (first half, actually) between the X-Men and Magneto. Unlike the battles in issues #1 and #2, the conflict here showed the X-Men more in danger which is only fitting considering how great the villain is.

Conclusion

Magneto and Beast.

X-Men Adventures #3 is a strong adaptation of the Enter Magneto episode. There is no doubt about that and most notably, the comic book creators did another good job making the TV animated episode’s concept engaging and fun to read. This comic book should be part of the collection of anyone who is passionate about Magneto.

If you are seriously planning to buy an existing hard copy of X-Men Adventures #3 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $8 while the near-mint copy of the newsstand edition costs $17.

Overall, X-Men Adventures #3 (1993) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men Adventures #2 (1992)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Having read lots of X-Men comic books, I should say that I always find the Sentinels (first appearance in The X-Men #14 in 1965) to be more memorable as enemies of Marvel’s mutants. On face value, they only look like oversized, human-like robots but I always find them to be formidable opponents of the X-Men. These machines are not only built with sophisticated technologies, they are able to push the X-Men to their limits during battle.

These anti-mutant robots, by the way, were ranked by IGN at #38 in their Greatest Comic Book Villains chart. Long before that, the Sentinels were the featured anti-heroes in the classic X-Men comic book storyline Days of Future Past and it was no surprise that they were also featured in the 2014 movie X-Men: Days of Future Past.

And then in the early 1990s, the Sentinels were shown in the first episode of the X-Men animated series on television. The said series was also adapted into an “as seen on TV” comic book series by Marvel called X-Men Adventures.

This brings me to this look back at X-Men Adventures #2, published in 1992 by Marvel Comics with a story by Ralph Macchio and drawn by Andrew Wildman.  

The cover.

Early story

The story begins with Morph suffering from a nightmare. As he emerged from the vision, he finds himself with Storm, Beast and Wolverine. Together they work to infiltrate a federal government facility which houses the Mutant Affairs Department. Outside the walls of the facility, Rogue Gambit and Cyclops watch from a distance. Cyclops fires his optic blast at the vehicle that just dropped reinforcements that he believes were sent to stop their teammates.

Storm and her teammates break through a door instantly pushing off the security personnel followed by Beast knocking an additional guard. At the room containing the computer, Beast begins to access key information their team has been seeking…

Quality

The Sentinels and the X-Men!

Let me start with the storytelling. As an adaptation of one of the early episodes of the animated series, this comic book does a fine job of recapturing its essence complete with a nice balance between plot, exposition and spectacle. Considering the fact that the animated series was aimed for children, it’s quite intriguing to see the TV episode carrying really heavy themes – apart from the prejudice the mutants suffer from – like top federal government operations, expensive defense and weapons programs, government intrusion into people’s private lives, attempts to require minorities to get registered, etc. Those themes also made it in this comic book which made it feel like it was part of the mainstream X-Men comics of the time.

Compared to the first episode as well as its literary adaptation, this one emphasizes the Sentinels as tools of the government as part of their very expensive program to seek and monitor mutants among their citizens. Mutant Affairs director Peter Gyrich is clearly the villain who has no super powers but has the resources of the federal government and their authority to take action on mutants he perceived to be dangerous.

On the visuals, Andrew Wildman performed a solid job making each page look interesting and detailed enough. While his drawings made each character recognizable to me, it is in the spectacular scenes where he really shines. Wildman’s drawing of the Watcher on the final page of the comic book, however, looks laughable.

Conclusion

Andrew Wildman’s dynamic drawing of the X-Men in action.

While X-Men Adventures #2 is not exactly a literary classic, it is indeed a very solid adaptation of one of the earliest episodes of the animated series of the 1990s. It succeeded on telling a compelling and enjoyable story even though it emphasized the above-mentioned serious themes. As for the iconic Sentinels, this one succeeded in explaining what they are and their place in Marvel’s universe is.

If you are seriously planning to buy an existing hard copy of X-Men Adventures #2 (1992), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $8 while the near-mint copy of the newsstand edition costs $26.

Overall, X-Men Adventures #2 (1992) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at X-Men Adventures #14 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Last time I reviewed an issue of X-Men Adventures, it was the 13th issue which served as the first half of a two-part adaptation of the animated series’ adaptation of the literary X-Men classic storyline Days of Future Past. It was a compelling and fun comic book to read.

Then I saw the cover of X-Men Adventures #14 which had a nicely drawn cover but instantly spoiled key elements of the 2nd part of the Days of Future Past adaptation. What does the comic book have left to show?

We can all find out in this look back at X-Men Adventures #14, published in 1993 by Marvel Comics with a story written by Ralph Macchio and drawn by Nick Napalitano.

Cover
The spoileriffic cover.

Early story

The story begins with Bishop (who came from the dark future on a mission to change events and prevent the darkness from taking over by aligning himself with the X-Men) attacks Gambit whom he identifies as the traitor responsible for the downfall of the X-Men and society. In response, Rogue, Jean Grey and Jubilee intervene to disrupt the conflict paving the way for Wolverine and Cyclops to restrain Bishop.

Bishop insists that everything will change for the worse if Gambit lives to fulfill his destiny: to kill a prominent politician who opposed mutants.

After some squabbling between the X-Men, the situation cools down and Professor X/Charles Xavier announces that he and some members will travel to Washington, D.C. where he will address the senate committee on mutant affairs…

Quality

2
Chaos in the headquarters of the X-Men!

In terms of writing, this comic book carries a lot of punch on its own. It’s a compelling read and like the animated series episode that served as its source, it took its time to build up tension before a twist or a scene of spectacle happens. As expected, it is not a scene-per-scene recreation compared with the animated episode and that’s just fine for me. I only wished the comic book creators retained the animated episode scene in which Bishop tells Wolverine that Gambit’s destined act was the Canadian’s fault, which led to Wolverine memorably saying: “I still can’t believe it.”

More importantly, the story offers readers a nice exploration about how the public and the Federal Government of the United States would react with mutants. To see US Senator Robert Kelly harshly question Professor X if his school functioned for pro-mutant propaganda is quite striking.

When it comes to the art, Napalitano’s work here is a drop in quality and style when compared to Andrew Wildman’s art. His art is not terrible and he exerted effort on translating the script into images but the work looks rushed. There were some weirdly drawn faces of Rogue, Xavier and Wolverine to name some. The action scenes meanwhile lacked punch.

Conclusion

3
The dark future of the X-Men and their society.

While X-Men Adventures #14 served its purpose on completing the adaptation of Days of Future Past, it failed to deliver the great stuff even though the script was strong. The sub-par art of Napalitano really dragged the presentation down making the comic book end with a whimper.

If you are seriously planning to buy an existing hard copy of X-Men Adventures #14, be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $6 while the near-mint copy of the newsstand edition costs $21.

Overall, X-Men Adventures #14 (1993) is satisfactory.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com