Better than Streaming: Dune (2021) 4K Blu-ray coming out on January 11, 2022

Welcome back, fellow geeks, Blu-ray collectors and movie buffs! The 2021 movie Dune (directed by staunch cinema defender Denis Villeneuve)can be viewed in the comfort of home in a much better version than HBO Max/HBO Go on January 11, 2022 as its 4K Blu-ray combo (4K Blu-ray disc, Blu-ray and digital code) will be released on that very day! There will also be a Best Buy-exclusive steel book version released as well.

The good news this early is that Dune (2021) 4K Blu-ray will come with native 4K visuals! While its price and the official start of pre-ordering the product have yet to be announced as of this writing, you can find its Amazon listing by clicking here. If you really are interested in the movie’s 4K Blu-ray combo, I encourage you to keep revisiting the Amazon listing for updates.

To put things in perspective, posted below are key details from the Blu-ray.com article about Dune (2021) 4K Blu-ray combo. Some parts in boldface…

The front cover.

Special Features and Technical Specs:

  • DOLBY VISION/HDR PRESENTATION OF THE FILM
  • DOLBY ATMOS AUDIO TRACK
  • Featurettes:
    • The Royal Houses
    • Filmbooks: House Atreides
    • Filmbooks: House Harkonnen
    • Filmbooks: The Spice Melangelnside Dune – The Training Room
    • Inside Dune: The Space Harvester
    • Inside Dune: The Sardaukar Battle
    • Building the Ancient Future
    • My Desert, My Dune
    • Constructing the Orniyhropters
    • Designing the Sandworm
    • Beware the Baron
    • Wardrobe From Another World
    • A New Soundscape
  • 4K Blu-ray subtitles: English SDH, Latin Spanish, Canadian French, Parisian French, German, German SDH, Norwegian, Swedish, Finnish, Danish, Greek, Korean, and Hindi
  • Blu-ray subtitles: English SDH, Latin Spanish, Canadian French, Portuguese-Brazilian, Bulgarian, Czech Republic, Hungarian, Japanese, Polish, Romanian, and Hindi
The rear cover.

Posted below are the other details from Dune’s (2021) own page at Blu-ray.com…

Video

Codec: HEVC / H.265

Resolution: Native 4K (2160p)

HDR: Dolby Vision, HDR10

Aspect ratio: 2.39:1, 1.78:1

Original aspect ratio: 2.39:1, 1.43:1

Audio

English: Dolby Atmos

English: Dolby TrueHD 7.1 (48kHz, 24-bit)

Note: All Dolby Atmos tracks have a Dolby TrueHD 7.1 (48kHz, 24-bit) core

SubtitlesEnglish SDH, French, Spanish

Discs4K Ultra HD, Blu-ray Disc, Two-disc set (1 BD-100, 1 BD-50)

Digital – Digital 4K, Movies Anywhere

Packaging – Slipcover in original pressing

Playback4K Blu-ray: Region free, 2K Blu-ray: Region A

While Dune (2021) has been playing in the local cinemas here in my native Philippines for weeks now, I’m still waiting for the film to be screened on an IMAX cinema operated by SM Cinema (which itself started to gradually reopen). I am aware that the film is being shown on another cinema with IMAX with Laser technology but that cinema’s price is simply too expensive for me. Dune (2021) was filmed with Arri Alexa LF IMAX and Arri Alexa Mini LF IMAX cameras and that alone convinces me to watch it on an IMAX screen. In relation to SM Cinema’s reopening, the nearest IMAX cinema should reopen on November 30.

While I am not a fan of the Dune literary series as well as the failed 1984 movie, this year’s cinematic version looks grand under the passionate direction of Villeneuve and it has an ambitious cast that includes Aquaman Jason Momoa, Josh Brolin, and Rebecca Ferguson to name a few. Given the fact that the movie was released on HBO Max, it looks highly unlikely it will achieve a tremendous ticket sales success just as more cinemas are reopening worldwide as more people got vaccinated for COVID-19. When I say tremendous ticket sales, I’m talking about grossing $750 million worldwide. As of this writing, Dune (2021) grossed $365.5 million worldwide while theater-exclusive movies No Time to Die and F9: The Fast Saga have grossed over $700 million worldwide each. Very clearly, the HBO Max-theaters hybrid release of Warner Bros. is a big mistake. Remember, what people pay for on streaming goes to the service, not the movie.

Now that Dune (2021) 4K Blu-ray combo is set for a January 11, 2022 release, does this latest development spark your interest? I myself am eager to see how the IMAX-recorded footage will turn out in 4K Blu-ray visuals.

In closing this Better than Streaming piece, posted below are some Dune-related videos for your viewing pleasure. Also included are a few videos about the 1984 Dune movie.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/

If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

Better than Streaming: Let’s help the local cinema industry recover from its massive loss

It’s been two days since cinemas around Metro Manila officially reopened which is a welcome move not because I personally want to watch movies on the big screen inside the theater but because the local cinema industry will contribute to the economic recovery of our nation from this ongoing COVID-19 crisis. That being said, I urge you readers – who got fully vaccinated locally – who love watching movies to take time out to support the local cinema operators and their employees by visiting their venues, buying tickets over the counter and watch movies on the big screen while following the local health protocols (note: local cinemas have invested a lot in making their venues safe and sanitized).

Be reminded that streaming will NEVER match the grandeur and immersion of the cinema! The cinema is always better than streaming. Movie venue choices aside, local moviegoers now have the opportunities to watch A Quiet Place Part II  and the big blockbuster Dune (2021).

Going back to the topic of economic recovery, there is no doubt that the COVID-19 crisis combined with all the restrictions imposed by the local, regional and nation authorities brought down the national economy in 2020 along with all the economic sectors and the employees. All of these also translate into a major loss of tax revenue for the local governments, provincial governments and the national government.

In the case of the local cinema industry, the shutdown of cinemas since the pandemic started in March 2020 resulted a huge, collective industry loss of revenue according to a BusinessWorld report. I’m talking about many BILLIONS of Pesos lost!

To put things in perspective, posted below is an excerpt of the BusinessWorld report. Some parts in boldface…

The cinema industry had P19 billion in foregone revenue from March 2020 to September this year, Film Development Council of the Philippines (FDCP) Chairperson Mary Liza Diño-Seguerra said in a Teams video interview.

The loss had ballooned to P21 billion as of Oct. 11, Charmaine N. Bauzon, president of Cinema Exhibitors Association of the Philippines, told PTV News.

Local government units, which charge 10% amusement tax per movie ticket, lost P1.09 million daily from the country’s more than a thousand movie screens, according to estimates by the National Tax Research Center.

“We earned P11.5 billion yearly from the box office [before the pandemic],” Ms. Seguerra said. “We sold about 52 million tickets each year.”

Cinema operators get 50% of ticket sales, while the other half goes to producers, who then give as much as a quarter to the distributor, who’s in charge of marketing and distributing the film to the public.

Last year, cinemas in areas under a more relaxed quarantine made a measly P327,000, Ms. Seguerra said.

Take note that before the pandemic started, the local cinema industry as a whole had a work force of 300,000 employees and those who lost their jobs and income really suffered. In the City of San Juan, the Manila Bulletin reported about the reopening of local cinemas there with Mayor Francis Zamora issuing statements and leading the inspection on the venues. Posted below is an excerpt from the Manila Bulletin article.

San Juan City Mayor Francis Zamora led the inspection of cinemas in the city starting with the Greenhills Promenade Cinema.

Zamora inspected the health and safety protocols of the cinema such as the disinfection process of the establishment and the procedure of buying the tickets, which can be done before entry to the cinema or online, new seating arrangements with strict physical distancing, and the guidelines of actual movie viewing under the new normal.

I know how Filipinos miss watching movies in silver screens which have been shut down for almost two years due to the pandemic, but now the long wait is over. With the approval of the IATF, we are allowing the opening of our cinemas in the city, provided that we take extra care and observe stringent protocols as we are still facing threats of COVID-19 despite the easing of restrictions to Alert Level 2,” Zamora said.

I want to personally make sure that our cinemas in San Juan will be safe for all of us, not only for the moviegoers but for the employees of these establishments as well,” he added.

During Alert Level 2, the operational capacity of several businesses has been increased to accommodate more customers. It has also eased down quarantine restrictions in various indoor establishments and recreational venues including movie houses and cinemas.

Under the Inter Agency Task Force (IATF) guidelines, cinemas can accommodate up to 50 percent of its maximum venue capacity, but only those who are fully vaccinated will be allowed entry into the cinemas.

For added insight, posted below are two news videos for your viewing…

Going back to choices of movies, be aware that opening soon locally in cinemas are Black Widow (November 17) and Shang-Chi and the Legend of the Ten Rings (November 24). For those who prefer Philippine movies, the Metro Manila Film Festival (MMFF) will return to cinemas next month!

Once I again, I urge you readers based in Metro Manila and in nearby provinces who got fully vaccinated to come out to support our local cinema operators and make a contribution to economic recovery as you enjoy watching on the big screen again.

Let me end this piece by asking you readers: Now that cinemas within Metro Manila have reopened, are you planning to revisit them and watch movies on the big screens anytime soon? Does Dune (2021) interest you a lot? When was the last time you saw a movie inside the movie theater? Do you realize that as a paying customer, what you pay helps not only movie producers and cinema operators but also their employees and the varied government units (that collect amusement taxes)?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673

If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

COVID-19 Crisis: OCTA Research favors the suggestion about not requiring moviegoers to wear face shields inside the cinemas

Here in metropolitan Manila in the Philippines, local cinemas are set to reopen on November 10, 2021 which will be a very important day for the cinema operators and their respective employees as the restrictions related to lockdown and the current COVID-19 crisis kept them closed since March 2020. For updates about Metro Manila cinemas, I encourage you to follow the Cinema Exhibitors Association of the Philippines (CEAP) Facebook page.

As the reopening of Metro Manila cinemas gets closer, it was reported by the Philippine Daily Inquirer (PDI) that the OCTA Research group favors the suggestion that the wearing of face shields inside cinema should NOT be required as such things are not only uncomfortable but will surely make movie viewing an unpleasant experience. Take note that only fully vaccinated people (those who got vaccinated with two doses of most brands of COVID-19 vaccines) will be allowed to pay and enter cinemas (limited to 30% seating capacity) under the rules of Alert Level 3. Alert Level 3 in Metro Manila was recently extended.

To put things in perspective, posted below is the excerpt from the Inquirer news report. Some parts in boldface…

The OCTA Research said Tuesday it supports the suggestion on not requiring the wearing of face shields in cinemas.

For OCTA Research fellow Guido David, watching movies will not be enjoyable if the audience will be required to wear face shields. He noted that removing the requirement of wearing face shields in cinemas was also brought up in a forum.

We should still wear face masks, but face shields, that’s a different topic. That can be discussed, because in fact we were in a Go Negosyo forum and they were discussing about removing the requirement for face shields in theaters because it actually makes sense. If you go to a theater, it would not be an enjoyable experience if you are wearing a face shield,” Guido told ABS-CBN News Channel’s Headstart.

Asked if he supports removing the requirement of wearing face shields in cinemas, David said: “We would support it because I think the move is to allow only vaccinated people to enter theaters.

The reopening of cinemas was earlier allowed in Metro Manila as the region shifted to Alert Level 3. However, only fully vaccinated people will be allowed in theaters with an indoor seating capacity of 30 percent.

From this point on, we will find out soon enough how the Inter-Agency Task Force (IATF), the Metropolitan Manila Development Authority (MMDA) and the Metro Manila Council (MMC) will react to what OCTA Research declared about face shields inside the cinemas.

Whatever their reactions will be, I urge Metro Manila readers among you my readers to support the local cinemas not simply for the sake of just supporting the cinema operators and their employees, but also to practice your freedom of choice for entertainment on the big screen!

If you want the best value for your money when returning to the cinemas starting November 10, I would suggest watching Dune (2021) in an IMAX cinema as that movie has scenes shot with IMAX cameras. The visual spectacle captured can be fully enjoyed on an IMAX screen and there is absolutely no way such greatness will be seen via streaming. In short, if you want the best Dune viewing experience, screw HBO Go, screw HBO Max, screw the pirates and go watch the film in the local IMAX cinema. For the residents of South Metro Manila reading this, the nearest IMAX cinema is inside SM Southmall in Las Piñas City. Better start making inquiries via social media now if you really want the IMAX experience.

Whatever your choice of movie or local cinema, I suggest you check out the most updated listing of movies and schedules. The cinematic viewing experience is always better than streaming. Don’t forget to check updates from CEAP.

Let me end this piece by asking you readers: What do you think about this latest development? Are you excited to return to the local cinema to watch movies with the big screen experience once again? Do you think the MMDA and Metro Manila mayors will make new moves to hamper the cinematic experience of moviegoers or even hamper the scheduled reopening of local cinemas? When was the last time you saw a movie inside the cinema? When was the last time you saw any movie inside the IMAX cinema?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673

My Observations: Christopher Nolan slams AT&T-controlled Warner Bros. over plan to release new movies in cinemas and HBO Max simultaneously

I am not a fan of director Christopher Nolan but I say he still deserves credit for the massive contributions he made in cinema, specifically with the Dark Knight trilogy (which strengthened the superhero film genre) and IMAX (Dunkirk and Interstellar come to mind.)

Director Christopher Nolan. (photo source – IMDB.com)

Very recently the acclaimed movie director and producer made tremendous buzz in the news as he slammed AT&T-controlled Warner Bros. over their plans to release their seventeen 2021 movies in both movie theaters and the streaming app HBO Max. As you already know, the much-awaited Wonder Woman 1984 is just the first of many WB films that will debut inside cinemas and via streaming on the same day. HBO Max is currently way behind rival streaming services Disney+ and Netflix in terms of subscribers, and this fact makes Warner Bros. look not only desperate but traitorous towards movie theatre operators (who lost money and have struggled to retain their employees).

Going back to Christopher Nolan, read closely below the excerpt from The Hollywood Reporter article.

For many in the movie business — producers, directors, stars and their representatives — Dec. 3, 2020 is a day that will live in infamy.

“Some of our industry’s biggest filmmakers and most important movie stars went to bed the night before thinking they were working for the greatest movie studio and woke up to find out they were working for the worst streaming service,” filmmaker Christopher Nolan, whose relationship with Warners dates back to Batman Begins in 2005, said in a statement to The Hollywood Reporter.

Nolan added: “Warner Bros. had an incredible machine for getting a filmmaker’s work out everywhere, both in theaters and in the home, and they are dismantling it as we speak. They don’t even understand what they’re losing. Their decision makes no economic sense and even the most casual Wall Street investor can see the difference between disruption and dysfunction.”

Personally, I agree with the Batman films director. Even with the ongoing pandemic, it still does not make sense economically to release brand new movies in both cinemas and online streaming simultaneously. I know that there are a lot of people who don’t want to leave their homes to watch a movie because of fear that they will get infected with COVID-19. I noticed a few people who posted on social media that the movie theatre is a death trap of COVID-19 and they disregarded the efforts movie theater operators made to have their facilities sanitized, cleaned and practiced social distancing. This contributes to them relying on streaming to watch brand new movies in their homes.

The WB plan to release new movies in both cinemas and HBO Max only made the tough situation of movie theater operators even worse. Cinemas have been struggling to survive and badly need customers to buy tickets, snacks and drinks, and most notably enjoy the grand experience of watch films on the big screen which streaming will never ever match nor replicate. It should be noted that the business model of standalone movies recovering the negative costs (production, marketing and others covered by movie producers and investors) by means of movie ticket sales (plus merchandising) followed MONTHS LATER by revenue from sales/rentals of DVD/Blu-ray/4K Blu-ray, cable TV, pay-per-view services, and public TV showing is still the best even though several theaters have been closed down due to the pandemic.

It should be noted that the fact that WB does not charge a dedicated upfront fee for viewing Wonder Woman 1984 on HBO Max only means that the said movie’s producers won’t be collecting proceeds from the payments of subscribers. If you are a dedicated fan of Wonder Woman, Gal Gadot, Chris Pine, Kristen Wiig and you want to see more Wonder Woman movies in the future, you are better off skipping streaming and instead pay for the movie by buying movie tickets, buying the movie’s eventual releases on DVD, Blu-ray and 4K Blu-ray, pay for the movie’s eventual pay-per-view release, pay for the future rental service of the movie, etc. Paying HBO Max only pays for the service, and not for Wonder Woman 1984. Streaming will NOT help Wonder Woman 1984’s producers, investors and filmmakers, and it also will NOT help movie theater operators.

As for me, I’ll make it a point to watch Wonder Woman 1984 in the local cinema (especially IMAX) a number of times and then anticipate its release on Blu-ray and 4K Blu-ray. I will not stream to watch it!

Going back to Christopher Nolan, he is not alone with his reaction towards WB’s plan. Major cinema chain AMC reacted negatively as well. Below is an excerpt from The Hollywood Reporter story.

“Clearly, Warner Media intends to sacrifice a considerable portion of the profitability of its movie studio division, and that of its production partners and filmmakers, to subsidize its HBO Max startup,” said Adam Aron, CEO and president of AMC Entertainment, in a statement to The Hollywood Reporter. “As for AMC, we will do all in our power to ensure that Warner does not do so at our expense. We will aggressively pursue economic terms that preserve our business.”

The move will see the studio’s 17-film slate hit HBO Max for a one-month window that starts the same day the titles will be available in theaters in the U.S. The move comes after the studio had already revealed plans to release Wonder Woman 1984 day-and-date on Christmas Day, a plan that AMC says it was notified about.

“These coronavirus-impacted times are uncharted waters for all of us, which is why AMC signed on to an HBO Max exception to customary practices for one film only, Wonder Woman 1984, being released by Warner Brothers at Christmas when the pandemic appears that it will be at its height,” read a statement from the exhibitor, which added, “However, Warner now hopes to do this for all their 2021 theatrical movies, despite the likelihood that with vaccines right around the corner the theatre business is expected to recover.”

CEO Aron added that the company has already started an “immediate and urgent dialogue” with the studio. AMC, which announced today that it would be selling 200 million shares in the hope of improving its liquidity, has seen its stock fall some 16 percent by Thursday afternoon.

You heard about the Independent Cinema Alliance? They too are disappointed with Warner Bros. They called for a return to theatrical exclusivity and expressed that releasing films solely in movie theaters for a period of time is “what drives that value – not streaming.” Below is the full statement of ICA from the Variety report.

“Unprecedented times call for unprecedented measures. The Independent Cinema Alliance, however, is disappointed in WarnerMedia’s questionable decision to release its entire 2021 film slate simultaneously in movie theaters and on HBO Max. WarnerMedia is correct that its content is extremely valuable, but it also must know that theatrical exclusivity is what drives that value—not streaming. Given that COVID-19 vaccines will begin distribution in the coming weeks, the ICA calls on our partners at Warner Bros. and other studios to help write the industry’s comeback story with a recommitment to exclusive theatrical content.

The ICA welcomes short-term, innovative film distribution models developed to bridge the coronavirus pandemic. It is important that our studio partners support independent exhibitors during this crisis with new theatrical releases backed by robust marketing campaigns. For our part, exhibitors will bring the magic of moviegoing to communities across America while implementing expert-backed, industry-specific health and safety protocols.

But let’s be very clear, it is essential to the success of the entire motion picture ecosystem that hybrid distribution models influenced by the pandemic properly reflect appropriate terms for movie theater owners. It is also imperative that these reactionary policies made in response to a public health crisis do not reflect long-term, formal shifts in distribution strategies for studio films. A theatrically driven business model is vital to the success of movie theater owners, studios, and the creative community. The ICA looks forward to collaborating with our partners in Hollywood on deliberate, innovative solutions that build a brighter future for this great industry.”

The hybrid film release model of WB is not only harming movie theater operators, it is also destroying the mutual trust movie theaters have with movie studios as we know it. As seen with Christopher Nolan, his long-time business relationship with Warner Bros. looks like it will crumble. Nolan might as well leave WB and find another Hollywood studio that agrees with him.

Not only that, Warner Bros. long-time business relationship with Legendary Pictures is in danger as well. Legendary Pictures co-financed WB’s upcoming films like Godzilla vs. Kong and Dune, and according to a Variety report, they may take legal action against the studio over its plan on launching movies in both cinemas and HBO Max. Here’s an excerpt from the said report.

It’s unclear what legal grounds Legendary would use to challenge the decision, though it would likely involve some breach of contract.

Legendary declined to comment, as did Warner Bros.

Part of Legendary’s frustration is that despite largely bankrolling “Dune” and “Godzilla vs. Kong,” the production company didn’t have much of a say in how its buzzy titles would be released. Moreover, the company felt that Warner Bros. wasn’t being transparent with its intentions. Months ago, Netflix had discussed a possible sale of “Godzilla vs. Kong” for a hefty $250 million but WarnerMedia, the parent company of Warner Bros., blocked that arrangement.

Denis Villeneuve, the director of “Dune,” is similarly disappointed with the HBO Max plan and would prefer a traditional theatrical release for his movie, according to insiders.

As if that was not enough, it has been reported that movie piracy has been rising as the studios skipped the struggling cinemas. Even Disney’s live-action Mulan was shared millions of times in the form of unlicensed copies! Below is an excerpt from the report by Bloomberg.

Studios have tried to salvage some of their big-budget films this year by selling them through streaming services for $20 to $30. But that business model has made it easier for pirates to illegally copy and share new releases, with an estimated loss of millions of potential customers for the production companies.

Unlicensed downloads of Walt Disney Co.’s most-recent picture, “Mulan,” have outpaced those of other movies since its Sept. 4 U.S. debut on the Disney+ streaming service, according to TorrentFreak, a website that tracks pirating activity on public servers. Compared with “The Lion King,” which came out last year in theaters, “Mulan” saw about twice as many downloads in the days and weeks after its release.

When a traditional movie is released in theaters, thieves struggle to obtain high-quality recordings of it, often resorting to bootlegging with a hidden camcorder. With digital releases, pirates use technologies not available to most consumers to make perfect copies quickly.

On the other side of the spectrum, Warner Bros. Entertainment chairman and CEO Ann Sarnoff defended her company’s decision and specified that they have “many movies which are ready to go, and they’ve been sitting on shelves. So we thought this was the most creative and win-win situation to bring them not only to theaters but simultaneously for 31 days on HBO Max.”

The same CNBC report also states that Warner Bros. did not consult the actors, the directors, the agents with regards to the 2021 movies, and that they did not make distribution deals with the cinemas.

In ending this, here is an excerpt from The Hollywood Reporter’s report. Play close attention to the details.

The Warners move poses big, maybe even existential questions: How do theaters survive this supposedly one-time, excused-by-the-pandemic move? Genies are hard to put back in the bottle and no one believes Warners intended this to be temporary anyway. What damage will be done to exhibitors by training customers that if they sit on their sofas, the biggest movies will come? And will Warners face serious backlash from important producers, filmmakers, guilds and on-screen talent? “Warners was the quintessentially talent-friendly, filmmaker-friendly studio,” says one agent. “Now Warners isn’t the first place, second place or third place you want to go.”

Many in Hollywood think WarnerMedia jumped at this drastic move to play to streaming-infatuated Wall Street and re-do the botched launch of HBOMax, which netted a dismal 8.6 million subscribers. But one prominent agent notes that the top executives at WarnerMedia and its parent — AT&T CEO John Stankey, WarnerMedia CEO Jason Kilar and, of course, Sarnoff — “don’t understand the movie business and they don’t understand talent relations.”

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Starman

When it comes to science fiction movies of Hollywood, the 1980s was quite an interesting decade. Released during the decade were these epic sci-fi flicks like The Empire Strikes Back, Return of the Jedi and Dune. Not to be outdone were the low-budget sci-fi movies that made an impact on pop culture like The Terminator and E.T.: The Extra-Terrestrial.

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Within the big mix of these kinds of films during the 1980s was Starman which was overlooked.

Released in 1984 to positive reviews (and later an Academy Award nomination for Best Actor for Jeff Bridges), Starman was directed by John Carpenter who established himself nicely in Hollywood with 1978’s Halloween. Between Halloween and Starman, Carpenter also directed genre classics Escape from New York and The Thing.

Starman follows an alien creature whose ship (a UFO) was shot down by fighter jets that acted in defense. The alien finds its way into the house of Jenny Hayden (Karen Allen) who is grieving over the sudden death of her husband Scott (Jeff Bridges) watching a personal video of their past and drinking lots of liquor. Inside the house was an album which contained a lock of hair which the alien used to create a clone of Scott instantly from infant to full adult which is the titular Starman (also played by Bridges).

This of course shocks Jenny. She sees her husband return yet it’s not really him. Starman – the alien – clearly is not used to occupying a human body but does his best to communicate with her in English. He also carries with him seven silver spheres that allow him to do special things (specifically manipulating matter) that would appear as miracles to others. Starman wants Jenny to bring him to the Barringer Crater in Arizona within three days in order to be picked up by his fellow aliens. Otherwise he would die.

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Although frightened and hostile towards him, Jenny still was considerate enough to drive him far away.

If there is anything significant about this movie, it is the sheer depth of character development of both Jenny and Starman. Equally significant is the chemistry between Karen Allen and Jeff Bridges who made their characters believable.

Jeff Bridges is excellent in his portrayal of Starman. He’s clearly an alien who is not only struggling on being in a human body but also struggles to learn about the many ways of life and expression around him on his time on Earth. This includes learning gestures, saying words and doing things that people already find normal to do.

Karen Allen delivered a fine performance as Jenny Hayden. In fact when it comes to character development, I see Jenny a more significant character than her counterpart from outer space. While Starman adapts to life on Earth, Jenny’s character is gradually and convincingly transformed from one who is stuck with the past and being bitter into a person who gets renewed by understanding that life does have more to offer, that hope exists, that miracles do happen and finding new love and inspiration to live on.

As a Born Again Christian who went through personal transformation, who gained renewed faith in the Lord, and who left the old life behind to live on with a new purpose in life, I strongly relate with Jenny’s character development a lot. The concept of renewal and personal transformation portrayed by Karen Allen is much clearer to me than ever. Not to be outdone is the element of the healing of the soul of Jenny as a result of learning and understanding Starman.

The movie also has a solid supporting character in scientist Mark Shermin nicely played by Charles Martin Smith. Shermin is the typical sympathetic and willing-to-understand scientist who strives to discover first-hand an actual living alien which puts him into conflict the National Security Agency’s plan to capture Starman dead or alive. His talk with Starman reminds us viewers that humanity is always flawed and has many times resorted to violence as a means of accomplishment whenever a challenging situation (read: the visit of Starman to Earth by space ship only to be shot down due to fear of being invaded) happens.

With regards to storytelling, Starman is a nice mix of genre elements that goes beyond science fiction. It is also a road movie and a romance. At the same time director John Carpenter told the story with a controlled pace that gives viewers ample time to understand what’s been going on and a decent amount of spectacles that highlight Starman’s miracles.

Speaking of which, the film has elements of Christianity and the miracles of Starman are just the start of it. I could emphasize further here what the other elements are but that would mean spoiling the story and that is something I won’t do. You just will have to watch the movie to realize it.

Is Starman a wonderful movie? Absolutely! Is it one of the best works of John Carpenter? Truly it is and it deserves any moviegoer’s attention. How does it compare with other friendly alien movies like E.T.: The Extra-Terrestrial and Close Encounters of the Third Kind? Compared to those two flicks, Starman has the best and most mature character development of its protagonists. Its dramatic performances are also better.

Starman is a true sci-fi classic that deserves your attention even if you are not fond of sci-fi or UFO movies. I highly recommend buying this movie on Blu-ray disc or by streaming it.

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Thank you for reading. If you enjoyed this article, please click the like button below and also please consider sharing this article to your fellow John Carpenter fans and sci-fi movie fans. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your project or business, check out my services.

Author’s Note: This article was originally published at my old Geeks and Villagers blog. What you read on this website was an updated and expanded version. In other words, this newest version you just read is the most definitive version.