HSBC, one of the biggest players of the global financial industry, recently made its forecast of the Philippines growing economically at 4.4% for the year 2023, according to a news article by the Philippine News Agency (PNA). There are certain factors mentioned in HSBC’s assessment for the nation.
To put things in perspective, posted below is the excerpt from the PNA article. Some parts in boldface…
Hikes in the Bangko Sentral ng Pilipinas’ (BSP) key policy rates are expected to dampen the strong domestic output for 2023, with an executive of HSBC forecasting a 4.4 percent expansion this year.
In a virtual briefing on Thursday, HSBC chief investment officer for Southeast Asia, Global Private Banking and Wealth, James Cheo, said private consumption contributed to the strong recovery of the domestic economy last year but this is seen to be limited by the monetary tightening aimed to temper the elevated inflation rate.
Other factors that boosted gross domestic product (GDP) last year include investments, higher government spending on infrastructure and increased mobility following the resumption of face-to-face schooling, he said.
“Looking into 2023, the country’s growth will slow and the recovery is going to be more gradual as the reopening boost fades and monetary tightening weighs on domestic demand,” Cheo said.
As of the third quarter of last year, growth, as measured by gross domestic product (GDP), rose by 7.76 percent, exceeding the government’s 6.5 to 7.5 percent growth assumption for this year.
The BSP’s key rates have been hiked by 350 basis points from May to December last year, after being at record-low of 2 percent in 2020, as monetary authorities help address the elevated inflation rate.
Last December, domestic rate of price increases further accelerated to 8.1 percent, the highest since November 2008, due to faster annual jumps in goods and energy prices.
Cheo said “household’s consumption in 2023 will likely be curtailed” given the elevated inflation rate.
“Strong employment, tourism recovery, expanding production and retail sales, and public investment will continue to support growth in 2023,” he said.
With inflation expected to remain high, Cheo projects the BSP to make three consecutive 25 basis point increases this year, “pausing at 6.25 percent by Q2 (second quarter) 2023” and keeping this decision until at least the second half of 2024.
The above article ended with HSBC predicting that the Philippine Peso will weaken to the United States Dollar at a rate of US$1 = P56.50.
Let me end this piece by asking you readers: What is your reaction to this recent development? Do you believe that inflation and interest rates will somehow slow down the ongoing economic growth later this year? Do you think that Philippine tourism will become a factor to help the Philippine economy grow at least 5% this year? What do you think the national government and its economic managers should do to maintain strong growth as the nation keeps on recovering from the depression of the COVID-19 crisis? Have you been managing your personal or business finances carefully recently?
If you still have not yet acquired an Xbox Series X console but you already have the means to buy it, then you should seriously consider buying the Xbox Series X and Forza Horizon 5 Premium Edition Bundle once it becomes available for $559, Team Xbox announced recently. Having played Forza Horizon 5 a lot on my Xbox Series X since late 2021, I can say that the bundle is great value for you gamers as well as others struggling with inflation.
To put things in perspective, posted below is an excerpt from the Xbox.com announcement. Some parts in boldface…
Introducing the Xbox Series X – Forza Horizon 5 Bundle, including an Xbox Series X and wireless controller, and Forza Horizon 5 Premium Edition with Hot Wheels Expansion, VIP Pass, Car Pass, Welcome Pack and a second expansion when available. This Xbox Series X bundle will be available worldwide and will start shipping to retailers in the US, Canada and select markets in Asia this week. Bundles will start shipping to Europe, Latin America, and more regions around the world later this month.
The Xbox Series X bundled with Forza Horizon 5 and additional content offered for $559.
Xbox Series X: 12 teraflops of raw graphic processing power, DirectX ray tracing, a custom 1TB SSD, and 4K gaming – Xbox Series X is the fastest, most powerful Xbox ever. There are thousands of playable titles from four generations of consoles, and all games look and play best on the Xbox Series X. Load times are virtually eliminated and framerates are increased with a custom-built NVMe SSD, which enables larger, more robust games to operate at their full capacity.
Forza Horizon 5 runs at 4K and 60 frames per second on Xbox Series X in performance mode and provides the most technologically advanced Forza Horizon experience yet. You’ll get to explore the vibrant and ever-evolving open world landscapes of Mexico in the world’s greatest cars with 12 teraflops of raw graphic processing power, DirectX ray tracing, a custom SSD, and 4K gaming. The power of the Xbox Series X console delivers incredible realism and immersion with a world rendered in higher detail and with extreme draw distances.
Forza Horizon 5 Premium Edition includes Forza Horizon 5 plus the Premium Edition add-ons -Forza Horizon 5: The latest entry in the open world racing series showcases powerful, all-new graphical features. Experience sweeping vistas and scan the distance to see the adventure that lies ahead. Encounter the smallest of details throughout the world, which is rendered with striking realism, down to the smallest details like the light that glows through each needle on a Cholla cactus. Our Mexican HDR sky captures illuminate the world to the point that you will feel as if you are right there. And thanks to Xbox Series X|S, ray tracing is utilized in ForzaVista to make the cars look even more true to real life.
Hot Wheels Expansion: Race 10 amazing new cars on the fastest, most extreme tracks ever devised. You can even design, build, and share your own Hot Wheels adventure! What’s not to love about that? You can blast off to the visually stunning, exhilarating Horizon Hot Wheels Park in the clouds above Mexico today.
VIP Pass: The VIP Pass features 3 exclusive Forza Edition cars, Crown Flair, Vanity Items, Emote and Car Horn, Player House, Double Credit race rewards, weekly bonus Super Wheelspins, and more to give your game a boost and make you stand out at the Horizon Festival.
Car Pass: Expand your garage with 42 new cars, including 8 Formula Drift Cars to get you started in style. Plus, you’ll receive a one-time grant of each car to your in-game garage.
Welcome Pack: 5 special pre-tuned cars, a Player House, a one-time grant to own any car from the game’s Autoshow, and 3 one-time grants for any Common or Rare clothing item.
Second Expansion: The next Forza Horizon 5 expansion will be included when it launches.
Wow! That’s a ton of gaming value for those who will buy the Xbox Series X bundled with the blockbuster game! Indeed, Team Xbox is offering big value for $559 to those who want the premium, fun console gaming experience. I myself am still having fun replaying Forza Horizon 5.
Personally, I see this premium bundle announcement as a form of warm-up on the part of Team Xbox to deliver not just more game-related features and Xbox Game Pass (XGP) content but also the big-budget Xbox-exclusive games that are expected to be released this year such as Starfield (note: first half of 2023), Forza Motorsport (2023), Redfall (note: potentially May 2023) and others. 2022 is over and ended without big budget exclusive games and this is the year that Team Xbox should deliver the great stuff that cannot be found on PlayStation and Nintendo consoles. If you want tremendous gaming value and content at a small price per month, I encourage you to subscribe to Xbox Game Pass (XGP).
Watch out for the Xbox Series X – Forza Horizon 5 premium bundle online and at the local retailers.
In concluding this article, posted below for your enjoyment are Xbox-related videos.
To put things in perspective, posted below is the excerpt from the GMA news report. Some parts in boldface…
A total of 2.6 million tourists arrived in the Philippines in 2022, the Department of Tourism (DOT) said.
This is due to the opening of borders to all international travelers in February, the DOT added, according to a report on GMA Integrated News’ Unang Balita on Monday.
Some P173 billion tourism revenue was recorded in 2022, the department said.
The DOT said more than 628,000 arrivals are returning Filipinos.
The top arriving international tourists were from the US, South Korea, Australia, and United Kingdom.
Very clearly, the recovery from the COVID-19 pandemic continues to happen in different ways around the world. For the Philippines itself, the arrivals and presence of foreign tourists as well as Filipinos based overseas are crucial for the socio-economic development of the whole nation. As such, we Filipinos can be more supportive towards the DOT and other national stakeholders to make tourism – both foreign and local – thrive again with the nation in mind.
Let me end this piece by asking you readers: What is your reaction to this new development? Do you believe the DOT can achieve its targets for 2023? Do you think the local government units (LGUs) should become more pro-active on emphasizing local tourism? What is the most notable local tourist site in your city right now? Did you notice your favorite local coffee shop or restaurant having more foreigners as customers lately?
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, superheo enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the X-Men Adventures monthly series which was the literary adaptation of the popular X-Men animated series of the 1990s.
Today is my review about the 15th and final issue of the X-Men Adventures adaptation of episodes of the 1st season of the popular animated series. The comic book at hand was the literary translation of the 13th episode and final episode of season one which was broadcast in March 1993.
With those details laid down, here is a look back at X-Men Adventures #15, published by Marvel Comics in 1993 with a story written by Ralph Macchio and drawn by Andrew Wildman.
The cover.
Early story
The story begins somewhere in Manhattan where a riot is happening. It turns out that multiple riots have occurred as a result of the of the recent kidnapping of United States Senator Robert Kelly who established himself as the nation’s most prominent anti-mutant public figure.
Deep inside their headquarters, the X-Men watch live news footage of the riot. Even though they were not involved in the kidnapping of Senator Kelly, Charles Xavier and his team are concerned that mutants like them will still be held responsible. The leader tells his team that they must find the missing senator quickly before the wave of intolerance affects all of them mutants. Xavier then starts using Cerebro which he programmed to search for any distortions in the magnetic field of planet Earth.
Elsewhere, inside a vessel that got shipwrecked along the Atlantic seaboard, Magneto has Senator Kelly as his captive. He tells the politician that he holds the key to the future and that they are in agreement that man and mutant cannot co-exist peacefully. For Magneto, the war for dominance must begin as humans remain weak and divided. Suddenly, a huge Sentinel breaks into the place…
Quality
The X-Men, Professor and Magneto.
Being the conclusion of the monthly series based on season one of the X-Men animated series, this comic book’s story packs a lot of stuff, intrigue and some memorable character moments. Thematically, the story emphasizes absolute power, intolerance and instability which got dramatized carefully as the narrative progressed.
For the X-Men, the pressure is tremendous as the stakes have gotten so high not just for them but for all mutants as a population. To fail to save the kidnapped Senator Kelly would cause society to become even more hostile to mutants which could compel the federal government to declare a state of emergency. Complicating matters here is Magneto’s obsession with power in connection with his biggest obsession that mutants are essentially superior over humans and that societies will be reformed – even with violence involved – accordingly. Adding even more the complexity of the situation are the presence of government, technology handlers backed by private financiers, and the one gigantic machine (that produces new Sentinels) that becomes self-aware.
The good news here is that the story is very well written, the narrative does not lose focus and the creative duo of Macchio-Wildman managed to craft a tale that consistently remained engaging complete with ensuring sufficient superhero spectacle for entertainment. As expected, the pay-offs executed for all the build-ups proved to be highly satisfying.
When it comes to characterization, everyone here acts and talks as expected. The team dynamics of the X-Men here make for a cerebral reading experience especially when they have these intense private meetings trying to solve their problems and anticipate what would happen next. The dialogue, filled with varied details, are richly written and yet easy to follow. I should state that having the Sentinels as a force of opposition under the control of a rogue AI added a lot to the stakes involved in the plot. The portrayal of machines acting superior over humans proved to be a unique parallel to the humans-mutants conflict.
Conclusion
The fictional US Senator Robert Kelly in trouble in the presence of Magneto and a Sentinel.
X-Men Adventures #15 (1993) is not only a worthy conclusion to the monthly series based on animated series’ season one episodes. It is indeed the best comic book of the said series that I have read thanks to the great adaptive works of the Macchio-Wildman team. The story had these very high stakes raised and ultimately the pay-off to all the build-up were great resulting in great satisfaction on my part as a reader. At the same time, there are certain key plot elements and character elements here that eventually made their way into the first X-Men live-action movie of 2000. The core story is the clear feature while the bonus pin-up section was the fun additive. This comic book is a must-have!
Overall, X-Men Adventures #15 (1993) is highly recommended!
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1993 and explore a part of Marvel Comics’ universe through the first-ever limited comic book series featuring one of Marvel’s most iconic villains – Venom.
In my previous retro review, Eddie Brock returned to his hometown of San Francisco following the events of Amazing Spider-Man #375 (1993). Living with his very distorted belief of protecting the innocent by doing unrelenting acts of violence on others, he begins to get involved with helpless people who happened to be hounded by agents of a certain private organization that wields power. Along the way, Spider-Man arrives in the city find Venom.
With those details laid down, here is a look back at Venom: Lethal Protector #2, published in 1993 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.
The cover.
Early story
The story begins deep underneath the city of San Francisco. Venom, who is caught by the large mechanical fist of a walking mech (piloted by a man working for Roland Treece’s organization), finds himself on the deeply buried section of the city and around them are vagrant people who settled and became residents of a local society that the rest of America does not even know exists.
As the local residents caught the attention of the pilot, Venom breaks free by smashing the mechanical fist into pieces. Another mech suddenly jumps into place near the first one. In response to the first mech’s sudden killing of a local resident (who was armed with a shotgun), Venom jumps to it and kills the pilot inside by punching into the cockpit. Venom then grabs a long sharp object and kills the pilot of the other mech with it.
While the locals were hostile and afraid of Venom, the other people (who were assisted on the surface by Venom) come to support him and tell their fellow underground residents that he is not their enemy. One of the local council members stated that a meeting at the council hall will be held and Venom will attend it…
Quality
With exposition in mind, Spider-Man here does most of the detective work. Understandably, he is not involved with the superhero spectacle.
Compared to issue #1, this story has a more interesting setting which is the buried and forgotten section of San Francisco which was the result of the 1906 earthquake. Showing that the lost section has a local population composed of homeless people and those who reject the modern society above was a bright idea nicely executed by the Michelinie-Bagley team as it added some depth into Marvel Comics’ own version of San Francisco.
It was also in the underground city and with the residents where we get to see Venom do his own distorted acts of heroism backed by killing, and see how he fared when trying to win the trust of the locals whose members include those who read about him in the news and those who completely know nothing about him.
Through his interactions with the underground people, Eddie Brock is portrayed to be a bit more human compared to what happened in issue #1. For a man who has gotten very used to using extreme forms of violence and committing multiple acts of murder, it is surprising to see Brock looking and acting more civil in the presence of Americans (and perhaps illegal immigrants) who settled deep underground and established their own rules (note: Eddie Brock does not care about rules while having the alien costume). Still, you will see Venom engage in violent superhero action and even do a bit of detective work.
As with the previous issue, the iconic Spider-Man got a good share of the spotlight in the story as he searches for details about Venom which leads him to finding his rival’s estranged father. Spider-Man’s presence here is noticeably lessened compared to issue #1 and his own search for answers creatively served as exposition. Don’t expect to see any superhero spectacle from Spider-Man.
Without spoiling details and names, I should state that this comic book marks the debut of a ream of armed mercenaries led by a powerful man who lost a son because of what Venom did in Amazing Spider-Man #315 (1989).
Conclusion
The violent nature of Venom displayed.
Venom: Lethal Protector #2 (1993) is a marginal improvement over the first issue in terms of storytelling and setting. Part of the big build-up that happened in issue #1 started to get paid-off in this comic book which allowed for the plot to move forward at a more satisfying pace. Venom and Spider-Man share the spotlight again, but this time the edge goes to the black-wearing murderer who also has the benefit of being part of the superhero spectacle here. At this point of the mini-series, Venom is not only facing elements of the Treece organization (which has been organizing something that could impact San Francisco and its people) but also a new force of opposition that is related to something he did a few years prior. That being said, Venom is first and foremost a murderer that Marvel wanted to make big money out of.
Overall, Venom: Lethal Protector #2 (1993) is satisfactory.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1993 and explore a part of Marvel Comics’ universe through the reimagined tales emphasized in the What If monthly series.
For those of you who have gotten very familiar with Marvel Comics’ vast lineup of superheroes, anti-heroes, super villains and supporting characters, the Punisher is one of the most notable characters as he is the most definitive vigilante the publisher ever has in its shared superhero universe. As a comic book protagonist, the Punisher does “good” in fighting crime but he sure is as bad as the bad guys as he commits torture, issued threats of violence, kidnapping, extortion, coercion and even murder towards them. A major factor in the Punisher’s origin (as Frank Castle) was the killing of his family (wife and two kids) committed by a mob as they witnessed acts of killing in Central Park in New York City. The tragic deaths led Castle to become the Punisher who not only relentlessly waged a personal war against criminals but also often wore dark clothes with a large white skull design on the front of his body. The skull symbolized punishment and death to his enemies.
With those details laid down, here is a look back at What If #10, published in 1990 by Marvel Comics with a story written by Doug Murray and drawn by Rik Levins.
The cover.
Early story
The story begins with the Watcher recalling the time Frank Castle spent with his wife and the two kids at New York City’s Central Park. There, they have fun with their picnic. At this point in time, Frank Castle had previously served his country in the Vietnam War and he carries within him bravery, the experience of violence and vast skills to use weapons.
The weather suddenly worsens as rain starts to fall down causing some inconvenience on the Castle family. Frank’s son struggles as his kite got caught by the large plant nearby. On the other side of the said plant, four armed men and their captive (hanging upside down by the tree) are startled and prepare themselves to shoot anyone who appears.
Frank, who does not realize the mob on the other side of the plant, helps his son get the kite back. The Castle family then decide to go back home not realizing that they came close to discovering and witnessing the illegal activity of the armed men. As the family kept on moving, Frank hears gunfire from a distance…
Quality
Frank Castle the family man.
To get straight to the point about this comic book, it’s story is really engaging and it has noticeable amounts of darkness and grittiness without going overboard. While exploring what would happen had Frank Castle’s family not been killed, the comic book shows the Punisher getting involved in public safety as a New York patrolman which puts him in a unique position facing crime in radically different ways from what we comic book readers have been used to seeing. The story also explores corruption within the police and the justice system as well.
The way the events and action turned out showed the creative team focused on realism while also establishing the Punisher’s own place within the comic book’s alternate portrayal of the shared superhero universe. More on the subject matter of this comic book, there is a twist that surprised me a lot and it is something that you readers should see for yourselves.
Going back to Frank Castle, it is indeed very captivating to see him portrayed a lot more as a family man who really strives to support his wife and kids no matter how dangerous his occupation really is. The aspect of family in this comic book is very significant as it will make you realize that the definition of family in America in the 21st century has been distorted as a result of laws or court decisions that reflected wokeness, homosexuality and unrestrained feminism. In short, woke America’s believers reject the concept of the traditional family and the concept of a father leading the family is considered taboo because it goes against LGBT’s so-called values and principles.
Conclusion
Frank Castle as the police officer.
When you think about the legacy of the Punisher not only on comics but also in movies and other forms of entertainment media, you will often remember a one-man-army against criminals. What If #10 (1990) has is a really unique take on the Punisher and I can say it has a very captivating script brought to life with really good artwork. Not only does this alternate version of the Punisher shows how he affects criminals, but also how he impacts other parts of the fictional New York society within the shared universe of Marvel Comics (note: characters connected to Spider-Man and Daredevil are here). From start to finish, this Punisher tale by the Murray-Levins team turned out to be very engaging to read.
Overall, What If #10 (1990) is highly recommended!
The forthcoming 2022 National Duathlon Championships (NDC) will feature the finest Filipino competitors in the run-bike-run event along with a strong foreign participation as the races form part of the selection of the Triathlon Association of the Philippines (TRAP) for the 32nd Southeast Asian Games (32nd SEA Games) in Cambodia.
Over 450 duathletes across the country are expected to troop to the New Clark City in Tarlac in time for the December 4 race where they will see action in the Standard Distance races as well as in the Sprint and Super Sprint events along with the best from Singapore and Malaysia.
“The main actions are in the sprint events since the events in the Cambodia SEA Games are all sprints with Singapore and Malaysia sending their best to measure up with our elites,” said TRAP president Tom Carrasco.
The races will be supported by the Philippine Sports Commission (PSC), HOKA, Filinvest New Clark City, Standard Insurance, Asian Centre for Insulation Philippines (ACIP), Fissan and Fitbar as major sponsors while the Bases Conversion Development Authority (BCDA), New Clark City and the local government of Capas, Tarlac are the venue partners.
According to Carrasco, the signature event of the TRAP is the 13-15 age group category (Super Sprint) starring the country’s Youth Olympic Games aspirants and the next generation of duathletes/triathletes in the national team.
“The top Filipino finishers will be in the short list for the SEA Games in Cambodia, but we will also consider the other duathlon events results in 2022,” said Carrasco.
More entries are expected to sign up prior to the races where Pocari Sweat serves as hydration partner and PTV Sports and Radyo Pilipinas 2 as media partners.
A total of 103 team will participate, most of them from 26 cities and provinces in the country and foreign contingents from Australia, Brazil, France, India, Indonesia, Malaysia, Singapore, South Africa and the United States.
+++++
Note: This is an official press release issued by the Triathlon Association of the Philippines (TRAP).
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Valiant Comics shared universe through the Harbinger monthly series.
In my previous retro review, the creative team of Fontenot-Simpson told another story that built up Harbinger’s concept some more while introducing yet another new character – Screen – who is not part of the team led by Sting. The story symbolically showed the further growth of the tremendous power of Toyo Harada not only through his control of the Harbinger foundation but also of his connection with the new United States President of the time.
With those details laid down, here is a look back at Harbinger #19, published in 1993 by Valiant Comics with a story written by Maurice Fontenot and illustrated by Howard Simpson.
The cover.
Early story
The story begins on the afternoon of January 25, 1993. Inside the New York facility of the Harbinger foundation, a pretty blonde, young lady named Natalie Toynbee – codename: Stunner – gets scanned by the technicians handling the technologies. A technician’s request for Natalie to urinate into a cup reveals that the lady has a huge ego and pride of herself as she reacts negatively.
Suddenly, the wall near Natalie and the technician got damaged by force unleashed by Sting who is accompanied by Faith, Flamingo and Shatiqua. Their mission is to free Natalie from the clutches of the Harbinger foundation which is a small part of their long-term vision of freeing and recruiting more powered young adults.
After subduing the Harbinger foundation personnel, Sting begins to explain to Natalie the situation and tells her to just trust him. Sting tells her to come with them which only drew more of Natalie’s ego along with skepticism. This reaction makes Faith think Natalie is not worth saving…
Quality
Imagine Iran invading America and causing terror like in this scene. Imagine Joe Biden and the Democrats allowing this to happen to Americans.
While the story was not crafted to follow-up closely on the events of issue #18, this comic book puts Sting and his teammates into a collision course with a new force of evil – the Iranians (note: issue #20 confirms their national identity) who have interests on specific young adults with powers and special abilities. Along the way, the Fontenot-Simpson team introduced a new sinister force in the form of a very manipulative Iranian named Kaliph.
Kaliph’s introduction here is easily the biggest feature of the story and he unsurprisingly overwhelms the debut of Natalie. Kaliph here works in service of his unidentified superiors and as he does his job, he uses his special ability of manipulating people’s minds through sight and sound to gain information, find directions, make them do his orders and gain access into places that he could never have had he been an ordinary person. By the end of the story, I was convinced that Kaliph was created to be an enduring or recurring villain for Sting and his team.
More on the primary characters of this monthly series, Sting and his teammates were portrayed to get more harbingers (powered young adults) to join them and become part of their long-term opposition against Toyo Harada and the Harbinger foundation, even though their own team lacks the resources needed to support themselves. The lack of resources was cleverly highlighted through Natalie’s reactions (related to her big ego) to what Sting’s team has for her to live with. Looking at the bigger picture going back to issue #1, Sting’s vision of defeating Harada and winning the trust of powered young adults without any solid foundation (specifically resources, connections and security) emphasize his recklessness and false sense of maturity as a team leader.
Conclusion
Kaliph and his companion arrive in America with a sinister plan.
In my view, Harbinger #19 (1993) is a solid change of direction for the monthly series complete with the introduction of a new, strong villain who originated from Iran which by today’s standards is the major force of terrorism in this world. The new villain Kaliph has a creepy aesthetic that other villains in this series lacked. More notably, the story remained consistently very engaging and pulled off some notable surprises which were indeed entertaining.
Overall, Harbinger #19 (1993) is highly recommended!
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Valiant Comics shared universe through the Harbinger monthly series.
In my previous retro review, some twists of events happened for Sting and his teammates during the Christmas season. The story was part of the continuing build-up and expansion of the Harbinger series’ own space within Valiant Comics’ shared universe under the direction of Maurice Fontenot. As of issue #17, another new character from outside of Sting’s group got introduced for them to interact with.
With those details laid down, here is a look back at Harbinger #18, published in 1993 by Valiant Comics with a story written by Maurice Fontenot and illustrated by Howard Simpson.
The cover.
Early story
The story begins on January 1993. Within the city of New York, Faith, Shatiqua and Flamingo are being followed by a young man wearing a trench coat. They know they are being followed. They eventually found themselves just outside the same amusement joint where Shatiqua played a lot of arcade games and decide to enter.
Inside, many people recognized and greeted Shatiqua which reflects her outstanding reputation on arcade games. As Shatiqua, Faith and Kris approach a certain arcade game (that Shatiqua wants to play), they noticed the one playing it is the same little black boy (capable of disappearing) they encountered previously. Shatiqua then takes the first step to approach him and gain his attention.
The boy then disappears and reappears a short distance away from the three and right beside same trench coated man who earlier follow them. The boy then attempts to blow the place up with a hand grenade. The man in the trench coat reacts quickly revealing his power to Faith, Shatiqua and Flamingo.
Quality
Sting shows his ignorance and lack of maturity while getting checked by Dr. Hayward.
This is the latest build-up type of story Fontenot composed and like the previous issue, another new character unconnected to Sting’s team got introduced for them to interact with. The new character here is referred to as Screen and he clearly is a more interesting character than the one introduced in issue #17. Screen here is more impulsive and aggressive and he sure looks like he has what it takes to oppose Sting. I also liked the way the creative team showed the impulsiveness and lack of maturity of both Sting and Screen.
Within the script is the establishment of a new sub-plot which symbolizes the growing danger of the Harbinger foundation towards not only on Sting and teammates but also against the others that oppose Toyo Harada and his organization. In some ways, the sub-plot will make you speculate about the invisible yet sinister forces who wield tremendous power over the top government officials who are supposed to be serving their constituents within the republic.
With all of these details laid down, I can say they are all engaging to read as Fontenot’s writing continued to be really strong. For the art, I can say that Howard Simpson continued to pump out really solid visuals while successfully keeping the primary characters recognizable all the time.
Conclusion
This image is very symbolic as Bill Clinton and his wife Hillary made it normal for the United States to make deals with terrorists (notably Iran and Palestine) and betray the patriotic Americans. This makes this comic book socially relevant and what you see with the corrupt administration of Joe Biden reconnects strongly with the Clinton legacy.
Harbinger #18 (1993) is a very solid comic book to read. The build-up continues to happen and along the way, the titular characters got developed some more and this time around, the Harbinger foundation’s power continues to get stronger which convinced me to look forward to the next issue.
Overall, Harbinger #18 (1993) is highly recommended!
Welcome back, fellow geeks, Blu-ray collectors and movie buffs! Whether you are a fan of Tom Cruise, or a fan of the 1986 classic Top Gun or if you want something new and exciting to add to your collection of 4K Blu-ray movies, November 1, 2022 will be an important for you as Top Gun: Maverick4K Blu-ray will be released on that very day. Here are some good news…Top Gun: Maverick 4K Blu-ray will come with native 4K visuals and if you are convinced to go for it, you can order it in advance right now!
Top Gun: Maverick 4K Blu-ray cover.
To put things in perspective, posted below is the excerpt from the 4K Blu-ray announcement at Blu-ray.com. Some parts in boldface…
Paramount Home Media Distribution has officially announced that it will release on 4K Blu-ray and Blu-ray Joseph Kosinski’s Top Gun: Maverick (2022), starring Tom Cruise, Val Kilmer, Miles Teller, Jennifer Connelly, and Bashir Salahuddin. The two releases will be available for purchase on November 1.
Studio synopsis: Tom Cruise stars in the global phenomenon Top Gun: Maverick, the #1 film of 2022 with over $1.3 billion in worldwide box office and the highest grossing film of the producer/actor’s acclaimed career. Top Gun: Maverick has been hailed as “spectacular” (Brian Truitt, USA Today), “breathtaking” (Don Kaye, Den of Geek) and “jaw-dropping” (Sean O’Connell, Cinemablend).
After more than thirty years of service as one of the Navy’s top aviators, Pete “Maverick” Mitchell (Tom Cruise) is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him. When he finds himself training a detachment of Top Gun graduates for a specialized mission the likes of which no living pilot has ever seen, Maverick encounters Lt. Bradley Bradshaw (Miles Teller), call sign: “Rooster,” the son of Maverick’s late friend and Radar Intercept Officer Lt. Nick Bradshaw, aka “Goose.”
Posted below are the specs of Top Gun: Maverick 4K Blu-ray…
Video
Codec: HEVC / H.265
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10
Aspect ratio: 2.39:1, 1.90:1
Original aspect ratio: 2.39:1
Audio
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
Subtitles – English SDH, French
Discs – 4K Ultra HD, Blu-ray Disc, Single disc (1 BD-100)
Digital – Digital copy included
Packaging – Slipcover in original pressing
Playback – 4K Blu-ray: Region free
As for the special features and technical specs, posted below are the details sourced from Blu-ray.com…
DOLBY VISION/HDR PRESENTATION OF THE FILM
DOLBY ATMOS AUDIO TRACK
Cleared For Take Off—Witness the most intense film training program as the cast prepare themselves for filming while pulling multiple G’s in a fighter plane.
Breaking New Ground – Filming Top Gun: Maverick—Prepare to take flight as you go behind-the-scenes with the cast and crew of Top Gun: Maverick on a journey to capture the most spectacular aerial sequences ever!
A Love Letter To Aviation – Tom Cruise shares his passion for aviation as he pilots his own aircraft, a vintage World War II P-51 Mustang, which would have been the Top Gun aircraft of its day.
Forging The Darkstar – Pushing the limits beyond Mach-10, the future of aviation is unveiled through an impressive experimental aircraft specially designed for the movie.
Masterclass with Tom Cruise – Cannes Film Festival—Tom Cruise discusses his incredible career at the flagship event of the 75th Cannes Film Festival.
“Hold My Hand” – Lady Gaga Music Video—Watch Lady Gaga’s music video for her standout lead single hit on the Top Gun: Maverick soundtrack.
“I Ain’t Worried” – OneRepublic Music Video—Check out the music video to the original new song from OneRepublic.
Mission: Impossible – Dead Reckoning Part One Teaser Trailer – We all share the same fate. Watch the official teaser trailer for Mission: Impossible – Dead Reckoning Part One starring Tom Cruise. Coming to theatres 2023.
Top Gun: Maverick was released more than thirty years after its predecessor first came out. The 1986 Top Gun itself did not just make a tremendous amount of money in terms of ticket sales as it also made its mark in American pop culture complete with a memorable soundtrack and having notable actors like Val Kilmer, Michael Ironside (note: check out my retro review of V: The Final Battle plus my article about its Blu-ray release), Meg Ryan and Tim Robbinsas supporting cast members. To know more about the 1986 classic, watch Oliver Harper’s in-depth retrospective by clicking here.
More on Top Gun: Maverick, the movie’s success during this COVID-19 pandemic age is astounding as it grossed past $1 billion worldwide and literally it reinvigorated movie theaters around the world! For context, posted below is an excerpt from a recent Forbes.com article regarding the theatrical success. Some parts in boldface…
Top Gun: Maverick’s exceptional success supplied a giant lifeline to theaters and cover for studios willfully underdelivering regular theatrical products in an uncommonly sparse summer. Top Gun: Maverick accounted for 23% of the domestic summer movie line-up. That is partially because it earned around $500 million more than even the rosiest projections.
Top Gun: Maverick also came with the benefits of advanced cinematography technologies and methods which made its flight scenes very pleasing to watch. Practical effects and daring flying methods were used which added to the organic nature of the movie’s visuals which is something that computer-generate imaging (CGI) cannot do. The production team also used IMAX cameras and if the movie is still playing in the near IMAX cinema near you, I encourage you to go watch it while you still have time.
Another notable thing about Top Gun: Maverick is that it defied the wokeness of Commiewood (Communist Hollywood) and emphasized American patriotism. For the newcomers reading this, be aware that there are many millions of socialists, Marxists, Communists and unpatriotic people among young people in America who were brainwashed by the socialists who worked as so-called educators in colleges. Take note from the excerpt posted below sourced from The Daily Mail. Some parts in boldface…
Top Gun is a straightforward action movie that celebrates all that is good about our country and our military.
Add to that the handsome leading men, a romantic drama with Cruise’s love interest Jennifer Connelly, and a new generation of actors and ‘pilots,’ like Miles Teller, and you have darn sequel.
There is also a really moving scene between Maverick and Iceman (Cruise and Val Kilmer) and I am woman enough to admit I cried through it.
But above all else — the movie isn’t overly political, it isn’t depressing, it isn’t focusing on the flaws of the United States of America and why we suck and why our flag and national anthem aren’t worth honoring.
The filmmakers also took a stand against the sickening Hollywood trend of pandering to the demands of the totalitarian Chinese government.
In the 1986 original movie, there is a patch depicting the Taiwanese flag on Maverick’s flight jacket. But during 2019 previews, the patch had been removed to alleged appease Chinese censors.
Movie-goers were happy to see the flag had been restored in the film — a signal that neither the filmmakers nor Cruise are content with being lapdogs to the Chinese regime.
I absolutely loved the movie and I felt good leaving the theatre that evening.
Hollywood must wake up to the reality that ‘go woke, go broke’ is real.
Considering its major achievements that go beyond ticket sales, Top Gun: Maverick is the modern-day entertainment marvel just waiting to be discovered by a lot more people who still have not seen it. Expect Top Gun: Maverick to be among the most wanted titles on Blu-ray and 4K Blu-ray formats this coming Christmas shopping season. Watching the Tom Cruise-led movie in the cinemas, on 4K Blu-ray and Blu-ray is simply better than streaming.
Watch out for Top Gun: Maverick 4K Blu-ray on November 1, 2022.
In closing this Better than Streaming piece, posted below are Top Gun: Maverick-related videos and a few Top Gun videos for your viewing pleasure.
Author Carlo Carrasco 