A Look Back at Spider-Man 2099 #34 (1995)

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 and explore a part of the Marvel 2099 comics universe through a tale of the Spider-Man 2099 franchise.

In my previous retro review, Spider-Man worked together with Strange 2099 on an abrupt mission dealing with a grave digger who is obsessed with his long dead sibling just as the undead in Mexico start walking again.

With those details laid down, here is a look back at Spider-Man 2099 #34, published in 1995 by Marvel Comics with a story written by Peter David and drawn by Andrew Wildman.

The cover.

Early story

The story begins with Miguel O’Hara and Xina returning from Mexico speeding on a lonely road by car. O’Hara suddenly got scanned from a distance. Just as Xina shares to Miguel her newest observations and opinion about Spider-Man, the man suddenly got snatched from the car by uniformed authorities riding a floating vehicle. Miguel tells his abductors to let him go and one of them replies stating that he is being taken to the White House at the request of his Alchemax superior Tyler Stone.

Meanwhile inside an apartment located near the White House in Washington, DC, Dana converses with Tyler Stone by holographic call complaining that without him, the city is getting lonely for her. As soon as her communication ends, someone knocks her out cold…

Quality

For the newcomers reading this, this page shows the first time ever that Doom 2099 sees Miguel O’Hara in person (Spider-Man 2099 without the mask and costume). Spidey and Doom encountered each other previously in The Fall of the Hammer storyline.

I will start what is very obvious about this comic book…its story is totally intriguing as it reflects a very dramatic turn of events within the 2099 realm at the time of publication. I’m talking about the rise of Doom 2099 as the new President of the United States and this comic book dramatizes in detail how the new leader impacts Miguel O’Hara’s career which adds tension to his already hectic 2nd life as the webslinger. This is all about the storyline of One Nation Under Doom and for context, you must read Doom 2099 #26 to #30.

As I just mentioned, life for Miguel became more complicated as he has to deal with the federal government under the control Doom who himself is connected with the powerful tycoon Tyler Stone (Miguel’s own boss at Alchemax). For the newcomers reading this, this is not the first time Doom and Spider-Man of 2099 encountered each other as they were together in the Fall of the Hammer storyline (read my past reviews by clicking here, here, here, here and here).

In relation to the dramatic turn of events that changed the direction of the 2099 comics franchise, I can confirm that the writing by Peter David in this comic book is indeed very strong and highly engaging to follow. You will not see a good-versus-evil superhero tale here but the impact of Doom as US President on Spider-Man and local society. Along the way, this tale has a theme about gaining absolute power, how it affects the one who gains it and how the more powerful person affects many others. You will see the mentioned theme reflected on Spider-Man who himself already has super powers and even a following of idolaters.

Compared to the previous two issues, the dialogue by Peter David here is very rich and I also enjoyed the way how he presented the exposition of details to help Spider-Man 2099 readers understand how Doom’s rise as US President impacts the titular hero and many others. Speaking of Doom, I enjoyed the way how David portrayed him here.  

Conclusion

Gabriel O’Hara, Kasey and the Spider-Man 2099 idolaters doing the old fashioned way of protesting against US President Doom.

Spider-Man 2099 #34 (1995) is indeed a great comic book and one of the best tales of the original Spider-Man 2099 monthly series. As Doom’s takeover of the US Presidency really changed the direction of the entire 2099 franchise of comics in the 1990s, it was inevitable that the repercussions would be reflected in a Spider-Man 2099 tale. The result here is a fascinating tale of the futuristic webslinger that does not even have the usual good-versus-evil conflict. What you will see here is how the stakes got raised for Miguel O’Hara not only as a superhero but also as a civilian who has a strong record within Alchemax. Not only that, this is the tale that took place just before the very memorable first encounters between Spider-Man and Venom 2099 (click here, here, here and here).

Overall, Spider-Man 2099 #34 (1995) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

Carbon black Xbox Series S – 1TB set to launch on September 1, 2023 for $349.99

It has been over a month since the Xbox Games Showcase 2023 and Starfield Direct happened and in recent times Team Xbox boasted very high viewership as the games that got showcased really drew in a lot of people online.

Among the many games shown, Team Xbox formally announced an improved version of the Xbox Series S console – a carbon black Xbox Series S loaded with 1 Terabyte SSD all set for commercial release on September 1, 2023 with a price tag of $349.99. This machine is also referred to as Xbox Series S – 1TB.

To put things in perspective, posted below is an excerpt from the official Xbox.com announcement. Some parts in boldface…

Meet the new Carbon Black Series S with 1TB of storage. Whether you’re looking to upgrade from your current console or are new to Xbox, the Xbox Series S – 1TB offers you another option within the Xbox family of devices. The bold Carbon Black color is the same sleek, modern matte finish as Xbox Series X and the Xbox Wireless Controller.  This console features the same next-gen speed and performance of our 512GB Series S, now with double the storage so you can download even more of your favorite games to your console where they’ll be ready to play when you are. Plus, you’ll make the most of every gaming minute with features like Quick Resume, lightning-fast load times, and gameplay of up to 120 FPS – all powered by Xbox Velocity Architecture.  

Better Together – Xbox Series S pairs seamlessly with all our fan-favorite Xbox accessories. You can also add an Xbox Game Pass Ultimate subscription (membership sold separately) so you can play new games built natively for Xbox Series S and X like Starfield and Forza Motorsport on day one. Plus with games added all the time, there’s always something new to play. 

Available Worldwide September 1 – Launching September 1 (just in time for Starfield), pre-orders for Xbox Series S – 1TB start today at xbox.com or microsoftstore.com for $349.99 ERP. We’ll be adding more retailers and regions in the weeks to come.  

Now watch the official Team Xbox YouTube video below…

If you ask me, I don’t intend to buy the Xbox Series S – 1TB as I already own an Xbox Series X console which is the more expensive machine as it is a premium product. Still, there is no denying that the Xbox Series S – 1TB and its older (soon to be phased out) predecessor strongly appeal to gamers who have limited amounts of money to buy new game consoles, as well as gamers who don’t care much about 4K resolution gaming and movie viewing at home.

Xbox Series S – 1TB release on September 1 is very strategic as the epic Bethesda-developed Xbox-exclusive sci-fi RPG Starfield will be released just days after. A little over a month later, the Xbox-exclusive Forza Motorsport (2023) will be released. Sometime in 2024, the Obsidian-developed Xbox-exclusive fantasy RPG Avowed will be released. I would not be surprised to see the Xbox Series S – 1TB sell a lot (note: first-time gamers as well as owners of the old Xbox One consoles and even those with Xbox Series S consoles will be more likely customers) before those Xbox exclusives get released and eventually more new subscribers to Xbox Game Pass (XGP) (note: I encourage you to subscribe) will be realized. There will also be a lot of other new games, game compilations and remastered games that will be released in the 4th quarter this year.

Watch out for Xbox Series S – 1TB on September 1, 2023.

In conclusion, posted below are Xbox-related videos for your enjoyment. I also included videos about the big breakthroughs of the Xbox-Activision-Blizzard deal. In case you missed the news, the opposition led by PlayStation against the deal has failed and Sony itself signed a Call of Duty-related contract with Team Xbox!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at Aliens vs. Predator #4 (1990)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1990 to take a close look at one of the more significant non-superhero crossover comic book events ever published – Aliens vs. Predator!

In my previous review, things changed for the worse for the humans as their colonial community gets overwhelmed by the presence of Aliens and Predators. Risking her own life, Machiko Noguchi does what she could to protect her constituents. Along the way, one certain Predator that was restrained and examined in the laboratory eerily decides to help the humans.  

With those details laid down, here is a look back at Aliens vs. Predator #4, published in 1990 by Dark Horse Comics with a story written by Randy Stradley and drawn by Phill Norwood. This is the final issue of the mini-series.

The cover.

Early story

The story begins with Noguchi and Miriam flying in a Copter and right below them is the chaos composed of a cattle stampede and the ongoing conflict between Alien Xenomorphs and the armed Predators. While flying, Noguchi and Miriam spot a lone Predator climbing up a tower while fighting off several Xenomorphs chasing him unrelentingly. It turns out the said Predator was Miriam’s own patient at the laboratory and she urges Noguchi to help him.

As part of the tower separates itself, the Predator is about to fall down and the Copter piloted by Noguchi comes closer to help him. Miriam uses a communicator to help the Predator realize they are helping him. As the Predator hangs on to one part of the Copter, an Alien jumps towards the vehicle causing Noguchi to react instinctively by jerking the controls. The Copter then spins on its axis as the nearby tower collapses.

The Copter begins to fall down on the street below…  

Quality

Even as this comic book is packed with lots of action scenes, thrills, and Aliens-Predator fights, the creative team succeeded in emphasizing the narrative all throughout.

I am delighted to say that the Stradley-Norwood duo succeeded with maintaining the high quality works of this mini-series and concluded it with impact. At the heart of the story is the theme of survival with the humans being symbolized as casualties of a raging conflict between the fully determined and instinctive Aliens and the strategic and technological Predators.  

Through the protagonist Machiko Noguchi, readers will realize that as a species, humans can survive not only by having a powerful will to progress backed with focus, but also by communicating and cooperating with an intelligent non-human species that shares their traits. In this case, the non-human species I’m referring to are the Predators. That being said, the Aliens are the non-human species with limited intelligence, fully determined to hunt anyone or anything, and absolutely do not care about morals nor the existence of any species they find different from themselves. All the symbolism about the three species got portrayed powerfully and creatively throughout the story here.

As before, the plot moved at a medium pace and details are emphasized through dialogue, visuals and narrations without ever dragging the pace down. This shows how the creative team proved to be efficient with explaining the details as they focused on telling the story in ways to keep readers engaged.

I should mention that the protagonist Machiko Noguchi became even more significant in this comic book. Without spoiling the details, I can say she blossomed into a heroic figure who risks her life to help many even as she faces tremendous odds. In case you are wondering, Noguchi is NOT a rip-off of Ellen Ripley as she is the colonial overseer dedicated to the corporation. It just so happens that Noguchi shares common traits with the cinematic icon such as bravery, the refusal to give up and having the will to help others even while risking her own life. I can only imagine Ripley and Noguchi conflicting with each other if they were together under normal circumstances.

Noguchis’s short but intense union with the cooperative Predator was told very believably which added depth to the story as well as impact on the conclusion.

As this is the final issue of the mini-series, the creative team really ramped up the big-payoff to what was built up before. In fact, the final conflict here seems to show that Stradley and Norwood were aware about what made the cinematic final conflicts of Aliens (1986) and Predator (1987) entertaining and memorable to moviegoers. That being said, I can say that certain action and sci-fi elements from those movies were implemented in this comic book’s final conflict which I found really engaging, inspired and fun to read.

Conclusion

The union between Machiko Noguchi and this particular Predator is a must-read!

Aliens vs. Predator #4 (1990) is truly a great comic book as well as a powerful conclusion to this very significant comic book mini-series. The creative team not only told the whole storyline with great quality, a steady pace and strong engagement all throughout. It is also here where you will get to see Machiko Noguchi become very significant not only within the Aliens-Predator comic book universe of Dark Horse Comics but in sci-fi comics in general. The ending of this comic book is very powerful and served also as a big pay-off to what preceded it. This is a genuine sci-fi comic book classic!

Overall, Aliens vs. Predator #4 (1990) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Superman vs. Aliens #2 (1995)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 to examine another chapter of the Superman vs. Aliens mini-series.

In my previous retro review, an object from space on Earth and Superman (who previously as Clark Kent learned of the Kryptonian language from the signals transmitted by the object) intervened the discovery of it in the presence of Lexcorp. After much talk and an agreement, Superman went into space with one of Lexcorp’s space ships (under the watch of Dr. Kimble who leads the corporation’s space division) leaving behind Lois Lane at the space station with Kimble. Deep in space, Superman arrives and discovers a ruined city with physical signs of struggle. What he does not realize is the presence of eggs and the Xenomorphs lurking within the new environment.

With those details laid down, here is a look back at Superman vs. Aliens #2, published in 1995 by Dark Horse Comics and DC Comics with a story written and drawn by Dan Jurgens with ink work done by Kevin Nowlan.

The cover.

Early story

The story begins in space when a space ship sent home by Superman is about to collide with the space station near Earth. As one of the crew members failed to take remote control of the incoming ship, a very determined Dr. Kimble takes over the controls and eventually took command of the said ship. Lois Lane, who showed signs of self-restraint and deterioration of her professionalism as a journalist, watches. As Kimble, Lane and the crew members approach the ship at the station’s docking bay, one passenger was found dead (a Chestburster alien came out of him) while three others were still alive.

As Dr. Kimble and personnel brought the surviving passengers in the infirmary, Lois Lane takes advantage of the situation by climbing up the ship to examine it closely. She knows that without the ship, her beloved Clark Kent/Superman is stranded in space. She is completely unaware of the presence of a fully grown Xenomorph alien watching her from a dark corner.

Meanwhile at the ruined city on the other side of the galaxy, a blindfolded Superman is carefully guided by the armed Kara going to a place that has medical equipment and supplies…

Quality

Lois Lane during her encounter with the Xenomorph inside the space station.

This is a solid follow-up to what was established in issue #1. In this comic book, the creative team gradually raised the stakes as two sides of the story were told extensively in alternating fashion – the side of Superman and Kara in deep space, and the other side of Lois Lane and Dr. Kimble (clearly the 3rd most important character in this mini-series) inside the space station.

As the story went on, Superman became even more vulnerable not only because he grew weaker as he has been cut off from the sun (a primary source of energy for him), but also because struggling with the aliens wore him down a lot and he still insists on avoiding any acts of killing due to what happened to him previously. As the Man of Steel became more vulnerable, Kara (who is experienced already in fighting the Xenomorphs which she referred to as the uglies) became an even more significant character (next to Dr. Kimble) and she became a highly essential partner for the icon.

Even for us readers, Kara creatively became even more engaging as she shared memories of events (note: exposition) that happened sometime prior which explains why her city got ruined and how the Aliens arrived and made her people’s problems even worse. The visualization of the said events were efficiently done for a good immersion into the past.  

While the Superman-Kara thread emphasized survival facing tremendous odds, the Lois-Kimble thread became a more significant part of this mini-series as the space station became the new place for Xenomorph attacks. While Dr. Kimble remained obsessed with achieving results with scientific discoveries and corporate interests in mind, Lois Lane became the hunted similar in the style of Ellen Ripley in 1979’s Alien.

If you are looking for action, you will find a lot of them in both threads of the story. While just one Xenomorph on the space station led to some incidental action moments, a lot more action happened on Superman-Kara’s side of the story as they (along with a few human survivors on the ruined city) faced a huge horde of aliens that kept on attacking them from all sides. If you are looking for superhero spectacle, you won’t find it here as the action is more grounded with sci-fi’s interpretation of reality and Superman here is weaker and a lot more worn down physically. Then again, this is not surprising given the tone and concept the creators aimed for.

Conclusion

Superman and Kara struggling hard as they are surrounded by lots of Aliens. One of Kara’s fellow people is present in this shot.

Superman vs. Aliens #2 (1995) is really engaging to read and there were lots of fun moments along the way. Even as the creators were building up something for the third and final issue, they managed to pull off big pay-offs to what was built up in issue #1. While the lack of superhero-style spectacle is clear, it is not a problem at all as there is a lot of action involving the many Xenomorphs in the ruined city plus the bouts of suspense and incidental action executed during Lois Lane’s encounter with a single but deadly Alien. Considering how much fun and engagement this comic book has, it remains to be seen how the next issue will live up to it.

Overall, Superman vs. Aliens #2 (1995) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Spider-Man 2099 Special #1 (1995)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 and explore a part of the Marvel 2099 comics universe through a tale of the Spider-Man 2099 franchise.

Specifically speaking, we will examine a thick one-shot comic book about the futuristic Spider-Man simply referred to as a special. Back in those days, Marvel Comics hired the famous Brothers Hildebrandt and among the projects they worked on were varied pieces of captivating art about Marvel’s 2099 universe. In relation to this particular retro comic book review, the Hildebrandt brothers made the cover art for the special comic book which contained three standalone stories.

With those details laid down, here is a look back at Spider-Man 2099 Special #1, published in 1995 by Marvel Comics with the main story “The Menace of the Man-Spider” written by Jon Peterson and drawn by Joe St. Pierre.

The cover.

Early story

The story begins at 1:45 AM inside the high-tech laboratory of Synthia when the Man-Spider (a human in a monstrous form of a huge spider) causes havoc and tries to hurt the personnel inside in response to their interference of his work. One of the troubled personnel manages to call for help as the Man-Spider tries to get them.

Just as the two workers get hit by the Man-Spider’s organic green web, armored elements of the security force arrived in response to the call and one of them fires a hot at the beast’s right arm causing a serious wound. Suddenly, the Man-Spider violently jumps away smashing through a large window going into the city. The Man-Spider escapes leaving behind a mess at the laboratory including a high amount of organic web that disgusts the people back there.

Hours later at another part of the city, Spider-Man got spotted by a floating drone which declares him as under arrest under the authority of the Public Eye. Spider-Man simply kept on swinging away to another destination until he uses his organic web on the drone and hurls it to a wall and explodes into several tiny pieces. Once alone, he changes into civilian clothes as Miguel O’Hara and rushes to Synthia’s facility…

Quality

A huge monster breaks out.

Focusing on the main story (the first story), I find this particular tale of Spider-Man of 2099 rather worthy to read even though there were some flaws here and there. Jon Peterson crafted a story that took place sometime before the 34th issue of the original Spider-Man 2099 monthly series while reflecting what was declared in issue #8 and building up something new with it. The main story was about Spider-Man getting into eventual conflict with the Man-Spider (note: it looks like someone at Marvel decided to copy DC Comics’ Man-Bat and make something new for the Marvel 2099 franchise) who in turn is an antagonist who is deeply troubled and yet not really evil. The Man-Spider is actually a man who does not have super abilities but rather high scientific intelligence and the capabilities to alter genetics using advanced technologies. The Man-Spider is not obsessed with destroying the world or murdering people, but achieving a major breakthrough backed with good intentions.

One of the most notable weaknesses of the script written by Peterson is the emphasis that Miguel O’Hara/Spider-Man 2099, Dana and the so-called resident mad scientist Antoine have a history together since their youth. This one felt very forced and ended up being unbelievable.

Still on the world-building aspect of the story, this comic book showed a true link between the company Synthia and the gigantic Alchemax which reflects what was state in issue #8. This link between the two corporations opened up opportunities for the creators to emphasize Alchemax’s moves on securing valuable stuff for the future.

Ultimately, the main story turned out to be a good read even though there were flaws that somewhat took away credibility from its core concept. I should also state that Joe St. Pierre established a rather unique look for the Spider-Man 2099 franchise. His work here is a nice alternative opposite Rick Leonardi’s Spidey 2099 art.

While the 2nd story of this one-shot was not worth reading at all, the final story has a unique concept exploring voyeurism in 2099 which accidentally reminded me about how social media in real life could ruin the public’s perception and people themselves.

Conclusion

Spider-Man 2099, Dana and the Man-Spider in a dangerous situation.

With a good enough main story, one forgetful 2nd story and a satisfactory third story, Spider-Man 2099 Special #1 (1995) is ultimately a mixed bag. You will find variety here as well as unique takes on the futuristic Spider-Man and 2099’s society from the creators, but don’t expect great stuff. I think the most die-hard Spidey 2099 and Marvel 2099 fans will enjoy this the most.

Overall, Spider-Man 2099 Special #1 (1995) is serviceable.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Superman vs. Aliens #1 (1995)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 to examine what was back then one of the most unthinkable comic book crossovers to ever happen – Superman vs. Aliens (also referred to as Superman/Aliens).

I remember sometime back in 1994, I bought a new superhero comic book from the local comic book retailer and what caught my attention was the print ad on the back – an Alien chestburster crashing through the iconic Superman S logo. A few of my friends who saw the same print ad chuckled at the concept of having the Man of Steel together with the monsters from the movie franchise that first started in 1979 with Ridley Scott’s Alien. Then came 1995 and eventually the first issue of the Superman vs. Aliens mini-series made it on the shelves of local comic book stores. Its cover easily attracted the attention of many and I saw the image of Superman being smaller to the Xenomorph alien in the background, the concept of the crossover started to intrigue me.

With those details laid down, here is a look back at Superman vs. Aliens #1, published in 1995 by Dark Horse Comics and DC Comics with a story written and drawn by Dan Jurgens with ink work done by Kevin Nowlan.

The cover.

Early story

The story begins in space when a fast moving object from nowhere heads towards Earth which was detected by a satellite of Lex Luthor’s corporation. Behind the scenes, personnel initiated an alert for a certain Dr. Kimble.

Clark Kent (Superman) and Lois Lane arrive at the headquarters of Lexcorp. It turns out they were suddenly called for by the corporation due to what happened in space. As they ride the elevator heading towards the rooftop, Clark and Lois talk about Lexcorp’s space program and Dr. Kimble who happens to lead the said program.

At the roof, they meet Dr. Cheryl Kimble and immediately ride with her in the helicopter going to a certain destination in anticipation of the probe’s estimated arrival. During the trip, Kimble reveals that they received radio signals from the incoming probe which were garbled almost unintelligible. She then plays an excerpt of the radio signals for Clark and Lois to listen to.

For Clark, he cannot help but feel shocked as he finds the audio sounding like Kryptonian…

Quality

Superman finds a dead Facehugger alien.

Firstly, I can say without any hesitation that the creative team succeeded in making the crossover between Superman and the Aliens believable within this very comic book. For one thing, Dan Jurgens came up with a script and visual design that radically different from what was shown in Superman comic books of the time. The script had this somewhat adulterated tone that made the comic book move away from superhero fantasy and move into the realm of cinematic science fiction. For setting the tone and the look, the creative team scored a home run.

Secondly, the script was properly structured to immerse readers with the tale initially following Superman, Lois Lane and Dr. Kimble which ultimately served as a build-up. The good news here is that readers don’t have to wait too long for the pay-off to be executed. In fact, the pay-off itself (which happens when the Man of Steel finally encounters the Xenomorph for the first time) is huge and immediately the tension and depth of the plot really shifted into high-gear which I enjoyed. Along the way, the expository dialogue or the presentation of details (to help readers understand) was nicely balanced.

Thirdly, I love the way how Dan Jurgens presented Superman as being more troubled and more vulnerable than usual. To see the American icon go into personal obsession over the Kryptonian details was a really unique way to presenting his human side. Also having Superman deep in space far away from any sun or star (the essential source for his powers) really made him truly vulnerable as he actually got weaker even before facing off with a Xenomorph. Being in a vulnerable state, you will see the Man of Steel in real danger which truly goes against type (note: being super strong and invulnerable all the time). As such, the danger of the Aliens against him is believable and intense. What I do find weird, however, is how awkward it is for me to see Superman actually trying to reason with the first Xenomorph he encounters. Of course, he has no previous knowledge about the violent nature of the Aliens but we readers – and millions of people who saw any of the movies – know better than him.

As part of the build-up, Dan Jurgens inserted details and flashbacks that recalled previous tales that were published during the early stage of the post-Crisis era of DC Comics. This not only includes Superman’s arrival on Earth but also his strategic killing of General Zod, Zaora and  Quex-Ul using green Kryptonite (as published in Superman #22 of 1988). As such, Superman’s deep regret of taking life away from others serves as a build-up for his avoidance of killing in this crossover. This actually races the stakes for his upcoming encounters with the Aliens.

Even though the story is told through Superman, Dan Jurgens still had enough room to develop Lois Lane and Dr. Kimble. Kimble symbolizes the driven corporate executive who is in-charge of operations that could help her make claims on scientific discoveries and new technologies. Lois Lane here served as the intellectual opposite of Kimble without ever going into the extremes of gaining something for her journalistic career.

Conclusion

Superman with Lois Lane and Dr. Kimble.

Very clearly, Superman vs. Aliens #1 (1995) is indeed a great comic book as well as great opener for its mini-series. Dan Jurgens established a tale that had sufficient build-up and when the pay-off started, the crossover aspect really made the story more compelling to read. Ultimately, this one made the crossover between Superman and the Xenomorphs believable, engaging and intriguing. This comic book is a great start and I am eager to find out what happens next.

Overall, Superman vs. Aliens #1 (1995) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

Better than Streaming: Do you have Aliens 30th Anniversary Edition Blu-ray in your collection?

Welcome back, fellow geeks, Blu-ray collectors and movie buffs! Long before he went all-in with digital filmmaking and made the Avatar movies, James Cameron made a huge impact in the sci-fi action genre with the use of practical effects when they were still the standard in Hollywood filmmaking.    

After making waves with The Terminator in 1984, Cameron went on to make the sequel Aliens which became a huge success and remains a fine example of how to do sequels. To be very clear, the production of Aliens (which starred Sigourney Weaver who returned as Ellen Ripley) has a very detailed and colorful history about notable twists in Hollywood that connect it with The Terminator. As Arnold Schwarzenegger worked on a Conan sequel, production of The Terminator got delayed and along the way, Cameron – who got involved in the Alien sequel – used the extra time to make the script for Aliens (note: working title was Alien II) which was 90 pages long. That script was submitted to Fox’s then new president Larry Gordon who loved it and agreed to wait until Cameron completed The Terminator just so that he could direct Aliens.

Aliens was released in cinemas in 1986 and went on to gross over $130 million worldwide while winning mostly positive feedback from movie critics. When the film was shown on TV in 1989, a modified cut with additional scenes were shown. In 1991, the extended cut of Aliens was released on LaserDisc format and it was 20 minutes longer than the theatrical version.

In the year 2016, the 30th anniversary celebration of the movie happened with the release of a commemorative and feature-loaded Blu-ray and it contained the movie’s two cuts!

Aliens 30th Anniversary Edition Blu-ray.

On face value, the Aliens 30th Anniversary Edition Blu-ray is quite enticing to both movie fans and collectors as it contains the following content:

  • Theatrical Version and Special Edition of the movie (2 cuts)
  • NEW The Inspiration and Design of Aliens featurette
  • Deleted and Extended Scenes
  • Superior Firepower: Making Aliens
  • Superior Firepower: Making Aliens Enhancement
  • Pre-Production Galleries
    • The Art of Aliens
    • Gateway Station and Colony
    • Vehicles and Weapons
    • Aliens
  • Casting
    • Cast Portrait Gallery
  • Deleted Scene Montage
Look at all that stuff you will get with Aliens 30th Anniversary Edition Blu-ray! (photo source – Blu-ray.com)

Personally, I love watching Aliens which in my view is among the very best works of James Cameron and also the best movie of the entire Alien/Aliens film franchise. Through the decades I saw both the theatrical version and the special edition on different formats from video tape to LaserDisc, DVD and cable TV. The movie has Sigourney Weaver’s finest performance; a story that was crafted with a lot of inspiration; it has great action scenes, stunts and a very clever presentation of showing the Xenomorphs; it has very engaging music by the late James Horner; it has several moments of suspense that effectively served as build-ups for the action or intense pay-offs that followed; it has great creature effects by Stan Winston which proved to be an evolution of H.R. Giger’s designs; the Alien Queen was made possible by James Cameron and Stan Winston and ultimately became an essential addition into the Alien/Aliens lore; and ultimately this film moved the entire Alien/Aliens movie franchise forward creatively while respecting what was established in the first movie of 1979 (directed by Ridley Scott, written by Dan O’Bannon and Ronald Shusett).

Aliens also serves as a lively look back at the actors who made nice contributions. There was the late Bill Paxton who went on to appear in more films directed by James Cameron. There was The Terminator actor Michael Biehn who joined the film as a replacement. Lance Henriksen, who also appeared in The Terminator, played the new android Bishop which led to further appearances in two other films of the Alien film franchise.

As much as I love the movie, I have yet to acquire the Aliens 30th Anniversary Edition Blu-ray. In the back of my mind, a 4K Blu-ray release of Aliens could be announced suddenly and I have preference for 4K Blu-ray viewing. Be aware that already there is a 4K Blu-ray version of Alien in the market and even the hugely disappointing prequel Alien Covenant has a 4K Blu-ray release. With the woke Disney company in control of 20th Century Fox, there is no telling when will Aliens have a 4K Blu-ray version.

To know more about Aliens, watch the following videos below…

In case you are interested or if you have made up your mind, you can order a copy of Aliens 30th Anniversary Edition Blu-ray right now by clicking https://www.amazon.com/Aliens-Blu-ray/dp/B01I0K018W?tag=bluray-021-20&linkCode=ogi&th=1&psc=1&m=ATVPDKIKX0DER

If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Aliens vs. Predator #3 (1990)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1990 to take a close look at one of the more significant non-superhero crossover comic book events ever published – Aliens vs. Predator!

In my previous review, the humans of Prosperity Wells begin to get impacted by the presence of the Predators and the Aliens. A family got killed by Predator hunters at their home in the wilderness and only a young boy was able to get away and catch people’s attention in the outpost. Machiko Noguchi and her team initiate defensive measures in response to what has been happening. Two people even brought back a living Predator with them from the ruins of a Predator ship they inspected in the wilderness.

With those details laid down, here is a look back at Aliens vs. Predator #3, published in 1990 by Dark Horse Comics with a story written by Randy Stradley and drawn by Phill Norwood.  

The cover.

Early story

The story begins with Noguchi who finds herself in a dangerous position. In front of her is a horde of Xenomorphs and behind her is one Predator warrior who even assisted her a few moments prior. Armed with futuristic weapons, the armored warrior suddenly jumps above her and right into the Xenomorphs. The Predator efficiently slashed off the parts of a few Aliens using a bladed weapon and blew up one of them using another weapon.

The warrior eventually gets overwhelmed by more Aliens that came into the action. As the Xenomorphs focused strongly on the downed Predator, Noguchi takes advantage of the situation to run away and somehow get back to protecting the people as the outpost has been clearly invaded by two deadly non-human species.

Meanwhile inside the huge cargo ship that did not launch, two crew members freed themselves from the Xenomorphs’ restraints and try to sneak by the Alien Queen which they perceived to be sleeping…

Quality

This is a fine example by the creative team on telling a sequence of intense moments without a single word of dialogue.

From a storytelling point-of-view, this one is a huge pay-off to the build-up established in the first two issues and I can say I enjoyed this one. At this stage of the 4-issue mini-series, the human colony has turned into a battle zone between the Predators and the Xenomorphs and this obviously results in a lot of action scenes and other wild turns of events. It is also in this story where you will get to see Machiko Noguchi at her bravest yet, as well as her uncompromising way of protecting her people and solving the crisis at hand. As she and her fellow humans are in the middle of a crisis, nothing straightforward could happen nor could they make solid plans with any real chance of succeeding. The decisions Noguchi made here came with risks and through her struggles, you will be able to relate with her and you will also witness how the series of unfortunate events turn out with unpredictable ways which added some suspense and surprise to the narrative.

The spectacle here, unsurprisingly, are the battles between the Aliens and Predators. Such conflicts happened mostly in the background which is effective enough to establish the chaos that the humans have to endure. One of the Predators – which does not have a name – became a notable additional supporting player to the cast and his presence and actions added some intensity to storytelling even as the narrative consistently focused on Noguchi.   

The way the story is told, this one maintains the natural progression of details from issue #1 and even though the action has been ramped up, there were still plenty of opportunities for readers to understand the details and grasp the plot. There is also rising tension as the narrative moves forward.

Conclusion

There is nothing like trying to sneak past an Alien Queen in an area surrounded by multiple eggs laid by her.

Being a big pay-off to the huge build-up of issues #1 and #2, Aliens vs. Predator #3 (1990) is highly entertaining and compelling to read! The action scenes and chain of incidents were ramped up a lot and yet this comic book never turned into a brainless fest of violence. The creative team managed to add some breathing space to not only let readers absorb the story details but also to immerse themselves with the situations. By the time I reached the end, I experienced this great satisfaction as well as further motivation to discover how the story will conclude in the next issue.

Overall, Aliens vs. Predator #3 (1990) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

Front Mission 1st: Remake set for Xbox Series X|S and Xbox One release on June 30, 2023

If you love tactical role-playing games as well as robot action with some sci-fi and military concepts mixed in, then you should watch out for the release of Front Mission 1st: Remake on Xbox Series X, Xbox Series S and Xbox One on June 30, 2023. The game, which is actually a remake of Square Enix’s 1995 game Front Mission, was developed and published by Forever Entertainment.

For the newcomers reading this, Front Mission is an existing franchise of games under Square Enix which landed on multiple consoles, the PC and other platforms through the decades. The first-ever Front Mission released in 1995 only in Japan on the Super Famicom was a critical and commercial hit which paved the way not only for further games but also enabling the Front Mission franchise to branch out on other forms of media such as film, novels, comic books, radio dramas and more. Front Mission 1st: Remake is not just a remake of the 1995 original game but also features a modern mode with improved controls as well as a fully orchestrated soundtrack.

To begin with, watch the official trailer below…

To put things in perspective, posted below is an excerpt from the Xbox.com announcement issued by Forever Entertainment. Some parts in boldface…

On June 30th, Front Mission 1st: Remake will make its highly anticipated debut on Xbox One and Xbox Series S|X. Deploy on a mission and play through the intricately woven narrative of this iconic tactical RPG series.

You must analyze your situation carefully before making your next move. Pay close attention to the details.

Huffman Island is the only place where the Oceania Cooperative Union (O.C.U.) and the Unified Continental States (U.C.S.) share a land border, making this place the epicenter of the Second Huffman Conflict in the year 2090.

Leading a reconnaissance platoon, O.C.U. Captain Royd Clive is tasked with investigating a U.C.S. munitions plant. However, their mission takes an unexpected turn when they find themselves ambushed by U.C.S. wanzers – triggering a chain of events that thrusts the entire island into a full-fledged war. Amidst the chaos, Royd’s fiancée, Lieutenant Karen Meure, goes missing in action.

Mech action is fun to watch.

Discharged from military service, Royd embarks on a pursuit to uncover the truth. As his investigation progresses, he gradually unearths a conspiracy and the powers that orchestrated it.

Assemble your Team and Plunge into the Heart of the Action – Front Mission 1st: Remake is an immersive tactical turn-based RPG that puts you in the role of a valiant pilot navigating war machines called wanzers through hazardous battlefields. Experience the realities of war through strategic maneuvers, while enjoying upgraded graphics and a fully re-orchestrated soundtrack that elevate the classic Front Mission gameplay to modern-day standards.

Way back in 1995, I got to play the original Front Mission on a rented Super Famicom console and played it for an hour. As it was written in Japanese, I did not understand the text but that did not stop me from enjoying the gameplay which was turn-based, strategic and packed with action. I enjoyed the mech action (nicely animated 2D sprites) and the challenge to be strategic with my next moves. I also enjoyed how the game compelled me to pay close attention to details such as how the different parts of my mechs can be customized, the different values each component came with, and the added capabilities that proved to be crucial offensively and defensively.

Urban settings like this make the locations of battle more interesting.

In 1999, I played Front Mission 3 on the PlayStation One and it was the North American version (published by Square Electronics). As it was in English, I was able to understand the situation, the details and explanations. Like the first Front Mission game, I had fun playing it and I was also impressed with how the developers utilized 3D polygons to enhance the presentation. What I could not forget was the part when the narrative of the game focused on a secret base located inside Taal Volcano in the Philippines. As a Filipino, that part of the game was a big and really delightful surprise to me.

Looking at the Front Mission 1st: Remake trailer, which is very short, it seems to me that the game is looking good and promising enough. Right now, I am very interested in it.

Watch out for Front Mission 1: Remake on Xbox Series X, Xbox Series S and Xbox One on June 30, 2023.

In ending this piece, posted below are Xbox-related videos plus one Front Mission-related video for your enjoyment. Don’t forget to watch out for Team Xbox’s showcase events (including the Starfield Direct) on June 11, 2023.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram athttps://www.instagram.com/authorcarlocarrasco

A Look Back at Aliens vs. Predator #2 (1990)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1990 to take a close look at one of the more significant non-superhero crossover comic book events ever published – Aliens vs. Predator!

In my previous review, most of the humans living and working in Prosperity Wells are unaware about the creeping danger coming at them. Alien eggs were laid in the wilderness while a ship carrying multiple Predator hunters has landed. At the human outpost, the leader Machiko Noguchi remains disrespected as the staffers and ranchers still trust her predecessor Hiroki Shimura.

With those details laid down, here is a look back at Aliens vs. Predator #2, published in 1990 by Dark Horse Comics with a story written by Randy Stradley and drawn by Phill Norwood.  

The cover.

Early story

The story begins with the huge spaceship still at the launch platform of Prosperity Wells. The ship should have launched already with a huge cargo of indigenous animals – the Rynth – for export. It turns out that the two human pilots were captured by the Xenomorphs and in the presence of the Alien queen inside the ship, they witness one rynth (part of the herd from the ranching) die as a Chestburster alien comes out of its body.

Meanwhile, Machiko wakes up as her respected predecessor Shimura arrives and tells her that Dr. Revna still has not returned. During her talk with the wife (also a doctor), Machiko learns that the missing doctor was on his way to Iwa Gorge to find more aliens (note: the Facehugger alien) and that a lady worker (who made the first discovery of a Facehugger) informed him of the place.

As Machiko and Shimura analyze what they know, two outpost personnel discover the remains of a destroyed Predator space ship and, more notably, one unconscious Predator hunter…

Quality

The Predators looks really odd with the colors implemented on them by the creative team of this comic book.

If you were deeply engaged in issue #1, then you will have a lot to be engaged with in this issue. The script by Stradley is very solid and with a medium pace, details were consistently laid out for readers’ understanding while the build-up for the inevitable chaos – between Xenomorphs and Predators with humans in the middle literally – is strongly felt.

Machiko Noguchi’s management and ability to analyze situations really get tested in this story and along the way, you will see how much the outpost changes reflecting the moves made by her administration which is ultimately a response to a brewing crisis. At this stage of the comic book mini-series, the danger of the two galactic species begin to make impact on innocent humans in violent ways. The scene showing the home of people (located some distance away from the main complex of the outpost) getting invaded by the Predators has uncompromising violence which makes the incidental action look really disturbing.

More on the human characters, this comic book has very rich dialogue backed with special attention to details implemented by Stradley. This is very evident in the scene in which Machiko, Roth, Ackland and Shimura talk intensely about what happened and what factors caused those things to happen. Through the verbal exchange, you will witness Machiko’s bravery and leadership come to life as she confronts a rebellious rancher (who insulted her in a very personal way) over the truth about what happened. Not only that, you will also feel the stress she experiences as she manages the outpost at a time of crisis.

For the fans of Predators and Aliens reading this, you will see a lot more of them in this issue and I can assure you that Norwood is really great in visualizing them and showing them with violent action that will remind you of the movies. As with the previous issue, the colors implemented on the Predators remains very odd to look at.

Conclusion

Live humans helplessly watching an animal die as a Chestburster alien comes out of it in the presence of the Alien queen.

Aliens vs. Predator #2 (1990) is a great follow-up to issue #1. As expected, the stakes were raised higher and the tension really intensified as the narrative went on. The creative team really should be admired for not only crafting this high-quality chapter of the mini-series, but also for their believable and engaging build-up of the plot, the characters and conflict altogether. This comic book is a lively reminder of how great a non-superhero comic book crossover could be.

Overall, Aliens vs. Predator #2 (1990) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco