Welcome back, my readers, YouTube viewers and all others who followed this series of articles focused on YouTube videos worth watching. Have you been searching for something fun or interesting to watch on YouTube? Do you feel bored right now and you crave for something to see on the world’s most popular online video destination?
I recommend you check out the following topics and the related videos I found.
#1When Atari invaded Japan – Here in the Philippines, me and my friends played video games on the Atari 2600 consoles in our respective homes during the first half of the 1980s. What I did not know back then was the fact that Atari did its best to sell its console and video games in nearby Japan. It turns out, their console in Japan was the Atari 2800. Watch and learn about this particular part of video game history with the video of GTV Japan below.
#2 A look back at Superman: The Animated Series – When it comes to animated series of the 1990s related to superheroes, X-Men: The Animated Series, Batman: The Animated Series and Spider-Man: The Animated Series are often remembered by long-time fans and geeks. The animated series of Superman, however, does not get remembered as much even though it had good quality animation and presentation. Of course, it should be remembered that the 1990s was the same decade when DC Comics had Superman killed, introduced the Supermen, brought Superman back to life and even had the Clark Kent identity destroyed which probably overshadowed the animated series. To discover more of Superman: The Animated Series, watch the video below.
#3 Examining the original 2099 comics franchise of Marvel Comics – You might have heard about 2099 among the many comic books Marvel published through the decades. The futuristic of Marvel’s shared universe originally started in late 1992 when the comic book speculator boom was still intense. It started strongly with Spider-Man 2099 followed by Ravage 2099, Doom 2099 and Punisher 2099. In the 2nd half of 1993, X-Men 2099 followed and even more related comic books got released. Of course, the 2099 franchise of the 1990s eventually ended. How and why it all happened like that, you can learn by watching Owen likes Comics’ video below.
#4 You, Me and the Movies’ Excalibur reaction – Excalibur is an epic medieval fantasy movie about the legend of King Arthur and his knights released in 1981. I first saw the film on TV in 1988 and it was an intriguing viewing experience. I replayed it on physical disc format in 2003 and eventually recognized Patrick Stewart, Helen Mirren, Liam Neeson and Gabriel Byrne looking much younger. If you want to discover more of Excalibur through the reaction of You, Me and the Movies, watch the video posted below. It’s a fun watch.
#5 Assorted videos about Planet of the Apes (1968) – Planet of the Apes of 1968 is considered by many as a great science fiction film as well as a philosophical and intelligent viewing experience. While it is an engaging viewing experience, I find the concept of human evolution and the so-called genetic links between humans and apes to be nothing more than fantasies. Considering its fame, it is no surprise that a lot of YouTubers made their own videos about it and you can watch the selected videos below.
#6 A look back at Robotron: 2084 – Robotron: 2084 is a 2D, multi-directional shooting game first released in arcades way back in 1982. I never played the arcade version but managed to play it on an IBM PC around the mid-1980s. The history behind the game is quite rich in details and you can enjoy learning about it by watching the video of PatmanQC below.
Japan won several gold medals across different contests during the NTT Asia Triathlon ParaTriathlon Asian Championships 2024 at the Subic Bay Freeport Zone this past weekend.
To put things in perspective, posted below is the excerpt from the official release of Triathlon Philippines. Some parts in boldface…
Japan bagged six gold medals in the 2024 NTT Asia Triathlon Para Championships at the Waterfront and Boardwalk inside the Subic Bay Freeport Zone on June 2.
Tsutomo Nagata ruled the men’s PTS5 category in 1:08:31, while compatriots Takumi Nagata (1:13:25) and Tetsuki Kaji (1:14:59) settled for second and third places, respectively.
Satoru Yoneoka claimed victory in the men’s PTVI, clocking 1:03:53 to beat compatriots Yosuke Yamada (1:04:49) and Junpei Hoshi (1:05:29).
In the women’s PTS2 category, Yukako Hata (1:24:46) defeated fellow Japanese Asumi Yasuda (1:33:58) for the gold medal.
The other gold medalists were Kimura Jumpei (men’s PTWC), Mami Tani (women’s PTS4) and Riyo Kogama (women’s PTS5).
Meanwhile, four-time Paralympian Jiachao Wang of China ruled the men’s PTS4 category in 1:06:39.
Japanese Keiya Kaneko (1:12:30) placed second followed by Filipino Alex Silverio (1:15:55) in the 750m swim (one lap), 20km bike (2 laps) and 5km run (2 laps) competition organized by Triathlon Philippines (TriPhil) in partnership with the Subic Bay Metropolitan Authority (SBMA) and sanctioned by the Asia Triathlon and World Triathlon.
The 32-year-old Wang from Kunming, Yunnan province finished the race trouble-free. His left arm was amputated after an accident when he was five.
“I’m happy to win. This is my first time to compete here, the weather is hot and humid,” said Wang, who won medals in the pool in three Paralympic Games before shifting to triathlon nine years ago.
After making his debut in Athens (2004), he scooped one silver (200m individual medley) and one bronze (400m freestyle) medals in Beijing (2008).
Wang captured the gold medal in the men’s 4x100m medley relay and got two silvers (4x100m individual medley and 4x100m freestyle relay) at the 2012 London Paralympics.
Wang, who placed fourth at the 2020 Tokyo Paralympics, has completed the World Triathlon Level 2 coach certification course in South Korea last May 23.
Despite his bronze medal performance, Silverio was satisfied.
“I did not expect a podium finish because there are many good athletes in my category,” said the 34-year-old native of Compostela town in Cebu. He continued to train right after winning the gold medal at the Subic Bay International Triathlon last month.
“I am so happy that I was able to get a medal now,” said Silverio, who also joined the 2018 edition of the Asia Triathlon Para Championships in Legazpi City, Albay.
Silverio, a gold medalist at the National Age Group Triathlon last February, is a member of the Talisay Luigi Triathlon Group (TLTG) Go For Gold Philippines team.
In the men’s PTS2 category, Filipino Edison Badilla (1:35:36) defeated compatriot Jake Lacaba (1:41:18).
South Korea’s Kim Hwang Tae (1:27:13) beat Filipino Raul Angoluan (1:31:31) in the men’s PTS3), while Kyrgysztan’s Aitunuk Zhoomart Kyzy (1:21:38) prevailed over compatriot Gulnaz Zhuzbaeva (1:23:25) in the women’s PTVI category of the event sponsored by Philippine Sports Commission, Pinay in Action, Asian Center for Insulation, Gatorade (official hydration), Standard Insurance and Western Guaranty Inc., and partners Subic Bay Travelers Hotel, CM Timing of Jay Cheng and Stat Med ambulance service.
Housing companies located in Japan are looking towards the Philippines and other countries as sources of workers that can be hired for their services in connection with the surging local demand, according to a Nikkei Asia news report.
To put things in perspective, posted below is an excerpt from the Nikkei Asia news report. Some parts in boldface…
Companies in Japan that offer housekeeping services such as cleaning, laundry and ironing are increasingly turning to the Philippines and other places overseas as they rush to meet surging demand from time-strapped customers.
With working from home fading in the wake of the COVID-19 pandemic and the number of dual-income households rising, more people in the country are willing to pay for help handling chores.
Pushing to keep pace with this growing appetite for their services, housekeeping firms are accelerating their recruitment abroad — especially as relaxed immigration rules for the sector boost the appeal of hiring beyond Japan’s borders.
Indeed, Tokyo-based housekeeping service provider Bears plans to hire an extra 150 foreign workers in 2024 to bolster the 300 it already employs, with each person offered 400 hours of training.
The overseas recruitment drive comes as crushing labor shortages threaten a range of industries in Asia’s No. 3 economy and one of the world’s fastest-aging societies.
“Let’s make sure we clean windows and mirrors evenly by wiping in one direction,” an instructor said to 33-year-old Mundacruz Lizyldeci, who came to Japan from the Philippines this year, during a training session in a living room-like space at Bear’s head office. Listening to the instructions in early May with a serious look on her face, Lizyldeci said, “I will provide the high-quality services demanded by Japanese consumers.“
Bears says it plans to hire work-ready foreign housekeepers such as those licensed by the Philippine government.
Filipino workers hired through Bears’ subsidiary in the Philippines are given Japanese language and other lessons for two months before coming to Japan. They go through a two-week training program in Japan, which includes checks on their housekeeping skills. They are paid and assessed on the same basis as Japanese workers, with help available in Tagalog.
Housekeeping services by foreign nationals without permanent residence status began in areas designated as special economic zones in 2017. The government in 2020 extended the time such people are permitted to stay in the country to five years from three, while offering an additional three-year extension in 2023 for those who meet certain conditions.
In Japan, dual-income households began to outnumber those with stay-at-home housewives in 1992. The amount of two-paycheck families had increased to nearly 13 million by 2023, a roughly 40% rise over three decades, according to the Ministry of Internal Affairs and Communications.
Japan’s market for housekeeping services had grown to a value of 80.7 billion yen ($516 million) by fiscal 2021, more than doubling from five years earlier, according to the latest survey by Teikoku Databank. But in the research company’s 2023 consumer survey, only 1.8% of some 2,200 respondents in their 20s to 40s said they used housekeeping services. “I know of such services but have never used them” was the reply chosen by nearly 76%.
Nevertheless, potential demand for housekeeping services appears strong as roughly half of households in the survey considered home chores a burden. To convert potential demand into actual demand, fair prices for the services, as well as their quality and safety, need to be ensured.
Another driver for the rising demand is a shift from from the days of the COVID pandemic, when many people worked online from home. More employers are now telling their staff to come into the office.
A 35-year-old woman who has a job at a major financial institution in Tokyo often worked from home during the pandemic. But after restarting commuting to the office, she began using major housekeeping service provider CaSy’s so-called matching service from last November.
“I use ironing and laundry services once every two weeks,” she said. “I didn’t have much time to spare due to lots of overtime work. I can now go out on weekends.“
CaSy has some 170,000 registered customers and 15,000 housekeepers. The matching service introduces housekeepers to customers depending on the chores they need handling. But given frequent mismatches between customers and housekeepers over dates and places of work, CaSy created a program in February to complement orders, when necessary, with other housekeeping service providers. It has so far tied up with 15 companies for the program and hopes to increase the number to 100 in three years.
Before the registration of housekeepers, CaSy screens applicants’ records, including for any criminal convictions, through identity verification company Trustdock. While providing a sense of reassurance to customers, CaSy has set clear criteria for housekeepers about when and how to exit from customers’ homes to protect housekeepers from possible harassment by clients. “We must settle security-related problems while nurturing professional housekeepers,” said Yuki Shirasaka, a CaSy director.
The financial burden on customers is a major barrier to an increase in the use of housekeeping services. In France and Germany where over 10% of people use such services, financial support such as tax breaks are available to customers. Japan’s government will begin an experiment, possibly later in May, to provide subsidies to cover some costs when small and mid-size companies offer home services as a benefit for their employees.
Minimaid Service, which started housekeeping services for wealthy households back in 1983, is expanding its customer base by holding fees in check. A swift, inexpensive service introduced by Minimaid has helped stoke a threefold increase in the number of times its services have been used over the past five years. The company plans to increase its employee numbers by around 50% in two to three years.
Housekeeping services are roughly divided into three business models: the employment of housekeepers as staff, which prioritizes the quality of services through education; matching between customers and housekeepers commissioned by service providers; and websites for matching between customers and housekeepers on a person-to-person basis. Fees vary greatly.
Let me end this piece by asking you readers: What is your reaction to this recent development? Do you know anyone in your local community who is willing to work in Japan as housekeeping worker? Do you think the hiring of many Filipino workers by Japanese housekeeping companies will be economically beneficial for their families and the national economy in the long run?
In light of the recent news that the economy of the Philippines grew by 5.7% during the 1st quarter of 2024, economic analysts stated that growth should be more than 6% per quarter over the next three quarters in order to meet the set target of the year, according to a BusinessWorld news report.
To put things in perspective, posted below is an excerpt from the BusinessWorld news report. Some parts in boldface…
THE PHILIPPINE ECONOMY should expand by more than 6% in the next three quarters to meet the government’s growth target this year, analysts said.
“The Philippines needs to grow almost 6.1% for the remaining three quarters to reach 6% growth for the entire year, which appears to be a tall order, particularly given the slowdown in household spending in quarter one and the subdued global economic backdrop this year,” Makoto Tsuchiya, an economist at Oxford Economics Japan, said in an e-mail.
Philippine gross domestic product (GDP) grew by 5.7% in the first quarter, slightly faster than the 5.5% in the fourth quarter of 2023 but below the government’s 6-7% target.
University of Asia and the Pacific Senior Economist Cid L. Terosa said GDP growth should average 6-6.5% for the rest of the year to hit the lower end of the government’s target band.
“We had always been expecting growth to stay subdued largely due to the ‘triple threat’ faced by the economy. Elevated inflation, high borrowing costs and fiscal consolidation are the troika of challenges we face,” ING Bank N.V. Manila Senior Economist Nicholas Antonio T. Mapa said in an e-mail.
Household spending, which accounts for nearly three-fourths of economic output, rose by 4.6% in the January-to-March, the slowest since the coronavirus pandemic and weaker than 5.3% in the fourth quarter and 6.4% a year ago.
Mr. Tsuchiya said private consumption lagged due to “economic-wide” pressures on spending in the first three months of the year.
“We believe the softening in household consumption was due to a combination of elevated inflation, tepid confidence and the impact of monetary tightening,” Mr. Tsuchiya said.
Inflation quickened to 3.8% in April amid rising food and transport costs. April was the third straight month that inflation accelerated.
Let me end this piece by asking you readers: What is your reaction to this recent development? Do you think that inflation will continue to rise and prevent the Philippines from achieving economic growth of 6% for 2024?
Welcome back, fellow gamers, geeks, Japanese role-playing games (JRPGs) enthusiasts and fantasy lovers! As many of you are already aware, the much-awaited JRPG Eiyuden Chronicle: Hundred Heroes is set for release on April 23, 2024 on Xbox Series X, Xbox Series S, Xbox One, Windows PC and the Xbox Game Pass (XGP) subscription service.
Having enjoyed the 1990s JRPGs Suikoden and Suikoden II, I really am eager to play Eiyuden Chronicle: Hundred Heroes on my Xbox Series X as that new game’s developers include Suikoden creator Yoshitaka Murayama and other talents who also worked on the Suikoden series. Having played so many Japanese RPGs for decades, I can clearly say that there is no JRPG that has the fun and clever mix of gameplay and features of the early Suikoden games Murayama worked on and we can experience the creator’s RPG magic in Eiyuden Chronicle: Hundred Heroes.
Recently, game publisher 505 Games published a new 6-minute gameplay trailer of Eiyuden Chronicle: Hundred Heroes designed to orient gamers what they can expect in terms of characters, story, gameplay and other features. Watch the gameplay trailer below…
As you can see in the above trailer, Eiyuden Chronicle: Hundred Heroes has a lot in common with Suikoden and Suikoden II in terms of gameplay, art style and variety. There will be group battles, large-scale army battles, fantasy world exploration, mini-games, headquarters expansion, character recruitment (which build up your army and affect the expansion of your headquarters) and more. Eiyuden Chronicle: Hundred Heroes is looking very much like a Suikoden game but just without the name (and without Konami).
This one strongly reminds me of the cooking contest in Suikoden II.
A high-stakes meeting about to take place within the game.
Some of the many characters you can recruit throughout Eiyuden Chronicle: Hundred Heroes.
If Eiyuden Chronicle: Hundred Heroes can achieve tremendous commercial success, it just might spark a revival of the heavy use of pixel art in role-playing games (RPGs) and influence the way other game developers implement mini-games and features (common with the early Suikoden RPGs) into their RPGs.
Watch out for Eiyuden Chronicle: Hundred Heroes on Xbox Series X, Xbox Series S, Xbox One and Windows PC plus Xbox Game Pass on April 23, 2024. For more about the JRPG, visit https://www.xbox.com/en-US/games/eiyuden-chronicle
Recently in Parañaque City, two wanted foreigners allegedly connected with the Japanese burglary gang leader Yuki “Luffy” Watanabe were arrested by law enforcers in BF Homes according to a news article published by the Philippine News Agency (PNA).
To put things in perspective, posted below is an excerpt from the PNA news report. Some parts in boldface…
Two more suspects connected with Japanese burglary ring leader Yuki “Luffy” Watanabe were arrested in Parañaque City, the Bureau of Immigration (BI) reported on Saturday.
Commissioner Norman Tansingco identified the Japanese nationals as Fujita Kairi, 24, and Kumai Hitomi, 25, who were apprehended in BF Homes by operatives of the BI’s Fugitive Search Unit on Friday afternoon.
The two have standing warrants of arrest for theft issued by the Tokyo Summary Court in September 2022. They are detained at the BI facility in Taguig City pending their deportation.
“This is a major breakthrough in the case, as we have finally arrested more suspects involved in this major case in Japan,” Tansingco said in a statement. “They will finally be facing their crimes in their homeland.”
Watanabe and accomplice Tomonobu Saito were deported on Feb. 8, the day after fellow fugitives Toshiya Fujita and Kiyoto Imamura, both 38, were sent home.
The above report ended stating that the gang was involved in at least twenty robberies that happened in Japan in the past twelve months, as well ass the murder and robbery of a 90-year-old person in the city of Komae.
Let me end this piece by asking you readers: What do you think about this recent development? If you are a Parañaque City resident, are you convinced that there could be more wanted criminals from abroad who could be hiding within your local community right now? If you have been following the developments about the Luffy case, do you know where exactly in BF Homes did the arrests happen?
For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673
As a happy gamer who owns an Xbox Series X console, I should state that I am having fun with turn-based tactical games like Gears Tactics, Empire of Sin and Phoenix Point. Those three games – which as of this writing are still available for Xbox Game Pass (XGP) subscribers to enjoy – have their own concepts and their own approach on gameplay that involves strategy.
Speaking of strategy gaming, Square Enix officially announced that it has a brand new strategy role-playing game (strategy RPG) that will be released on Xbox Series X, Xbox Series S and Xbox One this year – The DioField Chronicle.
To begin with, watch the official video below…
To put things in perspective, posted below are excerpts from the official announcement by Square Enix. Some parts in boldface…
This fresh new franchise is developed by SQUARE ENIX in conjunction with Lancarse Ltd, a team of veteran strategy developers, features unique character designs by Taiki (Lord of Vermilion III, IV), concept art by Isamu Kamikokuryo (FINAL FANTASY XII, FINAL FANTASY XIII) and has beautifully orchestrated music by world-renowned composers Ramin Djawadi and Brandon Campbell, known best for their work on Game of Thrones.
The Announcement Trailer unveiled today provides a first look at the story and new, deeply strategic real-time battle system called ‘Real-Time Tactical Battle’ (RTTB). Told through stunning ‘diorama’-style combat scenes, players will assess front line conditions in real-time, issue decisive orders and use a variety of skills, classes, and equipment to gain the upper hand over their foes.
A glimpse on the gameplay based on a work-in-progress.
The DioField Chronicle is set in a beautiful and unique world blending fantasy, medieval and modern-day influences. Under the steady hand of the Shaytham dynasty, the Kingdom of Alletain on DioField Island has known peace for 200 years, but suddenly find themselves cast into an age of uncertainty due to the rise of warlike powers and modern magic.
This image shows the scale of the location.
The Kingdom of Alletain is rich in the mineral Jade, prized for its use as a base ingredient in magic and sorcery, and the attention of both the Empire and the Alliance inevitably turns towards the island. Players will take control of a band of elite mercenaries calling themselves “Blue Fox”, but will the name “Blue Fox” come to signify hope or darkest tragedy?
For the newcomers reading this, The DioField Chronicle is the fourth new game from Square Enix that will be released on Xbox consoles this year. The others are Star Ocean: The Divine Force (release date still pending), Stranger of Paradise: Final Fantasy Origin (March 18, 2022), and Chrono Cross: The Radical Dreamers Collection (April 7, 2022). While it is notable that Square Enix won’t be releasing their big-budget RPG Final Fantasy XVI on Xbox consoles anytime soon, their other games mentioned above will still add a good amount of Japanese-style gaming on the Xbox platform for gamers to enjoy. Take note that hot Xbox-exclusive RPGs are coming and Bethesda’s Starfield will rock the gaming world this November. To the Xbox fans reading this, be assured that 2022 will be an even bigger, more exciting and more enjoyable year. Team Xbox has strong momentum that PlayStation and Nintendo cannot even match.
Going back to The DioField Chronicle, it sure looks interesting and intriguing at the same time. The visual style of using 2D art while showing polygonal action in key sequences is notably eye-catching. For more information about the game, visit https://www.diofieldchronicle.com/
In closing this piece, posted below are Xbox-related videos for your viewing pleasure.
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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/
Disclaimer: This is my original work with details sourced from watching the movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
There is no doubt that Japan’s fictional monster Godzilla (originally called as Gojira) made tremendous impact not only with the Japanese but also with other entertainment lovers around the world. Way back in 1954, the monster was portrayed as a destructive, walking symbol of nuclear weapons in the movie Gojira directed by the late Ishirô Honda.
Before the 2019 movie was released, Toho in Japan released Shin Godzilla (alternate titles: Shin Gojora and Godzilla: Resurgence) which was the result of the 2014 movie’s success as well as the fact that there were no restrictions in the contract with Legendary Pictures for the Japanese studio to make their own domestic versions.
Due to its lack very limited presence in cinemas here in the Philippines in 2016, I was unable to watch it on the big screen. Fortunately, it was released locally on original DVD some time after and I got to watch it in the comfort of home.
With those details laid down, here is a look back at Shin Godzilla co-directed by Hideaki Anno and Shinji Higuchi (both best known for Neon Genesis Evangelion).
This is classic Godzilla.
Early story
The story begins at Tokyo Bay where the coast guard personnel found an abandoned yacht and searched inside. Suddenly a huge cloud of steam erupted from the ocean followed by blood-like water flooding the Tokyo Bay Aqua-Line. The tragedies compelled local authorities to take action starting with a committee meeting.
As emergency personnel save the victims in the damaged Tokyo Bay Aqua-Line, the tragedies reach the office of the Prime Minister who engages with many other government officials in an official meeting. They try to figure out what caused the incidents and, as such, theories and efforts to explain what happened were spoken until Deputy Chief Cabinet Secretary Rando Yaguchi (Hiroki Hasegawa) theorized that a living creature caused it (because he saw a viral video) which only resulted disbelief and dismissal.
Suddenly a massive tail rises from the ocean which got captured in video and photographs by the news media which confirms Yaguchi’s hunch. As the Prime Minister and the team of officials spend more time discussing and searching for real experts (because the three scientists they just met did not produce any breakthroughs), a huge creature makes its way into one of Tokyo’s districts through a waterway causing massive damage and displacing many people as well as all boats that got in its way.
In a press conference, the Prime Minister gave his assurance to the public that they need not worry about the creature coming to shore. Just after giving his assurance speech, an assistant approaches the Prime Minister with really bad news that the creature has been crawling inland and causing even more damage…
Quality
Japan’s iconic monster is not only terrifying here but also very deadly.
When it comes to presentation in comparison to all other Godzilla movies released, Shin Godzilla is very unique as it strongly brings to the viewers a very in-depth examination of the bureaucracy of the Japanese government complete with the many laws, requirements, rules and other elements of governance that made it so hard for the local authorities to respond to Godzilla’s invasion of the metropolis. There are key details that were raised such as the constitutionality of using local military force against the monster (which is not a foreign invader), which department should be in-charge of research about the same monster, etc.
Along the way, there is an overload of information – in terms of text, images and dialogue – that makes viewing quite a challenge. This makes watching Shin Godzilla a learning experience that viewers who are interested in governance and science will likely enjoy although it will alienate other moviegoers, especially those who only want to watch the spectacle of massive on-screen destruction that giant monster movies are known for. Going through all the exposition and explanations, and understanding most of it, however, will make the viewing experience worth it as these countless details do make sense in relation to Godzilla’s destructive impact on the people.
And then there is the huge cast of characters that needs to be followed. This is another big challenge for viewers because if one misses out on the key purpose a character has, then following the government’s efforts on dealing with Godzilla will make less sense. Not only will you have to follow the characters’ names, you will also have to remember their respective work titles. Apart from the government officials, there is also the huge batch of nerds and varied experts gathered by the government to do intense research. Again, those people need to be followed and remembered so you can understand what they do and how they contribute to their government’s efforts. When it comes to performances, they are collectively dramatic and you will be convinced of the pressure, the danger and uncertainty they face with Godzilla threatening Tokyo.
Better get used to seeing so many characters throughout the movie.
Hiroki Hasegawa as Rando Yaguchi.
As for the main spectacle of the movie, Godzilla, I can say that the monster here is very terrifying to watch. This is not your typical Godzilla as the Anno-Higuchi directorial duo really went all out with their creativity to remake Japan’s iconic monster into something new and deadly while still linking him creatively to the legacy of the classic Godzilla. There is even an element of evolution in this version of Godzilla and to see the Japanese military fire their expensive weapons at him really made a lot of spectacle to enjoy. I should also state that several scenes of disaster caused by the monster in this film were inspired by the tragedies of the Tōhoku earthquake and tsunami, and the Fukushima Daiichi nuclear disaster of 2011. Lastly, Godzilla here is really a super villain that is not only gigantic but also is made to be highly believable that it can destroy the nation, kill innocent civilians, demoralize the authorities and even bring Japan’s entire economy way down (note: one of the government officials explained the economic consequence of failing to defeat the monster).
When it comes to visual effects, this one is the best-looking Godzilla made by the Japanese yet! While the traditional approach of having an actor wear a rubber suit has been disregarded in favor of using modern, digital means (with motion capture), what the production team did here is very impressive as they focused strongly on having computer-generated graphics that are photo-realistic. While it is true that there were some moments of fake-looking CGI, the heavy photo-realism on the graphics of Godzilla (combined with strategic camera angles that really captured the scope and size of the monster) easily outweighed the weak spots. The lighting effects used for the laser blasts were very impressive, even competitive with what Hollywood has been doing. As for the scenes of destruction, a mix of CGI and practical effects (specifically miniatures) was used. In fact, certain scenes showing Godzilla interacting with the environment was done with pushing a prop through miniatures which resulted a high level of detail with organic and solid stuff.
The spectacle would not have been that effective, however, without the solid musical work done by Shiro Sagisu. Not only did the music add a lot to the intense sequences of Godzilla, it also brought out the sense of dread and horror out of the monster especially in the night-time scene when he was towering over a large section of Tokyo that lost power. Sagisu was also involved in Neon Genesis Evangelion.
Conclusion
The emphasis on photo-realism on the computer-generated effects is something special.
I can say it out loud that Shin Godzilla (2016) is truly a spectacle to watch complete with tons of heavy drama, tons of information and the widest cast of characters to date. It is a new version of the Japanese icon that really impresses and when it comes to movie intelligence, it easily outshines many other Godzilla flicks. While it has a lot of spectacle to keep moviegoers entertained, its heaviness with the information and large cast of characters could turn off viewers who are not used to thinking and paying attention to lots of details while watching a giant monster movie. Personally, I welcomed the information overload and made efforts on paying close attention to the details and the characters. It really takes patience and focus to truly make the most out of the story and the overall presentation.
Ultimately, I enjoyed this movie for what it is and what its message was about with regards as to how governments should respond to immense disasters, what is Japan’s place in the world of the 21st century and, most notably, what Godzilla means to Japan and the international community. This is a very solid modernization of Godzilla and the Anno-Higuchi deserve admiration.
If you are seriously planning to buy an existing hard copy of Shin Godzilla (2016), visit Amazon for the Blu-ray disc release and see if it has the right price and special features to satisfy you.
Overall, Shin Godzilla (2016) is recommended!
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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
Author Carlo Carrasco 