Japan – Page 2 – Author Carlo Carrasco

Retro Gaming Ads Blast – Part 40 (RPG Special)

March 2, 2026February 25, 2026carlocarrasco

Welcome back readers, fellow geeks and electronic gaming fans!

In this edition of the Retro Gaming Ads Blast (RGAB) series, we will take a look at another batch of retro gaming print ads from the 1980s to the 1990s focused mainly on role-playing games (RPGs) from the East and the West. This is the RPG Special!

For the newcomers reading this, Retro Gaming Ads Blast (RGAB) looks back at the many print ads of games (console, arcade, computer and handheld) that were published in comic books, magazines, flyers, posters and newspapers long before smartphones, social media, the worldwide web and streaming became popular. To put things in perspective, people back in the 1980s to the 1990s were more trusting of print media for information and images about electronic games and related products.

With those details laid down, here is the newest batch of retro gaming print ads for you to see and enjoy…

1. Dragon Warrior II Print Ad

*The art style used made this one looked similar with Dungeons & Dragons.*

When Dragon Quest was released in America titled as Dragon Warrior, its sales there came nowhere close to what it sold in Japan. The game, however, sold enough copies to convince Enix to bring the sequel Dragon Warrior II (Japanese title: Dragon Quest II) to the Nintendo Entertainment System (NES) in America and they came up with an ad that had obvious Western-style artwork to emphasize the fantasy elements. By comparison, the Japanese version of the game used the distinct art of Akira Toriyama (Dragon Ball Z). Back in those days, there was this belief that Toriyama’s art style would not be effective in promoting the game in America.

2. Breath Of Fire Japanese Print Ad

*This is how Breath of Fire looked like in Japanese print media.*

In 1993, Capcom officially broke into the Japanese role-playing game (JRPG) genre with Breath of Fire on the Super Family Computer (Super Famicom). The print ad they came up with for the Japanese market showed several characters – including Ryu and Nina who would later become recurring characters as sequels were released – with designs that had elements of anime and manga styles blended which contrasted the gritty and realistic approach of Western fantasy art. The ad made it clear to readers that new adventures in a fantastic world await them. The game achieved enough commercial success in Japan which convinced Capcom to make a sequel (plus more in the years that followed).

3. Phantasy Star II North American Print Ad

*The 3-page ad showcasing Phantasy Star II and many other games.*

After selling a good amount of copies of the original Phantasy Star worldwide on the Sega Master System, Sega knew they were on to something. They confidently produced the sequel Phantasy Star II for their brand-new Sega Genesis console in 1989 and aggressively promoted it in America with a daring 3-page print ad. If you look closely, majority of two of the pages were used to promote Phantasy Star II with screenshots (including a big one with a TV), the text description and the console. The spaces below allowed Sega to promote their many other games in convenient fashion. The result is huge success for Sega as more than 1.6 million copies of Phantasy Star II were sold worldwide. Sega would go on to make even more Phantasy Star games.

4. Estopolis Denki II Japanese Print Ad

When Estopolis Denki was released on the Super Famicom in Japan, sold enough copies to justify not only bringing the game to Western markets as Lufia & The Fortress of Doom but also the production of a follow-up titled Estopolis Denki II. To promote it, Taito made a Japanese print ad that had a captivating art style (with the characters looking more realistic and a floating land that had a gritty touch), some screenshots and the promise of fantastic adventures. While the game’s title sounded like a sequel, its story was actually set in the past. Estopolis Denki II would be released in the West as Lufia II: Rise of the Sinistrals.

5. Lufia II: Rise of the Sinistrals North American Print Ad

*Clearly Natsume did not have any game critics quotes to use to promote Lufia II.*

When the first Lufia RPG was released in America on the Super Nintendo Entertainment System (SNES), it became a commercial hit finishing as the top SNES game in the February 1994 sales chart. The sequel Lufia II: Rise of the Sinistrals was published by Natsume in America in 1996 and they daringly called it “The Ultimate Role Playing Game!” in its print ad utilizing the official artwork of a major character, two screenshots and descriptive text giving readers an idea on what to expect. This ad strongly relied on the visual elements while the first game’s American print ad (made by Taito) emphasized the critical acclaim received.

6. Chrono Trigger North American Print Ad

*A lot of Dragon Ball Z fans recognized the art style of Akira Toriyama here.*

Chrono Trigger, the JRPG that had the dream team creators of Hironobu Sakaguchi (Final Fantasy creator), Yuji Horii (Dragon Quest creator) and Akira Toriyama (Dragon Ball Z creator) behind the production, was easily the most ambitious game SquareSoft released in 1995. As part of the marketing strategy for the North American market, Square came up with a 2-page ad that had Toriyama’s art as the dominant image while using the remaining space for screenshots, the description and the SNES box cover placed strategically. Such a creative visual design was eye-catching and even memorable. Chrono Trigger became a huge commercial and critical hit in the West and it has long been regarded as a classic JRPG.

7. Secret of Evermore North American Print Ad

*The creepy red images overshadowed the promotion of Secret of Evermore in America. Some readers might have been scared away by this ad.*

Still in 1995, Square released Secret of Evermore for the SNES. Unlike most of Square’s RPGs, Secret of Evermore was developed by an American team in Washington state which explains why the game has a very distinct tone and strongly Western art style (note: the gameplay was patterned after that of Secret of Mana). To promote the game, Square came up with a very odd-looking 2-page print ad that had two dominating red images – eyes of a man on top and the front of a dog below) that felt like a forced approach to emphasize the game’s concept of the hero (a teenager boy) and his loyal dog (a very capable fighter). They used the remaining space for screenshots (which made gamers believe it was a sequel to Secret of Mana), the game box cover and a not so helpful text description. In my view, this print ad was a marketing misfire and Square could have produced hand-drawn art of the hero and his dog instead of the creepy red pictures.

8. Star Ocean: The Second Story North American Print Ad

The Star Ocean JRPG franchise of Enix had its first game released in Japan only. That first game on Super Famicom sold a lot of copies which led to the production of the sequel Star Ocean: The Second Story. By the late 1990s, Enix itself had a partnership with developer tri-Ace on the Star Ocean games. Somewhere along the way, Sony Computer Entertainment America (SCEA) secured the publishing rights of Star Ocean: The Second Story for not only America but also in other parts of the world. For the American market, Sony came up with a very odd-looking 2-page print ad that had a mail service form on the left. The form emphasized the concept of being away for a long time (reflecting the science fiction and extensive fantasy adventuring of the game itself) which incidentally was the eye-catcher of the ad. The other half of the page showing the game’s title, screenshots and detailed text description got overshadowed. This is another marketing misfire.

9. The Legend of Dragoon North American Print Ad

*The movie poster-inspired print ad is memorable to look at.*

Given how success Sony was with selling PlayStation consoles worldwide and how massively successful the Final Fantasy RPG franchise of SquareSoft was, it was not surprising that they decided to make their very own big-budget and exclusive JRPG with the intention to succeed and possibly establish a franchise. The result was the PlayStation-exclusive game The Legend of Dragoon which was made with a budget of $16 million and lasted three years in development. The game was released in Japan in late-1999 and sold at least 280,000 copies (note: majority of that in its first week of sales). In preparation for the June 2000 launch in America, Sony produced a print ad that had a very strong movie poster vibe showing what looked like painted art of the characters with vivid colors in the background and the title on the lower part. If you look closely, the credits were deliberately stylized over the way movie posters showed credits. While the game was not the massive hit Sony hoped for, it went on to become a million-seller and a great majority of its sales were from America. By today’s standards, the movie poster-like ad used to promote The Legend of Dragoon is memorable and an inspired piece of marketing work.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Resident Evil: The Official Comic Book Magazine #1 (1998)

February 27, 2026March 6, 2026carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, 1990s arts and culture enthusiasts, video game enthusiasts and comic book collectors! Today we go back to the late-1990s to examine the launch issue of the magazine-sized comic book series titled Resident Evil: The Official Comic Book Magazine.

To put things in perspective, this year marks the 30^th anniversary of the Resident Evil video games and multimedia entertainment franchise . The original Resident Evil (Japanese title: Biohazard) video game released in 1996 was arguably a major turning point in console gaming as it was an adulterated game that blended horror, action, monsters and the cinematic experience. Initially released on PlayStation, the game got released on Windows PC and the Sega Saturn, and eventually sold millions of copies worldwide while establishing a solid fanbase. Arguably, RE sparked the revival of the zombie genre in pop culture during the 1990s and contributed to new zombie-related multimedia productions in the 2000s.

Even before the release of Resident Evil 2, the number of Resident Evil fans grew and so did demand for more related stuff. Marvel Comics published a free one-shot Resident Evil comic book while Resident Evil: The Book was released in Japan.

When Resident Evil 2 was released in 1998, it became an even bigger blockbuster and resulted in even more new RE fans as gamers enjoyed playing it so much. The massive commercial success of RE2 led Capcom to approving several new Resident Evil game projects for development. Still within 1998, the licensed RE multimedia projects were released in the form of two novels and a new comic book series with a magazine format.

With those details laid down, here is a look back at Resident Evil: The Official Comic Book Magazine #1, published by WildStorm/Image Comics in 1998 with short stories written by Ted Adams and Kris Oprisko, and drawn by Ryan Odagawa, Carlos D’Anda and Lee Bermejo.

Early stories

S.T.A.R.S. Files – Inside an office, Albert Wesker gets briefed about his next assignment in Raccoon City which has been experiencing a series of mysterious murders. The superior tells Wesker to field a S.T.A.R.S. (Special Tactics and Rescue Service) team to find out what is going on.

Who Are These Guys? – A scientist writes a letter to Ada Wong and reveals key details about the research of the T-Virus, including what his team has been doing and what he observed.

Dangerous Secrets – Inside the high-tech debriefing room of the S.T.A.R.S. headquarters, Chris Redfield begins a review of what happened during their mission at the mansion and what took place before they even got involved. Present are Jill Valentine, Rebecca Chambers and Barry Burton.

Raccoon City – R.I.P. – A very sick and physically deteriorating man watches the news on TV at home. As the moments passed by, he begins to lose control of himself as his deteriorates. He suddenly goes out of his house and walks down the street aimlessly.

Quality

*Ada Wong, the scientist and the journalist who secretly spied in a scene that happened before Resident Evil 2 started.*

As already revealed on the cover of this magazine-style comic book, this is a collection of four short stories designed to provide readers insight on the lore of Resident Evil, additional portrayals of the established RE characters of the time – Chris Redfield, Barry Burton, Jill Valentine, Rebecca Chambers, Albert Wesker, Leon Kennedy and a few supporting characters seen in the games – and, more notably, illustrated development of events that connect the first two games with each other in ways that the games themselves could not. To be clear, Resident Evil took place in July 1998 while its sequel took place in September 1998.

Without spoiling the stories, I can say that S.T.A.R.S. Files was a warm-up in the form of introducing the characters of the first RE game. Who Are These Guys? was a creepy telling of what happened behind the scenes with regards to the unethical scientific experiments that caused zombies and monsters at the mansion to happen. It has a violent ending which made one of the most popular Resident Evil characters look like a murderer (note: I’m surprised it was not controversial). Dangerous Secrets was a creative recap of what happened at the mansion (which follows the game ending involving the rescue of Jill Valentine) and S.T.A.R.S. had such futuristic office equipment to work with (it has a strong sci-fi flavor). Raccoon City – R.I.P. was the build-up of developments leading to the start of Resident Evil 2.

Clearly, the quality of the writing and artworks varied from one story to another. The writing of Who Are These Guys? really stood out nicely due to its creepy vibe and the fine way of telling the story of the scientist who wrote to Ada Wong. Dangerous Secrets also stood out with its dramatization of Chris Redfield, Jill Valentine, Rebecca Chambers and Barry Burton who have to move on knowing that a lot of lives were lost and lots of dirty secrets were uncovered. When it comes to the art style used on established RE characters, the zombies and monsters, fans looking for a more realistic take will end up disappointed (example: a few shots of Jill Valentine had a cartoony aesthetic). At the same time, Jim Lee’s only art of Resident Evil was the cover.

Readers looking for spectacle and moments of zombie horror will find something to enjoy here. I can confirm that the creative teams did not hold back on the violence and gore.

WildStorm did not just settle with doing their own literary take on the Resident Evil lore. They even went further by publishing an interview with Resident Evil creator Shinji Mikami knowing that the fans will enjoy discovering details and revelations through the production side of the video games.

Going back to the first RE game of 1996, be aware that certain details in this comic book could end up lacking or feel irrelevant given the fact that this was published years before the Resident Evil remake on Nintendo GameCube was released.

Conclusion

*Chris Redfield leads the post-mission review.*

Resident Evil: The Official Comic Book Magazine #1 (1998) succeeded in what it was meant to do. It gave readers added insight to the characters and the events – including those that happened off-screen – of the 1996 video game while literally warming them up for Resident Evil 2’s illustrated events. To really enjoy this comic book magazine, it is clear that one has to play BOTH video games to gain at least a basic understanding of what happened and who is who. As it was released at a time when Resident Evil 2 was available and selling a lot of copies, this comic book adaptation turned out to be a helpful read that fans and newcomers can enjoy. It is also a reminder that the late 1990s was an exciting time to be a Resident Evil fan.

Overall, Resident Evil: The Official Comic Book Magazine #1 (1998) is recommended.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

What to watch on YouTube right now – Part 125

February 25, 2026February 22, 2026carlocarrasco

Welcome back my readers, YouTube viewers and all others who followed this series of articles focused on YouTube videos worth watching. Have you been searching for something fun or interesting to watch on YouTube? Do you feel bored right now and you crave for something to see on the world’s most popular online video destination?

I recommend you check out the following videos I found.

#1 Resident Evil 3: Nemesis Revisited – Looking back in the years 1998 and 1999, the Resident Evil franchise of games became wildly popular and was even considered by some as Capcom’s most important franchise. The huge success of Resident Evil 2 convinced Capcom to approve a line of several Resident Evil-related projects for release on different platforms. One of those projects was Resident Evil 3: Nemesis which was actually a side-story game released in late-1999 and eventually sold in the millions for the company. The reception from the fans was mixed…some fans felt it was a worthy follow-up to RE2 while others felt it was unsatisfying. To understand how RE3 came to be, which content got cut and what exactly happened behind the scenes, watch the retrospective video below.

#2 The Many Scams And Rip-offs In Las Vegas –Las Vegas can be a fun place to visit if only you have enough money, you know where to go and if you have the knowledge to prevent yourself from getting scammed or paying for the wrong things. Every day, a lot of people got fooled into paying questionable products/fees/services and getting cheated by different types of people in Las Vegas. To protect yourself and do the right things before visiting Las Vegas, watch and learn from the video below.

#3 Escape From New York Revisited – What can there be said about the 1981 movie Escape From New York? On face value, it looks like an action movie with a terrifying portrayal of New York City but it was something else. Director John Carpenter wrote the film as his reaction to the Watergate scandal, and their team hired Kurt Russell to play Snake Plissken. Even though it was never a massive blockbuster film, Escape From New York has some socially relevant themes and entertained people in different ways which explains why it has become the subject of many YouTube videos. Posted below for you are selected reaction videos plus one trivia video of the movie.

#4 The Hidden Villages Of Japan – When it comes to exploring Japan, there are a lot of places to visit way outside of the metropolitan areas. Nippon TV recently posted a video about Japanese villages that have been hidden in the mountains of the central part of the country. These places have been well preserved and the same can be said about their culture and traditions. There is also the famous “Samurai Road” that is scenic and should interest people who enjoy traveling along mountain trails. Watch and enjoy the video below.

#5 A Look Back At Stardust Of Las Vegas – The first time I visited Las Vegas was in 1989, and I saw the Stardust Resort and Casino while riding the car. I never had the chance visit Stardust but I noticed its appearances on TV and movies. Opened in 1958 and closed in 2006, Stardust was indeed a lively establishment of the Las Vegas trip having attracted lots of tourists and gamblers. Its legacy, however, is not very pretty as there were lots of criminal elements and scandals that happened behind the scenes. To learn about the history of Stardust, watch the video below.

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Prime Minister Takaichi Pledges To Make Japan Stronger And More Prosperous Through Major Policy Shifts

February 24, 2026February 20, 2026carlocarrasco

With the huge election victories of February 8 recorded in history and having been re-elected in her current position, Japanese Prime Minister Takaichi Sanae vowed major shifts on policy with the intention to make the nation stronger and more prosperous, according to a news report by Kyodo News.

To put things in perspective, posted below is an excerpt from the news report of Kyodo News. Some parts in boldface…

Prime Minister Sanae Takaichi on Friday pledged major policy shifts to make Japan “stronger and more prosperous,” citing expansionary finance for economic growth and efforts to boost intelligence and defense capabilities to address security challenges.

In her first policy speech since being reelected prime minister by parliament earlier this week, Takaichi also expressed her willingness to cooperate with the opposition despite her ruling party’s historic landslide victory in the Feb. 8 general election.

Takaichi said she will promote “responsible and proactive” fiscal policies and measures to encourage domestic investments in crisis management and promising fields.

“My Cabinet will end the long-running practice of excessive fiscal austerity and insufficient investment for the future,” said Takaichi, who became Japan’s first female prime minister in October and was reelected Wednesday. “We will intensely press, press, press, press and press the switch for growth.“

Takaichi vowed to speed up discussions on a two-year suspension of the 8 percent consumption tax on food and beverage items, aiming to draw an interim conclusion before the summer at a cross-party “national council” and submit related bills swiftly.

With prolonged inflation in mind, the government will not rely on deficit-covering bond issuance for the suspension, which would be a stopgap to help households until the envisioned introduction of an income tax deduction and cash handout system, she said.

“By fully mobilizing these measures, we will create a virtuous cycle of investment and wage hikes,” Takaichi said.

Japanese prime ministers usually deliver policy speeches in January after the start of ordinary Diet sessions, but this year the session ended in one day as Takaichi dissolved the House of Representatives on Jan. 23 for a snap election, leading to her address during a 150-day special session that started Wednesday.

In the election, Takaichi’s Liberal Democratic Party and its coalition partner, the Japan Innovation Party, won more than three quarters of the lower house’s 465 seats, well above the two-thirds threshold required to override the House of Councillors to push through bills.

In the upper house, the LDP-JIP bloc remains in a minority.

Takaichi said she hopes to work with opposition parties in realizing policies, quoting from a Chinese classic, “With trust, we act in righteousness, with righteousness, we fulfill our mandate.”

She called for cooperation to ensure the early enactment of a draft initial budget for fiscal 2026 starting April, which before the snap election had been expected to pass by the end of March, and of tax reform bills.

To prevent “unjustifiable foreign interference” in Japan, Takaichi said her government will establish a ministerial-level committee and upgrade the existing Cabinet Intelligence and Research Office to a national agency.

A conservative with hawkish security views, Takaichi also said she expects a deeper public debate on amending the war-renouncing Constitution, a long-held LDP goal, and revising the Imperial House Law for a “stable imperial succession,” amid a decline in the number of imperial family members.

As for diplomacy, Takaichi said she will visit the United States next month, if possible, to “further strengthen a relationship of trust” with President Donald Trump, describing the bilateral alliance as the linchpin of Japan’s foreign and security policies.

Regarding China, she reiterated Japan’s commitment to building “constructive and stable” ties and continuing communication, amid bilateral tensions sparked by her remarks in parliament in November that an attack on Taiwan could prompt an intervention by Japan’s defense forces.

Takaichi said Japan is facing “the most severe and complex” security environment of the postwar era, pointing to China’s intensifying military activities and attempts to “unilaterally change the status quo by force and coercion” in the East and South China seas.

Also touching on North Korea’s missile and nuclear development programs and Russia’s invasion of Ukraine, Takaichi promised to update three key security and defense policy documents this year and “strategically evolve” Japan’s free and open Indo-Pacific vision.

Let me end this piece by asking you readers: What is your reaction to this development? Do you think Prime Minister Takaichi and her cabinet will be able to achieve the goals of their agenda while convincing the opposition to cooperate? Do you think Japan will be able to secure itself better from the combined hostilities of Communist China and North Korea? Do you think strong economic growth can be achieved within the next few years?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

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Japan Eases Import Restrictions On American Automobiles

February 23, 2026February 17, 2026carlocarrasco

Recently Japan announced that the inspections for American automobile imports have been simplified in accordance with the bilateral tariff agreement, according to a news report by NHK World.

To put things in perspective, posted below is an excerpt from the news report of NHK World. Some parts in boldface…

Japan’s transport ministry has simplified inspections for US automobile imports based on a bilateral tariff agreement.

The transport ministry revised an ordinance on automotive safety standards to allow imports of US vehicles without additional tests as long as they conform to US safety standards.

US and Japanese automobiles have different requirements such as those for body impact strength, turn signal color and instrument units.

But from Monday, no additional tests are required for US auto imports if their makers have taken steps to ensure safety and the imports are authorized by Japan’s transport minister.

A red star-shaped sticker will be affixed to the rear of automobiles that meet the criteria. Inspection certificates will show that they are authorized US vehicles.

The deregulation was part of an agreement reached by Tokyo and Washington last July. The ministry has been working out details to implement the measure.

The easing of regulations is expected to be applied when cars made in the US by Japanese manufacturers are imported into Japan.

The Japanese government says the change will lead to a reduction in the US trade deficit with Japan.

Also on Monday, Japan’s Ministry of Economy, Trade and Industry decided to use a Japanese manufacturer’s cars made in the US as official government vehicles.

Let me end this piece by asking you readers: What is your reaction to this development? Do you think this latest development will stimulate sales of American automobiles in Japan? Do you agree with the current bilateral tariff agreement between Japan and the United States?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

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Trump Responds To US Supreme Court Decision With New 10% Global Tariff

February 22, 2026February 21, 2026carlocarrasco

In response to the United States Supreme Court’s decision that found America’s sweeping global tariffs unconstitutional, US President Donald Trump announced he will impose a 10% global tariff, according to a news report by Kyodo News.

To put things in perspective, posted below is an excerpt from the Kyodo News report. Some parts in boldface…

U.S. President Donald Trump said Friday that he will impose a new 10 percent “global tariff” after the Supreme Court struck down his duties targeting nearly all of America’s trading partners, delivering a major blow to his signature economic policy and likely complicating Washington’s relations with the rest of the world.

Upholding lower court findings, the highest court ruled that Trump overstepped his presidential powers when he used a 1970s-era emergency law last year to impose the so-called reciprocal tariffs, as well as fentanyl-related levies he applied to goods from China, Canada and Mexico.

Calling the ruling “deeply disappointing,” Trump said, “I’m ashamed of certain members of the court, absolutely ashamed for not having the courage to do what’s right for our country.“

At a press conference, Trump unleashed a barrage of criticism against the justices, accusing them of being “very unpatriotic and disloyal to our Constitution,” and claimed that the court has been influenced by “foreign interests.”

At the center of the case was Trump’s invocation of the 1977 International Emergency Economic Powers Act to swiftly bring the tariffs into effect without congressional approval, even though taxation is an enumerated power of the legislative branch.

During oral arguments in early November, a majority of the court’s nine justices, six of whom were appointed by Republican presidents, already appeared skeptical of Trump’s authority to bypass Congress in levying the double-digit tariffs.

Writing for the final 6-3 judgment, Chief Justice John Roberts, a conservative appointed by President George W. Bush, said Trump could not legally justify his extraordinary action.

“The president asserts the extraordinary power to unilaterally impose tariffs of unlimited amount, duration, and scope. In light of the breadth, history, and constitutional context of that asserted authority, he must identify clear congressional authorization to exercise it,” Roberts said.

Tariffs are the centerpiece of Trump’s “America First” agenda. The Republican president has argued they will revitalize U.S. manufacturing, create jobs, reduce the country’s debt, raise tax revenue and equip the United States with more negotiating leverage to extract concessions from other countries.

In the early months of last year, the Trump administration introduced the tariffs on goods from China, Canada and Mexico, accusing the top three U.S. trading partners of not doing enough to stem the flood of deadly fentanyl coming into the United States.

In April, Trump announced “Liberation Day” tariffs, which consist of a 10 percent universal tariff, plus varying additional duties on dozens of countries with which the United States runs significant trade deficits.

The emergency law, known as IEEPA, stipulates that it can be exercised “to deal with any unusual and extraordinary threat, which has its source in whole or substantial part outside the United States, to the national security, foreign policy, or economy.”

No president had previously used the law to impose tariffs, with countless U.S. and foreign companies suing the Trump administration to challenge the legality of the IEEPA-based measures and to ensure they receive refunds should the Supreme Court invalidate them.

The Supreme Court did not say whether the U.S. government must refund revenue from the tariffs.

At the press conference, Trump suggested that he would not refund the hundreds of billions of dollars, and the issue would end up in a long court battle.

Trump said foreign countries must be “so happy, and they’re dancing in the streets, but they won’t be dancing for long — that I can assure you.”

He stressed that his administration has “very powerful alternatives” to replace the tariffs the court “incorrectly rejected.”

While voicing willingness to advance his trade agenda by other means, Trump said he will introduce a new 10 percent tariff on imports from all countries, on top of the existing duties.

He said the additional tariff will be backed by Section 122 of the Trade Act of 1974, which permits him to levy such a measure for up to 150 days if there are serious trade deficits that need to be addressed.

Under the country-specific tariff framework, Trump initially threatened to impose a 25 percent levy on Japan, but the figure was lowered to 15 percent after months of negotiations, in return for Tokyo committing to massive investments in the United States in the coming years.

As Japan also promised to buy more American products, a trade agreement struck by the two countries resulted in Japanese automobiles being subject to a 15 percent tariff, down from the hefty 27.5 percent rate that took effect in April.

Let me end this piece by asking you readers: What is your reaction to this development? Are you surprised with the US Supreme Court’s decision? What do you think will happen to the economy of the United States as a result of the US Supreme Court’s decision?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

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Japan To Support 4 Southeast Asian Nations In Fight Against Cross-Border Crimes

February 21, 2026February 17, 2026carlocarrasco

In an effort to fight back against cross-border crimes in Southeast Asia, Japan will provide assistance to four countries namely Thailand, Cambodia, Vietnam and Laos, according to an NHK World news report. A formal signing ceremony was held in Bangkok recently.

To put things in perspective, posted below is an excerpt from the news report of NHK World. Some parts in boldface…

Japan will provide assistance to four countries in Southeast Asia in their efforts to combat cross-border crimes, such as scam operations.

A signing ceremony was held in Bangkok on Monday for a grant assistance program worth more than 500 million yen, or roughly 3.3 million dollars. The program aims to enhance the investigative capabilities of Thailand, Cambodia, Vietnam and Laos.

Tackling transnational crimes has become a major issue in Southeast Asia. Authorities in Cambodia, Myanmar and elsewhere have raided the facilities of criminal groups believed to have been involved in scam operations.

Assistance for the program will be provided via the United Nations Office on Drugs and Crime.

The plan includes providing each country’s investigative authorities with equipment to analyze data on criminals’ smartphones and personal computers. It also calls for the establishment of monitoring centers that function as intelligence hubs and generate analysis.

Japan’s ambassador to Thailand Otaka Masato attended the ceremony.

Let me end this piece by asking you readers: What is your reaction to this development? Do you think the assistance of Japan worth 500 million Yen will enable the nations of Cambodia, Thailand, Laos and Vietnam to do better in spotting and investigating the cross-border criminal activities? Do you consider Southeast Asia a hot spot of scam hubs?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

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Trump Reveals First Set Of Projects Under US-Japan Trade Deal

February 19, 2026February 18, 2026carlocarrasco

The ambitious trade deal between America and Japan is beginning to take shape as the administration of US President Donald J. Trump unveiled the first set of multi-billion Dollar projects, according to a news report by Kyodo News.

To put things in perspective, posted below is an excerpt from the news report of Kyodo News. Some parts in boldface…

U.S. President Donald Trump’s administration said Tuesday that Japan will finance the production of synthetic diamonds and two energy projects worth about $36 billion as the initial tranche of investments under a deal reached last year following months of tariff negotiations.

Trump’s announcement that the three projects had been selected, as part of a $550 billion package that Japan committed to in exchange for his administration reducing tariffs on Japanese cars and other goods, was confirmed hours later by Japanese Prime Minister Sanae Takaichi.

“These projects are so large, and could not be done without one very special word, TARIFFS,” Trump wrote on his Truth Social platform. “America is building again. America is producing again. And America is WINNING again.”

Calling it a historic time for the United States and Japan, he said a critical minerals project will be carried out in Georgia, along with plans for an oil facility in Texas and power generation infrastructure in Ohio.

Commerce Secretary Howard Lutnick said the United States and Japan will build the largest-ever natural gas infrastructure in Ohio, expected to produce 9.2 gigawatts of power, a deepwater crude oil export facility in the Gulf of Mexico and establish synthetic industrial diamond manufacturing capacity in the United States.

Lutnick said the deepwater facility is likely to generate $20 billion to $30 billion in U.S. crude oil exports annually.

Takaichi said on social media that the gas infrastructure will power artificial intelligence data centers, and the production of synthetic diamonds used in the semiconductor, auto and aviation industries is aimed at reducing the two countries’ overreliance on a specific country, without naming China.

“Going forward, Japan and the United States will continue working closely to further coordinate the details for implementing each project, ensuring their early and smooth execution,” Takaichi said in an X post.

Under a trade deal struck in July last year, Japan has committed to investing $550 billion in the United States by the end of Trump’s second term in January 2029.

Japan’s commitment comprises investments, loans and loan guarantees from Japanese government-backed financial institutions.

Japan’s industry minister Ryosei Akazawa told reporters in Tokyo that about $33.3 billion will be invested in the gas infrastructure, with Japanese companies such as Hitachi Ltd., Mitsubishi Electric Corp., Toshiba Corp. and SoftBank Group Corp. interested in participating in the project.

The project to increase U.S. crude oil exports is valued at $2.1 billion and the production of synthetic diamonds is worth $600 million, according to Akazawa, who mentioned Japanese firms such as Mitsui O.S.K. Lines Ltd., Nippon Steel Corp. and Asahi Diamond Industrial Co. in connection with these initiatives.

Last week, Akazawa and Lutnick agreed in Washington to speed up the selection process for the first round of investments, as the two countries prepare for Takaichi’s visit to the United States next month.

Japan and the United States have said that the investments will focus on strategic sectors, such as critical minerals, semiconductors, artificial intelligence and energy, to advance their national security interests and economic objectives.

The memorandum of understanding between Japan and the United States, signed by Akazawa and Lutnick in September last year, stipulates that Trump will ultimately choose projects recommended by an “investment committee” chaired by the commerce secretary and composed solely of U.S. officials.

Let me end this piece by asking you readers: What is your reaction to this development? Do you think the first projects of the US-Japan trade deal will create huge economic impact over the next few years? What other ambitious projects do you think Japan and America will focus on next?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

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What to watch on YouTube right now – Part 124

February 18, 2026February 15, 2026carlocarrasco

I recommend you check out the following videos I found.

#1 Tremors Revisited And Explained – By today’s standards, Tremors is a classic among monster movies (AKA creature features) Hollywood released. With the way it was written and presented, Tremors is always fun to watch again. I have seen it many times and yet it is worth repeating from start to finish. Behind the scenes, there were a lot of stuff, adjustments and unexpected developments that happened during production. If you wish to see such stuff, watch and learn from the Tremors videos of Represent This below.

#2 A Look At Excalibur In Las Vegas –I never had the opportunity to visit Excalibur in Las Vegas. During its first several years of operation, Excalibur welcomed countless tourists with its fantasy-themed atmosphere, designs, facilities and entertainment. Imagine having a meal while watching two knights riding horses and performing a joust in front of you. Imagine seeing members of the hotel staff wearing fantasy costumes. Like Circus Circus Hotel and Casino, Excalibur was a fine hotel that catered to families while still having casinos for gamblers. To learn more about what Excalibur was and what made it stand out among the hotels of Las Vegas, watch the video below.

#3 Meals At The Expressway In Japan – How often do you stop for a meal when traveling along a major highway? In many parts of the world, highways or expressways have clusters of gas stations, convenience stores, groceries and restaurants for travelers who need some relief from the stress of long travel. For many travelers, traveling far while being hungry can be a problem. In recent times, Nippon TV posted a video about meals and food items that travelers can find along expressways and the variety is interesting to see. Watch and learn from the video below.

#4 Cleopatra Movie Revisited – Way back in 1963, the movie Cleopatra starring Elizabeth Taylor and Richard Burton was released. The historical epic was made at a staggering cost of $44 million which was almost three times more expensive than 1959’s Ben-Hur. Behind the scenes, 20^th Century Fox was in very deep financial trouble and many hard business risks were taken to make Cleopatra. Elizabeth Taylor, who signed a record-setting $1 million contract for the film, had health problems that added to the delay of the production. The film even lost its original movie director. To learn more about the history and the behind-the-scenes intrigue of Cleopatra, watch the video below.

#5 Innerspace Revisited – Innerspace (stylized as InnerSpace) from 1987 is a fun movie to watch and it has fine performances from Dennis Quaid, Meg Ryan and Martin Short. That said, it is not surprising to see Innerspace featured in reaction videos and retrospective videos by YouTubers. For your enjoyment, watch the videos below.

#6 Breath Of Fire Retrospective – When Breath of Fire was first released in 1993, it was a surprising Japanese role-playing game (JRPG) as it had a somewhat fresh concept and it was released by Capcom (already famous for fighting games). The first game was successful enough to convince Capcom to make sequels (released on other game consoles as technology evolved) achieving varying degrees of critical and commercial success. Going back to the original game, some wondered what made it notable and how the game came to be. To find out the history of Breath of Fire and what its story was about, watch the video below.

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Japan And Trump’s America To Speed Up Investment Plans Under $550 Billion Package

February 14, 2026February 13, 2026carlocarrasco

Remember Japan’s commitment of investing $550 billion into core industries in the United States? The two great nations had a high-level meeting in Washington and they agreed to speed up the selection of the first round of investment projects under the multi-billion Dollar package before they are sent to US President Donald J. Trump for approval, according to a news report by Kyodo News.

To put things in perspective, posted below is an excerpt from the news report of Kyodo News. Some parts in boldface…

Japan and the United States agreed Thursday to speed up selection of the first round of investment projects under a $550 billion package that Tokyo committed to last year following months of tariff negotiations, with a summit of their leaders about a month away.

Hours after his meeting with U.S. Commerce Secretary Howard Lutnick in Washington, Japanese industry minister Ryosei Akazawa told reporters a “significant gap” remained and more coordination was required to serve the mutual interests of the two countries.

“In conducting negotiations, we are naturally keeping in mind the goal of making Prime Minister (Sanae) Takaichi’s visit to the United States a fruitful one,” he said.

Akazawa’s meeting with Lutnick was believed to be part of last-ditch efforts to sort out the first batch of Japanese investment projects to be carried out in the United States, before they are sent to President Donald Trump for final approval.

Although Akazawa, who serves as economy, trade and industry minister, said there was some progress, neither side could unveil any specifics. While refusing to elaborate, he suggested differences remained over interest rates and business risk assessments.

“In a nutshell, as far as we are concerned, high-risk, high-return (investments), given that they also involve taxpayers’ money, are not something we are interested in,” he said.

The meeting with Lutnick took place a week after Trump said he would welcome Takaichi to the White House on March 19.

Under a trade deal struck in July last year, Japan has committed to investing $550 billion in the United States by the end of Trump’s second term in January 2029, in exchange for his administration reducing tariffs on Japanese cars and other goods.

The massive figure represents a combination of investments, loans and loan guarantees from Japanese government-backed financial institutions.

Japan and the United States have agreed that the forthcoming investments will focus on strategic sectors, such as critical minerals, semiconductors, artificial intelligence and energy, to support their national security interests and economic objectives.

For the initial tranche of investments, the construction of gas-fired power generation facilities for data centers, the production of synthetic diamonds used in the semiconductor industry and the development of a port are among the leading candidates, according to Japanese officials.

The memorandum of understanding between Japan and the United States, signed by Akazawa and Lutnick in September last year, stipulates that Trump will ultimately select projects recommended by an “investment committee” chaired by the commerce secretary and composed solely of U.S. officials.

Earlier in the process, the so-called consultation committee — comprising officials from both countries — is tasked with identifying potential investment projects.

The United States will forward investment projects that gain Trump’s endorsement to Japan for review, with Tokyo given 45 days to respond and transfer the necessary funds to Washington.

Let me end this piece by asking you readers: What is your reaction to this development? Do you think the two nations will reach an agreement over the first round of investment projects under the $550 billion package? Do you think the remaining challenges will be resolved in due time? Are you looking forward to Prime Minister Takaichi’s Washington visit and meeting with President Trump this March?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

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