Batman – Page 3 – Author Carlo Carrasco

A Look Back at Spider-Man 2099 Special #1 (1995)

June 21, 2023June 18, 2023carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 and explore a part of the Marvel 2099 comics universe through a tale of the Spider-Man 2099 franchise.

Specifically speaking, we will examine a thick one-shot comic book about the futuristic Spider-Man simply referred to as a special. Back in those days, Marvel Comics hired the famous Brothers Hildebrandt and among the projects they worked on were varied pieces of captivating art about Marvel’s 2099 universe. In relation to this particular retro comic book review, the Hildebrandt brothers made the cover art for the special comic book which contained three standalone stories.

With those details laid down, here is a look back at Spider-Man 2099 Special #1, published in 1995 by Marvel Comics with the main story “The Menace of the Man-Spider” written by Jon Peterson and drawn by Joe St. Pierre.

Early story

The story begins at 1:45 AM inside the high-tech laboratory of Synthia when the Man-Spider (a human in a monstrous form of a huge spider) causes havoc and tries to hurt the personnel inside in response to their interference of his work. One of the troubled personnel manages to call for help as the Man-Spider tries to get them.

Just as the two workers get hit by the Man-Spider’s organic green web, armored elements of the security force arrived in response to the call and one of them fires a hot at the beast’s right arm causing a serious wound. Suddenly, the Man-Spider violently jumps away smashing through a large window going into the city. The Man-Spider escapes leaving behind a mess at the laboratory including a high amount of organic web that disgusts the people back there.

Hours later at another part of the city, Spider-Man got spotted by a floating drone which declares him as under arrest under the authority of the Public Eye. Spider-Man simply kept on swinging away to another destination until he uses his organic web on the drone and hurls it to a wall and explodes into several tiny pieces. Once alone, he changes into civilian clothes as Miguel O’Hara and rushes to Synthia’s facility…

Quality

Focusing on the main story (the first story), I find this particular tale of Spider-Man of 2099 rather worthy to read even though there were some flaws here and there. Jon Peterson crafted a story that took place sometime before the 34^th issue of the original Spider-Man 2099 monthly series while reflecting what was declared in issue #8 and building up something new with it. The main story was about Spider-Man getting into eventual conflict with the Man-Spider (note: it looks like someone at Marvel decided to copy DC Comics’ Man-Bat and make something new for the Marvel 2099 franchise) who in turn is an antagonist who is deeply troubled and yet not really evil. The Man-Spider is actually a man who does not have super abilities but rather high scientific intelligence and the capabilities to alter genetics using advanced technologies. The Man-Spider is not obsessed with destroying the world or murdering people, but achieving a major breakthrough backed with good intentions.

One of the most notable weaknesses of the script written by Peterson is the emphasis that Miguel O’Hara/Spider-Man 2099, Dana and the so-called resident mad scientist Antoine have a history together since their youth. This one felt very forced and ended up being unbelievable.

Still on the world-building aspect of the story, this comic book showed a true link between the company Synthia and the gigantic Alchemax which reflects what was state in issue #8. This link between the two corporations opened up opportunities for the creators to emphasize Alchemax’s moves on securing valuable stuff for the future.

Ultimately, the main story turned out to be a good read even though there were flaws that somewhat took away credibility from its core concept. I should also state that Joe St. Pierre established a rather unique look for the Spider-Man 2099 franchise. His work here is a nice alternative opposite Rick Leonardi’s Spidey 2099 art.

While the 2^nd story of this one-shot was not worth reading at all, the final story has a unique concept exploring voyeurism in 2099 which accidentally reminded me about how social media in real life could ruin the public’s perception and people themselves.

Conclusion

*Spider-Man 2099, Dana and the Man-Spider in a dangerous situation.*

With a good enough main story, one forgetful 2^nd story and a satisfactory third story, Spider-Man 2099 Special #1 (1995) is ultimately a mixed bag. You will find variety here as well as unique takes on the futuristic Spider-Man and 2099’s society from the creators, but don’t expect great stuff. I think the most die-hard Spidey 2099 and Marvel 2099 fans will enjoy this the most.

Overall, Spider-Man 2099 Special #1 (1995) is serviceable.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Spider-Man 2099 #9 (1993)

January 9, 2023January 3, 2023carlocarrasco

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, Marvel 2099 fans and comic book collectors! Today we revisit the Marvel 2099 franchise within Marvel Comics’ shared universe during the 1990s. Specifically speaking, we take a look back at one of the early tales of Spider-Man 2099.

In this retro comic book review, the futuristic Spider-Man finally made his way back uptown after spending time in the old city of New York down below where he saw people living in poverty, violent gangs and Vulture 2099.

With those details laid down, here is a look back at Spider-Man 2099 #9, published by Marvel Comics in 1993 with a story written by Peter David and drawn by Kelley Jones.

Early story

The story begins at the Wellvale where Conchata O’Hara (mother of Miguel and Gabriel) suddenly suffers an attack from inside her body. The medics were called for emergency.

Elsewhere, Spider-Man jumps with excitement and relief after finally making it back from deep down the modern city. He almost gets hit by a hover car and decides to stop for a while at an isolated spot to calm down and reflect about what happened recently. He just defeated Vulture in battle below prior to climbing back up.

Suddenly, an armed Public Eye flyboy tries to apprehend him. After making getting near the flyboy and making himself look like he was about to submit himself, the flyboy communicates with his team. During that short moment, Spider-Man fires his organic web at the flyboy’s mouth which causes him to fire his weapon and miss. Spider-Man then knocks the flyboy out cold, leaving the communication line hanging…

Quality

*The idolaters of Spider-Man 2099 spotted.*

Considering everything that happened to Spider-Man in the previous few issues set deep underneath the modern city, this tale was crafted to develop the webslinger’s personality some more while showing for the first time ever the group of Spider-Man 2099 idolaters who are so obsessed, they go around wearing their idol’s costume and even take risks imitating his physical abilities (example: crawling on the wall). There is no good-versus-evil conflict here but more exploration of the modern society Miguel O’Hara has long been part of.

For one thing, at this point of the monthly series, Spider-Man 2099’s misadventures and acts in uptown New York not only caused disturbance with the modern society watched over by Alchemax, he also sparked a new group of people who perceive him to be their holy savior. This kinda reminds me of DC Comics’ very own Sons of Batman which is a youth group inspired by Batman, and to see the Marvel 2099 have its own version of the concept is a pretty neat move by the creators.

Speaking of characterization, the complexities of the relationships between Miguel O’Hara with his brother Gabriel, his mother Conchata, his romantic interest Dana and the relationships the others have with each other begin to really grow in this issue. The good news is that Peter David not only provided solid dialogue for each character but also clearly defined their respective personality traits and thoughts about others. To see Gabriel personally reacting to Kasey’s reaction towards Spider-Man’s body was amusing and even a bit hilarious.

On the artistic side, Kelley Jones work here as guest illustrator was nice to see and certain visual elements of his work on Batman comic books also made it here. The result is a nice change of style and a new approach of showing visual details. I should state that even though his art style is radically different from that of Rick Leonardi, Jones managed to make the established characters look recognizable to me.

Conclusion

*Kelley Jones’ visuals on Spider-Man 2099 is nice to see.*

Spider-Man 2099 #9 (1993) is clearly a more characterization-oriented story which is a nice change of pace and approach considering the chaotic story developments of the previous few issues. This comic book also shows that Spider-Man 2099 continues to encounter challenges in both local society and personally. The revelation of idolatry and idolaters connected to Spider-Man added a new layer of foolishness and evil to the local society (for insight, click here and here). At this stage of the monthly series, something new was clearly brewing for the futuristic webslinger and this showed that Peter David laid out his plans for the direction of the series’ narrative. Lastly, Kelley Jones’ work here really stands out.

Overall, Spider-Man 2099 #9 (1993) is recommended!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

Better than Streaming: The Adventures of Batman: The Complete Collection Blu-ray scheduled for February 28, 2023 release

November 17, 2022November 16, 2022carlocarrasco

Welcome back, fellow geeks, Blu-ray collectors and movie buffs! Some of you might have gotten tired about the so-called modern take of DC Comics’ iconic crime fighter Batman in varied forms of media. I know a few people who expressed disappointment with the way Batman was presented in The Batman, and I noticed geeks who remain divided over Zack Snyder’s vision of Batman.

If you want a simpler, classic and more straightforward Batman and join his fights against the super villains, then you might be interested to know that The Adventures of Batman: The Complete Collection Blu-ray will be released on February 28, 2023, according to the announcement published by Blu-ray.com.

*The Adventures of Batman: The Complete Collection Blu-ray cover.*

To put things in perspective, posted below is the excerpt and key details from the 4K Blu-ray announcement at Blu-ray.com. Some parts in boldface…

The Adventures of Batman was one of the spotlight animated television series to be produced by Filmation, who generated more than 50 animated series, over a dozen television shorts, specials and movies, and eight feature films. The Adventures of Batman was also paired with another famous DC Super Hero to become The Batman/Superman Hour.

Filmation veteran Olan Soule (Super Friends, The Towering Inferno) provided the voice of Batman, while American Top 40 co-founder & host Casey Kasem (Scooby-Doo franchise) played Robin. The supporting cast featured two-time Emmy Award winner Ted Knight (The Mary Tyler Moore Show, Caddyshack) as Commissioner Gordon, Larry Storch (F Troop) as Joker, and Jane Webb (Sabrina the Teenage Witch, The Archie Show) as Barbara Gordon/Batgirl.

Soule and Kasem became the reigning voices of Batman and Robin, respectively, for several years as the Dynamic Duo would appear in two The New Scooby-Doo Movies crossovers, various versions of Super Friends, and The New Adventures of Batman.

Premiering on September 14, 1968, The Adventures of Batman also featured Batman’s primary rogues’ gallery at the time – Penguin, Mr. Freeze, Catwoman, Riddler, Scarecrow, Dollman, Mad Hatter and Simon the Pieman – as well as some notable team-ups of those villains.

The 34 episodes in The Adventures of Batman: The Complete Collection are:

My Crime Is Your Crime / A Bird Out of Hand

The Cool, Cruel Mr. Freeze / The Joke’s on Robin

How Many Herring in a Wheelbarrow? / In Again, Out Again Penguin

The Nine Lives of Batman / Long John Joker

Bubi, Bubi, Who’s Got the Ruby? / 1001 Faces of the Riddler

The Big Birthday Caper / Two Penguins Too Many

Partners in Peril / The Underworld Underground Caper

Hizzoner the Joker / Freeze’s Frozen Vikings

The Crime Computer / The Great Scarecrow Scare

A Game of Cat and Mouse / Beware of Living Dolls

Will the Real Robin Please Stand Up? / He Who Swipes the Ice, Goes to the Cooler

Simon the Pieman / A Mad, Mad Tea Party

From Catwoman with Love / Perilous Playthings

A Perfidious Pieman Is Simon / Cool, Cruel Christmas Caper

The Fiendishly Frigid Fraud / Enter the Judge

The Jigsaw Jeopardy / Wrath of the Riddler

It Takes Two to Make a Team / Opera Buffa

To see the technical details of The Adventures of Batman: The Complete Collection Blu-ray, click https://www.blu-ray.com/movies/The-Adventures-of-Batman-The-Complete-Collection-Blu-ray/327428/

In my experience, I first saw re-runs of The Adventures of Batman on local television as a kid and I often had a lot of fun watching the Caped Crusader fight the bad guys. Along the way, I got oriented with the TV series’ presentations of classic Batman villains and the supporting characters. Reflecting its era, the series was clearly wholesome and for the little ones who have yet to read Batman comic books, the series was effective as a warm-up.

Watch out for The Adventures of Batman: The Complete Collection Blu-ray on February 28, 2023.

In closing this Better than Streaming piece, posted below is a related video.

If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

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A Look Back at Superman #76 (1993)

October 18, 2022October 19, 2022carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a key chapter in the post-Crisis era of DC Comics through a Superman comic book.

Previously, I reviewed Adventures of Superman #498 (1993) and Superman: The Man of Steel #20 (1993) which were chapters of the Funeral for a Friend storyline. In Superman: MOS #20, a large funeral took place which involved several special guests as well as other DC superheroes who paid tribute to Superman. The entire city of Metropolis is struggling to move forward as the sudden of Superman really impacted all the people, especially on Lois Lane.

With those details laid down, here is a look back at Superman #76, published in 1993 by DC Comics with a story written and illustrated by Dan Jurgens. This comic book marked the fourth chapter of the Funeral for a Friend storyline.

Early story

The story begins with Shazam (AKA Captain Marvel) arriving at the rooftop of the Daily Planet where the Flash, Batman, Wonder Woman, Green Lantern, Maxima and others are present. The whole city is experiencing a very somber Christmas season as the death and burial of Superman remains very strong on the people.

On the streets of Metropolis, a long-haired guy named Mitch walks down in the rain feeling troubled not only because Superman died but also due to the fact that their home got smashed during the encounter with the unstoppable Doomsday. Mitch then arrives at a gathering of people outside of a building’s front door. There are several reporters covering a lady speaking to them with a microphone. She tells them that she is Mrs. Superman…

Quality

Being the 4^th chapter of the Funeral for a Friend storyline, Dan Jurgens crafted a story that not only dramatized the post-disaster situation of Metropolis but also had notable twists and developments that proved to be worth reading.

For one thing, this comic book has Lois Lane reunited at last with Clark Kent’s earthly parents Jonathan and Martha which was not only really dramatic but also had very rich dialogue written. By this point in this particular storyline, Lois Lane has gone through waves of deep emotions and pain, while getting stressed with journalistic work. As such, there is this dramatic pay-off that happened during the reunion with the elderly Kent couple.

What is most notable here is the scene in which Superman’s super-powered allies visit a local post office that literally got flooded with lots of mail from around the world addressed to the Man of Steel. On face value, such a scenario looked silly but the way Dan Jurgens crafted the dialogue and the images, the post office scene became believable and sensible to read. This shows that superheroes like Aquaman, Wonder Woman, the Flash and others do have hearts to be caring and sensible to the people.

The scene of the ordinary guy Mitch is significant as well. Clearly the character symbolizes the poor and struggling American who remembers how a complete stranger like Superman came along, stood up to fight for Mitch’s family and died in the process (while Mitch’s father was absent).

This comic book is also a Christmas tale. How Christmas was dramatized here has to be seen and you readers should get a copy of this comic book to find out why. It should be noted that there are themes of reconciliation and the nuclear family that made the Christmas tale meaningful.

Conclusion

*Lana Lang, Lois Lane and the elderly Kent couple.*

Even without the presence of the Man of Steel and no good-versus-evil conflict, Superman #76 (1993) is a great read as it pushed forward the Funeral for a Friend storyline while successfully telling a meaningful Christmas tale of its own complete with a very unique portrayal of the Justice League and Superman’s allies. How people deal with emotions and stress over Superman’s death was portrayed as highly believable and Dan Jurgen’s writing here was done with really high quality.

Overall, Superman #76 (1993) is highly recommended.

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A Look Back at Superman: The Man of Steel #20 (1993)

October 10, 2022August 26, 2024carlocarrasco

Previously, I reviewed Adventures of Superman #498 (1993) which marked the first chapter of the Funeral for a Friend storyline and dramatized the impact left behind by the death of Superman. That particular comic book had strong writing and succeeded in dramatizing how Superman’s friends, associates and other characters coped with his death with the future looking uncertain to them.

With those details laid down, here is a look back at Superman: The Man of Steel #20, published in 1993 by DC Comics with a story written by Louise Simonson and drawn by Jon Bogdanove. This comic book marked the third chapter of the Funeral for a Friend storyline.

Early story

The story begins with people in Metropolis struggling to move forward not only because their hero Superman died but also because of the tremendous damage left behind by Doomsday. In his headquarters, Lex Luthor is talking with the telephone surrounded by several people with Supergirl watching. The matter being discussed was the burial of Superman at Centennial Park particularly in a structure Luthor himself donated. While he has to live on with the fact that he failed to kill Superman, Luthor tells himself he can still bury him.

At the Kent farm far away from Metropolis, Jonathan and Martha Kent are agonizing not only because of the death of their beloved son but also because they realized they cannot even get near him at his funeral as it will be organized as a major event with only the important people allowed to attend…

Quality

It seems like destiny to have the super villain Lex Luthor in the presence of a fictionalized Bill Clinton and Hillary Clinton during the funeral of Superman. By today’s standards, the Clintons made it normal for America to bow to terrorists and make deals with them. That being said, their inclusion in this comic book is just wrong.

To go straight to the point, like Adventures of Superman #498 (1993), this comic book continues to dramatize the impact of Superman’s death on Metropolis and its people in a very engaging manner. It shows that DC’s creative teams in charge of Superman comic book at the time were really organized and coordinated with each other on crafting the Funeral for a Friend storyline. What makes this comic book stand out is the funeral itself which was organized as a public event (with the burial itself done in the presence of important people – including a very evil couple from the Democrats who love abortion and terrorism) and this includes the presence of many other DC Comics superheroes like Wonder Woman, Green Lantern, The Flash, Maxima, Shazam (AKA Captain Marvel) and others. The burial had its own share of intriguing and dramatic moments emphasizing the people’s struggle to adjust themselves knowing they don’t have Superman anymore to help them.

*Wonder Woman, Green Lantern and Robin help out as the huge crowd became rowdy.*

More on the post-death dramatization, the creative team managed to keep Superman’s associates Lois Lane, Jimmy Olsen and the other Daily Planet people feeling uneasy over the Man of Steel’s death which makes their work covering the funeral professionally a challenge. Unsurprisingly, Lois Lane gets her own fine share of the spotlight agonizing over the fact that she lost her beloved Clark (Superman to the public) whom she was supposed to get married with. The emotional struggle within her intensified as she experiences difficulty of informing the elderly Kent couple about what happened. This is rich writing prepared by the creators.

Not only that, the creative team also went all-out with dramatizing the impact of Superman’s good deeds on the people. You will see several people from Metropolis’ general population talk about how Superman helped them or inspired them. There are certain lines of dialogue that are quite touching to read.

Conclusion

*A pretty powerful portrayal of Lois Lane’s struggle on dealing with the new reality that she lost her beloved Superman.*

Superman: The Man of Steel #20 (1993) is another solid, post-death story emphasizing the new normal that Metropolis people and Superman’s friends are having difficulty adjusting to…a world without the Man of Steel. Based on the high quality of the storytelling and character development, it is easy to tell that the Superman titles’ creative teams planned ahead and prepared themselves for telling a post-death saga which was pretty risky given the iconic status of Superman and his decades-long legacy in comics and pop culture. This comic book really made Superman’s absence feel powerful and undeniable.

Overall, Superman: The Man of Steel #20 (1993) is recommended.

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A Look Back at The Night Man #8 (1994)

June 14, 2022June 6, 2022carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the mid-1990s which was a pretty wild time for comic collectors. To be more specific, this newest retro comic book review revisits the Ultraverse through The Night Man monthly series.

In my previous retro review, Night Man encountered a new, murderous villain who could change into a werewolf. The mentioned villain named Nik Apocaloff is a lot more than being able to become a monster…he has a notable family background, is highly education and is connected with powerful figures like J.D. Hunt. That makes him a formidable antagonist versus Night Man and his civilian identity as Johnny Domino. Apocaloff proved to be such a powerful villain, he became the center of attention of Night Man during one of his radio broadcasts.

With those details laid down, here is a look back The Night Man #8, published in 1994 by Malibu Comics with a story written by Steve Englehart and drawn by Kyle Hotz.

Early story

The story begins somewhere inside one of the many rooms of city hall. An intense meeting goes on with the mayor present and what happened recently involving both the Night Man and the werewolf made an impact on the matters of discussion.

In an apartment somewhere in the city, Apocaloff is in his monster form and he just murdered a lady and consumed a lot of her flesh. Suddenly the door is knocked by someone who knew the victim. This causes Apocaloff to leave through the window and climb the steps to the rooftop. There, he changes back into his human form.

Elsewhere, Lt. Carleton Briggs arrives back in his office where Sergeant Dade is waiting. After a s short chat, they hug and kiss each other. The Night Man suddenly enters through the window…

Quality

Wow! This is one very compelling tale of the Night Man. To get straight to the point, the highlight of this comic book is the rematch between the title character and Apocaloff. To be clear, the rematch was not handled with brainless action in mind but rather with a lot of strategy combined with a medium-paced approach on progression which brought back a lot of vibes from Night Man’s encounters with the members of TNTNT a few issues back. Storywise, the stakes behind the rematch are much higher as the Night Man makes a solid pitch to the local police in the fight against crime (which made me think about the key elements of Batman comic books) while the tycoon J.D. Hunt (whom Apocaloff interacted with previously) just gave his approval for the Teknight project.

When it comes to character development, Apocaloff’s strong adherence to the past (Russian legacy, old world sensibilities, connections with California’s history) are emphasized some more. For his part, Night Man’s intelligence and approach to vigilantism got developed even more.

Conclusion

*Night Man comes to the police with evidence about Apocaloff.*

The Night Man #8 (1994) is another solid comic book of the Ultraverse. The story was told with an overall medium pace and the payoffs for each build-up were indeed satisfying. Considering the presence of the police in the story, this particular Night Man issue has the strongest similarities with DC Comics’ Batman. More importantly, this issue succeeded in developing both the titular hero and his most elaborate villain. It seems to me that Night Man and Apocaloff were made to clash with each other beyond this issue and the previous one.

Overall, The Night Man #8 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/

George Perez (1954-2022)

May 10, 2022September 14, 2022carlocarrasco

George Perez, the incredible comic book artist who made major contributions to illustrated literature (especially the superhero comic book genre), sadly passed away due to complications related to pancreatic cancer. He was 67-years-old and I can say that superhero comic book art and dynamic expressions will not be the same without him.

*George Perez with the two Wonder Woman plastic models. (photo source – DC Comics Facebook page)*

Already there were comic book industry figures who reacted to the death of the legendary Perez. DC Comics co-publisher and legendary creator Jim Lee paid tribute stating, “We creators may all have access to the same tools of the trade: pen, paper and imagination, but what George could do with his prodigious talents was off the charts.”

For his part, Rob Liefeld stated, “I’ll remember George for his innovative and prolific storytelling. Thank you for all the great memories. Rest In Peace, George Perez.”

For the newcomers reading this as well as those who are simply unaware of Perez’s legacy, he was responsible for visualizing DC Comics’ 1985 epic maxi-series Crisis on Infinite Earths (note: he drew countless characters complete with varied settings or environments in high detail) and redefining Wonder Woman (note: he also wrote the stories) which made her a more essential pop culture icon. George Perez also worked for Marvel Comics over many projects and was chosen to illustrate the memorable 2003 JLA/Avengers crossover series of Marvel and DC. Perez also worked with other publishers such as Malibu Comics for several Ultraverse comic books and Image Comics for Crimson Plague and Witchblade. In recent years, he was responsible for Sirens published by BOOM! Studios.

*For me, Wonder Woman was best defined during the post-Crisis era of DC Comics which involved George Perez and Len Wein who wrote the early issues of the Wonder Woman monthly series in the late 1980s.*

In his decades-long career in comics, Perez unsurprisingly earned varied awards and honors (references here, here, here and here to name a few).

I should say that George Perez is a long-time favorite comic book illustrator of mine. I enjoyed reading the superhero comic books he illustrated and I love his art style on the characters, the environments and crowds. If there is anything I love about Perez’s art, it is his distinct style along with his implementation of high levels of details on the characters, objects, creatures and surroundings. Perez is also known to capture the distinct visual elements of superhero characters such as Spider-Man’s costume and his spaghetti-like web, Superman’s physique and distinct letter S, Prime’s overly muscular body and more. Every time Perez is involved as artist, the result is almost always a visual feast that often adds punch to the script prepared.

When I was still actively collecting comic books back in the 1990s, I often get excited whenever I learned that George Perez illustrated upcoming comic books. In 1992, he drew Incredible Hulk: Future Imperfect (2 books) which was mind-blowing and intriguing for me! In 1993, I became a fan of the newly launched Ultraverse of Malibu Comics and I got very excited to learn that Perez was hired for their major UV crossover Break-Thru (2 issues). Perez also drew one issue of Prime and most of the early issues of the UV team UltraForce (issues #0, #1, #3, #4, #5 and #6). If you want to see Perez draw ALL the characters of the Ultraverse, you should read the 2-issue Break-Thru storyline.

*A page from Break-Thru #2 showing just some of the many Ultraverse characters Perez illustrated. This was published before the release of UltraForce.*

Speaking of UltraForce, check out this video by Crypto Comics (with observations on Perez’s art works)…

Going back to George Perez’s amazing run on Wonder Woman, I urge you to watch the video below…

For me, the most defining stories of Wonder Woman ever told in any art form are still the comics that Perez wrote (note: he co-wrote stories with Greg Potter and Len Wein respectively on the early issues) and illustrated during the post-Crisis era of DC Comics. Check out my retro reviews of Wonder Woman 1980s comics on this website.

Truly, George Perez will be missed by a lot of people and his countless pieces of works will be revisited in the foreseeable future. In closing this piece, posted below are varied works (comic book covers and interior art) done by the late creator through the decades for your viewing pleasure and learning. This is a tribute to Perez and may he rest in peace!

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Note: All images shown are properties of their respective companies.

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/

Better than Streaming: My first time in two whole years to watch a movie inside the local cinema

March 15, 2022March 14, 2022carlocarrasco

I finally did it! After two years of living with the COVID-19 crisis, I finally returned to the local cinema at Commercenter in Alabang recently where I saw The Batman on the big screen. The day was March 5 (Saturday) and it was a very notable experience for me personally and I can say that the theatrical experience is still better than watching movies via streaming.

To be very clear, it has been months since the cinemas all over Metro Manila reopened and as the months passed by, moviegoers have gradually returned in relation to what films were screened, what the local Alert Levels were and what health protocols were implemented. The reopening of cinemas went a long way since the 1^st quarter of 2021 (for references click here, here, here and here) and the Philippine cinema industry as a whole is trying to recover what was lost over the past two years. At one point, the movie theaters employed over 300,000 employees nationwide.

*On my way to watching The Batman at the cinema with my ticket!*

Going back to my return to the local cinema, I want to make clear that currently the cinemas will only accept people who have been fully vaccinated (meaning two doses of most COVID-19 vaccine brands were injected) which is why vaccination cards/passes are required for verification BEFORE any ticket will be sold. As such, I showed to the theater ticket seller my vaccination card and eventually I was allowed to purchase a ticket for The Batman which was P320 (more than US$6). I should state that it was also there at the Commercenter cinema where I last saw a movie in 2020…just before the first lockdown happened.

More on rules, it has been declared already that food and drinks are prohibited in Commercenter’s cinemas and that moviegoers are to wear their masks on as they watch a movie. Again, the prohibition on food and drinks at the said cinema were in effect when I viewed The Batman on March 5. According to a March 9, 2022 report by the Manila Bulletin, some theaters allowed their moviegoers to have food while watching.

*For transparency, these are the rules for you to see.*

While having no food and drink was a bummer for me as a paying moviegoer, I decided to just let things be and focus strongly on the narrative of The Batman which has a running time of almost three hours! That being said, as the movie went on, I was compelled to really focus on the story, the details and the dialogue (note: I turned my smartphone off as soon as I sat down). I also realized something that movie theaters can instantly provide that streaming apps and the home-based theater cannot – complete privacy and immersion.

In other words, there no distractions from external forces (examples: smartphone updates through the Internet, in-home telephone ringing, a noisy neighbor, someone knocking on the door, the house doorbell ringing, a motorist driving a car with an overly loud sound outside the house, etc.) and as such I experienced this strong engagement in watching the Matt Reeves-directed Batman movie. I also noticed that not only does Colin Farrell looks truly unrecognizable as the new cinematic Penguin, there were two moments I noticed he sounded and spoke like Robert de Niro!

I should also state that there were several other moviegoers who occupied seats on rows behind and in front of me. Clearly the attendance of that very screening was below 50% which only reminds me that the pandemic is still ongoing here in the Philippines. Fortunately, everyone was well behaved and in-theater noise and distractions were non-existent.

After waiting until the very end to see the very short and cryptic end-credits scene, I finally left the cinema satisfied and entertained. I found The Batman a worthy movie to watch on the big screen but to judge its quality and emphasized my observations about it, I would do that in a possible movie review.

*Nothing like looking at what films are being shown before you reach the ticket counter.*

My return to watching a movie in the local cinema was a really interesting experience. It was also my first time in many years to watch a movie on the big screen without consuming any drink or food. Still, I got my money’s worth overall and I really hope that what I paid will keep helping not just Commercenter cinema but the entire movie theater industry to achieve economic recovery with the pandemic still ongoing. The more people who get fully vaccinated, and the more fully vaccinated people who get boosted, the better it will be for movie theaters in terms of qualified moviegoers.

When it comes to spending time inside Commercenter, be aware that the mall has really nice places to enjoy delicious meals before or after you watch a movie at their cinema. You love ramen and Japanese meals, go to Sigekiya Ramen. You want to try Greek cuisine? Visit Akrotiri. You like good food and wine? Visit The Black Pig.

To those of you reading this, if you have the means and if your local cinemas are allowed to operate, I encourage you to buy tickets and watch your desired movie on the big screen inside the cinema. I suggest you stop streaming temporarily and help the movie theaters achieve economic recovery from this pandemic. For The Batman, I say screw HBO Max and HBO Go!

Remember this: Streaming will NEVER match the grandeur and immersion of the cinema! The cinema is always better than streaming. What you pay for movie tickets will help not only the cinema operators and their respective employees, you will also help the local authorities by means of tax collection and keeping the local area in order.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/

A Look Back at Spider-Man and Batman: Disordered Minds (1995)

January 18, 2022January 16, 2022carlocarrasco

Welcome back, superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we will take a look back at a certain crossover comic book that involved both Marvel Comics and DC Comics published in the mid-1990s. On my part, it’s been some time since I last reviewed a Marvel-DC crossover comic book. That being said, you can read about my retro comic book reviews of Batman versus The Incredible Hulk and Superman and Spider-Man on this website.

For this new retro review, we will focus on the 1995 crossover that brought two of Marvel and DC’s icons together for the first time – Spider-Man and Batman! To put things in perspective, the 1990s still remembered as the decade when Bane broke Batman’s back while the publishing of Spider-Man comic books became highly controversial with the Spider-Clone Saga. In the 1995 crossover produced the two comic book giants, Spider-Man and Batman are presented in their classic identities as Peter Parker and Bruce Wayne.

With those details laid down, here is a look back at Spider-Man and Batman: Disordered Minds published in 1995 by Marvel Comics and DC Comics with a story written by J.M. DeMatteis and drawn by Mark Bagley.

Early story

The story begins with a nightmare in which Peter Parker’s Uncle Ben got shot by an armed man in the presence of Aunt May inside their home. Immediately Spider-Man arrives and grabs the man by the neck. The armed man creepily laughs and his face suddenly turns into the Joker. Peter Parker wakes up in bed with Mary Jane on his side. After a short talk with his wife, Peter decides to leave their apartment and swing around the city as Spider-Man.

In another nightmare, a very young Bruce Wayne witnesses the death of his parents caused by a man with a gun. He suddenly turns into Batman and grabs the gunman by the neck. The gunman suddenly turns into the horrific Carnage. Bruce wakes up and decides to reflect. As soon as his butler Alfred opens the door to check on him, Bruce immediately leaves as Batman in the middle of the night.

Somewhere that same night inside a secret facility of the Ravencroft Institute, Cletus Kasady/Carnage is restrained in a secured chamber surrounded by armed security personnel with Spider-Man and psychotherapist Ashley Kafka watching him…

Quality

I’ll start first with the visual quality of this crossover comic book. Mark Bagley, who was the lead artist on Marvel’s Amazing Spider-Man comic book series, delivered an unsurprisingly stylized look at the two superhero icons, super villains and characters, as well as on DC’s Gotham City (which was the most prominent location in the story).

While Bagley’s work on Spider-Man and the characters associated with him were typical of his Amazing Spider-Man of the decade, I can say that his take on Batman, Joker, Alfred, the Bat Cave and others on the DC Comics side resulted a unique look. Bagley drew Joker looking sinister, maniacal, clueless and even tamed as the plot progressed. Bagley’s Batman has a larger yet familiar style of muscular body compared to Spider-Man, and the visual presentation of his cape ranged from dynamic to looking authoritarian. There were however a few moments wherein Bagley went over the limit on emphasizing the length of Batman’s cape which resulted a few inaccuracies. Remember how there were times that Bagley drew Marvel characters’ thighs to look excessive with muscle? You will see that too on Batman here.

When it comes to artistic dynamism, it is clear that Bagley pushed himself hard creating some mixed results. Some scenes (action scenes and talk scenes included) had the appropriate amount of flash and style, while other scenes had an excessive amount. When it came to spectacle, Bagley succeeded in making the action, hard-hitting moments and explosions look very lively. To be clear, this comic book is entertaining to look at but ultimately it will resonate best with readers who are best familiar to the way Bagley draws.

For the storytelling, J.M. DeMatteis crafted a script that did not reach its full potential as there were obvious limits imposed to ensure equality on presenting the characters and the situations. This explains why in the beginning Spider-Man and Batman each had nightmares related to their respective past and end up seeing their respective super villains interchanged (Spider-Man sees Joker, Batman sees Carnage). The characters of Ashley Kafka and Cassandra Briar are not only looking too similar to each other (just imagine their characters having no colors), they both feel like cardboard cut-outs of a single character who specializes on analyzing people with dangerous minds and coming up with solutions to help them. The more known supporting characters from the respective sides of the two icons – Mary Jane and butler Alfred – made short appearances but did not really contribute much to the plot.

The limitations are also felt on the way Spider-Man and Batman – plus Carnage and Joker – were presented, right down to their interactions with each other. While it was expected that Batman and Spider-Man would be brought together by an unfortunate development, the complete absence of a fight between the two superhero icons was itself the biggest surprise here effectively defying crossover superhero tradition. Even without a fight, you will see Batman and Spider-Man do things separately in accordance to their respective traditions or character traits before getting back together leading to the big conflict with the super villains.

As for Joker and Carnage being together, the spotlight on them in this comic book is pretty limited. There simply is not enough space in this comic book to bring out the full potential of the two super villains who each are known to be murderers and psychologically dangerous. What is interesting in their limited time together is that the story emphasized the differences between them when it comes harming people. The Joker has his own sadistic style of leading people to their deaths in time-consuming ways which is opposite of the quick deaths Carnage enjoys. Considering their respective reputations, it is just a shame that this comic book not only failed to bring out the full potential of Carnage-Joker, it also failed to establish them as clear and present dangers to the public.

More on the plot itself in relation to the comic book sub-title “Disordered Minds”, the elements of mental instability, psycho-therapy, psychology and rehabilitation are present but they are all thrown out by the time the second half of the story begins, clearly making space for the crossover dynamics of Batman, Spider-Man, Joker and Carnage.

Conclusion

Spider-Man and Batman: Disordered Minds (1995) is a flawed crossover event comic book that just so happens to have more positive stuff than negative ones. It is enjoyable but not great and certainly not memorable. The imposed limits on the presentation made this comic book’s story feel very staged and predictable. With what little creative space was left, it is quite an achievement for the creative team to tell a cohesive and stuffed story (note: there is a lot of filler and some psychology related stuff may not interest some readers) while featuring Batman and Spider-Man the best way they could. It has enough superhero spectacle to be enjoyed although the interactions between Batman and Spider-Man and between Joker and Carnage could have been better.

If you are seriously planning to buy an existing hard copy of Spider-Man and Batman: Disordered Minds (1995) be aware that as of this writing, MileHighComics.com shows that a near-mint copy costs $120 while the near-mint copy of the signed-and-numbered edition is at $120.

Overall, Spider-Man and Batman: Disordered Minds (1995) is satisfactory.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/

Gameplay footage of Suicide Squad: Kill the Justice League looks promising

December 14, 2021December 13, 2021carlocarrasco

When Suicide Squad: Kill the Justice League was first unveiled with a cinematic trailer during the DC FanDome of 2020, I was just interested with its concept but wanted more in terms of gameplay. After more than one year of waiting, Warner Bros. Interactive Entertainment revealed at last the first gameplay footage of the Rocksteady Studios-developed game and I find it looking fun and promising. For your viewing pleasure, watch the official gameplay trailer below…

As seen in the above trailer, the developer behind the acclaimed Batman Arkham games really worked hard to not only make a wide variety of action and movements (in relation to the different members of the Suicide Squad), but also have them animate very smoothly and artistically resulting a cinematic look while still maintaining the DC Comics aesthetic.

*A quick look at Metropolis serving as the open world environment in the game.*

*3rd person view shooting sequence with Deadshoot doing the shooting.*

The gameplay trailer showed 3^rd person view shooting sequences with not only Deadshot but also with King Shark. As for Harley Quinn, there were sequences of her swinging above ground and doing close combat. The in-game Metropolis (the fictional city often identified with Superman) was clearly designed to provide gamers a large, open world-inspired environment which opens up opportunities for action, exploration and storytelling. Metropolis in this game looks detailed and there are visual references to Superman and Wonder Woman shown.

*Players will get to do some shooting as King Shark.*

Having seen the gameplay footage, I can say my interest in playing Suicide Squad: Kill the Justice League on my Xbox Series X in the near future has gotten stronger. I should state that it is a spectacle to see Rocksteady’s developers push their creativity hard, possibly more so than what they achieved in the Batman Arkham games. By the way, Rocksteady is being assisted by Unbroken Studios on the game.

As of this writing, Suicide Squad: Kill the Justice League does not have a final release date but it will be released for Xbox Series X, Xbox Series S and Windows PC sometime in 2022.

In closing this piece, posted below are Xbox-related videos for your viewing pleasure.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/

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