Welcome back, fellow geeks, Blu-ray collectors and movie buffs! If you are sick and tired of the modern-day wokeness-filled garbage of Communist Hollywood (Commiewood) and if you are nostalgic about 1980s Hollywood cinema, then you should be interested to learn that the Red Dawn Collector’s Edition 4K Blu-ray will be released on August 16, 2022 and already pre-orders are being accepted online.
Red Dawn Collector’s Edition 4K Blu-ray is set for an August 16, 2022 release.
Discs – 4K Ultra HD, Blu-ray Disc, Two-disc set (1 BD-100, 1 BD-50)
Packaging – Slipcover in original pressing, Inner print
Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A (B, C untested)
For the newcomers reading this, Red Dawnis a 1984 action movie directed by John Milius that explores what would happen in America – specifically at a Colorado town surrounded by wilderness – once World War III breaks out and the nation gets invaded by the Soviet Union (Russians) and their South American Commies. A small group of teenagers manage to escape the invasion of their town and moved into the wilderness with limited supplies to survive with. As the Leftists impose order in the town, the group slowly organizes itself into a force of opposition with one objective: freedom.
This movie starred the late Patrick Swayze, Charlie Sheen, C. Thomas Howell, Lea Thompson and Jennifer Grey when they were much younger. As the 1980s had lots of Hollywood movies about teenagers presented in comedies and drama films, Red Dawn easily stands out among them all as it deals a very serious concept related to the Cold War back then. Its story is a powerful reminder that Communists and the Satanic Left are essentially evil.
Given the fact that America today has several millions of young people brainwashed by socialists in schools, the fact that Leftist terrorists groups like Black Lives Matter (BLM) and Antifa are tearing down American society, the fact that Hollywood has lots of Commies and SJWs among its members, the fact that gun owners’ rights are being attacked a lot by the Left, the fact that Democrats prioritize illegal immigrants over American citizens, and the fact that lots of politicians abuse their governmental powers to emphasize socialism, Communism, Marxism and other wicked values on the people, Red Dawn of 1984 is still highly relevant. This is the movie that liberals and people poisoned with political correctness cannot tolerate. Watch out for Red Dawn Collector’s Edition 4K Blu-ray on August 16, 2022.
In closing this Better than Streaming piece, posted below are Red Dawn-related videos for your viewing pleasure.
Decades ago during my first-ever vacation in the United States, I got to watch a few episodes of the TV series The Wonder Years which were quite entertaining thanks to its storytelling and good performances by the actors. Along the way, I got to see the character Winnie played by Danica McKellar (social media here and here).
A very young Danica McKellar with Fred Savage during their time acting in the TV series The Wonder Years. (photo source – Danica McKellar’s Instagram)
In recent times, I learned that McKellar revealed something very astonishing…she is now moving forward on the path of our Lord. She realized salvation through Jesus Christ and has faith that keeps on growing.
To learn more details about McKellar’s spiritual breakthrough, posted below is an excerpt from the CBN News report. Some parts in boldface…
Danica McKellar, known for her role as Winnie Cooper on The Wonder Years, recently shared that her heart is bursting with love for the Lord as she embarks on her new faith journey.
McKellar posted an Instagram live video on April 24 where she admitted to being skeptical about Christianity for much of her life.
“I’m not here to preach, but I have so much love in my heart I just had to share what I’m experiencing and to share a little why I believe it’s taken me up to this point to begin this journey,” she said.
“In my life, starting in childhood, I had been made aware of all the hypocrisy in the various religions of Christianity, it being used for evil, power, and control throughout history, and that had definitely biased me.”
The 47-year-old explained that she is seeing things differently now and understands that God’s love for us is limitless.
“But that’s just people, that doesn’t represent God’s actual love for us,” McKellar noted. “And I can tell you I’m experiencing a relationship with God and Jesus that I’ve never had before, and it feels miraculous.“
Notably, she had a change of heart after talking with her friend and fellow actress Candace Cameron Bure.
“And it all started one evening when I was struggling with the idea of forgiveness and DM’d my good friend @candacecbure about a passage from the Bible she had read on her instastories, and then she sent me a Bible, and invited me to church.”
Responding to McKellar’s post, Bure wrote, “God’s love is bigger than any human love and when He sweeps you up in understanding how powerful it is, because He is, it’s undeniable. Praying for you on your journey and relationship with Jesus my sweet friend.“
McKellar offered more thoughts during the video while answering questions from followers and fans.
She pointed out that her spiritual journey just began two weeks ago, but she is learning so much.
“I have been going to church and finding a lot of amazing love and peace and purpose and it’s blowing my mind. I always had this other preconceived notion of what that was when people talked about Jesus and the Lord. I just didn’t quite get it,” she said.
“I feel a lot of joy in my heart and I always like to share that when I can with you guys. If in any way I can help you to embrace things that feel good because I believe we are put on this planet to experience joy and to spread joy. It just takes energy.”
While holding up her Bible, McKellar emphasized that scripture is a likely source to find that energy.
Danica McKellar during her Instagram live video on April 24, 2022.
Indeed, this Christian breakthrough of the former star of The Wonder Years shows that it is never too late for the lost and unsaved souls to come to the Lord, repent to Him, submit themselves to Him and start a relationship with Him as their definitive Lord and Savior. As we all know, God made a plan for each and every one of us before we were even created. This truth also applies to Danica McKellar as just started her relationship with the Lord, and soon she will realize what His plans for her are. Learn from the following holy scriptures below…
But Christ proved God’s passionate love for us by dying in our place while we were still lost and ungodly!
Romans 5:8 (TPT)
Jesus answered and said to him, “Most assuredly, I say to you, unless one is born again, he cannot see the kingdom of God.”
John 3:3 (NKJV)
For I know the plans I have for you,” says the Lord. “They are plans for good and not for disaster, to give you a future and a hope. In those days when you pray, I will listen. If you look for me wholeheartedly, you will find me.”
Jeremiah 29:11-13 (NLT)
And without faith it is impossible to please Him, for the one who comes to God must believe that He exists, and that He proves to be One who rewards those who seek Him.
Hebrews 11:6 (NASB)
And the Lord, He is the One who goes before you. He will be with you, He will not leave you nor forsake you; do not fear nor be dismayed.”
Deuteronomy 31:8 (NKJV)
But He gives a greater grace. Therefore it says, “God is opposed to the proud, but gives grace to the humble.” Submit therefore to God. But resist the devil, and he will flee from you. Come close to God and He will come close to you. Cleanse your hands, you sinners; and purify your hearts, you double-minded. Be miserable, and mourn, and weep; let your laughter be turned into mourning, and your joy into gloom. Humble yourselves in the presence of the Lord, and He will exalt you.
James 4:6-10 (NASB)
We people of faith should be very happy for Danica McKellar’s newly established, faith-led journey with our Lord! We should also be thankful that the Leftist and evil-filled Hollywood did not consume her entirely. As an actress McKellar took a huge entertainment career risk but we know fully well that the Lord will never abandon her, and we also know that there is more to Jesus than showbiz!
In ending this, let us pray in supporting Danica McKellar’s newly established relationship and faith in our Lord! Let us keep trusting in God that His plans for the actress will be realized. Keep believing that by being led by the Holy Spirit, she will help the lost and unsaved souls come to Jesus for salvation!
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Sharing this Christian piece means spreading the good news of the Lord to others. It can help you save the unsaved and the lost souls out there.
Welcome back, fellow geeks, Blu-ray collectors and movie buffs! If you are sick and tired of the modern-day comedy films and wokeness-filled garbage of Commie-filled Hollywood (AKA Commiewood), then something fun and entertaining from the past should interest you as the Blu-ray disc of the 1984 comedy Top Secret!will be released on May 17, 2022! In addition to that, pre-orders are already being accepted online!
For the newcomers reading this, Top Secret! was written and directed by the trio of Jim Abrahams, David Zucker, and Jerry Zucker. These are the same three guys responsible for the classic comedy Airplane! (note: you can order the Blu-ray disc here).
Top Secret! stars a very young Val Kilmer along with Lucy Gutteridge, Jeremy Kemp, Christopher Villiers and the late Peter Cushing. Top Secret! is a parody of spy movies of World War II and the Cold War, laced with creative references of Elvis Presley musicals. Below is the official description from the Blu-ray.com article…
Popular and dashing American singer Nick Rivers (Val Kilmer) travels to East Germany to perform in a music festival. When he loses his heart to the gorgeous Hillary Flammond (Lucy Gutteridge), he finds himself caught up in an underground resistance movement. Rivers joins forces with Agent Cedric (Omar Sharif) and Flammond to attempt the rescue of her father, Dr. Paul (Michael Gough), from the Germans, who have captured the scientist in hopes of coercing him into building a new naval mine.
Personally, I’m glad that Top Secret! will be released on Blu-ray as I enjoyed watching that movie. I’m not a fan of Val Kilmer nor of any of the other actors, but I am an admirer of the comedy style of Jim Abrahams and the two Zuckers. This is comedy that is old and effectively amusing in my view.
In closing this Better than Streaming piece, posted below are Top Secret!-related videos for your viewing pleasure.
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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/
Take note of Spencer’s words “existing agreements” and “our desire to keep Call of Duty on PlayStation.” Existing agreements most likely refer to what Activision Blizzard made with Sony which I believe are years-long deals on games with regards to platform releases, marketing, post-release downloadable content, etc. Of course, such agreements can last long but NOT FOREVER. The business benefit for PlayStation from Activision Blizzard will someday come to an end.
As for Microsoft’s desire for keeping Call of Duty on PlayStation, that clearly means that the corporation of Xbox is technically in-charge of not just the COD franchise but on the decision making, marketing and releasing its games on specific platforms. Sony and its PlayStation team are not in the driver’s seat here anymore. Whatever deals Activision signed with PlayStation before the acquisition will expire and they certainly will not be renewed once Microsoft and its Xbox team takes over. In due time, future COD games as well as other upcoming games and new intellectual properties of Activision Blizzard will become Xbox-exclusive in accordance to what Spencer declared before…
“We have games that exist on other platforms, and we’re going to support those games on the platforms they’re on. There are communities of players. We love those communities and will continue to invest in them. And even in the future, there might be things that have either contractual things, or legacy on different platforms, that we’ll go do. But if you’re an Xbox customer, the thing I want you to know is this is about delivering great exclusive games for you that ship on platforms where Game Pass exists, and that’s our goal, that’s why we are doing this,”
This brings me to my next point – Sony as a global business entity is way behind Microsoft, Apple, Google and Amazon when it comes to establishing ecosystems that result tremendous business growth and reaching billions of customers worldwide respectively. The decades-old console-focused approach by Sony with PlayStation was indeed successful but not great enough to help it grow big time. Not even their Hollywood business nor Spider-Man could lift them up greatly. The weird thing was that Sony in previous decades had established an old ecosystem before PlayStation began.
To put things in perspective, posted below is a long excerpt from a recent Nikkei Asia article. Some parts in boldface…
The 10% drop in Sony’s stock price this week following Microsoft’s announcement that it will buy game content developer Activision Blizzard shows the market has belatedly awakened to an existential flaw in Sony’s kingdom. It lacks an ecosystem.
In terrifying contrast, Microsoft is a formidable ecosystem whose component elements, such as devices, operating system, browser, search engine, applications, content, cloud memory, work hand in glove to suck in captive users and never let them go. The ecosystem effect is all too familiar to owners of PCs that run on the Windows OS, which maddeningly redirects users to Microsoft’s Edge browser and Bing search engine against their will.
It is no accident that five of the world’s seven largest companies by market capitalization — Apple, Microsoft, Alphabet/Google, Amazon and Meta/Facebook — are ecosystems. Every consumer decision to buy a device, be it a PC, smartphone, Kindle reader, or game console, entails a surrender to an interconnected ecosystem. Promiscuity among ecosystems is possible but, by design, not easy. The ecosystems are at war and want to make you their captive.
Ironically, Sony was early to recognize the strategic significance of the ecosystem effect. Its decision to acquire CBS Records and Columbia Pictures in the late 1980s was inspired by the notion that controlling entertainment content could somehow push device sales, such as Betamax VCRs and Sony Walkman.
What Sony overlooked was that it would be self-defeating to make its controlled content exclusively available on Sony devices. Very few consumers would buy a Walkman just because it was the only way to listen to Michael Jackson. And Sony’s refusal to license Michael Jackson to non-Sony device users would perversely shut down third-party royalty revenue from the controlled content. Sony saw, but misunderstood and misapplied, the ecosystem effect between devices and content.
Sony’s next, more costly, wrong turn was its failure to anticipate and keep up with the morphing of portable audio devices like the Walkman launched in 1979 and iPod in 2001 into the iPhone debuted in 2007. The iPhone integrated, in a single handheld device, all of the functions formerly provided by the multiple discrete products in Sony’s consumer electronics lineup: phone, TV, camera, video and audio player and recorder, clock, calculator, and so on.
Sony’s stock price plunged from 30,000 yen ($260) per share in 2000 to 1,668 yen in 2009. Sony and the entire Japanese consumer electronics industry are still in disarray from the iPhone paradigm shift.
Unlike Sony, Apple founder Steve Jobs was a master at creating and orchestrating an ecosystem. In particular, he understood when to link content exclusively to a device and, just as important, when not to. Even now, Apple’s iOS is available only on Apple devices, unlike Microsoft’s device-agnostic Windows OS.Initially, Apple’s iTunes music store platform was available only on Apple’s own devices. Then, in October 2003, “the day that hell froze over,” Jobs made the strategic decision to make iTunes compatible with and freely downloadable by non-Apple devices.
The result was not only to massively increase the audience and revenues of the iTunes platform. Non-Apple device users discovered how great iTunes was and that it worked even better on an iPod, leading to a surge in new iPod owners conveniently prepped for the coming transfiguration of the iPod into the iPhone.
The same interplay between devices and content is at the center of intense competition in the $180 billion global PC gaming industry. Dedicated gamers have a choice among three game-specific consoles — Microsoft’s Xbox, Sony’s PlayStation and Nintendo’s Switch.
The choice of device, in turn, entails a menu of device-specific exclusive content. Xbox and PlayStation each offer about 2,000 titles, but the bestselling 200-300 games for each tend to be exclusive to one or the other. A gamer’s choice of console implies a decision about preferred content.
But the relationship between game devices and content is evolving rapidly, tracking changes elsewhere in the internet universe. Games today can be played on any device, PCs and smartphones, not just a dedicated game console.
Gaming is now mobile. Game content is increasingly being streamed, just like Netflix and Amazon Prime. You can play games on YouTube. And an Xbox can be used as a PC to surf the Internet and do your homework.
The immediate threat to Sony posed by Microsoft’s acquisition of Activision Blizzard is that Microsoft will make the content it is acquiring — global blockbusters like Call of Duty and World of Warcraft — exclusive to Xbox users and invite defections from PlayStation users who want to keep playing their favorite games.
But this is just one element of the multifaceted ecosystem effects Microsoft can deploy to squeeze Sony. Sony should be nervous, for example, that it has no cloud or streaming capability of its own and relies on Microsoft’s own Azure platform to deliver streaming content to Sony users.
Sony’s game and network services segment now accounts for 30% of its revenues. It is hard to see how Sony can compete in the long-term in a narrow game-specific segment without credibly competing with the likes of Microsoft, Alphabet/Google and Amazon across the board in all segments of the device-content spectrum.
From a financial point of view, Sony is not only behind the tech giants with ecosystems. Sony simply does not have the major financial muscle needed to pull off massive acquisitions of game publishers (massive meaning more than $5 billion per each acquisition) that each have lots of game developers, intellectual properties and technologies. The Japanese giant does have a business ecosystem but it’s too small and too narrow compared to its Western competitors. This also means Sony reaches much less customers worldwide.
In a possible response to Xbox-Activision-Blizzard deal, Sony can try to acquire its fellow Japanese gaming entities like Capcom, SEGA or Square Enix and integrate the entity(s) into PlayStation, but that will require not just a whole bunch of money but also willingness to not just make big offers the other party cannot turn down, but also the willingness to overcome all the legal obstacles, solve all the complications, absorb all the employees, fund future projects already in development, etc. If the PlayStation team is willing on building up its very own exclusive properties, they could expand the work forces as well as the projects of their very own game studios.
The Xbox-Activision-Blizzard deal is very hard to match not just because of the financial value and organizational weights involved, but also because the said deal covers consoles, Windows PC, mobile devices, cloud gaming, browser gaming and much more. The PlayStation ecosystem is still console-focused and so far team PlayStation released only a few of its games on PC. Is Sony even working to improve PlayStation Now? Are the PlayStation executives realizing that their 3rd party marketing deals won’t lift up their corporation and consumer base anymore? Has it occurred to the PlayStation executives that future games of the Crash Bandicoot and Spyro The Dragon franchises (both of which are permanently identified with Sony’s gaming brand due to exclusive games released on the first PlayStation console) will be released only on Xbox platforms?
As mentioned in the Nikkei Asia article above, business ecosystems are not perfect and they have their flaws that affect customers in bad ways. As such, the ecosystem powers and organizers should do their work to be more user-friendly and be more consumer-oriented. Still, the ecosystem approach to business has proven to be very effective with regards to reaching the widest number of consumers worldwide as well as driving business growth to new heights, not to mention generating economic benefits for business partners involved (example: credit card companies whose users buy on Amazon, Xbox network, Google, etc.) No amount of sales of Final Fantasy games and Street Fighter games exclusive to PlayStation consoles will ever match that.
As for the console fanboys who still hate Xbox, they should learn to stop living with fantasy and wake up to reality. Time to grow up.
In ending this piece, posted below are videos related to Xbox and the Activision Blizzard deal…
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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/
Welcome back, fellow geeks, Blu-ray collectors and movie buffs! The 2021 movie Dune (directed by staunch cinema defender Denis Villeneuve)can be viewed in the comfort of home in a much better version than HBO Max/HBO Go on January 11, 2022 as its 4K Blu-ray combo (4K Blu-ray disc, Blu-ray and digital code) will be released on that very day! There will also be a Best Buy-exclusive steel book version released as well.
The good news this early is that Dune (2021) 4K Blu-ray will come with native 4K visuals! While its price and the official start of pre-ordering the product have yet to be announced as of this writing, you can find its Amazon listing by clicking here. If you really are interested in the movie’s 4K Blu-ray combo, I encourage you to keep revisiting the Amazon listing for updates.
To put things in perspective, posted below are key details from the Blu-ray.com article about Dune (2021) 4K Blu-ray combo. Some parts in boldface…
The front cover.
Special Features and Technical Specs:
DOLBY VISION/HDR PRESENTATION OF THE FILM
DOLBY ATMOS AUDIO TRACK
Featurettes:
The Royal Houses
Filmbooks: House Atreides
Filmbooks: House Harkonnen
Filmbooks: The Spice Melangelnside Dune – The Training Room
Inside Dune: The Space Harvester
Inside Dune: The Sardaukar Battle
Building the Ancient Future
My Desert, My Dune
Constructing the Orniyhropters
Designing the Sandworm
Beware the Baron
Wardrobe From Another World
A New Soundscape
4K Blu-ray subtitles: English SDH, Latin Spanish, Canadian French, Parisian French, German, German SDH, Norwegian, Swedish, Finnish, Danish, Greek, Korean, and Hindi
Blu-ray subtitles: English SDH, Latin Spanish, Canadian French, Portuguese-Brazilian, Bulgarian, Czech Republic, Hungarian, Japanese, Polish, Romanian, and Hindi
The rear cover.
Posted below are the other details from Dune’s (2021) own page at Blu-ray.com…
Video
Codec: HEVC / H.265
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10
Aspect ratio: 2.39:1, 1.78:1
Original aspect ratio: 2.39:1, 1.43:1
Audio
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
Note: All Dolby Atmos tracks have a Dolby TrueHD 7.1 (48kHz, 24-bit) core
Subtitles – English SDH, French, Spanish
Discs – 4K Ultra HD, Blu-ray Disc, Two-disc set (1 BD-100, 1 BD-50)
Digital – Digital 4K, Movies Anywhere
Packaging – Slipcover in original pressing
Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A
While Dune (2021) has been playing in the local cinemas here in my native Philippines for weeks now, I’m still waiting for the film to be screened on an IMAX cinema operated by SM Cinema (which itself started to gradually reopen). I am aware that the film is being shown on another cinema with IMAX with Laser technology but that cinema’s price is simply too expensive for me. Dune (2021) was filmed with Arri Alexa LF IMAX and Arri Alexa Mini LF IMAX cameras and that alone convinces me to watch it on an IMAX screen. In relation to SM Cinema’s reopening, the nearest IMAX cinema should reopen on November 30.
While I am not a fan of the Dune literary series as well as the failed 1984 movie, this year’s cinematic version looks grand under the passionate direction of Villeneuve and it has an ambitious cast that includes AquamanJason Momoa, Josh Brolin, and Rebecca Ferguson to name a few. Given the fact that the movie was released on HBO Max, it looks highly unlikely it will achieve a tremendous ticket sales success just as more cinemas are reopening worldwide as more people got vaccinated for COVID-19. When I say tremendous ticket sales, I’m talking about grossing $750 million worldwide. As of this writing, Dune (2021) grossed $365.5 million worldwide while theater-exclusive movies No Time to Die and F9: The Fast Saga have grossed over $700 million worldwide each. Very clearly, the HBO Max-theaters hybrid release of Warner Bros. is a big mistake. Remember, what people pay for on streaming goes to the service, not the movie.
Now that Dune (2021) 4K Blu-ray combo is set for a January 11, 2022 release, does this latest development spark your interest? I myself am eager to see how the IMAX-recorded footage will turn out in 4K Blu-ray visuals.
In closing this Better than Streaming piece, posted below are some Dune-related videos for your viewing pleasure. Also included are a few videos about the 1984 Dune movie.
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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/
Welcome back, fellow geeks, movie buffs and fellow Blu-ray/4K Blu-ray collectors!
If you are nostalgic about 1980s Hollywood or you if you are discovering more of the said era for your Blu-ray collection, then you might be interested in the 1982 comedy Night Shift which is coming out on October 5, 2021 on Blu-ray format via the Warner Archive line of Warner Bros. Night Shift Blu-ray can be ordered right now online.
The cover.
What exactly is Night Shift? For one thing, it was one of the older films directed by Ron Howard (the same guy behind Solo: A Star Wars Story) and starred the famous Henry Winkler (Happy Days) and a very young Michael Keaton (Batman in 1989). Posted below is its synopsis according to Blu-ray.com…
Chuck (Henry Winkler) has given up life as a stockbroker because it was too stressful. Now, he works an easy gig as a night shift attendant at a New York City morgue. His co-worker, Bill Blazejowski (Michael Keaton), on the other hand, is always looking to make a quick buck. When Bill finds out that Chuck’s prostitute neighbor, Belinda (Shelley Long), needs a place to do her work, he convinces Chuck to turn the morgue into a brothel where they can work as her pimps.
Posted below are key details of Night Shift Blu-ray from its Blu-ray.com page.
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
Welcome back, fellow geeks, film enthusiasts and fellow Blu-ray/4K Blu-ray collectors!
I should state that it has been over forty years since Mad Max was first released in cinemas in Australia and because it achieved a lot of success, it went on to establish its own entertainment franchise with three cinematic sequels and has branched out to other entertainment media forms like video games and comic books.
Mad Max Anthology 4K Blu-ray has Mad Max, Mad Max: The Road Warrior (AKA Mad Max 2), Mad Max: Beyond Thunderdome and Mad Max: Fury Road. These four movies combine for more than 400 minutes screen time. For the newcomers reading this, the Mad Max films follow the stories of Max Rockatansky who encounters several violent people and found himself in the wasteland. The film franchise not only helped Mel Gibson climb the ranks among the many movie stars of Hollywood, it also established Australia’s place in cinema. I should state that director George Miller is the creator, the definitive Mad Max storyteller as well as one of the very best action film directors. The Mad Max film franchise is also very well known for having many great car chases!
Posted below are key details of Mad Max Anthology 4K Blu-ray from its Blu-ray.com page. Take note that as of this writing, it is not yet clear if the visuals will be native 4K or upscaled 4K.
Video
Codec: HEVC / H.265
Resolution: 4K (2160p)
HDR: HDR10
Aspect ratio: 2.40:1, 2.34:1
Original aspect ratio: 2.39:1
Audio
English: Dolby Atmos
English: DTS-HD Master Audio 5.1
Subtitles
Mad Max 4K
English SDH
Mad Max: The Road Warrior 4K
English SDH, French, Spanish
Mad Max Beyond Thunderdome 4K
English SDH, French, Spanish
Mad Max: Fury Road 4K
English SDH, French, German SDH, Japanese, Portuguese, Spanish
Discs
4K Ultra HD
Blu-ray Disc
Four-disc set (4 BD)
Digital
Digital copy included
Playback
4K Blu-ray: Region free
The rear of the cover.
I’ve seen these movies and in my view the 2015 film Mad Max: Fury Road is truly the best action film of the decade of 2010-2019. I own a Blu-ray disc copy of the film that starred Tom Hardy and Charlize Theron and I still replay it as it truly is a great movie. My only disappointment is that the 4K Blu-ray of Mad Max: Fury Road only had upscaled 4K visuals. I really hope that the Mad Max Anthology 4K Blu-ray will have all four movies with native 4K visuals complete with proper color grading.
In ending this piece, posted below are some Mad Max-related videos for your enjoyment. Beware of potential spoilers.
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
I want to start by saying that I am not a fan of the Suicide Squad entertainment franchise of DC Comics for the simple reason that I rarely read any of its comic book. In 2016, out of curiosity, I got to watch Suicide Squad in the cinema and even got some enjoyment out of it.
This year, The Suicide Squad got released and what caught my attention was the fact that it was directed and written by the highly creative James Gunn who made his mark in American cinema with the Guardians of the Galaxy films which established their own notable place within the highly successful Marvel Cinematic Universe (MCU). Sadly, being based here in the Philippines, I won’t be able to watch the newest DC Comics movie on the big screen because local cinemas have stopped showing movies since the COVID-19 pandemic started (note: some local cinemas were used as vaccination sites). Although millions of people here in the Philippines have been vaccinated, there are still no new signs that movie theaters will reopen and resume the showing of movies.
The movie poster of The Suicide Squad.
The next best option for me is the eventual 4K Blu-ray release of The Suicide Squad.
Now don’t get me wrong. As of this writing, there is still no official announcement yet that The Suicide Squad will come out on Blu-ray (for 1080p viewing) and 4K Blu-ray. Still, that movie has a 4K Blu-ray page at Blu-ray.com and can see it by clicking right here. Trust me, The Suicide Squad 4K Blu-ray will be announced soon!
Posted below are key details from the said page.
Video
Codec: HEVC / H.265
Resolution: Native 4K (2160p)
HDR: HDR10
Original aspect ratio: 1.90:1
Audio – TBA
Subtitles – None
Discs
4K Ultra HD
Blu-ray Disc
Two-disc set (2 BD)
Digital
Digital 4K
Digital copy included
Playback
4K Blu-ray: Region free
2K Blu-ray: Region A
Why I look forward to this movie’s 4K Blu-ray release
Firstly, being a geek, I find James Gunn’s superhero-related work to be really creative and that includes combining bombastic spectacle with presenting groups of characters whose interactions and respective personalities prove to be memorable. He is also a solid storyteller and has proven to be capable of not only getting solid performances from the actors but also making good use of their respective talents.
Secondly, for some time now, I’ve been checking for updates about how Gunn’s style and approach would make the new Suicide Squad movie of Warner Bros. fun and engaging to watch. The good news here is that, as of this writing, critical reception has been positive.
Of course, movie critics’ tastes are different from my own and it will be some time before I will finally get to watch the The Suicide Squad 4K Blu-ray.
Thirdly, I find the cast of the new movie interesting and intriguing. John Cena as Peacemaker looks zany. Michael Rooker’s Savant looks intimidating. There is also the iconic Sylvester Stallone providing the voice of King Shark! Of course, there is also Idris Elba as Bloodsport and I wonder how the cinematic version of the character will turn out. Bloodsport debuted in the 1987 comic book Superman #4 (Volume 2) during the time John Byrne spearheaded comics of Superman.
Fourthly, my 4K Blu-ray collection is pretty small as of this writing and when it comes to Warner Bros./DC Comics superhero movies available in 4K Blu-ray format, I want something much better than Wonder Woman 1984 (note: director Patty Jenkins clearly did not take inspiration from the fine works of the legendary George Perez as far as telling a Wonder Woman story set in the 1980s goes. The presentation was also bloated and disappointing.).
From this point on, The Suicide Squad has its chance to recover its huge production and marketing costs by playing in several movie theaters (that managed to stay open or reopened) around the world. How the movie-loving public, geeks and DC Comics fans will react remains to be seen.
There is also the possibility that James Gunn-directed DC Comics movie might not score highly in ticket sales given the fact that it has been launched also on the streaming service HBO Max. Matching the $746.8 million global ticket sales of 2016’s Suicide Squad is pretty daunting for the new movie in this age of pandemic. Streaming the movie for home viewing is convenient but the best visual experience is still in the movie theaters, especially in the IMAX cinemas (because the movie was filmed with IMAX cameras).
It should be noted that paying for HBO Max does NOT mean you are paying The Suicide Squad producers and investors. Buying movie tickets, Blu-ray and 4K Blu-ray discs actually pay the film’s producers, investors and business partners. That being said, I encourage you to go for Blu-ray and/or 4K Blu-ray instead of streaming when it comes to enjoying movies at home.
Too bad the local IMAX cinemas and all regular theaters here in the Philippines remain closed. Clearly the best option for me to watch The Suicide Squad is on 4K Blu-ray in the near future. Streaming is definitely not an option for me and I am not going to waste my money on any streaming service.
Stay tuned for future updates about The Suicide Squad on 4K Blu-ray.
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
Are you fond of 1990s Hollywood movies? Do you love Michael Jordan during his reign in the NBA? Have you ever seen the famous Bill Murray act with Jordan and Larry Bird? Have you always been a fan of Bugs Bunny, Daffy Duck and the rest of the Looney Tunes gang?
Here is the news that could be big to you in relation to the above questions – the 1996 hit live-action/animated comedy movie Space Jam is now available on 4K Blu-ray (with digital copy and Blu-ray disc included) and you can order it now at Amazon!
Space Jam 4K Blu-ray combo.
Here are the details on what comes with Space Jam 4K Blu-ray sourced from Blu-ray.com…
Video Codec: HEVC / H.265 Resolution: Native 4K (2160p) HDR: HDR10 Aspect ratio: 1.85:1 Original aspect ratio: 1.85:1
Audio
English: Dolby Atmos English: Dolby TrueHD 7.1 French: Dolby Digital 5.1 Spanish: Dolby Digital 5.1 German: Dolby Digital 5.1 Italian: Dolby Digital 5.1 Danish: Dolby Digital 5.1 Swedish: Dolby Digital 5.1 Norwegian: Dolby Digital 5.1 Finnish: Dolby Digital 5.1
Subtitles
English SDH, French, German, Italian, Spanish, Danish, Dutch, Finnish, Norwegian, Swedish
Discs 4K Ultra HD Blu-ray Disc Two-disc set (1 BD-100, 1 BD-50)
Extra stuff – Commentary with Bugs Bunny, Daffy Duck and director Joe Pytka. Jammin’ with Bug Bunny and Michael Jordan featurette. Two music videos and the theatrical trailer.
For those who are not very aware about the legacy of Space Jam, it was a special project of Warner Bros.’ animation group and not only did it star Michael Jordan (who led the Chicago Bulls to its 4th NBA title in mid-1996), it involved big names like Ivan Reitman (Ghostbusters) as producer, comedy icon Bill Murray in a key supporting role and a whole lot of great voice talents such as Billy West (Bugs Bunny and Elmer Fudd), Dee Bradley Baker (Daffy Duck), and Frank Welker (best known for Transformers’ Megatron) to name a few.
Adding further zest to the cast lots of NBA personalities such as Hall of Famer Larry Bird, Mugsy Bogues, Charles Barkley, Shawn Bradley, Patrick Ewing and Larry Johnson, plus cameo appearances of Danny Ainge, Horace Grant, Steve Kerr and A.C. Green to name a few.
Personally, I never saw Space Jam in the movie theater but I got to watch it in the airplane going to the United States in April 1997. I was not able to focus fully on its story as watching it on a small screen behind the passenger seat in front of me was never a comfortable experience. Still, the movie caught my attention when I saw Larry Bird (my favorite basketball player of all-time) act with Jordan and with the iconic Bill Murray. Of course, the quality of animation done by Warner Bros.’ creative teams was pretty good for its time. I should state that Elmer Fudd scoring a basket in basketball uniform was fun to watch.
Going back to the above specs and details about Space Jam 4K Blu-ray, it’s really nice to know that the visuals have been confirmed to be native 4K. Personally, I am interested to see how the 1996 mixed live-action/animation film would look like on the screen of our 4K smart TV at home.
In the official Blu-ray.com review for Space Jam 4K Blu-ray, the visuals were partially described as: Advertised as a new HDR-enhanced 4K master, Space Jam arrives on the format with a mostly pleasing 2160p transfer that corrects a few of the 2011 Blu-ray’s visual shortcomings but back-pedals elsewhere. For starters, it’s worth noting that portions of this film have always looked soft and very light on grain, such as Jordan’s arrival and stay in WB world, including the climactic basketball game; this was a necessary style choice to ensure that live-action elements didn’t stick too far out against the more smoothly-rendered animation. Other built-in source “defects” (for lack of a better word) include a bit of aliasing on specific CG backgrounds, such as a few sharp angles and edges on Moron Mountain and the baseline and free-throw paint on animated basketball courts; it’s easily spotted on screenshot #4, but again hardly distracting in-motion.
Space Jam 4K Blu-ray combo is now available and it should appeal to NBA fans, Looney Tunes fans and just about anyone who feels nostalgic about the 1990s. Take note that when Space Jam was released in cinemas in late 1996, Michael Jordan was on his way to a second three-peat of NBA championships and the movie was clearly part of the legacy of his basketball greatness which defined the NBA in the 1990s (note: Jordan and the Chicago Bulls won the NBA championship titles in 1991, 1992, 1993, 1996, 1997 and 1998). Space Jam was made at a time when Hollywood not yet dominated by the Satanic Left, those whiny socialists, the naked Communists and all those liberals who love to use movies as pieces to spread their poisonous propaganda. In short, Space Jam of 1996 was simply made to entertain without any political garbage.
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
Disclaimer: This is my original work with details sourced from watching V: The Original Miniseries and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Way back in 1983, I was fortunate to watch the 2-episode sci-fi mini-series on television titled V: The Original Miniseries. Because there was no Netflix, no YouTube, no Internet access and no DVD at the time, getting to replay the said mini-series as well as its sequel V: The Final Battle was really hard. Replays of them on local TV rarely happened.
Then in 2001, V: The Original Miniseries was released on DVD format and I got to watch it all over again with a good amount of enjoyment. In recent times, I purchased the Blu-ray release and replayed the original miniseries in high-definition at last!
You must be wondering if the original mini-series aged well through the decades, and is it still good to watch by today’s standards? While I will comment about its overall quality below, what I can say is that its theme about people fighting to be free from fascism, oppression, terrorism and dictatorship remains relevant to this day.
For his part, star Marc Singer stated: “I think themes of what holds society together and what tears society apart, those themes are universal themes and I think they’re always going to be relevant. I think there’s going to be a necessity for things like V to be revisited in order that society remember what it is that’s cohesive and coherent about it and why is it that we should all stand together and treat each other well.”
With those details laid down, here is a look back at V: The Original Miniseries, written and directed by Kenneth Johnson. The first episode was broadcast on television in the United States on May 1, 1983.
V: The Original Miniseries
Early story
The story begins in El Salvador where camera operator Mike Donovan (Marc Singer) and his companion Tony risk their lives capturing footage of an armed conflict. As the two tried their best to move away from the heat of battle, a helicopter of the enemy tracks them and corners them. Just as hope seems lost for Mike Donovan, the helicopter suddenly flies away. He turns to the other direction and witnesses the presence of a huge, floating saucer-like space ship coming his way. He begins to record footage of it.
Soon enough, several other space ships arrive and float above many other cities around the world. In America, medical student Julie Parrish (Faye Grant) and her colleagues carefully watch the TV news coverage. In a nice neighborhood, several residents – including Robin Maxwell (Blaire Tefkin), Eleanor Dupres (Neva Patterson), Daniel Bernstein (David Packer) and his grandfather Abraham (Leonardo Cimino) to name a few – marvel at the sight of a space ship above them. At another location, the research of scientist Robert Maxwell (Michael Durrell) and his colleague got interrupted with the arrival of a space ship.
The Visitors formally begin their new relationship with the people of Earth.
Diana of the Visitors played by Jane Badler.
Some time later, the Visitors make verbal contact with the people around the world using varied languages of Earth. In a special arrangement held at the top of the United Nations (UN) building in New York closely viewed on TV by the general public, the Visitors reveal themselves represented by John (Richard Herd) who expresses their message of reaching out peacefully to the people of Earth, seek their help and, in return, share with them their advanced technologies that could help humanity a whole lot for future generations. The Visitors are human in appearance but speak with very distinct sounds.
As a result, the governments of Earth agree to the offer of the Visitors and establish ties with them. Symbolically, a large group of Visitors’ engineers led by Diana (Jane Badler) and security chief Steven (Andrew Pine) arrive at a refinery to formally begin collecting chemicals and minerals.
Then things start to turn bad…
Quality
I can clearly declare that the writing and directing done by Kenneth Johnson remains great, and for many reasons why. On storytelling, Johnson (who was inspired by the anti-fascist novel It Can’t Happen Here and made an adaptation of it before finally coming up with V) clearly took his time on establishing the core concept stage-by-stage, and he also found efficient ways of explaining details to viewers by using in-story news reports and videos and retrospective as effective tools of exposition (these helped cut down the reliance on expository dialogue).
As the story goes on, Johnson carefully introduced the many characters on-screen (including the use of quick introductions of some characters who are located away from others they are connected/related with), established who they are and, most notably, showed how the events that took place affected them.
The Visitors (and one member of their youth auxiliary movement wearing brown) posting propaganda material to condition people’s minds they are friendly and trustworthy. These posters are familiar to many Nazi propaganda materials used in Europe decades earlier. Prior to the release of the Original Miniseries, a real-life marketing campaign of putting up such posters happened in real life.
Johnson also used symbolism which reflects what happened decades ago in Europe with the rise of the Third Reich. The Visitors’ symbol resembles the Nazi Swastika while the persecution of scientists (as well as their families and associates) resembles the Nazi persecution of Jewish people, and the scene of Daniel Bernstein joining the Visitors through their “Friends of Visitors” movement recalls memories of the Hitler Youth. I should state that Earth citizens who chose to collaborate with the aliens from space (strongly symbolized through Eleanor Dupres), images of the armed Visitors watching several helpless Earth people being taken away from their homes and the dominance of propaganda over the free press also reflect what happened back in World War II when the Nazis occupied many parts of Europe. The fact that Johnson used alien humanoids as the Visitors make them a more universal antagonistic force that viewers can relate with.
When it comes to the cast members and their respective performances, there is a whole lot to enjoy here and I can confirm that the quality of dramatic performances is pretty good and adds a whole lot of believability to the story. The most notable performer here is none other than Faye Grant who believably portrayed Julie Parrish on her in-depth transformation from a promising medical student to a reluctant organizer of a movement of freedom-loving people called the Resistance. Faye Grant excellently portrayed emotions and even showed the fragile side of Julie as she struggles to strengthen herself to lead her fellow people who seek freedom and survival. Julie also is the most charismatic and likable character in my view.
Marc Singer’s Mike Donovan is the closest thing this miniseries has to an action hero. Donovan is not a soldier, nor a policeman, nor a combat specialist. He is a hard-working media employee who has covered a lot of armed conflicts overseas and along the way he learned how to fight. As he is not a fighting machine, Donovan was portrayed to be vulnerable and really ends up struggling a lot. In a way, Donovan symbolizes people who take action once they realize what is wrong and what lies they have been fed with. It should be noted that before Bruce Willis wowed audiences as the vulnerable hero John McClane in Die Hard, Marc Singer’s Donovan was the vulnerable and struggling action performer realized ahead in time. On the dramatic side, Donovan’s talk with his mother Eleanor is a great scene to watch, and his contrast with Kristine Walsh (Jenny Sullivan) must be seen! If you ask me, Mike Donovan is Marc Singer at his best!
Faye Grant’s portrayal of Julie Parrish is highly believable complete with a good range of emotions. Her character development all throughout the Original Miniseries is very believable.
Marc Singer as Mike Donovan.
The other most notable role is none other than the Visitors’ commander Diana excellently played by Jane Badler. Diana was played to be charismatic, powerful, and sadistic at the same time. She is not a mere evil figure nor is she your typical pure evil antagonist. In fact, she is the powerful extension of an unseen high authority of the aliens and this alone makes her worth your attention. Also, through her interactions with her fellow aliens Steven and Brian (Peter Nelson), you will see very interesting traits of Diana’s personality. I should state that Jane Badler’s eyes and expressions really gave her character a very commanding presence on-screen. Even though her screen time is not dominant, Diana’s impact remains very strong.
As for the other cast members and their contributions in the film, I can state that Robert Maxwell was excellently portrayed by Michael Durrel to be the very caring father striving to protect his family even as society has been manipulated to demonize scientists like him. Daniel Bernstein is clearly the traitorous Earthling who has gotten so involved with the Visitors, and I am confident that David Packer will get on your nerves. Willie is the good-natured Visitor who tries to fit in with the people of Earth and his friendship with Harmony Moore (Diane Cary) is very symbolic. Given the reputation of Robert Englund as a horror icon, his performance as Willie is a must-see!
The most notable of all the supporting cast members here is none other than Leonardo Cimino’s Abraham Bernstein who is a Jewish man who went through the Holocaust and survived to establish the family in America only to see evil return in the form of the Visitors. His dramatic scene of protecting a certain family is a must-watch, and most likely it will stir your emotions.
This scene shows the contrast between Abraham Bernstein (Leonardo Cimino) in the background and his grandson Daniel (David Packer) in the foreground. Abraham is an old Jewish man who went through the Holocaust and lived on. Daniel, who is 17-years-old, willingly joined the Visitor’s youth auxiliary movement which parallels that Hitler Youth.
In addition to being successful with telling the story, spreading the details and getting solid performances from the cast, Kenneth Johnson also proved to be really crafty with the way the camera captured images and how the very important moments were presented to captivate viewers. Johnson’s work here is clearly a labor of love. As for the music, Joseph Harnell did a good job overall. His style gives V a distinct aesthetic on tunes and I noticed his music becomes more lively late in the 2nd episode. Harnell also knew how to add musical excitement when the narrative needed a boost of energy or speed.
People of Earth, including children, are helpless under the Visitors.
Last but not least, I want to talk about the action and visual effects here. The action is, for the most part, raw and believable to watch. The action performers dressed as the Visitors never looked like they were trained but at least their ways of positioning themselves to fire their laser weapons made up for it. The hard action has that raw aesthetic which I actually liked because the action performers – including Marc Singer himself – were convincing with the way they exerted efforts. In this modern age of wire works and digital effects, seeing raw action and real human effort combined with risk taking is refreshing to watch.
More on the action scenes, I should state that the concept of showing the humans using conventional guns against the laser-armed Visitors was done in a satisfying and believable manner on-screen. Such concepts could have turned out bad had Kenneth Johnson and his team lacked talent and precision. As for the visual effects, they resulted a mixed bag as far as quality and artistry are concerned. While the laser blasts still look very good (and their impact was felt thanks to excellent timing with the on-set explosions and fireworks), the huge motherships really look dated as they were matte images (not miniatures), and in a few shots the matte lines were clearly exposed in high-definition which broke the immersion for me. The smaller space crafts that were shown flying also had that similar, out-of-place look (note: they did not match the lighting of the live-action footage). Still, the practical effects used are good to see and the matte paintings used for two key shots in the 2nd episode were photo-realistic.
Conclusion
The free and righteous praying to the Lord.
As it is clearly still great and engaging to watch, V: The Original Miniseries (1983) certainly aged well, it remains essential to watch even by today’s standards and most of all, its theme about the conflict of freedom and dictatorship makes it completely relevant to this day. It is a reminder about what your part in your society is, who you are, what your values are, and why you have freedom in your local society which can be destroyed by an alienating force once your fellow people refuse to resist it. As mentioned earlier, the cast is great and I am confident that you readers will find a character or two to relate with.
The focus of this miniseries on fascism invading the lives of the free people easily reminds me about how, in this modern age, sinister influences like Marxism, socialism, Communism, unrestrained political correctness and fascism poisoned the minds of millions of people through the academic system and turned them into social rebels, domestic terrorists, looters, rioters and new criminals who are so determined to go against their fellow people who do not share their beliefs. In modern-day America, the ongoing movements of Black Lives Matter, Antifa, SJWs, the anti-Semitic BDS movement, the rabid LGBTQ+ movement, the so-called democratic socialists and other agents of Satan have been harming patriotic Americans, attacking their values, taking the innocence of the youth and children away, destroying businesses and tearing down societies as we know it. The 1983 mini-series will remind you that from time to time, social order will be pushed hard by the invaders (be it people or be it influences so alien to the society) and the people who are righteous can choose to restore the said order as well as their respective lives.
Seriously, if you value your freedom, your culture, your values, your people and your faith in the Lord, you certainly would not want to submit yourselves to a foreign people who intend to destroy you.
No matter what happens, people should never lose faith in the Lord and they must look up to Him for deliverance. The Lord will punish the wicked and make ways happen to lift up the faithful. Clearly, V’s theme about the fight for freedom is truly universal.
Symbolism and socio-political relevance aside, V: The Original Miniseries (1983) also comes with a good amount of spectacle that make sense within the narrative. Do not expect to see extensive, over-the-top action scenes of modern-day cinema/television here but I assure you that the spectacle (note: even with the flawed matte imagery of the visual effects) in this production paid-off nicely in relation to the build-up of events throughout the story.
I strongly recommend you acquire V: The Original Miniseries on Blu-ray while it is still available. Watching it in high-definition is a great experience on my part.
Overall, V: The Original Miniseries (1983) is highly recommended! That being said, I strongly encourage you to buy it on Blu-ray disc format while it is still available and affordable. If you want more of Kenneth Johnson’s other work related to V, I suggest you to look for his book V: The Second Generation. Don’t forget to visit Johnson’s website at http://www.kennethjohnson.us/
+++++
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
For more V-related writings of mine, check out my retro comic book reviews of the V comic books (published by DC Comics) issues #1, #2, #3 and #4.