A Look Back at Jurassic Park #1 (1993)

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Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1993 which was a wild time for entertainment not only because of the comic book collection craze of the time but also because the whole world marveled at Steven Spielberg’s sci-fi film Jurassic Park which was simply unavoidable.  

Jurassic Park was released into cinemas worldwide at a time when computer-generated imagery (CGI) was advanced enough to show and animated dinosaurs in a photo-realistic way on the big screen. Unlike films of today, CGI in Spielberg’s movie was sparingly used and they cleverly used computer graphics to show dinosaurs in their entirety especially on really wide shots that literally made human actors look really small compared to them. What added also to the photorealism of the dinosaurs was the use of animatronics (read: physical models) when capturing close-ups of the dinosaurs. For millions of people, Jurassic Park was a dream come true for those who wanted to see very convincing and lively dinosaurs on the big screen in ways that stop motion animation could not do.

As mentioned earlier, Jurassic Park was unavoidable as it was everywhere from the cinemas to the TV and print ads, to the stores that had licensed toys and merchandise of the movie, to the book stores that sold copies of the novel written by Michael Crichton, and also in the comic book stores that had copies of the comic book adaptation published by Topps Comics.

With those details laid down, here is a look back at Jurassic Park #1, published in 1993 by Topps Comics with a story written by Walter Simonson and drawn by Gil Kane with ink work done by the late George Perez. This comic book was the first of a 4-issue mini-series based on the Spielberg movie.

The cover.

Early story

The story begins at Isla Nublar, an island located over a hundred miles west of the nation of Costa Rica. Uniformed men and heavy equipment operators carefully moved a heavy containment unit that has a dinosaur inside. They are trying to connect the unit into an unusual looking containment facility which has vegetation inside. Their objective was to move the dinosaur into the facility and that includes lifting up the containment unit’s door.

Suddenly, the containment unit shakes as its door opened causing one man (who was responsible for opening the door from the top) falls down. It turns out, the dinosaur inside played a trick on them and it grabbed and pulled the fallen man inside which leads to tragedy.

A short time later, lawyer Gennaro arrives at an amber mind in the Dominican Republic searching for John Hammond for an important matter about a $20 million lawsuit from the family of the injured worker and an insurance company that thinks the accident raises serious safety questions about Jurassic Park.

Over at Montana, Dr. Alan Grant and Ellie Sattler are conducting work at a dig site not knowing that an unexpected visit will happen to them…

Quality

Nothing like entering a large gate going into a theme park.

I will start with what is very obvious about this first issue of the mini-series adapting the events of Steven Spielberg’s movie. This is one very wordy comic book filled with lots of details spilled all over by lots of expository dialogue clearly sourced from the movie. To be clear, this comic book follows the movie’s opening scene until the start of the iconic scene in which Dr. Grant, Ellie and Dr. Ian Malcolm saw the large dinosaur for the first time ever (note: this scene stunned and amazed viewers back then).

As the comic creators really pushed themselves to fill in the key details straight out of the movie most of the time, this comic book lacks spectacle and it is unsurprising that it has very few images of dinosaurs.

Like most comic book adaptations of movies, there were certain cosmetic differences between scenes adapted from the movie such as the traitor Dennis Nedry meeting with Lewis Dodgson in a very urban city street setting (as opposed to the location with lots of trees and vegetation in the film). Also notably different looking was Dr. Grant’s place where he and Ellie first meet John Hammond (in the movie, Dr. Grant’s place looked more lived-in).

In what looked like the creators’ attempt to emphasize something more than what was shown in the movie, the scene in which Dr. Grant scares a kid by showing what a Velociraptor would do to him was visualized with two panels of a dream sequence.

Gil Kane’s art looks good here but don’t expect to see the characters resembling their cinematic counterparts at all. I can only guess that Topps Comics had no authority to capture the likeness of the actors for this adaptation. Dr. Grant does not look like Sam Neill. Ellie Sattler looks nothing like Laura Dern.  

Conclusion

This is easily the most entertaining and the most intriguing page from the comic book. The comic book creators succeeded in making Dr. Alan Grant scare the kid more convincingly than the movie.

Jurassic Park #1 (1993) is not a fun read due to its heavy load of expository dialogue and explanations of key details. This issue, to say the least, was done mainly to get readers oriented with terms and details in order to help them understand Jurassic Park’s concepts. Due to the exposition and explanations, the storytelling here moved at a slow space which ironically provides readers opportunities to understand Jurassic Park. The way this comic book script was written, there was clearly too little space for entertainment. If you are the brainy type of reader or if you like junk science mixed with real science explained, then this one can still entertain you. When it comes to visuals, Gil Kane’s art made this one attractive and also established this comic book’s own look.

Overall, Jurassic Park #1 (1993) is satisfactory.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/

Sean Connery (1930-2020)

By the time you are reading, it has been a few days since the world lost pop culture icon Sean Connery. Best known for portraying Ian Fleming’s James Bond, Connery died in his sleep in the Bahamas on October 31 (Saturday). He was 90-years-old.

Already many entertainers gave their official reactions to the loss of Connery including current James Bond Daniel Craig, Harrison Ford, Hugh Jackman, Sam Neill, and Arnold Schwarzenegger to name some.

Like anyone else, the first thing I ever heard about Sean Connery when I was very young was that he was the original cinematic James Bond under the watch of Albert R. Broccoli as producer (note: Broccoli’s company continues to produce movies of Agent 007 until now). Being born long after Connery’s six Bond movies were released, the first time I saw him play Agent 007 was in 1983’s Never Say Never Again which was a big budget remake of 1965’s Brocolli-produced Thunderball. On its own, Never Say Never Again was NOT produced by Brocolli but by Jack Schwartzman and Kevin McClory (who was the legal rival of Ian Fleming).

While iconic Agent 007 made him famous, Connery himself got fed up with the role and he ended up having conflicts with Albert Brocolli. Connery wanted to prove he could do more than just play the British Secret Service agent repeatedly.

“I have always hated that damned James Bond,” Connery said. “I’d like to kill him.”

A few years after playing Agent 007 one last time on the big screen in Never Say Never Again, Connery struck gold with his performance in The Untouchables. His portrayal of cop Jim Malone earned him the Academy Award for Best Supporting Actor.

A few years after that achievement of his, I saw Connery in what I personally consider to be his finest non-James Bond role in the form of Henry Jones, Sr. in Indiana Jones and the Last Crusade opposite Harrison Ford. There was great father-and-son chemistry between Connery and Ford in that movie very finely directed by Steven Spielberg.

Connery quit the movies in 2003 with The League of Extraordinary Gentlemen as his final film. During production, it was reported that he conflicted a lot with director Stephen Norrington. The bad experience contributed to ending his movie career.

In ending this article, here are some YouTube videos related to the film works of the late Connery for your enjoyment. By the way, check out my retro review of Dr. No.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenoris still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com