With the year 2022 officially over, the Department of Tourism (DOT) officially confirmed that the Philippines attracted 2.65 million tourist arrivals (exceeding the target of 1.7 million) and over P200 billion in tourism revenues were generated for the year, according to a news article by the Philippine News Agency (PNA).
To put things in perspective, posted below is the excerpt from the PNA article. Some parts in boldface…
The holidays delivered further gains for the Philippine tourism industry as it breached its 1.7-million target with 2.65 million international arrivals as of the end of 2022.
The arrivals translated to PHP208.96 billion or USD3.68 billion in tourism revenues, a whopping 2,465.75-percent increase from 2021, according to a news release on Monday.
Based on the monitoring of the Department of Tourism (DOT) from the time the country reopened its borders to all travelers in February until Dec. 31, 2022 arrivals peaked in December as more Filipinos and tourists alike opted to spend the Christmas and New Year vacations in the Philippines.
Of the total 2.65 million international arrivals last year, 628,445 were returning Filipinos while the bulk of 2.02 million tourists were from top markets United States (505,089), South Korea (428,014), Australia (137,974),Canada (121,413), the United Kingdom (101,034),Japan (99,557), Singapore (53,448), India (51,542), Malaysia (46,805) and China (39,627).
The year just ended likewise generated an estimated 5.23 million tourism-related jobs, 11,989 DOT-accredited tourism enterprises as of Dec. 29, 2022 and 25,770 tourism stakeholders who were trained.
DOT Secretary Christina Frasco was elated over the achievements of the administration of President Ferdinand R. Marcos Jr., just six months into office.
She said the tourism sector’s growth clearly showed the hard work of the entire industry in order to recover from the unprecedented crisis brought about by the Covid-19 pandemic.
“Moments of great difficulty are also moments of great opportunity. In the past, we have overcome a global pandemic and survived various calamities. The Philippine tourism industry has managed to exceed expectations and our tourism partners and frontliners continue to offer the best of Filipino grace and hospitality to the world,” Frasco said in a statement.
“We welcome 2023 with gratitude and excitement for Philippine tourism to bounce back stronger than ever. We shall welcome with warmth and that distinct Filipino smile visitors from all over the world as they visit our award-winning beaches, experience the richness of our culture, and enjoy our world-renowned Filipino brand of service excellence,” she added.
Frasco is hopeful that the DOT will surpass its targets anew in 2023.
Let me end this piece by asking you readers: What is your reaction to this recent development about the Philippines tourism? If you are managing a business, did your business benefit somehow from the arrival of foreign tourists and/or Filipinos who arrived from overseas? Do you think the DOT will be able to achieve its targets for 2023?
For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673
To put things in perspective, posted below is the excerpt from the GMA news report. Some parts in boldface…
A total of 2.6 million tourists arrived in the Philippines in 2022, the Department of Tourism (DOT) said.
This is due to the opening of borders to all international travelers in February, the DOT added, according to a report on GMA Integrated News’ Unang Balita on Monday.
Some P173 billion tourism revenue was recorded in 2022, the department said.
The DOT said more than 628,000 arrivals are returning Filipinos.
The top arriving international tourists were from the US, South Korea, Australia, and United Kingdom.
Very clearly, the recovery from the COVID-19 pandemic continues to happen in different ways around the world. For the Philippines itself, the arrivals and presence of foreign tourists as well as Filipinos based overseas are crucial for the socio-economic development of the whole nation. As such, we Filipinos can be more supportive towards the DOT and other national stakeholders to make tourism – both foreign and local – thrive again with the nation in mind.
Let me end this piece by asking you readers: What is your reaction to this new development? Do you believe the DOT can achieve its targets for 2023? Do you think the local government units (LGUs) should become more pro-active on emphasizing local tourism? What is the most notable local tourist site in your city right now? Did you notice your favorite local coffee shop or restaurant having more foreigners as customers lately?
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Valiant Comics shared universe through the Harbinger monthly series.
In my previous retro review, some twists of events happened for Sting and his teammates during the Christmas season. The story was part of the continuing build-up and expansion of the Harbinger series’ own space within Valiant Comics’ shared universe under the direction of Maurice Fontenot. As of issue #17, another new character from outside of Sting’s group got introduced for them to interact with.
With those details laid down, here is a look back at Harbinger #18, published in 1993 by Valiant Comics with a story written by Maurice Fontenot and illustrated by Howard Simpson.
The cover.
Early story
The story begins on January 1993. Within the city of New York, Faith, Shatiqua and Flamingo are being followed by a young man wearing a trench coat. They know they are being followed. They eventually found themselves just outside the same amusement joint where Shatiqua played a lot of arcade games and decide to enter.
Inside, many people recognized and greeted Shatiqua which reflects her outstanding reputation on arcade games. As Shatiqua, Faith and Kris approach a certain arcade game (that Shatiqua wants to play), they noticed the one playing it is the same little black boy (capable of disappearing) they encountered previously. Shatiqua then takes the first step to approach him and gain his attention.
The boy then disappears and reappears a short distance away from the three and right beside same trench coated man who earlier follow them. The boy then attempts to blow the place up with a hand grenade. The man in the trench coat reacts quickly revealing his power to Faith, Shatiqua and Flamingo.
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Sting shows his ignorance and lack of maturity while getting checked by Dr. Hayward.
This is the latest build-up type of story Fontenot composed and like the previous issue, another new character unconnected to Sting’s team got introduced for them to interact with. The new character here is referred to as Screen and he clearly is a more interesting character than the one introduced in issue #17. Screen here is more impulsive and aggressive and he sure looks like he has what it takes to oppose Sting. I also liked the way the creative team showed the impulsiveness and lack of maturity of both Sting and Screen.
Within the script is the establishment of a new sub-plot which symbolizes the growing danger of the Harbinger foundation towards not only on Sting and teammates but also against the others that oppose Toyo Harada and his organization. In some ways, the sub-plot will make you speculate about the invisible yet sinister forces who wield tremendous power over the top government officials who are supposed to be serving their constituents within the republic.
With all of these details laid down, I can say they are all engaging to read as Fontenot’s writing continued to be really strong. For the art, I can say that Howard Simpson continued to pump out really solid visuals while successfully keeping the primary characters recognizable all the time.
Conclusion
This image is very symbolic as Bill Clinton and his wife Hillary made it normal for the United States to make deals with terrorists (notably Iran and Palestine) and betray the patriotic Americans. This makes this comic book socially relevant and what you see with the corrupt administration of Joe Biden reconnects strongly with the Clinton legacy.
Harbinger #18 (1993) is a very solid comic book to read. The build-up continues to happen and along the way, the titular characters got developed some more and this time around, the Harbinger foundation’s power continues to get stronger which convinced me to look forward to the next issue.
Overall, Harbinger #18 (1993) is highly recommended!
Welcome back, fellow geeks, Blu-ray collectors and movie buffs! Whether you are a fan of Tom Cruise, or a fan of the 1986 classic Top Gun or if you want something new and exciting to add to your collection of 4K Blu-ray movies, November 1, 2022 will be an important for you as Top Gun: Maverick4K Blu-ray will be released on that very day. Here are some good news…Top Gun: Maverick 4K Blu-ray will come with native 4K visuals and if you are convinced to go for it, you can order it in advance right now!
Top Gun: Maverick 4K Blu-ray cover.
To put things in perspective, posted below is the excerpt from the 4K Blu-ray announcement at Blu-ray.com. Some parts in boldface…
Paramount Home Media Distribution has officially announced that it will release on 4K Blu-ray and Blu-ray Joseph Kosinski’s Top Gun: Maverick (2022), starring Tom Cruise, Val Kilmer, Miles Teller, Jennifer Connelly, and Bashir Salahuddin. The two releases will be available for purchase on November 1.
Studio synopsis: Tom Cruise stars in the global phenomenon Top Gun: Maverick, the #1 film of 2022 with over $1.3 billion in worldwide box office and the highest grossing film of the producer/actor’s acclaimed career. Top Gun: Maverick has been hailed as “spectacular” (Brian Truitt, USA Today), “breathtaking” (Don Kaye, Den of Geek) and “jaw-dropping” (Sean O’Connell, Cinemablend).
After more than thirty years of service as one of the Navy’s top aviators, Pete “Maverick” Mitchell (Tom Cruise) is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him. When he finds himself training a detachment of Top Gun graduates for a specialized mission the likes of which no living pilot has ever seen, Maverick encounters Lt. Bradley Bradshaw (Miles Teller), call sign: “Rooster,” the son of Maverick’s late friend and Radar Intercept Officer Lt. Nick Bradshaw, aka “Goose.”
Posted below are the specs of Top Gun: Maverick 4K Blu-ray…
Video
Codec: HEVC / H.265
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10
Aspect ratio: 2.39:1, 1.90:1
Original aspect ratio: 2.39:1
Audio
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
Subtitles – English SDH, French
Discs – 4K Ultra HD, Blu-ray Disc, Single disc (1 BD-100)
Digital – Digital copy included
Packaging – Slipcover in original pressing
Playback – 4K Blu-ray: Region free
As for the special features and technical specs, posted below are the details sourced from Blu-ray.com…
DOLBY VISION/HDR PRESENTATION OF THE FILM
DOLBY ATMOS AUDIO TRACK
Cleared For Take Off—Witness the most intense film training program as the cast prepare themselves for filming while pulling multiple G’s in a fighter plane.
Breaking New Ground – Filming Top Gun: Maverick—Prepare to take flight as you go behind-the-scenes with the cast and crew of Top Gun: Maverick on a journey to capture the most spectacular aerial sequences ever!
A Love Letter To Aviation – Tom Cruise shares his passion for aviation as he pilots his own aircraft, a vintage World War II P-51 Mustang, which would have been the Top Gun aircraft of its day.
Forging The Darkstar – Pushing the limits beyond Mach-10, the future of aviation is unveiled through an impressive experimental aircraft specially designed for the movie.
Masterclass with Tom Cruise – Cannes Film Festival—Tom Cruise discusses his incredible career at the flagship event of the 75th Cannes Film Festival.
“Hold My Hand” – Lady Gaga Music Video—Watch Lady Gaga’s music video for her standout lead single hit on the Top Gun: Maverick soundtrack.
“I Ain’t Worried” – OneRepublic Music Video—Check out the music video to the original new song from OneRepublic.
Mission: Impossible – Dead Reckoning Part One Teaser Trailer – We all share the same fate. Watch the official teaser trailer for Mission: Impossible – Dead Reckoning Part One starring Tom Cruise. Coming to theatres 2023.
Top Gun: Maverick was released more than thirty years after its predecessor first came out. The 1986 Top Gun itself did not just make a tremendous amount of money in terms of ticket sales as it also made its mark in American pop culture complete with a memorable soundtrack and having notable actors like Val Kilmer, Michael Ironside (note: check out my retro review of V: The Final Battle plus my article about its Blu-ray release), Meg Ryan and Tim Robbinsas supporting cast members. To know more about the 1986 classic, watch Oliver Harper’s in-depth retrospective by clicking here.
More on Top Gun: Maverick, the movie’s success during this COVID-19 pandemic age is astounding as it grossed past $1 billion worldwide and literally it reinvigorated movie theaters around the world! For context, posted below is an excerpt from a recent Forbes.com article regarding the theatrical success. Some parts in boldface…
Top Gun: Maverick’s exceptional success supplied a giant lifeline to theaters and cover for studios willfully underdelivering regular theatrical products in an uncommonly sparse summer. Top Gun: Maverick accounted for 23% of the domestic summer movie line-up. That is partially because it earned around $500 million more than even the rosiest projections.
Top Gun: Maverick also came with the benefits of advanced cinematography technologies and methods which made its flight scenes very pleasing to watch. Practical effects and daring flying methods were used which added to the organic nature of the movie’s visuals which is something that computer-generate imaging (CGI) cannot do. The production team also used IMAX cameras and if the movie is still playing in the near IMAX cinema near you, I encourage you to go watch it while you still have time.
Another notable thing about Top Gun: Maverick is that it defied the wokeness of Commiewood (Communist Hollywood) and emphasized American patriotism. For the newcomers reading this, be aware that there are many millions of socialists, Marxists, Communists and unpatriotic people among young people in America who were brainwashed by the socialists who worked as so-called educators in colleges. Take note from the excerpt posted below sourced from The Daily Mail. Some parts in boldface…
Top Gun is a straightforward action movie that celebrates all that is good about our country and our military.
Add to that the handsome leading men, a romantic drama with Cruise’s love interest Jennifer Connelly, and a new generation of actors and ‘pilots,’ like Miles Teller, and you have darn sequel.
There is also a really moving scene between Maverick and Iceman (Cruise and Val Kilmer) and I am woman enough to admit I cried through it.
But above all else — the movie isn’t overly political, it isn’t depressing, it isn’t focusing on the flaws of the United States of America and why we suck and why our flag and national anthem aren’t worth honoring.
The filmmakers also took a stand against the sickening Hollywood trend of pandering to the demands of the totalitarian Chinese government.
In the 1986 original movie, there is a patch depicting the Taiwanese flag on Maverick’s flight jacket. But during 2019 previews, the patch had been removed to alleged appease Chinese censors.
Movie-goers were happy to see the flag had been restored in the film — a signal that neither the filmmakers nor Cruise are content with being lapdogs to the Chinese regime.
I absolutely loved the movie and I felt good leaving the theatre that evening.
Hollywood must wake up to the reality that ‘go woke, go broke’ is real.
Considering its major achievements that go beyond ticket sales, Top Gun: Maverick is the modern-day entertainment marvel just waiting to be discovered by a lot more people who still have not seen it. Expect Top Gun: Maverick to be among the most wanted titles on Blu-ray and 4K Blu-ray formats this coming Christmas shopping season. Watching the Tom Cruise-led movie in the cinemas, on 4K Blu-ray and Blu-ray is simply better than streaming.
Watch out for Top Gun: Maverick 4K Blu-ray on November 1, 2022.
In closing this Better than Streaming piece, posted below are Top Gun: Maverick-related videos and a few Top Gun videos for your viewing pleasure.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Valiant Comics shared universe through the Harbinger monthly series.
In my previous retro review, Sting, Faith, Kris, Flamingo and newcomer Shatiqua pursued a mission recklessly with revenge over the death of Torque as the main motivator. That story symbolically shows that the boundary between good and evil has been blurred away as Sting and his team just kept on pursuing their goals disregarding the rule of law and committing acts that make them no different from the sinister Harbinger Foundation. In some ways, Sting himself is gradually becoming as evil and abusive as his target (and former mentor) – Toyo Harada.
With those details laid down, here is a look back at Harbinger #13, published in 1993 by Valiant Comics with a story written and drawn by David Lapham.
The cover that closely imitates the iconic image of Frank Miller’s The Dark Knight Returns.
Early story
The story begins with Faith flying high above the streets of New York City talking to herself as she enjoys the flight as well as the flight of fantasy in her mind. After discreetly landing in an alley, she bumps into a man as she moves into the city sidewalk. Two other men could not help but laugh at what they just saw.
The man Faith bumped into gets mad, grabs her by the shirt and pulls out a knife. Suddenly, an old man comes out of nowhere and threatens the knife-wielding man which in turn prevented Faith from getting hurt. Upon realizing a lot of people are around them and watching, the knife-wielding man and his two companions move away.
The old man then befriends Faith. She thanks him for his help…
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Faith and the old man.
As I expected another Harbinger tale about Sting and his team going up against Harada’s foundation, I can say that this comic book surprised me in a rather delightful way. To be clear, this is a story mainly focused on Faith and under Lapham’s direction, readers will see her personality emphasized more than ever and what she is capable of with not just her special abilities but also with how she deals with problems.
The good news here is that the writing by Lapham is solid. Faith is clearly the comic book geek among her teammates and to see her work inside a comic book store in the city is amusing as her portrayal captures how comic book fans react when they see something really fascinating or special among the many printed materials displayed. It should be noted that Faith’s independence is nicely portrayed and she has her own way of dealing with the harshness of reality without ever letting her personal obsession with entertainment overwhelm her reasoning. The ironic thing about Faith’s view of life around her is that she does not show any regrets about the crimes the she and her teammates committed.
Those who are looking for superhero spectacle will find something gritty and short with regards to Faith. Adding further zest in this comic book are fantasized excerpts from a particular comic book Faith reads in the story.
Conclusion
Faith working inside the comic book store.
Harbinger #13 (1993) is a very surprising read that clearly delivered a good bout of fun. Its main attraction is Faith herself and this comic book has the most in-depth development of her character to date. Through her, comic book readers will have something to resonate with when it comes to comic book culture and geek interests. Ultimately, David Lapham succeeded in defining Faith and telling a solid Harbinger tale mainly focused on her. In some ways, this comic book is like a relief from all the tension built up on the rivalry between Sting’s team and the Harbinger Foundation. That being said, this comic book is no filler and it fits right in the monthly series.
Overall, Harbinger #13 (1993) is highly recommended!
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Valiant Comics shared universe through the Harbinger monthly series.
In my previous retro review, Peter/Sting, Kris, Faith/Zephyr, Charlene/Flamingo and John/Torque plus Ax returned from space. Due to his traitorous act against them, Ax was dropped by the team with a sense of rejection. It turns out, months had passed by on Earth which really shocked Sting and his teammates.
With those details laid down, here is a look back at Harbinger #5, published in 1992 by Valiant Comics with a story written by Jim Shooter and Janet Jackson, and drawn by David Lapham.
The cover.
Early story
The story begins on March 5, 1992 in New Orleans, Louisiana. Sting, Fatih, Flamingo, Kris and Torque are on vacation together. With hours to spare before having a group dinner, the team decide to split up and have fun discovering the local places individually.
That evening, while having a nice dinner together, Kris notices Sting looking tense. Sting reveals that he senses the presence of Toyo Harada and moments later, he and his teammates saw the TV news about the terrible explosion on a building in Dallas, Texas.
Over at the airport in Dallas, Toyo Harada arrives from Louisiana. He and his personnel travel together to the site of the explosion…
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Harada arrives in Dallas, Texas.
I really liked the story here. Without spoiling the plot, the writers crafted a tale about a major incident that affected not only Sting and his teammates but also the Harbinger foundation (including Toyo Harada himself) and even Valiant’s major figure Solar. Along the way, the creative team slightly expanded the lore of Harbinger within Valiant’s shared comic book universe further (specifically through the Harbinger foundation) before the crossover with Solar happened.
The story started in a really interesting way. I really enjoyed the way Sting, Faith, Kris, Torque and Flamingo were portrayed when they were not doing any superhero-related stuff as they enjoyed their vacation New Orleans. That being said, I felt like I was watching scenes of American teenagers from the 1980s movies written or directed by John Hughes. The scene in which Faith surprised Torque in the city zoo was amusing and believable to read.
Conclusion
Flamingo, Kris, Torque and Faith on vacation in New Orleans.
With a fine balance of spectacle, characterization, exposition and the obvious crossover with Solar, Harbinger #5 (1992) is yet another solid Valiant comic book to read. The progression of the development of Sting and his teammates moved forward some more while simultaneously building up the presence of the Harbinger foundation as the most antagonistic non-military organization in the entire Valiant comic book universe of the era. This is a must-read!
Overall, Harbinger #5 (1992) is highly recommended!
In recent times, Ambassador Fluss officially interacted with the Marcos administration by meeting with Press Secretary Trixie Cruz-Angeles and discussed matters related to Israel-Philippines ties, according to a recent article by the Manila Bulletin.
To put things in perspective, posted below is the excerpt from the Manila Bulletin article. Some parts in boldface…
Israeli Ambassador Ilan Fluss and Press Secretary Trixie Cruz-Angeles met to discuss possible collaboration projects, including the sharing of Israel’s knowledge in delivering news and information to remote areas in the Philippines.
In their meeting held on Friday, July 8, Fluss talked about their efforts in delivering news and information to far-flung areas in Israel.
The ambassador presented to Angeles and her team Israel’s expertise in cybersecurity, digital diplomacy, and media tech for faster and more comprehensive delivery of news and information in the remote areas in the Philippines.
“As a global hub of innovation, Israel is committed to building bridges of innovation between our nations,” it said.
The two officials, according to the embassy, also “discussed possible collaboration and ways to strengthen the embassy’s connection with the office (of press secretary) in sharing the initiatives and partnerships between Israel and the Philippines.”
President Ferdinand “Bongbong” Marcos Jr. recently reverted the Presidential Communications Operations Office (PCOO) and its attached agencies to the Office of the Press Secretary (OPS).
Part of its functions is to develop and implement necessary guidelines and mechanisms for delivering and disseminating information on policies, programs, official activities, and achievements of the President and the Executive Branch.
This recent development is only the beginning of a new chapter of Israel-Philippines ties with President Marcos and his administration who will be governing until mid-2028. Ambassador Fluss’ meeting with the Press Secretary is something we must be thankful to God for.
If you truly believe in Lord Jesus, the Holy Spirit and God the Heavenly Father wholeheartedly and you continue to be faithful (not religious), you should be aware that Christians are meant to stand united with Israel, love the Jewish people and pray for the peace of Jerusalem. You can do your part supporting Israel by donating to Christians United for Israel (CUFI). Do not forget to read the Holy Bible, then pray in tongues to the Lord in the privacy of your room with the door shut.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Valiant Comics shared universe through the Harbinger monthly series.
In my previous retro review, Peter/Sting, Kris, Faith/Zephyr, Charlene/Flamingo and John/Torque not only found a place to stay in thanks to a really generous doctor, they went ahead infiltrating the top secret facility of the Harbinger foundation which also brought them face-to-face with the leader. At this stage, Sting and his team have established their purpose not just for survival but to achieve something they believe is right.
With those details laid down, here is a look back at Harbinger #3, published in 1992 by Valiant Comics with a story written by Jim Shooter and drawn by David Lapham.
The cover.
Early story
The story begins at 9:20 AM of July 6, 1991 inside the fine summer home of Dr. Heyward. As Sting tells his teammates that they have to move to catch a flight, Faith (wearing her superhero costume) flies through to find Kris and Torque. She finds the two of them seated next together with Kris having her two hands on Torque.
Meanwhile, Flamingo fixes her face as Sting talks to her. She rejects his declaration that she is a part of their team and reveals that Torque does not care about her. Flamingo considers herself as just another hosebag. Sting then tries to lift her up by telling her that she has to take care of herself and that she is part of their team.
Sting, Faith, Flamingo, Kris and Torque then leave for the airport in a brand new vehicle they just bought (having used the money they stole from Harbinger). Their vehicle flies off to the airport with Sting on the driver’s seat…
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Sting, his teammates and newcomer Ax in the heat of action.
Without spoiling the plot, I can say that the story in this comic book got even wilder than I anticipated. The high intensity of wild turnout of events in issue #2 do not even come close to what was told right here. At the same time, this particular story clearly showed this comic book series’ own place within the literary universe of Valiant Comics and anyone who read XO-Manowar comics of this particular era will instantly recognize the recurring creatures (opposition elements) from outer space.
As expected, the character development of the main characters progressed smoothly revealing some amusing character moments that I found interesting and other times amusing. As Sting continues to act with a sense of leadership as well as a false sense of maturity, you will get to see more of Kris providing him analytical and personal support.
The dialogue in this comic book was written to be more dynamic and this is highlighted in the scene in which Sting and his teammates discuss what to do with their new team objective, and what to do with the computer hacker Ax who has shown Harbinger potential. That being said, Jim Shooter carefully crafted the dialogue to reflect how American teenagers in the late 1980s and early 1990s expressed themselves.
When it comes to superhero spectacle, there is a lot to enjoy here. Action scenes and the use of special abilities or super powers were executed at a moderate pace yet they were intense to look at. Each of the main characters had his/her own share of the spotlight even as the spectacle moved.
Conclusion
Meet Ax, the guy who specializes on cracking and hacking.
Harbinger #3 (1992) is a very engaging story to read which was balanced with a good amount of spectacle, nice character moments and the wildest turn of events so far in this particular comic book series. On face value, this comic book’s core concept (which involves a lot of science fiction elements) seemed over-the-top but Jim Shooter and David Lapham succeeded in telling a story that is believable and at the same time fun. It is also within this comic book that readers will get to see more of the Valiant Comics universe elements without the need of a crossover or a cameo appearance of an established Valiant hero. This is definitely the tale of Sting and his team that was simply taken into a much higher flight of fantasy. That being said, I am looking forward to the next issue.
Overall, Harbinger #3 (1992) is highly recommended!
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the mid-1990s which was a pretty wild time for comic collectors. To be more specific, this newest retro comic book review revisits the Ultraverse through The Night Man monthly series.
In my previous retro review, Night Man encountered a new, murderous villain who could change into a werewolf. The mentioned villain named Nik Apocaloff is a lot more than being able to become a monster…he has a notable family background, is highly education and is connected with powerful figures like J.D. Hunt. That makes him a formidable antagonist versus Night Man and his civilian identity as Johnny Domino. Apocaloff proved to be such a powerful villain, he became the center of attention of Night Man during one of his radio broadcasts.
With those details laid down, here is a look back The Night Man #8, published in 1994 by Malibu Comics with a story written by Steve Englehart and drawn by Kyle Hotz.
The cover.
Early story
The story begins somewhere inside one of the many rooms of city hall. An intense meeting goes on with the mayor present and what happened recently involving both the Night Man and the werewolf made an impact on the matters of discussion.
In an apartment somewhere in the city, Apocaloff is in his monster form and he just murdered a lady and consumed a lot of her flesh. Suddenly the door is knocked by someone who knew the victim. This causes Apocaloff to leave through the window and climb the steps to the rooftop. There, he changes back into his human form.
Elsewhere, Lt. Carleton Briggs arrives back in his office where Sergeant Dade is waiting. After a s short chat, they hug and kiss each other. The Night Man suddenly enters through the window…
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J.D. Hunt and the Teknight project.
Wow! This is one very compelling tale of the Night Man. To get straight to the point, the highlight of this comic book is the rematch between the title character and Apocaloff. To be clear, the rematch was not handled with brainless action in mind but rather with a lot of strategy combined with a medium-paced approach on progression which brought back a lot of vibes from Night Man’s encounters with the members of TNTNT a few issues back. Storywise, the stakes behind the rematch are much higher as the Night Man makes a solid pitch to the local police in the fight against crime (which made me think about the key elements of Batman comic books) while the tycoon J.D. Hunt (whom Apocaloff interacted with previously) just gave his approval for the Teknight project.
When it comes to character development, Apocaloff’s strong adherence to the past (Russian legacy, old world sensibilities, connections with California’s history) are emphasized some more. For his part, Night Man’s intelligence and approach to vigilantism got developed even more.
Conclusion
Night Man comes to the police with evidence about Apocaloff.
The Night Man #8 (1994) is another solid comic book of the Ultraverse. The story was told with an overall medium pace and the payoffs for each build-up were indeed satisfying. Considering the presence of the police in the story, this particular Night Man issue has the strongest similarities with DC Comics’ Batman. More importantly, this issue succeeded in developing both the titular hero and his most elaborate villain. It seems to me that Night Man and Apocaloff were made to clash with each other beyond this issue and the previous one.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today we go back to the year 1983 which saw the theatrical release of Superman III that featured the late Christopher Reeve as the cinematic Man of Steel.
The 1980s was a very different time with regards to Hollywood’s handling of superhero movies. The concept of a shared cinematic universe was decades away from realization. Warner Bros. back then relied on the Salkind family to produce Superman movies and the first flick in 1978 proved to be a major hit for both viewers and critics while also establishing Christopher Reeve as the definitive live-action Superman for countless people. Unsurprisingly, a sequel was released in the early 1980s which continued box office success for the stakeholders and only led to the approval of another sequel.
Along the way, the late Richard Pryor (a major comedian already) appeared on TV and talked about Superman II which eventually led to him getting hired for Superman III. The movie was released in 1983 making a little over $80 million worldwide while also getting a noticeably weaker reception from critics. More notably, Richard Pryor had a huge chunk of the film’s spotlight as Gus Gorman while the overshadowed Christopher Reeve managed to stretch his cinematic art on playing Clark Kent and Superman (note: there is also the memorable Clark versus Superman battle). Superman III very clearly had a lot more comedy in its presentation. As part of the movie’s marketing, an official comic book adaptation by DC Comics was published.
With those details laid down, here is a look back at the Superman III comic book adaptation, published by DC Comics in 1983 with a story written by Cary Bates and art made by the late Curt Swan and Sal Amendola.
The cover.
Early story
The story begins inside the unemployment bureau of Metropolis. There, August “Gus” Gorman was told after 36 weeks of chronic unemployment, he is no longer eligible for financial assistance (read: welfare) from the city. As he was about to light his cigarette, he noticed computer job ad on the match. Gorman proceeds to the Archibald Data Processing School where he gets enrolled with several others. In front of others, Gorman does something on a computer which impressed the instructor a lot.
Over at the Daily Planet, Clark Kent/Superman, Lois Lane and Jimmy Olsen meet with Perry White at his office. Kent will be returning home to Smallville and make a news story out of it. White gives Kent his approval and then tells Lois she deserves a vacation.
Hours later, Kent and Jimmy Olsen ride the bus together going to Smallville but their ride stops as a result of a huge fire damaging a large chemical plant. A police officer reveals to Olsen that the scientists inside are worried about the plant and its stuff getting destroyed by the fire.
Kent carefully leaves the bus and discreetly changes into Superman to help solve the problem. Olsen, meanwhile, sneaks past the authorities to get to the burning chemical plant.
Over at Webcoe Industries, company head Ross Webster and his sister Vera learn that more than $85,000 worth of company funds was stolen by someone within. Just outside the office, Gus Gorman enters his fancy looking sports car which Webster, Vera and Lorelei notice. Webster asked how could one of their computer technicians afford such a vehicle worth $75,000…
Quality
This is a creative way the comic book team used to dramatize Gus Gorman scene revealing and acting the bad news to his boss Ross Webster whose plans were thwarted by Superman.
While it is understandable that not all scenes and not all character moments from the movie made it on print media, this comic book still managed to capture the film’s essence for the most part. The creative team pulled off their own interpretations of the events and made something entertaining and engaging even though they had to deal with the major challenge of summarizing the movie’s plot and establishing a workable comic book narrative.
I should state that the comic team creatively avoided making in-depth references about liquor and smoking which were obvious in the movie. You will not see Superman drinking liquor at a bar nor will you see Gus Gorman referring to tar listed on a cigarette pack. I suppose this was done to ensure the comic book would be released widely and be acceptable to very young readers and the parents watching them.
The battle between evil Superman and Clark Kent is best viewed in the movie. This one is a shorter and less detailed version of it.
When it comes to establishing the clear lead among all the characters featured, Superman fans should be delighted to know that the Man of Steel is indeed more prominent than Gus Gorman. Take note that in the movie, Richard Pryor’s Gus Gorman overshadowed Christopher Reeve’s Superman/Clark.
Remember the frightening sequence of Vera getting captured and turned into a cybernetic figure by the Super Computer? This is what it looks like in comic book format.
The art done by Curt Swan and Sal Amendola is decent and it seems to me that their time on visualizing Cary Bates’ script was indeed limited. That being said, it was not surprising to me that, with the exception of Ross Webster in one specific image, none of the characters resembled their cinematic counterparts. Clark Kent/Superman never resembled Christopher Reeve, and Gus Gorman looks nothing like Richard Pryor. Clearly, the artists’ focus was visualizing the narrative which they succeeded.
Conclusion
Clark Kent, Lois Lane, Jimmy Olsen and Perry White in the Daily Planet.
Superman saving Lana Lang’s son from certain death.
Having seen the Christopher Reeve/Richard Pryor movie in the cinema and on cable TV since 1983, I can say that Superman III (1983) is a decent adaptation. It’s not 100% faithful but it is still a worthy read as it will give you the movie’s concept and entertainment values in literary form. If you really want to full essence of film along with the cinematic moments (note: the Superman-Clark battle is the cinematic highlight) all intact, then your obvious choice is to watch the movie. If you are turned off by the movie’s wacky comedy, then the comic book adaptation will deliver to you the more serious approach on telling Superman III’s story. Let me repeat that Superman is more prominent than Gus Gorman in this comic book.
Author Carlo Carrasco 