Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Valiant Comics shared universe through a tale of the Turok: Dinosaur Hunter series.
While issue #1 turned out to be entertaining enough, the Indian protagonist Turok was not too engaging. The story worked primarily due to the combined creative works of David Michelinie and Bart Sears.
With those details laid down, here is a look back at Turok: Dinosaur Hunter #2, published in 1993 by Valiant Comics with a story written by David Michelinie and drawn by Bart Sears.
The cover.
Early story
The story begins in Colombia in 1987. Set some time after he left the village of Serita (a Colombian lady he connected with), Turok finds himself in the middle of a fight with multiple intelligent dinosaurs that serve his rival and target Mon-ark. Turok recently started using locally produced poison for his arrows as part of his unrelenting hunt for dinosaurs.
Meanwhile in another part of Colombia, the drug lord Comacho holds a private meeting and express his frustration over the decimation of his drug shipments. It turns out, the couriers were slaughtered and eaten by the dinosaurs. Upon learning of the presence of an Indian who makes it his business to hunt dinosaurs, Comacho gives an order to find him…
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You will see Turok in a lot of action scenes fighting these intelligent and savage dinosaurs.
As the follow-up to the 1st issue, this is a story about Turok really hunting dinosaurs as part of his effort to get to Mon-ark (the leader of a pack of dinosaurs present in Colombia) in relation to what happened during the Unity storyline. In addition, you will get to see the protagonist get involved the Colombia drug lord who really needs him as the dinosaurs tremendously disrupted the shipment of illegal substances. As a newcomer in this particular time and place within the shared universe of Valiant Comics, Turok here does not care much about the reputation of Comacho as he is obsessed with hunting dinosaurs.
Speaking of the dinosaurs (who were granted human-like intelligence by the Mothergod), you will get to see Mon-ark have his own share of the spotlight and see him being a leader of his fellow dinosaurs. The showcase of his ruthlessness was expectedly done here to symbolize the element of evil in a violent way.
The plot by Michelinie is nicely structured and the narrative moved in a smooth enough pace leading to an obvious new direction.
Like in the previous issue, Bart Sears drew the art but with the involvement of Bernard Chang. For the most part, I recognized Sears’ work and there were some subtle visual differences here and there. The good news here is that if you enjoyed the gritty look as well as the uncompromised approach to violence in issue #1, then you will find those here as well.
Conclusion
A look at the intelligence and interaction between these two evil dinosaurs in love. There’s no homosexuality here nor anything related to transgender or the disease called wokeness.
Turok: Dinosaur Hunter #2 (1993) is entertaining and compelling enough to read. It further explores Turok’s story as a man lost in time who simply would not run away from the dinosaurs as he is obsessed with eliminating Mon-ark. The tale, however, involves a Colombian drug lord as well as his private army which adds depth to the narrative as well as Turok’s place within Valiant’s shared universe of the time. Lastly, this one nicely sets up a big conflict between the Indian and his dinosaur rival.
Overall, Turok: Dinosaur Hunter #2 (1993) is recommended.
Have you been searching for something fun or interesting to watch on YouTube? Do you feel bored right now and you crave for something to see on the world’s most popular online video destination?
I recommend you check out the following topics and the related videos I found.
#1Xbox-related announcements at The Game Awards 2023 – The Game Awards 2023 edition took place recently and like many of its previous editions, it was a spectacle of video game awards as well as announcements of upcoming games. Team Xbox, which now has giant publishers Activision-Blizzard-King and Bethesda under its umbrella, came out with very notable video game announcements that not only includes Hideo Kojima’s Xbox project but also a brand new game (the licensed property of a very popular entertainment brand) which I never anticipated coming. I should also state that Square Enix’s announcement of Visions of Mana includes the Xbox Series X and Xbox Series S for future release. Watch the videos (including one from a YouTuber) below…
#2 Godzilla Minus One makes impact in America – While its current theatrical distribution in America is not too great, the Japanese-made Godzilla Minus One movie managed to make an impact with moviegoers and critics there. In fact, Toho’s newest Godzilla film even topped the American box office on specific days during the week (click here and here) even though it came with English subtitles (with original Japanese voices throughout) that had to be read by moviegoers. Why is Godzilla Minus One making an impact in America? Watch the videos below…
#3 The evil of the Islamo-Left – It is not surprising at all that Leftist elements continue to take sides with the Palestinian terrorist group Hamas while opposing Israel’s war efforts in the Gaza strip (Israel’s response to Hamas’ October 7 terrorist attacks and abduction of hostages). If you do your research of history, you will realize that the unholy alliance between Islamic terrorists and Leftists actually go a long way back. That alliance is referred to as the Islamo-Left which is composed of Islamists and Leftists who are united by their hatred for Israel and their desire to commit genocide against the Jewish people. The Islamo-Left is the evil force that needs to be rejected and defeated. I also want to state again that the Palestinians are NOT the indigenous people of Israel, the Palestinians have no right to the land of Israel, and the Palestinians are still living under the wickedness of their leaders (Hamas and the Palestinian Authority). Learn more by watching the video below…
#4 Beware of charismatic criminals – In this divided world we live in, there are certain charismatic individuals who wield so much power, they managed to deceive people and commit crimes believing they could simply get away with it all. The charismatic criminals of recent times are specifically Elizabeth Holmes (convicted), Sam Bankman-Fried (convicted) and Charlie Javice. To find out who the charismatic crooks are, what happened to them and why you must never let them deceive you, watch the videos below…
#5 Unite with the Right to push back against the Satanic Left – Shifting to geopolitics, Sky News Australia published two videos that must be seen. The first one is about the political Right gaining significant ground in the Netherlands and Argentina (following the very inspired political shift related to Giorgia Meloni’s rise to power in Italy in 2022). The 2nd video shows why the Satanic Left often leads people to social, political and economic ruin as seen in Argentina. Let these two videos inspire you and members of your community to rise up against the Leftists and be united with the Right in future elections as well as with ongoing developments of the current government. Never let the Satanic Left take even the slightest space away from you. Communists, socialists, Marxists, liberals, diversity fanatics, inclusion fanatics, LGBT activists, the woke nuts, pro-Palestine zealots and all those other wicked Leftist elements are simply too chaotic to be given power.
Disclaimer: This is my original work with details sourced from watching the movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, readers and movie enthusiasts! Chances are you must have heard about the controversy and debates over Sound of Freedom, a movie about the child trafficking which was made years ago but only got released this year after overcoming many hurdles. The film starring Jim Caviezel as real-life hero Tim Ballard and directed by Alejandro Monteverde, was released at a time when wokeness in Hollywood got so feverish a lot of movies were no longer interesting for me.
In case you missed the news, the low budget Sound of Freedom performed beyond expectations in the American box office and has since been making waves gradually in cinemas around the world. The film opened officially here in the Philippines on September 20 and I finally saw it in the local theater.
With regards to the controversy about Sound of Freedom, I urge you to reject the Leftists’ constant ranting against it and make the effort to see it yourselves. If you take into account the conceptualization of the movie, it is almost a decade old now and efforts to write the script happened years before QAnon even started (for context, watch Midnight’s Edge video by clicking here). Blatant accusations of QAnon conspiracy theory against this film are simply false and officially denied by Tim Ballard. Communist-filled Hollywood (Commiewood) and the woke mob are simply lying to stop people from seeing the movie.
With those details laid down, here is my review of Sound of Freedom.
The official movie poster.
Early story
The story begins in Honduras when a pretty lady visits the home of a father who has one young daughter and one young son, and convinces him to have them audition into modeling. The audition happened in a different location (filled with the man’s two kids and many others) and as the father was not allowed to be present, he was asked to return in the evening. By the time he returned, the place was empty and the children were kidnapped. They secretly shipped to another country.
In America, Tim Ballard and his time successfully apprehended a man for possessing and distributing child pornography. Tim’s teammate points out to him that although they have arrested many child predators, they could not even save a single child from exploitation and abuse…
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I will start first by saying that this movie was not made to entertain viewers but to emphasize the real-life problems of child trafficking, kidnapping, the abuse of minors, sex trafficking and why slavery today still has many millions of victims (including minors).
This movie closely examines the struggles that come with fighting the syndicates (that kidnapped children and sell them) and the customers (who paid to illegally acquire children for their wicked desires) as told through the eyes of Tim Ballard (Jim Caviezel) who is clearly feeling the heavy stress of his US Homeland Security job (which takes a lot of strength, sacrifice and sheer will to do). Ballard himself has many kids with his faithful and supportive wife (Mira Sorvino) and therefore he can easily relate with the parents whose children got kidnapped and sold in other countries.
Caviezel is mostly subtle with expressing Ballard’s emotions as well as his verbal expressions with the other people he interacted with. This is not to say that Caviezel’s act is wooden, rather he is straightforward with portraying a man who feels disturbed by the collective stress of his duty (but still far away from the breaking low-point). Even though he is getting worn down, Ballard’s sheer determination to save a specific kidnapped-and-abused daughter for a Honduras-based father is nicely captured by Caviezel.
The efforts of fighting the criminals who pounced on children involves a lot of hurdles to overcome. I’m not just talking about Homeland Security agents taking down people in America who engaged in child pornography but also going after the very criminals overseas who kidnapped children, shipped them from one nation to another and sell them as “models” to pedophiles. As such, Ballard’s efforts involves spending time overseas (away from his family), making local connections and secretly working his way into different locations where the risks of getting killed are high.
Again, this tale is not about entertaining viewers as it works on emphasizing to them how extremely difficult it is to bring down the criminals in real-life. The good news is that this film is nicely directed by Monteverde whose cinematic style is simplistic and yet engaging to watch. There is a clear subtle approach on showing what little violence the film has. As for scenes of child abuse, there is nothing graphic to see (left ambiguous) nor was there anything intense about them. While I am certain that some parts of the story involved liberties in order to establish a functional cinematic narrative, this movie strives hard with realism while also avoiding becoming preachy with its message (expressed in subtle fashion) about human trafficking, child slavery and the business involving pedophiles and kidnappers.
Conclusion
Sound of Freedom was clearly made to inform the world that children are still being kidnapped, used for illegal transactions, transported around the world and sold to the predators. This real-world problem continues to happen somewhere every single day and there are simply not enough law enforcers who could fight the criminals and rescue the kidnapped minors. Nor do the law enforcers have the resources to stage major rescue operations while facing off with armed criminals and their bodyguards.
While it is told through Tim Ballard, this movie is not about him and his profession. It is about the extreme difficulties that law enforcers – both domestic and overseas – have to go through to save the very young victims. The story was told with consistent realism and subtlety which make it very believable to watch. Jim Caviezel is indeed a solid performer and his portrayal of Tim Ballard will easily remind you that true heroes are the ones who bravely face tremendous odds to achieve their goals (for good) while still maintaining their sanity no matter how hopeless the situations appeared.
Sound of Freedom is a cinematic call to action to make others aware about the ongoing menaces of sex trafficking, kidnapping, abuse of minors and the cartels (demonic people) that profited from their evil trade. Like Steven Spielberg’s Schindler’s List, this film was made for reflective viewing and not for amusement. Indeed, God’s children are not for sale and this is the truth that the bashers of this movie do not want you to realize. There is also the biblical truth to the popular quote from the film. Read the holy scripture below…
Behold what manner of love the Father has bestowed on us, that we should be called children of God! Therefore the world does not know us, because it did not know Him. Beloved, now we are children of God; and it has not yet been revealed what we shall be, but we know that when He is revealed, we shall be like Him, for we shall see Him as He is. And everyone who has this hope in Him purifies himself, just as He is pure.
Whoever commits sin also commits lawlessness, and sin is lawlessness. And you know that He was manifested to take away our sins, and in Him there is no sin. Whoever abides in Him does not sin. Whoever sins has neither seen Him nor known Him.
Little children, let no one deceive you. He who practices righteousness is righteous, just as He is righteous. He who sins is of the devil, for the devil has sinned from the beginning. For this purpose the Son of God was manifested, that He might destroy the works of the devil. Whoever has been born of God does not sin, for His seed remains in him; and he cannot sin, because he has been born of God.
In this the children of God and the children of the devil are manifest: Whoever does not practice righteousness is not of God, nor is he who does not love his brother.
1 John 3:1-10 (NKJV)
To put things politically, you must be wondering why the Satanic Left – Democrats, Communists, socialists, Marxists, liberals, the SJWs and the woke extremists – keep on bashing and hating Sound of Freedom. Here is why…because the Leftists are themselves pro-crime (example: “Defund the police.”) and they have made efforts to weaken law enforcement which emboldened the criminals such as robbers, murderers, kidnappers, smugglers, rapists, terrorists, molesters, illegal immigrants and, of course, the pedophiles. The Leftists are clearly wicked and they are lots of them present not only in government but also in showbiz, the mainstream media and other sectors of societies. The Leftists care less about the children and nuclear family, and this is why they want more drag queens and homosexuals to go after the children without law enforcers blocking them. The Leftists are okay with children getting kidnapped, abused and raped. In short, those in the Left are okay with being evil and doing what Satan wants.
I saw Sound of Freedom at the local cinema.
The Leftists are very afraid of Sound of Freedom and remember that it is the one notable movie that almost never got released. That being said, you must watch the movie whenever you have chance to do so.
Disclaimer: This is my original work with details sourced from watching the movie Cloak & Dagger (1984) and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back my readers, fellow movie buffs and 20th century pop culture enthusiasts! Decades ago, I got to watch the movie Cloak & Dagger when it was first released on home video. As time passed by, I got to replay it on cable TV and DVD. I have yet to see its 4K Blu-ray disc version (note: you can order it here) Starring Henry Thomas (the star of Steven Spielberg’s E.T.: The Extra-Terrestrial) and Dabney Coleman, Cloak & Dagger was one of those American movies that did not succeed in movie theaters but found its audience on home video, cable TV and free TV.
The 1984 movie was released at a time when video games gradually made its way into motion pictures in varied ways just before Nintendo started reshaping video gaming. Back then, I was very young and already got into playing games on console and at the arcade which helped me relate with the video game elements of Cloak & Dagger. In case you are wondering, the filmmakers and Atari, Inc. itself collaborated together. There may be some among you who never saw this 1980s flick and some of you may be wondering what is significant about Cloak & Dagger and why is it the topic of this retro movie review.
With those details laid down, here is a look back at Cloak & Dagger (1984) directed by Richard Franklin and written by Tom Holland and Nancy Dowd inspired by the short story “The Boy Cried Murder” written by Cornell Woolrich. This movie is the 4th cinematic adaptation of the said short story.
The movie poster of Cloak & Dagger (1984)
Early story
The story begins with Jack Flack (Dabney Coleman) overcoming Soviet guards to enter a place to retrieve top secret documents from incoming people. It turns out that Jack Flack is nothing more than a fictional character imagined by a young boy named Davey (Henry Thomas) who keeps on immersing himself with flights of fantasies, loves playing games and believes that real life is filled with enough opportunities and places to play. In the presence of game store owner Morris (William Forsythe) and his little blonde neighbor Kim (Christina Nigra), Davey boasts a lot about Jack Flack as if he was a real-life hero and even talks to him as his imaginary companion that no one else could see nor hear. Inspired by the said character and the world of espionage he always imagined, the boy carries with him a black water pistol for a “gun” and a softball for a “grenade”.
Morris then sends Davey and Kim out to do a real assignment – an errand to travel within the city going to a certain company and retrieve something for him. Afterwards, the two commuted and entered a building which Davey does with his fantasy of espionage and infiltration burning in his mind. Leaving Kim on the ground floor, he climbs up the stairs until he reaches a certain window and sees something sinister going on in the next level as reflected on one of the windows outside.
Suddenly a door opens near him and a wounded man slowly hands him an Atari 5200 cartridge titled Cloak & Dagger, tells him to bring it to the FBI, and mentions “one million three hundred twenty nine.”
The door near them suddenly opens with two armed men emerging. Right in the presence of Davey, they opened fire at the wounded man who fell down to his death. Davey just became the witness of an actual murder and becomes the target of the two gunmen…
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Henry Thomas and Christina Nigra as Davey and Kim respectively.
To get to straight to the point, I can declare that this movie is very clearly a spy thriller designed to engage both children and adults. It took the key concept of the short story “The Boy Cried Murder” and implemented it into its very own tale that happens to be set during Ronald Reagan’s America (the 1980s) with elements of video games, espionage and even murder mixed together.
The story told through Davey was crafted to be entertaining while keeping viewers in suspense as to how the overly imaginative young boy would deal with real-life danger and consequences as he became the target of murderous men who would not stop at all. Davey is clearly in danger for much of the movie and you will get to sympathize with him and wish he should stop being obsessed with fantasy so he could overcome the trials that were happening. This is, indeed, a well structure and nicely directed work by Richard Franklin who seem to be inspired by past works of Alfred Hitchcock (note: Franklin directed the sequel to Hitchcock’s classic Psycho).
As mentioned earlier, this movie was made to engage both children and adults. Cloak & Dagger is not exactly a wholesome viewing experience as its presentation has always been quite intense because of on-screen violence that was executed carfully. There are guns, shooting and even killing in this flick which proved to be integral to the overall presentation and clearly added to the thrill factor. You will get to see getting Davey shot at by the armed henchmen (Eloy Casados and Tim Rossovich) who clearly do not give a damn of shooting a minor as they are so focused on their mission. Looking at the henchmen in this film, I can imagine them as traitorous Americans conspiring with their nation’s foreign enemies such as the Soviets, the Iranians and the Palestinians. Along the way, there is the clear villain named Rice (Michael Murphy) who has this subtle touch of evil as well as a good amount of sleaziness in him. While the violence is intense, it does not necessarily push this film into rated R territory.
Michael Murphy as the sleazy villain who is willing to kill Davey even though he is a minor.
The two henchmen about to commit murder in the presence of Davey. There is evil visible in their faces.
Henry Thomas really shines as the protagonist here. While Davey here shares a few elements with E.T.’s Elliot – struggling to move forward with the absence of one parent and adjusting his life with what he perceives to be the best ways possible – he truly dramatizes how weird and wild he could be living his life with a very loose grip on reality. For him, local society in San Antonio, Texas, provides him a huge playground for his spy game and he sure distracts people as he walks by them talking to his imaginary friend Jack Flack. Still, there are key parts of the story in which Henry Thomas convincingly dramatizes Davey who feels lonely inside as he misses his late mother and is unable to spend quality time with his father. Thomas also acted with intensity in the scene in which he makes a trade with the villain and also during his last face-off with him in the 2nd half of the film. Henry Thomas really was a good youth actor and his performance here is often overshadowed by his role in Spielberg’s E.T.
Dabney Coleman on the other hand plays both Jack Flack and Davey’s father Hal. Coleman is quite versatile playing different characters here. As Jack Flack, he fits in excellently into Davey’s uncontrolled belief of espionage as he gives him advise which were taken seriously leading into danger. Of course, advising Davey does not really mean the fictional spy cares for him on a personal level and you will eventually Flack’s true value before the film ends. Flack’s final moments could inspire you to re-examine the true meaning of heroism. As Hal, Coleman convincingly plays the father who has been so busy working in the Air Force as an air traffic controller, he has been unable to spend quality time with his son and the recent death of his wife really took its toll on their family. Compared to Jack Flack, Hal is indeed caring towards his son but his hectic work schedule prevents him from bonding closely with him. Coleman delivered a fine performance during the scene when Hal explains to Davey what real-world heroism is and that not all heroes just shoot bad guys. There definitely are helpful values on parenting within Hal.
Henry Thomas and Dabney Coleman are really convincing as son and father.
Thomas and Coleman artistically have really fine chemistry together as the father and son (Hal and Davey) and as the wannabe adventurer spending lots of time with his action hero (Davey and Jack Flack). Considering Davey’s obsession with fantasy and the attention he pays so much to Jack Flack, he was practically living with idolatry and foolishness. If you observe closely, Davey is very lively with Flack and not so lively with his father.
Even though this movie is fictional, it still dramatizes that parenting will never be easy. That being said, this should inspire parents and also incoming parents to prepare themselves on nurturing their children and ensure they help them understand the differences between reality and fantasy.
Video game elements
Screenshot from the Cloak & Dagger arcade game. This game can be played nowadays through Antstream Arcade on Xbox consoles.
To make things very clear, Cloak & Dagger (1984) is not an adaptation of the electronic game that was released the same year. Rather it has the Cloak & Dagger game as a key plot element in the form of an Atari 5200 game cartridge (referred to as a “tape”) which the movie dramatizes to be real.
As a kid, I got to play arcade and console games a lot. As such, seeing Davey play the Cloak & Dagger game on his Atari 5200 as well as gameplay footage was a very entertaining viewing experience for me the first time I ever saw this movie. It was a scene I personally related with.
In real life, however, the Cloak & Dagger game from Atari, Inc. was released only in the arcades as the efforts to create a port for the Atari 5200 never got fulfilled. That being said, it was through very clever film editing that video footage of the arcade version were inserted into the scene in which Davey played the Cloak & Dagger cartridge on his console in the presence of his father. To clarify things, the Atari 5200 was a commercial failure in real life and it seems that making a console version of the arcade game did not make business sense to Atari, Inc. at all.
If you want to play the Cloak & Dagger arcade game in your home right now, you will need an Xbox console and Antstream Arcade ($30 for 1-year subscription, $80 for lifetime pass). Cloak & Dagger is just one of over a thousand games available through Antstream Arcade and you can learn more by clicking here and here.
Conclusion
Henry Thomas as an armed Davey.
I have seen Cloak & Dagger (1984) many times throughout my life from childhood and to adulthood. I can clearly say that this 1980s movie is still really good to watch as its appeal to both children and adults remains strong and intact. It is a medium-paced spy thriller that not only follows a young boy who witnesses and murder and gets into danger (note: even his neighbor gets involved) but also dramatizes (in entertaining ways) how dangerous situations can get when you are living with uncontrolled personal fantasy and interacting with a heroic friend who does not really exist. Considering the time this movie was released, I am delighted to tell you cautious readers that there definitely is no wokeness nor were there any traces of political correctness that got in the way of its presentation. Going back to the parenting aspect of this film, it is made clear that children need their parents for moral support and there is absolutely no way that games, fictional heroes and geek culture could ever be good alternatives. Like the adults, children should never lose their grip on reality and should be taught that uncontrolled fantasy can lead to real-life danger. Very clearly, director Richard Franklin and the crew did a fine job telling a solid story and emphasizing the main characters while also providing suspense, action and thrills.
Considering all the mixed elements it has, Cloak & Dagger (1984) can be engaging towards parents, their children, fans of espionage and people who love video games. Finally, I should state that the City of San Antonio in the Lone Star State of Texas is indeed a great location for filmmaking and viewing.
Have you been searching for something fun or interesting to watch on YouTube? Do you feel bored right now and you crave for something to see on the world’s most popular online video destination?
I recommend you check out the following topics and the related videos I found.
If you are feeling nostalgic about the Indiana Jones franchise and want to revisit the very first movie Raiders of the Lost Ark, then you are not alone. The new movie Indiana Jones and the Dial of Destiny (made by the woke Disney company and handled by the unpopular Kathleen Kennedy with James Mangold as director) turned off a lot of long-time fans and this incidentally created renewed interest about the very first movie from 1981. For the newcomers reading this, Indiana Jones is the joint creation of Steven Spielberg and George Lucas and they eventually collaborated together in making four Indy movies from 1981 to 2008. To learn more about Raiders of the Lost Ark and how the movie came to be, watch the videos below…
#2 Starfield is approaching and you can prepare yourselves for it
Starfield, the epic sci-fi role-playing game (RPG) from Bethesda (Skyrim, Fallout 4), is coming out on Xbox Series X, Xbox Series S, Windows PC plus Xbox Game Pass and PC Game Pass with an official release date of September 6, 2023. For those of you who missed out on the recent Xbox Games Showcase, you can still catch up and learn more about the Xbox-exclusive Starfield by watching the videos below…
Recently, Planetshakers released online the music video of their worship song Worthy is the Lamb (note: Words by Noah Walker and Andy Harrison, Music by Joth Hunt). The said song is indeed holy, beautiful and will help you move closer to the Lord. Just take note that this Planetshakers worship song is not to be confused with Hillsong Worship’s song with the same title. Watch the official Planetshakers music video of Worthy is the Lamb and the story video below…
#4 Get ready for Forza Motorsport (2023) this October
It took Team Xbox and Turn 10 a long time but they finally revealed that their much-anticipated Forza Motorsport (2023) will be released on October 10, 2023 only on Xbox Series X, Xbox Series S, Windows PC plus Xbox Game Pass and PC Game Pass. In relation to the announced release date, Turn 10 released a new trailer as well as an in-depth examination of the game. Watch the following videos of Forza Motorsport (2023) below…
#5 A look back at Indiana Jones’ Greatest Adventures
For those of you who are still feeling nostalgic or still craving for more Indiana Jones-related content, be aware that way back in the mid-1990s, there was an official video game of the cinematic icon – Indiana Jones’ Greatest Adventures. While I myself played the Super Star Wars games on the Super NES back in those days, I never got to play Indiana Jones’ Greatest Adventures which itself was an official adaptation of Raiders of the Lost Ark, Indiana Jones and the Temple of Doom and Indiana Jones and the Last Crusade and made with side-scrolling adventuring in mind with a few Mode 7 sections set up to prevent the game from being too repetitive. Check out the following videos below…
Welcome back, fellow geeks, Blu-ray collectors and movie buffs! If you are into films about faith and Lord Jesus told through an American perspective, then you should check out Jesus Revolution on Blu-ray disc format which has been available in the market since April 25, 2023. It also emerged as a top-selling Blu-ray disc release and you can order it online right now!
Jesus Revolution Blu-ray cover.
To put things in perspective, posted below is the description of Jesus Revolution as well as its official trailer…
In the 1970s, young Greg Laurie (Joel Courtney) is searching for all the right things in all the wrong places: until he meets Lonnie Frisbee (Jonathan Roumie), a charismatic hippie-street-preacher. Together with Pastor Chuck Smith (Kelsey Grammer), they open the doors of Smith’s languishing church to an unexpected revival of radical and newfound love, leading to what TIME Magazine dubbed a JESUS REVOLUTION.
Posted below are the technical details about Jesus Revolution Blu-ray disc as sourced from the Blu-ray.com page of the movie…
Video
Codec: MPEG-4 AVC
Resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Audio
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
Subtitles – English SDH, French, Spanish
Discs – Blu-ray Disc, Two-disc set (1 BD-50, 1 DVD), DVD copy
Digital, Digital HD, Digital copy included
Packaging – Slipcover in original pressing
Playback – 2K Blu-ray: Region A
While I have not seen Jesus Revolution in the local cinemas, I myself am interested in buying the Blu-ray disc soon. I am a person with unbreakable faith in Jesus who is truly the Lord and Savior! More on the what the movie has to offer, its release is timely as America has been so divided as many people moved away from the Lord to embrace evil elements such as critical race theory, homosexuality, LGBTQ culture, transgender concepts, abortion, anti-police movements, anti-Semitism, terrorism, illegal immigration, witchcraft, Communist/socialist/Marxist ideologies, negative elements affecting churches, vandalism of places of worship, Satanic values inserted through entertainment media, and a whole lot more. Watch the related CBN News videos below…
By today’s standards, the social unrest America had during the Vietnam War era looks smaller compared to what has been going on over the past few years. People are getting divided over race, gender, social class and a whole lot more. As such, Jesus Revolution has something that viewers can reflect about.
When it comes to restoring people and societies from the damage caused by evil forces, only the Lord can provide restoration and healing. That being said, you must praise the Lord and have unwavering faith in Him no matter what happens. Being a worldly person means living with unholy elements. A lot of people may not realize it but it is clear they need Jesus in their lives and in their societies! Learn from the holy scriptures below…
For God so loved the world, that He gave His only Son, so that everyone who believes in Him will not perish, but have eternal life.
John 3:16 (NASB)
Jesus once again addressed them: “I am the world’s Light. No one who follows me stumbles around in the darkness. I provide plenty of light to live in.”
John 8:12 (MSG)
Jesus answered and said to him, “Most assuredly, I say to you, unless one is born again, he cannot see the kingdom of God.”
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Valiant Comics shared universe through the Armorines monthly series.
In my previous retro review, the armored Marines and their US Navy SEALs counterparts encountered mutated sharks as they struggled to accomplish their mission. Along the way, one of the Armorines literally got swallowed by a huge, organic object that went directly to him during the struggle.
With those details laid down, here is a look back at Armorines #3, published in 1994 by Valiant Comics with a story written by Jorge Gonzalez and drawn by Jim Calafiore.
The cover.
Early story
The story begins deep under the sea as the Benchley explodes and falls down further as a result of the mission. Gunny finds himself falling down as well as he no longer has his ballast and propulsion unit. Fortunately, an armored teammate of his saves him and pulls him up to the surface.
Several kilometers away from the site of the ill-fated Benchley, a huge organic-looking object enters the large hole on the side of a derelict ship. Strangely enough, the interiors have an alien design and the organic-looking object turns out to be a ship of its own. Two human figures with unnatural physical features come out of it and told their alien-looking troops to enter the refrigeration unit to “bring the ‘meat’” to Chantilla.
Inside the refrigeration unit filled with lots of dead human bodies, the armed aliens approach the Armorines suit only to find it empty. As they did not bother to search around to find answers, the Armorines pilot cleverly concealed himself among the other dead bodies pretending to be dead. He gets up after the aliens leave…
Quality
The first display of the Armorines in action without the aquatic environment.
After a good amount of build-up executed by the creative team in the first two issues, this particular comic book served as a big pay-off as well as a creative build-up of its own with the future events in mind. In fact, the sci-concepts introduced here along with new figures of opposition (specifically the humans with physical aquatic features) really lifted the storytelling to a whole new level of imagination laced with intrigue. Instead of seeing armed terrorists or an opposing force with military hardware to counter the high-tech Armorines, we see people who have a sinister plan, have been organizing violent operations on Earth and are of alien origin. These aliens, who are even studying human characteristics, were involved in conflicts with X-O Manowar and Turok elsewhere within the Valiant Comics shared universe. In fact, the two individuals who arrived early in the story came from their act of destroying X-O Manowar’s armor (read X-O Manowar #28). I should also state that the duo of Gonzalez-Calafiore cleverly emphasized the aliens’ plan to weaken the coordination and security of Earth’s forces so that they can escape undetected. What is even more intriguing within this comic book is the visualization of the aliens’ secret scientific developments and experiments on Earth.
Going back to the Armorines, you will see them in action without the aquatic environment. The way the creative team showed the Armorines in action against their alien counterparts turned out to be entertaining to read.
Conclusion
Given the fact that Democrats in America today love illegal immigrants so much, can you imagine them and their hordes of woke/socialist/Communist/Marxist/liberal/LGBTQ/transgendered voters welcoming aliens from outer space and allowing them to do bad things against humanity here on Earth? Imagine Joe Biden or Hillary Clinton making secret deals with these aliens.
I can say that Armorines #3 (1994) is a well-executed story that successfully paid off what was built in the first two issues and raised the stakes further with sci-fi concepts and a force of opposition that made impact elsewhere in the Valiant Comics shared universe. As I enjoyed this old comic book, I am looking forward to the next issue.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the wild 1990s by examining one of the many tales of Marvel Comics’ 2099 line of franchises, specifically through the Hulk 2099 monthly series.
For the newcomers reading this, Hulk 2099 first appeared in 2099 Unlimited #1 (1993)which also had his origin story told. Hulk 2099 was not a mere version of the classic Incredible Hulk with a futuristic touch. In fact, the futuristic green creature highlighted the protagonist John Eisenhart as a very selfish and obsessed Hollywood studio executive who happens to stumble upon the idolaters/worshipers of the classic Hulk Bruce Banner because he was searching for new properties and stories for his studio. Hulk 2099’s origin has notable similarities to that of the classic Hulk and gamma radiation exposure is one of them. As tales of the futuristic Hulk were told through the quarterly releases of 2099 Unlimited, Marvel decided it was time to give the green creature his own monthly series.
With those details laid down, here is a look back at Hulk 2099 #1 published in 1994 by Marvel Comics with a story written by Gerard Jones and drawn by Malcolm Davis.
The cover.
Early story
The story begins with the Hulk of 2099 destroying security droids and verbally attacking civilization. As he retains the intellect of John Eisenhart, he expresses his opposition against civilization for keeping people out of the water reclamation zone.
The story then shifts to California where Lotus Entertainment (Eisenhart’s employer) and its crew work on producing a film which is a dishonest telling of Eisenhart’s dealings with the Knights of Banner (already eliminated in 2099 Unlimited #1). During the production, one of the executives notices the absence of Eisenhart.
Elsewhere, John Eisenhart drives his flying car with Knights of Banner youth survivor Gawain as his passenger. Already struggling with the guilt over the deaths of all the adult Knights of Banner members, Eisenhart intends to end his employment and cash out of his contract. Gawain remains hostile towards Eisenhart.
Quality
The creative team used flashback images that look really similar to what was told in 2099 Unlimited #1.
If there is anything that is very obvious to talk about, it is the fact that this tale shows a radically different John Eisenhart who wants to get out of Hollywood’s multiple mazes of crookedness as he feels very guilty over what happened to the Knights of Banner. This happens just as a new entity took corporate control of Eisenhart’s employer before he could leave the company. In many ways, Eisenhart’s distress and struggle with being guilty reminds me a lot about Hardcase of the Ultraverse and the way the creative dramatized him was engaging.
For the story, there is a lot of corporate intrigue going on and Eisenhart’s failure to quit quickly was inevitable because the new enemy he faces here has a lot to do with the sudden takeover of Lotus Entertainment. At least on face value, this looks like an attempt by the creative team to change the status quo and move Hulk 2099 to a new creative direction away from what was established in 2099 Unlimited. Without spoiling the details, I can say that something very significant happened before the comic book’s ending and it will impact readers who followed the futuristic Hulk’s stories closely in the 2099 Unlimited series.
Along the way, there is a lot of action and unfortunate physical happenings which symbolize the chaos concept of the script. The notable thing here is that you won’t see very much of Hulk 2099’s monstrous form as the script was specifically written to tell a tale that went beyond one issue. Clearly, the creative team were sparing Hulk 2099 for a conflict in the next issue.
Malcolm Davis’ art has that visceral aesthetic that fits the established look of Marvel’s 2099 universe of the time but there were instances when he showed so much happening, the visuals looked chaotic and even disorienting. In fairness, his take on Eisenhart, Quirk, Gawain and others made them looked recognizable.
Conclusion
The future of Commiewood, wokeness, and dishonesty.
While its story has little of the green monster in it, Hulk 2099 #1 (1994) does a decent job building up the tension on top of the guilt-filled Eisenhart while setting up events that looked like a bold new creative direction was coming. By the time this comic book was published, several Hulk 2099 tales were already published in the quarterly 2099 series. On its own, this comic book lightly builds up the lore of the 2099 universe as it was clearly focused on Hulk 2099’s creative concept and characters.
While Eisenhart was indeed determined to change, it is a turnoff to see him lie and exaggerate details to protect himself from a certain corporate psychologist who is after the truth. There is also a lot of anti-corporate expressions here which seems to suggest that someone within the creative team had been thinking with socialist concepts and decided to use the script as an outlet of expression. The weird but true thing is that by today’s standards, Hollywood is filled with Commies/socialists/Marxists/liberals/woke nuts from the film crew up to the executives that run studios and produce films or shows that are dumb, lies about reality, self-centered and extensions of their ideologies. This showed that this comic book was prophetic in some ways.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the wild 1990s and explore the far future of 2099 within the Marvel Comics shared universe through one of the tales of Spider-Man 2099.
In my previous retro review, the futuristic Spider-Man got involved with his era’s version of Vulture (Vulture 2099 to us readers). It turns out, Vulture 2099 is not your typical evil supervillain but the leader of a group of violent radical people who are willing to dominate society with a destructive mindset even though there are other opposing groups around them. And then Spidey 2099 realized something very wrong about the Vulture which leads to a big battle between them.
With those details laid down, here is a look back at Spider-Man 2099 #8, published in 1993 by Marvel Comics with a story written by Peter David and drawn by Rick Leonardi.
The cover.
Early story
The story begins with Spider-Man 2099 and Vulture 2099 crashing into the interiors of the ancient St. Patrick’s Cathedral located in old New York City (underneath the modern city). Unsurprisingly, the people inside the cathedral got very surprised about the unexpected entry of the two fighters.
Elsewhere, Miguel O’Hara’s brother Gabriel helps Kasey with her head. She tells him that she saw Miguel but Gabriel does not believe her. Suddenly, members of a gang knock on the door and Kasey opens it.
Inside St. Patrick’s Cathedral, the fight between Spider-Man and Vulture continues. Spider-Man remembers that he has lapsed as a Catholic and he feels very uneasy about the trouble he and his enemy are causing inside the old church structure. Vulture suddenly throws a wooden bench at Spidey but breaks open a glass window and then goes outside. Upon looking outside, Spider-Man notices a group of Vulture’s gang…the Freakers.
Quality
The battle between Spider-Man 2099 and Vulture 2099 is intense and very compelling to read.
Here is the good news about this comic book…the story here is a fitting conclusion to what happened in issue #7. The conflict between Spider-Man and Vulture here was carefully crafted and there were several key moments or scenes the provided readers some breathing room to grasp and understand the society of 2099 New York as well as the conflict between the downtown social groups who are deprived of the higher standard of living many miles above them. In some ways, the social divisions portrayed in this comic book is a sad reminder about modern day America and the many radical groups or gangs of people who divide society on race, ethnicity, social class, gender and ideology.
As expected, there is a lot of action executed in the fight between Spider-Man and Vulture of 2099 but there were pauses in between. This is not surprising considering how Peter David crafted the action-packed battles Spidey 2099 had with other enemies in the comic books released before this one. Without spoiling what happened, I can say that the battle between the two was nicely built-up and the conclusion turned out very satisfying to see.
Still on the story, Peter David added some layers of complexity into the conflict that easily made things much more difficult for Spider-Man 2099 on a personal level. I’m talking about his brother Gabriel and Kasey getting involved in the gang war against the Freakers.
Vulture 2099 is once again a standout opposition figure here. Not only is his ability to fly and cause chaos above his obsessed Freakers below is symbolic, his distorted, hardcore beliefs are reflected with his unrelenting use of violence as he fights Spider-Man. Not only that, he turns out to be very philosophical thanks to the rich dialogue Peter David came up with. It is also here that the futuristic Vulture is opposed to God and being the socialist-indoctrinated person he is, he easily blames Alchemax for God’s absence. This should remind you that through Vulture 2099, evil comes with fatal attraction that people could not realize until it is too late. The futuristic Vulture has a lot of common with the evil leaders of Black Lives Matter, Antifa, the Democratic Socialists of America and the long-time regime of Iran. Lastly, I should state that radical socialists are always wrong about God and they often live with distorted perceptions about Him. Vulture 2099 qualifies as a woke figure of 2099 and ultimately wokeness is foolishness.
Speaking of sub-plots, this comic book emphasizes Tyler Stone on how he handles ambitious projects of Alchemax that he believes will benefit people. His interactions with Dana here also sheds light about his very own obsession about the future of humanity.
Conclusion
Spider-Man in trouble with the Vulture’s gang members.
With rich writing, notable in-story details and a very well designed conflict between the futuristic Spider-Man and Vulture, Spider-Man 2099 #8 (1993) is both very engaging and entertainting to read from start to finish. It is a great pay-off to what was built-up in issue #7. Very notably, the conflict between Vulture 2099 and the protagonist is great to see and it is clear that Vulture is not a disposable supervillain but one of the most definitive forces of opposition against Spider-Man 2099. Of course, as comic book history turned out, Vulture 2099 made it in the crossover comic book event between classic Spider-Man and Spidey of 2099. Along the way, the creative team succeeded with expanding the lore of 2099 and the social underclass of New York.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1993 and explore a part of Marvel Comics’ universe through the first-ever limited comic book series featuring one of Marvel’s most iconic supervillains – Venom.
Previously, I wrote about Venom with his appearances in What If comic books (click here and here) as well as in issues of Venom: Lethal Protector (click here and here). Venom also appeared in the disappointing crossover comic book Spider-Man Meets Spider-Man 2099.
Moving back to the year 1993, the Venom: Lethal Protector limited series ended and Marvel went on to release a 2nd limited series composed of three issues complete with an all-new creative team. That series was Venom: Funeral Pyre and the most notable thing is that Venom gets to be with the Punisher (read my other retro reviews that include the character here, here, here and here).
With those details laid down, here is a look back at Venom: Funeral Pyre #1 published in 1993 by Marvel Comics with a story written by Carl Potts and drawn by the late Tom Lyle.
The cover.
Early story
The story begins on the streets of Oakland, California. There, a young guy named Gray Russell watches gang members severely beat up another guy which disturbs him deeply. He is part of the gang. A short time later, he rides with the gang in a car which hits a man (who managed to have his young nephew move out of harm’s way).
Somehow the man survived and moves to another direction deliberately to lure the gang away from his nephew. As the gangsters move towards a local building, Gray separates from his harsh companions to find a phone booth. Gray finds Calvin (the nephew of the man who got hit) nearby and decides to comfort him. From a distance, they heard the gangsters beat Calvin’s uncle to death.
The next day in the underground city beneath San Francisco, Calvin meets Eddie Brock and hands him a note meant for the police. As Calvin reveals more details, Eddie gradually turns into Venom with his alien costume covering up his body. After learning of the death of Calvin’s uncle and hearing the young boy’s plea for help for Gray (an investigative reporter in secret within the gang), Venom agrees to help him as it is their mission to save the innocent and destroy the guilty…
Quality
Punisher and Venom’s first-ever encounter with each other.
I want to start first the with the overall presentation crafted by the Potts-Lyle creative duo. In terms of story and setting, this comic book has a very strong urban crime vibe which is not a surprise given the fact that Carl Potts wrote lots of stories of the Punisher and his personal war against criminals. That being said, the tone is very different compared to what was shown in Venom: Lethal Protector and other Venom tales that got published before this comic book. Very clearly, this story is dark, gritty and even disturbing to read due to the subject matter of crime and senseless violence caused by people who are obsessed with violence. The fantasy elements of Venom: Lethal Protector are unsurprisingly absent here.
Carl Potts’ take on Venom’s personality is technically an extension of what was established previously. Venom, who is truly a murderer on the loose, continues to live with his very distorted code by helping the innocent by means of using violence and death on others he personally views as guilty. His getting involved in the turf of crime here is, however, a fresh approach on the super villain now acting “heroic” helping Calvin who lost his uncle. Being a former journalist himself, Eddie Brock “relates” with the investigative journalist involved with the gang.
The other major character – the Punisher – is his typical self in this story. He gets involved in the conflict in Oakland not purposely but accidentally as he was just passing by in his weapons-filled van as he heard the local police communication on local crime. The only thing notable about the way the Punisher is portrayed here is his first-ever interactions with Venom which is a crossover scene filled with a decent amount of hard action.
Gray, the investigative journalist, is presented here as technically the third major character of the story. In some ways, he even overshadows Venom and the Punisher in key parts of this comic book. He is not really an interesting character himself but there are some interesting Marvel universe details shown from his personal memories. What is clear about this uninteresting character is that the creative team planned something with him in a key role within the core concept of this mini-series.
As for the plot itself, it clearly has a dark and gritty concept of street crime in 1990s Oakland which itself plays a big part of the build-up of the story and the eventual crossover between Venom and the Punisher. The problem is that the build-up has an uninteresting character with Gray involved and there is a lot of exposition to go through before the Venom-Punisher encounter.
The encounter between Venom and the Punisher here came with the superhero comics crossover trope of the players misunderstanding the situation and each other, and getting into a conflict very early on. Both characters have their respective obsessions and so-called codes of purposes, which predictably leads them into conflict as they stayed hard-headed towards each other. While it is flawed, the Venom-Punisher crossover here is the highlight as well as the relief from having to read all the exposition and build-up.
Conclusion
A scene like this could inspire Black Lives Matter terrorists, SJWs, woke activists and North American socialists to become violent and cause havoc around America.
Venom: Funeral Pyre #1 (1993) is a flawed comic book that happens to highlight the Punisher and Spider-Man’s greatest nemesis of the time. It delivered on its promise of showcasing the two characters – a cold-hearted anti-crime vigilante and an alien costume-equipped murderer – in a crossover but the pay-off was barely enough when you take into account the build-up, the exposition and the involvement of the uninteresting third player named Gray. Compared to what was shown in Venom: Lethal Protector, this comic book clearly has an urban crime flavor which Carl Potts strongly implemented. As for the art, Tom Lyle showed he is really good in visualizing Venom, the Punisher and street gang wars.
Overall, Venom: Funeral Pyre #1 (1993) is serviceable. Definitely this is not the fabulous 1st issue described on the foil cover.
Author Carlo Carrasco 