geek – Page 213 – Author Carlo Carrasco

A Look Back at The Solution #3 (1993)

March 30, 2021March 29, 2021carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors, 1990s culture enthusiasts and fans of Malibu Comics! Are you ready for another return to the Ultraverse? I’ve got another retro review of The Solution.

Last time around, The Solution went to Japan on a mission that involved a secret meeting between leader Lela Cho/Tech and a man referred to as Kronstein. However, something unfortunate happened that led to violence. What The Solution encountered was a force of opposition in the form of another team (that was introduced also in issue #1).

With those details laid down, here is a look back at The Solution #3, published in 1993 by Malibu Comics with a story by the late James Hudnall and drawn by Darick Robertson (with ink work done by Barbara Kaalberg).

Early story

The story begins in Los Angeles. A lady is struggling with finding her car key as two monstrous figures approach her. One of them is holding her set of keys. They fully transform into over-sized monsters with razor sharp teeth right in front of her. The monsters’ focus gets disrupted when they hear the sound of a harmonica being played by a man sitting on top of a car. As they approach him, the man grabs his rod and fights them fearlessly.

The next day in nearby Hollywood, Lela/Tech and her teammates have a meeting in a hotel room. Dropkick and Vurk express concern about Lela engaging in media interviews that could undercut what they have been trying to do. Lela does not see anything wrong about it and she reminds Dropkick that their team is a business and they could use the free advertising.

Apart from the media talk, The Solution is preparing to meet their new client at 9PM. Vurk, seeking some fresh air and use the free time, decides to head out for a while. Discreetly, Lela asks Aera to use her magic to put a trace on him…

Quality

*Vurk in his monster form during his fight with the hunter of his race.*

Like issue #2, this one continues to build-up the team but with one notable difference…more focus on the creepy looking Vurk (also referred to as Outrage). While it was established in issue #1 that, like Aera/Shadowmage, he is not human. Rather he belongs to a race called the Darkurians which are oversized monsters in their true forms. In this story, you get to see more of Vurk’s nature as a Darkurian as well as his personality complete with how much he has learned to walk along the many people around him.

This comic book also introduces readers to a new character who hunts Darkurians as part of his campaign to rid the world of them. As it turns out, that man has a history of conflict with Vurk and this issue reignites their conflict. This easily produces the spectacle of this comic book which is filled with hard-hitting action, collateral damage and action moves that Vurk could pull off only in his monster form. It’s pretty entertaining stuff.

Conclusion

The Solution #3 (1993) is a fun Ultraverse story that succeeded in building up the series’ concept but with more focus on Vurk. Vurk is not exactly an appealing character on face value but at least his background details and his rivalry with the hunter of his race added a good amount of depth into the story. It is also interesting to see Vurk trying his best to be good with the good guys (his team). Having read his incidental involvement with the team in issue #8, this comic book makes more sense out of him.

If you are seriously planning to buy an existing hard copy of The Solution #3 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $14 while the near-mint copy of the newsstand edition costs $42.

Overall, The Solution #3 (1993) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Wonder Woman #23 (1988)

March 27, 2021March 26, 2021carlocarrasco

Before I start another retro review of the post-Crisis Wonder Woman comic book series, I need to share to you readers my observations about the recent social media trends that happened inside three Wonder Woman-focused groups within Facebook.

For one thing, I asked a simple question on all three WW FB groups asking the members if they would want to see Zack Snyder replace Patty Jenkins as the director of future Wonder Woman movies. Their reactions were pretty mixed and among them were a few very toxic responses. One group member asked me why do I hate Patty Jenkins (I have no hatred for her and in fact I admired her work in the 2017 Wonder Woman movie and pointed out her work in my piece about the No Man’s Land scene). Another member (an openly feminist-minded male) condemned me of sexism (completely false).

And in most recent times, I posted a few not so favorable media reviews of Zack Snyder’s Justice League on those same three WW groups on Facebook. This member called me a hater (I’m not a hater and I cannot judge a movie I have not even viewed), another member thought I allowed the negative review to influence me (sharing a post of an unfavorable review does NOT mean I believe in it), while another member took it very personal against me by means of verbal attacks (that person does not even know me and he allowed his uncontrolled fanaticism to go on the offense) on me.

Whew! There sure are a lot of Wonder Woman fans out there who are over-sensitive, who lacked self-control, who allowed themselves to be influenced by the socialists, and who allowed themselves to be swallowed by unrestrained political correctness. Clearly there are lots of hostile minds and likely believers of Cancel Culture among fellow WW fans which is unfortunate. What I posted on those FB groups were simply about entertainment, not identity politics and certainly not about attacking others.

I am still standing here!

Anyway, last time I reviewed an issue of Wonder Woman that I determined lacked depth and only served to build-up suspense and anticipation for future events. What will happen next to Wonder Woman and her companions? Will there be a pay-off to the build-up that happened in the pages of issue #22? We can all find out in this look back at Wonder Woman #23, published by DC Comics in 1988 with a story written and drawn by George Perez with finishes done by Will Blybers.

Early story

The story begins with a print media blast of Diana, her mother Queen Hippolyte, as well as Julie Kapatelis and her daughter Vanessa all occupying varied parts of the front cover of The World Today magazine with a feature about the royal family of Themyscira. At the corner of the cover says, “Memories of a Boston teen.”

At school, the teenage Vanessa (referred to as Nessie) is completely surrounded by other students who want her to sign their respective copies of the said magazine. She is enjoying the attention being the close, personal friend of the Amazons. Vanessa’s friends Eileen and Meekins can only watch the activity from a distance feeling lonely and let down.

In New York, Wonder Woman delivered a speech to the United Nations general assembly. She spoke on behalf of her mother and formally announced that the gates of Themyscira will be opened to the rest of the world (which is the result of the Amazons’ majority vote in issue #22). The response to her speech ranged from enthusiastic to apathetic.

After the speech, Diana finds herself surrounded by news reporters who ask her a lot of questions about her homeland, Queen Hippolyta’s potential visit to man’s world (AKA patriarch’s world) and the way some assembly members reacted to her speech.

Suddenly a mysterious figure whose head and face cannot be seen emerges. Diana senses something is wrong…

Quality

*Wonder Woman flying in search of the mysterious figure.*

I will start first by confirming that indeed, this comic book’s story has some pay-off to the suspense built-up in issue #22. Take note…some pay-off. It might sound disappointing for those who read issue #22 expecting a big pay-off but after going through the theme of this particular story, it is clear that there were planned plot events lying ahead related to the build-up (in issue #22).

More on the story itself, without spoiling much, I can say that George Perez pushed the envelope yet again by involving Hermes a lot more with Wonder Woman here. A lord to Diana, Hermes appeared not merely for a cameo appearance nor as a guide as seen in the early issues of this series, but rather he has a much bigger role than before. Hermes does not just appear with Wonder Woman who strictly follows him, he also makes an impact with the people on Earth.

When it comes to moral lessons, this comic book is boldly written by touching on themes such as how a deity from Olympus would impact people by bribing them, why mortals let their guard down when they believe what they saw or witnessed, and why would a foreign deity (from Olympus specifically) does not want mortals to challenge their authority.

The good news here is that everything is very well written from the way the plot was structured, the clear presence of emotion that filled much of the dialogue and the notable presence of philosophies that added depth to the dialogue.

When it comes to Wonder Woman herself, I love the way how Perez portrayed her on her struggle of doing her duty (for Themyscira and her deities) and maintaining friendship with the people she loved in man’s world. There is that nice touch of fragility on Diana’s personality and the same can be found on Julie Kapatelis whose struggle with being a mother and a friend is nicely dramatized.

Conclusion

*Wonder Woman faces the world through the corrupt United Nations.*

I can say that Wonder Woman #23 (1998) is a clear improvement over its predecessor by means of having a solid story concept backed with nice artwork (no surprise) and in-depth writing done by George Perez. I also like the fact that Wonder Woman herself gets upstaged in a rather reasonable way which shows Perez was not afraid to take risks when it comes to redefining the Queen of Superheroes in the post-Crisis era of DC Comics. Lastly, this comic book shows how faith is not to be practiced and why deities of Olympus are not worthy of faith and trust of the people. It also shows idolatry is foolishness.

If you are seriously planning to buy an existing hard copy of Wonder Woman #23 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $35 while the near-mint copy of the 2^nd print edition costs $350.

Overall, Wonder Woman #23 (1998) is highly recommended!

+++++

A Look Back at Wonder Woman #22 (1988)

March 22, 2021March 20, 2021carlocarrasco

Welcome back, superhero enthusiasts, comic book collectors and fans of DC Comics! I wonder how many among you readers got to watch Zack Snyder’s Justice League? That was the so-called definitive version of the Justice League live-action movie that Zack Snyder originally envisioned and reportedly it was the big dream come true for fans of the director and his own vision of the current cinematic universe of DC Comics superheroes.

While the so-called Snyder Cut of Justice League has Gal Gadot as Wonder Woman, I personally am not too excited for it but I will watch it much later on Blu-ray or perhaps 4K Blu-ray someday. What I am anticipating right now is the 4K Blu-ray release of Wonder Woman 1984 scheduled for March 30, 2021.

With regards to the literary Wonder Woman (post-Crisis DC Comics universe) as I’ve been reviewing a lot for some time now, things went crazy with what happened in issue #21. I’m talking about something that involved Wonder Woman with the deities of Olympus.

With those details laid down, here is a look back at Wonder Woman #22, published by DC Comics in 1988 with a story written and drawn by George Perez with Bob McLeod credited with the finished art.

Early story

The story begins in Themyscira. All the Amazons are called by Diana to a special audience in relation to an pending proclamation of a new decision that shall chart forevermore the path of the Amazon destiny.

In front of a large audience composed of her many Amazon sisters as well as her mother (Queen Hippolyte), the oracle Menalippe and headmistress Mnemosyne, Diana announces that a majority voted yes on the question of Themyscira opening her gates to the world outside and allowing man to set food on the shores of paradise island.

There was no fanfare, no cheers and no applause from the audience as the announcement marked the beginning of the new stage in the history of Amazons.

Meanwhile in outer space, a silvery orb flies around in very fast speed heading towards Earth…

Quality

*Wonder Woman’s lifting of the car looked inspired by the famous cover of Action Comics #1 from 1938.*

To make things clear, the story of this comic book is mainly a build-up for something significant that will happen later. There is no real battle of good-versus-evil here, nor would you see Wonder Woman encounter someone sinister.

In terms of build-up, the approval by the Amazons of cultural exchange and sharing of access with man’s world is itself a set-up for a significant event for Wonder Woman and her two closest friends on Earth. On other matters, the arrival of the space orb on Earth was presented very nicely and it surely is intriguing to see how it builds up for an upcoming new anti-hero element.

If you are a Wonder Woman fan expecting to see more of Diana getting dramatized and developed, you might be disappointed that this comic book has lesser content about her than usual. In fact, there is a good amount of pages here that pay close attention to Vanessa Kapatelis having a bad day in school, plus her mother Julia attracting the attention of a certain school teacher. This particular comic book really tried hard dramatizing the mother-and-daughter relationship of the two supporting characters but ultimately (and not surprising) it’s nowhere as engaging as that of Queen Hippolyte and Diana.

Conclusion

*Diana doing her duty in front of a tremendous audience of her Amazon sisters plus her mother Queen Hippolyte.*

Behind its beautiful cover, Wonder Woman #22 (1988) is not only an underwhelming follow-up to the epic development in issue #21, it is also the least engaging issue I’ve read about the post-Crisis version of Wonder Woman under the creative direction of George Perez. It’s really more about setting the stages for a future conflict and a special visit to Themyscira (you can guess who would visit to see Wonder Woman’s Amazon sisters). George Perez’s writing is still of pretty good quality and he really knows how to define each character’s personality but it’s the overall concept of the comic book that is underwhelming.

If you are seriously planning to buy an existing hard copy of Wonder Woman #22 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $35 while the near-mint copy of the 2^nd printing costs $350.

Overall, Wonder Woman #22 (1988) is satisfactory.

+++++

A Look Back at The Strangers #14 (1994)

March 19, 2021March 18, 2021carlocarrasco

Welcome back, superhero enthusiasts, comic book collectors and fans of Malibu Comics! Previously, I reviewed an issue of The Strangers which happened to be the 2^nd-to-the-last issue of its monthly series (which itself was mostly spearheaded by the dynamic duo of Steve Englehart and Rick Hoberg).

I was about to do a retro review of The Strangers #24 but realized that there are still some other comic books of the series that I have not reviewed yet. As such, I decided to read those other issues before reviewing the final issue.

With those details laid down, here is a look back at The Strangers #14, published by Malibu Comics in 1994 with a story written by Englehart and illustrated by Hoberg.

Early story

The story begins when a strong, muscular man with long blonde hair strikes a huge rock formation high in the hills to the east of San Francisco Bay in California. While talking to himself (most likely a way to deal with his isolation), he continues to lift very large piece of rock, smashes more rocks and throws a tractor as if it was just a ball.

“I am…Powerhouse! I am Powerhouse! I…am Powerhouse,” he said to himself.

Still talking to himself, Powerhouse realizes that the world must never know about him as it has done its best to destroy him. He quietly changes into civilian clothes and drives away into the distance in his car.

On the streets of East Bay Hills in Berkeley, Hugh/Grenade and Bob/Atom Bob walk down the fancy commercial zone as they enjoy the time-off Elena/Lady Killer gave them. Soon enough, people started recognizing the two as members of The Strangers even though they are not in costume. This community buzz catches the attention of an executive at a local radio station who then picks Powerhouse (in civilian form) to go to East Bay Hills to report about Hugh and Bob…

Quality

*When Powerhouse first gained super abilities.*

I’ll got straight to the point about what this comic book is all about. This is the story of an ultra who gained powers very long before The Strangers, Mantra, Prime, Hardcase, The Solution and all the other Ultraverse heroes even started. That being said, Powerhouse is an old man (who really does not look like in his sixties or seventies) whose life turned upside-down as a result of gaining super powers as a teenager in the year 1938 (note: this was the year Superman debuted in comics in real life). Having lost DECADES of his time in the world, Powerhouse became a man who found himself lonely and having trouble adjusting into the modern world (1993 in the Ultraverse specifically). What bothers him even more is the fact that super beings like The Strangers members Atom Bob and Grenade are gladly accepted and celebrated by the public which is the complete opposite of how he was perceived when he became a super being.

The writing done by Steve Englehart is very rich to read and through it all, you will feel the pain, frustration and anguish of Powerhouse. As usual, Rick Hoberg’s art is always great to look at and you can see in this comic book how he adjusts his style when the narrative shifts from the talk scenes into the action scenes and the like.

Conclusion

*Really, you only see two of The Strangers in this comic book which contradicts what was shown on the cover art.*

Fundamentally, The Strangers #14 (1994) highlights Powerhouse (both his present-day self and his origin) with Atom Bob and Grenade literally pushed out of the spotlight. Powerhouse is clearly inspired by the old ages of superhero comics and the creative team cleverly presented him as a super-powered man who finds himself struggling to fit in the 1990s. While this super being debut story is fun and engaging, its only weakness is that The Strangers have little real presence in the story (note: the cover art looks great but is really misleading).

If you are seriously planning to buy an existing hard copy of The Strangers #14 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $14.

Overall, The Strangers #14 (1994) is recommended!

+++++

Xbox-Bethesda excitement intensifies as Phil Spencer emphasizes exclusive games plus key Bethesda games got added to Xbox Game Pass (XGP)

March 13, 2021March 12, 2021carlocarrasco

There is no denying that the completion of the most significant video gaming business deal of this modern age of and the integration of Bethesda into Team Xbox are leading to a brighter future in electronic entertainment not only for Xbox fans and PC gamers but also for all other people who can afford gaming.

Yesterday, the fusion between Bethesda and Team Xbox was emphasized even further as top executives from both sides took part in a roundtable meeting titled Bethesda joins Xbox which was shown worldwide online. The YouTube video has been posted below for your convenience and viewing pleasure.

Here are a few notable parts of the roundtable event. Firstly, and most notably, Xbox chief Phil Spencer cautiously spoke about the plans regarding exclusive games that Xbox fans have been eagerly wanting to find out (note: key portions in bold).

“We have games that exist on other platforms, and we’re going to support those games on the platforms they’re on. There are communities of players. We love those communities and will continue to invest in them. And even in the future, there might be things that have either contractual things, or legacy on different platforms, that we’ll go do. But if you’re an Xbox customer, the thing I want you to know is this is about delivering great exclusive games for you that ship on platforms where Game Pass exists, and that’s our goal, that’s why we are doing this,” Spencer said.

Even as Microsoft-controlled Bethesda has games and fan communities on other platforms that will be supported, Xbox customers are still priorities for them and Xbox Game Pass is a key factor as it has many millions of subscribers around the world who use Xbox One consoles, Xbox Series S, Xbox Series X and Windows 10 PC.

While no titles were mentioned by Spencer, I am confident that Bethesda’s upcoming games like Starfield and Elder Scrolls VI will be released for Xbox Series consoles and Windows 10 PCs and be made available via Xbox Game Pass in the near future.

In my view, and in response to the whining of the PlayStation fanboys (who are agonizing over the Xbox-Bethesda deal) and of the people who hate Xbox spotted on social media, it does not make business sense for new Bethesda games (especially those made with big budgets for at least 3 years) to be released on PlayStation and Nintendo platforms since they are not connected with Xbox Game Pass. If you look at Team Xbox closely, they are working hard to sell not only gaming hardware, software and DLCs, but also subscription services. In this case, Xbox Game Pass is essential and with 18 million subscribers already counted, the said subscription service is generating billions of Dollars of revenue for Team Xbox per year. Will Sony and Nintendo be willing to have Xbox Game Pass offered to their respective customers for the sake of availing new Bethesda hot new games? Unless something drastic happens, such a scenario won’t happen.

Going back to Spencer’s confirmation of exclusive games for Xbox customers, the integration of Bethesda into Team Xbox easily ensures that Xbox fans will not only have a lot of exclusive titles coming from the well-established publisher (and its many studios), they will also have a wide variety of the types of games from ALL the 23 Xbox Game Studios. The first-person shooter (FPS) genre exclusives to look forward to are Halo Infinite, the next Doom, the next Wolfenstein, the next Rage, the next Prey and so on. RPGs? Try Starfield, Elder Scrolls VI, Avowed, Fable, the next Fallout and the next The Outer Worlds.

Rest assured, Xbox fans have a whole lot of exclusive games to look forward to from Bethesda’s studios and the other Xbox Game Studios in the near future. These assured exclusive games should convince gamers to buy Xbox Series S or Xbox Series X, and then sign up immediately for Xbox Game Pass.

Going back to the media event, Todd Howard took note of the marvel of backward compatibility (itself a great, pro-gamer feature on Xbox) and described how awesome it is that old creations such as the RPG Elder Scrolls IV: Oblivion is not only playable (on current Xbox technology) but also nicely presented in 4K resolution showing how much life it still has all these years. In relation to that, Aaron Greenberg announced that Team Xbox is already working on providing FPS Boost (enhanced frame rates) on backward compatible games of Bethesda.

And then there is the other big announcement made during the roundtable event…Bethesda adding twenty games into Xbox Game Pass for subscribers to enjoy!

Specifically the games added into the said subscription service are: Dishonored Definitive Edition, Dishonored 2, Doom (1993), Doom II, Doom 3, Doom 64, Doom Eternal, Elder Scrolls III: Morrowind, Elder Scrolls IV: Oblivion, Elder Scrolls V: Skyrim, Elder Scrolls Online, The Evil Within, Fallout 4, Fallout 76, Fallout: New Vegas, Prey, Rage 2, Wolfenstein: The New Order, Wolfenstein: The Old Blood, and Wolfenstein: Youngblood.

Those mentioned games are available on Xbox Game Pass now.

In ending this, posted below for your viewing pleasure are varied gaming-related videos…including one video about the March 17, 2021 release of the next DLC expansion for The Outer Worlds (developed by Obsidian Entertainment which itself worked on Fallout: New Vegas for Bethesda long ago).

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Bethesda finally integrated into Team Xbox!

March 11, 2021March 10, 2021carlocarrasco

Welcome back fellow gamers, geeks and Xbox fans!

Finally, it has been accomplished and it is something truly worth celebrating and become more optimistic about the future of video games! Very recently, Microsoft announced that it has officially completed the $7.5 acquisition of ZeniMax media which effectively integrated Bethesda Softworks and its eight game studios (Bethesda Game Studios, id Software, ZeniMax Online Studios, Arkane, MachineGames, Tango Gameworks, Alpha Dog, and Roundhouse Studios) and their respective communities into Team Xbox! The completion was realized after getting approved by the United States Securities and Exchange Commission and the regulators of the European Union (EU). Bethesda themselves posted a fine video about their legacy in gaming and the confirmation of becoming part of Team Xbox. Watch it below…

*Bethesda and Xbox is a formidable combination!*

To put things in perspective, below is an excerpt (note: key parts in bold) from the completion announcement written by Xbox chief Phil Spencer over at Xbox.com. Pay close attention…

Now that everything is official, we can begin working together to deliver more great games to everyone. At every step building toward this moment, I’ve been inspired and motivated by the creativity, insight, and community-first approach of the talented people at Bethesda. Our goal is to give these teams the best foundation for doing their greatest work and to learn from them as we continue to build Xbox into an inclusive platform for all players.

This is the next step in building an industry-leading first party studios team, a commitment we have to our Xbox community. With the addition of the Bethesda creative teams, gamers should know that Xbox consoles, PC, and Game Pass will be the best place to experience new Bethesda games, including some new titles in the future that will be exclusive to Xbox and PC players.

As seen above, Phil Spencer led the welcoming of Bethesda into Team Xbox. This is clearly not a simple acquisition because Bethesda is a very big company complete with eight game developers (lots of very talented employees) and very well-established franchises of games such as The Elder Scrolls, Fallout, Dishonored, Doom and more.

Speaking of Bethesda’s new games, Spencer made clear that the Xbox ecosystem is not just the definitive destination for the said games, it is indeed the best. Xbox consoles clearly includes the many millions of Xbox One consoles still in use as well as the growing number of Xbox Series S and Xbox Series X consoles. PC refers to Windows 10 while Game Pass refers to Xbox Game Pass (XGP) which is a highly successful paid subscription service which has reached 18 million subscribers worldwide. No surprise, PlayStation and Nintendo consoles were excluded. Microsoft, after all, has a stake in Bethesda while Sony and Nintendo do not.

As for Spencer’s line – some new titles in the future that will be exclusive to Xbox and PC players – I believe he was referring to upcoming games divided between those that can be made only for the Xbox ecosystem (Xbox console owners and PC users), those that can be released on other platforms (note: Spencer mentioned before the case-by-case aspect) and those that are legally bound to be released on a different platform (note: Bethesda has two timed-exclusive games for PlayStation 5).

The way I see it, future games like Starfield and sequels such as The Elder Scrolls VI, Fallout 5, future Doom, future Dishonored and the like will be made Xbox-exclusive (geared more towards the Xbox Series consoles and PC) which makes business sense because Xbox consoles and Windows 10 PCs are what Xbox Game Pass subscribers use. The addition of Bethesda games into XGP will help the service attract even more subscribers from around the world! I also believe that games made with strong single-player gaming experiences in mind will be designated for Xbox and PC gamers.

Future Bethesda games that will cater more on multiplayer and on being a service (technically) can be made for multiple platforms, including the PlayStation and Nintendo consoles.

As such, Phil Spencer’s use of the words “some new titles” makes sense. In due time, I believe, Microsoft and Bethesda will make clear that the Xbox ecosystem is top priority for them and this means eventually locking out Sony and Nintendo consoles when it comes to most new Bethesda games. It should happen in the years to come.

The integration of Bethesda into Team Xbox does not necessarily mean that Microsoft will change the culture of the company to conform to its own. The tech giant will provide Bethesda funds and lots of technical support while respecting their culture. Pay close attention to Phil Spencer’s words in the excerpt below…

As we shared previously, it’s vitally important that Bethesda continues making games the way it always has. We look forward to empowering Bethesda’s creative teams to reach even more players around the world, helping make future Bethesda titles the biggest and most popular games in their history. Xbox and Bethesda have long shared a common vision for the future of gaming. Both as fans and as creators, Bethesda understands the potential of Xbox Game Pass.

The head of Xbox also took the opportunity to lead the honoring of the late Robert A. Altman, who founded Bethesda’s parent company ZeniMax Media. Read on below…

We would also like to honor the life and memory of my close friend Robert A. Altman, founder of ZeniMax Media. Robert believed deeply in the power of gaming and we are privileged to be able to continue his work by joining forces with the teams he built and led for many years. I will miss the opportunity to work directly with him on the future of our combined teams but I know that his spirit will live on in the shared work we do and motivate us to make this partnership all he envisioned.

With the completion of the $7.5 billion deal, Team Xbox and Bethesda have officially started a brand-new chapter in the history of gaming. To say the least, Team Xbox’s years-old problem of lacking high-profile exclusive games has clearly been solved and Bethesda’s integration adds a ton of value as well as very rich intellectual properties into the Xbox Game Studios group whose other game developers include 343 Industries (Halo), Obsidian Entertainment (The Outer Worlds), The Coalition (Gears of War), Compulsion Games (We Happy Few), Double Fine Productions (Psychonauts), The Initiative (Perfect Dark), inXile Entertainment (Wasteland 3), Mojang Studios (Minecraft), Ninja Theory (Hellblade) and others. Each and every one of those game developers have new games in development and will be released exclusively on the Xbox ecosystem in the years to come. In effect, this makes Xbox Series consoles even more attractive for gamers and consumers in general. This also makes Team Xbox more competitive and even intimidating towards PlayStation and Nintendo when it comes to producing console-exclusive games.

Just what will PlayStation and Nintendo do to counter the Xbox Game Studios juggernaut now that Bethesda is part of it? Buy out Sega? Sony paying Square Enix a lot more money to secure their future games as PS5-exclusive? Sony reviving their White Knight Chronicles RPG franchise to combat Xbox RPGs from Bethesda, inXile and Obsidian? Will the troubled Sony fanboys demand PlayStation’s Jim Ryan to raise money so that the company will buy as many game studios as possible to beef up PS5 1st party games? Time will tell.

In ending this, posted below for your viewing pleasure are varied gaming-related videos including some video reviews of past Bethesda games for some fun nostalgia.

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A Look Back at The Solution #13 (1994)

March 10, 2021March 9, 2021carlocarrasco

If you’ve got a problem that needs solving, you call The Solution. That’s how it is in the Ultraverse with regards to hiring some specialists (and wild at that) for help. For the newcomers reading this, The Solution is a heroes-for-hire group led by Lela Cho/Tech (note: read about her origin story) with three unique teammates.

In recent times, I’ve been reviewing Ultraverse comic books of The Night Man and Solitaire which formed the first two parts of the Hostile Takeover crossover storyline. From this point on we can see the 3^rd chapter in this look back at The Solution #13, published by Malibu Comics in 1994 written by the late James Hudnall and drawn by Scott Benefiel.

Early story

The story begins with a look back at the private communication between J.D. Hunt and Rex Mundi (as seen in The Night Man #12). After their talk, J.D. Hunt hires The Solution to find out what is going on at the headquarters of UltraTech in New York.

Later under the busy streets of Manhattan, the team make their way through the darkness with Aera using her magic to find the building. When asked by Troy why they took the mission considering J.D. Hunt’s reputation as a “sleaze on wheels”, Lela Cho states that she is certain that he only wants them to find information that could be used against UltraTech. She added that she does not believe Hunt.

As they talk, Night Man quietly listens to them staying still. Just after Aera found the way for the team to enter the basement of UltraTech’s building, Night Man follows them. Elsewhere, Gordon Bell becomes aware of the intrusion which Prototype (Jimmy Ruiz) and Ranger (Bob Campbell) witness. Bell tells Bob to go to the basement and tells Jimmy to go to the roof…

Quality

*The Solution with Night Man and Ranger.*

I will start with the visual presentation. This comic book has the unusual yet engaging approach of using pairs of pages to form these wide-angle images composed of a dominating view with panels of other images filling the remaining space. It can be jarring at first but once you get the hang of the story, these visuals will flow smoothly at a nice pace. It should be noted that artist Scott Benefiel is pretty good in visualizing Night Man, Prototype and other related Ultraverse characters. He also did a good job with images of action and superhero spectacle.

As far as storytelling goes, this 3^rd chapter of the Hostile Takeover crossover storyline is the most interesting and the most enjoyable to read yet. While The Night Man #12 worked as a big build-up and Solitaire #10 worked as a mere side-story, there is a good payoff in this comic book and at the same time it moved the storyline forward to the next stage.

James Hudnall also kept the details tight and the way he wrote the interactions as the established Ultraverse characters got mixed up is simply great. I really enjoyed reading Lela Cho/Tech talking with Bob Campbell/Ranger about his getting screwed by the corporation, and Night Man’s interactions with The Solution’s members were nicely done.

Conclusion

The Solution #13 (1994) is very enjoyable and compelling! It is the complete package of solid storytelling, memorable character interactions and spectacle that also adds depth to the narrative of the Hostile Takeover storyline. Superhero stuff aside, the element of corporate intrigue remains present which also serves as a lively reminder about what this crossover storyline is about.

If you are seriously planning to buy an existing hard copy of The Solution #13 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $14.

Overall, The Solution #13 (1994) is recommended.

+++++

A Look Back at The Night Man #12 (1994)

March 8, 2021March 7, 2021carlocarrasco

Welcome back superhero enthusiasts, comic book collectors and fans of Malibu Comics!

I don’t know with you but I personally enjoyed reading the crossover stories of the Ultraverse. The Strangers had nice crossovers with Hardcase and Prototype in different times. The crossover encounter between Prime and Prototype was very memorable. There also was the first grand crossover of the Ultraverse in Break-Thru #1.

While the Ultraverse no longer exists, for me it was the one superhero comic book franchise or imprint that truly defined superhero comics of the 1990s. Malibu Comics really had great talents and other comic book creators who produced lots of fun comic books to read. Their creators also knew what it took to make Ultraverse crossovers stand out.

Today, we will start a close look at another particular crossover storyline within the Ultraverse titled Hostile Takeover which involves The Night Man, Prototype, Solitaire, Sludge and The Solution! With those details laid down, here is a look back at The Night Man #12, published in 1994 by Malibu Comics with a story written by Steve Englehart with Len Strazewski and James Hudnall as co-plotters. The art was drawn by John Dennis.

Early story

The story begins in the fancy office of J.D. Hunt as he receives a call from the secretive and sinister Rex Mundi. Mundi expressed disappointment in Hunt’s handling of the so-called Ultra Problem but went on to give him a chance to redeem himself. Mundi tells Hunt to take over Ultratech which has gotten into trouble caused by Gordon Bell. Hunt noted that Ultratech is to blame for the Strangers’ hijacking of his space shuttle as the security was handled by the said company.

After talking with Mundi, J.D. Hunt observes his employees finishing work on a high-tech armor (Teknight) and then communicates privately with The Solution. During the meeting, Hunt reveals to them that he is a major stockholder of Ultratech and he needs them to find out if they got Gordon Bell running things. The Solution takes the job.

Elsewhere, the Night Man secretly jumps on the top of a moving truck which he knows carries NuWare’s secret project Teknight. Upon arrival at the airport of San Jose, California, Night Man carefully sneaks into an airplane which is where Teknight is loaded at…

Quality

*Imagine yourself being Night Man in New York and you do not have the technology nor the means to be able to rise up a skyscraper.*

I’ll say it straight right now…the story of this comic book is nicely crafted. With Steve Englehart and the contributions of Len Strazewski and the late James Hudnall, this one score nice points when it came to building-up the concept behind Hostile Takeover which involves a strong sense of corporate intrigue (which was often present in comic books of Prototype). The presence of The Solution is pretty small (this is a Night Man comic book after all) but they contributed nicely to the build-up.

The story of Hostile Takeover was told mainly through the eyes of the Night Man. For the newcomers reading this, Night Man is a vigilante who also does a lot of problem solving similar to Batman. Unlike the mentioned comic book icon, Night Man does not have insufficient resources to back him up and pushes himself to travel around and complete his mission. In this comic book, you will see him really go as far as he could with tracking down the powered suit of armor of Teknight. You will also see him struggle and you might as well relate with his limitations.

There is not too much superhero spectacle to enjoy here but that’s okay because there is a nice amount of very interesting details presented in the build-up of Hostile Takeover’s concept.

Conclusion

*Night Man on the pursuit as Teknight gets loaded into the jet.*

Even though it lacked spectacle, The Night Man #12 (1994) is still an engaging read and it should score well with readers or Ultraverse fans who enjoy detailed storytelling. This comic book succeeds in building up the concept of Hostile Takeover while setting up the crossover elements between key Ultraverse characters. The story also emphasizes more of Night Man’s struggle to get his mission done.

If you are seriously planning to buy an existing hard copy of The Night Man #12 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $14.

Overall, The Night Man #12 (1994) is recommended.

+++++

A Look Back at Wonder Woman #20 (1988)

March 8, 2021March 7, 2021carlocarrasco

It’s the second week of March already. That means we are slowly but surely inching closer to the March 30, 2021 scheduled releases of Wonder Woman 1984 on 4K Blu-ray, Blu-ray and DVD! If you have not yet ordered a copy of the sequel starring Gal Gadot as the Queen of Superheroes, you can do so now if you want to. I already ordered my copy. You can also read my retro review of the 2017 Wonder Woman movie.

On to literature! Last time, the George Perez-led story not only saw the end of Diana’s visit of Greece, it also fully presented to readers what was back then the modern portrayal of Circe (DC Comics’ own take on the false Greek goddess) who proved to be at the time the most sinister and most powerful supervillain Wonder Woman faced. Wonder Woman #19 also showed the Queen of Superheroes in her most vulnerable state.

Now that Diana and her friends have returned to America, we can find out what happens next in this look back at Wonder Woman #20, published by DC Comics in 1988 with a story written and illustrated by George Perez based on an idea by Carol Flynn. Bob McLeod was in charge of the finishes.

Early story

The story begins in the City of Boston at night. Three Chinese men are running away from something until Wonder Woman confronts them. One of the men fires several bullets at her but each bullet got blocked by her using her tremendous reflexes and braces. After Wonder Woman disarms the gunman, another Chinese man tries attacking her with sharp weapons only to be defeated easily. The other Chinese man tries to run away but gets caught by Wonder Woman who uses her lasso. In reaction to his question, Wonder Woman demands answers.

Elsewhere, investigators are searching for clues and details inside a lady’s modern looking office. Lying on the floor is the dead body of a victim and according to the investigator’s report, she had been dead for a few hours. The victim is none other than Myndi Mayer, a highly successful publicist who made a career out of the media and celebrities. Wonder Woman happened to be her most recent, high-profile client. Mayer was involved in the Wonder Woman fair.

Based on their findings, Myndi Mayer looked like she didn’t go without a fight. A bloody letter opener was found in her hand and her purse was found next to her body emptied. Traces of white powder were found on her desk. Mayer’s secretary Christine Fenton was visited by the investigators who told her about the death of her boss. She did not express any surprise and told them that it was only a matter of time before Mayer’s end came. Christine added that she warned Mayer about a certain man.

The investigators then show Christine the sketch of man based on the description of an eyewitness. She expressed surprise as she recognizes him…

Quality

*Wonder Woman takes part in the search for truth.*

Wow! This is one dark Wonder Woman story to read and I can say that it is a very inspired work written by George Perez based on an idea by Carol Flynn. This is not your typical story of showing the Queen of Superheroes fighting someone evil or saving people from disaster. This is a murder mystery that is laced with corporate intrigue, crime, legal wrangling and the everlasting struggle to determine the truth.

Myndi Mayer’s death really set of a series of events and revelations that are no less striking. Considering the many details about law, crime, investigations and corporate intrigue, the in-depth writing here indicates that George Perez did a lot of researching and found ways to tell a very cohesive story with Wonder Woman playing a role. I should state that as of this writing, this particular story comes close to becoming realistic and reflective of 1980s life. This is top-notch writing by Perez!

When it comes to characterization, Myndi Mayer was deeply portrayed to be in deep trouble both personally and professionally. Of all the Wonder Woman comics of the post-Crisis era of DC Comics I’ve read so far, this one clearly defines Mayer and goes beyond her usual appearance as a prolific publicist.

On Wonder Woman, as mentioned earlier, she does not get to fight a super villain. Rather she takes part in the search for truth and tries her best to solve the mystery even though she is not even fully familiar with the way law and order works in the world of man. In some ways, her approach to literally putting pieces of the puzzle into place and approaching people in different places reminds me somewhat of Batman’s detective work but without the vigilante approach.

Conclusion

*This page about the murder investigation at the scene of the crime has some Watchmen vibes to it.*

I can say that Wonder Woman #20 (1988) is not only a great comic book to read but also one of the most unique stories about the Queen of Superheroes ever published. By this time, George Perez has proven himself to be very prolific in storytelling on top of his great ability to draw art. I should state I love the way the story was structured and the way it ended delivered both impact and intrigue.

If you are seriously planning to buy an existing hard copy of Wonder Woman #20 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $41.

Overall, Wonder Woman #20 (1988) is highly recommended!

+++++

A Look Back at Shogun Warriors #2 (1979)

March 5, 2021March 24, 2021carlocarrasco

Long before Pacific Rim (2013) presented giant robots and monsters slug it out on the big screen with a strong emphasis on action and scale, there were varied animated series of such giants shown in television sets in Japan way back in the 1970s. Then by the end of the decade, Marvel Comics published the Shogun Warriors comic book series in relation to a business deal with Mattel.

Last time, only one giant robot was heavily featured as a defender for human civilization as it became a target by a force of evil that unleashed a giant monster. That robot was Raydeen and as a result of what happened, something led to the unveiling of Combatra and Dangard Ace.

To find out more, here is a look back at Shogun Warriors #2, published by Marvel Comics in 1979 with a story written by Doug Moench and drawn by Herb Trimpe.

Early story

The story begins at the secret facility of Shogun. There the three pilots – Genji Odashu, Ilongo Savage and Richard Carson – are being briefed by Dr. Tambura explains to them that their first mission piloting Raydeen was not a failure at all. While acknowledging that the giant monster Rok-Korr is still a threat, he states to them that giant robots Combatra and Dangard Ace will be deployed and controlled by them.

After giving them a quick tour of their subterranean chamber (where the robots receive maintenance and get tested), Dr. Tambura bring the three pilots into another place filled with high-tech controls. From there, they watch Dangard Ace, Raydeen and Combatra perform in field tests via remote control.

Meanwhile on a different island, the evil leader Maur-Kon rallies his so-called dark agents to rise and work together in seeking vengeance for their defeat in the great war chaos as they have found the forces of eternal good anticipating them. After much talk, Maur-Kon and his minions bow and kneel over bubbling magma murmuring evil phrases…

Quality

*The three pilots get assigned with each robot.*

Like the previous issue, this comic book has less than twenty pages of story and art. This results another heavy load of exposition or information dump on readers, and the narrative had a rushed pace. With regards to the battle between Raydeen and the giant monster, there is indeed a continuation of it. The giant monster was given some personality.

Again, there is no real character development here. The three pilots were not written to display any personality nor did the writer exert any effort to make readers relate with them. Instead, you will see them in training in speed beyond belief.

The highlight here is that Dangard Ace and Combatra finally got revealed and emphasized. Be warned, however, that there is lesser spectacle in this comic book and the story predictably served as a setup for what could be a more promising battle.

Conclusion

*The pilots and the Shogun Warriors (the robots) go deep down.*

Shogun Warriors #2 (1979) suffered from pretty much the same problems as issue #1. The noticeable difference here is that there is lesser action and lesser giant-sized spectacle shown here. That is not exactly surprising as the creators had to sacrifice something to make way for further explanation of the comic series’ grand concept.

If you are seriously planning to buy an existing hard copy of Shogun Warriors #2 (1979), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $35 while the near-mint copies of the price-less and the Whitman editions cost $350 and $35 respectively.

Overall, Shogun Warriors #2 (1979) is less than satisfactory.

+++++

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