Welcome back fellow geeks, Blu-ray collectors and movie buffs! When it comes to cinematic martial arts and stunt works that are thrilling to watch, I can say Hong Kong action filmmakers and performers really stand out. More notably, Jackie Chan and Michelle Yeoh are the cinematic icons of Asia whose decades-old works remain memorable to this day.
That being said, if you are fond of Jackie Chan and Michelle Yeoh, and if you want something really fun to add to your collection of 4K Blu-ray movies, then you should get ready for the release of the 4K Blu-ray of the 1992 Hong Kong action film Police Story 3: Supercop (also referred to as Police Story III: Supercop) which has been set for December 13, 2022. The good news here is that advanced orders of Police Story 3: Supercop 4K Blu-ray are being accepted already. You can order it right now by clicking here.
The 4K Blu-ray cover.
For the details of Police Story 3: Supercop 4K Blu-ray, posted below are technical stuff sourced from its Blu-ray.com page.
Video
Codec: HEVC / H.265
Resolution: 4K (2160p)
HDR: Dolby Vision, HDR10
Original aspect ratio: 2.39:1
Audio – TBA
Subtitles – English, English SDH
Discs – 4K Ultra HD, Blu-ray Disc, Single disc (1 BD)
Packaging – Reversible cover
Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A
Police Story 3: Supercop 4K Blu-ray will come with extra stuff and key features. Check out the official product trailer below…
I personally am interested in this upcoming 4K Blu-ray of the movie that had Jackie Chan and Michelle Yeoh as the stars. For one thing, I only saw the Dimension Films version released in 1996 simply titled Supercop and that version had some content of the original Hong Kong version cut out. I am also interested in the extra stuff related to the dangerous stunts Chan and Yeoh pulled off while making the film. Other aspects of the film’s production, which includes filming in Malaysia, are something I would like to see.
As for the movie itself, it has a lot of thrills and to watch them – as well as Jackie Chan and Michelle Yeoh themselves – again in 4K is something to look out for. On the aspects of story and continuity, this 1992 movie was the 2nd sequel to the original Police Story (1985) movie that I saw long time ago on home video. Filled with lots of action, very dangerous stunts (note: Chan doing the dangerous pole stunt with exploding electric lights inside a shopping mall was the definitive stunt to see) and car chases, Police Story became successful and spawned sequels. Police Story 3: Supercop had Chan working with Michelle Yeoh (note: this was her comeback) and in my view, they had fine chemistry together and proved how great they are with fighting and stunt work. No computer-generated images here as the action and stunts were really done by the stars with high risk and danger. Chan and Yeoh are movie legends now and their team-up in 1992 is alone a solid reason to anticipate the 4K Blu-ray release.
Asian region movie poster of Police Story 3: Supercop.
Watch out for Police Story 3: Supercop 4K Blu-ray on December 13, 2022.
In closing this Better than Streaming piece, posted below are Police Story 3: Supercop-related videos and some videos related to Jackie Chan and Michelle Yeoh.
Welcome back, fellow geeks, Blu-ray collectors and movie buffs! Whether you are a fan of Tom Cruise, or a fan of the 1986 classic Top Gun or if you want something new and exciting to add to your collection of 4K Blu-ray movies, November 1, 2022 will be an important for you as Top Gun: Maverick4K Blu-ray will be released on that very day. Here are some good news…Top Gun: Maverick 4K Blu-ray will come with native 4K visuals and if you are convinced to go for it, you can order it in advance right now!
Top Gun: Maverick 4K Blu-ray cover.
To put things in perspective, posted below is the excerpt from the 4K Blu-ray announcement at Blu-ray.com. Some parts in boldface…
Paramount Home Media Distribution has officially announced that it will release on 4K Blu-ray and Blu-ray Joseph Kosinski’s Top Gun: Maverick (2022), starring Tom Cruise, Val Kilmer, Miles Teller, Jennifer Connelly, and Bashir Salahuddin. The two releases will be available for purchase on November 1.
Studio synopsis: Tom Cruise stars in the global phenomenon Top Gun: Maverick, the #1 film of 2022 with over $1.3 billion in worldwide box office and the highest grossing film of the producer/actor’s acclaimed career. Top Gun: Maverick has been hailed as “spectacular” (Brian Truitt, USA Today), “breathtaking” (Don Kaye, Den of Geek) and “jaw-dropping” (Sean O’Connell, Cinemablend).
After more than thirty years of service as one of the Navy’s top aviators, Pete “Maverick” Mitchell (Tom Cruise) is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him. When he finds himself training a detachment of Top Gun graduates for a specialized mission the likes of which no living pilot has ever seen, Maverick encounters Lt. Bradley Bradshaw (Miles Teller), call sign: “Rooster,” the son of Maverick’s late friend and Radar Intercept Officer Lt. Nick Bradshaw, aka “Goose.”
Posted below are the specs of Top Gun: Maverick 4K Blu-ray…
Video
Codec: HEVC / H.265
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10
Aspect ratio: 2.39:1, 1.90:1
Original aspect ratio: 2.39:1
Audio
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
Subtitles – English SDH, French
Discs – 4K Ultra HD, Blu-ray Disc, Single disc (1 BD-100)
Digital – Digital copy included
Packaging – Slipcover in original pressing
Playback – 4K Blu-ray: Region free
As for the special features and technical specs, posted below are the details sourced from Blu-ray.com…
DOLBY VISION/HDR PRESENTATION OF THE FILM
DOLBY ATMOS AUDIO TRACK
Cleared For Take Off—Witness the most intense film training program as the cast prepare themselves for filming while pulling multiple G’s in a fighter plane.
Breaking New Ground – Filming Top Gun: Maverick—Prepare to take flight as you go behind-the-scenes with the cast and crew of Top Gun: Maverick on a journey to capture the most spectacular aerial sequences ever!
A Love Letter To Aviation – Tom Cruise shares his passion for aviation as he pilots his own aircraft, a vintage World War II P-51 Mustang, which would have been the Top Gun aircraft of its day.
Forging The Darkstar – Pushing the limits beyond Mach-10, the future of aviation is unveiled through an impressive experimental aircraft specially designed for the movie.
Masterclass with Tom Cruise – Cannes Film Festival—Tom Cruise discusses his incredible career at the flagship event of the 75th Cannes Film Festival.
“Hold My Hand” – Lady Gaga Music Video—Watch Lady Gaga’s music video for her standout lead single hit on the Top Gun: Maverick soundtrack.
“I Ain’t Worried” – OneRepublic Music Video—Check out the music video to the original new song from OneRepublic.
Mission: Impossible – Dead Reckoning Part One Teaser Trailer – We all share the same fate. Watch the official teaser trailer for Mission: Impossible – Dead Reckoning Part One starring Tom Cruise. Coming to theatres 2023.
Top Gun: Maverick was released more than thirty years after its predecessor first came out. The 1986 Top Gun itself did not just make a tremendous amount of money in terms of ticket sales as it also made its mark in American pop culture complete with a memorable soundtrack and having notable actors like Val Kilmer, Michael Ironside (note: check out my retro review of V: The Final Battle plus my article about its Blu-ray release), Meg Ryan and Tim Robbinsas supporting cast members. To know more about the 1986 classic, watch Oliver Harper’s in-depth retrospective by clicking here.
More on Top Gun: Maverick, the movie’s success during this COVID-19 pandemic age is astounding as it grossed past $1 billion worldwide and literally it reinvigorated movie theaters around the world! For context, posted below is an excerpt from a recent Forbes.com article regarding the theatrical success. Some parts in boldface…
Top Gun: Maverick’s exceptional success supplied a giant lifeline to theaters and cover for studios willfully underdelivering regular theatrical products in an uncommonly sparse summer. Top Gun: Maverick accounted for 23% of the domestic summer movie line-up. That is partially because it earned around $500 million more than even the rosiest projections.
Top Gun: Maverick also came with the benefits of advanced cinematography technologies and methods which made its flight scenes very pleasing to watch. Practical effects and daring flying methods were used which added to the organic nature of the movie’s visuals which is something that computer-generate imaging (CGI) cannot do. The production team also used IMAX cameras and if the movie is still playing in the near IMAX cinema near you, I encourage you to go watch it while you still have time.
Another notable thing about Top Gun: Maverick is that it defied the wokeness of Commiewood (Communist Hollywood) and emphasized American patriotism. For the newcomers reading this, be aware that there are many millions of socialists, Marxists, Communists and unpatriotic people among young people in America who were brainwashed by the socialists who worked as so-called educators in colleges. Take note from the excerpt posted below sourced from The Daily Mail. Some parts in boldface…
Top Gun is a straightforward action movie that celebrates all that is good about our country and our military.
Add to that the handsome leading men, a romantic drama with Cruise’s love interest Jennifer Connelly, and a new generation of actors and ‘pilots,’ like Miles Teller, and you have darn sequel.
There is also a really moving scene between Maverick and Iceman (Cruise and Val Kilmer) and I am woman enough to admit I cried through it.
But above all else — the movie isn’t overly political, it isn’t depressing, it isn’t focusing on the flaws of the United States of America and why we suck and why our flag and national anthem aren’t worth honoring.
The filmmakers also took a stand against the sickening Hollywood trend of pandering to the demands of the totalitarian Chinese government.
In the 1986 original movie, there is a patch depicting the Taiwanese flag on Maverick’s flight jacket. But during 2019 previews, the patch had been removed to alleged appease Chinese censors.
Movie-goers were happy to see the flag had been restored in the film — a signal that neither the filmmakers nor Cruise are content with being lapdogs to the Chinese regime.
I absolutely loved the movie and I felt good leaving the theatre that evening.
Hollywood must wake up to the reality that ‘go woke, go broke’ is real.
Considering its major achievements that go beyond ticket sales, Top Gun: Maverick is the modern-day entertainment marvel just waiting to be discovered by a lot more people who still have not seen it. Expect Top Gun: Maverick to be among the most wanted titles on Blu-ray and 4K Blu-ray formats this coming Christmas shopping season. Watching the Tom Cruise-led movie in the cinemas, on 4K Blu-ray and Blu-ray is simply better than streaming.
Watch out for Top Gun: Maverick 4K Blu-ray on November 1, 2022.
In closing this Better than Streaming piece, posted below are Top Gun: Maverick-related videos and a few Top Gun videos for your viewing pleasure.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1993 for another look at Steven Spielberg’s Jurassic Park in the form of licensed comic books published by Topps Comics.
In my previous retro review, I found issue #3 to be much more entertaining than the two previous issues mainly due to the thrills and suspense that were the result of the comic book creators’ interpretation the encounter between Dr. Alan Grant’s group and the Tyrannosaurus Rex at its paddock (with the fence no longer electrified due to Dennis Nedry’s dirty act). While the said comic book still had lots of exposition and a wordy presentation, the pace of the storytelling notably moved a bit faster overall.
With those details laid down, here is a look back at Jurassic Park #4, published in 1993 by Topps Comics with a story written by Walter Simonson and drawn by Gil Kane with ink work done by the late George Perez. This comic book was the fourth of a 4-issue mini-series based on the Spielberg-directed movie.
The cover.
Early story
The story begins at the ruined side of the Tyrannosaurus Rex paddock. Lawyer Gennaro is dead while Dr. Ian Malcolm got serious injured as a result of being chased by the T. Rex. The same T. Rex is right in front of Dr. Alan Grant and teenager Lex with the flipped, ruined vehicle near them (with Tim still inside). Knowing that the huge dinosaur’s vision is based on movement, Grant tells Lex to stand perfectly still no matter what happens. As they try to make their slow move to safety, the T. Rex suddenly moves the ruined vehicle against them by the wall of the still deactivated fence. While holding Lex with his left arm, Grant grabs a loose cable to break their fall as the vehicle got pushed over the edge. Several feet down, Grant and Lex land safely as the vehicle hits the ground.
Over at Jurassic Park’s control center, John Hammond is outraged over what happened as Nedry left them (secretly carrying the stolen dinosaur embryos) and their safety systems are all down. Hammond dispatches Robert Muldoon to go out and rescue his grandchildren, and Ellie Sattler volunteers to help out. Struggling with the computer, Ray Arnold tells his boss that there is no way to get Jurassic Park back on-line without Nedry.
Elsewhere within the park, Dennis Nedry struggles to find his way to his destination. Suddenly, his vehicle slips and loses traction…
Quality
This is how the memorable scene of the Raptors and Hammond’s grandchildren was adapted.
Let me start by stating what is very obvious here….this comic book is easily the most enjoyable and fastest-moving adaptation of the key events of Spielberg’s movie (from the T. Rex encounter until the end of the film) albeit with some signs of rush and creative short-cuts. It is also here where the exposition has been lessened and the creators focused more on adapting the cinematic dialogue and the remaining scenes along with the spectacle. The narrative is clearly rushed and it is amusingly amazing to see how the creators managed to cover the remaining events of the movie (note: Dennis Nedry’s death, Robert Muldoon’s tragic encounter with the raptors, Ellie Sattler’s struggle to reactivate the park’s power system, and the varied encounters with the raptors were included) to fit within the pages of this very comic book. In my reading experience, it still worked.
While it is flawed in its execution, this comic book managed to click as a pay-off to the build-up that happened in the first three issues. There is a decent amount of action and sudden moments of incidents here and there, and still the creators managed to tell their own interpretation of the remaining events from the movie.
This is how Dennis Nedry’s death and the loss of the canister (containing the stolen dinosaur embros) were portrayed in this comic book.
Gil Kane’s art on the dinosaurs are somewhat good but in what seems to be a sign of behind-the-scenes production rush, his visual take on the T. Rex’s unexpected heroic moment and struggle with the two raptors was drawn with a lack of precision on size and scale. Such literary translation only made me want to return to the movie itself and replay the said scene (which was climactic cinematically speaking). Surprisingly, Gil Kane managed to visualize a few but noticeable bloody moments particularly with the respective deaths of Dennis Nedry (to the Dilophosaurus) and Robert Muldoon (to the raptors).
As the focus here has always been the adaptation of cinematic events, it is unsurprising that there really was no room for character development. Dr. Grant is the only one who showed any real change from being rough on children (as seen in issue #1) to becoming more caring on them (specifically John Hammond’s grandchildren) due to incidents. All the development on Dr. Grant took four issues both literally and visually. John Hammond could have been developed a lot more if only the dialogue was not too limited with the focus on adapting movie dialogue. Speaking of adaptation, the cinematic error about the instant drop (from the perimeter fence of the T. Rex paddock opposite the road) also made it in this comic book.
Conclusion
This is a creative and clever way the comic book creators combined elements of two separate film scenes into a single sequence with readers in mind.
Even though it had a rushed narrative, Jurassic Park #4 (1993) ironically managed to be the most enjoyable issue of the 4-issue mini-series adapting the blockbuster movie. It has the most amount of spectacle, more dinosaur visuals for dinosaur enthusiasts to enjoy, and the pace moved much faster. Compared to each of the previous issues, this one was a breeze to read and there were bouts of fun. As a companion piece to the blockbuster movie, the 4-part Jurassic Park movie adaptation mini-series served its purpose to translate its events within the limits of illustrated literature. While it does not obviously capture the magical moments nor the sentimental elements of Spielberg’s work, this mini-series managed to complete its own interpretation ultimately creating stuff that could satisfy the brainy comic book reader, the reader who loves thrills and the reader who is simply obsessed with dinosaurs. It is somewhat symbolic that this final issue had the most fun stuff.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1993 which was a wild time for entertainment not only because of the comic book collection craze of the time but also because the whole world marveled at Steven Spielberg’s sci-fi film Jurassic Park which was simply unavoidable.
Jurassic Park was released into cinemas worldwide at a time when computer-generated imagery (CGI) was advanced enough to show and animated dinosaurs in a photo-realistic way on the big screen. Unlike films of today, CGI in Spielberg’s movie was sparingly used and they cleverly used computer graphics to show dinosaurs in their entirety especially on really wide shots that literally made human actors look really small compared to them. What added also to the photorealism of the dinosaurs was the use of animatronics (read: physical models) when capturing close-ups of the dinosaurs. For millions of people, Jurassic Park was a dream come true for those who wanted to see very convincing and lively dinosaurs on the big screen in ways that stop motion animation could not do.
As mentioned earlier, Jurassic Park was unavoidable as it was everywhere from the cinemas to the TV and print ads, to the stores that had licensed toys and merchandise of the movie, to the book stores that sold copies of the novel written by Michael Crichton, and also in the comic book stores that had copies of the comic book adaptation published by Topps Comics.
With those details laid down, here is a look back at Jurassic Park #1, published in 1993 by Topps Comics with a story written by Walter Simonson and drawn by Gil Kane with ink work done by the late George Perez. This comic book was the first of a 4-issue mini-series based on the Spielberg movie.
The cover.
Early story
The story begins at Isla Nublar, an island located over a hundred miles west of the nation of Costa Rica. Uniformed men and heavy equipment operators carefully moved a heavy containment unit that has a dinosaur inside. They are trying to connect the unit into an unusual looking containment facility which has vegetation inside. Their objective was to move the dinosaur into the facility and that includes lifting up the containment unit’s door.
Suddenly, the containment unit shakes as its door opened causing one man (who was responsible for opening the door from the top) falls down. It turns out, the dinosaur inside played a trick on them and it grabbed and pulled the fallen man inside which leads to tragedy.
A short time later, lawyer Gennaro arrives at an amber mind in the Dominican Republic searching for John Hammond for an important matter about a $20 million lawsuit from the family of the injured worker and an insurance company that thinks the accident raises serious safety questions about Jurassic Park.
Over at Montana, Dr. Alan Grant and Ellie Sattler are conducting work at a dig site not knowing that an unexpected visit will happen to them…
Quality
Nothing like entering a large gate going into a theme park.
I will start with what is very obvious about this first issue of the mini-series adapting the events of Steven Spielberg’s movie. This is one very wordy comic book filled with lots of details spilled all over by lots of expository dialogue clearly sourced from the movie. To be clear, this comic book follows the movie’s opening scene until the start of the iconic scene in which Dr. Grant, Ellie and Dr. Ian Malcolm saw the large dinosaur for the first time ever (note: this scene stunned and amazed viewers back then).
As the comic creators really pushed themselves to fill in the key details straight out of the movie most of the time, this comic book lacks spectacle and it is unsurprising that it has very few images of dinosaurs.
Like most comic book adaptations of movies, there were certain cosmetic differences between scenes adapted from the movie such as the traitor Dennis Nedry meeting with Lewis Dodgson in a very urban city street setting (as opposed to the location with lots of trees and vegetation in the film). Also notably different looking was Dr. Grant’s place where he and Ellie first meet John Hammond (in the movie, Dr. Grant’s place looked more lived-in).
In what looked like the creators’ attempt to emphasize something more than what was shown in the movie, the scene in which Dr. Grant scares a kid by showing what a Velociraptor would do to him was visualized with two panels of a dream sequence.
Gil Kane’s art looks good here but don’t expect to see the characters resembling their cinematic counterparts at all. I can only guess that Topps Comics had no authority to capture the likeness of the actors for this adaptation. Dr. Grant does not look like Sam Neill. Ellie Sattler looks nothing like Laura Dern.
Conclusion
This is easily the most entertaining and the most intriguing page from the comic book. The comic book creators succeeded in making Dr. Alan Grant scare the kid more convincingly than the movie.
Jurassic Park #1 (1993) is not a fun read due to its heavy load of expository dialogue and explanations of key details. This issue, to say the least, was done mainly to get readers oriented with terms and details in order to help them understand Jurassic Park’s concepts. Due to the exposition and explanations, the storytelling here moved at a slow space which ironically provides readers opportunities to understand Jurassic Park. The way this comic book script was written, there was clearly too little space for entertainment. If you are the brainy type of reader or if you like junk science mixed with real science explained, then this one can still entertain you. When it comes to visuals, Gil Kane’s art made this one attractive and also established this comic book’s own look.
The cover of Heat Ultimate Collector’s Edition 4K Blu-ray.
According to the Blu-ray.com page of the movie, Heat Ultimate Collector’s Edition 4K Blu-ray will be released with native 4K visuals. Posted below are the technical specs for your reference…
Video
Codec: HEVC / H.265
Resolution: Native 4K (2160p)
HDR: HDR10
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
Audio
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
Subtitles – English SDH, French, Spanish
Discs – 4K Ultra HD, Blu-ray Disc, Three-disc set (1 BD-66, 2 BD-50)
Digital
Movies Anywhere
Packaging – Slipcover in original pressing
Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A
As for the special features and technical specs, posted below are the details sourced from Blu-ray.com…
PREVIOUSLY REMASTERED IN 4K
HDR PRESENTATION OF THE FILM
DTS-HD MASTER AUDIO 5.1 TRACK
Academy Panel reuniting Mann, Pacino and De Niro and moderated by Christopher Nolan
Toronto International Film Festival Q&A with Mann
Audio Commentary by Michael Mann
The Making of Heat
True Crime
Crime Stories
Into the Fire
Pacino and De Niro: The Conversation
Return to the Scene of the Crime
Additional Footage – Deleted Scenes
Scene 5 – Season’s starting early
Scene 42 – Nicest guy on the block
Scene 55 – Albert and Hanna (Alternate Take)
Scene 62 – Shakedown
Scene 76 – Murder in C-Block
Scene 96A – Let’s Dance
Scene 125 – Late arrival
Scene 148/147 – Where’s Anna?
Scene 177B – Double the worst trouble
Scene 191 – Nate delivers
Scene 204A – No response
Theatrical Trailers
Surprise of a Lifetime
Two Actors Collide
Closing In
Optional English SDH, Spanish, and French subtitles for the main feature
For the newcomers reading this, Heat was released in late-1995 and it told a very compelling story about crime and law enforcement with De Niro leading a gang of proficient thugs and Pacino leading a team of law enforcers. On both sides, obsession is a major factor as seen in the respective performances of the two Hollywood legends. Apart from the story, the film also has very notable actors supporting the two top actors such as Jon Voight, Tom Sizemore, Ashley Judd and Dennis Haysbert to name some. Each member of the cast performed well on-screen.
When it comes to action, the city bank heist and street shootout scenes are still great to watch even by today’s standards. If you had seen Heat and you played either Grand Theft Auto IV and Grand Theft Auto V, you will realize that the games’ respective bank heist scenes obviously took a lot of inspiration from the movie. Heat is also the subject of countless video reviews, film analysis videos and trivia-type videos on YouTube.
Watch out for Heat Ultimate Collector’s Edition 4K Blu-ray on August 9, 2022.
In closing this Better than Streaming piece, posted below are Heat-related videos for your viewing pleasure.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today we go back to the year 1983 which saw the theatrical release of Superman III that featured the late Christopher Reeve as the cinematic Man of Steel.
The 1980s was a very different time with regards to Hollywood’s handling of superhero movies. The concept of a shared cinematic universe was decades away from realization. Warner Bros. back then relied on the Salkind family to produce Superman movies and the first flick in 1978 proved to be a major hit for both viewers and critics while also establishing Christopher Reeve as the definitive live-action Superman for countless people. Unsurprisingly, a sequel was released in the early 1980s which continued box office success for the stakeholders and only led to the approval of another sequel.
Along the way, the late Richard Pryor (a major comedian already) appeared on TV and talked about Superman II which eventually led to him getting hired for Superman III. The movie was released in 1983 making a little over $80 million worldwide while also getting a noticeably weaker reception from critics. More notably, Richard Pryor had a huge chunk of the film’s spotlight as Gus Gorman while the overshadowed Christopher Reeve managed to stretch his cinematic art on playing Clark Kent and Superman (note: there is also the memorable Clark versus Superman battle). Superman III very clearly had a lot more comedy in its presentation. As part of the movie’s marketing, an official comic book adaptation by DC Comics was published.
With those details laid down, here is a look back at the Superman III comic book adaptation, published by DC Comics in 1983 with a story written by Cary Bates and art made by the late Curt Swan and Sal Amendola.
The cover.
Early story
The story begins inside the unemployment bureau of Metropolis. There, August “Gus” Gorman was told after 36 weeks of chronic unemployment, he is no longer eligible for financial assistance (read: welfare) from the city. As he was about to light his cigarette, he noticed computer job ad on the match. Gorman proceeds to the Archibald Data Processing School where he gets enrolled with several others. In front of others, Gorman does something on a computer which impressed the instructor a lot.
Over at the Daily Planet, Clark Kent/Superman, Lois Lane and Jimmy Olsen meet with Perry White at his office. Kent will be returning home to Smallville and make a news story out of it. White gives Kent his approval and then tells Lois she deserves a vacation.
Hours later, Kent and Jimmy Olsen ride the bus together going to Smallville but their ride stops as a result of a huge fire damaging a large chemical plant. A police officer reveals to Olsen that the scientists inside are worried about the plant and its stuff getting destroyed by the fire.
Kent carefully leaves the bus and discreetly changes into Superman to help solve the problem. Olsen, meanwhile, sneaks past the authorities to get to the burning chemical plant.
Over at Webcoe Industries, company head Ross Webster and his sister Vera learn that more than $85,000 worth of company funds was stolen by someone within. Just outside the office, Gus Gorman enters his fancy looking sports car which Webster, Vera and Lorelei notice. Webster asked how could one of their computer technicians afford such a vehicle worth $75,000…
Quality
This is a creative way the comic book team used to dramatize Gus Gorman scene revealing and acting the bad news to his boss Ross Webster whose plans were thwarted by Superman.
While it is understandable that not all scenes and not all character moments from the movie made it on print media, this comic book still managed to capture the film’s essence for the most part. The creative team pulled off their own interpretations of the events and made something entertaining and engaging even though they had to deal with the major challenge of summarizing the movie’s plot and establishing a workable comic book narrative.
I should state that the comic team creatively avoided making in-depth references about liquor and smoking which were obvious in the movie. You will not see Superman drinking liquor at a bar nor will you see Gus Gorman referring to tar listed on a cigarette pack. I suppose this was done to ensure the comic book would be released widely and be acceptable to very young readers and the parents watching them.
The battle between evil Superman and Clark Kent is best viewed in the movie. This one is a shorter and less detailed version of it.
When it comes to establishing the clear lead among all the characters featured, Superman fans should be delighted to know that the Man of Steel is indeed more prominent than Gus Gorman. Take note that in the movie, Richard Pryor’s Gus Gorman overshadowed Christopher Reeve’s Superman/Clark.
Remember the frightening sequence of Vera getting captured and turned into a cybernetic figure by the Super Computer? This is what it looks like in comic book format.
The art done by Curt Swan and Sal Amendola is decent and it seems to me that their time on visualizing Cary Bates’ script was indeed limited. That being said, it was not surprising to me that, with the exception of Ross Webster in one specific image, none of the characters resembled their cinematic counterparts. Clark Kent/Superman never resembled Christopher Reeve, and Gus Gorman looks nothing like Richard Pryor. Clearly, the artists’ focus was visualizing the narrative which they succeeded.
Conclusion
Clark Kent, Lois Lane, Jimmy Olsen and Perry White in the Daily Planet.
Superman saving Lana Lang’s son from certain death.
Having seen the Christopher Reeve/Richard Pryor movie in the cinema and on cable TV since 1983, I can say that Superman III (1983) is a decent adaptation. It’s not 100% faithful but it is still a worthy read as it will give you the movie’s concept and entertainment values in literary form. If you really want to full essence of film along with the cinematic moments (note: the Superman-Clark battle is the cinematic highlight) all intact, then your obvious choice is to watch the movie. If you are turned off by the movie’s wacky comedy, then the comic book adaptation will deliver to you the more serious approach on telling Superman III’s story. Let me repeat that Superman is more prominent than Gus Gorman in this comic book.
Welcome back, fellow geeks, Blu-ray collectors and movie buffs! If you are sick and tired of the modern-day wokeness-filled garbage of Communist Hollywood (Commiewood) and if you are nostalgic about 1980s Hollywood cinema, then you should be interested to learn that the Red Dawn Collector’s Edition 4K Blu-ray will be released on August 16, 2022 and already pre-orders are being accepted online.
Red Dawn Collector’s Edition 4K Blu-ray is set for an August 16, 2022 release.
Discs – 4K Ultra HD, Blu-ray Disc, Two-disc set (1 BD-100, 1 BD-50)
Packaging – Slipcover in original pressing, Inner print
Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A (B, C untested)
For the newcomers reading this, Red Dawnis a 1984 action movie directed by John Milius that explores what would happen in America – specifically at a Colorado town surrounded by wilderness – once World War III breaks out and the nation gets invaded by the Soviet Union (Russians) and their South American Commies. A small group of teenagers manage to escape the invasion of their town and moved into the wilderness with limited supplies to survive with. As the Leftists impose order in the town, the group slowly organizes itself into a force of opposition with one objective: freedom.
This movie starred the late Patrick Swayze, Charlie Sheen, C. Thomas Howell, Lea Thompson and Jennifer Grey when they were much younger. As the 1980s had lots of Hollywood movies about teenagers presented in comedies and drama films, Red Dawn easily stands out among them all as it deals a very serious concept related to the Cold War back then. Its story is a powerful reminder that Communists and the Satanic Left are essentially evil.
Given the fact that America today has several millions of young people brainwashed by socialists in schools, the fact that Leftist terrorists groups like Black Lives Matter (BLM) and Antifa are tearing down American society, the fact that Hollywood has lots of Commies and SJWs among its members, the fact that gun owners’ rights are being attacked a lot by the Left, the fact that Democrats prioritize illegal immigrants over American citizens, and the fact that lots of politicians abuse their governmental powers to emphasize socialism, Communism, Marxism and other wicked values on the people, Red Dawn of 1984 is still highly relevant. This is the movie that liberals and people poisoned with political correctness cannot tolerate. Watch out for Red Dawn Collector’s Edition 4K Blu-ray on August 16, 2022.
In closing this Better than Streaming piece, posted below are Red Dawn-related videos for your viewing pleasure.
I finally did it! After two years of living with the COVID-19 crisis, I finally returned to the local cinema at Commercenter in Alabang recently where I saw The Batman on the big screen. The day was March 5 (Saturday) and it was a very notable experience for me personally and I can say that the theatrical experience is still better than watching movies via streaming.
To be very clear, it has been months since the cinemas all over Metro Manila reopened and as the months passed by, moviegoers have gradually returned in relation to what films were screened, what the local Alert Levels were and what health protocols were implemented. The reopening of cinemas went a long way since the 1st quarter of 2021 (for references click here, here, here and here) and the Philippine cinema industry as a whole is trying to recover what was lost over the past two years. At one point, the movie theaters employed over 300,000 employees nationwide.
On my way to watching The Batman at the cinema with my ticket!
Going back to my return to the local cinema, I want to make clear that currently the cinemas will only accept people who have been fully vaccinated (meaning two doses of most COVID-19 vaccine brands were injected) which is why vaccination cards/passes are required for verification BEFORE any ticket will be sold. As such, I showed to the theater ticket seller my vaccination card and eventually I was allowed to purchase a ticket for The Batman which was P320 (more than US$6). I should state that it was also there at the Commercenter cinema where I last saw a movie in 2020…just before the first lockdown happened.
More on rules, it has been declared already that food and drinks are prohibited in Commercenter’s cinemas and that moviegoers are to wear their masks on as they watch a movie. Again, the prohibition on food and drinks at the said cinema were in effect when I viewed The Batman on March 5. According to a March 9, 2022 report by the Manila Bulletin, some theaters allowed their moviegoers to have food while watching.
For transparency, these are the rules for you to see.
While having no food and drink was a bummer for me as a paying moviegoer, I decided to just let things be and focus strongly on the narrative of The Batman which has a running time of almost three hours! That being said, as the movie went on, I was compelled to really focus on the story, the details and the dialogue (note: I turned my smartphone off as soon as I sat down). I also realized something that movie theaters can instantly provide that streaming apps and the home-based theater cannot – complete privacy and immersion.
In other words, there no distractions from external forces (examples: smartphone updates through the Internet, in-home telephone ringing, a noisy neighbor, someone knocking on the door, the house doorbell ringing, a motorist driving a car with an overly loud sound outside the house, etc.) and as such I experienced this strong engagement in watching the Matt Reeves-directed Batman movie. I also noticed that not only does Colin Farrell looks truly unrecognizable as the new cinematic Penguin, there were two moments I noticed he sounded and spoke like Robert de Niro!
I should also state that there were several other moviegoers who occupied seats on rows behind and in front of me. Clearly the attendance of that very screening was below 50% which only reminds me that the pandemic is still ongoing here in the Philippines. Fortunately, everyone was well behaved and in-theater noise and distractions were non-existent.
After waiting until the very end to see the very short and cryptic end-credits scene, I finally left the cinema satisfied and entertained. I found The Batman a worthy movie to watch on the big screen but to judge its quality and emphasized my observations about it, I would do that in a possible movie review.
Nothing like looking at what films are being shown before you reach the ticket counter.
My return to watching a movie in the local cinema was a really interesting experience. It was also my first time in many years to watch a movie on the big screen without consuming any drink or food. Still, I got my money’s worth overall and I really hope that what I paid will keep helping not just Commercenter cinema but the entire movie theater industry to achieve economic recovery with the pandemic still ongoing. The more people who get fully vaccinated, and the more fully vaccinated people who get boosted, the better it will be for movie theaters in terms of qualified moviegoers.
When it comes to spending time inside Commercenter, be aware that the mall has really nice places to enjoy delicious meals before or after you watch a movie at their cinema. You love ramen and Japanese meals, go to Sigekiya Ramen. You want to try Greek cuisine? Visit Akrotiri. You like good food and wine? Visit The Black Pig.
To those of you reading this, if you have the means and if your local cinemas are allowed to operate, I encourage you to buy tickets and watch your desired movie on the big screen inside the cinema. I suggest you stop streaming temporarily and help the movie theaters achieve economic recovery from this pandemic. For The Batman, I say screw HBO Maxand HBO Go!
Remember this: Streaming will NEVER match the grandeur and immersion of the cinema! The cinema is always better than streaming. What you pay for movie tickets will help not only the cinema operators and their respective employees, you will also help the local authorities by means of tax collection and keeping the local area in order.
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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/
Welcome back, fellow geeks, Blu-ray collectors and movie buffs! If you are sick and tired of the modern-day comedy films and wokeness-filled garbage of Commie-filled Hollywood (AKA Commiewood), then something fun and entertaining from the past should interest you as the Blu-ray disc of the 1984 comedy Top Secret!will be released on May 17, 2022! In addition to that, pre-orders are already being accepted online!
For the newcomers reading this, Top Secret! was written and directed by the trio of Jim Abrahams, David Zucker, and Jerry Zucker. These are the same three guys responsible for the classic comedy Airplane! (note: you can order the Blu-ray disc here).
Top Secret! stars a very young Val Kilmer along with Lucy Gutteridge, Jeremy Kemp, Christopher Villiers and the late Peter Cushing. Top Secret! is a parody of spy movies of World War II and the Cold War, laced with creative references of Elvis Presley musicals. Below is the official description from the Blu-ray.com article…
Popular and dashing American singer Nick Rivers (Val Kilmer) travels to East Germany to perform in a music festival. When he loses his heart to the gorgeous Hillary Flammond (Lucy Gutteridge), he finds himself caught up in an underground resistance movement. Rivers joins forces with Agent Cedric (Omar Sharif) and Flammond to attempt the rescue of her father, Dr. Paul (Michael Gough), from the Germans, who have captured the scientist in hopes of coercing him into building a new naval mine.
Personally, I’m glad that Top Secret! will be released on Blu-ray as I enjoyed watching that movie. I’m not a fan of Val Kilmer nor of any of the other actors, but I am an admirer of the comedy style of Jim Abrahams and the two Zuckers. This is comedy that is old and effectively amusing in my view.
In closing this Better than Streaming piece, posted below are Top Secret!-related videos for your viewing pleasure.
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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/
Welcome back, fellow geeks, Blu-ray collectors and movie buffs! If you are fond of old-school creature features, suspense and horror for your home viewing, then you might be interested to know that the 1980 film Alligatorwill be released in 4K Blu-ray format on February 22, 2022 according to a Blu-ray.com update. Alligator 4K Blu-ray is an upcoming release prepared by Scream Factory and interested costumers can order it right now online.
To put things in perspective, posted below are key details from the Blu-ray.com article about Alligator 4K Blu-ray combo. Some parts in boldface…
The 4K Blu-ray cover.
DISC ONE: 4K BLU-RAY – THEATRICAL VERSION
EXCLUSIVE NEW 4K RESTORATION FROM THE ORIGINAL CAMERA NEGATIVE
Audio Commentary With Director Lewis Teague And Actor Robert Forster
Optional English SDH subtitles for the main feature
DISC TWO: BLU-RAY – THEATRICAL VERSION
EXCLUSIVE NEW 4K RESTORATION FROM THE ORIGINAL CAMERA NEGATIVE
NEW Everybody In The Pool – An Interview With Actress Robin Riker
NEW Wild In The Streets – An Interview With Director Lewis Teague
NEW It Walks Among Us – An Interview With Screenwriter John Sayles
NEW Luck Of The Gator – An Interview With Special Makeup Effects Artist Robert Short
NEW Gator Guts, The Great River, And Bob – An Interview With Production Assistant, Now Famous Actor/Director/Producer, Bryan Cranston
NEW Newspaper Ad Still Gallery By Drive-In Asylum
Audio Commentary With Director Lewis Teague And Actor Robert Forster
Alligator Author – An Interview With Screenwriter John Sayles
Additional Scenes From The TV Version
Promotional Materials
NEW Teaser Trailer (New 2K Scan)
NEW Theatrical Trailer (NEW 2K Scan)
NEW TV Spots (NEW 2K Scan)
Trailers From Hell – Filmmaker Karyn Kusama (Jennifer’s Body) On ALLIGATOR
ALLIGATOR Game Television Commercial
Still Gallery (Movie Stills, Movie Posters, Lobby Cards, And Behind-The-Scenes Photos)
Optional English SDH subtitles for the main feature
DISC THREE: BLU-RAY – EXTENDED TELEVISION VERSION
NEW 4K RESTORATION FROM THE OCN WITH ADDITIONAL FOOTAGE FROM AN INTERPOSITIVE
The extended television version is presented in high-definition for the first time ever.
Posted below are the other details from Alligator’s own page at Blu-ray.com…
Discs – 4K Ultra HD, Blu-ray Disc, Three-disc set (1 BD-100, 2 BD-50)
Packaging – Slipbox, Reversible cover
Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A
The movie poster from 1980.
Personally, I saw Alligator on home video way back in the 1980s and sometimes on cable TV afterwards. In American pop culture, the Lewis Teague-directed movie was one of several creature feature movies that got released as part of a wave of imitators who were inspired by the massive success of Steven Spielberg’s Jaws. Alligator had a mixed-to-positive reception from the movie critics in 1980 and its ticket sales were almost four times its production budget.
How this old movie will look like in 4K interests me, and the 4K visuals have been confirmed to be native 4K. As typical with other Scream Factory releases, Alligator will come with lots of extra stuff that fans and movie buffs will eventually enjoy. Watch out for this 4K Blu-ray release on February 22, 2022.
In closing this Better than Streaming piece, posted below are Alligator-related videos for your viewing pleasure.
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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/
Author Carlo Carrasco 